Instagram Story Viewer

Some documentation of Flock 2.0, part of the exhibition with @vernersoler running at @casadangel in Lumnezia, Switzerland right now!

‘Flock’ (2026) borrows the ensemble format of a ‘herd’ from the local livestock of Lumnezia, contextualizing their bell bonks as a format for collective improvised composition. Human participants in Flock use an 88-key piano to trigger sounds from traditional Swiss livestock bells, with each interaction recorded and played back later. Sounds were created using extended percussion techniques (bows, a water bucket, spinning coins, etc), without the use of extensive editing or effects.

Big thanks to Colin Cudmore (@dipshit_ass_420 ) who contributed his percussion expertise for some incredible sounds, Phillipe from @swissclubto for lending me their big beautiful bells, @leanderalbin who came in so clutch lending his keyboard for the exhibition & who graciously hosted our first visit to Lumnezia, @margot_fab for encouraging us to apply to Residenza in the first place & supporting me throughout working on the piece, and Brennan, Colin, Cookie, Emma, Emerson, Sam, & Maddie for coming over and playing around with Flock before I sent it off. Last but not least, thanks to @marculescoray for inviting me and setting up the show, I hope to make it back to Lumbrein to see the show before long! Video and photos by @daniela.derungs

Missing Lumnezia & our residenza fam so much today ! ❤️

Some documentation of Flock 2.0, part of the exhibition with @vernersoler running at @casadangel in Lumnezia, Switzerland right now!

‘Flock’ (2026) borrows the ensemble format of a ‘herd’ from the local livestock of Lumnezia, contextualizing their bell bonks as a format for collective improvised composition. Human participants in Flock use an 88-key piano to trigger sounds from traditional Swiss livestock bells, with each interaction recorded and played back later. Sounds were created using extended percussion techniques (bows, a water bucket, spinning coins, etc), without the use of extensive editing or effects.

Big thanks to Colin Cudmore (@dipshit_ass_420 ) who contributed his percussion expertise for some incredible sounds, Phillipe from @swissclubto for lending me their big beautiful bells, @leanderalbin who came in so clutch lending his keyboard for the exhibition & who graciously hosted our first visit to Lumnezia, @margot_fab for encouraging us to apply to Residenza in the first place & supporting me throughout working on the piece, and Brennan, Colin, Cookie, Emma, Emerson, Sam, & Maddie for coming over and playing around with Flock before I sent it off. Last but not least, thanks to @marculescoray for inviting me and setting up the show, I hope to make it back to Lumbrein to see the show before long! Video and photos by @daniela.derungs

Missing Lumnezia & our residenza fam so much today ! ❤️

Some documentation of Flock 2.0, part of the exhibition with @vernersoler running at @casadangel in Lumnezia, Switzerland right now!

‘Flock’ (2026) borrows the ensemble format of a ‘herd’ from the local livestock of Lumnezia, contextualizing their bell bonks as a format for collective improvised composition. Human participants in Flock use an 88-key piano to trigger sounds from traditional Swiss livestock bells, with each interaction recorded and played back later. Sounds were created using extended percussion techniques (bows, a water bucket, spinning coins, etc), without the use of extensive editing or effects.

Big thanks to Colin Cudmore (@dipshit_ass_420 ) who contributed his percussion expertise for some incredible sounds, Phillipe from @swissclubto for lending me their big beautiful bells, @leanderalbin who came in so clutch lending his keyboard for the exhibition & who graciously hosted our first visit to Lumnezia, @margot_fab for encouraging us to apply to Residenza in the first place & supporting me throughout working on the piece, and Brennan, Colin, Cookie, Emma, Emerson, Sam, & Maddie for coming over and playing around with Flock before I sent it off. Last but not least, thanks to @marculescoray for inviting me and setting up the show, I hope to make it back to Lumbrein to see the show before long! Video and photos by @daniela.derungs

Missing Lumnezia & our residenza fam so much today ! ❤️

Some documentation of Flock 2.0, part of the exhibition with @vernersoler running at @casadangel in Lumnezia, Switzerland right now!

‘Flock’ (2026) borrows the ensemble format of a ‘herd’ from the local livestock of Lumnezia, contextualizing their bell bonks as a format for collective improvised composition. Human participants in Flock use an 88-key piano to trigger sounds from traditional Swiss livestock bells, with each interaction recorded and played back later. Sounds were created using extended percussion techniques (bows, a water bucket, spinning coins, etc), without the use of extensive editing or effects.

Big thanks to Colin Cudmore (@dipshit_ass_420 ) who contributed his percussion expertise for some incredible sounds, Phillipe from @swissclubto for lending me their big beautiful bells, @leanderalbin who came in so clutch lending his keyboard for the exhibition & who graciously hosted our first visit to Lumnezia, @margot_fab for encouraging us to apply to Residenza in the first place & supporting me throughout working on the piece, and Brennan, Colin, Cookie, Emma, Emerson, Sam, & Maddie for coming over and playing around with Flock before I sent it off. Last but not least, thanks to @marculescoray for inviting me and setting up the show, I hope to make it back to Lumbrein to see the show before long! Video and photos by @daniela.derungs

Missing Lumnezia & our residenza fam so much today ! ❤️

Some documentation of Flock 2.0, part of the exhibition with @vernersoler running at @casadangel in Lumnezia, Switzerland right now!

‘Flock’ (2026) borrows the ensemble format of a ‘herd’ from the local livestock of Lumnezia, contextualizing their bell bonks as a format for collective improvised composition. Human participants in Flock use an 88-key piano to trigger sounds from traditional Swiss livestock bells, with each interaction recorded and played back later. Sounds were created using extended percussion techniques (bows, a water bucket, spinning coins, etc), without the use of extensive editing or effects.

Big thanks to Colin Cudmore (@dipshit_ass_420 ) who contributed his percussion expertise for some incredible sounds, Phillipe from @swissclubto for lending me their big beautiful bells, @leanderalbin who came in so clutch lending his keyboard for the exhibition & who graciously hosted our first visit to Lumnezia, @margot_fab for encouraging us to apply to Residenza in the first place & supporting me throughout working on the piece, and Brennan, Colin, Cookie, Emma, Emerson, Sam, & Maddie for coming over and playing around with Flock before I sent it off. Last but not least, thanks to @marculescoray for inviting me and setting up the show, I hope to make it back to Lumbrein to see the show before long! Video and photos by @daniela.derungs

Missing Lumnezia & our residenza fam so much today ! ❤️

Finally releasing her out into the world : Water is a Shifting Mirror is out on March 6 2026. Pre-orders available on bandcamp.

This is my first album and it took 6 years to make. I remember looking out at the Bow River in Calgary, during the height of the pandemic, feeling so much grief at what was happening in and around me. I had just started writing music again, a practice that I rejected for many years because of the pain I placed onto it. I was running away from myself at the time but music eventually brought me back. Writing this album was the true unraveling that I needed, and it was fucking hard. I couldn’t face her alone, and so water became the vessel to hold all my complicated feelings.

I moved cities, I moved through 4 different apartments, I ended many relationships. I brought this music with me through all of these changes. Drafts upon drafts, and tears upon tears… But through all those changes I ended up in a place I could finally call home. A place I could see my entire self where I wasn’t afraid anymore.

Forever grateful to Raf Wilcot for sticking it through with me to the end and for providing so much input and insight into making this album what it is. Thank you for helping me find my voice and for encouraging me that my story is one that deserves to be told. I am so glad we get to play this music together - and through many iterations!

Album
Written by Katie Lee*
Produced by Katie Lee and Raf Wilcot
Mixed by Raf Wilcot
Mastered by Nik Kozub

Cover
Photo: Marcel North Gallant
Photo Retouching: Fatine-Violette Sabiri
Hair & Makeup: Selena Hofmann
Art Direction & Graphic Design: Mohammad Rezaei & Saam Keshmiri

*Charon Complex and The Supremacy of Fresh Water cowritten with Raf Wilcot

Finally releasing her out into the world : Water is a Shifting Mirror is out on March 6 2026. Pre-orders available on bandcamp.

This is my first album and it took 6 years to make. I remember looking out at the Bow River in Calgary, during the height of the pandemic, feeling so much grief at what was happening in and around me. I had just started writing music again, a practice that I rejected for many years because of the pain I placed onto it. I was running away from myself at the time but music eventually brought me back. Writing this album was the true unraveling that I needed, and it was fucking hard. I couldn’t face her alone, and so water became the vessel to hold all my complicated feelings.

I moved cities, I moved through 4 different apartments, I ended many relationships. I brought this music with me through all of these changes. Drafts upon drafts, and tears upon tears… But through all those changes I ended up in a place I could finally call home. A place I could see my entire self where I wasn’t afraid anymore.

Forever grateful to Raf Wilcot for sticking it through with me to the end and for providing so much input and insight into making this album what it is. Thank you for helping me find my voice and for encouraging me that my story is one that deserves to be told. I am so glad we get to play this music together - and through many iterations!

Album
Written by Katie Lee*
Produced by Katie Lee and Raf Wilcot
Mixed by Raf Wilcot
Mastered by Nik Kozub

Cover
Photo: Marcel North Gallant
Photo Retouching: Fatine-Violette Sabiri
Hair & Makeup: Selena Hofmann
Art Direction & Graphic Design: Mohammad Rezaei & Saam Keshmiri

*Charon Complex and The Supremacy of Fresh Water cowritten with Raf Wilcot

Finally releasing her out into the world : Water is a Shifting Mirror is out on March 6 2026. Pre-orders available on bandcamp.

This is my first album and it took 6 years to make. I remember looking out at the Bow River in Calgary, during the height of the pandemic, feeling so much grief at what was happening in and around me. I had just started writing music again, a practice that I rejected for many years because of the pain I placed onto it. I was running away from myself at the time but music eventually brought me back. Writing this album was the true unraveling that I needed, and it was fucking hard. I couldn’t face her alone, and so water became the vessel to hold all my complicated feelings.

I moved cities, I moved through 4 different apartments, I ended many relationships. I brought this music with me through all of these changes. Drafts upon drafts, and tears upon tears… But through all those changes I ended up in a place I could finally call home. A place I could see my entire self where I wasn’t afraid anymore.

Forever grateful to Raf Wilcot for sticking it through with me to the end and for providing so much input and insight into making this album what it is. Thank you for helping me find my voice and for encouraging me that my story is one that deserves to be told. I am so glad we get to play this music together - and through many iterations!

Album
Written by Katie Lee*
Produced by Katie Lee and Raf Wilcot
Mixed by Raf Wilcot
Mastered by Nik Kozub

Cover
Photo: Marcel North Gallant
Photo Retouching: Fatine-Violette Sabiri
Hair & Makeup: Selena Hofmann
Art Direction & Graphic Design: Mohammad Rezaei & Saam Keshmiri

*Charon Complex and The Supremacy of Fresh Water cowritten with Raf Wilcot

Sip MV - Eejungmi
Written by Katie Lee
Produced by Katie Lee and Raf Wilcot
Mixed by Raf Wilcot (@rafwilcot )
Mastered by Nik Kozub (@nikseven )

Directed and edited by Bea Scharf-Pierzchala (@baeah )

NEW @eejungmi vid today! you can find it at @reverie_online & the link is also in my bio. Also — a bit of a soft-launch for Aural Works, a new CD imprint (logo by @margot_fab). All we have right now is a youtube page so LIKE AND SUBSCRIBE and give kt’s video lots of views please.

soooo thrilled this music and fatine’s video is finally seeing the light of day 🙏🏻🙏🏻 lots more SOON!

Music:
Written by Katie Lee
Produced by Katie Lee and Raf Wilcot
Mixed by Raf Wilcot
Mastered by Nik Kozub

Video:
Directed by Fatine-Violette Sabiri
Assisted by Nathan Donovan and Raf Wilcot

NEW @eejungmi vid today! you can find it at @reverie_online & the link is also in my bio. Also — a bit of a soft-launch for Aural Works, a new CD imprint (logo by @margot_fab). All we have right now is a youtube page so LIKE AND SUBSCRIBE and give kt’s video lots of views please.

soooo thrilled this music and fatine’s video is finally seeing the light of day 🙏🏻🙏🏻 lots more SOON!

Music:
Written by Katie Lee
Produced by Katie Lee and Raf Wilcot
Mixed by Raf Wilcot
Mastered by Nik Kozub

Video:
Directed by Fatine-Violette Sabiri
Assisted by Nathan Donovan and Raf Wilcot

PREMIERE: “Water in Combination” by @eejungmi 💧

With her new single “Water in Combination,” Toronto-based artist and producer Eejungmi (Katie Lee, previously of Braids) opens a vivid new chapter—one rooted in a deepened relationship to the natural world. The track is the first preview of her forthcoming debut album Water is a Shifting Mirror, a project shaped by months spent visiting the riverbanks near her home and learning to write music again on her own terms.

Head over to reverie-online.com to read our chat with Eejungmi where we learn about the album’s origins, her evolving connection to community and dance culture, the production techniques behind the single, and the years-long journey that brought her from Calgary’s rivers to Toronto’s dance floors and, ultimately, into the most personal work of her career.

More of my interactive sound installation Flock from Back to School Field Trip organized by @ministryphonic ! thx for having me and thx to @truest.desires for the pictures :)

I’m working on another version of this project for January, and am hoping to find some ~*authentic*~ swiss livestock bells in Toronto or nearby… if anyone has leads LMK !!!

More of my interactive sound installation Flock from Back to School Field Trip organized by @ministryphonic ! thx for having me and thx to @truest.desires for the pictures :)

I’m working on another version of this project for January, and am hoping to find some ~*authentic*~ swiss livestock bells in Toronto or nearby… if anyone has leads LMK !!!

More of my interactive sound installation Flock from Back to School Field Trip organized by @ministryphonic ! thx for having me and thx to @truest.desires for the pictures :)

I’m working on another version of this project for January, and am hoping to find some ~*authentic*~ swiss livestock bells in Toronto or nearby… if anyone has leads LMK !!!

More of my interactive sound installation Flock from Back to School Field Trip organized by @ministryphonic ! thx for having me and thx to @truest.desires for the pictures :)

I’m working on another version of this project for January, and am hoping to find some ~*authentic*~ swiss livestock bells in Toronto or nearby… if anyone has leads LMK !!!

More of my interactive sound installation Flock from Back to School Field Trip organized by @ministryphonic ! thx for having me and thx to @truest.desires for the pictures :)

I’m working on another version of this project for January, and am hoping to find some ~*authentic*~ swiss livestock bells in Toronto or nearby… if anyone has leads LMK !!!

‘Flock’ (2025) - An interactive sound installation & collective improvisation composition presented at the Benefeci in Rumein, Switzerland as part of Casa D’Angel’s Residenza program.

“Join the Flock and improvise on the provided keyboard, triggering sounds from livestock bells borrowed from the Albin Farm. Flock is always recording, and your movements will be played back later.

Some ideas for your performance:
- Be a sheep
- Be a human
- Take a solo
- Play a support role
- Make a moo sound
- Sit and listen”

Endless thanks to the people of Lumnezia for the warm welcome, particularly @leanderalbin, @noreenaline_ , and Marco from @casadangel, @biohofalbin.ch , and to all my fellow residents / new bffs ❣️ I will remember my time in Switzerland forever and I hope to be back before long.

‘Flock’ (2025) - An interactive sound installation & collective improvisation composition presented at the Benefeci in Rumein, Switzerland as part of Casa D’Angel’s Residenza program.

“Join the Flock and improvise on the provided keyboard, triggering sounds from livestock bells borrowed from the Albin Farm. Flock is always recording, and your movements will be played back later.

Some ideas for your performance:
- Be a sheep
- Be a human
- Take a solo
- Play a support role
- Make a moo sound
- Sit and listen”

Endless thanks to the people of Lumnezia for the warm welcome, particularly @leanderalbin, @noreenaline_ , and Marco from @casadangel, @biohofalbin.ch , and to all my fellow residents / new bffs ❣️ I will remember my time in Switzerland forever and I hope to be back before long.

‘Flock’ (2025) - An interactive sound installation & collective improvisation composition presented at the Benefeci in Rumein, Switzerland as part of Casa D’Angel’s Residenza program.

“Join the Flock and improvise on the provided keyboard, triggering sounds from livestock bells borrowed from the Albin Farm. Flock is always recording, and your movements will be played back later.

Some ideas for your performance:
- Be a sheep
- Be a human
- Take a solo
- Play a support role
- Make a moo sound
- Sit and listen”

Endless thanks to the people of Lumnezia for the warm welcome, particularly @leanderalbin, @noreenaline_ , and Marco from @casadangel, @biohofalbin.ch , and to all my fellow residents / new bffs ❣️ I will remember my time in Switzerland forever and I hope to be back before long.

‘Flock’ (2025) - An interactive sound installation & collective improvisation composition presented at the Benefeci in Rumein, Switzerland as part of Casa D’Angel’s Residenza program.

“Join the Flock and improvise on the provided keyboard, triggering sounds from livestock bells borrowed from the Albin Farm. Flock is always recording, and your movements will be played back later.

Some ideas for your performance:
- Be a sheep
- Be a human
- Take a solo
- Play a support role
- Make a moo sound
- Sit and listen”

Endless thanks to the people of Lumnezia for the warm welcome, particularly @leanderalbin, @noreenaline_ , and Marco from @casadangel, @biohofalbin.ch , and to all my fellow residents / new bffs ❣️ I will remember my time in Switzerland forever and I hope to be back before long.

‘Flock’ (2025) - An interactive sound installation & collective improvisation composition presented at the Benefeci in Rumein, Switzerland as part of Casa D’Angel’s Residenza program.

“Join the Flock and improvise on the provided keyboard, triggering sounds from livestock bells borrowed from the Albin Farm. Flock is always recording, and your movements will be played back later.

Some ideas for your performance:
- Be a sheep
- Be a human
- Take a solo
- Play a support role
- Make a moo sound
- Sit and listen”

Endless thanks to the people of Lumnezia for the warm welcome, particularly @leanderalbin, @noreenaline_ , and Marco from @casadangel, @biohofalbin.ch , and to all my fellow residents / new bffs ❣️ I will remember my time in Switzerland forever and I hope to be back before long.

‘Flock’ (2025) - An interactive sound installation & collective improvisation composition presented at the Benefeci in Rumein, Switzerland as part of Casa D’Angel’s Residenza program.

“Join the Flock and improvise on the provided keyboard, triggering sounds from livestock bells borrowed from the Albin Farm. Flock is always recording, and your movements will be played back later.

Some ideas for your performance:
- Be a sheep
- Be a human
- Take a solo
- Play a support role
- Make a moo sound
- Sit and listen”

Endless thanks to the people of Lumnezia for the warm welcome, particularly @leanderalbin, @noreenaline_ , and Marco from @casadangel, @biohofalbin.ch , and to all my fellow residents / new bffs ❣️ I will remember my time in Switzerland forever and I hope to be back before long.

Opaque Sound System #3 — up for one last weekend at Spy Gallery! Gallery hours 1-4pm on Sat April 5th & Sun April 6th. DM @spypress or myself for address

Gallery hours will be a lot quieter than the opening, so this is the best time to experience the system 👀👀👀

“Opaque Sound Systems’ subverts traditional sound system design by rejecting the pursuit of neutrality through transparent audio fidelity. Instead, OSS embraces the ability for a sound system to act as an unreliable narrator or a trickster, using novel & experimental techniques to inaccurately reproduce audio.

OSS #3 plays back audio by resonating a hanging sheet of aluminum ducting through electromagnetic induction. The listener is encouraged to stand beneath the sheet and listen to the piece, and may (gently) touch the sound system to see how tension and bend angles act as practical effects to process the audio.”

Opaque Sound System #3 — up for one last weekend at Spy Gallery! Gallery hours 1-4pm on Sat April 5th & Sun April 6th. DM @spypress or myself for address

Gallery hours will be a lot quieter than the opening, so this is the best time to experience the system 👀👀👀

“Opaque Sound Systems’ subverts traditional sound system design by rejecting the pursuit of neutrality through transparent audio fidelity. Instead, OSS embraces the ability for a sound system to act as an unreliable narrator or a trickster, using novel & experimental techniques to inaccurately reproduce audio.

OSS #3 plays back audio by resonating a hanging sheet of aluminum ducting through electromagnetic induction. The listener is encouraged to stand beneath the sheet and listen to the piece, and may (gently) touch the sound system to see how tension and bend angles act as practical effects to process the audio.”

Opaque Sound System #3 — up for one last weekend at Spy Gallery! Gallery hours 1-4pm on Sat April 5th & Sun April 6th. DM @spypress or myself for address

Gallery hours will be a lot quieter than the opening, so this is the best time to experience the system 👀👀👀

“Opaque Sound Systems’ subverts traditional sound system design by rejecting the pursuit of neutrality through transparent audio fidelity. Instead, OSS embraces the ability for a sound system to act as an unreliable narrator or a trickster, using novel & experimental techniques to inaccurately reproduce audio.

OSS #3 plays back audio by resonating a hanging sheet of aluminum ducting through electromagnetic induction. The listener is encouraged to stand beneath the sheet and listen to the piece, and may (gently) touch the sound system to see how tension and bend angles act as practical effects to process the audio.”

Opaque Sound System #3 — up for one last weekend at Spy Gallery! Gallery hours 1-4pm on Sat April 5th & Sun April 6th. DM @spypress or myself for address

Gallery hours will be a lot quieter than the opening, so this is the best time to experience the system 👀👀👀

“Opaque Sound Systems’ subverts traditional sound system design by rejecting the pursuit of neutrality through transparent audio fidelity. Instead, OSS embraces the ability for a sound system to act as an unreliable narrator or a trickster, using novel & experimental techniques to inaccurately reproduce audio.

OSS #3 plays back audio by resonating a hanging sheet of aluminum ducting through electromagnetic induction. The listener is encouraged to stand beneath the sheet and listen to the piece, and may (gently) touch the sound system to see how tension and bend angles act as practical effects to process the audio.”

Opaque Sound System #3 — up for one last weekend at Spy Gallery! Gallery hours 1-4pm on Sat April 5th & Sun April 6th. DM @spypress or myself for address

Gallery hours will be a lot quieter than the opening, so this is the best time to experience the system 👀👀👀

“Opaque Sound Systems’ subverts traditional sound system design by rejecting the pursuit of neutrality through transparent audio fidelity. Instead, OSS embraces the ability for a sound system to act as an unreliable narrator or a trickster, using novel & experimental techniques to inaccurately reproduce audio.

OSS #3 plays back audio by resonating a hanging sheet of aluminum ducting through electromagnetic induction. The listener is encouraged to stand beneath the sheet and listen to the piece, and may (gently) touch the sound system to see how tension and bend angles act as practical effects to process the audio.”

SPY GALLERY show is tomorrow 😱 DM for address !

SPY GALLERY show is tomorrow 😱 DM for address !

SPY GALLERY show is tomorrow 😱 DM for address !

3 solo sets from @cello.kabob, @rafwilcot & @whyteerica March 10th 9:30PM at @tranzac292 !! an intimate show with an eclectic lineup showing works in progress, explorations, compositions & improvisations.

show is PWYC / pass the hat

poster by @margot_fab (thank u)

Fort Morgan Rescore (2021) — An improvisatory score for the short film ‘Fort Morgan’ by Alexander Stewart. Recorded in a process where i’d play guitar or noodle with reaktor while watching the film & later sync the audio to the visuals. I never quite finished it before my last hard drive broke & the files were lost forever, but the full rescore as it was last left is unlisted on youtube here:

https://youtu.be/pyt442ctCHo?feature=shared

Fort Morgan Rescore (2021) — An improvisatory score for the short film ‘Fort Morgan’ by Alexander Stewart. Recorded in a process where i’d play guitar or noodle with reaktor while watching the film & later sync the audio to the visuals. I never quite finished it before my last hard drive broke & the files were lost forever, but the full rescore as it was last left is unlisted on youtube here:

https://youtu.be/pyt442ctCHo?feature=shared

Fort Morgan Rescore (2021) — An improvisatory score for the short film ‘Fort Morgan’ by Alexander Stewart. Recorded in a process where i’d play guitar or noodle with reaktor while watching the film & later sync the audio to the visuals. I never quite finished it before my last hard drive broke & the files were lost forever, but the full rescore as it was last left is unlisted on youtube here:

https://youtu.be/pyt442ctCHo?feature=shared

Rare Access Point (2024) !! Solo installation by Cookie Brunel (@donarrg.refl ), sound design & junk sound system by me. so fun to build a wind world & be plantbots w cookie

Rare Access Point (2024) !! Solo installation by Cookie Brunel (@donarrg.refl ), sound design & junk sound system by me. so fun to build a wind world & be plantbots w cookie

Rare Access Point (2024) !! Solo installation by Cookie Brunel (@donarrg.refl ), sound design & junk sound system by me. so fun to build a wind world & be plantbots w cookie

Rare Access Point (2024) !! Solo installation by Cookie Brunel (@donarrg.refl ), sound design & junk sound system by me. so fun to build a wind world & be plantbots w cookie

Rare Access Point (2024) !! Solo installation by Cookie Brunel (@donarrg.refl ), sound design & junk sound system by me. so fun to build a wind world & be plantbots w cookie

Rare Access Point (2024) !! Solo installation by Cookie Brunel (@donarrg.refl ), sound design & junk sound system by me. so fun to build a wind world & be plantbots w cookie