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Bigg up Mi Nephew Chris cole Jr @_chrisdatboii ! Keep in the path ofgreatness .. I’ve watched you grow into such amazingyoung Lionover the years, Be Great !⚡️⚡️🔥

Looking forward to seeing dominate on the field this year as you do
@georgiafootball take good care of THE LION ORDER

RASTAFARI
#CANES4LIFE
@canesfootball
#LIONORDER 👑
#GONGITES 🧬

#lalibela Bete Gebriel (House of St. Gabriel) The 19th day of every Ethiopian month is the monthly feast of St. Gabriel (Archangel Gabriel), which is colorfully celebrated across Ethiopia, including at the remarkable Bete Gebriel (House of St. Gabriel) rock-hewn church in Lalibela.

Keep the FIYAHH burning Sister Lauryn @mslaurynhill
JAH LOVE ⚡️⚡️⚡️

RASTAFARI ‘

#LIONORDER 👑
#GONGITES 🧬

#LIONORDER 👑
#GONGITES 🧬

BLESSED EARTH STRONG QUEEN LULU
⚡️⚡️⚡️
@mslaurynhill | begin to tell you how much I love and apprecilove your existence .. We Give Thanks for all the Magical moment thru the years.. You supersede all expectation.. Love for Life 🙏🙏❤️❤️❤️
A RASTAFARI LIVE

#LIONORDER 👑
#GONGITES 🧬

I was trying to match that post you made with some more amazing times thru the years ...
JAH LOVE🙏❤️

#AfricaDay 💚💛❤️

On this day, May 25th 1963 the Organisation of African Unity was formed in Addis Ababa, Ethiopia.

His Imperial Majesty Emperor Haile Selassie I served as the first chairperson of the Organisation, and played a leading instrumental role in the success of the conference, along with Kwame Nkrumah of Ghana. The Emperor was given immense applause by the delegates after the conference, and would later be awarded the official title " Father of African Unity" by 32 Independent African States, for this remarkable achievement.

The Organisation of African Unity grew to be the foundation of the African Union, and the headquarters are still in Addis Ababa today.

💚💛❤️

Music 🎵: Bob Marley Africa Unite - Wezner Remix

💚💛❤️

#FairfieldHouse #Houseofhismajesty #HaileSelassie #HaileSelassieI

🎨🦁🌌 The “LION CONSCIOUSNESS” artwork is a visual manifestation of the awakened spirit and a higher state of consciousness.

The cosmic Lion Nebula, shining among billions of stars, embodies the higher mind that perceives the true essence of existence beyond the veil of the material world. Enclosed within this radiant nebula is the authentic constellation of Leo ✨ an eternal cosmic compass and a symbol of inner sovereignty and spiritual royalty.

This art illustration serves as a portal into a state where fear transforms into wisdom, and the chaos of thought dissolves into the harmonious order of the Universe.

The Lion does not merely gaze from the darkness - it awakens within everyone. 🦁❤️

@romarley
#LIONORDER 👑

Approximately 72 hours in the making | 5000 x 5500 px | Procreate app

🎥 @efa_lius

Tafa gašša (also spelled tafa gasha) refers to a ceremonial or prestige shield from the Ethiopian highland warrior tradition and Imperial military culture.

The word gašša (ጋሻ) in Amharic simply means “shield,” while tafa appears to designate a particular style or prestigious type of shield, often connected with ceremony, status, or elite warriors. These shields were traditionally made from hardened animal hide — including buffalo, ox, rhinoceros, or hippopotamus hide — and many surviving examples are richly decorated with embossed leatherwork, velvet, silver, brass, or repoussé metal ornamentation.

Shields were already part of the military culture of the ancient Kingdom of Aksum (1st–8th centuries AD), whose warriors were described as carrying spears, swords, and round hide shields. Artistic and historical continuity suggests that later Ethiopian shields evolved from these earlier traditions. During the medieval Zagwe and Solomonic periods, Ethiopian manuscripts, church paintings, and royal imagery regularly depicted mounted nobles and warriors carrying round shields as symbols of military authority and protection.

Over time, many tafa gašša evolved from practical battlefield equipment into ceremonial objects symbolizing courage, lineage, military honor, and imperial authority. Some were passed down through noble families or presented as gifts by rulers. Today, surviving examples are found in Ethiopian collections as well as museums and private collections in Europe, especially among artifacts connected to the 1868 Battle of Magdala and the British expedition to Ethiopia.

In this sense, the tafa gašša represents both a weapon and a cultural symbol — a continuation of a warrior tradition deeply rooted in Ethiopian history from antiquity through the imperial era.

#tafagassa #Ethiopia #Abyssinia #abyssinianroyalchronicles

Tafa gašša (also spelled tafa gasha) refers to a ceremonial or prestige shield from the Ethiopian highland warrior tradition and Imperial military culture.

The word gašša (ጋሻ) in Amharic simply means “shield,” while tafa appears to designate a particular style or prestigious type of shield, often connected with ceremony, status, or elite warriors. These shields were traditionally made from hardened animal hide — including buffalo, ox, rhinoceros, or hippopotamus hide — and many surviving examples are richly decorated with embossed leatherwork, velvet, silver, brass, or repoussé metal ornamentation.

Shields were already part of the military culture of the ancient Kingdom of Aksum (1st–8th centuries AD), whose warriors were described as carrying spears, swords, and round hide shields. Artistic and historical continuity suggests that later Ethiopian shields evolved from these earlier traditions. During the medieval Zagwe and Solomonic periods, Ethiopian manuscripts, church paintings, and royal imagery regularly depicted mounted nobles and warriors carrying round shields as symbols of military authority and protection.

Over time, many tafa gašša evolved from practical battlefield equipment into ceremonial objects symbolizing courage, lineage, military honor, and imperial authority. Some were passed down through noble families or presented as gifts by rulers. Today, surviving examples are found in Ethiopian collections as well as museums and private collections in Europe, especially among artifacts connected to the 1868 Battle of Magdala and the British expedition to Ethiopia.

In this sense, the tafa gašša represents both a weapon and a cultural symbol — a continuation of a warrior tradition deeply rooted in Ethiopian history from antiquity through the imperial era.

#tafagassa #Ethiopia #Abyssinia #abyssinianroyalchronicles

Tafa gašša (also spelled tafa gasha) refers to a ceremonial or prestige shield from the Ethiopian highland warrior tradition and Imperial military culture.

The word gašša (ጋሻ) in Amharic simply means “shield,” while tafa appears to designate a particular style or prestigious type of shield, often connected with ceremony, status, or elite warriors. These shields were traditionally made from hardened animal hide — including buffalo, ox, rhinoceros, or hippopotamus hide — and many surviving examples are richly decorated with embossed leatherwork, velvet, silver, brass, or repoussé metal ornamentation.

Shields were already part of the military culture of the ancient Kingdom of Aksum (1st–8th centuries AD), whose warriors were described as carrying spears, swords, and round hide shields. Artistic and historical continuity suggests that later Ethiopian shields evolved from these earlier traditions. During the medieval Zagwe and Solomonic periods, Ethiopian manuscripts, church paintings, and royal imagery regularly depicted mounted nobles and warriors carrying round shields as symbols of military authority and protection.

Over time, many tafa gašša evolved from practical battlefield equipment into ceremonial objects symbolizing courage, lineage, military honor, and imperial authority. Some were passed down through noble families or presented as gifts by rulers. Today, surviving examples are found in Ethiopian collections as well as museums and private collections in Europe, especially among artifacts connected to the 1868 Battle of Magdala and the British expedition to Ethiopia.

In this sense, the tafa gašša represents both a weapon and a cultural symbol — a continuation of a warrior tradition deeply rooted in Ethiopian history from antiquity through the imperial era.

#tafagassa #Ethiopia #Abyssinia #abyssinianroyalchronicles

Tafa gašša (also spelled tafa gasha) refers to a ceremonial or prestige shield from the Ethiopian highland warrior tradition and Imperial military culture.

The word gašša (ጋሻ) in Amharic simply means “shield,” while tafa appears to designate a particular style or prestigious type of shield, often connected with ceremony, status, or elite warriors. These shields were traditionally made from hardened animal hide — including buffalo, ox, rhinoceros, or hippopotamus hide — and many surviving examples are richly decorated with embossed leatherwork, velvet, silver, brass, or repoussé metal ornamentation.

Shields were already part of the military culture of the ancient Kingdom of Aksum (1st–8th centuries AD), whose warriors were described as carrying spears, swords, and round hide shields. Artistic and historical continuity suggests that later Ethiopian shields evolved from these earlier traditions. During the medieval Zagwe and Solomonic periods, Ethiopian manuscripts, church paintings, and royal imagery regularly depicted mounted nobles and warriors carrying round shields as symbols of military authority and protection.

Over time, many tafa gašša evolved from practical battlefield equipment into ceremonial objects symbolizing courage, lineage, military honor, and imperial authority. Some were passed down through noble families or presented as gifts by rulers. Today, surviving examples are found in Ethiopian collections as well as museums and private collections in Europe, especially among artifacts connected to the 1868 Battle of Magdala and the British expedition to Ethiopia.

In this sense, the tafa gašša represents both a weapon and a cultural symbol — a continuation of a warrior tradition deeply rooted in Ethiopian history from antiquity through the imperial era.

#tafagassa #Ethiopia #Abyssinia #abyssinianroyalchronicles

Tafa gašša (also spelled tafa gasha) refers to a ceremonial or prestige shield from the Ethiopian highland warrior tradition and Imperial military culture.

The word gašša (ጋሻ) in Amharic simply means “shield,” while tafa appears to designate a particular style or prestigious type of shield, often connected with ceremony, status, or elite warriors. These shields were traditionally made from hardened animal hide — including buffalo, ox, rhinoceros, or hippopotamus hide — and many surviving examples are richly decorated with embossed leatherwork, velvet, silver, brass, or repoussé metal ornamentation.

Shields were already part of the military culture of the ancient Kingdom of Aksum (1st–8th centuries AD), whose warriors were described as carrying spears, swords, and round hide shields. Artistic and historical continuity suggests that later Ethiopian shields evolved from these earlier traditions. During the medieval Zagwe and Solomonic periods, Ethiopian manuscripts, church paintings, and royal imagery regularly depicted mounted nobles and warriors carrying round shields as symbols of military authority and protection.

Over time, many tafa gašša evolved from practical battlefield equipment into ceremonial objects symbolizing courage, lineage, military honor, and imperial authority. Some were passed down through noble families or presented as gifts by rulers. Today, surviving examples are found in Ethiopian collections as well as museums and private collections in Europe, especially among artifacts connected to the 1868 Battle of Magdala and the British expedition to Ethiopia.

In this sense, the tafa gašša represents both a weapon and a cultural symbol — a continuation of a warrior tradition deeply rooted in Ethiopian history from antiquity through the imperial era.

#tafagassa #Ethiopia #Abyssinia #abyssinianroyalchronicles

Tafa gašša (also spelled tafa gasha) refers to a ceremonial or prestige shield from the Ethiopian highland warrior tradition and Imperial military culture.

The word gašša (ጋሻ) in Amharic simply means “shield,” while tafa appears to designate a particular style or prestigious type of shield, often connected with ceremony, status, or elite warriors. These shields were traditionally made from hardened animal hide — including buffalo, ox, rhinoceros, or hippopotamus hide — and many surviving examples are richly decorated with embossed leatherwork, velvet, silver, brass, or repoussé metal ornamentation.

Shields were already part of the military culture of the ancient Kingdom of Aksum (1st–8th centuries AD), whose warriors were described as carrying spears, swords, and round hide shields. Artistic and historical continuity suggests that later Ethiopian shields evolved from these earlier traditions. During the medieval Zagwe and Solomonic periods, Ethiopian manuscripts, church paintings, and royal imagery regularly depicted mounted nobles and warriors carrying round shields as symbols of military authority and protection.

Over time, many tafa gašša evolved from practical battlefield equipment into ceremonial objects symbolizing courage, lineage, military honor, and imperial authority. Some were passed down through noble families or presented as gifts by rulers. Today, surviving examples are found in Ethiopian collections as well as museums and private collections in Europe, especially among artifacts connected to the 1868 Battle of Magdala and the British expedition to Ethiopia.

In this sense, the tafa gašša represents both a weapon and a cultural symbol — a continuation of a warrior tradition deeply rooted in Ethiopian history from antiquity through the imperial era.

#tafagassa #Ethiopia #Abyssinia #abyssinianroyalchronicles

Tafa gašša (also spelled tafa gasha) refers to a ceremonial or prestige shield from the Ethiopian highland warrior tradition and Imperial military culture.

The word gašša (ጋሻ) in Amharic simply means “shield,” while tafa appears to designate a particular style or prestigious type of shield, often connected with ceremony, status, or elite warriors. These shields were traditionally made from hardened animal hide — including buffalo, ox, rhinoceros, or hippopotamus hide — and many surviving examples are richly decorated with embossed leatherwork, velvet, silver, brass, or repoussé metal ornamentation.

Shields were already part of the military culture of the ancient Kingdom of Aksum (1st–8th centuries AD), whose warriors were described as carrying spears, swords, and round hide shields. Artistic and historical continuity suggests that later Ethiopian shields evolved from these earlier traditions. During the medieval Zagwe and Solomonic periods, Ethiopian manuscripts, church paintings, and royal imagery regularly depicted mounted nobles and warriors carrying round shields as symbols of military authority and protection.

Over time, many tafa gašša evolved from practical battlefield equipment into ceremonial objects symbolizing courage, lineage, military honor, and imperial authority. Some were passed down through noble families or presented as gifts by rulers. Today, surviving examples are found in Ethiopian collections as well as museums and private collections in Europe, especially among artifacts connected to the 1868 Battle of Magdala and the British expedition to Ethiopia.

In this sense, the tafa gašša represents both a weapon and a cultural symbol — a continuation of a warrior tradition deeply rooted in Ethiopian history from antiquity through the imperial era.

#tafagassa #Ethiopia #Abyssinia #abyssinianroyalchronicles

Dancin’ from within ⚡️⚡️⚡️⚡️
Yeah Brasil , Bahia …THE FEELING IS EVERYTHING
‘WHO Feels it Knows it ‘🇧🇷⚽️
World Cup Fever ❤️❤️❤️

#LIONORDER 👑
#GONGITES 🧬

Big things are happening for Skate AC. 🌎🛹

Skate AC President Rohan Marley recently met with Hollywood, Florida Mayor Josh Levy to discuss what could become Skate AC’s first official project outside of New Jersey. What started in Atlantic City as a grassroots movement focused on skateboarding, youth wellness, and community empowerment is now beginning to expand into new cities and new communities.

This potential Florida initiative represents another major step toward our long term vision of building safe, inspiring spaces for young people around the world through skateboarding, art, wellness, mentorship, and culture.

We’re beyond grateful for everyone who continues supporting this mission. The future of Skate AC is only getting started. ❤️

#SkateAC #SkateAllCommunities #RohanMarley #YouthEmpowerment #Skateboarding

Big things are happening for Skate AC. 🌎🛹

Skate AC President Rohan Marley recently met with Hollywood, Florida Mayor Josh Levy to discuss what could become Skate AC’s first official project outside of New Jersey. What started in Atlantic City as a grassroots movement focused on skateboarding, youth wellness, and community empowerment is now beginning to expand into new cities and new communities.

This potential Florida initiative represents another major step toward our long term vision of building safe, inspiring spaces for young people around the world through skateboarding, art, wellness, mentorship, and culture.

We’re beyond grateful for everyone who continues supporting this mission. The future of Skate AC is only getting started. ❤️

#SkateAC #SkateAllCommunities #RohanMarley #YouthEmpowerment #Skateboarding

Big things are happening for Skate AC. 🌎🛹

Skate AC President Rohan Marley recently met with Hollywood, Florida Mayor Josh Levy to discuss what could become Skate AC’s first official project outside of New Jersey. What started in Atlantic City as a grassroots movement focused on skateboarding, youth wellness, and community empowerment is now beginning to expand into new cities and new communities.

This potential Florida initiative represents another major step toward our long term vision of building safe, inspiring spaces for young people around the world through skateboarding, art, wellness, mentorship, and culture.

We’re beyond grateful for everyone who continues supporting this mission. The future of Skate AC is only getting started. ❤️

#SkateAC #SkateAllCommunities #RohanMarley #YouthEmpowerment #Skateboarding

Big things are happening for Skate AC. 🌎🛹

Skate AC President Rohan Marley recently met with Hollywood, Florida Mayor Josh Levy to discuss what could become Skate AC’s first official project outside of New Jersey. What started in Atlantic City as a grassroots movement focused on skateboarding, youth wellness, and community empowerment is now beginning to expand into new cities and new communities.

This potential Florida initiative represents another major step toward our long term vision of building safe, inspiring spaces for young people around the world through skateboarding, art, wellness, mentorship, and culture.

We’re beyond grateful for everyone who continues supporting this mission. The future of Skate AC is only getting started. ❤️

#SkateAC #SkateAllCommunities #RohanMarley #YouthEmpowerment #Skateboarding

Big things are happening for Skate AC. 🌎🛹

Skate AC President Rohan Marley recently met with Hollywood, Florida Mayor Josh Levy to discuss what could become Skate AC’s first official project outside of New Jersey. What started in Atlantic City as a grassroots movement focused on skateboarding, youth wellness, and community empowerment is now beginning to expand into new cities and new communities.

This potential Florida initiative represents another major step toward our long term vision of building safe, inspiring spaces for young people around the world through skateboarding, art, wellness, mentorship, and culture.

We’re beyond grateful for everyone who continues supporting this mission. The future of Skate AC is only getting started. ❤️

#SkateAC #SkateAllCommunities #RohanMarley #YouthEmpowerment #Skateboarding

“Legalize It” Said Peter Tosh

“Lion Order by Rohan Marley officially arrives in New York.

RASTAFARI

From the heart of Jamaica to the halls of the NY Legislature, a brand deeply rooted in culture, heritage, and purpose makes its home in the Empire State.
The movement is here. KING CLEMENTINE”

@biggsburke
@govkathyhochul
@stevieace
@chanteljackson79
#LIONORDER 👑
#GONGITES 🧬
#herbculture

♟️”Don’t gain the world and lose your soul. Wisdom is better than silver and gold.”
– Bob Marley

My Earthstrong gift for the lion @romarley

Rohan Playing Chess
Pencil on paper
9 x 12 in.
Arlene Estevez, 2026

“Spiritual power is greater than material force.”
H.I.M ⚡️⚡️⚡️

#LIONORDER 👑
#GONGITES 🧬

“Spiritual power is greater than material force.”
H.I.M ⚡️⚡️⚡️

#LIONORDER 👑
#GONGITES 🧬

“Spiritual power is greater than material force.”
H.I.M ⚡️⚡️⚡️

#LIONORDER 👑
#GONGITES 🧬

“Spiritual power is greater than material force.”
H.I.M ⚡️⚡️⚡️

#LIONORDER 👑
#GONGITES 🧬

“Spiritual power is greater than material force.”
H.I.M ⚡️⚡️⚡️

#LIONORDER 👑
#GONGITES 🧬

“Spiritual power is greater than material force.”
H.I.M ⚡️⚡️⚡️

#LIONORDER 👑
#GONGITES 🧬

“Spiritual power is greater than material force.”
H.I.M ⚡️⚡️⚡️

#LIONORDER 👑
#GONGITES 🧬