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Portsmouth! Tickets are now on sale for our newly added gig at the Guildhall on 3 December. Come join us!

#squeeze #ontour #onsale

Tickets for all Squeeze North America shows in August and September 2026 with @adamantofficial @haircutonehundred and @leontilbrook are now on sale. Really looking forward to these shows, but get your tickets soon, some are nearly sold out already!

#squeeze #ontour #onsale

Our new album Trixies is out now! 53 years in the making, we’re excited for you to finally hear our ‘lost album’.

#squeeze #newmusic #outnow

Squeeze opened series 68 of "Later... with Jools Holland" including a guest appearance by @jools.holland.official himself, playing with the band for the first time in 36 years! Watch the whole show now on @bbciplayer and all 3 live songs on YouTube (links in stories)

#squeeze #livemusic

SQUEEZE with JOOLS HOLLAND on ‘LATER’ - 17th May 2026

Chris and Glenn of Squeeze will be playing with Jools Holland on ‘Later’ tonight, which is a thrill for fans as the three founding members haven’t played together for many years.

When I first met Squeeze in 1977 Glen Tilbrook and Chris Difford were already song-writing veterans having formed a creative partnership in their teens. They were managed for a while by my then boyfriend, entrepreneur Miles Copeland. He sent them to record at the legendary Pathway Studios in Islington. I fell in love with their wonderfully crafted songs – each one a riveting film script with an unforgettable melody.

Although Chris and Glen were the frontmen, the rest of the band were also charismatic. Jools Holland’s mum made his black and white ‘piano’ shirts. I often put him at the front of a band shoot chewing on a cigar in a Stetson hat like a cheeky teenager. Gilson Lavis was a real showman. He tossed his drumsticks in the air and caught them without missing a beat. Harri Kakouli played his bass slung low and tossed his curls. Combined they had an exotic DNA.

As well as designing their Deptford Fun City Record label I took photographs for their first EP, ‘Packet of Three’, which includes a favourite song, ‘Take Me I’m Yours’. I’ve photographed Chris and Glenn regularly over the years and love them dearly.

The only sad part in this post is that Gilson Lavis, who powered their early work and was Jools’ soul mate, passed away last year. I imagine his mighty presence will be cheering them on with a twirl of his heavenly drumsticks.

1. Early shoot in 1977 with the classic line-up
2. Soundcheck circa 1977 probably in Deptford
3. Outdoor gig at The Bell Pub in Deptford for Packet of Three
4. John Cale listening to a rehearsal circa 1978
5. Glen and Chris NME cover image July 1979
6. Band shoot Greenwich I think…1979
7. Jools and Gilson 1979
8. Glen and Chris, Cool for Cats era
9. Jools at the front, Kenwood Shoot circa 1979
10. Jools in one of his classic piano shirts
11. Deptford again, Jools last gig with the band August 1980

#squeeze #livemusic #jillfurmanovsky #musicphotography #documentaryphotography

SQUEEZE with JOOLS HOLLAND on ‘LATER’ - 17th May 2026

Chris and Glenn of Squeeze will be playing with Jools Holland on ‘Later’ tonight, which is a thrill for fans as the three founding members haven’t played together for many years.

When I first met Squeeze in 1977 Glen Tilbrook and Chris Difford were already song-writing veterans having formed a creative partnership in their teens. They were managed for a while by my then boyfriend, entrepreneur Miles Copeland. He sent them to record at the legendary Pathway Studios in Islington. I fell in love with their wonderfully crafted songs – each one a riveting film script with an unforgettable melody.

Although Chris and Glen were the frontmen, the rest of the band were also charismatic. Jools Holland’s mum made his black and white ‘piano’ shirts. I often put him at the front of a band shoot chewing on a cigar in a Stetson hat like a cheeky teenager. Gilson Lavis was a real showman. He tossed his drumsticks in the air and caught them without missing a beat. Harri Kakouli played his bass slung low and tossed his curls. Combined they had an exotic DNA.

As well as designing their Deptford Fun City Record label I took photographs for their first EP, ‘Packet of Three’, which includes a favourite song, ‘Take Me I’m Yours’. I’ve photographed Chris and Glenn regularly over the years and love them dearly.

The only sad part in this post is that Gilson Lavis, who powered their early work and was Jools’ soul mate, passed away last year. I imagine his mighty presence will be cheering them on with a twirl of his heavenly drumsticks.

1. Early shoot in 1977 with the classic line-up
2. Soundcheck circa 1977 probably in Deptford
3. Outdoor gig at The Bell Pub in Deptford for Packet of Three
4. John Cale listening to a rehearsal circa 1978
5. Glen and Chris NME cover image July 1979
6. Band shoot Greenwich I think…1979
7. Jools and Gilson 1979
8. Glen and Chris, Cool for Cats era
9. Jools at the front, Kenwood Shoot circa 1979
10. Jools in one of his classic piano shirts
11. Deptford again, Jools last gig with the band August 1980

#squeeze #livemusic #jillfurmanovsky #musicphotography #documentaryphotography

SQUEEZE with JOOLS HOLLAND on ‘LATER’ - 17th May 2026

Chris and Glenn of Squeeze will be playing with Jools Holland on ‘Later’ tonight, which is a thrill for fans as the three founding members haven’t played together for many years.

When I first met Squeeze in 1977 Glen Tilbrook and Chris Difford were already song-writing veterans having formed a creative partnership in their teens. They were managed for a while by my then boyfriend, entrepreneur Miles Copeland. He sent them to record at the legendary Pathway Studios in Islington. I fell in love with their wonderfully crafted songs – each one a riveting film script with an unforgettable melody.

Although Chris and Glen were the frontmen, the rest of the band were also charismatic. Jools Holland’s mum made his black and white ‘piano’ shirts. I often put him at the front of a band shoot chewing on a cigar in a Stetson hat like a cheeky teenager. Gilson Lavis was a real showman. He tossed his drumsticks in the air and caught them without missing a beat. Harri Kakouli played his bass slung low and tossed his curls. Combined they had an exotic DNA.

As well as designing their Deptford Fun City Record label I took photographs for their first EP, ‘Packet of Three’, which includes a favourite song, ‘Take Me I’m Yours’. I’ve photographed Chris and Glenn regularly over the years and love them dearly.

The only sad part in this post is that Gilson Lavis, who powered their early work and was Jools’ soul mate, passed away last year. I imagine his mighty presence will be cheering them on with a twirl of his heavenly drumsticks.

1. Early shoot in 1977 with the classic line-up
2. Soundcheck circa 1977 probably in Deptford
3. Outdoor gig at The Bell Pub in Deptford for Packet of Three
4. John Cale listening to a rehearsal circa 1978
5. Glen and Chris NME cover image July 1979
6. Band shoot Greenwich I think…1979
7. Jools and Gilson 1979
8. Glen and Chris, Cool for Cats era
9. Jools at the front, Kenwood Shoot circa 1979
10. Jools in one of his classic piano shirts
11. Deptford again, Jools last gig with the band August 1980

#squeeze #livemusic #jillfurmanovsky #musicphotography #documentaryphotography

SQUEEZE with JOOLS HOLLAND on ‘LATER’ - 17th May 2026

Chris and Glenn of Squeeze will be playing with Jools Holland on ‘Later’ tonight, which is a thrill for fans as the three founding members haven’t played together for many years.

When I first met Squeeze in 1977 Glen Tilbrook and Chris Difford were already song-writing veterans having formed a creative partnership in their teens. They were managed for a while by my then boyfriend, entrepreneur Miles Copeland. He sent them to record at the legendary Pathway Studios in Islington. I fell in love with their wonderfully crafted songs – each one a riveting film script with an unforgettable melody.

Although Chris and Glen were the frontmen, the rest of the band were also charismatic. Jools Holland’s mum made his black and white ‘piano’ shirts. I often put him at the front of a band shoot chewing on a cigar in a Stetson hat like a cheeky teenager. Gilson Lavis was a real showman. He tossed his drumsticks in the air and caught them without missing a beat. Harri Kakouli played his bass slung low and tossed his curls. Combined they had an exotic DNA.

As well as designing their Deptford Fun City Record label I took photographs for their first EP, ‘Packet of Three’, which includes a favourite song, ‘Take Me I’m Yours’. I’ve photographed Chris and Glenn regularly over the years and love them dearly.

The only sad part in this post is that Gilson Lavis, who powered their early work and was Jools’ soul mate, passed away last year. I imagine his mighty presence will be cheering them on with a twirl of his heavenly drumsticks.

1. Early shoot in 1977 with the classic line-up
2. Soundcheck circa 1977 probably in Deptford
3. Outdoor gig at The Bell Pub in Deptford for Packet of Three
4. John Cale listening to a rehearsal circa 1978
5. Glen and Chris NME cover image July 1979
6. Band shoot Greenwich I think…1979
7. Jools and Gilson 1979
8. Glen and Chris, Cool for Cats era
9. Jools at the front, Kenwood Shoot circa 1979
10. Jools in one of his classic piano shirts
11. Deptford again, Jools last gig with the band August 1980

#squeeze #livemusic #jillfurmanovsky #musicphotography #documentaryphotography

SQUEEZE with JOOLS HOLLAND on ‘LATER’ - 17th May 2026

Chris and Glenn of Squeeze will be playing with Jools Holland on ‘Later’ tonight, which is a thrill for fans as the three founding members haven’t played together for many years.

When I first met Squeeze in 1977 Glen Tilbrook and Chris Difford were already song-writing veterans having formed a creative partnership in their teens. They were managed for a while by my then boyfriend, entrepreneur Miles Copeland. He sent them to record at the legendary Pathway Studios in Islington. I fell in love with their wonderfully crafted songs – each one a riveting film script with an unforgettable melody.

Although Chris and Glen were the frontmen, the rest of the band were also charismatic. Jools Holland’s mum made his black and white ‘piano’ shirts. I often put him at the front of a band shoot chewing on a cigar in a Stetson hat like a cheeky teenager. Gilson Lavis was a real showman. He tossed his drumsticks in the air and caught them without missing a beat. Harri Kakouli played his bass slung low and tossed his curls. Combined they had an exotic DNA.

As well as designing their Deptford Fun City Record label I took photographs for their first EP, ‘Packet of Three’, which includes a favourite song, ‘Take Me I’m Yours’. I’ve photographed Chris and Glenn regularly over the years and love them dearly.

The only sad part in this post is that Gilson Lavis, who powered their early work and was Jools’ soul mate, passed away last year. I imagine his mighty presence will be cheering them on with a twirl of his heavenly drumsticks.

1. Early shoot in 1977 with the classic line-up
2. Soundcheck circa 1977 probably in Deptford
3. Outdoor gig at The Bell Pub in Deptford for Packet of Three
4. John Cale listening to a rehearsal circa 1978
5. Glen and Chris NME cover image July 1979
6. Band shoot Greenwich I think…1979
7. Jools and Gilson 1979
8. Glen and Chris, Cool for Cats era
9. Jools at the front, Kenwood Shoot circa 1979
10. Jools in one of his classic piano shirts
11. Deptford again, Jools last gig with the band August 1980

#squeeze #livemusic #jillfurmanovsky #musicphotography #documentaryphotography

SQUEEZE with JOOLS HOLLAND on ‘LATER’ - 17th May 2026

Chris and Glenn of Squeeze will be playing with Jools Holland on ‘Later’ tonight, which is a thrill for fans as the three founding members haven’t played together for many years.

When I first met Squeeze in 1977 Glen Tilbrook and Chris Difford were already song-writing veterans having formed a creative partnership in their teens. They were managed for a while by my then boyfriend, entrepreneur Miles Copeland. He sent them to record at the legendary Pathway Studios in Islington. I fell in love with their wonderfully crafted songs – each one a riveting film script with an unforgettable melody.

Although Chris and Glen were the frontmen, the rest of the band were also charismatic. Jools Holland’s mum made his black and white ‘piano’ shirts. I often put him at the front of a band shoot chewing on a cigar in a Stetson hat like a cheeky teenager. Gilson Lavis was a real showman. He tossed his drumsticks in the air and caught them without missing a beat. Harri Kakouli played his bass slung low and tossed his curls. Combined they had an exotic DNA.

As well as designing their Deptford Fun City Record label I took photographs for their first EP, ‘Packet of Three’, which includes a favourite song, ‘Take Me I’m Yours’. I’ve photographed Chris and Glenn regularly over the years and love them dearly.

The only sad part in this post is that Gilson Lavis, who powered their early work and was Jools’ soul mate, passed away last year. I imagine his mighty presence will be cheering them on with a twirl of his heavenly drumsticks.

1. Early shoot in 1977 with the classic line-up
2. Soundcheck circa 1977 probably in Deptford
3. Outdoor gig at The Bell Pub in Deptford for Packet of Three
4. John Cale listening to a rehearsal circa 1978
5. Glen and Chris NME cover image July 1979
6. Band shoot Greenwich I think…1979
7. Jools and Gilson 1979
8. Glen and Chris, Cool for Cats era
9. Jools at the front, Kenwood Shoot circa 1979
10. Jools in one of his classic piano shirts
11. Deptford again, Jools last gig with the band August 1980

#squeeze #livemusic #jillfurmanovsky #musicphotography #documentaryphotography

SQUEEZE with JOOLS HOLLAND on ‘LATER’ - 17th May 2026

Chris and Glenn of Squeeze will be playing with Jools Holland on ‘Later’ tonight, which is a thrill for fans as the three founding members haven’t played together for many years.

When I first met Squeeze in 1977 Glen Tilbrook and Chris Difford were already song-writing veterans having formed a creative partnership in their teens. They were managed for a while by my then boyfriend, entrepreneur Miles Copeland. He sent them to record at the legendary Pathway Studios in Islington. I fell in love with their wonderfully crafted songs – each one a riveting film script with an unforgettable melody.

Although Chris and Glen were the frontmen, the rest of the band were also charismatic. Jools Holland’s mum made his black and white ‘piano’ shirts. I often put him at the front of a band shoot chewing on a cigar in a Stetson hat like a cheeky teenager. Gilson Lavis was a real showman. He tossed his drumsticks in the air and caught them without missing a beat. Harri Kakouli played his bass slung low and tossed his curls. Combined they had an exotic DNA.

As well as designing their Deptford Fun City Record label I took photographs for their first EP, ‘Packet of Three’, which includes a favourite song, ‘Take Me I’m Yours’. I’ve photographed Chris and Glenn regularly over the years and love them dearly.

The only sad part in this post is that Gilson Lavis, who powered their early work and was Jools’ soul mate, passed away last year. I imagine his mighty presence will be cheering them on with a twirl of his heavenly drumsticks.

1. Early shoot in 1977 with the classic line-up
2. Soundcheck circa 1977 probably in Deptford
3. Outdoor gig at The Bell Pub in Deptford for Packet of Three
4. John Cale listening to a rehearsal circa 1978
5. Glen and Chris NME cover image July 1979
6. Band shoot Greenwich I think…1979
7. Jools and Gilson 1979
8. Glen and Chris, Cool for Cats era
9. Jools at the front, Kenwood Shoot circa 1979
10. Jools in one of his classic piano shirts
11. Deptford again, Jools last gig with the band August 1980

#squeeze #livemusic #jillfurmanovsky #musicphotography #documentaryphotography

SQUEEZE with JOOLS HOLLAND on ‘LATER’ - 17th May 2026

Chris and Glenn of Squeeze will be playing with Jools Holland on ‘Later’ tonight, which is a thrill for fans as the three founding members haven’t played together for many years.

When I first met Squeeze in 1977 Glen Tilbrook and Chris Difford were already song-writing veterans having formed a creative partnership in their teens. They were managed for a while by my then boyfriend, entrepreneur Miles Copeland. He sent them to record at the legendary Pathway Studios in Islington. I fell in love with their wonderfully crafted songs – each one a riveting film script with an unforgettable melody.

Although Chris and Glen were the frontmen, the rest of the band were also charismatic. Jools Holland’s mum made his black and white ‘piano’ shirts. I often put him at the front of a band shoot chewing on a cigar in a Stetson hat like a cheeky teenager. Gilson Lavis was a real showman. He tossed his drumsticks in the air and caught them without missing a beat. Harri Kakouli played his bass slung low and tossed his curls. Combined they had an exotic DNA.

As well as designing their Deptford Fun City Record label I took photographs for their first EP, ‘Packet of Three’, which includes a favourite song, ‘Take Me I’m Yours’. I’ve photographed Chris and Glenn regularly over the years and love them dearly.

The only sad part in this post is that Gilson Lavis, who powered their early work and was Jools’ soul mate, passed away last year. I imagine his mighty presence will be cheering them on with a twirl of his heavenly drumsticks.

1. Early shoot in 1977 with the classic line-up
2. Soundcheck circa 1977 probably in Deptford
3. Outdoor gig at The Bell Pub in Deptford for Packet of Three
4. John Cale listening to a rehearsal circa 1978
5. Glen and Chris NME cover image July 1979
6. Band shoot Greenwich I think…1979
7. Jools and Gilson 1979
8. Glen and Chris, Cool for Cats era
9. Jools at the front, Kenwood Shoot circa 1979
10. Jools in one of his classic piano shirts
11. Deptford again, Jools last gig with the band August 1980

#squeeze #livemusic #jillfurmanovsky #musicphotography #documentaryphotography

SQUEEZE with JOOLS HOLLAND on ‘LATER’ - 17th May 2026

Chris and Glenn of Squeeze will be playing with Jools Holland on ‘Later’ tonight, which is a thrill for fans as the three founding members haven’t played together for many years.

When I first met Squeeze in 1977 Glen Tilbrook and Chris Difford were already song-writing veterans having formed a creative partnership in their teens. They were managed for a while by my then boyfriend, entrepreneur Miles Copeland. He sent them to record at the legendary Pathway Studios in Islington. I fell in love with their wonderfully crafted songs – each one a riveting film script with an unforgettable melody.

Although Chris and Glen were the frontmen, the rest of the band were also charismatic. Jools Holland’s mum made his black and white ‘piano’ shirts. I often put him at the front of a band shoot chewing on a cigar in a Stetson hat like a cheeky teenager. Gilson Lavis was a real showman. He tossed his drumsticks in the air and caught them without missing a beat. Harri Kakouli played his bass slung low and tossed his curls. Combined they had an exotic DNA.

As well as designing their Deptford Fun City Record label I took photographs for their first EP, ‘Packet of Three’, which includes a favourite song, ‘Take Me I’m Yours’. I’ve photographed Chris and Glenn regularly over the years and love them dearly.

The only sad part in this post is that Gilson Lavis, who powered their early work and was Jools’ soul mate, passed away last year. I imagine his mighty presence will be cheering them on with a twirl of his heavenly drumsticks.

1. Early shoot in 1977 with the classic line-up
2. Soundcheck circa 1977 probably in Deptford
3. Outdoor gig at The Bell Pub in Deptford for Packet of Three
4. John Cale listening to a rehearsal circa 1978
5. Glen and Chris NME cover image July 1979
6. Band shoot Greenwich I think…1979
7. Jools and Gilson 1979
8. Glen and Chris, Cool for Cats era
9. Jools at the front, Kenwood Shoot circa 1979
10. Jools in one of his classic piano shirts
11. Deptford again, Jools last gig with the band August 1980

#squeeze #livemusic #jillfurmanovsky #musicphotography #documentaryphotography

SQUEEZE with JOOLS HOLLAND on ‘LATER’ - 17th May 2026

Chris and Glenn of Squeeze will be playing with Jools Holland on ‘Later’ tonight, which is a thrill for fans as the three founding members haven’t played together for many years.

When I first met Squeeze in 1977 Glen Tilbrook and Chris Difford were already song-writing veterans having formed a creative partnership in their teens. They were managed for a while by my then boyfriend, entrepreneur Miles Copeland. He sent them to record at the legendary Pathway Studios in Islington. I fell in love with their wonderfully crafted songs – each one a riveting film script with an unforgettable melody.

Although Chris and Glen were the frontmen, the rest of the band were also charismatic. Jools Holland’s mum made his black and white ‘piano’ shirts. I often put him at the front of a band shoot chewing on a cigar in a Stetson hat like a cheeky teenager. Gilson Lavis was a real showman. He tossed his drumsticks in the air and caught them without missing a beat. Harri Kakouli played his bass slung low and tossed his curls. Combined they had an exotic DNA.

As well as designing their Deptford Fun City Record label I took photographs for their first EP, ‘Packet of Three’, which includes a favourite song, ‘Take Me I’m Yours’. I’ve photographed Chris and Glenn regularly over the years and love them dearly.

The only sad part in this post is that Gilson Lavis, who powered their early work and was Jools’ soul mate, passed away last year. I imagine his mighty presence will be cheering them on with a twirl of his heavenly drumsticks.

1. Early shoot in 1977 with the classic line-up
2. Soundcheck circa 1977 probably in Deptford
3. Outdoor gig at The Bell Pub in Deptford for Packet of Three
4. John Cale listening to a rehearsal circa 1978
5. Glen and Chris NME cover image July 1979
6. Band shoot Greenwich I think…1979
7. Jools and Gilson 1979
8. Glen and Chris, Cool for Cats era
9. Jools at the front, Kenwood Shoot circa 1979
10. Jools in one of his classic piano shirts
11. Deptford again, Jools last gig with the band August 1980

#squeeze #livemusic #jillfurmanovsky #musicphotography #documentaryphotography

SQUEEZE with JOOLS HOLLAND on ‘LATER’ - 17th May 2026

Chris and Glenn of Squeeze will be playing with Jools Holland on ‘Later’ tonight, which is a thrill for fans as the three founding members haven’t played together for many years.

When I first met Squeeze in 1977 Glen Tilbrook and Chris Difford were already song-writing veterans having formed a creative partnership in their teens. They were managed for a while by my then boyfriend, entrepreneur Miles Copeland. He sent them to record at the legendary Pathway Studios in Islington. I fell in love with their wonderfully crafted songs – each one a riveting film script with an unforgettable melody.

Although Chris and Glen were the frontmen, the rest of the band were also charismatic. Jools Holland’s mum made his black and white ‘piano’ shirts. I often put him at the front of a band shoot chewing on a cigar in a Stetson hat like a cheeky teenager. Gilson Lavis was a real showman. He tossed his drumsticks in the air and caught them without missing a beat. Harri Kakouli played his bass slung low and tossed his curls. Combined they had an exotic DNA.

As well as designing their Deptford Fun City Record label I took photographs for their first EP, ‘Packet of Three’, which includes a favourite song, ‘Take Me I’m Yours’. I’ve photographed Chris and Glenn regularly over the years and love them dearly.

The only sad part in this post is that Gilson Lavis, who powered their early work and was Jools’ soul mate, passed away last year. I imagine his mighty presence will be cheering them on with a twirl of his heavenly drumsticks.

1. Early shoot in 1977 with the classic line-up
2. Soundcheck circa 1977 probably in Deptford
3. Outdoor gig at The Bell Pub in Deptford for Packet of Three
4. John Cale listening to a rehearsal circa 1978
5. Glen and Chris NME cover image July 1979
6. Band shoot Greenwich I think…1979
7. Jools and Gilson 1979
8. Glen and Chris, Cool for Cats era
9. Jools at the front, Kenwood Shoot circa 1979
10. Jools in one of his classic piano shirts
11. Deptford again, Jools last gig with the band August 1980

#squeeze #livemusic #jillfurmanovsky #musicphotography #documentaryphotography

For the first time for many years, I will reunite and perform together with @squeezeogram for this week’s episode of Later… which airs this Sunday at 10pm on @bbctwo or @bbciplayer. Tune in to see this unique performance of our first hit, and hear tracks from their wonderful new album.

Hey… this fella looks familiar! Tune in to @bbctwo or @bbciplayer this Sunday, 17th May at 10pm for Later... with @jools.holland.official - maybe he knows some of our tunes? 😉

#squeeze #livemusic #specialguest

@chrisdifford and @glenntilbrook will both be heading out separately on their own solo shows starting tomorrow! Glenn will be playing headline intimate solo shows throughout May, and Chris will be supporting Bruce Foxton, Christopher Cross, and Elvis Costello on shows through May and June (with a few solo headline shows thrown in for good measure). Check out chrisdifford.com and glenntilbrook.com for full dates and ticket links!

📷 Steve Taylor, Connie Virdie

#ontour

@chrisdifford and @glenntilbrook will both be heading out separately on their own solo shows starting tomorrow! Glenn will be playing headline intimate solo shows throughout May, and Chris will be supporting Bruce Foxton, Christopher Cross, and Elvis Costello on shows through May and June (with a few solo headline shows thrown in for good measure). Check out chrisdifford.com and glenntilbrook.com for full dates and ticket links!

📷 Steve Taylor, Connie Virdie

#ontour

"King George Street" was the final single from Cosi Fan Tutti Frutti, released in April 1986 (a full 10 months after the album's first single "Last Time Forever")

Here’s a headline that seems impossible, but true. @squeezeogram's new album, Trixies, is also kind of their first.

In a brilliant twist, the English rock band rediscovered demos they first recorded when they were just teenagers. Today, Chris Difford and Glenn Tilbrook of Squeeze join @kallao to talk about building the world of Trixies (and why they couldn't finish the album they'd envisioned the first time around.)

Check out the full conversation at worldcafe.org. 🌃

Here’s a headline that seems impossible, but true. @squeezeogram's new album, Trixies, is also kind of their first.

In a brilliant twist, the English rock band rediscovered demos they first recorded when they were just teenagers. Today, Chris Difford and Glenn Tilbrook of Squeeze join @kallao to talk about building the world of Trixies (and why they couldn't finish the album they'd envisioned the first time around.)

Check out the full conversation at worldcafe.org. 🌃

Another big "thank you!" to @bbcradio2 for adding another track from Trixies to the playlist! "Why Don't You" will start spinning from tomorrow. 😁

#squeeze #newmusic #playlist

Squeeze's second studio album was released on this day in 1979, with 4 breakthrough singles: "Up the Junction", "Slap & Tickle", "Goodbye Girl" and the titular track, seen performed here on Top of the Pops in 1979

#squeeze #musicvideo #OnThisDay