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https://www.robwalkersoundfx.com/
I'm very proud to announce my new sound effects site. There are 50 free sounds if you sign up to the mailing list. The initial launch is 16 libraries which together make up COMPLETE ONE. It's been a labour of love to get this done. I'm doing a launch special discount on the COMPLETE ONE bundle until 28th February but after that a 'no sales, just straight prices' policy. Nearly 3000 sounds, 172 GB. 81 Hours, all UCS and Soundminer metadata, everything from Urban Explosions to Empty Presence, Ice footsteps to Modular synth Modems with some Extreme Voices along the way. You can buy individual themes too. Thanks for your support.

Tonight at @patternrecordslisbon and streaming on mixcloud - live in Lisbon, @kingreplica_

This Saturday 4th April is the first live session of the year from our Alcantara store. Starting 6pm and will be streamed on MixCloud. Alex Bowen will be playing some current shop favourites until 7pm. Then Lisbon DJ/producer @morenoacido will be spinning his eclectic tech funk sounds until 8.30. And then King Replica aka @rob_walker_ will be performing live.

Stop by the store if you are in the neighbourhood or look out for streaming details nearer the time.

Pattern Records is located at 127b Rua dos Lusíadas, 1300-369, Lisbon and easy to find with Google Maps.

www.patternrecordslisbon.com

Very pleased to share the news that Notes From Brook House will have its international premiere at @aafilmfest next month!

I've followed the programming at Ann Arbor Film Festival for years and looked to the festival as a beacon of experimental cinema. I'm thrilled to have this film involved and also to be able to attend the screening thanks to generous support from the British Council @britisharts and partners @bfinetwork.

The film is showing in competition alongside some fantastic shorts and performances. Here's the screening description:

"Devotional Signals launches this program of contemporary mixed-genre films featuring Notes From Brook House by Edinburgh-based filmmaker Alex Nevill; examinations of the materiality of the signal; the liminal stages of life and death as well as stories from an immigration centre on London’s outskirts; a community herbarium; the warning to Icarus; a rebirth and return; and a sensory rollercoaster."

Excited to return to the wonderful @glasgowshort for a screening of Notes From Brook House in the Scottish Competition next month.

Judging by the programme, there are a lot of talented filmmakers in Scotland at the moment! I'm very pleased to be working amongst them and to have this film featured.

The first project that I made here (Fishcakes & Cocaine) also screened at GSFF back in 2014. It will be great to revisit the festival and see how its grown over the years!

2025 was a year of many firsts, working for 2 Oscar winning directors, releasing my own sound libraries, sound designing a 100% underwater film, working on a musical and using my Manchester heritage to help performances sound good. Busy!

I had the pleasure to work with some amazing sound talents - Steve Single, Johnnie Burn, Emmet O’Donnell, Stefan Smith, Rana Eid, Markus Moll, Zakhar Semirkhanov, Neil Leachman, Simon Carroll, Max Behrens, Steve Browell and more

I had the pleasure to work for some amazing directors: Mona Fastvold, Ben Affleck, Daniel Roher, Alex Nevill, Harald Hutter, Dan Edelstyn, Hilary Powell, Ben Russell, Rebecca Lenkiewicz, Andreas Antonopoulos, Blas Lamazares Fraile, Jeff Silva, Frances Barry, Maren Hahnfeld, Arata Mori, Laurian Ghinițoiu, Hector Coles and more

Wishing everyone a great 2026, despite the many challenges we all face I am looking forward to it with optimism and hope.

WET CARS - at a truly excellent price every single day of the year LINK IN BIO cars, vans, buses, bikes, mopeds/scooters, trucks, transporters
over 100 unique vehicle bys https://www.robwalkersoundfx.com/shop
close sprays, interior drops, ambiences
a car wash in 5.1
157 Files, 96khz and 48khz 24-bit
5.34 GB, 2 hours 38 minutes
Full UCS and Soundminer Metadata

At Intersections, the festival’s spirit lives as much in its screenings as in the conversations, workshops, and knowledge exchanged throughout the week. This year, we were honored to welcome an exceptional group of UK and Lebanese experts whose work continues to reshape how films are made, heard, funded, and imagined.

From Paul Davies, one of the UK’s leading sound designers (You Were Never Really Here, Hunger), who guided participants through the emotional architecture of sound… to Rob Walker, re-recording mixer of Hot Milk, who explored how a film’s sonic language is built collaboratively with Lebanese sound designer Rana Eid.

We also welcomed Pinny Grylls & Sam Crane, co-directors of Grand Theft Hamlet, who opened new doors into virtual production, gaming technologies, and performance inside digital worlds.

Artist, writer and theoristSteve Goodman (Kode9) led a powerful session on sound, conflict, and sonic warfare, unpacking how drones, booms, blasts, and decoys shape the acoustics of fear.

And in our major industry panel, we brought together leading names including James Weddup, Maya de Freige and Karim Nasr and Jordan McGarry, moderated by Eneni Bambara-Abban from the British Council, all discussing co-production, funding, innovation, and the success of the AI in Film collaboration.

These exchanges form the backbone of Intersections: a festival where expertise meets curiosity, where UK and Lebanese professionals learn from one another, and where future collaborations take root.

#IntersectionsFestival #UKFilmInLebanon #MetropolisCinema #BritishCouncilLebanon #UKLebanonCollaboration #CreativeExchange #FilmWorkshops #IndustryTalks #CinemaWithoutBorders #SoundDesign #AIinFilm #GrandTheftHamlet

At Intersections, the festival’s spirit lives as much in its screenings as in the conversations, workshops, and knowledge exchanged throughout the week. This year, we were honored to welcome an exceptional group of UK and Lebanese experts whose work continues to reshape how films are made, heard, funded, and imagined.

From Paul Davies, one of the UK’s leading sound designers (You Were Never Really Here, Hunger), who guided participants through the emotional architecture of sound… to Rob Walker, re-recording mixer of Hot Milk, who explored how a film’s sonic language is built collaboratively with Lebanese sound designer Rana Eid.

We also welcomed Pinny Grylls & Sam Crane, co-directors of Grand Theft Hamlet, who opened new doors into virtual production, gaming technologies, and performance inside digital worlds.

Artist, writer and theoristSteve Goodman (Kode9) led a powerful session on sound, conflict, and sonic warfare, unpacking how drones, booms, blasts, and decoys shape the acoustics of fear.

And in our major industry panel, we brought together leading names including James Weddup, Maya de Freige and Karim Nasr and Jordan McGarry, moderated by Eneni Bambara-Abban from the British Council, all discussing co-production, funding, innovation, and the success of the AI in Film collaboration.

These exchanges form the backbone of Intersections: a festival where expertise meets curiosity, where UK and Lebanese professionals learn from one another, and where future collaborations take root.

#IntersectionsFestival #UKFilmInLebanon #MetropolisCinema #BritishCouncilLebanon #UKLebanonCollaboration #CreativeExchange #FilmWorkshops #IndustryTalks #CinemaWithoutBorders #SoundDesign #AIinFilm #GrandTheftHamlet

At Intersections, the festival’s spirit lives as much in its screenings as in the conversations, workshops, and knowledge exchanged throughout the week. This year, we were honored to welcome an exceptional group of UK and Lebanese experts whose work continues to reshape how films are made, heard, funded, and imagined.

From Paul Davies, one of the UK’s leading sound designers (You Were Never Really Here, Hunger), who guided participants through the emotional architecture of sound… to Rob Walker, re-recording mixer of Hot Milk, who explored how a film’s sonic language is built collaboratively with Lebanese sound designer Rana Eid.

We also welcomed Pinny Grylls & Sam Crane, co-directors of Grand Theft Hamlet, who opened new doors into virtual production, gaming technologies, and performance inside digital worlds.

Artist, writer and theoristSteve Goodman (Kode9) led a powerful session on sound, conflict, and sonic warfare, unpacking how drones, booms, blasts, and decoys shape the acoustics of fear.

And in our major industry panel, we brought together leading names including James Weddup, Maya de Freige and Karim Nasr and Jordan McGarry, moderated by Eneni Bambara-Abban from the British Council, all discussing co-production, funding, innovation, and the success of the AI in Film collaboration.

These exchanges form the backbone of Intersections: a festival where expertise meets curiosity, where UK and Lebanese professionals learn from one another, and where future collaborations take root.

#IntersectionsFestival #UKFilmInLebanon #MetropolisCinema #BritishCouncilLebanon #UKLebanonCollaboration #CreativeExchange #FilmWorkshops #IndustryTalks #CinemaWithoutBorders #SoundDesign #AIinFilm #GrandTheftHamlet

At Intersections, the festival’s spirit lives as much in its screenings as in the conversations, workshops, and knowledge exchanged throughout the week. This year, we were honored to welcome an exceptional group of UK and Lebanese experts whose work continues to reshape how films are made, heard, funded, and imagined.

From Paul Davies, one of the UK’s leading sound designers (You Were Never Really Here, Hunger), who guided participants through the emotional architecture of sound… to Rob Walker, re-recording mixer of Hot Milk, who explored how a film’s sonic language is built collaboratively with Lebanese sound designer Rana Eid.

We also welcomed Pinny Grylls & Sam Crane, co-directors of Grand Theft Hamlet, who opened new doors into virtual production, gaming technologies, and performance inside digital worlds.

Artist, writer and theoristSteve Goodman (Kode9) led a powerful session on sound, conflict, and sonic warfare, unpacking how drones, booms, blasts, and decoys shape the acoustics of fear.

And in our major industry panel, we brought together leading names including James Weddup, Maya de Freige and Karim Nasr and Jordan McGarry, moderated by Eneni Bambara-Abban from the British Council, all discussing co-production, funding, innovation, and the success of the AI in Film collaboration.

These exchanges form the backbone of Intersections: a festival where expertise meets curiosity, where UK and Lebanese professionals learn from one another, and where future collaborations take root.

#IntersectionsFestival #UKFilmInLebanon #MetropolisCinema #BritishCouncilLebanon #UKLebanonCollaboration #CreativeExchange #FilmWorkshops #IndustryTalks #CinemaWithoutBorders #SoundDesign #AIinFilm #GrandTheftHamlet

At Intersections, the festival’s spirit lives as much in its screenings as in the conversations, workshops, and knowledge exchanged throughout the week. This year, we were honored to welcome an exceptional group of UK and Lebanese experts whose work continues to reshape how films are made, heard, funded, and imagined.

From Paul Davies, one of the UK’s leading sound designers (You Were Never Really Here, Hunger), who guided participants through the emotional architecture of sound… to Rob Walker, re-recording mixer of Hot Milk, who explored how a film’s sonic language is built collaboratively with Lebanese sound designer Rana Eid.

We also welcomed Pinny Grylls & Sam Crane, co-directors of Grand Theft Hamlet, who opened new doors into virtual production, gaming technologies, and performance inside digital worlds.

Artist, writer and theoristSteve Goodman (Kode9) led a powerful session on sound, conflict, and sonic warfare, unpacking how drones, booms, blasts, and decoys shape the acoustics of fear.

And in our major industry panel, we brought together leading names including James Weddup, Maya de Freige and Karim Nasr and Jordan McGarry, moderated by Eneni Bambara-Abban from the British Council, all discussing co-production, funding, innovation, and the success of the AI in Film collaboration.

These exchanges form the backbone of Intersections: a festival where expertise meets curiosity, where UK and Lebanese professionals learn from one another, and where future collaborations take root.

#IntersectionsFestival #UKFilmInLebanon #MetropolisCinema #BritishCouncilLebanon #UKLebanonCollaboration #CreativeExchange #FilmWorkshops #IndustryTalks #CinemaWithoutBorders #SoundDesign #AIinFilm #GrandTheftHamlet

At Intersections, the festival’s spirit lives as much in its screenings as in the conversations, workshops, and knowledge exchanged throughout the week. This year, we were honored to welcome an exceptional group of UK and Lebanese experts whose work continues to reshape how films are made, heard, funded, and imagined.

From Paul Davies, one of the UK’s leading sound designers (You Were Never Really Here, Hunger), who guided participants through the emotional architecture of sound… to Rob Walker, re-recording mixer of Hot Milk, who explored how a film’s sonic language is built collaboratively with Lebanese sound designer Rana Eid.

We also welcomed Pinny Grylls & Sam Crane, co-directors of Grand Theft Hamlet, who opened new doors into virtual production, gaming technologies, and performance inside digital worlds.

Artist, writer and theoristSteve Goodman (Kode9) led a powerful session on sound, conflict, and sonic warfare, unpacking how drones, booms, blasts, and decoys shape the acoustics of fear.

And in our major industry panel, we brought together leading names including James Weddup, Maya de Freige and Karim Nasr and Jordan McGarry, moderated by Eneni Bambara-Abban from the British Council, all discussing co-production, funding, innovation, and the success of the AI in Film collaboration.

These exchanges form the backbone of Intersections: a festival where expertise meets curiosity, where UK and Lebanese professionals learn from one another, and where future collaborations take root.

#IntersectionsFestival #UKFilmInLebanon #MetropolisCinema #BritishCouncilLebanon #UKLebanonCollaboration #CreativeExchange #FilmWorkshops #IndustryTalks #CinemaWithoutBorders #SoundDesign #AIinFilm #GrandTheftHamlet

At Intersections, the festival’s spirit lives as much in its screenings as in the conversations, workshops, and knowledge exchanged throughout the week. This year, we were honored to welcome an exceptional group of UK and Lebanese experts whose work continues to reshape how films are made, heard, funded, and imagined.

From Paul Davies, one of the UK’s leading sound designers (You Were Never Really Here, Hunger), who guided participants through the emotional architecture of sound… to Rob Walker, re-recording mixer of Hot Milk, who explored how a film’s sonic language is built collaboratively with Lebanese sound designer Rana Eid.

We also welcomed Pinny Grylls & Sam Crane, co-directors of Grand Theft Hamlet, who opened new doors into virtual production, gaming technologies, and performance inside digital worlds.

Artist, writer and theoristSteve Goodman (Kode9) led a powerful session on sound, conflict, and sonic warfare, unpacking how drones, booms, blasts, and decoys shape the acoustics of fear.

And in our major industry panel, we brought together leading names including James Weddup, Maya de Freige and Karim Nasr and Jordan McGarry, moderated by Eneni Bambara-Abban from the British Council, all discussing co-production, funding, innovation, and the success of the AI in Film collaboration.

These exchanges form the backbone of Intersections: a festival where expertise meets curiosity, where UK and Lebanese professionals learn from one another, and where future collaborations take root.

#IntersectionsFestival #UKFilmInLebanon #MetropolisCinema #BritishCouncilLebanon #UKLebanonCollaboration #CreativeExchange #FilmWorkshops #IndustryTalks #CinemaWithoutBorders #SoundDesign #AIinFilm #GrandTheftHamlet

At Intersections, the festival’s spirit lives as much in its screenings as in the conversations, workshops, and knowledge exchanged throughout the week. This year, we were honored to welcome an exceptional group of UK and Lebanese experts whose work continues to reshape how films are made, heard, funded, and imagined.

From Paul Davies, one of the UK’s leading sound designers (You Were Never Really Here, Hunger), who guided participants through the emotional architecture of sound… to Rob Walker, re-recording mixer of Hot Milk, who explored how a film’s sonic language is built collaboratively with Lebanese sound designer Rana Eid.

We also welcomed Pinny Grylls & Sam Crane, co-directors of Grand Theft Hamlet, who opened new doors into virtual production, gaming technologies, and performance inside digital worlds.

Artist, writer and theoristSteve Goodman (Kode9) led a powerful session on sound, conflict, and sonic warfare, unpacking how drones, booms, blasts, and decoys shape the acoustics of fear.

And in our major industry panel, we brought together leading names including James Weddup, Maya de Freige and Karim Nasr and Jordan McGarry, moderated by Eneni Bambara-Abban from the British Council, all discussing co-production, funding, innovation, and the success of the AI in Film collaboration.

These exchanges form the backbone of Intersections: a festival where expertise meets curiosity, where UK and Lebanese professionals learn from one another, and where future collaborations take root.

#IntersectionsFestival #UKFilmInLebanon #MetropolisCinema #BritishCouncilLebanon #UKLebanonCollaboration #CreativeExchange #FilmWorkshops #IndustryTalks #CinemaWithoutBorders #SoundDesign #AIinFilm #GrandTheftHamlet

At Intersections, the festival’s spirit lives as much in its screenings as in the conversations, workshops, and knowledge exchanged throughout the week. This year, we were honored to welcome an exceptional group of UK and Lebanese experts whose work continues to reshape how films are made, heard, funded, and imagined.

From Paul Davies, one of the UK’s leading sound designers (You Were Never Really Here, Hunger), who guided participants through the emotional architecture of sound… to Rob Walker, re-recording mixer of Hot Milk, who explored how a film’s sonic language is built collaboratively with Lebanese sound designer Rana Eid.

We also welcomed Pinny Grylls & Sam Crane, co-directors of Grand Theft Hamlet, who opened new doors into virtual production, gaming technologies, and performance inside digital worlds.

Artist, writer and theoristSteve Goodman (Kode9) led a powerful session on sound, conflict, and sonic warfare, unpacking how drones, booms, blasts, and decoys shape the acoustics of fear.

And in our major industry panel, we brought together leading names including James Weddup, Maya de Freige and Karim Nasr and Jordan McGarry, moderated by Eneni Bambara-Abban from the British Council, all discussing co-production, funding, innovation, and the success of the AI in Film collaboration.

These exchanges form the backbone of Intersections: a festival where expertise meets curiosity, where UK and Lebanese professionals learn from one another, and where future collaborations take root.

#IntersectionsFestival #UKFilmInLebanon #MetropolisCinema #BritishCouncilLebanon #UKLebanonCollaboration #CreativeExchange #FilmWorkshops #IndustryTalks #CinemaWithoutBorders #SoundDesign #AIinFilm #GrandTheftHamlet

At Intersections, the festival’s spirit lives as much in its screenings as in the conversations, workshops, and knowledge exchanged throughout the week. This year, we were honored to welcome an exceptional group of UK and Lebanese experts whose work continues to reshape how films are made, heard, funded, and imagined.

From Paul Davies, one of the UK’s leading sound designers (You Were Never Really Here, Hunger), who guided participants through the emotional architecture of sound… to Rob Walker, re-recording mixer of Hot Milk, who explored how a film’s sonic language is built collaboratively with Lebanese sound designer Rana Eid.

We also welcomed Pinny Grylls & Sam Crane, co-directors of Grand Theft Hamlet, who opened new doors into virtual production, gaming technologies, and performance inside digital worlds.

Artist, writer and theoristSteve Goodman (Kode9) led a powerful session on sound, conflict, and sonic warfare, unpacking how drones, booms, blasts, and decoys shape the acoustics of fear.

And in our major industry panel, we brought together leading names including James Weddup, Maya de Freige and Karim Nasr and Jordan McGarry, moderated by Eneni Bambara-Abban from the British Council, all discussing co-production, funding, innovation, and the success of the AI in Film collaboration.

These exchanges form the backbone of Intersections: a festival where expertise meets curiosity, where UK and Lebanese professionals learn from one another, and where future collaborations take root.

#IntersectionsFestival #UKFilmInLebanon #MetropolisCinema #BritishCouncilLebanon #UKLebanonCollaboration #CreativeExchange #FilmWorkshops #IndustryTalks #CinemaWithoutBorders #SoundDesign #AIinFilm #GrandTheftHamlet

At Intersections, the festival’s spirit lives as much in its screenings as in the conversations, workshops, and knowledge exchanged throughout the week. This year, we were honored to welcome an exceptional group of UK and Lebanese experts whose work continues to reshape how films are made, heard, funded, and imagined.

From Paul Davies, one of the UK’s leading sound designers (You Were Never Really Here, Hunger), who guided participants through the emotional architecture of sound… to Rob Walker, re-recording mixer of Hot Milk, who explored how a film’s sonic language is built collaboratively with Lebanese sound designer Rana Eid.

We also welcomed Pinny Grylls & Sam Crane, co-directors of Grand Theft Hamlet, who opened new doors into virtual production, gaming technologies, and performance inside digital worlds.

Artist, writer and theoristSteve Goodman (Kode9) led a powerful session on sound, conflict, and sonic warfare, unpacking how drones, booms, blasts, and decoys shape the acoustics of fear.

And in our major industry panel, we brought together leading names including James Weddup, Maya de Freige and Karim Nasr and Jordan McGarry, moderated by Eneni Bambara-Abban from the British Council, all discussing co-production, funding, innovation, and the success of the AI in Film collaboration.

These exchanges form the backbone of Intersections: a festival where expertise meets curiosity, where UK and Lebanese professionals learn from one another, and where future collaborations take root.

#IntersectionsFestival #UKFilmInLebanon #MetropolisCinema #BritishCouncilLebanon #UKLebanonCollaboration #CreativeExchange #FilmWorkshops #IndustryTalks #CinemaWithoutBorders #SoundDesign #AIinFilm #GrandTheftHamlet

At Intersections, the festival’s spirit lives as much in its screenings as in the conversations, workshops, and knowledge exchanged throughout the week. This year, we were honored to welcome an exceptional group of UK and Lebanese experts whose work continues to reshape how films are made, heard, funded, and imagined.

From Paul Davies, one of the UK’s leading sound designers (You Were Never Really Here, Hunger), who guided participants through the emotional architecture of sound… to Rob Walker, re-recording mixer of Hot Milk, who explored how a film’s sonic language is built collaboratively with Lebanese sound designer Rana Eid.

We also welcomed Pinny Grylls & Sam Crane, co-directors of Grand Theft Hamlet, who opened new doors into virtual production, gaming technologies, and performance inside digital worlds.

Artist, writer and theoristSteve Goodman (Kode9) led a powerful session on sound, conflict, and sonic warfare, unpacking how drones, booms, blasts, and decoys shape the acoustics of fear.

And in our major industry panel, we brought together leading names including James Weddup, Maya de Freige and Karim Nasr and Jordan McGarry, moderated by Eneni Bambara-Abban from the British Council, all discussing co-production, funding, innovation, and the success of the AI in Film collaboration.

These exchanges form the backbone of Intersections: a festival where expertise meets curiosity, where UK and Lebanese professionals learn from one another, and where future collaborations take root.

#IntersectionsFestival #UKFilmInLebanon #MetropolisCinema #BritishCouncilLebanon #UKLebanonCollaboration #CreativeExchange #FilmWorkshops #IndustryTalks #CinemaWithoutBorders #SoundDesign #AIinFilm #GrandTheftHamlet

At Intersections, the festival’s spirit lives as much in its screenings as in the conversations, workshops, and knowledge exchanged throughout the week. This year, we were honored to welcome an exceptional group of UK and Lebanese experts whose work continues to reshape how films are made, heard, funded, and imagined.

From Paul Davies, one of the UK’s leading sound designers (You Were Never Really Here, Hunger), who guided participants through the emotional architecture of sound… to Rob Walker, re-recording mixer of Hot Milk, who explored how a film’s sonic language is built collaboratively with Lebanese sound designer Rana Eid.

We also welcomed Pinny Grylls & Sam Crane, co-directors of Grand Theft Hamlet, who opened new doors into virtual production, gaming technologies, and performance inside digital worlds.

Artist, writer and theoristSteve Goodman (Kode9) led a powerful session on sound, conflict, and sonic warfare, unpacking how drones, booms, blasts, and decoys shape the acoustics of fear.

And in our major industry panel, we brought together leading names including James Weddup, Maya de Freige and Karim Nasr and Jordan McGarry, moderated by Eneni Bambara-Abban from the British Council, all discussing co-production, funding, innovation, and the success of the AI in Film collaboration.

These exchanges form the backbone of Intersections: a festival where expertise meets curiosity, where UK and Lebanese professionals learn from one another, and where future collaborations take root.

#IntersectionsFestival #UKFilmInLebanon #MetropolisCinema #BritishCouncilLebanon #UKLebanonCollaboration #CreativeExchange #FilmWorkshops #IndustryTalks #CinemaWithoutBorders #SoundDesign #AIinFilm #GrandTheftHamlet

At Intersections, the festival’s spirit lives as much in its screenings as in the conversations, workshops, and knowledge exchanged throughout the week. This year, we were honored to welcome an exceptional group of UK and Lebanese experts whose work continues to reshape how films are made, heard, funded, and imagined.

From Paul Davies, one of the UK’s leading sound designers (You Were Never Really Here, Hunger), who guided participants through the emotional architecture of sound… to Rob Walker, re-recording mixer of Hot Milk, who explored how a film’s sonic language is built collaboratively with Lebanese sound designer Rana Eid.

We also welcomed Pinny Grylls & Sam Crane, co-directors of Grand Theft Hamlet, who opened new doors into virtual production, gaming technologies, and performance inside digital worlds.

Artist, writer and theoristSteve Goodman (Kode9) led a powerful session on sound, conflict, and sonic warfare, unpacking how drones, booms, blasts, and decoys shape the acoustics of fear.

And in our major industry panel, we brought together leading names including James Weddup, Maya de Freige and Karim Nasr and Jordan McGarry, moderated by Eneni Bambara-Abban from the British Council, all discussing co-production, funding, innovation, and the success of the AI in Film collaboration.

These exchanges form the backbone of Intersections: a festival where expertise meets curiosity, where UK and Lebanese professionals learn from one another, and where future collaborations take root.

#IntersectionsFestival #UKFilmInLebanon #MetropolisCinema #BritishCouncilLebanon #UKLebanonCollaboration #CreativeExchange #FilmWorkshops #IndustryTalks #CinemaWithoutBorders #SoundDesign #AIinFilm #GrandTheftHamlet

At Intersections, the festival’s spirit lives as much in its screenings as in the conversations, workshops, and knowledge exchanged throughout the week. This year, we were honored to welcome an exceptional group of UK and Lebanese experts whose work continues to reshape how films are made, heard, funded, and imagined.

From Paul Davies, one of the UK’s leading sound designers (You Were Never Really Here, Hunger), who guided participants through the emotional architecture of sound… to Rob Walker, re-recording mixer of Hot Milk, who explored how a film’s sonic language is built collaboratively with Lebanese sound designer Rana Eid.

We also welcomed Pinny Grylls & Sam Crane, co-directors of Grand Theft Hamlet, who opened new doors into virtual production, gaming technologies, and performance inside digital worlds.

Artist, writer and theoristSteve Goodman (Kode9) led a powerful session on sound, conflict, and sonic warfare, unpacking how drones, booms, blasts, and decoys shape the acoustics of fear.

And in our major industry panel, we brought together leading names including James Weddup, Maya de Freige and Karim Nasr and Jordan McGarry, moderated by Eneni Bambara-Abban from the British Council, all discussing co-production, funding, innovation, and the success of the AI in Film collaboration.

These exchanges form the backbone of Intersections: a festival where expertise meets curiosity, where UK and Lebanese professionals learn from one another, and where future collaborations take root.

#IntersectionsFestival #UKFilmInLebanon #MetropolisCinema #BritishCouncilLebanon #UKLebanonCollaboration #CreativeExchange #FilmWorkshops #IndustryTalks #CinemaWithoutBorders #SoundDesign #AIinFilm #GrandTheftHamlet

At Intersections, the festival’s spirit lives as much in its screenings as in the conversations, workshops, and knowledge exchanged throughout the week. This year, we were honored to welcome an exceptional group of UK and Lebanese experts whose work continues to reshape how films are made, heard, funded, and imagined.

From Paul Davies, one of the UK’s leading sound designers (You Were Never Really Here, Hunger), who guided participants through the emotional architecture of sound… to Rob Walker, re-recording mixer of Hot Milk, who explored how a film’s sonic language is built collaboratively with Lebanese sound designer Rana Eid.

We also welcomed Pinny Grylls & Sam Crane, co-directors of Grand Theft Hamlet, who opened new doors into virtual production, gaming technologies, and performance inside digital worlds.

Artist, writer and theoristSteve Goodman (Kode9) led a powerful session on sound, conflict, and sonic warfare, unpacking how drones, booms, blasts, and decoys shape the acoustics of fear.

And in our major industry panel, we brought together leading names including James Weddup, Maya de Freige and Karim Nasr and Jordan McGarry, moderated by Eneni Bambara-Abban from the British Council, all discussing co-production, funding, innovation, and the success of the AI in Film collaboration.

These exchanges form the backbone of Intersections: a festival where expertise meets curiosity, where UK and Lebanese professionals learn from one another, and where future collaborations take root.

#IntersectionsFestival #UKFilmInLebanon #MetropolisCinema #BritishCouncilLebanon #UKLebanonCollaboration #CreativeExchange #FilmWorkshops #IndustryTalks #CinemaWithoutBorders #SoundDesign #AIinFilm #GrandTheftHamlet

At Intersections, the festival’s spirit lives as much in its screenings as in the conversations, workshops, and knowledge exchanged throughout the week. This year, we were honored to welcome an exceptional group of UK and Lebanese experts whose work continues to reshape how films are made, heard, funded, and imagined.

From Paul Davies, one of the UK’s leading sound designers (You Were Never Really Here, Hunger), who guided participants through the emotional architecture of sound… to Rob Walker, re-recording mixer of Hot Milk, who explored how a film’s sonic language is built collaboratively with Lebanese sound designer Rana Eid.

We also welcomed Pinny Grylls & Sam Crane, co-directors of Grand Theft Hamlet, who opened new doors into virtual production, gaming technologies, and performance inside digital worlds.

Artist, writer and theoristSteve Goodman (Kode9) led a powerful session on sound, conflict, and sonic warfare, unpacking how drones, booms, blasts, and decoys shape the acoustics of fear.

And in our major industry panel, we brought together leading names including James Weddup, Maya de Freige and Karim Nasr and Jordan McGarry, moderated by Eneni Bambara-Abban from the British Council, all discussing co-production, funding, innovation, and the success of the AI in Film collaboration.

These exchanges form the backbone of Intersections: a festival where expertise meets curiosity, where UK and Lebanese professionals learn from one another, and where future collaborations take root.

#IntersectionsFestival #UKFilmInLebanon #MetropolisCinema #BritishCouncilLebanon #UKLebanonCollaboration #CreativeExchange #FilmWorkshops #IndustryTalks #CinemaWithoutBorders #SoundDesign #AIinFilm #GrandTheftHamlet

At Intersections, the festival’s spirit lives as much in its screenings as in the conversations, workshops, and knowledge exchanged throughout the week. This year, we were honored to welcome an exceptional group of UK and Lebanese experts whose work continues to reshape how films are made, heard, funded, and imagined.

From Paul Davies, one of the UK’s leading sound designers (You Were Never Really Here, Hunger), who guided participants through the emotional architecture of sound… to Rob Walker, re-recording mixer of Hot Milk, who explored how a film’s sonic language is built collaboratively with Lebanese sound designer Rana Eid.

We also welcomed Pinny Grylls & Sam Crane, co-directors of Grand Theft Hamlet, who opened new doors into virtual production, gaming technologies, and performance inside digital worlds.

Artist, writer and theoristSteve Goodman (Kode9) led a powerful session on sound, conflict, and sonic warfare, unpacking how drones, booms, blasts, and decoys shape the acoustics of fear.

And in our major industry panel, we brought together leading names including James Weddup, Maya de Freige and Karim Nasr and Jordan McGarry, moderated by Eneni Bambara-Abban from the British Council, all discussing co-production, funding, innovation, and the success of the AI in Film collaboration.

These exchanges form the backbone of Intersections: a festival where expertise meets curiosity, where UK and Lebanese professionals learn from one another, and where future collaborations take root.

#IntersectionsFestival #UKFilmInLebanon #MetropolisCinema #BritishCouncilLebanon #UKLebanonCollaboration #CreativeExchange #FilmWorkshops #IndustryTalks #CinemaWithoutBorders #SoundDesign #AIinFilm #GrandTheftHamlet

At Intersections, the festival’s spirit lives as much in its screenings as in the conversations, workshops, and knowledge exchanged throughout the week. This year, we were honored to welcome an exceptional group of UK and Lebanese experts whose work continues to reshape how films are made, heard, funded, and imagined.

From Paul Davies, one of the UK’s leading sound designers (You Were Never Really Here, Hunger), who guided participants through the emotional architecture of sound… to Rob Walker, re-recording mixer of Hot Milk, who explored how a film’s sonic language is built collaboratively with Lebanese sound designer Rana Eid.

We also welcomed Pinny Grylls & Sam Crane, co-directors of Grand Theft Hamlet, who opened new doors into virtual production, gaming technologies, and performance inside digital worlds.

Artist, writer and theoristSteve Goodman (Kode9) led a powerful session on sound, conflict, and sonic warfare, unpacking how drones, booms, blasts, and decoys shape the acoustics of fear.

And in our major industry panel, we brought together leading names including James Weddup, Maya de Freige and Karim Nasr and Jordan McGarry, moderated by Eneni Bambara-Abban from the British Council, all discussing co-production, funding, innovation, and the success of the AI in Film collaboration.

These exchanges form the backbone of Intersections: a festival where expertise meets curiosity, where UK and Lebanese professionals learn from one another, and where future collaborations take root.

#IntersectionsFestival #UKFilmInLebanon #MetropolisCinema #BritishCouncilLebanon #UKLebanonCollaboration #CreativeExchange #FilmWorkshops #IndustryTalks #CinemaWithoutBorders #SoundDesign #AIinFilm #GrandTheftHamlet

World Premiere of my new film LELEKA is in 4 days @tallinnblacknightsff in the Rebels With a Cause competition.

Sasha, a Ukrainian sculptor living in Paris, is haunted by absence and the war raging in her country. Provoked by the death of her grandmother, she creates a sculpture and travels home with it to commemorate their relationship. Margaux, a filmmaker, accompanies the 2800km drive from Paris to Okhtirka, a small village in Ukraine, documenting their trip with an old Bolex camera. Dreams and reality collide throughout the journey as Sasha shares diary pages revealing her inner turmoil and the nightmares that have troubled her while living in exile.

Screening schedule:
— Sunday 16th Nov at 19:15
9th Hall Apollo Kino Plaza
— Tuesday 18th Nov at 16:45
6th Hall Apollo Kino Plaza
— Friday 21st Nov at 19:30
9th Hall Apollo Kino Plaza

We’re there from the 13th and up until the 22nd. Come say hi 👋

How do we find a common way to talk about sound events, so we can shape them collaboratively with the director?

In this special panel at Intersections: The UK Film Festival in Lebanon, we focus on the British film Hot Milk (Rebecca Lenkiewicz, UK 2025) and the creative process behind its sound worldled by acclaimed Lebanese‑UK sound practitioners Rana Eid and Rob Walker.

Join us as they explore how creative choices in sound become the film’s sound‑language from atmospheres that reflect characters’ inner worlds, to the collaborative dialogue between director, editor and mixer.

Rana Eid, Beirut‑born and a leading sound designer in the MENA region, co‑founded DB Studios and has built sonic landscapes for films including The Cave and Honeyland. Her work reflects deep listening and layered atmospheres rooted in lived experience.
Rob Walker is a UK–based re‑recording mixer and sound designer with over 20 years in independent film, installations and hybrid cinema. He studied film in Stirling and UCLA and has lectured in MA Sound Production.

Saturday 15 Nov 16:00–17:30 atMetropolis Cinema

Free Entrance

Intersections: The UK Film Festival in Lebanon is supported by the UK Government’s GREAT Britain and Northern Ireland campaign* and delivered in partnership with the British Council, the British Embassy Beirut, and Metropolis Cinema Association.
#SoundDesign #HotMilkFilm #RanaEid #RobWalker #IntersectionsFestival #UKFilmInLebanon #MetropolisCinema #CreativeCollaboration #DbStudios #BritishCouncil

ENHANCED is a sound library that can support epic widescreen moments or the softest intimacy. A set of delicate and powerful tools to develop emotion. Available now and as part of the COMPLETE ONE collection

ENHANCED is for those moments when we go inside a character’s mind and hear the world through their perspective. Emotive and evocative, they conjure introspective reflection, emotional bubbles, distant civilisations, altered states, mystical enlightenments, intoxication, or the frozen shock of enormous realisation.
278 Files
96khz and 48khz 24-bit
30.74 GB
9 hours 52 minutes
Full Soundminer and UCS Metadata
Link in bio