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🗣🎱2/2🪛🗞
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Outs to @spike_art_magazine @isabella.zamboni for commissioning a conversation between me and one of my sensei's @hannah_black___ earlier this summer for @spike_art_magazine 84th issue Vulgarity 💞🫂
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Thank you @hannah_black__ for the conversation...your thirst to fight for the visibility of truths is to be admired and the contributions you've made via your artistic endeavours is to be cherished...you are appreciated 🤎
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To be honest, I should've made a post about this months ago but i'm only just starting to get on rails this year...if you know me and I've been awol and completely unreliable with communication, please bare with me, i'm trying to get back to me 🤞🏾

🗣🎱2/2🪛🗞
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Outs to @spike_art_magazine @isabella.zamboni for commissioning a conversation between me and one of my sensei's @hannah_black___ earlier this summer for @spike_art_magazine 84th issue Vulgarity 💞🫂
.
Thank you @hannah_black__ for the conversation...your thirst to fight for the visibility of truths is to be admired and the contributions you've made via your artistic endeavours is to be cherished...you are appreciated 🤎
.
To be honest, I should've made a post about this months ago but i'm only just starting to get on rails this year...if you know me and I've been awol and completely unreliable with communication, please bare with me, i'm trying to get back to me 🤞🏾

🗣🎱1/2📰🇮🇹
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💥 GERMAIN 3:16 🤼🏾‍♂️
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Outs to @curamagazine @ilamarotta forever for giving me my first magazine cover...💞🫂
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I'm the first cover out of three for CURA's 45th issue Blackout ✨️
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Thank you also to Josephine Pryde for the 📝 @tsarinamerrin for the 🌪📸 @ksenia_sharonova for the 🔥👔 and @sheilabondmakeup for bringing out the 👹
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Off the top rope ‼️🕳

🏁♻️🕳🗃
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Outs to my heart @rachealcrowther and @montezpress for inviting me to be the contributor for August in their Interjection Calendar series this year ✨️
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Outs to my co-d @jacksonlloydezra for being the 👨🏾‍🔬🧙🏾‍♂️ that he is and for translating my ideas into viable scent concoctions that could then be warped into Nose Buster, the visual essay you now see infront of you 🧨
.
All of the stylised representations of the names of the ingredients that make up the four scents have a cultural reference or two, or three, or five attached to them, and all of these references work together to project a set of pivots in stance that I have taken recently in relation to my practice...so this essay works as a visual diary too I guess.
.
The title of the essay is a flip of the Californian slang term eye buster, with an eye buster being an extremely direct and disrespectful tattoo that a gang member would get in order to draw a very clear line on where their allegiance(s) lay with and who they considered to be an enemy of theirs. The goal ultimately to make your enemies eyes bust out of their sockets when they see the tattoo. Connect the dots.
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https://montezpress.com/static/media/interjectionPDFS/Interjection-011-09_R.I.P._Germain.pdf

🏁♻️🕳🗃
.
Outs to my heart @rachealcrowther and @montezpress for inviting me to be the contributor for August in their Interjection Calendar series this year ✨️
.
Outs to my co-d @jacksonlloydezra for being the 👨🏾‍🔬🧙🏾‍♂️ that he is and for translating my ideas into viable scent concoctions that could then be warped into Nose Buster, the visual essay you now see infront of you 🧨
.
All of the stylised representations of the names of the ingredients that make up the four scents have a cultural reference or two, or three, or five attached to them, and all of these references work together to project a set of pivots in stance that I have taken recently in relation to my practice...so this essay works as a visual diary too I guess.
.
The title of the essay is a flip of the Californian slang term eye buster, with an eye buster being an extremely direct and disrespectful tattoo that a gang member would get in order to draw a very clear line on where their allegiance(s) lay with and who they considered to be an enemy of theirs. The goal ultimately to make your enemies eyes bust out of their sockets when they see the tattoo. Connect the dots.
.
https://montezpress.com/static/media/interjectionPDFS/Interjection-011-09_R.I.P._Germain.pdf

🏁♻️🕳🗃
.
Outs to my heart @rachealcrowther and @montezpress for inviting me to be the contributor for August in their Interjection Calendar series this year ✨️
.
Outs to my co-d @jacksonlloydezra for being the 👨🏾‍🔬🧙🏾‍♂️ that he is and for translating my ideas into viable scent concoctions that could then be warped into Nose Buster, the visual essay you now see infront of you 🧨
.
All of the stylised representations of the names of the ingredients that make up the four scents have a cultural reference or two, or three, or five attached to them, and all of these references work together to project a set of pivots in stance that I have taken recently in relation to my practice...so this essay works as a visual diary too I guess.
.
The title of the essay is a flip of the Californian slang term eye buster, with an eye buster being an extremely direct and disrespectful tattoo that a gang member would get in order to draw a very clear line on where their allegiance(s) lay with and who they considered to be an enemy of theirs. The goal ultimately to make your enemies eyes bust out of their sockets when they see the tattoo. Connect the dots.
.
https://montezpress.com/static/media/interjectionPDFS/Interjection-011-09_R.I.P._Germain.pdf

💙🤍❤️☄️
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Paris famlee 🤞🏾
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Tonight, there will be a special one night only double screening of Everything’s For Sale & Everyone’s Welcome To Buy @goswellroad 🫂
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19:30 & 20:30
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Both screenings are free to attend but the seating is very limited, so please arrive on time unlike this post and the doors will open 10 minutes before the first screening begins.
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Outs to Anthony, Coralie and @restinpeace.fr for including this film.in their summer screening program 💝
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🫡 to @formaartsmedia and @whitechapelgallery for commissioning me to make this film back in 2023 🤎

🎙🫂🎛🎧
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Tomorrow 11am BST
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Join me and @roughversion on @nts_radio 💥🏎
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Thank you for the invitation to get things off my chest Francesca ❤️‍🔥
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Updated now with a link to the show, which has now been archived ✨️
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https://www.nts.live/shows/rough-version/episodes/rough-version-rip-germain-4th-april-2025

🪦🎬🚔⚰️
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R.I.P. Germain - 101 Hour Psycho (2025)
.
🎨 Digital video, 101 hours 11 minutes 33 seconds, Antiviral Multi-Purpose Cleaner Disinfectant, dibond, fabric, galvanised steel, IPA-Propan-2-OL, MDF, plastic wood, RX66 Bio-Enzymatic Odour Digester, the surrounding environment lowered to 5°C
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🛠 @hsds_ltd ✨️
.
R.I.P. Germain - western promises (2025)
.
🎨 Acrylic paint, MDF, perspex
.
I'm not going waste anyones time trying to force it with some jarring 'art text', there'll be a 'proper' write up of some sort about it down the road once I've distilled, but for now this is just a bit of what I want to say, and what I'm willing to give up to you at this moment in time...this is an archive of a part of British history more than anything, not a complete archive, but my archive, and the cultural movement it's involved with has had forces, you know who and whom I'm talking about, try to sweep it under the rug and erase it...it's also seven years of my life, straight up, it just is...Wednesday 1st November 2017 - Friday 7th March 2025, those are the dates for when I downloaded the first and last of the 3879 files that make up this 'film'...but not only has this been my life, it's also been dozens if not hundreds of other peoples lives, some of them still being with us, some of them not, nearly all of them very young, a lot of them too young...and I've only bore witness to it through a laptop screen, they've lived it, and it's fried my brain, so what do you think it might've done to them? Some doors of sanity for me have been closed because of this footage, it's made me ill, frustrated, infuriated, cry, tapped (well...more tapped), disappointed, sorrowful, confused, detached...and I say all of this not to centre myself nor my experience with it, but to try to get it across to you as sincerely as I possibly can that the title of the video installation isn't just a warped tip of the hat to Douglas Gordon, it's what this stuff will do to you. I should know 🤷🏾‍♂️
.
Anti-Blackness Is Bad, Even The Parts That We Like is open until Saturday 10th May 2025 at Cabinet 🏴‍☠️
.
📸 @markblower

🪦🎬🚔⚰️
.
R.I.P. Germain - 101 Hour Psycho (2025)
.
🎨 Digital video, 101 hours 11 minutes 33 seconds, Antiviral Multi-Purpose Cleaner Disinfectant, dibond, fabric, galvanised steel, IPA-Propan-2-OL, MDF, plastic wood, RX66 Bio-Enzymatic Odour Digester, the surrounding environment lowered to 5°C
.
🛠 @hsds_ltd ✨️
.
R.I.P. Germain - western promises (2025)
.
🎨 Acrylic paint, MDF, perspex
.
I'm not going waste anyones time trying to force it with some jarring 'art text', there'll be a 'proper' write up of some sort about it down the road once I've distilled, but for now this is just a bit of what I want to say, and what I'm willing to give up to you at this moment in time...this is an archive of a part of British history more than anything, not a complete archive, but my archive, and the cultural movement it's involved with has had forces, you know who and whom I'm talking about, try to sweep it under the rug and erase it...it's also seven years of my life, straight up, it just is...Wednesday 1st November 2017 - Friday 7th March 2025, those are the dates for when I downloaded the first and last of the 3879 files that make up this 'film'...but not only has this been my life, it's also been dozens if not hundreds of other peoples lives, some of them still being with us, some of them not, nearly all of them very young, a lot of them too young...and I've only bore witness to it through a laptop screen, they've lived it, and it's fried my brain, so what do you think it might've done to them? Some doors of sanity for me have been closed because of this footage, it's made me ill, frustrated, infuriated, cry, tapped (well...more tapped), disappointed, sorrowful, confused, detached...and I say all of this not to centre myself nor my experience with it, but to try to get it across to you as sincerely as I possibly can that the title of the video installation isn't just a warped tip of the hat to Douglas Gordon, it's what this stuff will do to you. I should know 🤷🏾‍♂️
.
Anti-Blackness Is Bad, Even The Parts That We Like is open until Saturday 10th May 2025 at Cabinet 🏴‍☠️
.
📸 @markblower

🪦🎬🚔⚰️
.
R.I.P. Germain - 101 Hour Psycho (2025)
.
🎨 Digital video, 101 hours 11 minutes 33 seconds, Antiviral Multi-Purpose Cleaner Disinfectant, dibond, fabric, galvanised steel, IPA-Propan-2-OL, MDF, plastic wood, RX66 Bio-Enzymatic Odour Digester, the surrounding environment lowered to 5°C
.
🛠 @hsds_ltd ✨️
.
R.I.P. Germain - western promises (2025)
.
🎨 Acrylic paint, MDF, perspex
.
I'm not going waste anyones time trying to force it with some jarring 'art text', there'll be a 'proper' write up of some sort about it down the road once I've distilled, but for now this is just a bit of what I want to say, and what I'm willing to give up to you at this moment in time...this is an archive of a part of British history more than anything, not a complete archive, but my archive, and the cultural movement it's involved with has had forces, you know who and whom I'm talking about, try to sweep it under the rug and erase it...it's also seven years of my life, straight up, it just is...Wednesday 1st November 2017 - Friday 7th March 2025, those are the dates for when I downloaded the first and last of the 3879 files that make up this 'film'...but not only has this been my life, it's also been dozens if not hundreds of other peoples lives, some of them still being with us, some of them not, nearly all of them very young, a lot of them too young...and I've only bore witness to it through a laptop screen, they've lived it, and it's fried my brain, so what do you think it might've done to them? Some doors of sanity for me have been closed because of this footage, it's made me ill, frustrated, infuriated, cry, tapped (well...more tapped), disappointed, sorrowful, confused, detached...and I say all of this not to centre myself nor my experience with it, but to try to get it across to you as sincerely as I possibly can that the title of the video installation isn't just a warped tip of the hat to Douglas Gordon, it's what this stuff will do to you. I should know 🤷🏾‍♂️
.
Anti-Blackness Is Bad, Even The Parts That We Like is open until Saturday 10th May 2025 at Cabinet 🏴‍☠️
.
📸 @markblower

🪦🎬🚔⚰️
.
R.I.P. Germain - 101 Hour Psycho (2025)
.
🎨 Digital video, 101 hours 11 minutes 33 seconds, Antiviral Multi-Purpose Cleaner Disinfectant, dibond, fabric, galvanised steel, IPA-Propan-2-OL, MDF, plastic wood, RX66 Bio-Enzymatic Odour Digester, the surrounding environment lowered to 5°C
.
🛠 @hsds_ltd ✨️
.
R.I.P. Germain - western promises (2025)
.
🎨 Acrylic paint, MDF, perspex
.
I'm not going waste anyones time trying to force it with some jarring 'art text', there'll be a 'proper' write up of some sort about it down the road once I've distilled, but for now this is just a bit of what I want to say, and what I'm willing to give up to you at this moment in time...this is an archive of a part of British history more than anything, not a complete archive, but my archive, and the cultural movement it's involved with has had forces, you know who and whom I'm talking about, try to sweep it under the rug and erase it...it's also seven years of my life, straight up, it just is...Wednesday 1st November 2017 - Friday 7th March 2025, those are the dates for when I downloaded the first and last of the 3879 files that make up this 'film'...but not only has this been my life, it's also been dozens if not hundreds of other peoples lives, some of them still being with us, some of them not, nearly all of them very young, a lot of them too young...and I've only bore witness to it through a laptop screen, they've lived it, and it's fried my brain, so what do you think it might've done to them? Some doors of sanity for me have been closed because of this footage, it's made me ill, frustrated, infuriated, cry, tapped (well...more tapped), disappointed, sorrowful, confused, detached...and I say all of this not to centre myself nor my experience with it, but to try to get it across to you as sincerely as I possibly can that the title of the video installation isn't just a warped tip of the hat to Douglas Gordon, it's what this stuff will do to you. I should know 🤷🏾‍♂️
.
Anti-Blackness Is Bad, Even The Parts That We Like is open until Saturday 10th May 2025 at Cabinet 🏴‍☠️
.
📸 @markblower

🪦🎬🚔⚰️
.
R.I.P. Germain - 101 Hour Psycho (2025)
.
🎨 Digital video, 101 hours 11 minutes 33 seconds, Antiviral Multi-Purpose Cleaner Disinfectant, dibond, fabric, galvanised steel, IPA-Propan-2-OL, MDF, plastic wood, RX66 Bio-Enzymatic Odour Digester, the surrounding environment lowered to 5°C
.
🛠 @hsds_ltd ✨️
.
R.I.P. Germain - western promises (2025)
.
🎨 Acrylic paint, MDF, perspex
.
I'm not going waste anyones time trying to force it with some jarring 'art text', there'll be a 'proper' write up of some sort about it down the road once I've distilled, but for now this is just a bit of what I want to say, and what I'm willing to give up to you at this moment in time...this is an archive of a part of British history more than anything, not a complete archive, but my archive, and the cultural movement it's involved with has had forces, you know who and whom I'm talking about, try to sweep it under the rug and erase it...it's also seven years of my life, straight up, it just is...Wednesday 1st November 2017 - Friday 7th March 2025, those are the dates for when I downloaded the first and last of the 3879 files that make up this 'film'...but not only has this been my life, it's also been dozens if not hundreds of other peoples lives, some of them still being with us, some of them not, nearly all of them very young, a lot of them too young...and I've only bore witness to it through a laptop screen, they've lived it, and it's fried my brain, so what do you think it might've done to them? Some doors of sanity for me have been closed because of this footage, it's made me ill, frustrated, infuriated, cry, tapped (well...more tapped), disappointed, sorrowful, confused, detached...and I say all of this not to centre myself nor my experience with it, but to try to get it across to you as sincerely as I possibly can that the title of the video installation isn't just a warped tip of the hat to Douglas Gordon, it's what this stuff will do to you. I should know 🤷🏾‍♂️
.
Anti-Blackness Is Bad, Even The Parts That We Like is open until Saturday 10th May 2025 at Cabinet 🏴‍☠️
.
📸 @markblower

🪦🎬🚔⚰️
.
R.I.P. Germain - 101 Hour Psycho (2025)
.
🎨 Digital video, 101 hours 11 minutes 33 seconds, Antiviral Multi-Purpose Cleaner Disinfectant, dibond, fabric, galvanised steel, IPA-Propan-2-OL, MDF, plastic wood, RX66 Bio-Enzymatic Odour Digester, the surrounding environment lowered to 5°C
.
🛠 @hsds_ltd ✨️
.
R.I.P. Germain - western promises (2025)
.
🎨 Acrylic paint, MDF, perspex
.
I'm not going waste anyones time trying to force it with some jarring 'art text', there'll be a 'proper' write up of some sort about it down the road once I've distilled, but for now this is just a bit of what I want to say, and what I'm willing to give up to you at this moment in time...this is an archive of a part of British history more than anything, not a complete archive, but my archive, and the cultural movement it's involved with has had forces, you know who and whom I'm talking about, try to sweep it under the rug and erase it...it's also seven years of my life, straight up, it just is...Wednesday 1st November 2017 - Friday 7th March 2025, those are the dates for when I downloaded the first and last of the 3879 files that make up this 'film'...but not only has this been my life, it's also been dozens if not hundreds of other peoples lives, some of them still being with us, some of them not, nearly all of them very young, a lot of them too young...and I've only bore witness to it through a laptop screen, they've lived it, and it's fried my brain, so what do you think it might've done to them? Some doors of sanity for me have been closed because of this footage, it's made me ill, frustrated, infuriated, cry, tapped (well...more tapped), disappointed, sorrowful, confused, detached...and I say all of this not to centre myself nor my experience with it, but to try to get it across to you as sincerely as I possibly can that the title of the video installation isn't just a warped tip of the hat to Douglas Gordon, it's what this stuff will do to you. I should know 🤷🏾‍♂️
.
Anti-Blackness Is Bad, Even The Parts That We Like is open until Saturday 10th May 2025 at Cabinet 🏴‍☠️
.
📸 @markblower

🪦🎬🚔⚰️
.
R.I.P. Germain - 101 Hour Psycho (2025)
.
🎨 Digital video, 101 hours 11 minutes 33 seconds, Antiviral Multi-Purpose Cleaner Disinfectant, dibond, fabric, galvanised steel, IPA-Propan-2-OL, MDF, plastic wood, RX66 Bio-Enzymatic Odour Digester, the surrounding environment lowered to 5°C
.
🛠 @hsds_ltd ✨️
.
R.I.P. Germain - western promises (2025)
.
🎨 Acrylic paint, MDF, perspex
.
I'm not going waste anyones time trying to force it with some jarring 'art text', there'll be a 'proper' write up of some sort about it down the road once I've distilled, but for now this is just a bit of what I want to say, and what I'm willing to give up to you at this moment in time...this is an archive of a part of British history more than anything, not a complete archive, but my archive, and the cultural movement it's involved with has had forces, you know who and whom I'm talking about, try to sweep it under the rug and erase it...it's also seven years of my life, straight up, it just is...Wednesday 1st November 2017 - Friday 7th March 2025, those are the dates for when I downloaded the first and last of the 3879 files that make up this 'film'...but not only has this been my life, it's also been dozens if not hundreds of other peoples lives, some of them still being with us, some of them not, nearly all of them very young, a lot of them too young...and I've only bore witness to it through a laptop screen, they've lived it, and it's fried my brain, so what do you think it might've done to them? Some doors of sanity for me have been closed because of this footage, it's made me ill, frustrated, infuriated, cry, tapped (well...more tapped), disappointed, sorrowful, confused, detached...and I say all of this not to centre myself nor my experience with it, but to try to get it across to you as sincerely as I possibly can that the title of the video installation isn't just a warped tip of the hat to Douglas Gordon, it's what this stuff will do to you. I should know 🤷🏾‍♂️
.
Anti-Blackness Is Bad, Even The Parts That We Like is open until Saturday 10th May 2025 at Cabinet 🏴‍☠️
.
📸 @markblower

🪦🎬🚔⚰️
.
R.I.P. Germain - 101 Hour Psycho (2025)
.
🎨 Digital video, 101 hours 11 minutes 33 seconds, Antiviral Multi-Purpose Cleaner Disinfectant, dibond, fabric, galvanised steel, IPA-Propan-2-OL, MDF, plastic wood, RX66 Bio-Enzymatic Odour Digester, the surrounding environment lowered to 5°C
.
🛠 @hsds_ltd ✨️
.
R.I.P. Germain - western promises (2025)
.
🎨 Acrylic paint, MDF, perspex
.
I'm not going waste anyones time trying to force it with some jarring 'art text', there'll be a 'proper' write up of some sort about it down the road once I've distilled, but for now this is just a bit of what I want to say, and what I'm willing to give up to you at this moment in time...this is an archive of a part of British history more than anything, not a complete archive, but my archive, and the cultural movement it's involved with has had forces, you know who and whom I'm talking about, try to sweep it under the rug and erase it...it's also seven years of my life, straight up, it just is...Wednesday 1st November 2017 - Friday 7th March 2025, those are the dates for when I downloaded the first and last of the 3879 files that make up this 'film'...but not only has this been my life, it's also been dozens if not hundreds of other peoples lives, some of them still being with us, some of them not, nearly all of them very young, a lot of them too young...and I've only bore witness to it through a laptop screen, they've lived it, and it's fried my brain, so what do you think it might've done to them? Some doors of sanity for me have been closed because of this footage, it's made me ill, frustrated, infuriated, cry, tapped (well...more tapped), disappointed, sorrowful, confused, detached...and I say all of this not to centre myself nor my experience with it, but to try to get it across to you as sincerely as I possibly can that the title of the video installation isn't just a warped tip of the hat to Douglas Gordon, it's what this stuff will do to you. I should know 🤷🏾‍♂️
.
Anti-Blackness Is Bad, Even The Parts That We Like is open until Saturday 10th May 2025 at Cabinet 🏴‍☠️
.
📸 @markblower

🪦🎬🚔⚰️
.
R.I.P. Germain - 101 Hour Psycho (2025)
.
🎨 Digital video, 101 hours 11 minutes 33 seconds, Antiviral Multi-Purpose Cleaner Disinfectant, dibond, fabric, galvanised steel, IPA-Propan-2-OL, MDF, plastic wood, RX66 Bio-Enzymatic Odour Digester, the surrounding environment lowered to 5°C
.
🛠 @hsds_ltd ✨️
.
R.I.P. Germain - western promises (2025)
.
🎨 Acrylic paint, MDF, perspex
.
I'm not going waste anyones time trying to force it with some jarring 'art text', there'll be a 'proper' write up of some sort about it down the road once I've distilled, but for now this is just a bit of what I want to say, and what I'm willing to give up to you at this moment in time...this is an archive of a part of British history more than anything, not a complete archive, but my archive, and the cultural movement it's involved with has had forces, you know who and whom I'm talking about, try to sweep it under the rug and erase it...it's also seven years of my life, straight up, it just is...Wednesday 1st November 2017 - Friday 7th March 2025, those are the dates for when I downloaded the first and last of the 3879 files that make up this 'film'...but not only has this been my life, it's also been dozens if not hundreds of other peoples lives, some of them still being with us, some of them not, nearly all of them very young, a lot of them too young...and I've only bore witness to it through a laptop screen, they've lived it, and it's fried my brain, so what do you think it might've done to them? Some doors of sanity for me have been closed because of this footage, it's made me ill, frustrated, infuriated, cry, tapped (well...more tapped), disappointed, sorrowful, confused, detached...and I say all of this not to centre myself nor my experience with it, but to try to get it across to you as sincerely as I possibly can that the title of the video installation isn't just a warped tip of the hat to Douglas Gordon, it's what this stuff will do to you. I should know 🤷🏾‍♂️
.
Anti-Blackness Is Bad, Even The Parts That We Like is open until Saturday 10th May 2025 at Cabinet 🏴‍☠️
.
📸 @markblower

🪦🎬🚔⚰️
.
R.I.P. Germain - 101 Hour Psycho (2025)
.
🎨 Digital video, 101 hours 11 minutes 33 seconds, Antiviral Multi-Purpose Cleaner Disinfectant, dibond, fabric, galvanised steel, IPA-Propan-2-OL, MDF, plastic wood, RX66 Bio-Enzymatic Odour Digester, the surrounding environment lowered to 5°C
.
🛠 @hsds_ltd ✨️
.
R.I.P. Germain - western promises (2025)
.
🎨 Acrylic paint, MDF, perspex
.
I'm not going waste anyones time trying to force it with some jarring 'art text', there'll be a 'proper' write up of some sort about it down the road once I've distilled, but for now this is just a bit of what I want to say, and what I'm willing to give up to you at this moment in time...this is an archive of a part of British history more than anything, not a complete archive, but my archive, and the cultural movement it's involved with has had forces, you know who and whom I'm talking about, try to sweep it under the rug and erase it...it's also seven years of my life, straight up, it just is...Wednesday 1st November 2017 - Friday 7th March 2025, those are the dates for when I downloaded the first and last of the 3879 files that make up this 'film'...but not only has this been my life, it's also been dozens if not hundreds of other peoples lives, some of them still being with us, some of them not, nearly all of them very young, a lot of them too young...and I've only bore witness to it through a laptop screen, they've lived it, and it's fried my brain, so what do you think it might've done to them? Some doors of sanity for me have been closed because of this footage, it's made me ill, frustrated, infuriated, cry, tapped (well...more tapped), disappointed, sorrowful, confused, detached...and I say all of this not to centre myself nor my experience with it, but to try to get it across to you as sincerely as I possibly can that the title of the video installation isn't just a warped tip of the hat to Douglas Gordon, it's what this stuff will do to you. I should know 🤷🏾‍♂️
.
Anti-Blackness Is Bad, Even The Parts That We Like is open until Saturday 10th May 2025 at Cabinet 🏴‍☠️
.
📸 @markblower

🪦🎬🚔⚰️
.
R.I.P. Germain - 101 Hour Psycho (2025)
.
🎨 Digital video, 101 hours 11 minutes 33 seconds, Antiviral Multi-Purpose Cleaner Disinfectant, dibond, fabric, galvanised steel, IPA-Propan-2-OL, MDF, plastic wood, RX66 Bio-Enzymatic Odour Digester, the surrounding environment lowered to 5°C
.
🛠 @hsds_ltd ✨️
.
R.I.P. Germain - western promises (2025)
.
🎨 Acrylic paint, MDF, perspex
.
I'm not going waste anyones time trying to force it with some jarring 'art text', there'll be a 'proper' write up of some sort about it down the road once I've distilled, but for now this is just a bit of what I want to say, and what I'm willing to give up to you at this moment in time...this is an archive of a part of British history more than anything, not a complete archive, but my archive, and the cultural movement it's involved with has had forces, you know who and whom I'm talking about, try to sweep it under the rug and erase it...it's also seven years of my life, straight up, it just is...Wednesday 1st November 2017 - Friday 7th March 2025, those are the dates for when I downloaded the first and last of the 3879 files that make up this 'film'...but not only has this been my life, it's also been dozens if not hundreds of other peoples lives, some of them still being with us, some of them not, nearly all of them very young, a lot of them too young...and I've only bore witness to it through a laptop screen, they've lived it, and it's fried my brain, so what do you think it might've done to them? Some doors of sanity for me have been closed because of this footage, it's made me ill, frustrated, infuriated, cry, tapped (well...more tapped), disappointed, sorrowful, confused, detached...and I say all of this not to centre myself nor my experience with it, but to try to get it across to you as sincerely as I possibly can that the title of the video installation isn't just a warped tip of the hat to Douglas Gordon, it's what this stuff will do to you. I should know 🤷🏾‍♂️
.
Anti-Blackness Is Bad, Even The Parts That We Like is open until Saturday 10th May 2025 at Cabinet 🏴‍☠️
.
📸 @markblower

🪦🎬🚔⚰️
.
R.I.P. Germain - 101 Hour Psycho (2025)
.
🎨 Digital video, 101 hours 11 minutes 33 seconds, Antiviral Multi-Purpose Cleaner Disinfectant, dibond, fabric, galvanised steel, IPA-Propan-2-OL, MDF, plastic wood, RX66 Bio-Enzymatic Odour Digester, the surrounding environment lowered to 5°C
.
🛠 @hsds_ltd ✨️
.
R.I.P. Germain - western promises (2025)
.
🎨 Acrylic paint, MDF, perspex
.
I'm not going waste anyones time trying to force it with some jarring 'art text', there'll be a 'proper' write up of some sort about it down the road once I've distilled, but for now this is just a bit of what I want to say, and what I'm willing to give up to you at this moment in time...this is an archive of a part of British history more than anything, not a complete archive, but my archive, and the cultural movement it's involved with has had forces, you know who and whom I'm talking about, try to sweep it under the rug and erase it...it's also seven years of my life, straight up, it just is...Wednesday 1st November 2017 - Friday 7th March 2025, those are the dates for when I downloaded the first and last of the 3879 files that make up this 'film'...but not only has this been my life, it's also been dozens if not hundreds of other peoples lives, some of them still being with us, some of them not, nearly all of them very young, a lot of them too young...and I've only bore witness to it through a laptop screen, they've lived it, and it's fried my brain, so what do you think it might've done to them? Some doors of sanity for me have been closed because of this footage, it's made me ill, frustrated, infuriated, cry, tapped (well...more tapped), disappointed, sorrowful, confused, detached...and I say all of this not to centre myself nor my experience with it, but to try to get it across to you as sincerely as I possibly can that the title of the video installation isn't just a warped tip of the hat to Douglas Gordon, it's what this stuff will do to you. I should know 🤷🏾‍♂️
.
Anti-Blackness Is Bad, Even The Parts That We Like is open until Saturday 10th May 2025 at Cabinet 🏴‍☠️
.
📸 @markblower

🪦🎬🚔⚰️
.
R.I.P. Germain - 101 Hour Psycho (2025)
.
🎨 Digital video, 101 hours 11 minutes 33 seconds, Antiviral Multi-Purpose Cleaner Disinfectant, dibond, fabric, galvanised steel, IPA-Propan-2-OL, MDF, plastic wood, RX66 Bio-Enzymatic Odour Digester, the surrounding environment lowered to 5°C
.
🛠 @hsds_ltd ✨️
.
R.I.P. Germain - western promises (2025)
.
🎨 Acrylic paint, MDF, perspex
.
I'm not going waste anyones time trying to force it with some jarring 'art text', there'll be a 'proper' write up of some sort about it down the road once I've distilled, but for now this is just a bit of what I want to say, and what I'm willing to give up to you at this moment in time...this is an archive of a part of British history more than anything, not a complete archive, but my archive, and the cultural movement it's involved with has had forces, you know who and whom I'm talking about, try to sweep it under the rug and erase it...it's also seven years of my life, straight up, it just is...Wednesday 1st November 2017 - Friday 7th March 2025, those are the dates for when I downloaded the first and last of the 3879 files that make up this 'film'...but not only has this been my life, it's also been dozens if not hundreds of other peoples lives, some of them still being with us, some of them not, nearly all of them very young, a lot of them too young...and I've only bore witness to it through a laptop screen, they've lived it, and it's fried my brain, so what do you think it might've done to them? Some doors of sanity for me have been closed because of this footage, it's made me ill, frustrated, infuriated, cry, tapped (well...more tapped), disappointed, sorrowful, confused, detached...and I say all of this not to centre myself nor my experience with it, but to try to get it across to you as sincerely as I possibly can that the title of the video installation isn't just a warped tip of the hat to Douglas Gordon, it's what this stuff will do to you. I should know 🤷🏾‍♂️
.
Anti-Blackness Is Bad, Even The Parts That We Like is open until Saturday 10th May 2025 at Cabinet 🏴‍☠️
.
📸 @markblower

🪦🎬🚔⚰️
.
R.I.P. Germain - 101 Hour Psycho (2025)
.
🎨 Digital video, 101 hours 11 minutes 33 seconds, Antiviral Multi-Purpose Cleaner Disinfectant, dibond, fabric, galvanised steel, IPA-Propan-2-OL, MDF, plastic wood, RX66 Bio-Enzymatic Odour Digester, the surrounding environment lowered to 5°C
.
🛠 @hsds_ltd ✨️
.
R.I.P. Germain - western promises (2025)
.
🎨 Acrylic paint, MDF, perspex
.
I'm not going waste anyones time trying to force it with some jarring 'art text', there'll be a 'proper' write up of some sort about it down the road once I've distilled, but for now this is just a bit of what I want to say, and what I'm willing to give up to you at this moment in time...this is an archive of a part of British history more than anything, not a complete archive, but my archive, and the cultural movement it's involved with has had forces, you know who and whom I'm talking about, try to sweep it under the rug and erase it...it's also seven years of my life, straight up, it just is...Wednesday 1st November 2017 - Friday 7th March 2025, those are the dates for when I downloaded the first and last of the 3879 files that make up this 'film'...but not only has this been my life, it's also been dozens if not hundreds of other peoples lives, some of them still being with us, some of them not, nearly all of them very young, a lot of them too young...and I've only bore witness to it through a laptop screen, they've lived it, and it's fried my brain, so what do you think it might've done to them? Some doors of sanity for me have been closed because of this footage, it's made me ill, frustrated, infuriated, cry, tapped (well...more tapped), disappointed, sorrowful, confused, detached...and I say all of this not to centre myself nor my experience with it, but to try to get it across to you as sincerely as I possibly can that the title of the video installation isn't just a warped tip of the hat to Douglas Gordon, it's what this stuff will do to you. I should know 🤷🏾‍♂️
.
Anti-Blackness Is Bad, Even The Parts That We Like is open until Saturday 10th May 2025 at Cabinet 🏴‍☠️
.
📸 @markblower

🪦🎬🚔⚰️
.
R.I.P. Germain - 101 Hour Psycho (2025)
.
🎨 Digital video, 101 hours 11 minutes 33 seconds, Antiviral Multi-Purpose Cleaner Disinfectant, dibond, fabric, galvanised steel, IPA-Propan-2-OL, MDF, plastic wood, RX66 Bio-Enzymatic Odour Digester, the surrounding environment lowered to 5°C
.
🛠 @hsds_ltd ✨️
.
R.I.P. Germain - western promises (2025)
.
🎨 Acrylic paint, MDF, perspex
.
I'm not going waste anyones time trying to force it with some jarring 'art text', there'll be a 'proper' write up of some sort about it down the road once I've distilled, but for now this is just a bit of what I want to say, and what I'm willing to give up to you at this moment in time...this is an archive of a part of British history more than anything, not a complete archive, but my archive, and the cultural movement it's involved with has had forces, you know who and whom I'm talking about, try to sweep it under the rug and erase it...it's also seven years of my life, straight up, it just is...Wednesday 1st November 2017 - Friday 7th March 2025, those are the dates for when I downloaded the first and last of the 3879 files that make up this 'film'...but not only has this been my life, it's also been dozens if not hundreds of other peoples lives, some of them still being with us, some of them not, nearly all of them very young, a lot of them too young...and I've only bore witness to it through a laptop screen, they've lived it, and it's fried my brain, so what do you think it might've done to them? Some doors of sanity for me have been closed because of this footage, it's made me ill, frustrated, infuriated, cry, tapped (well...more tapped), disappointed, sorrowful, confused, detached...and I say all of this not to centre myself nor my experience with it, but to try to get it across to you as sincerely as I possibly can that the title of the video installation isn't just a warped tip of the hat to Douglas Gordon, it's what this stuff will do to you. I should know 🤷🏾‍♂️
.
Anti-Blackness Is Bad, Even The Parts That We Like is open until Saturday 10th May 2025 at Cabinet 🏴‍☠️
.
📸 @markblower

🪦🎬🚔⚰️
.
R.I.P. Germain - 101 Hour Psycho (2025)
.
🎨 Digital video, 101 hours 11 minutes 33 seconds, Antiviral Multi-Purpose Cleaner Disinfectant, dibond, fabric, galvanised steel, IPA-Propan-2-OL, MDF, plastic wood, RX66 Bio-Enzymatic Odour Digester, the surrounding environment lowered to 5°C
.
🛠 @hsds_ltd ✨️
.
R.I.P. Germain - western promises (2025)
.
🎨 Acrylic paint, MDF, perspex
.
I'm not going waste anyones time trying to force it with some jarring 'art text', there'll be a 'proper' write up of some sort about it down the road once I've distilled, but for now this is just a bit of what I want to say, and what I'm willing to give up to you at this moment in time...this is an archive of a part of British history more than anything, not a complete archive, but my archive, and the cultural movement it's involved with has had forces, you know who and whom I'm talking about, try to sweep it under the rug and erase it...it's also seven years of my life, straight up, it just is...Wednesday 1st November 2017 - Friday 7th March 2025, those are the dates for when I downloaded the first and last of the 3879 files that make up this 'film'...but not only has this been my life, it's also been dozens if not hundreds of other peoples lives, some of them still being with us, some of them not, nearly all of them very young, a lot of them too young...and I've only bore witness to it through a laptop screen, they've lived it, and it's fried my brain, so what do you think it might've done to them? Some doors of sanity for me have been closed because of this footage, it's made me ill, frustrated, infuriated, cry, tapped (well...more tapped), disappointed, sorrowful, confused, detached...and I say all of this not to centre myself nor my experience with it, but to try to get it across to you as sincerely as I possibly can that the title of the video installation isn't just a warped tip of the hat to Douglas Gordon, it's what this stuff will do to you. I should know 🤷🏾‍♂️
.
Anti-Blackness Is Bad, Even The Parts That We Like is open until Saturday 10th May 2025 at Cabinet 🏴‍☠️
.
📸 @markblower

🪦🎬🚔⚰️
.
R.I.P. Germain - 101 Hour Psycho (2025)
.
🎨 Digital video, 101 hours 11 minutes 33 seconds, Antiviral Multi-Purpose Cleaner Disinfectant, dibond, fabric, galvanised steel, IPA-Propan-2-OL, MDF, plastic wood, RX66 Bio-Enzymatic Odour Digester, the surrounding environment lowered to 5°C
.
🛠 @hsds_ltd ✨️
.
R.I.P. Germain - western promises (2025)
.
🎨 Acrylic paint, MDF, perspex
.
I'm not going waste anyones time trying to force it with some jarring 'art text', there'll be a 'proper' write up of some sort about it down the road once I've distilled, but for now this is just a bit of what I want to say, and what I'm willing to give up to you at this moment in time...this is an archive of a part of British history more than anything, not a complete archive, but my archive, and the cultural movement it's involved with has had forces, you know who and whom I'm talking about, try to sweep it under the rug and erase it...it's also seven years of my life, straight up, it just is...Wednesday 1st November 2017 - Friday 7th March 2025, those are the dates for when I downloaded the first and last of the 3879 files that make up this 'film'...but not only has this been my life, it's also been dozens if not hundreds of other peoples lives, some of them still being with us, some of them not, nearly all of them very young, a lot of them too young...and I've only bore witness to it through a laptop screen, they've lived it, and it's fried my brain, so what do you think it might've done to them? Some doors of sanity for me have been closed because of this footage, it's made me ill, frustrated, infuriated, cry, tapped (well...more tapped), disappointed, sorrowful, confused, detached...and I say all of this not to centre myself nor my experience with it, but to try to get it across to you as sincerely as I possibly can that the title of the video installation isn't just a warped tip of the hat to Douglas Gordon, it's what this stuff will do to you. I should know 🤷🏾‍♂️
.
Anti-Blackness Is Bad, Even The Parts That We Like is open until Saturday 10th May 2025 at Cabinet 🏴‍☠️
.
📸 @markblower

🪦🎬🚔⚰️
.
R.I.P. Germain - 101 Hour Psycho (2025)
.
🎨 Digital video, 101 hours 11 minutes 33 seconds, Antiviral Multi-Purpose Cleaner Disinfectant, dibond, fabric, galvanised steel, IPA-Propan-2-OL, MDF, plastic wood, RX66 Bio-Enzymatic Odour Digester, the surrounding environment lowered to 5°C
.
🛠 @hsds_ltd ✨️
.
R.I.P. Germain - western promises (2025)
.
🎨 Acrylic paint, MDF, perspex
.
I'm not going waste anyones time trying to force it with some jarring 'art text', there'll be a 'proper' write up of some sort about it down the road once I've distilled, but for now this is just a bit of what I want to say, and what I'm willing to give up to you at this moment in time...this is an archive of a part of British history more than anything, not a complete archive, but my archive, and the cultural movement it's involved with has had forces, you know who and whom I'm talking about, try to sweep it under the rug and erase it...it's also seven years of my life, straight up, it just is...Wednesday 1st November 2017 - Friday 7th March 2025, those are the dates for when I downloaded the first and last of the 3879 files that make up this 'film'...but not only has this been my life, it's also been dozens if not hundreds of other peoples lives, some of them still being with us, some of them not, nearly all of them very young, a lot of them too young...and I've only bore witness to it through a laptop screen, they've lived it, and it's fried my brain, so what do you think it might've done to them? Some doors of sanity for me have been closed because of this footage, it's made me ill, frustrated, infuriated, cry, tapped (well...more tapped), disappointed, sorrowful, confused, detached...and I say all of this not to centre myself nor my experience with it, but to try to get it across to you as sincerely as I possibly can that the title of the video installation isn't just a warped tip of the hat to Douglas Gordon, it's what this stuff will do to you. I should know 🤷🏾‍♂️
.
Anti-Blackness Is Bad, Even The Parts That We Like is open until Saturday 10th May 2025 at Cabinet 🏴‍☠️
.
📸 @markblower

🪦🎬🚔⚰️
.
R.I.P. Germain - 101 Hour Psycho (2025)
.
🎨 Digital video, 101 hours 11 minutes 33 seconds, Antiviral Multi-Purpose Cleaner Disinfectant, dibond, fabric, galvanised steel, IPA-Propan-2-OL, MDF, plastic wood, RX66 Bio-Enzymatic Odour Digester, the surrounding environment lowered to 5°C
.
🛠 @hsds_ltd ✨️
.
R.I.P. Germain - western promises (2025)
.
🎨 Acrylic paint, MDF, perspex
.
I'm not going waste anyones time trying to force it with some jarring 'art text', there'll be a 'proper' write up of some sort about it down the road once I've distilled, but for now this is just a bit of what I want to say, and what I'm willing to give up to you at this moment in time...this is an archive of a part of British history more than anything, not a complete archive, but my archive, and the cultural movement it's involved with has had forces, you know who and whom I'm talking about, try to sweep it under the rug and erase it...it's also seven years of my life, straight up, it just is...Wednesday 1st November 2017 - Friday 7th March 2025, those are the dates for when I downloaded the first and last of the 3879 files that make up this 'film'...but not only has this been my life, it's also been dozens if not hundreds of other peoples lives, some of them still being with us, some of them not, nearly all of them very young, a lot of them too young...and I've only bore witness to it through a laptop screen, they've lived it, and it's fried my brain, so what do you think it might've done to them? Some doors of sanity for me have been closed because of this footage, it's made me ill, frustrated, infuriated, cry, tapped (well...more tapped), disappointed, sorrowful, confused, detached...and I say all of this not to centre myself nor my experience with it, but to try to get it across to you as sincerely as I possibly can that the title of the video installation isn't just a warped tip of the hat to Douglas Gordon, it's what this stuff will do to you. I should know 🤷🏾‍♂️
.
Anti-Blackness Is Bad, Even The Parts That We Like is open until Saturday 10th May 2025 at Cabinet 🏴‍☠️
.
📸 @markblower

🪦🎬🚔⚰️
.
R.I.P. Germain - 101 Hour Psycho (2025)
.
🎨 Digital video, 101 hours 11 minutes 33 seconds, Antiviral Multi-Purpose Cleaner Disinfectant, dibond, fabric, galvanised steel, IPA-Propan-2-OL, MDF, plastic wood, RX66 Bio-Enzymatic Odour Digester, the surrounding environment lowered to 5°C
.
🛠 @hsds_ltd ✨️
.
R.I.P. Germain - western promises (2025)
.
🎨 Acrylic paint, MDF, perspex
.
I'm not going waste anyones time trying to force it with some jarring 'art text', there'll be a 'proper' write up of some sort about it down the road once I've distilled, but for now this is just a bit of what I want to say, and what I'm willing to give up to you at this moment in time...this is an archive of a part of British history more than anything, not a complete archive, but my archive, and the cultural movement it's involved with has had forces, you know who and whom I'm talking about, try to sweep it under the rug and erase it...it's also seven years of my life, straight up, it just is...Wednesday 1st November 2017 - Friday 7th March 2025, those are the dates for when I downloaded the first and last of the 3879 files that make up this 'film'...but not only has this been my life, it's also been dozens if not hundreds of other peoples lives, some of them still being with us, some of them not, nearly all of them very young, a lot of them too young...and I've only bore witness to it through a laptop screen, they've lived it, and it's fried my brain, so what do you think it might've done to them? Some doors of sanity for me have been closed because of this footage, it's made me ill, frustrated, infuriated, cry, tapped (well...more tapped), disappointed, sorrowful, confused, detached...and I say all of this not to centre myself nor my experience with it, but to try to get it across to you as sincerely as I possibly can that the title of the video installation isn't just a warped tip of the hat to Douglas Gordon, it's what this stuff will do to you. I should know 🤷🏾‍♂️
.
Anti-Blackness Is Bad, Even The Parts That We Like is open until Saturday 10th May 2025 at Cabinet 🏴‍☠️
.
📸 @markblower

🚨 NOTICE 🚨
.
R.I.P. Germain - Play Dead (2025)
.
🎨 Digital video, 4 minutes 28 seconds
.
Play Dead, a new film by R.I.P. Germain will be screened throughout the day on Saturday 29th March at Cabinet 🏴‍☠️ 12:00 - 18:00 ✨️
.
The film will be shown exclusively for this one day only within the context of his current show Anti-Blackness Is Bad, Even The Parts That We Like
.
Play Dead is a rampage through the deep stacks, comprised wholly from found footage cannibalised from the steady churn of the UK Drill scene. Testament to R.I.P. Germain’s encyclopedic knowledge of the material, the film deftly weaves through 160 clips, borrowing from the vernacular of the genre to create a meta-music-video that dismantles as it builds. Casting a critical eye on the Drill scene and exercising its own cinematic tools to see how they work and to what ends, Play Dead represents a meditation on unresolved issues of co-option, replication and representation of Black trauma that remain points of open friction in Germain’s work.
.
Trafficking in all that’s seductive while simultaneously choking the viewer with a feast of hyper-charged motifs and scenes, any scopophilic pleasure the audience may feel is constantly undermined with a creeping unease. Breakneck pace and relentless swagger emerge from a rigorous logic of shot-selection, categorisation of gesture, location, and subject matter that lend the work a forensic feel that constantly cuts away at its carnivalesque air. Play Dead begs us to sharpen our attention to the broader trends alive in this footage, and to take seriously the turbulent lived-experience of the rappers and their communities.
.
See you all there 🕳

🚨 NOTICE 🚨
.
R.I.P. Germain - Play Dead (2025)
.
🎨 Digital video, 4 minutes 28 seconds
.
Play Dead, a new film by R.I.P. Germain will be screened throughout the day on Saturday 29th March at Cabinet 🏴‍☠️ 12:00 - 18:00 ✨️
.
The film will be shown exclusively for this one day only within the context of his current show Anti-Blackness Is Bad, Even The Parts That We Like
.
Play Dead is a rampage through the deep stacks, comprised wholly from found footage cannibalised from the steady churn of the UK Drill scene. Testament to R.I.P. Germain’s encyclopedic knowledge of the material, the film deftly weaves through 160 clips, borrowing from the vernacular of the genre to create a meta-music-video that dismantles as it builds. Casting a critical eye on the Drill scene and exercising its own cinematic tools to see how they work and to what ends, Play Dead represents a meditation on unresolved issues of co-option, replication and representation of Black trauma that remain points of open friction in Germain’s work.
.
Trafficking in all that’s seductive while simultaneously choking the viewer with a feast of hyper-charged motifs and scenes, any scopophilic pleasure the audience may feel is constantly undermined with a creeping unease. Breakneck pace and relentless swagger emerge from a rigorous logic of shot-selection, categorisation of gesture, location, and subject matter that lend the work a forensic feel that constantly cuts away at its carnivalesque air. Play Dead begs us to sharpen our attention to the broader trends alive in this footage, and to take seriously the turbulent lived-experience of the rappers and their communities.
.
See you all there 🕳

🚨 NOTICE 🚨
.
R.I.P. Germain - Play Dead (2025)
.
🎨 Digital video, 4 minutes 28 seconds
.
Play Dead, a new film by R.I.P. Germain will be screened throughout the day on Saturday 29th March at Cabinet 🏴‍☠️ 12:00 - 18:00 ✨️
.
The film will be shown exclusively for this one day only within the context of his current show Anti-Blackness Is Bad, Even The Parts That We Like
.
Play Dead is a rampage through the deep stacks, comprised wholly from found footage cannibalised from the steady churn of the UK Drill scene. Testament to R.I.P. Germain’s encyclopedic knowledge of the material, the film deftly weaves through 160 clips, borrowing from the vernacular of the genre to create a meta-music-video that dismantles as it builds. Casting a critical eye on the Drill scene and exercising its own cinematic tools to see how they work and to what ends, Play Dead represents a meditation on unresolved issues of co-option, replication and representation of Black trauma that remain points of open friction in Germain’s work.
.
Trafficking in all that’s seductive while simultaneously choking the viewer with a feast of hyper-charged motifs and scenes, any scopophilic pleasure the audience may feel is constantly undermined with a creeping unease. Breakneck pace and relentless swagger emerge from a rigorous logic of shot-selection, categorisation of gesture, location, and subject matter that lend the work a forensic feel that constantly cuts away at its carnivalesque air. Play Dead begs us to sharpen our attention to the broader trends alive in this footage, and to take seriously the turbulent lived-experience of the rappers and their communities.
.
See you all there 🕳

🚨 NOTICE 🚨
.
R.I.P. Germain - Play Dead (2025)
.
🎨 Digital video, 4 minutes 28 seconds
.
Play Dead, a new film by R.I.P. Germain will be screened throughout the day on Saturday 29th March at Cabinet 🏴‍☠️ 12:00 - 18:00 ✨️
.
The film will be shown exclusively for this one day only within the context of his current show Anti-Blackness Is Bad, Even The Parts That We Like
.
Play Dead is a rampage through the deep stacks, comprised wholly from found footage cannibalised from the steady churn of the UK Drill scene. Testament to R.I.P. Germain’s encyclopedic knowledge of the material, the film deftly weaves through 160 clips, borrowing from the vernacular of the genre to create a meta-music-video that dismantles as it builds. Casting a critical eye on the Drill scene and exercising its own cinematic tools to see how they work and to what ends, Play Dead represents a meditation on unresolved issues of co-option, replication and representation of Black trauma that remain points of open friction in Germain’s work.
.
Trafficking in all that’s seductive while simultaneously choking the viewer with a feast of hyper-charged motifs and scenes, any scopophilic pleasure the audience may feel is constantly undermined with a creeping unease. Breakneck pace and relentless swagger emerge from a rigorous logic of shot-selection, categorisation of gesture, location, and subject matter that lend the work a forensic feel that constantly cuts away at its carnivalesque air. Play Dead begs us to sharpen our attention to the broader trends alive in this footage, and to take seriously the turbulent lived-experience of the rappers and their communities.
.
See you all there 🕳

📰📢⚱️🔐
.
"..."It's a trap," R.I.P. Germain says. "That's where the audience comes into play. The vast majority of fans are not like the people making the music, and they are using them as avatars and living vicariously through them."..."
.
Outs to @eddyfffrankel 👊🏾💞 for inviting me do an interview with him for @guardian on Anti-Blackness Is Bad, Even The Parts That We Like, which is currently showing at Cabinet until Saturday 10th May 2025
.
https://www.theguardian.com/artanddesign/2025/mar/20/rip-germain-show-uk-drill-coffin-installation-cabinet-london
.
I often think after I've done an interview that I was moving mad and talking too loosely, but I think that's just the Luton in me always wanting to keep some cards close to my chest, and to be honest...who gives a fucc? 🤷🏾‍♂️ it's not that deep and I can't help but talk from my heart with vim so please forgive my chat not being as refined as it could've probably been...it is what it is...
.
Also, I want to take some time out to thank everyone that has sent messages to me about the show and the effect(s) it's had on them...on a level...it means more than you can imagine that so many of you have invested as much energy and thought into what's happening to these young people as you have, and although I genuinely would like to respond to all of the messages that have come my way, and have a chat with you all, I am only one man, and I have only so much bandwidth, for which I have to give as much of it to my wife and daughter as they need, so please don't take it personally if I have or do miss your message(s) and/or take an age to get back to you, there's just way too many messages to stay on top of at all times...much love 💯
.
📸 @markblower

👨🏾‍💻🪫🧮🫂
.
.....well.....they're all gone now 🤷🏾‍♂️, the bwoy dem won the war they were waging, regardless of whether the battlefield they were fighting on was the one everyone else walked onto...so...what's next? I'm genuinely asking this question by the way, because I've never seen a generation get wiped out this quickly and so completely...
.
Oh, and...I just want to put it out there that there is *663 years and 8 months* of prison time in this one collage.
.
That number doesn't take into account that there are still five separate ongoing trials for attempted murder in this collage to account for too...that's why the asterisks are there...that number will go up eventually.
.
To be honest, this doesn't even have all of the UK Drill rappers currently serving terms in prison, I eventually had to set a limit to maintain visual legibility...think about that 😪
.
Anyway, apart from being constantly jarred off by going through this stuff again, it makes me ill (in a real way), turn up...it's there, enjoy...or don't, whatever...
.
Anti-Blackness Is Bad, Even The Parts That We Like opens Friday 14th March until Saturday 10th May 2025 at Cabinet 🏴‍☠️
.
Opening night will be on Thursday 13th March 2025 from 6:30-8:30pm 💪🏾
.
From my soul I want to thank Martin, Andrew, Freddie, Darrell, Het, Henry, Marilyn, Ben & Joanna for helping to make this even a thing, in spite of the forces and obstacles that we faced 🤞🏾🙏🏾💞
.
And outs to @drillminister for making the original graphic that served as inspiration for the collage, and for all of his efforts and commentary on matters revolving around UK Drill 👊🏾 political drillin is still 📈

🏛🎊🎂🪞
.
R.I.P. Germain - Worl Vybz (Muzeum Sztuki Nowoczesnej W Warszawie) (2024)
.
🎨 Silicone, wax pastel, candles, resin, acrylic glass, metal.
.
Worl Vybz (Muzeum Sztuki Nowoczesnej W Warszawie) both celebrates the opening of the Museum of Modern Art in Warsaw and warns about the dangers of a false dawn of institutional accountability. The bleached and bruised and scarified ‘skin’ are signifiers of modifications, mutilations and appropriations — speaking of self hatred, disrespect for culture or the tension born of trying to serve two masters: art and capitalism. The work represents a challenge to the Museum of Modern Art in Warsaw to become the museum it aspires to be, and the cake is a metonym to that aspiration.
.
Thank you @msnwarszawa for inviting me to be a part of your inaugural show, and congratulations on finally reaching the finishing line and opening a permanent space after 🏃🏼‍♀️ on that journey for 20 years 🫠
.
Outs to @fredi_niels_official @siele_witch, Ela and Tomasz too for all of the work and effort you put in to help bring this fukkry to life 😅👊🏾💞
.
The Museum Between The Square & Palace opened on Thursday 24th October and it is open until Sunday 5th January 2025 ✨️
.
📸 Daniel Chrobak

🏛🎊🎂🪞
.
R.I.P. Germain - Worl Vybz (Muzeum Sztuki Nowoczesnej W Warszawie) (2024)
.
🎨 Silicone, wax pastel, candles, resin, acrylic glass, metal.
.
Worl Vybz (Muzeum Sztuki Nowoczesnej W Warszawie) both celebrates the opening of the Museum of Modern Art in Warsaw and warns about the dangers of a false dawn of institutional accountability. The bleached and bruised and scarified ‘skin’ are signifiers of modifications, mutilations and appropriations — speaking of self hatred, disrespect for culture or the tension born of trying to serve two masters: art and capitalism. The work represents a challenge to the Museum of Modern Art in Warsaw to become the museum it aspires to be, and the cake is a metonym to that aspiration.
.
Thank you @msnwarszawa for inviting me to be a part of your inaugural show, and congratulations on finally reaching the finishing line and opening a permanent space after 🏃🏼‍♀️ on that journey for 20 years 🫠
.
Outs to @fredi_niels_official @siele_witch, Ela and Tomasz too for all of the work and effort you put in to help bring this fukkry to life 😅👊🏾💞
.
The Museum Between The Square & Palace opened on Thursday 24th October and it is open until Sunday 5th January 2025 ✨️
.
📸 Daniel Chrobak

🏛🎊🎂🪞
.
R.I.P. Germain - Worl Vybz (Muzeum Sztuki Nowoczesnej W Warszawie) (2024)
.
🎨 Silicone, wax pastel, candles, resin, acrylic glass, metal.
.
Worl Vybz (Muzeum Sztuki Nowoczesnej W Warszawie) both celebrates the opening of the Museum of Modern Art in Warsaw and warns about the dangers of a false dawn of institutional accountability. The bleached and bruised and scarified ‘skin’ are signifiers of modifications, mutilations and appropriations — speaking of self hatred, disrespect for culture or the tension born of trying to serve two masters: art and capitalism. The work represents a challenge to the Museum of Modern Art in Warsaw to become the museum it aspires to be, and the cake is a metonym to that aspiration.
.
Thank you @msnwarszawa for inviting me to be a part of your inaugural show, and congratulations on finally reaching the finishing line and opening a permanent space after 🏃🏼‍♀️ on that journey for 20 years 🫠
.
Outs to @fredi_niels_official @siele_witch, Ela and Tomasz too for all of the work and effort you put in to help bring this fukkry to life 😅👊🏾💞
.
The Museum Between The Square & Palace opened on Thursday 24th October and it is open until Sunday 5th January 2025 ✨️
.
📸 Daniel Chrobak

🏛🎊🎂🪞
.
R.I.P. Germain - Worl Vybz (Muzeum Sztuki Nowoczesnej W Warszawie) (2024)
.
🎨 Silicone, wax pastel, candles, resin, acrylic glass, metal.
.
Worl Vybz (Muzeum Sztuki Nowoczesnej W Warszawie) both celebrates the opening of the Museum of Modern Art in Warsaw and warns about the dangers of a false dawn of institutional accountability. The bleached and bruised and scarified ‘skin’ are signifiers of modifications, mutilations and appropriations — speaking of self hatred, disrespect for culture or the tension born of trying to serve two masters: art and capitalism. The work represents a challenge to the Museum of Modern Art in Warsaw to become the museum it aspires to be, and the cake is a metonym to that aspiration.
.
Thank you @msnwarszawa for inviting me to be a part of your inaugural show, and congratulations on finally reaching the finishing line and opening a permanent space after 🏃🏼‍♀️ on that journey for 20 years 🫠
.
Outs to @fredi_niels_official @siele_witch, Ela and Tomasz too for all of the work and effort you put in to help bring this fukkry to life 😅👊🏾💞
.
The Museum Between The Square & Palace opened on Thursday 24th October and it is open until Sunday 5th January 2025 ✨️
.
📸 Daniel Chrobak

🏛🎊🎂🪞
.
R.I.P. Germain - Worl Vybz (Muzeum Sztuki Nowoczesnej W Warszawie) (2024)
.
🎨 Silicone, wax pastel, candles, resin, acrylic glass, metal.
.
Worl Vybz (Muzeum Sztuki Nowoczesnej W Warszawie) both celebrates the opening of the Museum of Modern Art in Warsaw and warns about the dangers of a false dawn of institutional accountability. The bleached and bruised and scarified ‘skin’ are signifiers of modifications, mutilations and appropriations — speaking of self hatred, disrespect for culture or the tension born of trying to serve two masters: art and capitalism. The work represents a challenge to the Museum of Modern Art in Warsaw to become the museum it aspires to be, and the cake is a metonym to that aspiration.
.
Thank you @msnwarszawa for inviting me to be a part of your inaugural show, and congratulations on finally reaching the finishing line and opening a permanent space after 🏃🏼‍♀️ on that journey for 20 years 🫠
.
Outs to @fredi_niels_official @siele_witch, Ela and Tomasz too for all of the work and effort you put in to help bring this fukkry to life 😅👊🏾💞
.
The Museum Between The Square & Palace opened on Thursday 24th October and it is open until Sunday 5th January 2025 ✨️
.
📸 Daniel Chrobak

🏛🎊🎂🪞
.
R.I.P. Germain - Worl Vybz (Muzeum Sztuki Nowoczesnej W Warszawie) (2024)
.
🎨 Silicone, wax pastel, candles, resin, acrylic glass, metal.
.
Worl Vybz (Muzeum Sztuki Nowoczesnej W Warszawie) both celebrates the opening of the Museum of Modern Art in Warsaw and warns about the dangers of a false dawn of institutional accountability. The bleached and bruised and scarified ‘skin’ are signifiers of modifications, mutilations and appropriations — speaking of self hatred, disrespect for culture or the tension born of trying to serve two masters: art and capitalism. The work represents a challenge to the Museum of Modern Art in Warsaw to become the museum it aspires to be, and the cake is a metonym to that aspiration.
.
Thank you @msnwarszawa for inviting me to be a part of your inaugural show, and congratulations on finally reaching the finishing line and opening a permanent space after 🏃🏼‍♀️ on that journey for 20 years 🫠
.
Outs to @fredi_niels_official @siele_witch, Ela and Tomasz too for all of the work and effort you put in to help bring this fukkry to life 😅👊🏾💞
.
The Museum Between The Square & Palace opened on Thursday 24th October and it is open until Sunday 5th January 2025 ✨️
.
📸 Daniel Chrobak

🃏🎪5/6🪄🪮
.
R.I.P. Germain - Two Heavens (2024)
.
"After GOD, Dudus Comes Next!" is open until Sunday 13th October @fact_liverpool
.
📸 @rjbattersby

🃏🎪5/6🪄🪮
.
R.I.P. Germain - Two Heavens (2024)
.
"After GOD, Dudus Comes Next!" is open until Sunday 13th October @fact_liverpool
.
📸 @rjbattersby

🃏🎪5/6🪄🪮
.
R.I.P. Germain - Two Heavens (2024)
.
"After GOD, Dudus Comes Next!" is open until Sunday 13th October @fact_liverpool
.
📸 @rjbattersby

🃏🎪5/6🪄🪮
.
R.I.P. Germain - Two Heavens (2024)
.
"After GOD, Dudus Comes Next!" is open until Sunday 13th October @fact_liverpool
.
📸 @rjbattersby

🃏🎪5/6🪄🪮
.
R.I.P. Germain - Two Heavens (2024)
.
"After GOD, Dudus Comes Next!" is open until Sunday 13th October @fact_liverpool
.
📸 @rjbattersby

🃏🎪5/6🪄🪮
.
R.I.P. Germain - Two Heavens (2024)
.
"After GOD, Dudus Comes Next!" is open until Sunday 13th October @fact_liverpool
.
📸 @rjbattersby

🃏🎪5/6🪄🪮
.
R.I.P. Germain - Two Heavens (2024)
.
"After GOD, Dudus Comes Next!" is open until Sunday 13th October @fact_liverpool
.
📸 @rjbattersby

🃏🎪5/6🪄🪮
.
R.I.P. Germain - Two Heavens (2024)
.
"After GOD, Dudus Comes Next!" is open until Sunday 13th October @fact_liverpool
.
📸 @rjbattersby

🃏🎪5/6🪄🪮
.
R.I.P. Germain - Two Heavens (2024)
.
"After GOD, Dudus Comes Next!" is open until Sunday 13th October @fact_liverpool
.
📸 @rjbattersby

🃏🎪5/6🪄🪮
.
R.I.P. Germain - Two Heavens (2024)
.
"After GOD, Dudus Comes Next!" is open until Sunday 13th October @fact_liverpool
.
📸 @rjbattersby

🃏🎪5/6🪄🪮
.
R.I.P. Germain - Two Heavens (2024)
.
"After GOD, Dudus Comes Next!" is open until Sunday 13th October @fact_liverpool
.
📸 @rjbattersby

🃏🎪5/6🪄🪮
.
R.I.P. Germain - Two Heavens (2024)
.
"After GOD, Dudus Comes Next!" is open until Sunday 13th October @fact_liverpool
.
📸 @rjbattersby

🃏🎪5/6🪄🪮
.
R.I.P. Germain - Two Heavens (2024)
.
"After GOD, Dudus Comes Next!" is open until Sunday 13th October @fact_liverpool
.
📸 @rjbattersby

🃏🎪5/6🪄🪮
.
R.I.P. Germain - Two Heavens (2024)
.
"After GOD, Dudus Comes Next!" is open until Sunday 13th October @fact_liverpool
.
📸 @rjbattersby

🃏🎪5/6🪄🪮
.
R.I.P. Germain - Two Heavens (2024)
.
"After GOD, Dudus Comes Next!" is open until Sunday 13th October @fact_liverpool
.
📸 @rjbattersby

🃏🎪5/6🪄🪮
.
R.I.P. Germain - Two Heavens (2024)
.
"After GOD, Dudus Comes Next!" is open until Sunday 13th October @fact_liverpool
.
📸 @rjbattersby

🃏🎪5/6🪄🪮
.
R.I.P. Germain - Two Heavens (2024)
.
"After GOD, Dudus Comes Next!" is open until Sunday 13th October @fact_liverpool
.
📸 @rjbattersby

🃏🎪5/6🪄🪮
.
R.I.P. Germain - Two Heavens (2024)
.
"After GOD, Dudus Comes Next!" is open until Sunday 13th October @fact_liverpool
.
📸 @rjbattersby

🃏🎪5/6🪄🪮
.
R.I.P. Germain - Two Heavens (2024)
.
"After GOD, Dudus Comes Next!" is open until Sunday 13th October @fact_liverpool
.
📸 @rjbattersby

🃏🎪5/6🪄🪮
.
R.I.P. Germain - Two Heavens (2024)
.
"After GOD, Dudus Comes Next!" is open until Sunday 13th October @fact_liverpool
.
📸 @rjbattersby

🎭⛺️4/6🐫🪩
.
R.I.P. Germain - Two Heavens (2024)
.
"After GOD, Dudus Comes Next!" is open until Sunday 13th October @fact_liverpool
.
Salute to @nowave70 for helping to execute the MUAD nightclub lobby mural 🫡👨‍🎨
.
📸 @rjbattersby

🎭⛺️4/6🐫🪩
.
R.I.P. Germain - Two Heavens (2024)
.
"After GOD, Dudus Comes Next!" is open until Sunday 13th October @fact_liverpool
.
Salute to @nowave70 for helping to execute the MUAD nightclub lobby mural 🫡👨‍🎨
.
📸 @rjbattersby

🎭⛺️4/6🐫🪩
.
R.I.P. Germain - Two Heavens (2024)
.
"After GOD, Dudus Comes Next!" is open until Sunday 13th October @fact_liverpool
.
Salute to @nowave70 for helping to execute the MUAD nightclub lobby mural 🫡👨‍🎨
.
📸 @rjbattersby

🎭⛺️4/6🐫🪩
.
R.I.P. Germain - Two Heavens (2024)
.
"After GOD, Dudus Comes Next!" is open until Sunday 13th October @fact_liverpool
.
Salute to @nowave70 for helping to execute the MUAD nightclub lobby mural 🫡👨‍🎨
.
📸 @rjbattersby

🎭⛺️4/6🐫🪩
.
R.I.P. Germain - Two Heavens (2024)
.
"After GOD, Dudus Comes Next!" is open until Sunday 13th October @fact_liverpool
.
Salute to @nowave70 for helping to execute the MUAD nightclub lobby mural 🫡👨‍🎨
.
📸 @rjbattersby

🎭⛺️4/6🐫🪩
.
R.I.P. Germain - Two Heavens (2024)
.
"After GOD, Dudus Comes Next!" is open until Sunday 13th October @fact_liverpool
.
Salute to @nowave70 for helping to execute the MUAD nightclub lobby mural 🫡👨‍🎨
.
📸 @rjbattersby

🎭⛺️4/6🐫🪩
.
R.I.P. Germain - Two Heavens (2024)
.
"After GOD, Dudus Comes Next!" is open until Sunday 13th October @fact_liverpool
.
Salute to @nowave70 for helping to execute the MUAD nightclub lobby mural 🫡👨‍🎨
.
📸 @rjbattersby

🎭⛺️4/6🐫🪩
.
R.I.P. Germain - Two Heavens (2024)
.
"After GOD, Dudus Comes Next!" is open until Sunday 13th October @fact_liverpool
.
Salute to @nowave70 for helping to execute the MUAD nightclub lobby mural 🫡👨‍🎨
.
📸 @rjbattersby

🎭⛺️4/6🐫🪩
.
R.I.P. Germain - Two Heavens (2024)
.
"After GOD, Dudus Comes Next!" is open until Sunday 13th October @fact_liverpool
.
Salute to @nowave70 for helping to execute the MUAD nightclub lobby mural 🫡👨‍🎨
.
📸 @rjbattersby

🎭⛺️4/6🐫🪩
.
R.I.P. Germain - Two Heavens (2024)
.
"After GOD, Dudus Comes Next!" is open until Sunday 13th October @fact_liverpool
.
Salute to @nowave70 for helping to execute the MUAD nightclub lobby mural 🫡👨‍🎨
.
📸 @rjbattersby

🎭⛺️4/6🐫🪩
.
R.I.P. Germain - Two Heavens (2024)
.
"After GOD, Dudus Comes Next!" is open until Sunday 13th October @fact_liverpool
.
Salute to @nowave70 for helping to execute the MUAD nightclub lobby mural 🫡👨‍🎨
.
📸 @rjbattersby

🎭⛺️4/6🐫🪩
.
R.I.P. Germain - Two Heavens (2024)
.
"After GOD, Dudus Comes Next!" is open until Sunday 13th October @fact_liverpool
.
Salute to @nowave70 for helping to execute the MUAD nightclub lobby mural 🫡👨‍🎨
.
📸 @rjbattersby

🎭⛺️4/6🐫🪩
.
R.I.P. Germain - Two Heavens (2024)
.
"After GOD, Dudus Comes Next!" is open until Sunday 13th October @fact_liverpool
.
Salute to @nowave70 for helping to execute the MUAD nightclub lobby mural 🫡👨‍🎨
.
📸 @rjbattersby

🎭⛺️4/6🐫🪩
.
R.I.P. Germain - Two Heavens (2024)
.
"After GOD, Dudus Comes Next!" is open until Sunday 13th October @fact_liverpool
.
Salute to @nowave70 for helping to execute the MUAD nightclub lobby mural 🫡👨‍🎨
.
📸 @rjbattersby