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The SCAD Museum of Art is a proud participant of the annual Blue Star Museums program in collaboration with @neaarts, @bluestarfamilies, and museums across the U.S.

Beginning Sunday, May 16 through Labor Day, Monday, Sept. 7, active-duty military personnel, Veterans, and their families are invited to enjoy complimentary access to our exhibitions.

Visit the link in our bio for more information.

The SCAD Museum of Art is a proud participant of the annual Blue Star Museums program in collaboration with @neaarts, @bluestarfamilies, and museums across the U.S.

Beginning Sunday, May 16 through Labor Day, Monday, Sept. 7, active-duty military personnel, Veterans, and their families are invited to enjoy complimentary access to our exhibitions.

Visit the link in our bio for more information.

Highlighting works from the SCAD Museum of Art permanent collection, “Personified” is a visual study of form, figures, and the uncanny way identity can attach itself to the inhuman subject.

See the poignancy in disembodiment during the exhibition’s final days on view through May 17.

Visit the link in our bio to plan your next trip to #SCADMOA.

Highlighting works from the SCAD Museum of Art permanent collection, “Personified” is a visual study of form, figures, and the uncanny way identity can attach itself to the inhuman subject.

See the poignancy in disembodiment during the exhibition’s final days on view through May 17.

Visit the link in our bio to plan your next trip to #SCADMOA.

What happens when fine art becomes a sonic experience?

You’re invited to join us for an immersive sensory experience featuring live music as a soundscape for Eva Jospin’s large-scale embroidered installation “Chambre de Soie” Thursday, May 28 at 6:30 p.m.

Space is limited. Visit the link in our bio to purchase your ticket by Thursday, May 14.

For questions, contact Kristin Poitras, director of museum programming and operations, at 912.525.7145 or kpoitras@scad.edu.

We are delighted to announce the exhibition “The Sky I Keep” by Mexico City–based artist and SCAD alum Othiana Roffiel (B.F.A., painting, 2012) opens May 22 at the SCAD Museum of Art!

Through soft palettes and mesmeric textures, Roffiel fuses natural elements and bodily references in abstract compositions that invite viewers to reflect on the connections between human form and the cosmos.

Othiana Roffiel, “Crescent Interlude,” 2024, oil on canvas, 24 x 20 in. Courtesy of the artist and Galería Karen Huber.

Portrait of the artist. Photo by Carla Asali.

We are delighted to announce the exhibition “The Sky I Keep” by Mexico City–based artist and SCAD alum Othiana Roffiel (B.F.A., painting, 2012) opens May 22 at the SCAD Museum of Art!

Through soft palettes and mesmeric textures, Roffiel fuses natural elements and bodily references in abstract compositions that invite viewers to reflect on the connections between human form and the cosmos.

Othiana Roffiel, “Crescent Interlude,” 2024, oil on canvas, 24 x 20 in. Courtesy of the artist and Galería Karen Huber.

Portrait of the artist. Photo by Carla Asali.

“SCAD deFINE ART holds a special place in my heart as it creates a space for dialogue, reflection, and connection. This exhibition honors the traumas Iranian women endure in the pursuit of freedom. I value the opportunity to share their stories and to contribute to the place that nurtured in me a sense of belonging.” — Mona Bozorgi

Experience the final days of thepowerful exhibition “Strain and Strand” by SCAD alum Mona Bozorgi (M.F.A., photography, 2018) through May 17 at #SCADMOA.

“SCAD deFINE ART holds a special place in my heart as it creates a space for dialogue, reflection, and connection. This exhibition honors the traumas Iranian women endure in the pursuit of freedom. I value the opportunity to share their stories and to contribute to the place that nurtured in me a sense of belonging.” — Mona Bozorgi

Experience the final days of thepowerful exhibition “Strain and Strand” by SCAD alum Mona Bozorgi (M.F.A., photography, 2018) through May 17 at #SCADMOA.

Summon the sounds of spring with Swamptooth. 🎶

Mark your calendar for the final Courtyard Concert of the season featuring the soulful bluegrass sounds of local group @swamptooth Thursday, May 21 at 7 p.m.!

This event is free and open to all. #SCADMOA members are invited to join us early on the terrace at 6 p.m. for light refreshments.

Not a member? Attendees will also have the opportunity to join our creative community and become a member at a special discounted rate.

In “Psychic Repair,” Farah Al Qasimi showcases photography’s ability to simultaneously expose and conceal. 📸

Adorning the large-scale wall vinyl installation, stickers and framed photographs by Al Qasimi add visual signals to the work. The contrasting elements highlight the ways in which our brains instinctively try to create connections between familiar symbols in order to form a cohesive narrative. Al Qasimi challenges this response by placing opposing visuals within the same frame.

See for yourself in “Psychic Repair” on view through June 7 at #SCADMOA.

In “Psychic Repair,” Farah Al Qasimi showcases photography’s ability to simultaneously expose and conceal. 📸

Adorning the large-scale wall vinyl installation, stickers and framed photographs by Al Qasimi add visual signals to the work. The contrasting elements highlight the ways in which our brains instinctively try to create connections between familiar symbols in order to form a cohesive narrative. Al Qasimi challenges this response by placing opposing visuals within the same frame.

See for yourself in “Psychic Repair” on view through June 7 at #SCADMOA.

In “Psychic Repair,” Farah Al Qasimi showcases photography’s ability to simultaneously expose and conceal. 📸

Adorning the large-scale wall vinyl installation, stickers and framed photographs by Al Qasimi add visual signals to the work. The contrasting elements highlight the ways in which our brains instinctively try to create connections between familiar symbols in order to form a cohesive narrative. Al Qasimi challenges this response by placing opposing visuals within the same frame.

See for yourself in “Psychic Repair” on view through June 7 at #SCADMOA.

In “Psychic Repair,” Farah Al Qasimi showcases photography’s ability to simultaneously expose and conceal. 📸

Adorning the large-scale wall vinyl installation, stickers and framed photographs by Al Qasimi add visual signals to the work. The contrasting elements highlight the ways in which our brains instinctively try to create connections between familiar symbols in order to form a cohesive narrative. Al Qasimi challenges this response by placing opposing visuals within the same frame.

See for yourself in “Psychic Repair” on view through June 7 at #SCADMOA.

In “Psychic Repair,” Farah Al Qasimi showcases photography’s ability to simultaneously expose and conceal. 📸

Adorning the large-scale wall vinyl installation, stickers and framed photographs by Al Qasimi add visual signals to the work. The contrasting elements highlight the ways in which our brains instinctively try to create connections between familiar symbols in order to form a cohesive narrative. Al Qasimi challenges this response by placing opposing visuals within the same frame.

See for yourself in “Psychic Repair” on view through June 7 at #SCADMOA.

In “Psychic Repair,” Farah Al Qasimi showcases photography’s ability to simultaneously expose and conceal. 📸

Adorning the large-scale wall vinyl installation, stickers and framed photographs by Al Qasimi add visual signals to the work. The contrasting elements highlight the ways in which our brains instinctively try to create connections between familiar symbols in order to form a cohesive narrative. Al Qasimi challenges this response by placing opposing visuals within the same frame.

See for yourself in “Psychic Repair” on view through June 7 at #SCADMOA.

Longer days deserve art-filled nights! 🖼️

Enjoy extended hours at #SCADMOA Thursdays from 10 a.m. to 8 p.m through May 28. Take the extra time to contemplate current works on view or enjoy dusk in the courtyard.

Visit the link in bio to plan your next trip to the museum.

The 1866 novel “Crime and Punishment” by Fyodor Dostoevsky is the medium in Laurie Anderson’s “Sidewalk” on view at #SCADMOA. 📖

Shredded copies of the famous novel are displayed on the floor and reflectprojections of an accompanying filmby Anderson. The work is inspired by a traumatic childhood accident which left Anderson in the hospital where she entertained herself by reading. Anderson later recounts her experience through the works by emphasizing the importance of literature and storytelling.

Experience the work in the exhibition “All in Your Head” on view through June 7.

The 1866 novel “Crime and Punishment” by Fyodor Dostoevsky is the medium in Laurie Anderson’s “Sidewalk” on view at #SCADMOA. 📖

Shredded copies of the famous novel are displayed on the floor and reflectprojections of an accompanying filmby Anderson. The work is inspired by a traumatic childhood accident which left Anderson in the hospital where she entertained herself by reading. Anderson later recounts her experience through the works by emphasizing the importance of literature and storytelling.

Experience the work in the exhibition “All in Your Head” on view through June 7.

The 1866 novel “Crime and Punishment” by Fyodor Dostoevsky is the medium in Laurie Anderson’s “Sidewalk” on view at #SCADMOA. 📖

Shredded copies of the famous novel are displayed on the floor and reflectprojections of an accompanying filmby Anderson. The work is inspired by a traumatic childhood accident which left Anderson in the hospital where she entertained herself by reading. Anderson later recounts her experience through the works by emphasizing the importance of literature and storytelling.

Experience the work in the exhibition “All in Your Head” on view through June 7.

Boundless expression speaks in Anish Kapoor’s “Earth Sky on Red Ground,” the U.S. debut of his formative painting oeuvre.

Kapoor’s compelling works are steeped in abstraction and color theory, encouraging viewers to reflect on their own reactions to the striking compositions. What do you see?

“Earth Sky on Red Ground” is presented in collaboration with @lisson_gallery and is on view at the SCAD Museum of Art through June 7.

Layered identities converge in Geoffrey Chadsey’s “Cat in the Bag” presented as part of the group exhibition “Personified.” 🐈

Chadsey takes a surreal approach to portraying the human form. By adding and erasing elements such as body parts, clothing, and accessories, he invites a new being into the public sphere featuring characteristics with seemingly a mind of their own.

“Personified” is on view at the SCAD Museum of Art through May 17.

Geoffrey Chadsey, “Cat in the Bag,” 2018, watercolor, pencil, crayon, and tape on mylar, 46 5/8 x 24 in., SCAD Museum of Art Permanent Collection

Layered identities converge in Geoffrey Chadsey’s “Cat in the Bag” presented as part of the group exhibition “Personified.” 🐈

Chadsey takes a surreal approach to portraying the human form. By adding and erasing elements such as body parts, clothing, and accessories, he invites a new being into the public sphere featuring characteristics with seemingly a mind of their own.

“Personified” is on view at the SCAD Museum of Art through May 17.

Geoffrey Chadsey, “Cat in the Bag,” 2018, watercolor, pencil, crayon, and tape on mylar, 46 5/8 x 24 in., SCAD Museum of Art Permanent Collection

At the Southern Living Home Summit, I shared the story of how our beloved, breathtaking SCAD Museum of Art came to be.

The tale begins with the nation’s oldest extant railroad depot—the Central of Georgia—located in downtown Savannah, which, by the early 1990s, stood ruined and roofless, its storied Savannah gray bricks set to be sold off and scattered, the site destined for a parking garage.

With care, conviction, reverence for every brick—and a big assist from the Historic Savannah Foundation—SCAD conjured from the historic depot’s remnants what is today known as the finest, most breathtaking, most ambitious teaching museum in international higher education.

Visit and experience it for yourself—world-renowned artists are on view all year long at @scadmoa. 🐝✨