Stephen Roe
📸🎥 🛹 📍UK

It’s time, once again for my biennial post of @aultagram doing a backside lipslide in Sheffield with his aggressive, singular style… I was just lurking above the spot, drinking a beer and shot 2 frames. This one was good... At this point I retired from skateboard photography, 2-3 minutes after I started skateboard photography. Fujifilm Neopan 1600 +1 on a Canon T90 w/ 28mm f/2.8, and developed in my bathroom in xtol. (Dunno how I remember that)
Traipsing through the archives trying to find a 5 second clip from 20 years ago. No dice. I did find this little skatepark section from one million years ago, which wasn’t really seen. Filmed and edited by the late, great @blackpool_roll
Also, if anybody has the very, very first videos from the Scene Preston (also RIP) website, please lemme know.

@manutd Premier League winners parade fucking way too long ago. Next year though 👹🏆

@manutd Premier League winners parade fucking way too long ago. Next year though 👹🏆

@manutd Premier League winners parade fucking way too long ago. Next year though 👹🏆

followed some random bloke into a 2000 year old hole in the ground. Hand dug by Roman soldiers. Steep as hell, and seemingly endless… Nowt down there. Good job 👏. Jordan.

followed some random bloke into a 2000 year old hole in the ground. Hand dug by Roman soldiers. Steep as hell, and seemingly endless… Nowt down there. Good job 👏. Jordan.

followed some random bloke into a 2000 year old hole in the ground. Hand dug by Roman soldiers. Steep as hell, and seemingly endless… Nowt down there. Good job 👏. Jordan.

followed some random bloke into a 2000 year old hole in the ground. Hand dug by Roman soldiers. Steep as hell, and seemingly endless… Nowt down there. Good job 👏. Jordan.

followed some random bloke into a 2000 year old hole in the ground. Hand dug by Roman soldiers. Steep as hell, and seemingly endless… Nowt down there. Good job 👏. Jordan.

followed some random bloke into a 2000 year old hole in the ground. Hand dug by Roman soldiers. Steep as hell, and seemingly endless… Nowt down there. Good job 👏. Jordan.

followed some random bloke into a 2000 year old hole in the ground. Hand dug by Roman soldiers. Steep as hell, and seemingly endless… Nowt down there. Good job 👏. Jordan.

followed some random bloke into a 2000 year old hole in the ground. Hand dug by Roman soldiers. Steep as hell, and seemingly endless… Nowt down there. Good job 👏. Jordan.

PRINTS! PRINTS! PRINTS! We’re back in the giclee printing business!
Got some prints here for sale. The bigger ones are 13x19” (a3+) £50… and the smaller ones are 9x13” £35. (Can of Guinness for scale & inebriation)
(Plus £5 p&p in the UK & £15 international).
Printed on beautiful @fotospeed baryta 300gsm paper.

PRINTS! PRINTS! PRINTS! We’re back in the giclee printing business!
Got some prints here for sale. The bigger ones are 13x19” (a3+) £50… and the smaller ones are 9x13” £35. (Can of Guinness for scale & inebriation)
(Plus £5 p&p in the UK & £15 international).
Printed on beautiful @fotospeed baryta 300gsm paper.

PRINTS! PRINTS! PRINTS! We’re back in the giclee printing business!
Got some prints here for sale. The bigger ones are 13x19” (a3+) £50… and the smaller ones are 9x13” £35. (Can of Guinness for scale & inebriation)
(Plus £5 p&p in the UK & £15 international).
Printed on beautiful @fotospeed baryta 300gsm paper.

PRINTS! PRINTS! PRINTS! We’re back in the giclee printing business!
Got some prints here for sale. The bigger ones are 13x19” (a3+) £50… and the smaller ones are 9x13” £35. (Can of Guinness for scale & inebriation)
(Plus £5 p&p in the UK & £15 international).
Printed on beautiful @fotospeed baryta 300gsm paper.

PRINTS! PRINTS! PRINTS! We’re back in the giclee printing business!
Got some prints here for sale. The bigger ones are 13x19” (a3+) £50… and the smaller ones are 9x13” £35. (Can of Guinness for scale & inebriation)
(Plus £5 p&p in the UK & £15 international).
Printed on beautiful @fotospeed baryta 300gsm paper.

PRINTS! PRINTS! PRINTS! We’re back in the giclee printing business!
Got some prints here for sale. The bigger ones are 13x19” (a3+) £50… and the smaller ones are 9x13” £35. (Can of Guinness for scale & inebriation)
(Plus £5 p&p in the UK & £15 international).
Printed on beautiful @fotospeed baryta 300gsm paper.

PRINTS! PRINTS! PRINTS! We’re back in the giclee printing business!
Got some prints here for sale. The bigger ones are 13x19” (a3+) £50… and the smaller ones are 9x13” £35. (Can of Guinness for scale & inebriation)
(Plus £5 p&p in the UK & £15 international).
Printed on beautiful @fotospeed baryta 300gsm paper.

PRINTS! PRINTS! PRINTS! We’re back in the giclee printing business!
Got some prints here for sale. The bigger ones are 13x19” (a3+) £50… and the smaller ones are 9x13” £35. (Can of Guinness for scale & inebriation)
(Plus £5 p&p in the UK & £15 international).
Printed on beautiful @fotospeed baryta 300gsm paper.

PRINTS! PRINTS! PRINTS! We’re back in the giclee printing business!
Got some prints here for sale. The bigger ones are 13x19” (a3+) £50… and the smaller ones are 9x13” £35. (Can of Guinness for scale & inebriation)
(Plus £5 p&p in the UK & £15 international).
Printed on beautiful @fotospeed baryta 300gsm paper.

PRINTS! PRINTS! PRINTS! We’re back in the giclee printing business!
Got some prints here for sale. The bigger ones are 13x19” (a3+) £50… and the smaller ones are 9x13” £35. (Can of Guinness for scale & inebriation)
(Plus £5 p&p in the UK & £15 international).
Printed on beautiful @fotospeed baryta 300gsm paper.

S’more arid shrubby desert-y regions. Azerbaijan, Death Valley CA, White Sands NM. All on @kodak Portra 400.
Haven’t shot colour film in years it appears 👀

S’more arid shrubby desert-y regions. Azerbaijan, Death Valley CA, White Sands NM. All on @kodak Portra 400.
Haven’t shot colour film in years it appears 👀

S’more arid shrubby desert-y regions. Azerbaijan, Death Valley CA, White Sands NM. All on @kodak Portra 400.
Haven’t shot colour film in years it appears 👀

I’m gonna start sharing some frames from some films I’ve shot over the past years, because a spooky entity told me to in a dream.
This is from a lil’ un we made in Beijing for EA Sports (it’s in the game) and COPA90 a few years back. It follows the story of Nico Yannaris, of East London, who left the UK to become China's first nationalised international football player. I could lay out some wanky schpiel about creative decisions, like how the 4:3 aspect ratio (before it was cool), and tight edge-of-frame dynamics represents his feeling of being trapped back home, and how the 2x anamorphic represents a new freedom (square in the nose, that)... but we all have better things to do... I actually don't, but you might. 😊
Directed by @oikfilms, produced by @subliminal_prod, DP-ed by 🥴✋

I’m gonna start sharing some frames from some films I’ve shot over the past years, because a spooky entity told me to in a dream.
This is from a lil’ un we made in Beijing for EA Sports (it’s in the game) and COPA90 a few years back. It follows the story of Nico Yannaris, of East London, who left the UK to become China's first nationalised international football player. I could lay out some wanky schpiel about creative decisions, like how the 4:3 aspect ratio (before it was cool), and tight edge-of-frame dynamics represents his feeling of being trapped back home, and how the 2x anamorphic represents a new freedom (square in the nose, that)... but we all have better things to do... I actually don't, but you might. 😊
Directed by @oikfilms, produced by @subliminal_prod, DP-ed by 🥴✋

I’m gonna start sharing some frames from some films I’ve shot over the past years, because a spooky entity told me to in a dream.
This is from a lil’ un we made in Beijing for EA Sports (it’s in the game) and COPA90 a few years back. It follows the story of Nico Yannaris, of East London, who left the UK to become China's first nationalised international football player. I could lay out some wanky schpiel about creative decisions, like how the 4:3 aspect ratio (before it was cool), and tight edge-of-frame dynamics represents his feeling of being trapped back home, and how the 2x anamorphic represents a new freedom (square in the nose, that)... but we all have better things to do... I actually don't, but you might. 😊
Directed by @oikfilms, produced by @subliminal_prod, DP-ed by 🥴✋

I’m gonna start sharing some frames from some films I’ve shot over the past years, because a spooky entity told me to in a dream.
This is from a lil’ un we made in Beijing for EA Sports (it’s in the game) and COPA90 a few years back. It follows the story of Nico Yannaris, of East London, who left the UK to become China's first nationalised international football player. I could lay out some wanky schpiel about creative decisions, like how the 4:3 aspect ratio (before it was cool), and tight edge-of-frame dynamics represents his feeling of being trapped back home, and how the 2x anamorphic represents a new freedom (square in the nose, that)... but we all have better things to do... I actually don't, but you might. 😊
Directed by @oikfilms, produced by @subliminal_prod, DP-ed by 🥴✋

I’m gonna start sharing some frames from some films I’ve shot over the past years, because a spooky entity told me to in a dream.
This is from a lil’ un we made in Beijing for EA Sports (it’s in the game) and COPA90 a few years back. It follows the story of Nico Yannaris, of East London, who left the UK to become China's first nationalised international football player. I could lay out some wanky schpiel about creative decisions, like how the 4:3 aspect ratio (before it was cool), and tight edge-of-frame dynamics represents his feeling of being trapped back home, and how the 2x anamorphic represents a new freedom (square in the nose, that)... but we all have better things to do... I actually don't, but you might. 😊
Directed by @oikfilms, produced by @subliminal_prod, DP-ed by 🥴✋

I’m gonna start sharing some frames from some films I’ve shot over the past years, because a spooky entity told me to in a dream.
This is from a lil’ un we made in Beijing for EA Sports (it’s in the game) and COPA90 a few years back. It follows the story of Nico Yannaris, of East London, who left the UK to become China's first nationalised international football player. I could lay out some wanky schpiel about creative decisions, like how the 4:3 aspect ratio (before it was cool), and tight edge-of-frame dynamics represents his feeling of being trapped back home, and how the 2x anamorphic represents a new freedom (square in the nose, that)... but we all have better things to do... I actually don't, but you might. 😊
Directed by @oikfilms, produced by @subliminal_prod, DP-ed by 🥴✋

I’m gonna start sharing some frames from some films I’ve shot over the past years, because a spooky entity told me to in a dream.
This is from a lil’ un we made in Beijing for EA Sports (it’s in the game) and COPA90 a few years back. It follows the story of Nico Yannaris, of East London, who left the UK to become China's first nationalised international football player. I could lay out some wanky schpiel about creative decisions, like how the 4:3 aspect ratio (before it was cool), and tight edge-of-frame dynamics represents his feeling of being trapped back home, and how the 2x anamorphic represents a new freedom (square in the nose, that)... but we all have better things to do... I actually don't, but you might. 😊
Directed by @oikfilms, produced by @subliminal_prod, DP-ed by 🥴✋

I’m gonna start sharing some frames from some films I’ve shot over the past years, because a spooky entity told me to in a dream.
This is from a lil’ un we made in Beijing for EA Sports (it’s in the game) and COPA90 a few years back. It follows the story of Nico Yannaris, of East London, who left the UK to become China's first nationalised international football player. I could lay out some wanky schpiel about creative decisions, like how the 4:3 aspect ratio (before it was cool), and tight edge-of-frame dynamics represents his feeling of being trapped back home, and how the 2x anamorphic represents a new freedom (square in the nose, that)... but we all have better things to do... I actually don't, but you might. 😊
Directed by @oikfilms, produced by @subliminal_prod, DP-ed by 🥴✋
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