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Here’s some clips that I pulled together from various stages of working on @plini ’s latest record “Mirage”. I can’t tell exactly if these were the final takes, deleted takes or simply moments of me cycling over a section before hitting record but you get the idea. I also had way more clips than expected so I couldn’t fit everything into this one post. It’s mainly playing and a couple reamping clips at the end (which you’ll have to tilt your phone for). I’ll try make another post sometime later from when I was mixing. Hang around until the end to see my ~sEcReT tRicK~ for getting that cool “lofi” guitar sound in SECONDS that the pros don’t want you to know 😱😱😱🐸🐸🐸

Here’s some clips that I pulled together from various stages of working on @plini ’s latest record “Mirage”. I can’t tell exactly if these were the final takes, deleted takes or simply moments of me cycling over a section before hitting record but you get the idea. I also had way more clips than expected so I couldn’t fit everything into this one post. It’s mainly playing and a couple reamping clips at the end (which you’ll have to tilt your phone for). I’ll try make another post sometime later from when I was mixing. Hang around until the end to see my ~sEcReT tRicK~ for getting that cool “lofi” guitar sound in SECONDS that the pros don’t want you to know 😱😱😱🐸🐸🐸

Here’s some clips that I pulled together from various stages of working on @plini ’s latest record “Mirage”. I can’t tell exactly if these were the final takes, deleted takes or simply moments of me cycling over a section before hitting record but you get the idea. I also had way more clips than expected so I couldn’t fit everything into this one post. It’s mainly playing and a couple reamping clips at the end (which you’ll have to tilt your phone for). I’ll try make another post sometime later from when I was mixing. Hang around until the end to see my ~sEcReT tRicK~ for getting that cool “lofi” guitar sound in SECONDS that the pros don’t want you to know 😱😱😱🐸🐸🐸

Here’s some clips that I pulled together from various stages of working on @plini ’s latest record “Mirage”. I can’t tell exactly if these were the final takes, deleted takes or simply moments of me cycling over a section before hitting record but you get the idea. I also had way more clips than expected so I couldn’t fit everything into this one post. It’s mainly playing and a couple reamping clips at the end (which you’ll have to tilt your phone for). I’ll try make another post sometime later from when I was mixing. Hang around until the end to see my ~sEcReT tRicK~ for getting that cool “lofi” guitar sound in SECONDS that the pros don’t want you to know 😱😱😱🐸🐸🐸

Here’s some clips that I pulled together from various stages of working on @plini ’s latest record “Mirage”. I can’t tell exactly if these were the final takes, deleted takes or simply moments of me cycling over a section before hitting record but you get the idea. I also had way more clips than expected so I couldn’t fit everything into this one post. It’s mainly playing and a couple reamping clips at the end (which you’ll have to tilt your phone for). I’ll try make another post sometime later from when I was mixing. Hang around until the end to see my ~sEcReT tRicK~ for getting that cool “lofi” guitar sound in SECONDS that the pros don’t want you to know 😱😱😱🐸🐸🐸

Here’s some clips that I pulled together from various stages of working on @plini ’s latest record “Mirage”. I can’t tell exactly if these were the final takes, deleted takes or simply moments of me cycling over a section before hitting record but you get the idea. I also had way more clips than expected so I couldn’t fit everything into this one post. It’s mainly playing and a couple reamping clips at the end (which you’ll have to tilt your phone for). I’ll try make another post sometime later from when I was mixing. Hang around until the end to see my ~sEcReT tRicK~ for getting that cool “lofi” guitar sound in SECONDS that the pros don’t want you to know 😱😱😱🐸🐸🐸

Here’s some clips that I pulled together from various stages of working on @plini ’s latest record “Mirage”. I can’t tell exactly if these were the final takes, deleted takes or simply moments of me cycling over a section before hitting record but you get the idea. I also had way more clips than expected so I couldn’t fit everything into this one post. It’s mainly playing and a couple reamping clips at the end (which you’ll have to tilt your phone for). I’ll try make another post sometime later from when I was mixing. Hang around until the end to see my ~sEcReT tRicK~ for getting that cool “lofi” guitar sound in SECONDS that the pros don’t want you to know 😱😱😱🐸🐸🐸

Here’s some clips that I pulled together from various stages of working on @plini ’s latest record “Mirage”. I can’t tell exactly if these were the final takes, deleted takes or simply moments of me cycling over a section before hitting record but you get the idea. I also had way more clips than expected so I couldn’t fit everything into this one post. It’s mainly playing and a couple reamping clips at the end (which you’ll have to tilt your phone for). I’ll try make another post sometime later from when I was mixing. Hang around until the end to see my ~sEcReT tRicK~ for getting that cool “lofi” guitar sound in SECONDS that the pros don’t want you to know 😱😱😱🐸🐸🐸

Here’s some clips that I pulled together from various stages of working on @plini ’s latest record “Mirage”. I can’t tell exactly if these were the final takes, deleted takes or simply moments of me cycling over a section before hitting record but you get the idea. I also had way more clips than expected so I couldn’t fit everything into this one post. It’s mainly playing and a couple reamping clips at the end (which you’ll have to tilt your phone for). I’ll try make another post sometime later from when I was mixing. Hang around until the end to see my ~sEcReT tRicK~ for getting that cool “lofi” guitar sound in SECONDS that the pros don’t want you to know 😱😱😱🐸🐸🐸

Here’s some clips that I pulled together from various stages of working on @plini ’s latest record “Mirage”. I can’t tell exactly if these were the final takes, deleted takes or simply moments of me cycling over a section before hitting record but you get the idea. I also had way more clips than expected so I couldn’t fit everything into this one post. It’s mainly playing and a couple reamping clips at the end (which you’ll have to tilt your phone for). I’ll try make another post sometime later from when I was mixing. Hang around until the end to see my ~sEcReT tRicK~ for getting that cool “lofi” guitar sound in SECONDS that the pros don’t want you to know 😱😱😱🐸🐸🐸

Sunday afternoon told me get out of the studio and loop the same 4 bars of @kennybeats for a while.
⛅️🌤️⛅️

It’s been unreal seeing so many people creating killer music and productions with GroveBass since it’s launch. The realism and musicality of some of the programming I’ve seen so far has even exceeded my own expectations of what it can do. Keep pushing those boundaries! #GroveBass @submissionaudio

I’m gonna need at least one “hell yea” in the comments for the rig I have on this tour.

Plini’s new album “An Unnameable Desire” is finally out. Super proud of everyone’s efforts on this monster of a record. Grateful as always to be in such good company grinding this stuff out with @plini and @chrisallisondrums and an additional thanks to my old pal @nollyggd for the stellar mastering. Please swipe to the second pic for full credits of all the immense talent that contributed to this record.

Ps I hope you enjoy this bass solo that barely sounds like a bass guitar 👽

Plini’s new album “An Unnameable Desire” is finally out. Super proud of everyone’s efforts on this monster of a record. Grateful as always to be in such good company grinding this stuff out with @plini and @chrisallisondrums and an additional thanks to my old pal @nollyggd for the stellar mastering. Please swipe to the second pic for full credits of all the immense talent that contributed to this record.

Ps I hope you enjoy this bass solo that barely sounds like a bass guitar 👽

Ibanez Release 2026

Music Composition: Mitch Clews
Additional Musical Contributions : Ichika Nito, Jake Howsam Lowe, Simon Neil Grove, Nik Pettersen.

The Artists

Ichika Nito: Guitars (Ibanez Signature Artist)
@ichika_mo

Mitch Clews: Guitars (Sessionist/Music Producer)
@mitchclews

Jake Howsam Lowe: Guitars (The Helix Nebula/Plini/Solo Artist)
@jakeyhl

Simon Neil Grove: Bass (Plini/Sessionist/Music Producer)
@simongrove

Nik Pettersen: Drums (Northlane)
@nicpettersen

The Video Crew:
DOP: Daniel Vilimaa
1st AC: Phong Bruce Truong
Gaffer: Jack Donald-McDowall
Rig and Lights: Element ICT

Australis Music Group @ibanezaustralia @noisegate_aus
General Manager–Sales Operations: Adam Goglis
Brand Management: Adam Goglis and Marton Kaufmann
Marketing Manager: Felipe Balbino
Marketing Co-ordinator: Mark Wayte
Video Theme Concept, Design, Direction and Editing: Kuenzang Zhenphen @kzliciouz

Filmed on location at Monster & Bear, Brunswick, Melbourne https://www.monsterandbearstudios.com.au/

Thanks to everyone I worked with in 2025. I can’t remember having a busier year possibly ever, but I welcome it when I find myself working with so many talented artists that care about making the best music they can. There’s still so much to do, and so much to come in 2026 but for now, here’s some random moments from when I remembered to record something. Swipe to the end if you want an EXCLUSIVE snare sample from Plini’s upcoming album before it’s even released 😱🌙🥁💥😱

Thanks to everyone I worked with in 2025. I can’t remember having a busier year possibly ever, but I welcome it when I find myself working with so many talented artists that care about making the best music they can. There’s still so much to do, and so much to come in 2026 but for now, here’s some random moments from when I remembered to record something. Swipe to the end if you want an EXCLUSIVE snare sample from Plini’s upcoming album before it’s even released 😱🌙🥁💥😱

Thanks to everyone I worked with in 2025. I can’t remember having a busier year possibly ever, but I welcome it when I find myself working with so many talented artists that care about making the best music they can. There’s still so much to do, and so much to come in 2026 but for now, here’s some random moments from when I remembered to record something. Swipe to the end if you want an EXCLUSIVE snare sample from Plini’s upcoming album before it’s even released 😱🌙🥁💥😱

Thanks to everyone I worked with in 2025. I can’t remember having a busier year possibly ever, but I welcome it when I find myself working with so many talented artists that care about making the best music they can. There’s still so much to do, and so much to come in 2026 but for now, here’s some random moments from when I remembered to record something. Swipe to the end if you want an EXCLUSIVE snare sample from Plini’s upcoming album before it’s even released 😱🌙🥁💥😱

Thanks to everyone I worked with in 2025. I can’t remember having a busier year possibly ever, but I welcome it when I find myself working with so many talented artists that care about making the best music they can. There’s still so much to do, and so much to come in 2026 but for now, here’s some random moments from when I remembered to record something. Swipe to the end if you want an EXCLUSIVE snare sample from Plini’s upcoming album before it’s even released 😱🌙🥁💥😱

Thanks to everyone I worked with in 2025. I can’t remember having a busier year possibly ever, but I welcome it when I find myself working with so many talented artists that care about making the best music they can. There’s still so much to do, and so much to come in 2026 but for now, here’s some random moments from when I remembered to record something. Swipe to the end if you want an EXCLUSIVE snare sample from Plini’s upcoming album before it’s even released 😱🌙🥁💥😱

Thanks to everyone I worked with in 2025. I can’t remember having a busier year possibly ever, but I welcome it when I find myself working with so many talented artists that care about making the best music they can. There’s still so much to do, and so much to come in 2026 but for now, here’s some random moments from when I remembered to record something. Swipe to the end if you want an EXCLUSIVE snare sample from Plini’s upcoming album before it’s even released 😱🌙🥁💥😱

UK / EU 2026 will consist of new bangers from us and @sungazerrrr opening / warping time and space. See ya there, hope you’re ready 💫🐗💫

UK / EU 2026 will consist of new bangers from us and @sungazerrrr opening / warping time and space. See ya there, hope you’re ready 💫🐗💫

The first single from @nightdiveofficial is out today. Co-produced, mixed and mastered by me, drums engineered by @mitta_norath . Follow them and give my boys some love.

Catching up on the recent release of this banger record from @0prdr . Co-produced and mixed by me, mastered by @forrestersavell and drum edits by @sebastian_sendon . I had a blast going into these tracks with a bit of a different approach to the usual vibe, giving everything a little extra teeth and chaos. Shout out to @rob_brens , @liamhbass , @chadblondel and of course Pete for delivering some healthy mojo on these performances.

In efforts to make filming as lazy as possible, I decided to throw down a quick single-take phone camera playthrough of the track “In Captivity” from @plini & @tosinabasi that came out last month. I also handled the usual engineering, mixing and mastering on it too which is always fun to be a part of. Special shout out to the @aristidesguitars S/B5 for allowing me to flip from faux jazz to full caveman mode on a dime ❤️