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rozanamontiel
Rozana Montiel
Mexico City based office focused on architectural design, artistic reconceptualizations of space and the public domain.
CORRESPONDENCIA COLECTIVA: Registro de nuestra acción realizada en México.
La intervención fue se llevó a cabo también en Berlín dentro de la exposición Crafting Community,en The Foundry (@thefoundryberlin) curada por Anna Carnick (@acarnick) en The Foundry (@thefoundryberlin). ¡
Y esta correspondencia colectiva continúa!
Colaboración con: Cultura Pública @culturapublicaaa
Video: Duilio Rodríguez @duiliorodriguez
Espacio: Proyectos Públicos @proyectospublicos
COLLECTIVE CORRESPONDENCE: Documentation of our action in Mexico City.
The intervention also took place in Berlin as part of the exhibition Crafting Community at The Foundry (@thefoundryberlin), curated by Anna Carnick (@acarnick). And this collective correspondence continues and expands!
Collaboration with: Cultura Pública @culturapublicaaa
Video: Duilio Rodríguez @duiliorodriguez
Location: Proyectos Públicos @proyectospublicos
En REA avanzamos el año con obras en distintos puntos del país🔎🌾🗺
We’re moving through 2026 with projects in different parts of the country ✨
En REA avanzamos el año con obras en distintos puntos del país🔎🌾🗺
We’re moving through 2026 with projects in different parts of the country ✨
En REA avanzamos el año con obras en distintos puntos del país🔎🌾🗺
We’re moving through 2026 with projects in different parts of the country ✨
En REA avanzamos el año con obras en distintos puntos del país🔎🌾🗺
We’re moving through 2026 with projects in different parts of the country ✨
En REA avanzamos el año con obras en distintos puntos del país🔎🌾🗺
We’re moving through 2026 with projects in different parts of the country ✨
En REA avanzamos el año con obras en distintos puntos del país🔎🌾🗺
We’re moving through 2026 with projects in different parts of the country ✨
CANVI D'HORA!!! EMISSIÓ A TELEVISIÓ A LES 22.30
HERE ARE THE ARQUITECTAS
de @kliwadenkonovas
Una sèrie documental sobre la impressionant producció arquitectònica contemporània de Mèxic. Fernanda Canales, Tatiana Bilbao, Rozana Montiel i Claudia Rodriguez narren tant la seva experiència laboral com el que representa dur a terme aquesta labor sent dona.
Dijous 30 d'abril | 22:30 h
@betevecat
*fins el 30 de maig online:
link in bio
𝘼𝙧𝙘𝙝𝙞𝙩𝙚𝙘𝙩𝙪𝙧𝙚 𝙫𝙚𝙧𝙣𝙖𝙘𝙪𝙡𝙖𝙞𝙧𝙚 𝙫𝙨 𝙨𝙖𝙫𝙖𝙣𝙩𝙚 :
𝗲𝘁 𝘀𝗶 𝗹𝗲 𝘃𝗿𝗮𝗶 𝘀𝘂𝗷𝗲𝘁, 𝗰’é𝘁𝗮𝗶𝘁 𝗹𝗲𝘂𝗿 𝘁𝗲𝗻𝘀𝗶𝗼𝗻 ?
Deux visions de l’architecture.
Deux manières d’habiter le monde.
Une opposition fondatrice — plus actuelle que jamais.
À l’ESA, le cycle 𝘊𝘰𝘯𝘵𝘳𝘰𝘷𝘦𝘳𝘴𝘦𝘴 met en discussion les grands enjeux contemporains :
→ savoirs académiques vs. savoirs situés
→ modèles universels vs. cultures locales
→ théorie vs. usage
Dans un contexte de crise écologique et de remise en question des modèles dominants, une question s’impose :
𝗰𝗼𝗺𝗺𝗲𝗻𝘁 𝗮𝗿𝘁𝗶𝗰𝘂𝗹𝗲𝗿 𝗵é𝗿𝗶𝘁𝗮𝗴𝗲, 𝗰𝗼𝗻𝘁𝗲𝘅𝘁𝗲 𝗲𝘁 𝗶𝗻𝗻𝗼𝘃𝗮𝘁𝗶𝗼𝗻 ?
Une table ronde portée par les étudiants de Master 2, avec :
Rozana Montiel, Marc-Antoine Durand, David Malaud
Infos pratiques :
Jeudi 26 mars — 18h00
École Spéciale d’Architecture
254 bd Raspail 75014
Amphi cinéma
Entrée libre
Tu te situes où dans le débat ?
Viens en discuter — et dis-nous en commentaire si tu seras là.
Plus d’infos sur esa-paris.fr
#architecture #debat #ecolespecialedarchitecture #vernaculaire #controverses
I’m honored to introduce the new fellows of dieDAS Design Academy for the 2026 Artistic Residency Program 🎉
This year’s fellow sbrings together practices that move across architecture, art, research, and socially engaged design, exploring land and water geographies, decolonial perspectives, collective memory, performative tools, and new imaginaries of living.
Looking forward to a summer of exchange, experimentation, and collective action.
I’m honored to introduce the new fellows of dieDAS Design Academy for the 2026 Artistic Residency Program 🎉
This year’s fellow sbrings together practices that move across architecture, art, research, and socially engaged design, exploring land and water geographies, decolonial perspectives, collective memory, performative tools, and new imaginaries of living.
Looking forward to a summer of exchange, experimentation, and collective action.
I’m honored to introduce the new fellows of dieDAS Design Academy for the 2026 Artistic Residency Program 🎉
This year’s fellow sbrings together practices that move across architecture, art, research, and socially engaged design, exploring land and water geographies, decolonial perspectives, collective memory, performative tools, and new imaginaries of living.
Looking forward to a summer of exchange, experimentation, and collective action.
I’m honored to introduce the new fellows of dieDAS Design Academy for the 2026 Artistic Residency Program 🎉
This year’s fellow sbrings together practices that move across architecture, art, research, and socially engaged design, exploring land and water geographies, decolonial perspectives, collective memory, performative tools, and new imaginaries of living.
Looking forward to a summer of exchange, experimentation, and collective action.
I’m honored to introduce the new fellows of dieDAS Design Academy for the 2026 Artistic Residency Program 🎉
This year’s fellow sbrings together practices that move across architecture, art, research, and socially engaged design, exploring land and water geographies, decolonial perspectives, collective memory, performative tools, and new imaginaries of living.
Looking forward to a summer of exchange, experimentation, and collective action.
I’m honored to introduce the new fellows of dieDAS Design Academy for the 2026 Artistic Residency Program 🎉
This year’s fellow sbrings together practices that move across architecture, art, research, and socially engaged design, exploring land and water geographies, decolonial perspectives, collective memory, performative tools, and new imaginaries of living.
Looking forward to a summer of exchange, experimentation, and collective action.
I’m honored to introduce the new fellows of dieDAS Design Academy for the 2026 Artistic Residency Program 🎉
This year’s fellow sbrings together practices that move across architecture, art, research, and socially engaged design, exploring land and water geographies, decolonial perspectives, collective memory, performative tools, and new imaginaries of living.
Looking forward to a summer of exchange, experimentation, and collective action.
I’m honored to introduce the new fellows of dieDAS Design Academy for the 2026 Artistic Residency Program 🎉
This year’s fellow sbrings together practices that move across architecture, art, research, and socially engaged design, exploring land and water geographies, decolonial perspectives, collective memory, performative tools, and new imaginaries of living.
Looking forward to a summer of exchange, experimentation, and collective action.
I’m honored to introduce the new fellows of dieDAS Design Academy for the 2026 Artistic Residency Program 🎉
This year’s fellow sbrings together practices that move across architecture, art, research, and socially engaged design, exploring land and water geographies, decolonial perspectives, collective memory, performative tools, and new imaginaries of living.
Looking forward to a summer of exchange, experimentation, and collective action.
Para @rozanamontiel, ser arquitecta es “una forma de ser y de estar” en la vida en la que no hay una división entre lo privado y lo profesional, porque es una postura y una mirada que se manifiestan en cada aspecto de su cotidianeidad y en la relación con su entorno. Rozana, entonces, habita el mundo como una arquitecta. En ese sentido, su espacio de trabajo es una extensión de su filosofía.
Palabras de Rebeca Vaisman
Fotografía de Perla Tamez
Conoce más en el LINK EN BIO.
Para @rozanamontiel, ser arquitecta es “una forma de ser y de estar” en la vida en la que no hay una división entre lo privado y lo profesional, porque es una postura y una mirada que se manifiestan en cada aspecto de su cotidianeidad y en la relación con su entorno. Rozana, entonces, habita el mundo como una arquitecta. En ese sentido, su espacio de trabajo es una extensión de su filosofía.
Palabras de Rebeca Vaisman
Fotografía de Perla Tamez
Conoce más en el LINK EN BIO.
Para @rozanamontiel, ser arquitecta es “una forma de ser y de estar” en la vida en la que no hay una división entre lo privado y lo profesional, porque es una postura y una mirada que se manifiestan en cada aspecto de su cotidianeidad y en la relación con su entorno. Rozana, entonces, habita el mundo como una arquitecta. En ese sentido, su espacio de trabajo es una extensión de su filosofía.
Palabras de Rebeca Vaisman
Fotografía de Perla Tamez
Conoce más en el LINK EN BIO.
Para @rozanamontiel, ser arquitecta es “una forma de ser y de estar” en la vida en la que no hay una división entre lo privado y lo profesional, porque es una postura y una mirada que se manifiestan en cada aspecto de su cotidianeidad y en la relación con su entorno. Rozana, entonces, habita el mundo como una arquitecta. En ese sentido, su espacio de trabajo es una extensión de su filosofía.
Palabras de Rebeca Vaisman
Fotografía de Perla Tamez
Conoce más en el LINK EN BIO.
Para @rozanamontiel, ser arquitecta es “una forma de ser y de estar” en la vida en la que no hay una división entre lo privado y lo profesional, porque es una postura y una mirada que se manifiestan en cada aspecto de su cotidianeidad y en la relación con su entorno. Rozana, entonces, habita el mundo como una arquitecta. En ese sentido, su espacio de trabajo es una extensión de su filosofía.
Palabras de Rebeca Vaisman
Fotografía de Perla Tamez
Conoce más en el LINK EN BIO.
Para @rozanamontiel, ser arquitecta es “una forma de ser y de estar” en la vida en la que no hay una división entre lo privado y lo profesional, porque es una postura y una mirada que se manifiestan en cada aspecto de su cotidianeidad y en la relación con su entorno. Rozana, entonces, habita el mundo como una arquitecta. En ese sentido, su espacio de trabajo es una extensión de su filosofía.
Palabras de Rebeca Vaisman
Fotografía de Perla Tamez
Conoce más en el LINK EN BIO.
Para @rozanamontiel, ser arquitecta es “una forma de ser y de estar” en la vida en la que no hay una división entre lo privado y lo profesional, porque es una postura y una mirada que se manifiestan en cada aspecto de su cotidianeidad y en la relación con su entorno. Rozana, entonces, habita el mundo como una arquitecta. En ese sentido, su espacio de trabajo es una extensión de su filosofía.
Palabras de Rebeca Vaisman
Fotografía de Perla Tamez
Conoce más en el LINK EN BIO.
L2S1
Learning from Milano
A Beautiful midterm session!
Thanks to our students!
A new semester begins at the @ecole_speciale , and this time we turn our attention to Milan as our laboratory for learning. Three design studios come together to engage with the city through a housing-focused program based in Corvetto—a southeastern peripheral neighborhood where the urban fabric meets the rural edge. Sixty students are critically exploring the potential of shared space and the collective dimensions of contemporary living.
Enjoying this experience with @rozanamontiel and @_claudiamion and with all our students!
ABOUT: PROJECTS // @rozanamontiel
In Iztapalapa, a popular neighbourhood in Mexico City, the PILARES civic centre builds a public space for learning and meeting. Ramps, partitions, classrooms and platforms become the scenic backdrop for an architecture open to participation.
📰 From our first issue ABOUT: The Collective
Text by: Miquel Adrià
Photography: Sandra Pereznieto @sandrapereznieto
Location: Iztapalapa, Mexico City
Built area: 710 m²
Client: Mexico City Government
Completion: 2022
📷 Still Life: Visual Hub Audio & Video Hearst Italia, @davidemandolini_
#ABOUTprojects #ABOUTmagazine #aboutarchitecture
ABOUT: PROJECTS // @rozanamontiel
In Iztapalapa, a popular neighbourhood in Mexico City, the PILARES civic centre builds a public space for learning and meeting. Ramps, partitions, classrooms and platforms become the scenic backdrop for an architecture open to participation.
📰 From our first issue ABOUT: The Collective
Text by: Miquel Adrià
Photography: Sandra Pereznieto @sandrapereznieto
Location: Iztapalapa, Mexico City
Built area: 710 m²
Client: Mexico City Government
Completion: 2022
📷 Still Life: Visual Hub Audio & Video Hearst Italia, @davidemandolini_
#ABOUTprojects #ABOUTmagazine #aboutarchitecture
ABOUT: PROJECTS // @rozanamontiel
In Iztapalapa, a popular neighbourhood in Mexico City, the PILARES civic centre builds a public space for learning and meeting. Ramps, partitions, classrooms and platforms become the scenic backdrop for an architecture open to participation.
📰 From our first issue ABOUT: The Collective
Text by: Miquel Adrià
Photography: Sandra Pereznieto @sandrapereznieto
Location: Iztapalapa, Mexico City
Built area: 710 m²
Client: Mexico City Government
Completion: 2022
📷 Still Life: Visual Hub Audio & Video Hearst Italia, @davidemandolini_
#ABOUTprojects #ABOUTmagazine #aboutarchitecture
ABOUT: PROJECTS // @rozanamontiel
In Iztapalapa, a popular neighbourhood in Mexico City, the PILARES civic centre builds a public space for learning and meeting. Ramps, partitions, classrooms and platforms become the scenic backdrop for an architecture open to participation.
📰 From our first issue ABOUT: The Collective
Text by: Miquel Adrià
Photography: Sandra Pereznieto @sandrapereznieto
Location: Iztapalapa, Mexico City
Built area: 710 m²
Client: Mexico City Government
Completion: 2022
📷 Still Life: Visual Hub Audio & Video Hearst Italia, @davidemandolini_
#ABOUTprojects #ABOUTmagazine #aboutarchitecture
ABOUT: PROJECTS // @rozanamontiel
In Iztapalapa, a popular neighbourhood in Mexico City, the PILARES civic centre builds a public space for learning and meeting. Ramps, partitions, classrooms and platforms become the scenic backdrop for an architecture open to participation.
📰 From our first issue ABOUT: The Collective
Text by: Miquel Adrià
Photography: Sandra Pereznieto @sandrapereznieto
Location: Iztapalapa, Mexico City
Built area: 710 m²
Client: Mexico City Government
Completion: 2022
📷 Still Life: Visual Hub Audio & Video Hearst Italia, @davidemandolini_
#ABOUTprojects #ABOUTmagazine #aboutarchitecture
ABOUT: PROJECTS // @rozanamontiel
In Iztapalapa, a popular neighbourhood in Mexico City, the PILARES civic centre builds a public space for learning and meeting. Ramps, partitions, classrooms and platforms become the scenic backdrop for an architecture open to participation.
📰 From our first issue ABOUT: The Collective
Text by: Miquel Adrià
Photography: Sandra Pereznieto @sandrapereznieto
Location: Iztapalapa, Mexico City
Built area: 710 m²
Client: Mexico City Government
Completion: 2022
📷 Still Life: Visual Hub Audio & Video Hearst Italia, @davidemandolini_
#ABOUTprojects #ABOUTmagazine #aboutarchitecture
We are glad to share the schedule of our second weekend of conference! Check out the program for Saturday, Oct 25th
HYBRID FORMAT
Zoom: https://us04web.zoom.us/j/79698685674?pwd=X4D5PUIWO4nF5zy7uDxKwnW09bohgJ.1
Meeting ID: 796 9868 5674 | Passcode: 961138
Room 706, Yale School of Architecture, 180 York St, New Haven, CT, USA
https://cicarchitecture.org/international-conference-on-territoriality-and-temporality-in-architecture-full-program/
We are glad to share the schedule of our second weekend of conference! Check out the program for Saturday, Oct 25th
HYBRID FORMAT
Zoom: https://us04web.zoom.us/j/79698685674?pwd=X4D5PUIWO4nF5zy7uDxKwnW09bohgJ.1
Meeting ID: 796 9868 5674 | Passcode: 961138
Room 706, Yale School of Architecture, 180 York St, New Haven, CT, USA
https://cicarchitecture.org/international-conference-on-territoriality-and-temporality-in-architecture-full-program/
🏢 La arquitectura puede ser más que muros y techos: puede ser un lenguaje que construye comunidad. Rozana Montiel | Estudio de Arquitectura transforma espacios y relatos a través de la escucha activa, la co-creación y la belleza entendida como derecho social. 👤👏 Desde intervenciones efímeras hasta archivos vivos como Correspondencia Colectiva, su práctica demuestra que la arquitectura puede ser un puente entre personas, historias y territorios.
Descubre más en coolhuntermx.com
En colaboración con @colateral_pod
Créditos:
@pavelin | @_espacios
Isaac Roma
José Antonio Sánchez
Jocelyn Morales
The Berlin Art Week exhibition, Crafting Community, is now open. This timely group show features exceptional, hand-wrought works by designers and artists from around the globe, all framed as poetic offerings from maker to community.
Pictured: Collective Correspondence by @rozanamontiel
Crafting Community is curated by Anna Carnick (@acarnick) and features works by Yassine Ben Abdallah (@enissay.b)Bokja (@bokjadesign) Jerome Byron (@jeromebyron)Anas Chao (@anas_chao) Estefanía de Ros (@estefaniaderos), Rosana Escobar (@escobaryrosas), Fango (@studio__fango) Ibiyane (@ibiyane), Noe Kuremoto (@noe_kuremoto_studio) Malles Shaping Stories (@malles_shapingstories) mischer’traxler studio (@mischertraxler.studio), Omer Arbel (@omerarbeloffice) Rozana Montiel (@rozanamontiel), Beatriz Morales (@beatriz__morales) Platalea (@plataleastudio), Rive Roshan (@riveroshan), Rooms Studio (@rooms_studio_) Lukas Wegwerth (@lukas_wegwerth) and Corinna Dehn (@corinna_dehn), and Victoria Yakusha (@victoriayakusha)
On View: September 6-14 at The Foundry as part of Berlin Art Week
Address: Wilhelm Studios, K60 GmbH, Kopenhagener Str. 60-68, 13407 Berlin, Germany
Public Opening Days: September 6-7 and 10-14
Public Opening Hours: 11 AM - 8 PM
Crafting Community is presented by Bocci and Wilhelm Hallen at The Foundry
Exhibition Producer Tatjana Sprick (@tatjanasprick)
Exhibition Architect Chris Leeuw (@gentlemanwithsaw)
Crafting Community marks the launch of a new, annual platform to spotlight creativity through design and art, initiated by Johannes Schön (@johannesschoen), Anna Carnick, and Tatjana Sprick.
Special thanks to Am Tacheles (@wohnen_am_tacheles), Bitossi (@bitossi_ceramiche), dieDAS (@design_akademie_saaleck), Hotel Zoo (@hotelzooberlin), Raumwerk, and Venturenauten
Photo credit @clemenspoloczek
Crafting Community, a timely group show featuring exceptional, hand-wrought works by designers and artists from around the globe, all framed as poetic offerings from maker to community.
Pictured: Mexican architect Rozana Montiel is known for her socially conscious approach to design. She is director and founder of the Mexico City-based firm Rozana Montiel Estudio de Arquitectura (REA), which focuses on architectural design, artistic re-conceptualizations of space and the public domain. Her practice is grounded in an understanding of beauty as a human right, and in public space that encourages its own transgression and reimagination. She is, as well, currently the Artistic Director at dieDAS (@design_akademie_saaleck) Design Akademie in Saaleck, Germany (2025-2027), and a visiting professor at the École Spéciale d’Architecture in Paris.
For Crafting Community,Montiel presents Collective Correspondence, a new, participatory installation dedicated to imagining collective stories across borders.
Crafting Community is curated by Anna Carnick and presented by Bocci and Wilhelm Hallen at The Foundry
Crafting Community is on view September 6-14 at The Foundry as part of Berlin Art Week.
Address: Wilhelm Studios, K60 GmbH, Kopenhagener Str. 60-68, 13407 Berlin, Germany
Public Opening Days: September 6-7 and 10-14
Public Opening Hours: 11 AM - 8 PM
The exhibition and accompanying cultural program mark the launch of a new, annual platform to spotlight creativity through design and art, initiated by Johannes Schön (@johannesschoen), Anna Carnick
Photo © Ana Hop (@anahop)
Graphic design by @flavius_augustin_
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