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All Day Breakfast, 2023
kiln fused glass, cameo engraved
10x7x0.2”

really proud to release such a monumental piece in my career piece for @parlayphl - huge thanks for everyone coming out and supporting such an awesome community based event - wish I could’ve made it myself but I’m still deep in the woods at @pilchuckglassschool - it’s been a long time since I’ve worked outside of borosilicate glass, instead using a formula made specifically for fusing in large panels - the glass is thicker than I usually carve, and somewhat more opalescent, making the carvings extra deep in both color and form - looking forward to taking these much further in size and complexity over time - huge thanks to @kindaglass @glasshousegallerydc @pipedealer for putting this all together while I was off goofing at art camp, major respect - #ryeglass

All Day Breakfast, 2023
kiln fused glass, cameo engraved
10x7x0.2”

really proud to release such a monumental piece in my career piece for @parlayphl - huge thanks for everyone coming out and supporting such an awesome community based event - wish I could’ve made it myself but I’m still deep in the woods at @pilchuckglassschool - it’s been a long time since I’ve worked outside of borosilicate glass, instead using a formula made specifically for fusing in large panels - the glass is thicker than I usually carve, and somewhat more opalescent, making the carvings extra deep in both color and form - looking forward to taking these much further in size and complexity over time - huge thanks to @kindaglass @glasshousegallerydc @pipedealer for putting this all together while I was off goofing at art camp, major respect - #ryeglass

All Day Breakfast, 2023
kiln fused glass, cameo engraved
10x7x0.2”

really proud to release such a monumental piece in my career piece for @parlayphl - huge thanks for everyone coming out and supporting such an awesome community based event - wish I could’ve made it myself but I’m still deep in the woods at @pilchuckglassschool - it’s been a long time since I’ve worked outside of borosilicate glass, instead using a formula made specifically for fusing in large panels - the glass is thicker than I usually carve, and somewhat more opalescent, making the carvings extra deep in both color and form - looking forward to taking these much further in size and complexity over time - huge thanks to @kindaglass @glasshousegallerydc @pipedealer for putting this all together while I was off goofing at art camp, major respect - #ryeglass

All Day Breakfast, 2023
kiln fused glass, cameo engraved
10x7x0.2”

really proud to release such a monumental piece in my career piece for @parlayphl - huge thanks for everyone coming out and supporting such an awesome community based event - wish I could’ve made it myself but I’m still deep in the woods at @pilchuckglassschool - it’s been a long time since I’ve worked outside of borosilicate glass, instead using a formula made specifically for fusing in large panels - the glass is thicker than I usually carve, and somewhat more opalescent, making the carvings extra deep in both color and form - looking forward to taking these much further in size and complexity over time - huge thanks to @kindaglass @glasshousegallerydc @pipedealer for putting this all together while I was off goofing at art camp, major respect - #ryeglass

All Day Breakfast, 2023
kiln fused glass, cameo engraved
10x7x0.2”

really proud to release such a monumental piece in my career piece for @parlayphl - huge thanks for everyone coming out and supporting such an awesome community based event - wish I could’ve made it myself but I’m still deep in the woods at @pilchuckglassschool - it’s been a long time since I’ve worked outside of borosilicate glass, instead using a formula made specifically for fusing in large panels - the glass is thicker than I usually carve, and somewhat more opalescent, making the carvings extra deep in both color and form - looking forward to taking these much further in size and complexity over time - huge thanks to @kindaglass @glasshousegallerydc @pipedealer for putting this all together while I was off goofing at art camp, major respect - #ryeglass

Last Saturday at Glass Class in Manhattan, curated by @whitebread, I finally had the chance to meet @kindaglass in person.

I’ve admired Max’s work for a long time, and I’ve also admired @ryeglass for years, which made this Psycheler even more special to me. This piece had already taken on a different kind of lore before I ever saw it in person. I had only seen two photos of it before that night, but even from those photos, it was my favorite Psycheler I had ever seen.

I was made aware of the piece through word of mouth amongst friends, and I was honestly surprised to find out it was still in Max’s possession. Once we were introduced, we started talking about the piece, the concept, and the story behind it. As you can imagine, I did not hesitate at the opportunity to add such an iconic piece of glass history to my collection.

The Rent-A-Center theme hits way deeper once you understand the intent behind it. The imagery is a play on stolen art, institutional ownership, and the way museums and collectors can blur the line between preservation, possession, and exploitation. There’s something powerful about seeing that idea translated into functional glass, especially in a piece that feels like it belongs in a museum itself.

Glass has always meant more to me than just collecting objects. The right pieces carry stories, relationships, history, risk, trust, and culture. This one has all of that.

Feeling incredibly grateful to be the caretaker of this @kindaglass x @ryeglass Psycheler. Thank you Max for trusting me with it.

📸 @pyroscopic

Last Saturday at Glass Class in Manhattan, curated by @whitebread, I finally had the chance to meet @kindaglass in person.

I’ve admired Max’s work for a long time, and I’ve also admired @ryeglass for years, which made this Psycheler even more special to me. This piece had already taken on a different kind of lore before I ever saw it in person. I had only seen two photos of it before that night, but even from those photos, it was my favorite Psycheler I had ever seen.

I was made aware of the piece through word of mouth amongst friends, and I was honestly surprised to find out it was still in Max’s possession. Once we were introduced, we started talking about the piece, the concept, and the story behind it. As you can imagine, I did not hesitate at the opportunity to add such an iconic piece of glass history to my collection.

The Rent-A-Center theme hits way deeper once you understand the intent behind it. The imagery is a play on stolen art, institutional ownership, and the way museums and collectors can blur the line between preservation, possession, and exploitation. There’s something powerful about seeing that idea translated into functional glass, especially in a piece that feels like it belongs in a museum itself.

Glass has always meant more to me than just collecting objects. The right pieces carry stories, relationships, history, risk, trust, and culture. This one has all of that.

Feeling incredibly grateful to be the caretaker of this @kindaglass x @ryeglass Psycheler. Thank you Max for trusting me with it.

📸 @pyroscopic

Last Saturday at Glass Class in Manhattan, curated by @whitebread, I finally had the chance to meet @kindaglass in person.

I’ve admired Max’s work for a long time, and I’ve also admired @ryeglass for years, which made this Psycheler even more special to me. This piece had already taken on a different kind of lore before I ever saw it in person. I had only seen two photos of it before that night, but even from those photos, it was my favorite Psycheler I had ever seen.

I was made aware of the piece through word of mouth amongst friends, and I was honestly surprised to find out it was still in Max’s possession. Once we were introduced, we started talking about the piece, the concept, and the story behind it. As you can imagine, I did not hesitate at the opportunity to add such an iconic piece of glass history to my collection.

The Rent-A-Center theme hits way deeper once you understand the intent behind it. The imagery is a play on stolen art, institutional ownership, and the way museums and collectors can blur the line between preservation, possession, and exploitation. There’s something powerful about seeing that idea translated into functional glass, especially in a piece that feels like it belongs in a museum itself.

Glass has always meant more to me than just collecting objects. The right pieces carry stories, relationships, history, risk, trust, and culture. This one has all of that.

Feeling incredibly grateful to be the caretaker of this @kindaglass x @ryeglass Psycheler. Thank you Max for trusting me with it.

📸 @pyroscopic

Last Saturday at Glass Class in Manhattan, curated by @whitebread, I finally had the chance to meet @kindaglass in person.

I’ve admired Max’s work for a long time, and I’ve also admired @ryeglass for years, which made this Psycheler even more special to me. This piece had already taken on a different kind of lore before I ever saw it in person. I had only seen two photos of it before that night, but even from those photos, it was my favorite Psycheler I had ever seen.

I was made aware of the piece through word of mouth amongst friends, and I was honestly surprised to find out it was still in Max’s possession. Once we were introduced, we started talking about the piece, the concept, and the story behind it. As you can imagine, I did not hesitate at the opportunity to add such an iconic piece of glass history to my collection.

The Rent-A-Center theme hits way deeper once you understand the intent behind it. The imagery is a play on stolen art, institutional ownership, and the way museums and collectors can blur the line between preservation, possession, and exploitation. There’s something powerful about seeing that idea translated into functional glass, especially in a piece that feels like it belongs in a museum itself.

Glass has always meant more to me than just collecting objects. The right pieces carry stories, relationships, history, risk, trust, and culture. This one has all of that.

Feeling incredibly grateful to be the caretaker of this @kindaglass x @ryeglass Psycheler. Thank you Max for trusting me with it.

📸 @pyroscopic

Last Saturday at Glass Class in Manhattan, curated by @whitebread, I finally had the chance to meet @kindaglass in person.

I’ve admired Max’s work for a long time, and I’ve also admired @ryeglass for years, which made this Psycheler even more special to me. This piece had already taken on a different kind of lore before I ever saw it in person. I had only seen two photos of it before that night, but even from those photos, it was my favorite Psycheler I had ever seen.

I was made aware of the piece through word of mouth amongst friends, and I was honestly surprised to find out it was still in Max’s possession. Once we were introduced, we started talking about the piece, the concept, and the story behind it. As you can imagine, I did not hesitate at the opportunity to add such an iconic piece of glass history to my collection.

The Rent-A-Center theme hits way deeper once you understand the intent behind it. The imagery is a play on stolen art, institutional ownership, and the way museums and collectors can blur the line between preservation, possession, and exploitation. There’s something powerful about seeing that idea translated into functional glass, especially in a piece that feels like it belongs in a museum itself.

Glass has always meant more to me than just collecting objects. The right pieces carry stories, relationships, history, risk, trust, and culture. This one has all of that.

Feeling incredibly grateful to be the caretaker of this @kindaglass x @ryeglass Psycheler. Thank you Max for trusting me with it.

📸 @pyroscopic

Last Saturday at Glass Class in Manhattan, curated by @whitebread, I finally had the chance to meet @kindaglass in person.

I’ve admired Max’s work for a long time, and I’ve also admired @ryeglass for years, which made this Psycheler even more special to me. This piece had already taken on a different kind of lore before I ever saw it in person. I had only seen two photos of it before that night, but even from those photos, it was my favorite Psycheler I had ever seen.

I was made aware of the piece through word of mouth amongst friends, and I was honestly surprised to find out it was still in Max’s possession. Once we were introduced, we started talking about the piece, the concept, and the story behind it. As you can imagine, I did not hesitate at the opportunity to add such an iconic piece of glass history to my collection.

The Rent-A-Center theme hits way deeper once you understand the intent behind it. The imagery is a play on stolen art, institutional ownership, and the way museums and collectors can blur the line between preservation, possession, and exploitation. There’s something powerful about seeing that idea translated into functional glass, especially in a piece that feels like it belongs in a museum itself.

Glass has always meant more to me than just collecting objects. The right pieces carry stories, relationships, history, risk, trust, and culture. This one has all of that.

Feeling incredibly grateful to be the caretaker of this @kindaglass x @ryeglass Psycheler. Thank you Max for trusting me with it.

📸 @pyroscopic

Last Saturday at Glass Class in Manhattan, curated by @whitebread, I finally had the chance to meet @kindaglass in person.

I’ve admired Max’s work for a long time, and I’ve also admired @ryeglass for years, which made this Psycheler even more special to me. This piece had already taken on a different kind of lore before I ever saw it in person. I had only seen two photos of it before that night, but even from those photos, it was my favorite Psycheler I had ever seen.

I was made aware of the piece through word of mouth amongst friends, and I was honestly surprised to find out it was still in Max’s possession. Once we were introduced, we started talking about the piece, the concept, and the story behind it. As you can imagine, I did not hesitate at the opportunity to add such an iconic piece of glass history to my collection.

The Rent-A-Center theme hits way deeper once you understand the intent behind it. The imagery is a play on stolen art, institutional ownership, and the way museums and collectors can blur the line between preservation, possession, and exploitation. There’s something powerful about seeing that idea translated into functional glass, especially in a piece that feels like it belongs in a museum itself.

Glass has always meant more to me than just collecting objects. The right pieces carry stories, relationships, history, risk, trust, and culture. This one has all of that.

Feeling incredibly grateful to be the caretaker of this @kindaglass x @ryeglass Psycheler. Thank you Max for trusting me with it.

📸 @pyroscopic

Last Saturday at Glass Class in Manhattan, curated by @whitebread, I finally had the chance to meet @kindaglass in person.

I’ve admired Max’s work for a long time, and I’ve also admired @ryeglass for years, which made this Psycheler even more special to me. This piece had already taken on a different kind of lore before I ever saw it in person. I had only seen two photos of it before that night, but even from those photos, it was my favorite Psycheler I had ever seen.

I was made aware of the piece through word of mouth amongst friends, and I was honestly surprised to find out it was still in Max’s possession. Once we were introduced, we started talking about the piece, the concept, and the story behind it. As you can imagine, I did not hesitate at the opportunity to add such an iconic piece of glass history to my collection.

The Rent-A-Center theme hits way deeper once you understand the intent behind it. The imagery is a play on stolen art, institutional ownership, and the way museums and collectors can blur the line between preservation, possession, and exploitation. There’s something powerful about seeing that idea translated into functional glass, especially in a piece that feels like it belongs in a museum itself.

Glass has always meant more to me than just collecting objects. The right pieces carry stories, relationships, history, risk, trust, and culture. This one has all of that.

Feeling incredibly grateful to be the caretaker of this @kindaglass x @ryeglass Psycheler. Thank you Max for trusting me with it.

📸 @pyroscopic

one of my favorites from a little while back with @mikelunaglass and @darbyholmglass - love collabs like this one where no detail is skipped - these gentlemen went full send, no exceptions - sincerely enthused to be a part of it - huge thanks to my dude @thehumanosprey for giving us the room and trust to do our thing - #mikelunaglass #darbyholmglass #ryeglass

APRIL 18, 2026
A Decade Of Piece Of Mind
Live Saturday @ 1:00 pm Cali Time

When I say this show will be the show of the year, I don’t mean just at out store this year , but this show will definitely rock the entire glass scene !!

This Rye x Ryno stand up duck is so incredible. Rye has been such an amazing addition to the takeover!!

Seriously can’t wait to show everyone this entire body of work on Saturday.

10 years coming in hottttt!!!

Instore VIP 3:00-5:00pm
Public 5:00-10:00pm
💥DM or call 949.873.5575 for in-store and online VIP

Such a tight crew of friends getting down!!
@algae._
@boomfelazi
@bobsnodgrass1946
@brandon__martin
@dwreckglass
@ginnysnodgrassgietl
@hoobsglass
@jonnyg73
@kurtbinstagramming
@maygunglass
@mullerglass
@nikocray
@rawzen_glass
@ryeglass
@sdryno
@saltglass
@slob_glassblower
@mr.voorhees

This year we have all the artists present at the show!!

We will be celebrating 5 years of the Studio @templeofdoomstudios , 10 years as a store front and 20 years of @roozapalooza hustling glass.

This will definitely be THE SHOW OF THE YEAR!!

So much LOVE to every one.

#pom #pieceofmind #ryno #rye

APRIL 18, 2026
A Decade Of Piece Of Mind

Here’s another incredible teaser for ya… and it’s from the 2 Rookies this year !! It’s both Niko and Rye’s first time coming out and being a part of the Temple Takeover.

You can see why they were added to this already incredible line up !!

This is the 2nd collab ever between them and it’s the 1st Shark they’ve made together.

Soooooo many goodies will be available at this show! It’s going to be hard to pick , but you truly can’t go wrong picking anything from this drop.

10 years coming in hottttt!!!

Instore VIP 3:00-5:00pm
Public 5:00-10:00pm
💥DM or call 949.873.5575 for in-store and online VIP

Such a tight crew of friends getting down!!
@algae._
@boomfelazi
@bobsnodgrass1946
@brandon__martin
@dwreckglass
@ginnysnodgrassgietl
@hoobsglass
@jonnyg73
@kurtbinstagramming
@maygunglass
@mullerglass
@nikocray
@rawzen_glass
@ryeglass
@sdryno
@saltglass
@slob_glassblower
@mr.voorhees

This year we have all the artists present at the show!!

We will be celebrating 5 years of the Studio @templeofdoomstudios , 10 years as a store front and 20 years of @roozapalooza hustling glass.

This will definitely be THE SHOW OF THE YEAR!!

So much LOVE to every one.

#pom #pieceofmind #nikocray #rye

💥GAME DAY!!💥 Insane first time collab between @nikocray & @ryeglass !! Came out ridiculous!!
Going LIVE @ 1:00pm Cali Time to show off all the amazing work !!

#nikocray #rye #ryeglass #nikocraylovesyou

Beyond blessed! Thank you again…I still can’t believe it sometimes @mikelunaglass @darbyholmglass @ryeglass

Beyond blessed! Thank you again…I still can’t believe it sometimes @mikelunaglass @darbyholmglass @ryeglass

Beyond blessed! Thank you again…I still can’t believe it sometimes @mikelunaglass @darbyholmglass @ryeglass

holy crap what an absolutely absurd and ridiculous year it’s been - the year started with major changes and ended with them as well - in between was nothing less than bonkers too

I started the year by moving studios - then I took a trip to Japan, Vietnam, and Thailand - went to Pilchuck Glass School twice in one summer to be there while my wife taught and then came back to teach a workshop of my own - put together a major collaborative show with some of the best - got back from that just in time to finish some bucket list collaborations - and then capped it off by buying a house and moving to a new state

this year was one of the busiest and most hectic years I’ve ever had - I feel like there was a lot of loss and growth both for myself and those closest to me - I don’t know anyone who made it through this year unbeaten and unbruised, but I also think my friends and family have been handling the bullshit spectacularly - as hard as some of these changes were, I’m glad to learn what I’ve learned and I can’t thank the people who support me enough for helping me live this dream - what doesn’t kill you makes you stronger - here’s to another inevitably crazy ass year - cheers and drive safe

Happy thanksgiving weekend to y’all ♥️♥️ I’m thankful for all your support 🙏..this master piece by the legends @eusheen ❌ @ryeglass incredible work! SOLD TO MY BRO BRO @tha__collector can’t thank you enough for your support 🙏🙏 #smoken #smokensmokeshop

@ryeglass X @sdryno

Lots of fun new work coming to @pieceofmindoc this Saturday 5pm

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Hit up @pieceofmindoc for info on early access VIP.
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starting to go through all the photos and videos from my collab show with @kurtbinstagramming - feeling thoroughly grateful for all the love this body of work has gotten - this piece is sold - huge thanks again to @pieceofmindoc for helping put it all together - #kurtbglass #ryeglass #pieceofmindoc

@ryeglass 💎🙏🏻🫶🏻 Super stoked to get this one in! Come see this one today at Parlay! @parlayphl 🫶🏻 holler @exploreglassgallery for availability! 🙏🏻💙