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samvelae
SAMVELE
Zürich
The Call for Action for the 6th bienniale svizzera del territorio is open!
➡️link in bio
Here’s a look at one of the Actions from the previous edition:
Gypsotechno
Disassembling, destroying, and fragmenting are parts of the re-use metabolism which can foreshadow actually optimistic future scenarios of a non-extractive architecture. Gypsotechno is a destruction collective performance, with a shredder machine as main actor, a rather obtuse device, embodying the singular moment of destruction, but as part of a creative reuse cycle. The noise produced by the grinding of the material will be captured and live-edited to create a soundscape as part of a festive ritual.
***
La Call for Action per la 6ª biennale svizzera del territorio è aperta!
➡️ link in bio
In attesa delle novità, riscopri una delle call della scorsa edizione:
Gypsotechno
Smontare, distruggere, frammentare: tutte fasi del metabolismo del riuso, che possono anticipare scenari ottimistici di un’architettura non estrattiva.
Gypsotechno è una performance collettiva di distruzione, con una macchina trituratrice come protagonista: un dispositivo ottuso che incarna il momento stesso della demolizione, ma come parte di un ciclo creativo di riutilizzo.
author
HPO
with Samuele Bertoni, POL100, Caterina Massarenti
@hpu.eu
@samvelae
@hpo.eu
@_pol100_ @contrjour
conducted with the partnerships of
SUPSI Institute of Materials and Constructions (IMC)
Rigips AG
Foto Caterina Massarenti
The Call for Action for the 6th bienniale svizzera del territorio is open!
➡️link in bio
Here’s a look at one of the Actions from the previous edition:
Gypsotechno
Disassembling, destroying, and fragmenting are parts of the re-use metabolism which can foreshadow actually optimistic future scenarios of a non-extractive architecture. Gypsotechno is a destruction collective performance, with a shredder machine as main actor, a rather obtuse device, embodying the singular moment of destruction, but as part of a creative reuse cycle. The noise produced by the grinding of the material will be captured and live-edited to create a soundscape as part of a festive ritual.
***
La Call for Action per la 6ª biennale svizzera del territorio è aperta!
➡️ link in bio
In attesa delle novità, riscopri una delle call della scorsa edizione:
Gypsotechno
Smontare, distruggere, frammentare: tutte fasi del metabolismo del riuso, che possono anticipare scenari ottimistici di un’architettura non estrattiva.
Gypsotechno è una performance collettiva di distruzione, con una macchina trituratrice come protagonista: un dispositivo ottuso che incarna il momento stesso della demolizione, ma come parte di un ciclo creativo di riutilizzo.
author
HPO
with Samuele Bertoni, POL100, Caterina Massarenti
@hpu.eu
@samvelae
@hpo.eu
@_pol100_ @contrjour
conducted with the partnerships of
SUPSI Institute of Materials and Constructions (IMC)
Rigips AG
Foto Caterina Massarenti
The Call for Action for the 6th bienniale svizzera del territorio is open!
➡️link in bio
Here’s a look at one of the Actions from the previous edition:
Gypsotechno
Disassembling, destroying, and fragmenting are parts of the re-use metabolism which can foreshadow actually optimistic future scenarios of a non-extractive architecture. Gypsotechno is a destruction collective performance, with a shredder machine as main actor, a rather obtuse device, embodying the singular moment of destruction, but as part of a creative reuse cycle. The noise produced by the grinding of the material will be captured and live-edited to create a soundscape as part of a festive ritual.
***
La Call for Action per la 6ª biennale svizzera del territorio è aperta!
➡️ link in bio
In attesa delle novità, riscopri una delle call della scorsa edizione:
Gypsotechno
Smontare, distruggere, frammentare: tutte fasi del metabolismo del riuso, che possono anticipare scenari ottimistici di un’architettura non estrattiva.
Gypsotechno è una performance collettiva di distruzione, con una macchina trituratrice come protagonista: un dispositivo ottuso che incarna il momento stesso della demolizione, ma come parte di un ciclo creativo di riutilizzo.
author
HPO
with Samuele Bertoni, POL100, Caterina Massarenti
@hpu.eu
@samvelae
@hpo.eu
@_pol100_ @contrjour
conducted with the partnerships of
SUPSI Institute of Materials and Constructions (IMC)
Rigips AG
Foto Caterina Massarenti
The Call for Action for the 6th bienniale svizzera del territorio is open!
➡️link in bio
Here’s a look at one of the Actions from the previous edition:
Gypsotechno
Disassembling, destroying, and fragmenting are parts of the re-use metabolism which can foreshadow actually optimistic future scenarios of a non-extractive architecture. Gypsotechno is a destruction collective performance, with a shredder machine as main actor, a rather obtuse device, embodying the singular moment of destruction, but as part of a creative reuse cycle. The noise produced by the grinding of the material will be captured and live-edited to create a soundscape as part of a festive ritual.
***
La Call for Action per la 6ª biennale svizzera del territorio è aperta!
➡️ link in bio
In attesa delle novità, riscopri una delle call della scorsa edizione:
Gypsotechno
Smontare, distruggere, frammentare: tutte fasi del metabolismo del riuso, che possono anticipare scenari ottimistici di un’architettura non estrattiva.
Gypsotechno è una performance collettiva di distruzione, con una macchina trituratrice come protagonista: un dispositivo ottuso che incarna il momento stesso della demolizione, ma come parte di un ciclo creativo di riutilizzo.
author
HPO
with Samuele Bertoni, POL100, Caterina Massarenti
@hpu.eu
@samvelae
@hpo.eu
@_pol100_ @contrjour
conducted with the partnerships of
SUPSI Institute of Materials and Constructions (IMC)
Rigips AG
Foto Caterina Massarenti
The Call for Action for the 6th bienniale svizzera del territorio is open!
➡️link in bio
Here’s a look at one of the Actions from the previous edition:
Gypsotechno
Disassembling, destroying, and fragmenting are parts of the re-use metabolism which can foreshadow actually optimistic future scenarios of a non-extractive architecture. Gypsotechno is a destruction collective performance, with a shredder machine as main actor, a rather obtuse device, embodying the singular moment of destruction, but as part of a creative reuse cycle. The noise produced by the grinding of the material will be captured and live-edited to create a soundscape as part of a festive ritual.
***
La Call for Action per la 6ª biennale svizzera del territorio è aperta!
➡️ link in bio
In attesa delle novità, riscopri una delle call della scorsa edizione:
Gypsotechno
Smontare, distruggere, frammentare: tutte fasi del metabolismo del riuso, che possono anticipare scenari ottimistici di un’architettura non estrattiva.
Gypsotechno è una performance collettiva di distruzione, con una macchina trituratrice come protagonista: un dispositivo ottuso che incarna il momento stesso della demolizione, ma come parte di un ciclo creativo di riutilizzo.
author
HPO
with Samuele Bertoni, POL100, Caterina Massarenti
@hpu.eu
@samvelae
@hpo.eu
@_pol100_ @contrjour
conducted with the partnerships of
SUPSI Institute of Materials and Constructions (IMC)
Rigips AG
Foto Caterina Massarenti
The Call for Action for the 6th bienniale svizzera del territorio is open!
➡️link in bio
Here’s a look at one of the Actions from the previous edition:
Gypsotechno
Disassembling, destroying, and fragmenting are parts of the re-use metabolism which can foreshadow actually optimistic future scenarios of a non-extractive architecture. Gypsotechno is a destruction collective performance, with a shredder machine as main actor, a rather obtuse device, embodying the singular moment of destruction, but as part of a creative reuse cycle. The noise produced by the grinding of the material will be captured and live-edited to create a soundscape as part of a festive ritual.
***
La Call for Action per la 6ª biennale svizzera del territorio è aperta!
➡️ link in bio
In attesa delle novità, riscopri una delle call della scorsa edizione:
Gypsotechno
Smontare, distruggere, frammentare: tutte fasi del metabolismo del riuso, che possono anticipare scenari ottimistici di un’architettura non estrattiva.
Gypsotechno è una performance collettiva di distruzione, con una macchina trituratrice come protagonista: un dispositivo ottuso che incarna il momento stesso della demolizione, ma come parte di un ciclo creativo di riutilizzo.
author
HPO
with Samuele Bertoni, POL100, Caterina Massarenti
@hpu.eu
@samvelae
@hpo.eu
@_pol100_ @contrjour
conducted with the partnerships of
SUPSI Institute of Materials and Constructions (IMC)
Rigips AG
Foto Caterina Massarenti
The Call for Action for the 6th bienniale svizzera del territorio is open!
➡️link in bio
Here’s a look at one of the Actions from the previous edition:
Gypsotechno
Disassembling, destroying, and fragmenting are parts of the re-use metabolism which can foreshadow actually optimistic future scenarios of a non-extractive architecture. Gypsotechno is a destruction collective performance, with a shredder machine as main actor, a rather obtuse device, embodying the singular moment of destruction, but as part of a creative reuse cycle. The noise produced by the grinding of the material will be captured and live-edited to create a soundscape as part of a festive ritual.
***
La Call for Action per la 6ª biennale svizzera del territorio è aperta!
➡️ link in bio
In attesa delle novità, riscopri una delle call della scorsa edizione:
Gypsotechno
Smontare, distruggere, frammentare: tutte fasi del metabolismo del riuso, che possono anticipare scenari ottimistici di un’architettura non estrattiva.
Gypsotechno è una performance collettiva di distruzione, con una macchina trituratrice come protagonista: un dispositivo ottuso che incarna il momento stesso della demolizione, ma come parte di un ciclo creativo di riutilizzo.
author
HPO
with Samuele Bertoni, POL100, Caterina Massarenti
@hpu.eu
@samvelae
@hpo.eu
@_pol100_ @contrjour
conducted with the partnerships of
SUPSI Institute of Materials and Constructions (IMC)
Rigips AG
Foto Caterina Massarenti
View Instagram Stories in Secret
The Instagram Story Viewer is an easy tool that lets you secretly watch and save Instagram stories, videos, photos, or IGTV. With this service, you can download content and enjoy it offline whenever you like. If you find something interesting on Instagram that you’d like to check out later or want to view stories while staying anonymous, our Viewer is perfect for you. Anonstories offers an excellent solution for keeping your identity hidden. Instagram first launched the Stories feature in August 2023, which was quickly adopted by other platforms due to its engaging, time-sensitive format. Stories let users share quick updates, whether photos, videos, or selfies, enhanced with text, emojis, or filters, and are visible for only 24 hours. This limited time frame creates high engagement compared to regular posts. In today’s world, Stories are one of the most popular ways to connect and communicate on social media. However, when you view a Story, the creator can see your name in their viewer list, which may be a privacy concern. What if you wish to browse Stories without being noticed? Here’s where Anonstories becomes useful. It allows you to watch public Instagram content without revealing your identity. Simply enter the username of the profile you’re curious about, and the tool will display their latest Stories. Features of Anonstories Viewer: - Anonymous Browsing: Watch Stories without showing up on the viewer list. - No Account Needed: View public content without signing up for an Instagram account. - Content Download: Save any Stories content directly to your device for offline use. - View Highlights: Access Instagram Highlights, even beyond the 24-hour window. - Repost Monitoring: Track the reposts or engagement levels on Stories for personal profiles. Limitations: - This tool works only with public accounts; private accounts remain inaccessible. Benefits: - Privacy-Friendly: Watch any Instagram content without being noticed. - Simple and Easy: No app installation or registration required. - Exclusive Tools: Download and manage content in ways Instagram doesn’t offer.
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