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randywolfshield
Randall Swinton
Actor | Stage Manager | Production Assistant
"With great power, comes great responsibility."
🦸🏾♂️❤🎭🎬📸🎧
Thank you all for the birthday love! The 20s were tough, honestly. When I turned 30 last year, I made a promise to pour into ME a bit more. After only Stage Managing for the past couple of years, I missed performing. This past year I took a leap of faith to dip my toes back in and I’m grateful for every opportunity:
🐢 @newwavedrama 24 Hour Play Edition alongside the lovable @samuelkrogh in “Do Not Take My Ass to Jackson” written by @xenologists and Directed by @zmeskauskas
👻 @theatrelab_fau “Heebie Jeebies: Tales From The Midnight Campfire” written by Gina Montet and directed by @stabillions
🏆 First time award show host (WHAT?!) after being asked to be one of the @carbonellawards hosts, expertly produced by @andrew_r_kato , @eloisaferrer1982 and @fantel_music. Also, the fact that the award show took place on an FAU stage, where I graduated from 10 years ago not sure if I would even make a DENT here in the theatre scene… to now be a host for the community 10 years later is not symbolically lost on me… 🥹
🧠 A workshop staged reading of “Sapiosexual” written by the brilliant @aurinsquire and directed by the talented @chrisrensh
🏳️🌈 @zoeticstagemia production of “The Inheritance: Part One” directed by Stuart Meltzer at the @arshtcenter. An experience that really solidified “community” for me and the importance of history and identity.
👨🏾🤝👨🏻 @newcityplayers to perform in an EMOTIONAL two-hander directed by @timothymarkdavis , “A Case For The Existence of God” alongside the greatest scene partner I think I’ve had to date- and now, also a growing friend, @ryan_a.d . A show reminding me that it’s okay to not be okay and that help is only an outstretched hand away. Friendship is healing power.
📖💃🏻@theatrelab_fau Owl New Play Festival in the staged reading of “Last Queen of San Domino” written by @chestervancandoanything ,choreographed by @allie.beltran and directed by @mleeds1492 .
Including other survival jobs/ side quests: whether it was onstage, working on my latte art, wrangling puppies… or kids - I’m proud of year 30. I’m excited to see what adventures this new year of 31 will bring. ❤️ To 31! 🥳
Also, biceps 💪🏾
Thank you all for the birthday love! The 20s were tough, honestly. When I turned 30 last year, I made a promise to pour into ME a bit more. After only Stage Managing for the past couple of years, I missed performing. This past year I took a leap of faith to dip my toes back in and I’m grateful for every opportunity:
🐢 @newwavedrama 24 Hour Play Edition alongside the lovable @samuelkrogh in “Do Not Take My Ass to Jackson” written by @xenologists and Directed by @zmeskauskas
👻 @theatrelab_fau “Heebie Jeebies: Tales From The Midnight Campfire” written by Gina Montet and directed by @stabillions
🏆 First time award show host (WHAT?!) after being asked to be one of the @carbonellawards hosts, expertly produced by @andrew_r_kato , @eloisaferrer1982 and @fantel_music. Also, the fact that the award show took place on an FAU stage, where I graduated from 10 years ago not sure if I would even make a DENT here in the theatre scene… to now be a host for the community 10 years later is not symbolically lost on me… 🥹
🧠 A workshop staged reading of “Sapiosexual” written by the brilliant @aurinsquire and directed by the talented @chrisrensh
🏳️🌈 @zoeticstagemia production of “The Inheritance: Part One” directed by Stuart Meltzer at the @arshtcenter. An experience that really solidified “community” for me and the importance of history and identity.
👨🏾🤝👨🏻 @newcityplayers to perform in an EMOTIONAL two-hander directed by @timothymarkdavis , “A Case For The Existence of God” alongside the greatest scene partner I think I’ve had to date- and now, also a growing friend, @ryan_a.d . A show reminding me that it’s okay to not be okay and that help is only an outstretched hand away. Friendship is healing power.
📖💃🏻@theatrelab_fau Owl New Play Festival in the staged reading of “Last Queen of San Domino” written by @chestervancandoanything ,choreographed by @allie.beltran and directed by @mleeds1492 .
Including other survival jobs/ side quests: whether it was onstage, working on my latte art, wrangling puppies… or kids - I’m proud of year 30. I’m excited to see what adventures this new year of 31 will bring. ❤️ To 31! 🥳
Also, biceps 💪🏾
Thank you all for the birthday love! The 20s were tough, honestly. When I turned 30 last year, I made a promise to pour into ME a bit more. After only Stage Managing for the past couple of years, I missed performing. This past year I took a leap of faith to dip my toes back in and I’m grateful for every opportunity:
🐢 @newwavedrama 24 Hour Play Edition alongside the lovable @samuelkrogh in “Do Not Take My Ass to Jackson” written by @xenologists and Directed by @zmeskauskas
👻 @theatrelab_fau “Heebie Jeebies: Tales From The Midnight Campfire” written by Gina Montet and directed by @stabillions
🏆 First time award show host (WHAT?!) after being asked to be one of the @carbonellawards hosts, expertly produced by @andrew_r_kato , @eloisaferrer1982 and @fantel_music. Also, the fact that the award show took place on an FAU stage, where I graduated from 10 years ago not sure if I would even make a DENT here in the theatre scene… to now be a host for the community 10 years later is not symbolically lost on me… 🥹
🧠 A workshop staged reading of “Sapiosexual” written by the brilliant @aurinsquire and directed by the talented @chrisrensh
🏳️🌈 @zoeticstagemia production of “The Inheritance: Part One” directed by Stuart Meltzer at the @arshtcenter. An experience that really solidified “community” for me and the importance of history and identity.
👨🏾🤝👨🏻 @newcityplayers to perform in an EMOTIONAL two-hander directed by @timothymarkdavis , “A Case For The Existence of God” alongside the greatest scene partner I think I’ve had to date- and now, also a growing friend, @ryan_a.d . A show reminding me that it’s okay to not be okay and that help is only an outstretched hand away. Friendship is healing power.
📖💃🏻@theatrelab_fau Owl New Play Festival in the staged reading of “Last Queen of San Domino” written by @chestervancandoanything ,choreographed by @allie.beltran and directed by @mleeds1492 .
Including other survival jobs/ side quests: whether it was onstage, working on my latte art, wrangling puppies… or kids - I’m proud of year 30. I’m excited to see what adventures this new year of 31 will bring. ❤️ To 31! 🥳
Also, biceps 💪🏾
Thank you all for the birthday love! The 20s were tough, honestly. When I turned 30 last year, I made a promise to pour into ME a bit more. After only Stage Managing for the past couple of years, I missed performing. This past year I took a leap of faith to dip my toes back in and I’m grateful for every opportunity:
🐢 @newwavedrama 24 Hour Play Edition alongside the lovable @samuelkrogh in “Do Not Take My Ass to Jackson” written by @xenologists and Directed by @zmeskauskas
👻 @theatrelab_fau “Heebie Jeebies: Tales From The Midnight Campfire” written by Gina Montet and directed by @stabillions
🏆 First time award show host (WHAT?!) after being asked to be one of the @carbonellawards hosts, expertly produced by @andrew_r_kato , @eloisaferrer1982 and @fantel_music. Also, the fact that the award show took place on an FAU stage, where I graduated from 10 years ago not sure if I would even make a DENT here in the theatre scene… to now be a host for the community 10 years later is not symbolically lost on me… 🥹
🧠 A workshop staged reading of “Sapiosexual” written by the brilliant @aurinsquire and directed by the talented @chrisrensh
🏳️🌈 @zoeticstagemia production of “The Inheritance: Part One” directed by Stuart Meltzer at the @arshtcenter. An experience that really solidified “community” for me and the importance of history and identity.
👨🏾🤝👨🏻 @newcityplayers to perform in an EMOTIONAL two-hander directed by @timothymarkdavis , “A Case For The Existence of God” alongside the greatest scene partner I think I’ve had to date- and now, also a growing friend, @ryan_a.d . A show reminding me that it’s okay to not be okay and that help is only an outstretched hand away. Friendship is healing power.
📖💃🏻@theatrelab_fau Owl New Play Festival in the staged reading of “Last Queen of San Domino” written by @chestervancandoanything ,choreographed by @allie.beltran and directed by @mleeds1492 .
Including other survival jobs/ side quests: whether it was onstage, working on my latte art, wrangling puppies… or kids - I’m proud of year 30. I’m excited to see what adventures this new year of 31 will bring. ❤️ To 31! 🥳
Also, biceps 💪🏾
Thank you all for the birthday love! The 20s were tough, honestly. When I turned 30 last year, I made a promise to pour into ME a bit more. After only Stage Managing for the past couple of years, I missed performing. This past year I took a leap of faith to dip my toes back in and I’m grateful for every opportunity:
🐢 @newwavedrama 24 Hour Play Edition alongside the lovable @samuelkrogh in “Do Not Take My Ass to Jackson” written by @xenologists and Directed by @zmeskauskas
👻 @theatrelab_fau “Heebie Jeebies: Tales From The Midnight Campfire” written by Gina Montet and directed by @stabillions
🏆 First time award show host (WHAT?!) after being asked to be one of the @carbonellawards hosts, expertly produced by @andrew_r_kato , @eloisaferrer1982 and @fantel_music. Also, the fact that the award show took place on an FAU stage, where I graduated from 10 years ago not sure if I would even make a DENT here in the theatre scene… to now be a host for the community 10 years later is not symbolically lost on me… 🥹
🧠 A workshop staged reading of “Sapiosexual” written by the brilliant @aurinsquire and directed by the talented @chrisrensh
🏳️🌈 @zoeticstagemia production of “The Inheritance: Part One” directed by Stuart Meltzer at the @arshtcenter. An experience that really solidified “community” for me and the importance of history and identity.
👨🏾🤝👨🏻 @newcityplayers to perform in an EMOTIONAL two-hander directed by @timothymarkdavis , “A Case For The Existence of God” alongside the greatest scene partner I think I’ve had to date- and now, also a growing friend, @ryan_a.d . A show reminding me that it’s okay to not be okay and that help is only an outstretched hand away. Friendship is healing power.
📖💃🏻@theatrelab_fau Owl New Play Festival in the staged reading of “Last Queen of San Domino” written by @chestervancandoanything ,choreographed by @allie.beltran and directed by @mleeds1492 .
Including other survival jobs/ side quests: whether it was onstage, working on my latte art, wrangling puppies… or kids - I’m proud of year 30. I’m excited to see what adventures this new year of 31 will bring. ❤️ To 31! 🥳
Also, biceps 💪🏾
Thank you all for the birthday love! The 20s were tough, honestly. When I turned 30 last year, I made a promise to pour into ME a bit more. After only Stage Managing for the past couple of years, I missed performing. This past year I took a leap of faith to dip my toes back in and I’m grateful for every opportunity:
🐢 @newwavedrama 24 Hour Play Edition alongside the lovable @samuelkrogh in “Do Not Take My Ass to Jackson” written by @xenologists and Directed by @zmeskauskas
👻 @theatrelab_fau “Heebie Jeebies: Tales From The Midnight Campfire” written by Gina Montet and directed by @stabillions
🏆 First time award show host (WHAT?!) after being asked to be one of the @carbonellawards hosts, expertly produced by @andrew_r_kato , @eloisaferrer1982 and @fantel_music. Also, the fact that the award show took place on an FAU stage, where I graduated from 10 years ago not sure if I would even make a DENT here in the theatre scene… to now be a host for the community 10 years later is not symbolically lost on me… 🥹
🧠 A workshop staged reading of “Sapiosexual” written by the brilliant @aurinsquire and directed by the talented @chrisrensh
🏳️🌈 @zoeticstagemia production of “The Inheritance: Part One” directed by Stuart Meltzer at the @arshtcenter. An experience that really solidified “community” for me and the importance of history and identity.
👨🏾🤝👨🏻 @newcityplayers to perform in an EMOTIONAL two-hander directed by @timothymarkdavis , “A Case For The Existence of God” alongside the greatest scene partner I think I’ve had to date- and now, also a growing friend, @ryan_a.d . A show reminding me that it’s okay to not be okay and that help is only an outstretched hand away. Friendship is healing power.
📖💃🏻@theatrelab_fau Owl New Play Festival in the staged reading of “Last Queen of San Domino” written by @chestervancandoanything ,choreographed by @allie.beltran and directed by @mleeds1492 .
Including other survival jobs/ side quests: whether it was onstage, working on my latte art, wrangling puppies… or kids - I’m proud of year 30. I’m excited to see what adventures this new year of 31 will bring. ❤️ To 31! 🥳
Also, biceps 💪🏾
Thank you all for the birthday love! The 20s were tough, honestly. When I turned 30 last year, I made a promise to pour into ME a bit more. After only Stage Managing for the past couple of years, I missed performing. This past year I took a leap of faith to dip my toes back in and I’m grateful for every opportunity:
🐢 @newwavedrama 24 Hour Play Edition alongside the lovable @samuelkrogh in “Do Not Take My Ass to Jackson” written by @xenologists and Directed by @zmeskauskas
👻 @theatrelab_fau “Heebie Jeebies: Tales From The Midnight Campfire” written by Gina Montet and directed by @stabillions
🏆 First time award show host (WHAT?!) after being asked to be one of the @carbonellawards hosts, expertly produced by @andrew_r_kato , @eloisaferrer1982 and @fantel_music. Also, the fact that the award show took place on an FAU stage, where I graduated from 10 years ago not sure if I would even make a DENT here in the theatre scene… to now be a host for the community 10 years later is not symbolically lost on me… 🥹
🧠 A workshop staged reading of “Sapiosexual” written by the brilliant @aurinsquire and directed by the talented @chrisrensh
🏳️🌈 @zoeticstagemia production of “The Inheritance: Part One” directed by Stuart Meltzer at the @arshtcenter. An experience that really solidified “community” for me and the importance of history and identity.
👨🏾🤝👨🏻 @newcityplayers to perform in an EMOTIONAL two-hander directed by @timothymarkdavis , “A Case For The Existence of God” alongside the greatest scene partner I think I’ve had to date- and now, also a growing friend, @ryan_a.d . A show reminding me that it’s okay to not be okay and that help is only an outstretched hand away. Friendship is healing power.
📖💃🏻@theatrelab_fau Owl New Play Festival in the staged reading of “Last Queen of San Domino” written by @chestervancandoanything ,choreographed by @allie.beltran and directed by @mleeds1492 .
Including other survival jobs/ side quests: whether it was onstage, working on my latte art, wrangling puppies… or kids - I’m proud of year 30. I’m excited to see what adventures this new year of 31 will bring. ❤️ To 31! 🥳
Also, biceps 💪🏾
Thank you all for the birthday love! The 20s were tough, honestly. When I turned 30 last year, I made a promise to pour into ME a bit more. After only Stage Managing for the past couple of years, I missed performing. This past year I took a leap of faith to dip my toes back in and I’m grateful for every opportunity:
🐢 @newwavedrama 24 Hour Play Edition alongside the lovable @samuelkrogh in “Do Not Take My Ass to Jackson” written by @xenologists and Directed by @zmeskauskas
👻 @theatrelab_fau “Heebie Jeebies: Tales From The Midnight Campfire” written by Gina Montet and directed by @stabillions
🏆 First time award show host (WHAT?!) after being asked to be one of the @carbonellawards hosts, expertly produced by @andrew_r_kato , @eloisaferrer1982 and @fantel_music. Also, the fact that the award show took place on an FAU stage, where I graduated from 10 years ago not sure if I would even make a DENT here in the theatre scene… to now be a host for the community 10 years later is not symbolically lost on me… 🥹
🧠 A workshop staged reading of “Sapiosexual” written by the brilliant @aurinsquire and directed by the talented @chrisrensh
🏳️🌈 @zoeticstagemia production of “The Inheritance: Part One” directed by Stuart Meltzer at the @arshtcenter. An experience that really solidified “community” for me and the importance of history and identity.
👨🏾🤝👨🏻 @newcityplayers to perform in an EMOTIONAL two-hander directed by @timothymarkdavis , “A Case For The Existence of God” alongside the greatest scene partner I think I’ve had to date- and now, also a growing friend, @ryan_a.d . A show reminding me that it’s okay to not be okay and that help is only an outstretched hand away. Friendship is healing power.
📖💃🏻@theatrelab_fau Owl New Play Festival in the staged reading of “Last Queen of San Domino” written by @chestervancandoanything ,choreographed by @allie.beltran and directed by @mleeds1492 .
Including other survival jobs/ side quests: whether it was onstage, working on my latte art, wrangling puppies… or kids - I’m proud of year 30. I’m excited to see what adventures this new year of 31 will bring. ❤️ To 31! 🥳
Also, biceps 💪🏾
Thank you all for the birthday love! The 20s were tough, honestly. When I turned 30 last year, I made a promise to pour into ME a bit more. After only Stage Managing for the past couple of years, I missed performing. This past year I took a leap of faith to dip my toes back in and I’m grateful for every opportunity:
🐢 @newwavedrama 24 Hour Play Edition alongside the lovable @samuelkrogh in “Do Not Take My Ass to Jackson” written by @xenologists and Directed by @zmeskauskas
👻 @theatrelab_fau “Heebie Jeebies: Tales From The Midnight Campfire” written by Gina Montet and directed by @stabillions
🏆 First time award show host (WHAT?!) after being asked to be one of the @carbonellawards hosts, expertly produced by @andrew_r_kato , @eloisaferrer1982 and @fantel_music. Also, the fact that the award show took place on an FAU stage, where I graduated from 10 years ago not sure if I would even make a DENT here in the theatre scene… to now be a host for the community 10 years later is not symbolically lost on me… 🥹
🧠 A workshop staged reading of “Sapiosexual” written by the brilliant @aurinsquire and directed by the talented @chrisrensh
🏳️🌈 @zoeticstagemia production of “The Inheritance: Part One” directed by Stuart Meltzer at the @arshtcenter. An experience that really solidified “community” for me and the importance of history and identity.
👨🏾🤝👨🏻 @newcityplayers to perform in an EMOTIONAL two-hander directed by @timothymarkdavis , “A Case For The Existence of God” alongside the greatest scene partner I think I’ve had to date- and now, also a growing friend, @ryan_a.d . A show reminding me that it’s okay to not be okay and that help is only an outstretched hand away. Friendship is healing power.
📖💃🏻@theatrelab_fau Owl New Play Festival in the staged reading of “Last Queen of San Domino” written by @chestervancandoanything ,choreographed by @allie.beltran and directed by @mleeds1492 .
Including other survival jobs/ side quests: whether it was onstage, working on my latte art, wrangling puppies… or kids - I’m proud of year 30. I’m excited to see what adventures this new year of 31 will bring. ❤️ To 31! 🥳
Also, biceps 💪🏾
Thank you all for the birthday love! The 20s were tough, honestly. When I turned 30 last year, I made a promise to pour into ME a bit more. After only Stage Managing for the past couple of years, I missed performing. This past year I took a leap of faith to dip my toes back in and I’m grateful for every opportunity:
🐢 @newwavedrama 24 Hour Play Edition alongside the lovable @samuelkrogh in “Do Not Take My Ass to Jackson” written by @xenologists and Directed by @zmeskauskas
👻 @theatrelab_fau “Heebie Jeebies: Tales From The Midnight Campfire” written by Gina Montet and directed by @stabillions
🏆 First time award show host (WHAT?!) after being asked to be one of the @carbonellawards hosts, expertly produced by @andrew_r_kato , @eloisaferrer1982 and @fantel_music. Also, the fact that the award show took place on an FAU stage, where I graduated from 10 years ago not sure if I would even make a DENT here in the theatre scene… to now be a host for the community 10 years later is not symbolically lost on me… 🥹
🧠 A workshop staged reading of “Sapiosexual” written by the brilliant @aurinsquire and directed by the talented @chrisrensh
🏳️🌈 @zoeticstagemia production of “The Inheritance: Part One” directed by Stuart Meltzer at the @arshtcenter. An experience that really solidified “community” for me and the importance of history and identity.
👨🏾🤝👨🏻 @newcityplayers to perform in an EMOTIONAL two-hander directed by @timothymarkdavis , “A Case For The Existence of God” alongside the greatest scene partner I think I’ve had to date- and now, also a growing friend, @ryan_a.d . A show reminding me that it’s okay to not be okay and that help is only an outstretched hand away. Friendship is healing power.
📖💃🏻@theatrelab_fau Owl New Play Festival in the staged reading of “Last Queen of San Domino” written by @chestervancandoanything ,choreographed by @allie.beltran and directed by @mleeds1492 .
Including other survival jobs/ side quests: whether it was onstage, working on my latte art, wrangling puppies… or kids - I’m proud of year 30. I’m excited to see what adventures this new year of 31 will bring. ❤️ To 31! 🥳
Also, biceps 💪🏾
Thank you all for the birthday love! The 20s were tough, honestly. When I turned 30 last year, I made a promise to pour into ME a bit more. After only Stage Managing for the past couple of years, I missed performing. This past year I took a leap of faith to dip my toes back in and I’m grateful for every opportunity:
🐢 @newwavedrama 24 Hour Play Edition alongside the lovable @samuelkrogh in “Do Not Take My Ass to Jackson” written by @xenologists and Directed by @zmeskauskas
👻 @theatrelab_fau “Heebie Jeebies: Tales From The Midnight Campfire” written by Gina Montet and directed by @stabillions
🏆 First time award show host (WHAT?!) after being asked to be one of the @carbonellawards hosts, expertly produced by @andrew_r_kato , @eloisaferrer1982 and @fantel_music. Also, the fact that the award show took place on an FAU stage, where I graduated from 10 years ago not sure if I would even make a DENT here in the theatre scene… to now be a host for the community 10 years later is not symbolically lost on me… 🥹
🧠 A workshop staged reading of “Sapiosexual” written by the brilliant @aurinsquire and directed by the talented @chrisrensh
🏳️🌈 @zoeticstagemia production of “The Inheritance: Part One” directed by Stuart Meltzer at the @arshtcenter. An experience that really solidified “community” for me and the importance of history and identity.
👨🏾🤝👨🏻 @newcityplayers to perform in an EMOTIONAL two-hander directed by @timothymarkdavis , “A Case For The Existence of God” alongside the greatest scene partner I think I’ve had to date- and now, also a growing friend, @ryan_a.d . A show reminding me that it’s okay to not be okay and that help is only an outstretched hand away. Friendship is healing power.
📖💃🏻@theatrelab_fau Owl New Play Festival in the staged reading of “Last Queen of San Domino” written by @chestervancandoanything ,choreographed by @allie.beltran and directed by @mleeds1492 .
Including other survival jobs/ side quests: whether it was onstage, working on my latte art, wrangling puppies… or kids - I’m proud of year 30. I’m excited to see what adventures this new year of 31 will bring. ❤️ To 31! 🥳
Also, biceps 💪🏾
Thank you all for the birthday love! The 20s were tough, honestly. When I turned 30 last year, I made a promise to pour into ME a bit more. After only Stage Managing for the past couple of years, I missed performing. This past year I took a leap of faith to dip my toes back in and I’m grateful for every opportunity:
🐢 @newwavedrama 24 Hour Play Edition alongside the lovable @samuelkrogh in “Do Not Take My Ass to Jackson” written by @xenologists and Directed by @zmeskauskas
👻 @theatrelab_fau “Heebie Jeebies: Tales From The Midnight Campfire” written by Gina Montet and directed by @stabillions
🏆 First time award show host (WHAT?!) after being asked to be one of the @carbonellawards hosts, expertly produced by @andrew_r_kato , @eloisaferrer1982 and @fantel_music. Also, the fact that the award show took place on an FAU stage, where I graduated from 10 years ago not sure if I would even make a DENT here in the theatre scene… to now be a host for the community 10 years later is not symbolically lost on me… 🥹
🧠 A workshop staged reading of “Sapiosexual” written by the brilliant @aurinsquire and directed by the talented @chrisrensh
🏳️🌈 @zoeticstagemia production of “The Inheritance: Part One” directed by Stuart Meltzer at the @arshtcenter. An experience that really solidified “community” for me and the importance of history and identity.
👨🏾🤝👨🏻 @newcityplayers to perform in an EMOTIONAL two-hander directed by @timothymarkdavis , “A Case For The Existence of God” alongside the greatest scene partner I think I’ve had to date- and now, also a growing friend, @ryan_a.d . A show reminding me that it’s okay to not be okay and that help is only an outstretched hand away. Friendship is healing power.
📖💃🏻@theatrelab_fau Owl New Play Festival in the staged reading of “Last Queen of San Domino” written by @chestervancandoanything ,choreographed by @allie.beltran and directed by @mleeds1492 .
Including other survival jobs/ side quests: whether it was onstage, working on my latte art, wrangling puppies… or kids - I’m proud of year 30. I’m excited to see what adventures this new year of 31 will bring. ❤️ To 31! 🥳
Also, biceps 💪🏾
Thank you all for the birthday love! The 20s were tough, honestly. When I turned 30 last year, I made a promise to pour into ME a bit more. After only Stage Managing for the past couple of years, I missed performing. This past year I took a leap of faith to dip my toes back in and I’m grateful for every opportunity:
🐢 @newwavedrama 24 Hour Play Edition alongside the lovable @samuelkrogh in “Do Not Take My Ass to Jackson” written by @xenologists and Directed by @zmeskauskas
👻 @theatrelab_fau “Heebie Jeebies: Tales From The Midnight Campfire” written by Gina Montet and directed by @stabillions
🏆 First time award show host (WHAT?!) after being asked to be one of the @carbonellawards hosts, expertly produced by @andrew_r_kato , @eloisaferrer1982 and @fantel_music. Also, the fact that the award show took place on an FAU stage, where I graduated from 10 years ago not sure if I would even make a DENT here in the theatre scene… to now be a host for the community 10 years later is not symbolically lost on me… 🥹
🧠 A workshop staged reading of “Sapiosexual” written by the brilliant @aurinsquire and directed by the talented @chrisrensh
🏳️🌈 @zoeticstagemia production of “The Inheritance: Part One” directed by Stuart Meltzer at the @arshtcenter. An experience that really solidified “community” for me and the importance of history and identity.
👨🏾🤝👨🏻 @newcityplayers to perform in an EMOTIONAL two-hander directed by @timothymarkdavis , “A Case For The Existence of God” alongside the greatest scene partner I think I’ve had to date- and now, also a growing friend, @ryan_a.d . A show reminding me that it’s okay to not be okay and that help is only an outstretched hand away. Friendship is healing power.
📖💃🏻@theatrelab_fau Owl New Play Festival in the staged reading of “Last Queen of San Domino” written by @chestervancandoanything ,choreographed by @allie.beltran and directed by @mleeds1492 .
Including other survival jobs/ side quests: whether it was onstage, working on my latte art, wrangling puppies… or kids - I’m proud of year 30. I’m excited to see what adventures this new year of 31 will bring. ❤️ To 31! 🥳
Also, biceps 💪🏾
Thank you all for the birthday love! The 20s were tough, honestly. When I turned 30 last year, I made a promise to pour into ME a bit more. After only Stage Managing for the past couple of years, I missed performing. This past year I took a leap of faith to dip my toes back in and I’m grateful for every opportunity:
🐢 @newwavedrama 24 Hour Play Edition alongside the lovable @samuelkrogh in “Do Not Take My Ass to Jackson” written by @xenologists and Directed by @zmeskauskas
👻 @theatrelab_fau “Heebie Jeebies: Tales From The Midnight Campfire” written by Gina Montet and directed by @stabillions
🏆 First time award show host (WHAT?!) after being asked to be one of the @carbonellawards hosts, expertly produced by @andrew_r_kato , @eloisaferrer1982 and @fantel_music. Also, the fact that the award show took place on an FAU stage, where I graduated from 10 years ago not sure if I would even make a DENT here in the theatre scene… to now be a host for the community 10 years later is not symbolically lost on me… 🥹
🧠 A workshop staged reading of “Sapiosexual” written by the brilliant @aurinsquire and directed by the talented @chrisrensh
🏳️🌈 @zoeticstagemia production of “The Inheritance: Part One” directed by Stuart Meltzer at the @arshtcenter. An experience that really solidified “community” for me and the importance of history and identity.
👨🏾🤝👨🏻 @newcityplayers to perform in an EMOTIONAL two-hander directed by @timothymarkdavis , “A Case For The Existence of God” alongside the greatest scene partner I think I’ve had to date- and now, also a growing friend, @ryan_a.d . A show reminding me that it’s okay to not be okay and that help is only an outstretched hand away. Friendship is healing power.
📖💃🏻@theatrelab_fau Owl New Play Festival in the staged reading of “Last Queen of San Domino” written by @chestervancandoanything ,choreographed by @allie.beltran and directed by @mleeds1492 .
Including other survival jobs/ side quests: whether it was onstage, working on my latte art, wrangling puppies… or kids - I’m proud of year 30. I’m excited to see what adventures this new year of 31 will bring. ❤️ To 31! 🥳
Also, biceps 💪🏾
Thank you all for the birthday love! The 20s were tough, honestly. When I turned 30 last year, I made a promise to pour into ME a bit more. After only Stage Managing for the past couple of years, I missed performing. This past year I took a leap of faith to dip my toes back in and I’m grateful for every opportunity:
🐢 @newwavedrama 24 Hour Play Edition alongside the lovable @samuelkrogh in “Do Not Take My Ass to Jackson” written by @xenologists and Directed by @zmeskauskas
👻 @theatrelab_fau “Heebie Jeebies: Tales From The Midnight Campfire” written by Gina Montet and directed by @stabillions
🏆 First time award show host (WHAT?!) after being asked to be one of the @carbonellawards hosts, expertly produced by @andrew_r_kato , @eloisaferrer1982 and @fantel_music. Also, the fact that the award show took place on an FAU stage, where I graduated from 10 years ago not sure if I would even make a DENT here in the theatre scene… to now be a host for the community 10 years later is not symbolically lost on me… 🥹
🧠 A workshop staged reading of “Sapiosexual” written by the brilliant @aurinsquire and directed by the talented @chrisrensh
🏳️🌈 @zoeticstagemia production of “The Inheritance: Part One” directed by Stuart Meltzer at the @arshtcenter. An experience that really solidified “community” for me and the importance of history and identity.
👨🏾🤝👨🏻 @newcityplayers to perform in an EMOTIONAL two-hander directed by @timothymarkdavis , “A Case For The Existence of God” alongside the greatest scene partner I think I’ve had to date- and now, also a growing friend, @ryan_a.d . A show reminding me that it’s okay to not be okay and that help is only an outstretched hand away. Friendship is healing power.
📖💃🏻@theatrelab_fau Owl New Play Festival in the staged reading of “Last Queen of San Domino” written by @chestervancandoanything ,choreographed by @allie.beltran and directed by @mleeds1492 .
Including other survival jobs/ side quests: whether it was onstage, working on my latte art, wrangling puppies… or kids - I’m proud of year 30. I’m excited to see what adventures this new year of 31 will bring. ❤️ To 31! 🥳
Also, biceps 💪🏾
Thank you all for the birthday love! The 20s were tough, honestly. When I turned 30 last year, I made a promise to pour into ME a bit more. After only Stage Managing for the past couple of years, I missed performing. This past year I took a leap of faith to dip my toes back in and I’m grateful for every opportunity:
🐢 @newwavedrama 24 Hour Play Edition alongside the lovable @samuelkrogh in “Do Not Take My Ass to Jackson” written by @xenologists and Directed by @zmeskauskas
👻 @theatrelab_fau “Heebie Jeebies: Tales From The Midnight Campfire” written by Gina Montet and directed by @stabillions
🏆 First time award show host (WHAT?!) after being asked to be one of the @carbonellawards hosts, expertly produced by @andrew_r_kato , @eloisaferrer1982 and @fantel_music. Also, the fact that the award show took place on an FAU stage, where I graduated from 10 years ago not sure if I would even make a DENT here in the theatre scene… to now be a host for the community 10 years later is not symbolically lost on me… 🥹
🧠 A workshop staged reading of “Sapiosexual” written by the brilliant @aurinsquire and directed by the talented @chrisrensh
🏳️🌈 @zoeticstagemia production of “The Inheritance: Part One” directed by Stuart Meltzer at the @arshtcenter. An experience that really solidified “community” for me and the importance of history and identity.
👨🏾🤝👨🏻 @newcityplayers to perform in an EMOTIONAL two-hander directed by @timothymarkdavis , “A Case For The Existence of God” alongside the greatest scene partner I think I’ve had to date- and now, also a growing friend, @ryan_a.d . A show reminding me that it’s okay to not be okay and that help is only an outstretched hand away. Friendship is healing power.
📖💃🏻@theatrelab_fau Owl New Play Festival in the staged reading of “Last Queen of San Domino” written by @chestervancandoanything ,choreographed by @allie.beltran and directed by @mleeds1492 .
Including other survival jobs/ side quests: whether it was onstage, working on my latte art, wrangling puppies… or kids - I’m proud of year 30. I’m excited to see what adventures this new year of 31 will bring. ❤️ To 31! 🥳
Also, biceps 💪🏾
Thank you all for the birthday love! The 20s were tough, honestly. When I turned 30 last year, I made a promise to pour into ME a bit more. After only Stage Managing for the past couple of years, I missed performing. This past year I took a leap of faith to dip my toes back in and I’m grateful for every opportunity:
🐢 @newwavedrama 24 Hour Play Edition alongside the lovable @samuelkrogh in “Do Not Take My Ass to Jackson” written by @xenologists and Directed by @zmeskauskas
👻 @theatrelab_fau “Heebie Jeebies: Tales From The Midnight Campfire” written by Gina Montet and directed by @stabillions
🏆 First time award show host (WHAT?!) after being asked to be one of the @carbonellawards hosts, expertly produced by @andrew_r_kato , @eloisaferrer1982 and @fantel_music. Also, the fact that the award show took place on an FAU stage, where I graduated from 10 years ago not sure if I would even make a DENT here in the theatre scene… to now be a host for the community 10 years later is not symbolically lost on me… 🥹
🧠 A workshop staged reading of “Sapiosexual” written by the brilliant @aurinsquire and directed by the talented @chrisrensh
🏳️🌈 @zoeticstagemia production of “The Inheritance: Part One” directed by Stuart Meltzer at the @arshtcenter. An experience that really solidified “community” for me and the importance of history and identity.
👨🏾🤝👨🏻 @newcityplayers to perform in an EMOTIONAL two-hander directed by @timothymarkdavis , “A Case For The Existence of God” alongside the greatest scene partner I think I’ve had to date- and now, also a growing friend, @ryan_a.d . A show reminding me that it’s okay to not be okay and that help is only an outstretched hand away. Friendship is healing power.
📖💃🏻@theatrelab_fau Owl New Play Festival in the staged reading of “Last Queen of San Domino” written by @chestervancandoanything ,choreographed by @allie.beltran and directed by @mleeds1492 .
Including other survival jobs/ side quests: whether it was onstage, working on my latte art, wrangling puppies… or kids - I’m proud of year 30. I’m excited to see what adventures this new year of 31 will bring. ❤️ To 31! 🥳
Also, biceps 💪🏾
Thank you all for the birthday love! The 20s were tough, honestly. When I turned 30 last year, I made a promise to pour into ME a bit more. After only Stage Managing for the past couple of years, I missed performing. This past year I took a leap of faith to dip my toes back in and I’m grateful for every opportunity:
🐢 @newwavedrama 24 Hour Play Edition alongside the lovable @samuelkrogh in “Do Not Take My Ass to Jackson” written by @xenologists and Directed by @zmeskauskas
👻 @theatrelab_fau “Heebie Jeebies: Tales From The Midnight Campfire” written by Gina Montet and directed by @stabillions
🏆 First time award show host (WHAT?!) after being asked to be one of the @carbonellawards hosts, expertly produced by @andrew_r_kato , @eloisaferrer1982 and @fantel_music. Also, the fact that the award show took place on an FAU stage, where I graduated from 10 years ago not sure if I would even make a DENT here in the theatre scene… to now be a host for the community 10 years later is not symbolically lost on me… 🥹
🧠 A workshop staged reading of “Sapiosexual” written by the brilliant @aurinsquire and directed by the talented @chrisrensh
🏳️🌈 @zoeticstagemia production of “The Inheritance: Part One” directed by Stuart Meltzer at the @arshtcenter. An experience that really solidified “community” for me and the importance of history and identity.
👨🏾🤝👨🏻 @newcityplayers to perform in an EMOTIONAL two-hander directed by @timothymarkdavis , “A Case For The Existence of God” alongside the greatest scene partner I think I’ve had to date- and now, also a growing friend, @ryan_a.d . A show reminding me that it’s okay to not be okay and that help is only an outstretched hand away. Friendship is healing power.
📖💃🏻@theatrelab_fau Owl New Play Festival in the staged reading of “Last Queen of San Domino” written by @chestervancandoanything ,choreographed by @allie.beltran and directed by @mleeds1492 .
Including other survival jobs/ side quests: whether it was onstage, working on my latte art, wrangling puppies… or kids - I’m proud of year 30. I’m excited to see what adventures this new year of 31 will bring. ❤️ To 31! 🥳
Also, biceps 💪🏾
Thank you all for the birthday love! The 20s were tough, honestly. When I turned 30 last year, I made a promise to pour into ME a bit more. After only Stage Managing for the past couple of years, I missed performing. This past year I took a leap of faith to dip my toes back in and I’m grateful for every opportunity:
🐢 @newwavedrama 24 Hour Play Edition alongside the lovable @samuelkrogh in “Do Not Take My Ass to Jackson” written by @xenologists and Directed by @zmeskauskas
👻 @theatrelab_fau “Heebie Jeebies: Tales From The Midnight Campfire” written by Gina Montet and directed by @stabillions
🏆 First time award show host (WHAT?!) after being asked to be one of the @carbonellawards hosts, expertly produced by @andrew_r_kato , @eloisaferrer1982 and @fantel_music. Also, the fact that the award show took place on an FAU stage, where I graduated from 10 years ago not sure if I would even make a DENT here in the theatre scene… to now be a host for the community 10 years later is not symbolically lost on me… 🥹
🧠 A workshop staged reading of “Sapiosexual” written by the brilliant @aurinsquire and directed by the talented @chrisrensh
🏳️🌈 @zoeticstagemia production of “The Inheritance: Part One” directed by Stuart Meltzer at the @arshtcenter. An experience that really solidified “community” for me and the importance of history and identity.
👨🏾🤝👨🏻 @newcityplayers to perform in an EMOTIONAL two-hander directed by @timothymarkdavis , “A Case For The Existence of God” alongside the greatest scene partner I think I’ve had to date- and now, also a growing friend, @ryan_a.d . A show reminding me that it’s okay to not be okay and that help is only an outstretched hand away. Friendship is healing power.
📖💃🏻@theatrelab_fau Owl New Play Festival in the staged reading of “Last Queen of San Domino” written by @chestervancandoanything ,choreographed by @allie.beltran and directed by @mleeds1492 .
Including other survival jobs/ side quests: whether it was onstage, working on my latte art, wrangling puppies… or kids - I’m proud of year 30. I’m excited to see what adventures this new year of 31 will bring. ❤️ To 31! 🥳
Also, biceps 💪🏾
Thank you all for the birthday love! The 20s were tough, honestly. When I turned 30 last year, I made a promise to pour into ME a bit more. After only Stage Managing for the past couple of years, I missed performing. This past year I took a leap of faith to dip my toes back in and I’m grateful for every opportunity:
🐢 @newwavedrama 24 Hour Play Edition alongside the lovable @samuelkrogh in “Do Not Take My Ass to Jackson” written by @xenologists and Directed by @zmeskauskas
👻 @theatrelab_fau “Heebie Jeebies: Tales From The Midnight Campfire” written by Gina Montet and directed by @stabillions
🏆 First time award show host (WHAT?!) after being asked to be one of the @carbonellawards hosts, expertly produced by @andrew_r_kato , @eloisaferrer1982 and @fantel_music. Also, the fact that the award show took place on an FAU stage, where I graduated from 10 years ago not sure if I would even make a DENT here in the theatre scene… to now be a host for the community 10 years later is not symbolically lost on me… 🥹
🧠 A workshop staged reading of “Sapiosexual” written by the brilliant @aurinsquire and directed by the talented @chrisrensh
🏳️🌈 @zoeticstagemia production of “The Inheritance: Part One” directed by Stuart Meltzer at the @arshtcenter. An experience that really solidified “community” for me and the importance of history and identity.
👨🏾🤝👨🏻 @newcityplayers to perform in an EMOTIONAL two-hander directed by @timothymarkdavis , “A Case For The Existence of God” alongside the greatest scene partner I think I’ve had to date- and now, also a growing friend, @ryan_a.d . A show reminding me that it’s okay to not be okay and that help is only an outstretched hand away. Friendship is healing power.
📖💃🏻@theatrelab_fau Owl New Play Festival in the staged reading of “Last Queen of San Domino” written by @chestervancandoanything ,choreographed by @allie.beltran and directed by @mleeds1492 .
Including other survival jobs/ side quests: whether it was onstage, working on my latte art, wrangling puppies… or kids - I’m proud of year 30. I’m excited to see what adventures this new year of 31 will bring. ❤️ To 31! 🥳
Also, biceps 💪🏾
“Yeah, maybe it’s okay.” 💜
#ACaseForTheExistenceOfGod #closing #grateful
“Yeah, maybe it’s okay.” 💜
#ACaseForTheExistenceOfGod #closing #grateful
“Yeah, maybe it’s okay.” 💜
#ACaseForTheExistenceOfGod #closing #grateful
“Yeah, maybe it’s okay.” 💜
#ACaseForTheExistenceOfGod #closing #grateful
“Yeah, maybe it’s okay.” 💜
#ACaseForTheExistenceOfGod #closing #grateful
“Yeah, maybe it’s okay.” 💜
#ACaseForTheExistenceOfGod #closing #grateful
“Yeah, maybe it’s okay.” 💜
#ACaseForTheExistenceOfGod #closing #grateful
“Yeah, maybe it’s okay.” 💜
#ACaseForTheExistenceOfGod #closing #grateful
“Yeah, maybe it’s okay.” 💜
#ACaseForTheExistenceOfGod #closing #grateful
“Yeah, maybe it’s okay.” 💜
#ACaseForTheExistenceOfGod #closing #grateful
“Yeah, maybe it’s okay.” 💜
#ACaseForTheExistenceOfGod #closing #grateful
“Yeah, maybe it’s okay.” 💜
#ACaseForTheExistenceOfGod #closing #grateful
“Yeah, maybe it’s okay.” 💜
#ACaseForTheExistenceOfGod #closing #grateful
“Yeah, maybe it’s okay.” 💜
#ACaseForTheExistenceOfGod #closing #grateful
“Yeah, maybe it’s okay.” 💜
#ACaseForTheExistenceOfGod #closing #grateful
“Yeah, maybe it’s okay.” 💜
#ACaseForTheExistenceOfGod #closing #grateful
“Yeah, maybe it’s okay.” 💜
#ACaseForTheExistenceOfGod #closing #grateful
“Yeah, maybe it’s okay.” 💜
#ACaseForTheExistenceOfGod #closing #grateful
“Yeah, maybe it’s okay.” 💜
#ACaseForTheExistenceOfGod #closing #grateful
“Yeah, maybe it’s okay.” 💜
#ACaseForTheExistenceOfGod #closing #grateful
The stars of A CASE FOR THE EXISTENCE OF GOD were on @insidesoflo, sharing the importance of this story and the impact it's having in our community.
Get your tickets NOW before this powerful drama of fatherhood, friendship, and vulnerability closes on March 8th! Thank you to @arielonset for this Front Row Look!
Tickets & Showtimes at the link in our bio^^
"fueled by electrifying performances by Ryan Didato and Randall Swinton"
-FTOS review
A beautiful play about two fathers who have the courage to connect.Join us.
Running through MAR 8 in Wilton Manors.
Tickets & Showtimes in bio^^
"fueled by electrifying performances by Ryan Didato and Randall Swinton"
-FTOS review
A beautiful play about two fathers who have the courage to connect.Join us.
Running through MAR 8 in Wilton Manors.
Tickets & Showtimes in bio^^
"fueled by electrifying performances by Ryan Didato and Randall Swinton"
-FTOS review
A beautiful play about two fathers who have the courage to connect.Join us.
Running through MAR 8 in Wilton Manors.
Tickets & Showtimes in bio^^
Happy Black History Month from 2 Chocolate Cuties 🤎😘
….currently fighting urges to adopt puppies, not sure I’m gonna succeed 😬
Happy Black History Month from 2 Chocolate Cuties 🤎😘
….currently fighting urges to adopt puppies, not sure I’m gonna succeed 😬
🎬 MAKE YOUR CASE 🎬
Randall makes his case for why "the show must go on" is a terrible life philosophy.
What do YOU think? Comment below 👇
A CASE FOR THE EXISTENCE OF GOD runs FEB 21 - MAR 8
Link in bio for tickets ✨
IT’S OPENING NIGHT!! 🥹 I’m so touched by this script and grateful for this show. It’s gonna be a good one… honored to do this alongside @ryan_a.d ❤️ Thankful to this amazing crew and team for getting us here! Ryan, let’s do it, brother!! 🤟🏾
Tickets can be purchased at:
https://newcityplayers.org/shows/a-case-for-the-existence-of-god
#livetheatre #fortlauderdale #newcityplayers #acasefortheexistenceofgod #samueldhunter
IT’S OPENING NIGHT!! 🥹 I’m so touched by this script and grateful for this show. It’s gonna be a good one… honored to do this alongside @ryan_a.d ❤️ Thankful to this amazing crew and team for getting us here! Ryan, let’s do it, brother!! 🤟🏾
Tickets can be purchased at:
https://newcityplayers.org/shows/a-case-for-the-existence-of-god
#livetheatre #fortlauderdale #newcityplayers #acasefortheexistenceofgod #samueldhunter
IT’S OPENING NIGHT!! 🥹 I’m so touched by this script and grateful for this show. It’s gonna be a good one… honored to do this alongside @ryan_a.d ❤️ Thankful to this amazing crew and team for getting us here! Ryan, let’s do it, brother!! 🤟🏾
Tickets can be purchased at:
https://newcityplayers.org/shows/a-case-for-the-existence-of-god
#livetheatre #fortlauderdale #newcityplayers #acasefortheexistenceofgod #samueldhunter
IT’S OPENING NIGHT!! 🥹 I’m so touched by this script and grateful for this show. It’s gonna be a good one… honored to do this alongside @ryan_a.d ❤️ Thankful to this amazing crew and team for getting us here! Ryan, let’s do it, brother!! 🤟🏾
Tickets can be purchased at:
https://newcityplayers.org/shows/a-case-for-the-existence-of-god
#livetheatre #fortlauderdale #newcityplayers #acasefortheexistenceofgod #samueldhunter
IT’S OPENING NIGHT!! 🥹 I’m so touched by this script and grateful for this show. It’s gonna be a good one… honored to do this alongside @ryan_a.d ❤️ Thankful to this amazing crew and team for getting us here! Ryan, let’s do it, brother!! 🤟🏾
Tickets can be purchased at:
https://newcityplayers.org/shows/a-case-for-the-existence-of-god
#livetheatre #fortlauderdale #newcityplayers #acasefortheexistenceofgod #samueldhunter
IT’S OPENING NIGHT!! 🥹 I’m so touched by this script and grateful for this show. It’s gonna be a good one… honored to do this alongside @ryan_a.d ❤️ Thankful to this amazing crew and team for getting us here! Ryan, let’s do it, brother!! 🤟🏾
Tickets can be purchased at:
https://newcityplayers.org/shows/a-case-for-the-existence-of-god
#livetheatre #fortlauderdale #newcityplayers #acasefortheexistenceofgod #samueldhunter
IT’S OPENING NIGHT!! 🥹 I’m so touched by this script and grateful for this show. It’s gonna be a good one… honored to do this alongside @ryan_a.d ❤️ Thankful to this amazing crew and team for getting us here! Ryan, let’s do it, brother!! 🤟🏾
Tickets can be purchased at:
https://newcityplayers.org/shows/a-case-for-the-existence-of-god
#livetheatre #fortlauderdale #newcityplayers #acasefortheexistenceofgod #samueldhunter
IT’S OPENING NIGHT!! 🥹 I’m so touched by this script and grateful for this show. It’s gonna be a good one… honored to do this alongside @ryan_a.d ❤️ Thankful to this amazing crew and team for getting us here! Ryan, let’s do it, brother!! 🤟🏾
Tickets can be purchased at:
https://newcityplayers.org/shows/a-case-for-the-existence-of-god
#livetheatre #fortlauderdale #newcityplayers #acasefortheexistenceofgod #samueldhunter
IT’S OPENING NIGHT!! 🥹 I’m so touched by this script and grateful for this show. It’s gonna be a good one… honored to do this alongside @ryan_a.d ❤️ Thankful to this amazing crew and team for getting us here! Ryan, let’s do it, brother!! 🤟🏾
Tickets can be purchased at:
https://newcityplayers.org/shows/a-case-for-the-existence-of-god
#livetheatre #fortlauderdale #newcityplayers #acasefortheexistenceofgod #samueldhunter
IT’S OPENING NIGHT!! 🥹 I’m so touched by this script and grateful for this show. It’s gonna be a good one… honored to do this alongside @ryan_a.d ❤️ Thankful to this amazing crew and team for getting us here! Ryan, let’s do it, brother!! 🤟🏾
Tickets can be purchased at:
https://newcityplayers.org/shows/a-case-for-the-existence-of-god
#livetheatre #fortlauderdale #newcityplayers #acasefortheexistenceofgod #samueldhunter
CASE official trailer has dropped! Join us for this beautiful story about unexpected friendship, fatherhood, and finding grace in the most unlikely places.
FEB 20 - MAR 8 | Wilton Manors | Link in bio for tix^
Executive Producer:
@clearwavedental
Season Producers:
@cfbroward
@browardarts
Community Partners: @namibroward @wildbloompoetry
Lobby Sponsor:
@theandynovak @choicemortgagegroup
Starring:
@ryan_a.d
@randywolfshield
Creative Team:
Director - @timothymarkdavis
Playwright - Samuel D. Hunter
Asst. Director - Michael Gioia
Stage Manager - @ambilichoo
Asst. Stage Manager - @catalinaguardo
Scenic Design - @michaelmcclaindesign
Sound Design - @ripgrimey
Lighting Design - @desiraemerritt.ld
Props & Set Dressing Design - @chocl8nomad
Costume Design - @casey.l.sacco
Technical Director - @johnbarry_green
Run Crew - @hpetion + Sean Ryan
House Manager - @meg.lit
The space between strangers. The moment of recognition. The choice to reach across.
These are the quiet moments that change everything. Ryan Didato and Randall Swinton bring Samuel D. Hunter's beautiful story to life—a play about two fathers who discover that sometimes salvation comes from the person sitting right across from you.
A CASE FOR THE EXISTENCE OF GOD runs February 21 - March 8 in Wilton Manors.
Tickets link in bio^
The space between strangers. The moment of recognition. The choice to reach across.
These are the quiet moments that change everything. Ryan Didato and Randall Swinton bring Samuel D. Hunter's beautiful story to life—a play about two fathers who discover that sometimes salvation comes from the person sitting right across from you.
A CASE FOR THE EXISTENCE OF GOD runs February 21 - March 8 in Wilton Manors.
Tickets link in bio^
The space between strangers. The moment of recognition. The choice to reach across.
These are the quiet moments that change everything. Ryan Didato and Randall Swinton bring Samuel D. Hunter's beautiful story to life—a play about two fathers who discover that sometimes salvation comes from the person sitting right across from you.
A CASE FOR THE EXISTENCE OF GOD runs February 21 - March 8 in Wilton Manors.
Tickets link in bio^
The space between strangers. The moment of recognition. The choice to reach across.
These are the quiet moments that change everything. Ryan Didato and Randall Swinton bring Samuel D. Hunter's beautiful story to life—a play about two fathers who discover that sometimes salvation comes from the person sitting right across from you.
A CASE FOR THE EXISTENCE OF GOD runs February 21 - March 8 in Wilton Manors.
Tickets link in bio^
The space between strangers. The moment of recognition. The choice to reach across.
These are the quiet moments that change everything. Ryan Didato and Randall Swinton bring Samuel D. Hunter's beautiful story to life—a play about two fathers who discover that sometimes salvation comes from the person sitting right across from you.
A CASE FOR THE EXISTENCE OF GOD runs February 21 - March 8 in Wilton Manors.
Tickets link in bio^
The space between strangers. The moment of recognition. The choice to reach across.
These are the quiet moments that change everything. Ryan Didato and Randall Swinton bring Samuel D. Hunter's beautiful story to life—a play about two fathers who discover that sometimes salvation comes from the person sitting right across from you.
A CASE FOR THE EXISTENCE OF GOD runs February 21 - March 8 in Wilton Manors.
Tickets link in bio^
The space between strangers. The moment of recognition. The choice to reach across.
These are the quiet moments that change everything. Ryan Didato and Randall Swinton bring Samuel D. Hunter's beautiful story to life—a play about two fathers who discover that sometimes salvation comes from the person sitting right across from you.
A CASE FOR THE EXISTENCE OF GOD runs February 21 - March 8 in Wilton Manors.
Tickets link in bio^
View Instagram Stories in Secret
The Instagram Story Viewer is an easy tool that lets you secretly watch and save Instagram stories, videos, photos, or IGTV. With this service, you can download content and enjoy it offline whenever you like. If you find something interesting on Instagram that you’d like to check out later or want to view stories while staying anonymous, our Viewer is perfect for you. Anonstories offers an excellent solution for keeping your identity hidden. Instagram first launched the Stories feature in August 2023, which was quickly adopted by other platforms due to its engaging, time-sensitive format. Stories let users share quick updates, whether photos, videos, or selfies, enhanced with text, emojis, or filters, and are visible for only 24 hours. This limited time frame creates high engagement compared to regular posts. In today’s world, Stories are one of the most popular ways to connect and communicate on social media. However, when you view a Story, the creator can see your name in their viewer list, which may be a privacy concern. What if you wish to browse Stories without being noticed? Here’s where Anonstories becomes useful. It allows you to watch public Instagram content without revealing your identity. Simply enter the username of the profile you’re curious about, and the tool will display their latest Stories. Features of Anonstories Viewer: - Anonymous Browsing: Watch Stories without showing up on the viewer list. - No Account Needed: View public content without signing up for an Instagram account. - Content Download: Save any Stories content directly to your device for offline use. - View Highlights: Access Instagram Highlights, even beyond the 24-hour window. - Repost Monitoring: Track the reposts or engagement levels on Stories for personal profiles. Limitations: - This tool works only with public accounts; private accounts remain inaccessible. Benefits: - Privacy-Friendly: Watch any Instagram content without being noticed. - Simple and Easy: No app installation or registration required. - Exclusive Tools: Download and manage content in ways Instagram doesn’t offer.
Advantages of Anonstories
Explore IG Stories Privately
Keep track of Instagram updates discreetly while protecting your privacy and staying anonymous.
Private Instagram Viewer
View profiles and photos anonymously with ease using the Private Profile Viewer.
Story Viewer for Free
This free tool allows you to view Instagram Stories anonymously, ensuring your activity remains hidden from the story uploader.
Frequently asked questions
Anonymity
Anonstories lets users view Instagram stories without alerting the creator.
Device Compatibility
Works seamlessly on iOS, Android, Windows, macOS, and modern browsers like Chrome and Safari.
Safety and Privacy
Prioritizes secure, anonymous browsing without requiring login credentials.
No Registration
Users can view public stories by simply entering a username—no account needed.
Supported Formats
Downloads photos (JPEG) and videos (MP4) with ease.
Cost
The service is free to use.
Private Accounts
Content from private accounts can only be accessed by followers.
File Usage
Files are for personal or educational use only and must comply with copyright rules.
How It Works
Enter a public username to view or download stories. The service generates direct links for saving content locally.