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Hijacking this post to Thank every single person who has helped me with this song and every single person who listened to it and shared their honest opinions. Just wanted to let y'all know in an artists world of streams and views, You are Not Just a Number to me and never ever will be just that.
We Need Your Support, A lot more is on its way...
And if you haven't heard THEERAM yet, Do Check it out and let me know if you liked it or not. LINKS IN BIO.
Hiii to my reels audience🙌🏻
EVDUNNA VARUNNE? Streaming……
📹: @aman.koroth
#efy #hiphop #rap91malayalam
😂
EVDUNNA VARUNNE? 💣
#efy #simmo #hiphop #ponnani
@simhakutty @zeusheelan @cozmicjerk
@devilinsiderecords
"KAAZHCHA" OUT NOW !Feat. @_efy___
Prod.by @simhakutty
Mix and mastered by @jk.factor
Additional vocals by @akhil_iappan
Art by @muhdsaahil
Streaming on all major platforms.
HM × EFY × SIMMO
#hamim #efy #simmo#humanity #rapmusic
🚨 Here’s everythin’ about the infamous dispute between @manushyar_official’s Malayalam frontmen @dabztories, producer turned emcee @mhrofficial__ & @simhakutty, which involves Malabar’s “artists rights”, “theft of Intellectual Property worth nearly 2.5 crores” and “hostility” between perhaps the most impactful Hip-Hop collective from Kerala.
• Simmo’s original production on tracks like “Manushyan” and “Oyicha Oyinja” were repurposed and redistributed without any “NOC (No Objection Certificate)” or revenue-sharing agreement.
• MHR’s Lost Rights: Tracks such as “Kone” and “Chathiyan,” composed by MHR and SA years ago, were allegedly included in this major-label deal. While Dabzee was originally only a featured artist on these hooks, he allegedly claimed exclusive ownership, stripping the original composers of their rights and stream revenue.
• The “Manka” and “Ottakam” Plagiarism Dispute: MHR details a calculated attempt to bypass fair payment through unauthorized recreation. When MHR requested a formal work agreement and advance payment for the production of the track “Manka” (originally titled “Malarkodi”), the request was met with hostility. Following the breakdown, Dabzee allegedly moved forward with a “note-for-note” recreation of MHR’s composition. To protect his work, MHR released his original version, “Ottakam.” In response, Dabzee’s team allegedly utilized industry connections to have “Ottakam” removed from Spotify under false claims—a takedown that was only reversed once MHR provided evidence of his original time-stamped files to @spotify’s internal team.
SOURCE: Collective press release shared by M.H.R. and SIMMO of The Manushyar Collective (Kerala, India) 📄
@rapkar has further obtained a “CEASE & DESIST” order filed by @simhakutty dated March the 26th, 2025. As per the document, Simmo never received a “contract, royalty statements, or revenue reports” by @massappeal or Dabzee himself. ‼️
Dabzee is yet to comment on the matter.
📸: Instagram/M.H.R., Dabzee, SIMMO,
[ Dabzee , M.H.R. , Manushyar , Baby Jean , Lil Payyan , Desi Hip-Hop , Malayalam Rap , Malayalam , Hanumankind , Hip-Hop , Rap , Southside , Malabar ]
🚨 Here’s everythin’ about the infamous dispute between @manushyar_official’s Malayalam frontmen @dabztories, producer turned emcee @mhrofficial__ & @simhakutty, which involves Malabar’s “artists rights”, “theft of Intellectual Property worth nearly 2.5 crores” and “hostility” between perhaps the most impactful Hip-Hop collective from Kerala.
• Simmo’s original production on tracks like “Manushyan” and “Oyicha Oyinja” were repurposed and redistributed without any “NOC (No Objection Certificate)” or revenue-sharing agreement.
• MHR’s Lost Rights: Tracks such as “Kone” and “Chathiyan,” composed by MHR and SA years ago, were allegedly included in this major-label deal. While Dabzee was originally only a featured artist on these hooks, he allegedly claimed exclusive ownership, stripping the original composers of their rights and stream revenue.
• The “Manka” and “Ottakam” Plagiarism Dispute: MHR details a calculated attempt to bypass fair payment through unauthorized recreation. When MHR requested a formal work agreement and advance payment for the production of the track “Manka” (originally titled “Malarkodi”), the request was met with hostility. Following the breakdown, Dabzee allegedly moved forward with a “note-for-note” recreation of MHR’s composition. To protect his work, MHR released his original version, “Ottakam.” In response, Dabzee’s team allegedly utilized industry connections to have “Ottakam” removed from Spotify under false claims—a takedown that was only reversed once MHR provided evidence of his original time-stamped files to @spotify’s internal team.
SOURCE: Collective press release shared by M.H.R. and SIMMO of The Manushyar Collective (Kerala, India) 📄
@rapkar has further obtained a “CEASE & DESIST” order filed by @simhakutty dated March the 26th, 2025. As per the document, Simmo never received a “contract, royalty statements, or revenue reports” by @massappeal or Dabzee himself. ‼️
Dabzee is yet to comment on the matter.
📸: Instagram/M.H.R., Dabzee, SIMMO,
[ Dabzee , M.H.R. , Manushyar , Baby Jean , Lil Payyan , Desi Hip-Hop , Malayalam Rap , Malayalam , Hanumankind , Hip-Hop , Rap , Southside , Malabar ]
🚨 Here’s everythin’ about the infamous dispute between @manushyar_official’s Malayalam frontmen @dabztories, producer turned emcee @mhrofficial__ & @simhakutty, which involves Malabar’s “artists rights”, “theft of Intellectual Property worth nearly 2.5 crores” and “hostility” between perhaps the most impactful Hip-Hop collective from Kerala.
• Simmo’s original production on tracks like “Manushyan” and “Oyicha Oyinja” were repurposed and redistributed without any “NOC (No Objection Certificate)” or revenue-sharing agreement.
• MHR’s Lost Rights: Tracks such as “Kone” and “Chathiyan,” composed by MHR and SA years ago, were allegedly included in this major-label deal. While Dabzee was originally only a featured artist on these hooks, he allegedly claimed exclusive ownership, stripping the original composers of their rights and stream revenue.
• The “Manka” and “Ottakam” Plagiarism Dispute: MHR details a calculated attempt to bypass fair payment through unauthorized recreation. When MHR requested a formal work agreement and advance payment for the production of the track “Manka” (originally titled “Malarkodi”), the request was met with hostility. Following the breakdown, Dabzee allegedly moved forward with a “note-for-note” recreation of MHR’s composition. To protect his work, MHR released his original version, “Ottakam.” In response, Dabzee’s team allegedly utilized industry connections to have “Ottakam” removed from Spotify under false claims—a takedown that was only reversed once MHR provided evidence of his original time-stamped files to @spotify’s internal team.
SOURCE: Collective press release shared by M.H.R. and SIMMO of The Manushyar Collective (Kerala, India) 📄
@rapkar has further obtained a “CEASE & DESIST” order filed by @simhakutty dated March the 26th, 2025. As per the document, Simmo never received a “contract, royalty statements, or revenue reports” by @massappeal or Dabzee himself. ‼️
Dabzee is yet to comment on the matter.
📸: Instagram/M.H.R., Dabzee, SIMMO,
[ Dabzee , M.H.R. , Manushyar , Baby Jean , Lil Payyan , Desi Hip-Hop , Malayalam Rap , Malayalam , Hanumankind , Hip-Hop , Rap , Southside , Malabar ]
🚨 Here’s everythin’ about the infamous dispute between @manushyar_official’s Malayalam frontmen @dabztories, producer turned emcee @mhrofficial__ & @simhakutty, which involves Malabar’s “artists rights”, “theft of Intellectual Property worth nearly 2.5 crores” and “hostility” between perhaps the most impactful Hip-Hop collective from Kerala.
• Simmo’s original production on tracks like “Manushyan” and “Oyicha Oyinja” were repurposed and redistributed without any “NOC (No Objection Certificate)” or revenue-sharing agreement.
• MHR’s Lost Rights: Tracks such as “Kone” and “Chathiyan,” composed by MHR and SA years ago, were allegedly included in this major-label deal. While Dabzee was originally only a featured artist on these hooks, he allegedly claimed exclusive ownership, stripping the original composers of their rights and stream revenue.
• The “Manka” and “Ottakam” Plagiarism Dispute: MHR details a calculated attempt to bypass fair payment through unauthorized recreation. When MHR requested a formal work agreement and advance payment for the production of the track “Manka” (originally titled “Malarkodi”), the request was met with hostility. Following the breakdown, Dabzee allegedly moved forward with a “note-for-note” recreation of MHR’s composition. To protect his work, MHR released his original version, “Ottakam.” In response, Dabzee’s team allegedly utilized industry connections to have “Ottakam” removed from Spotify under false claims—a takedown that was only reversed once MHR provided evidence of his original time-stamped files to @spotify’s internal team.
SOURCE: Collective press release shared by M.H.R. and SIMMO of The Manushyar Collective (Kerala, India) 📄
@rapkar has further obtained a “CEASE & DESIST” order filed by @simhakutty dated March the 26th, 2025. As per the document, Simmo never received a “contract, royalty statements, or revenue reports” by @massappeal or Dabzee himself. ‼️
Dabzee is yet to comment on the matter.
📸: Instagram/M.H.R., Dabzee, SIMMO,
[ Dabzee , M.H.R. , Manushyar , Baby Jean , Lil Payyan , Desi Hip-Hop , Malayalam Rap , Malayalam , Hanumankind , Hip-Hop , Rap , Southside , Malabar ]
🚨 Here’s everythin’ about the infamous dispute between @manushyar_official’s Malayalam frontmen @dabztories, producer turned emcee @mhrofficial__ & @simhakutty, which involves Malabar’s “artists rights”, “theft of Intellectual Property worth nearly 2.5 crores” and “hostility” between perhaps the most impactful Hip-Hop collective from Kerala.
• Simmo’s original production on tracks like “Manushyan” and “Oyicha Oyinja” were repurposed and redistributed without any “NOC (No Objection Certificate)” or revenue-sharing agreement.
• MHR’s Lost Rights: Tracks such as “Kone” and “Chathiyan,” composed by MHR and SA years ago, were allegedly included in this major-label deal. While Dabzee was originally only a featured artist on these hooks, he allegedly claimed exclusive ownership, stripping the original composers of their rights and stream revenue.
• The “Manka” and “Ottakam” Plagiarism Dispute: MHR details a calculated attempt to bypass fair payment through unauthorized recreation. When MHR requested a formal work agreement and advance payment for the production of the track “Manka” (originally titled “Malarkodi”), the request was met with hostility. Following the breakdown, Dabzee allegedly moved forward with a “note-for-note” recreation of MHR’s composition. To protect his work, MHR released his original version, “Ottakam.” In response, Dabzee’s team allegedly utilized industry connections to have “Ottakam” removed from Spotify under false claims—a takedown that was only reversed once MHR provided evidence of his original time-stamped files to @spotify’s internal team.
SOURCE: Collective press release shared by M.H.R. and SIMMO of The Manushyar Collective (Kerala, India) 📄
@rapkar has further obtained a “CEASE & DESIST” order filed by @simhakutty dated March the 26th, 2025. As per the document, Simmo never received a “contract, royalty statements, or revenue reports” by @massappeal or Dabzee himself. ‼️
Dabzee is yet to comment on the matter.
📸: Instagram/M.H.R., Dabzee, SIMMO,
[ Dabzee , M.H.R. , Manushyar , Baby Jean , Lil Payyan , Desi Hip-Hop , Malayalam Rap , Malayalam , Hanumankind , Hip-Hop , Rap , Southside , Malabar ]
🚨 Here’s everythin’ about the infamous dispute between @manushyar_official’s Malayalam frontmen @dabztories, producer turned emcee @mhrofficial__ & @simhakutty, which involves Malabar’s “artists rights”, “theft of Intellectual Property worth nearly 2.5 crores” and “hostility” between perhaps the most impactful Hip-Hop collective from Kerala.
• Simmo’s original production on tracks like “Manushyan” and “Oyicha Oyinja” were repurposed and redistributed without any “NOC (No Objection Certificate)” or revenue-sharing agreement.
• MHR’s Lost Rights: Tracks such as “Kone” and “Chathiyan,” composed by MHR and SA years ago, were allegedly included in this major-label deal. While Dabzee was originally only a featured artist on these hooks, he allegedly claimed exclusive ownership, stripping the original composers of their rights and stream revenue.
• The “Manka” and “Ottakam” Plagiarism Dispute: MHR details a calculated attempt to bypass fair payment through unauthorized recreation. When MHR requested a formal work agreement and advance payment for the production of the track “Manka” (originally titled “Malarkodi”), the request was met with hostility. Following the breakdown, Dabzee allegedly moved forward with a “note-for-note” recreation of MHR’s composition. To protect his work, MHR released his original version, “Ottakam.” In response, Dabzee’s team allegedly utilized industry connections to have “Ottakam” removed from Spotify under false claims—a takedown that was only reversed once MHR provided evidence of his original time-stamped files to @spotify’s internal team.
SOURCE: Collective press release shared by M.H.R. and SIMMO of The Manushyar Collective (Kerala, India) 📄
@rapkar has further obtained a “CEASE & DESIST” order filed by @simhakutty dated March the 26th, 2025. As per the document, Simmo never received a “contract, royalty statements, or revenue reports” by @massappeal or Dabzee himself. ‼️
Dabzee is yet to comment on the matter.
📸: Instagram/M.H.R., Dabzee, SIMMO,
[ Dabzee , M.H.R. , Manushyar , Baby Jean , Lil Payyan , Desi Hip-Hop , Malayalam Rap , Malayalam , Hanumankind , Hip-Hop , Rap , Southside , Malabar ]
🚨 Here’s everythin’ about the infamous dispute between @manushyar_official’s Malayalam frontmen @dabztories, producer turned emcee @mhrofficial__ & @simhakutty, which involves Malabar’s “artists rights”, “theft of Intellectual Property worth nearly 2.5 crores” and “hostility” between perhaps the most impactful Hip-Hop collective from Kerala.
• Simmo’s original production on tracks like “Manushyan” and “Oyicha Oyinja” were repurposed and redistributed without any “NOC (No Objection Certificate)” or revenue-sharing agreement.
• MHR’s Lost Rights: Tracks such as “Kone” and “Chathiyan,” composed by MHR and SA years ago, were allegedly included in this major-label deal. While Dabzee was originally only a featured artist on these hooks, he allegedly claimed exclusive ownership, stripping the original composers of their rights and stream revenue.
• The “Manka” and “Ottakam” Plagiarism Dispute: MHR details a calculated attempt to bypass fair payment through unauthorized recreation. When MHR requested a formal work agreement and advance payment for the production of the track “Manka” (originally titled “Malarkodi”), the request was met with hostility. Following the breakdown, Dabzee allegedly moved forward with a “note-for-note” recreation of MHR’s composition. To protect his work, MHR released his original version, “Ottakam.” In response, Dabzee’s team allegedly utilized industry connections to have “Ottakam” removed from Spotify under false claims—a takedown that was only reversed once MHR provided evidence of his original time-stamped files to @spotify’s internal team.
SOURCE: Collective press release shared by M.H.R. and SIMMO of The Manushyar Collective (Kerala, India) 📄
@rapkar has further obtained a “CEASE & DESIST” order filed by @simhakutty dated March the 26th, 2025. As per the document, Simmo never received a “contract, royalty statements, or revenue reports” by @massappeal or Dabzee himself. ‼️
Dabzee is yet to comment on the matter.
📸: Instagram/M.H.R., Dabzee, SIMMO,
[ Dabzee , M.H.R. , Manushyar , Baby Jean , Lil Payyan , Desi Hip-Hop , Malayalam Rap , Malayalam , Hanumankind , Hip-Hop , Rap , Southside , Malabar ]
🚨 Here’s everythin’ about the infamous dispute between @manushyar_official’s Malayalam frontmen @dabztories, producer turned emcee @mhrofficial__ & @simhakutty, which involves Malabar’s “artists rights”, “theft of Intellectual Property worth nearly 2.5 crores” and “hostility” between perhaps the most impactful Hip-Hop collective from Kerala.
• Simmo’s original production on tracks like “Manushyan” and “Oyicha Oyinja” were repurposed and redistributed without any “NOC (No Objection Certificate)” or revenue-sharing agreement.
• MHR’s Lost Rights: Tracks such as “Kone” and “Chathiyan,” composed by MHR and SA years ago, were allegedly included in this major-label deal. While Dabzee was originally only a featured artist on these hooks, he allegedly claimed exclusive ownership, stripping the original composers of their rights and stream revenue.
• The “Manka” and “Ottakam” Plagiarism Dispute: MHR details a calculated attempt to bypass fair payment through unauthorized recreation. When MHR requested a formal work agreement and advance payment for the production of the track “Manka” (originally titled “Malarkodi”), the request was met with hostility. Following the breakdown, Dabzee allegedly moved forward with a “note-for-note” recreation of MHR’s composition. To protect his work, MHR released his original version, “Ottakam.” In response, Dabzee’s team allegedly utilized industry connections to have “Ottakam” removed from Spotify under false claims—a takedown that was only reversed once MHR provided evidence of his original time-stamped files to @spotify’s internal team.
SOURCE: Collective press release shared by M.H.R. and SIMMO of The Manushyar Collective (Kerala, India) 📄
@rapkar has further obtained a “CEASE & DESIST” order filed by @simhakutty dated March the 26th, 2025. As per the document, Simmo never received a “contract, royalty statements, or revenue reports” by @massappeal or Dabzee himself. ‼️
Dabzee is yet to comment on the matter.
📸: Instagram/M.H.R., Dabzee, SIMMO,
[ Dabzee , M.H.R. , Manushyar , Baby Jean , Lil Payyan , Desi Hip-Hop , Malayalam Rap , Malayalam , Hanumankind , Hip-Hop , Rap , Southside , Malabar ]
2 alla 2000 vaakk
‘INDUSTRY’ OUT NOW
@zeusheelan @marvanmunzir @cozmicjerk
@devilinsiderecords
#efy #rap #industry #hiphop #simmo
The music industry needs a big change.No one can take music made by producers and give it to big record companies without asking. They act like they made the whole song themselves and keep all the money. This is wrong because the producer is the one who actually built the song from scratch.
We need to protect our art. When a producer makes a beat, they own that work by law. Nobody should be allowed to sell that music or play it at concerts without a written agreement and a fair payment.
Big record labels also have a job to do. Before they release a song, they must do a background check to make sure the singer actually has permission from the producer. They should ask for special papers, like a "No Objection Certificate" (NOC), to prove everything is fair and legal. If labels don't check these things, they are helping to take away a creator's hard work.
If we don't fix this, talented creators will stop making music because they aren't being treated fairly. We must stand up for "Fair Pay" and make sure every person who helps create a song gets the credit and money they deserve. It is time to follow the rules and respect the people behind the music.
Thamarakkulam...
Go listen ❤️
Prod by : @simhakutty
Mix & Mastered by : @zeusheelan
Poster : @arjun_prema_surendran
Thamarakkulam out now.
Go listen.
Poster : @arjun_prema_surendran
Mix & Mastered : @zeusheelan
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