Instagram Story Viewer

Framed in the symmetric form of a mid-century stereo box, with panels that radiate like soundwaves,‘Yashodha’s dream’ is a retelling of Krishna’s stories. It depicts playful scenes of Vrindavan to Yashodha’s vision of the cosmos inside her son’s mouth, stories studied and brought to life through richly detailed, hand-rendered illustrations by artist @moebius_in

Made in teak, rosewood, and aged etched brass, this piece is available in both 8-foot and 6-foot versions.
Commissioned by @sv_designstudio and @v.o.z_architects

📷 @m.angesh
🤝@esayareayech

Framed in the symmetric form of a mid-century stereo box, with panels that radiate like soundwaves,‘Yashodha’s dream’ is a retelling of Krishna’s stories. It depicts playful scenes of Vrindavan to Yashodha’s vision of the cosmos inside her son’s mouth, stories studied and brought to life through richly detailed, hand-rendered illustrations by artist @moebius_in

Made in teak, rosewood, and aged etched brass, this piece is available in both 8-foot and 6-foot versions.
Commissioned by @sv_designstudio and @v.o.z_architects

📷 @m.angesh
🤝@esayareayech

Framed in the symmetric form of a mid-century stereo box, with panels that radiate like soundwaves,‘Yashodha’s dream’ is a retelling of Krishna’s stories. It depicts playful scenes of Vrindavan to Yashodha’s vision of the cosmos inside her son’s mouth, stories studied and brought to life through richly detailed, hand-rendered illustrations by artist @moebius_in

Made in teak, rosewood, and aged etched brass, this piece is available in both 8-foot and 6-foot versions.
Commissioned by @sv_designstudio and @v.o.z_architects

📷 @m.angesh
🤝@esayareayech

Framed in the symmetric form of a mid-century stereo box, with panels that radiate like soundwaves,‘Yashodha’s dream’ is a retelling of Krishna’s stories. It depicts playful scenes of Vrindavan to Yashodha’s vision of the cosmos inside her son’s mouth, stories studied and brought to life through richly detailed, hand-rendered illustrations by artist @moebius_in

Made in teak, rosewood, and aged etched brass, this piece is available in both 8-foot and 6-foot versions.
Commissioned by @sv_designstudio and @v.o.z_architects

📷 @m.angesh
🤝@esayareayech

Framed in the symmetric form of a mid-century stereo box, with panels that radiate like soundwaves,‘Yashodha’s dream’ is a retelling of Krishna’s stories. It depicts playful scenes of Vrindavan to Yashodha’s vision of the cosmos inside her son’s mouth, stories studied and brought to life through richly detailed, hand-rendered illustrations by artist @moebius_in

Made in teak, rosewood, and aged etched brass, this piece is available in both 8-foot and 6-foot versions.
Commissioned by @sv_designstudio and @v.o.z_architects

📷 @m.angesh
🤝@esayareayech

Framed in the symmetric form of a mid-century stereo box, with panels that radiate like soundwaves,‘Yashodha’s dream’ is a retelling of Krishna’s stories. It depicts playful scenes of Vrindavan to Yashodha’s vision of the cosmos inside her son’s mouth, stories studied and brought to life through richly detailed, hand-rendered illustrations by artist @moebius_in

Made in teak, rosewood, and aged etched brass, this piece is available in both 8-foot and 6-foot versions.
Commissioned by @sv_designstudio and @v.o.z_architects

📷 @m.angesh
🤝@esayareayech

Framed in the symmetric form of a mid-century stereo box, with panels that radiate like soundwaves,‘Yashodha’s dream’ is a retelling of Krishna’s stories. It depicts playful scenes of Vrindavan to Yashodha’s vision of the cosmos inside her son’s mouth, stories studied and brought to life through richly detailed, hand-rendered illustrations by artist @moebius_in

Made in teak, rosewood, and aged etched brass, this piece is available in both 8-foot and 6-foot versions.
Commissioned by @sv_designstudio and @v.o.z_architects

📷 @m.angesh
🤝@esayareayech

Framed in the symmetric form of a mid-century stereo box, with panels that radiate like soundwaves,‘Yashodha’s dream’ is a retelling of Krishna’s stories. It depicts playful scenes of Vrindavan to Yashodha’s vision of the cosmos inside her son’s mouth, stories studied and brought to life through richly detailed, hand-rendered illustrations by artist @moebius_in

Made in teak, rosewood, and aged etched brass, this piece is available in both 8-foot and 6-foot versions.
Commissioned by @sv_designstudio and @v.o.z_architects

📷 @m.angesh
🤝@esayareayech

A true collaboration with @studiomoebius, this piece is my favourite so far.
A console where ideas aroundOld world, Tanjore, mid century, Industrial, ornate and Madras, all blend into this floating story of the native land.
Etched brass, teak, stone.
Swipe till the end to see some process images.

📷 @m.angesh

A true collaboration with @studiomoebius, this piece is my favourite so far.
A console where ideas aroundOld world, Tanjore, mid century, Industrial, ornate and Madras, all blend into this floating story of the native land.
Etched brass, teak, stone.
Swipe till the end to see some process images.

📷 @m.angesh

A true collaboration with @studiomoebius, this piece is my favourite so far.
A console where ideas aroundOld world, Tanjore, mid century, Industrial, ornate and Madras, all blend into this floating story of the native land.
Etched brass, teak, stone.
Swipe till the end to see some process images.

📷 @m.angesh

A true collaboration with @studiomoebius, this piece is my favourite so far.
A console where ideas aroundOld world, Tanjore, mid century, Industrial, ornate and Madras, all blend into this floating story of the native land.
Etched brass, teak, stone.
Swipe till the end to see some process images.

📷 @m.angesh

A true collaboration with @studiomoebius, this piece is my favourite so far.
A console where ideas aroundOld world, Tanjore, mid century, Industrial, ornate and Madras, all blend into this floating story of the native land.
Etched brass, teak, stone.
Swipe till the end to see some process images.

📷 @m.angesh

A true collaboration with @studiomoebius, this piece is my favourite so far.
A console where ideas aroundOld world, Tanjore, mid century, Industrial, ornate and Madras, all blend into this floating story of the native land.
Etched brass, teak, stone.
Swipe till the end to see some process images.

📷 @m.angesh

A true collaboration with @studiomoebius, this piece is my favourite so far.
A console where ideas aroundOld world, Tanjore, mid century, Industrial, ornate and Madras, all blend into this floating story of the native land.
Etched brass, teak, stone.
Swipe till the end to see some process images.

📷 @m.angesh

A true collaboration with @studiomoebius, this piece is my favourite so far.
A console where ideas aroundOld world, Tanjore, mid century, Industrial, ornate and Madras, all blend into this floating story of the native land.
Etched brass, teak, stone.
Swipe till the end to see some process images.

📷 @m.angesh

A true collaboration with @studiomoebius, this piece is my favourite so far.
A console where ideas aroundOld world, Tanjore, mid century, Industrial, ornate and Madras, all blend into this floating story of the native land.
Etched brass, teak, stone.
Swipe till the end to see some process images.

📷 @m.angesh

A true collaboration with @studiomoebius, this piece is my favourite so far.
A console where ideas aroundOld world, Tanjore, mid century, Industrial, ornate and Madras, all blend into this floating story of the native land.
Etched brass, teak, stone.
Swipe till the end to see some process images.

📷 @m.angesh

A true collaboration with @studiomoebius, this piece is my favourite so far.
A console where ideas aroundOld world, Tanjore, mid century, Industrial, ornate and Madras, all blend into this floating story of the native land.
Etched brass, teak, stone.
Swipe till the end to see some process images.

📷 @m.angesh

A true collaboration with @studiomoebius, this piece is my favourite so far.
A console where ideas aroundOld world, Tanjore, mid century, Industrial, ornate and Madras, all blend into this floating story of the native land.
Etched brass, teak, stone.
Swipe till the end to see some process images.

📷 @m.angesh

A true collaboration with @studiomoebius, this piece is my favourite so far.
A console where ideas aroundOld world, Tanjore, mid century, Industrial, ornate and Madras, all blend into this floating story of the native land.
Etched brass, teak, stone.
Swipe till the end to see some process images.

📷 @m.angesh

A true collaboration with @studiomoebius, this piece is my favourite so far.
A console where ideas aroundOld world, Tanjore, mid century, Industrial, ornate and Madras, all blend into this floating story of the native land.
Etched brass, teak, stone.
Swipe till the end to see some process images.

📷 @m.angesh

A true collaboration with @studiomoebius, this piece is my favourite so far.
A console where ideas aroundOld world, Tanjore, mid century, Industrial, ornate and Madras, all blend into this floating story of the native land.
Etched brass, teak, stone.
Swipe till the end to see some process images.

📷 @m.angesh

A true collaboration with @studiomoebius, this piece is my favourite so far.
A console where ideas aroundOld world, Tanjore, mid century, Industrial, ornate and Madras, all blend into this floating story of the native land.
Etched brass, teak, stone.
Swipe till the end to see some process images.

📷 @m.angesh

Loading…

Die ersten drei Shows, die im Sommer 2026 auf dem Karlsruher Schloss zu sehen sein werden, stehen bereits fest. Es sind die Arbeiten der Gewinnerinnen und Gewinner des 𝗕𝗕𝗕𝗮𝗻𝗸 𝗔𝘄𝗮𝗿𝗱𝘀 𝗶𝗺 𝗣𝗿𝗼𝗷𝗲𝗰𝘁𝗶𝗼𝗻 𝗠𝗮𝗽𝗽𝗶𝗻𝗴, der zum sechsten Mal ausgeschrieben wurde. Aus insgesamt 118 Konzepten, die von Künstlerinnen und Künstlern aus aller Welt eingereicht wurden, entschied sich die Jury des BBBank Awards für drei Werke aus Tschechien 🇨🇿, Singapur 🇸🇬 und Indien 🇮🇳, die nun mithilfe der Preisgelder bis zum Sommer realisiert werden.

Gewonnen haben:
▪ Henry Hu (Singapur) mit „MIRΔGE“
▪ Studio Moebius X Three Oscillators (Indien) mit „RE:STRUCT“
▪ Metanoia (Tschechische Republik) mit „Metabolism“

"Die enorme Beteiligung von 118 Einreichungen beim BBBank Award hat mich
tief beeindruckt. Die prämierten Beiträge aus Tschechien, Singapur und Indien zeigen beispielhaft, welch außergewöhnliches künstlerisches Niveau im Projection
Mapping erreicht wird. Ich freue mich sehr darauf, diese stimmungsvollen
Arbeiten im Sommer 2026 bei den SCHLOSSLICHTSPIELEN Karlsruhe erleben zu
dürfen." (Oliver Lüsch, Vorsitzender des Vorstands der BBBank eG)

📲 www.schlosslichtspiele.info

#schlosslichtspiele #projectionmapping #bbbankaward #bbbank

Die ersten drei Shows, die im Sommer 2026 auf dem Karlsruher Schloss zu sehen sein werden, stehen bereits fest. Es sind die Arbeiten der Gewinnerinnen und Gewinner des 𝗕𝗕𝗕𝗮𝗻𝗸 𝗔𝘄𝗮𝗿𝗱𝘀 𝗶𝗺 𝗣𝗿𝗼𝗷𝗲𝗰𝘁𝗶𝗼𝗻 𝗠𝗮𝗽𝗽𝗶𝗻𝗴, der zum sechsten Mal ausgeschrieben wurde. Aus insgesamt 118 Konzepten, die von Künstlerinnen und Künstlern aus aller Welt eingereicht wurden, entschied sich die Jury des BBBank Awards für drei Werke aus Tschechien 🇨🇿, Singapur 🇸🇬 und Indien 🇮🇳, die nun mithilfe der Preisgelder bis zum Sommer realisiert werden.

Gewonnen haben:
▪ Henry Hu (Singapur) mit „MIRΔGE“
▪ Studio Moebius X Three Oscillators (Indien) mit „RE:STRUCT“
▪ Metanoia (Tschechische Republik) mit „Metabolism“

"Die enorme Beteiligung von 118 Einreichungen beim BBBank Award hat mich
tief beeindruckt. Die prämierten Beiträge aus Tschechien, Singapur und Indien zeigen beispielhaft, welch außergewöhnliches künstlerisches Niveau im Projection
Mapping erreicht wird. Ich freue mich sehr darauf, diese stimmungsvollen
Arbeiten im Sommer 2026 bei den SCHLOSSLICHTSPIELEN Karlsruhe erleben zu
dürfen." (Oliver Lüsch, Vorsitzender des Vorstands der BBBank eG)

📲 www.schlosslichtspiele.info

#schlosslichtspiele #projectionmapping #bbbankaward #bbbank

Die ersten drei Shows, die im Sommer 2026 auf dem Karlsruher Schloss zu sehen sein werden, stehen bereits fest. Es sind die Arbeiten der Gewinnerinnen und Gewinner des 𝗕𝗕𝗕𝗮𝗻𝗸 𝗔𝘄𝗮𝗿𝗱𝘀 𝗶𝗺 𝗣𝗿𝗼𝗷𝗲𝗰𝘁𝗶𝗼𝗻 𝗠𝗮𝗽𝗽𝗶𝗻𝗴, der zum sechsten Mal ausgeschrieben wurde. Aus insgesamt 118 Konzepten, die von Künstlerinnen und Künstlern aus aller Welt eingereicht wurden, entschied sich die Jury des BBBank Awards für drei Werke aus Tschechien 🇨🇿, Singapur 🇸🇬 und Indien 🇮🇳, die nun mithilfe der Preisgelder bis zum Sommer realisiert werden.

Gewonnen haben:
▪ Henry Hu (Singapur) mit „MIRΔGE“
▪ Studio Moebius X Three Oscillators (Indien) mit „RE:STRUCT“
▪ Metanoia (Tschechische Republik) mit „Metabolism“

"Die enorme Beteiligung von 118 Einreichungen beim BBBank Award hat mich
tief beeindruckt. Die prämierten Beiträge aus Tschechien, Singapur und Indien zeigen beispielhaft, welch außergewöhnliches künstlerisches Niveau im Projection
Mapping erreicht wird. Ich freue mich sehr darauf, diese stimmungsvollen
Arbeiten im Sommer 2026 bei den SCHLOSSLICHTSPIELEN Karlsruhe erleben zu
dürfen." (Oliver Lüsch, Vorsitzender des Vorstands der BBBank eG)

📲 www.schlosslichtspiele.info

#schlosslichtspiele #projectionmapping #bbbankaward #bbbank

Die ersten drei Shows, die im Sommer 2026 auf dem Karlsruher Schloss zu sehen sein werden, stehen bereits fest. Es sind die Arbeiten der Gewinnerinnen und Gewinner des 𝗕𝗕𝗕𝗮𝗻𝗸 𝗔𝘄𝗮𝗿𝗱𝘀 𝗶𝗺 𝗣𝗿𝗼𝗷𝗲𝗰𝘁𝗶𝗼𝗻 𝗠𝗮𝗽𝗽𝗶𝗻𝗴, der zum sechsten Mal ausgeschrieben wurde. Aus insgesamt 118 Konzepten, die von Künstlerinnen und Künstlern aus aller Welt eingereicht wurden, entschied sich die Jury des BBBank Awards für drei Werke aus Tschechien 🇨🇿, Singapur 🇸🇬 und Indien 🇮🇳, die nun mithilfe der Preisgelder bis zum Sommer realisiert werden.

Gewonnen haben:
▪ Henry Hu (Singapur) mit „MIRΔGE“
▪ Studio Moebius X Three Oscillators (Indien) mit „RE:STRUCT“
▪ Metanoia (Tschechische Republik) mit „Metabolism“

"Die enorme Beteiligung von 118 Einreichungen beim BBBank Award hat mich
tief beeindruckt. Die prämierten Beiträge aus Tschechien, Singapur und Indien zeigen beispielhaft, welch außergewöhnliches künstlerisches Niveau im Projection
Mapping erreicht wird. Ich freue mich sehr darauf, diese stimmungsvollen
Arbeiten im Sommer 2026 bei den SCHLOSSLICHTSPIELEN Karlsruhe erleben zu
dürfen." (Oliver Lüsch, Vorsitzender des Vorstands der BBBank eG)

📲 www.schlosslichtspiele.info

#schlosslichtspiele #projectionmapping #bbbankaward #bbbank

A glimpse into the 7th edition of This&That! with Nikunj Patel @moebius_in founder if Studio Moebius @studiomoebius where we dove deep into the Memory of motion and explored how animation, design, and music come together to create truly immersive experiences.

Stay tuned and follow for more exciting sessions!

#thisandthatbyhat #studiohowaboutthat #nikunjpatel #studiomoebius

Stutterfly has its second festival selection at @fff_filmfest, First Film Festival in IDC!!! I'm super excited to share this film after working on it for around 3 years:)

This film was created before IDC, as my graduation project from DJ academy of design and took more than the time before my juries to finish it completely and well, and special thanks to @moebius_infor producing this film and giving his constant support and guidance in helping me finish my first animated short!!

Ever looked at a visual and instantly felt the song?
That’s synaesthetic design, and at All About Music 2025, Nikunj Patel decoded how to craft visuals that people truly feel.
.
.
.
.
.
.
.
.
#allaboutmusic #allaboutmusic2025 #musicconference #musicindustry #musicbusiness101 #artists #beapartofthemovement #momentum

[all about music, all about music 2025, music conference, music industry, music business 101, artists, Be a part of the movement, Momentum]

Ever looked at a visual and instantly felt the song?
That’s synaesthetic design, and at All About Music 2025, Nikunj Patel decoded how to craft visuals that people truly feel.
.
.
.
.
.
.
.
.
#allaboutmusic #allaboutmusic2025 #musicconference #musicindustry #musicbusiness101 #artists #beapartofthemovement #momentum

[all about music, all about music 2025, music conference, music industry, music business 101, artists, Be a part of the movement, Momentum]

Ever looked at a visual and instantly felt the song?
That’s synaesthetic design, and at All About Music 2025, Nikunj Patel decoded how to craft visuals that people truly feel.
.
.
.
.
.
.
.
.
#allaboutmusic #allaboutmusic2025 #musicconference #musicindustry #musicbusiness101 #artists #beapartofthemovement #momentum

[all about music, all about music 2025, music conference, music industry, music business 101, artists, Be a part of the movement, Momentum]

Ever looked at a visual and instantly felt the song?
That’s synaesthetic design, and at All About Music 2025, Nikunj Patel decoded how to craft visuals that people truly feel.
.
.
.
.
.
.
.
.
#allaboutmusic #allaboutmusic2025 #musicconference #musicindustry #musicbusiness101 #artists #beapartofthemovement #momentum

[all about music, all about music 2025, music conference, music industry, music business 101, artists, Be a part of the movement, Momentum]

Ever looked at a visual and instantly felt the song?
That’s synaesthetic design, and at All About Music 2025, Nikunj Patel decoded how to craft visuals that people truly feel.
.
.
.
.
.
.
.
.
#allaboutmusic #allaboutmusic2025 #musicconference #musicindustry #musicbusiness101 #artists #beapartofthemovement #momentum

[all about music, all about music 2025, music conference, music industry, music business 101, artists, Be a part of the movement, Momentum]

Meet Nikunj Patel.
His illustrations explore the space between the organic and the futuristic. A space where imagination bends reality. With surreal detail and cosmic depth, his work builds worlds that feel otherworldly yet deeply human.
~
Explore more of his world through the link in bio!

Meet Nikunj Patel.
His illustrations explore the space between the organic and the futuristic. A space where imagination bends reality. With surreal detail and cosmic depth, his work builds worlds that feel otherworldly yet deeply human.
~
Explore more of his world through the link in bio!

Meet Nikunj Patel.
His illustrations explore the space between the organic and the futuristic. A space where imagination bends reality. With surreal detail and cosmic depth, his work builds worlds that feel otherworldly yet deeply human.
~
Explore more of his world through the link in bio!

Meet Nikunj Patel.
His illustrations explore the space between the organic and the futuristic. A space where imagination bends reality. With surreal detail and cosmic depth, his work builds worlds that feel otherworldly yet deeply human.
~
Explore more of his world through the link in bio!

Meet Nikunj Patel.
His illustrations explore the space between the organic and the futuristic. A space where imagination bends reality. With surreal detail and cosmic depth, his work builds worlds that feel otherworldly yet deeply human.
~
Explore more of his world through the link in bio!

Meet Nikunj Patel.
His illustrations explore the space between the organic and the futuristic. A space where imagination bends reality. With surreal detail and cosmic depth, his work builds worlds that feel otherworldly yet deeply human.
~
Explore more of his world through the link in bio!

Meet Nikunj Patel.
His illustrations explore the space between the organic and the futuristic. A space where imagination bends reality. With surreal detail and cosmic depth, his work builds worlds that feel otherworldly yet deeply human.
~
Explore more of his world through the link in bio!

Meet Nikunj Patel.
His illustrations explore the space between the organic and the futuristic. A space where imagination bends reality. With surreal detail and cosmic depth, his work builds worlds that feel otherworldly yet deeply human.
~
Explore more of his world through the link in bio!

Meet Nikunj Patel.
His illustrations explore the space between the organic and the futuristic. A space where imagination bends reality. With surreal detail and cosmic depth, his work builds worlds that feel otherworldly yet deeply human.
~
Explore more of his world through the link in bio!

2nd Prize Winner🥈
Our piece FRAGMENTS was awarded 2nd place by the jury at @mapsionfestival currently taking place at Jyväskylä in Finland 🇫🇮

Animation: @studiomoebius
Music: @threeoscillators

FRAGMENTS will be screened along with other shortlisted entries from Oct25 to Nov16 on the Jyväskylä city hall so do catch it in person if you’re around!

Congratulations to fellow winners:
“Dance of the Northern Lights”
by Katsuhiko Kajotani for 1st place
“Drifting Silence”
by @vousa & @zeitball for 3rd place

Created on @maxonvfx

Camera footage coming soon!

2nd Prize Winner🥈
Our piece FRAGMENTS was awarded 2nd place by the jury at @mapsionfestival currently taking place at Jyväskylä in Finland 🇫🇮

Animation: @studiomoebius
Music: @threeoscillators

FRAGMENTS will be screened along with other shortlisted entries from Oct25 to Nov16 on the Jyväskylä city hall so do catch it in person if you’re around!

Congratulations to fellow winners:
“Dance of the Northern Lights”
by Katsuhiko Kajotani for 1st place
“Drifting Silence”
by @vousa & @zeitball for 3rd place

Created on @maxonvfx

Camera footage coming soon!

2nd Prize Winner🥈
Our piece FRAGMENTS was awarded 2nd place by the jury at @mapsionfestival currently taking place at Jyväskylä in Finland 🇫🇮

Animation: @studiomoebius
Music: @threeoscillators

FRAGMENTS will be screened along with other shortlisted entries from Oct25 to Nov16 on the Jyväskylä city hall so do catch it in person if you’re around!

Congratulations to fellow winners:
“Dance of the Northern Lights”
by Katsuhiko Kajotani for 1st place
“Drifting Silence”
by @vousa & @zeitball for 3rd place

Created on @maxonvfx

Camera footage coming soon!

2nd Prize Winner🥈
Our piece FRAGMENTS was awarded 2nd place by the jury at @mapsionfestival currently taking place at Jyväskylä in Finland 🇫🇮

Animation: @studiomoebius
Music: @threeoscillators

FRAGMENTS will be screened along with other shortlisted entries from Oct25 to Nov16 on the Jyväskylä city hall so do catch it in person if you’re around!

Congratulations to fellow winners:
“Dance of the Northern Lights”
by Katsuhiko Kajotani for 1st place
“Drifting Silence”
by @vousa & @zeitball for 3rd place

Created on @maxonvfx

Camera footage coming soon!

2nd Prize Winner🥈
Our piece FRAGMENTS was awarded 2nd place by the jury at @mapsionfestival currently taking place at Jyväskylä in Finland 🇫🇮

Animation: @studiomoebius
Music: @threeoscillators

FRAGMENTS will be screened along with other shortlisted entries from Oct25 to Nov16 on the Jyväskylä city hall so do catch it in person if you’re around!

Congratulations to fellow winners:
“Dance of the Northern Lights”
by Katsuhiko Kajotani for 1st place
“Drifting Silence”
by @vousa & @zeitball for 3rd place

Created on @maxonvfx

Camera footage coming soon!

Mapsion 2025 Shortlisted Artists:

Artist:
Studio Moebius
@moebius_in
@studiomoebius
@threeoscillators

Country:
India

About the artist:
Nikunj Patel is a multidisciplinary digital artist who seeks to bring digital practices out of the studio, and into live, spatial, experiential settings. His work exists at the intersections of animation, illustration, projection & graphic design. He also expresses his creativity through music production and is a DJ-ing pushing progressive electronic music on Indian dancefloors and radio waves.

Studio Moebius is Nikunj’s Animation and Visual Design practice based in Mumbai, India. Nikunj is a Motion specialist with years of professional experience in Animation Direction and 2D Animation Film-making.

Name of the artwork:
Fragments

Description of the artwork:
Fragments by Studio Moebius and Three Oscillators intends to expose the rhythm that hides behind the apparent inertia of structure. Fragments demonstrates that frameworks as we know them currently, must be deconstructed to reveal and re-image the alternate possibilities and potential they hide. That harmony is to be found in the limbo between order and disorder.

Premiere of all finalist works at Jyväskylä Kirkkopuisto on October 25th from 7-9pm.

@lähitapiola_keskisuomi
@jyvaskylankaupunki
@visitjyvaskylaregion
@mad_mapper
@tiainen.xyz

#videomapping #videomappingcompetition #projectionmapping #3Dvideomapping #lightfestival #lightart #vjmapping #madmapper #jyväskylä #visitjyväskyläregion #cityoflight2025 #valonkaupunki2025 #valotaidetapahtuma #mapsion #mapsionfestival #videomappaus #tiainenxyz

New edition of The Divine light cabinet.
Rosewood tips, free standing frame and @moebius_inadding some new elements to the artwork. Now available.

📸 @m.angesh

New edition of The Divine light cabinet.
Rosewood tips, free standing frame and @moebius_inadding some new elements to the artwork. Now available.

📸 @m.angesh

New edition of The Divine light cabinet.
Rosewood tips, free standing frame and @moebius_inadding some new elements to the artwork. Now available.

📸 @m.angesh

New edition of The Divine light cabinet.
Rosewood tips, free standing frame and @moebius_inadding some new elements to the artwork. Now available.

📸 @m.angesh

New edition of The Divine light cabinet.
Rosewood tips, free standing frame and @moebius_inadding some new elements to the artwork. Now available.

📸 @m.angesh

New edition of The Divine light cabinet.
Rosewood tips, free standing frame and @moebius_inadding some new elements to the artwork. Now available.

📸 @m.angesh

New edition of The Divine light cabinet.
Rosewood tips, free standing frame and @moebius_inadding some new elements to the artwork. Now available.

📸 @m.angesh

New edition of The Divine light cabinet.
Rosewood tips, free standing frame and @moebius_inadding some new elements to the artwork. Now available.

📸 @m.angesh

New edition of The Divine light cabinet.
Rosewood tips, free standing frame and @moebius_inadding some new elements to the artwork. Now available.

📸 @m.angesh

New edition of The Divine light cabinet.
Rosewood tips, free standing frame and @moebius_inadding some new elements to the artwork. Now available.

📸 @m.angesh

New edition of The Divine light cabinet.
Rosewood tips, free standing frame and @moebius_inadding some new elements to the artwork. Now available.

📸 @m.angesh

Pt 2
From chaos to collaboration

With just 2 weeks to create a projection mapping show, the challenges were real. Clunky workflows, tech hiccups, creative fogs, endless late nights, but the breakthroughs were even better. These 2 weeks were about learning from incredible mentors @ruestungsschmie.de, swapping inspiration, adapting to new approaches and building something bigger than any one of us.

And then — the premiere. Seeing our visuals come alive on the Schloss facade, feeling the energy of the crowd, watching all of us react to what we’d made… pure magic.

What I take back isn’t just technical knowledge, but friendships, stamina, humility, and the reminder that art can connect across cultures. Projection mapping has meaning again for me, and I hope to take it further. I rediscovered that I thrive in collaboration, that collective optimism and stubbornness can power through anything, and that yes — I’ve still got it.

📸 @schlosslichtspielekarlsruhe @karlsruhetweets @zepya_ @jesus_s.baptista

Pt 2
From chaos to collaboration

With just 2 weeks to create a projection mapping show, the challenges were real. Clunky workflows, tech hiccups, creative fogs, endless late nights, but the breakthroughs were even better. These 2 weeks were about learning from incredible mentors @ruestungsschmie.de, swapping inspiration, adapting to new approaches and building something bigger than any one of us.

And then — the premiere. Seeing our visuals come alive on the Schloss facade, feeling the energy of the crowd, watching all of us react to what we’d made… pure magic.

What I take back isn’t just technical knowledge, but friendships, stamina, humility, and the reminder that art can connect across cultures. Projection mapping has meaning again for me, and I hope to take it further. I rediscovered that I thrive in collaboration, that collective optimism and stubbornness can power through anything, and that yes — I’ve still got it.

📸 @schlosslichtspielekarlsruhe @karlsruhetweets @zepya_ @jesus_s.baptista

Pt 2
From chaos to collaboration

With just 2 weeks to create a projection mapping show, the challenges were real. Clunky workflows, tech hiccups, creative fogs, endless late nights, but the breakthroughs were even better. These 2 weeks were about learning from incredible mentors @ruestungsschmie.de, swapping inspiration, adapting to new approaches and building something bigger than any one of us.

And then — the premiere. Seeing our visuals come alive on the Schloss facade, feeling the energy of the crowd, watching all of us react to what we’d made… pure magic.

What I take back isn’t just technical knowledge, but friendships, stamina, humility, and the reminder that art can connect across cultures. Projection mapping has meaning again for me, and I hope to take it further. I rediscovered that I thrive in collaboration, that collective optimism and stubbornness can power through anything, and that yes — I’ve still got it.

📸 @schlosslichtspielekarlsruhe @karlsruhetweets @zepya_ @jesus_s.baptista

Pt 2
From chaos to collaboration

With just 2 weeks to create a projection mapping show, the challenges were real. Clunky workflows, tech hiccups, creative fogs, endless late nights, but the breakthroughs were even better. These 2 weeks were about learning from incredible mentors @ruestungsschmie.de, swapping inspiration, adapting to new approaches and building something bigger than any one of us.

And then — the premiere. Seeing our visuals come alive on the Schloss facade, feeling the energy of the crowd, watching all of us react to what we’d made… pure magic.

What I take back isn’t just technical knowledge, but friendships, stamina, humility, and the reminder that art can connect across cultures. Projection mapping has meaning again for me, and I hope to take it further. I rediscovered that I thrive in collaboration, that collective optimism and stubbornness can power through anything, and that yes — I’ve still got it.

📸 @schlosslichtspielekarlsruhe @karlsruhetweets @zepya_ @jesus_s.baptista

Pt 2
From chaos to collaboration

With just 2 weeks to create a projection mapping show, the challenges were real. Clunky workflows, tech hiccups, creative fogs, endless late nights, but the breakthroughs were even better. These 2 weeks were about learning from incredible mentors @ruestungsschmie.de, swapping inspiration, adapting to new approaches and building something bigger than any one of us.

And then — the premiere. Seeing our visuals come alive on the Schloss facade, feeling the energy of the crowd, watching all of us react to what we’d made… pure magic.

What I take back isn’t just technical knowledge, but friendships, stamina, humility, and the reminder that art can connect across cultures. Projection mapping has meaning again for me, and I hope to take it further. I rediscovered that I thrive in collaboration, that collective optimism and stubbornness can power through anything, and that yes — I’ve still got it.

📸 @schlosslichtspielekarlsruhe @karlsruhetweets @zepya_ @jesus_s.baptista

Pt 2
From chaos to collaboration

With just 2 weeks to create a projection mapping show, the challenges were real. Clunky workflows, tech hiccups, creative fogs, endless late nights, but the breakthroughs were even better. These 2 weeks were about learning from incredible mentors @ruestungsschmie.de, swapping inspiration, adapting to new approaches and building something bigger than any one of us.

And then — the premiere. Seeing our visuals come alive on the Schloss facade, feeling the energy of the crowd, watching all of us react to what we’d made… pure magic.

What I take back isn’t just technical knowledge, but friendships, stamina, humility, and the reminder that art can connect across cultures. Projection mapping has meaning again for me, and I hope to take it further. I rediscovered that I thrive in collaboration, that collective optimism and stubbornness can power through anything, and that yes — I’ve still got it.

📸 @schlosslichtspielekarlsruhe @karlsruhetweets @zepya_ @jesus_s.baptista

Pt 2
From chaos to collaboration

With just 2 weeks to create a projection mapping show, the challenges were real. Clunky workflows, tech hiccups, creative fogs, endless late nights, but the breakthroughs were even better. These 2 weeks were about learning from incredible mentors @ruestungsschmie.de, swapping inspiration, adapting to new approaches and building something bigger than any one of us.

And then — the premiere. Seeing our visuals come alive on the Schloss facade, feeling the energy of the crowd, watching all of us react to what we’d made… pure magic.

What I take back isn’t just technical knowledge, but friendships, stamina, humility, and the reminder that art can connect across cultures. Projection mapping has meaning again for me, and I hope to take it further. I rediscovered that I thrive in collaboration, that collective optimism and stubbornness can power through anything, and that yes — I’ve still got it.

📸 @schlosslichtspielekarlsruhe @karlsruhetweets @zepya_ @jesus_s.baptista

Pt 2
From chaos to collaboration

With just 2 weeks to create a projection mapping show, the challenges were real. Clunky workflows, tech hiccups, creative fogs, endless late nights, but the breakthroughs were even better. These 2 weeks were about learning from incredible mentors @ruestungsschmie.de, swapping inspiration, adapting to new approaches and building something bigger than any one of us.

And then — the premiere. Seeing our visuals come alive on the Schloss facade, feeling the energy of the crowd, watching all of us react to what we’d made… pure magic.

What I take back isn’t just technical knowledge, but friendships, stamina, humility, and the reminder that art can connect across cultures. Projection mapping has meaning again for me, and I hope to take it further. I rediscovered that I thrive in collaboration, that collective optimism and stubbornness can power through anything, and that yes — I’ve still got it.

📸 @schlosslichtspielekarlsruhe @karlsruhetweets @zepya_ @jesus_s.baptista

Pt 2
From chaos to collaboration

With just 2 weeks to create a projection mapping show, the challenges were real. Clunky workflows, tech hiccups, creative fogs, endless late nights, but the breakthroughs were even better. These 2 weeks were about learning from incredible mentors @ruestungsschmie.de, swapping inspiration, adapting to new approaches and building something bigger than any one of us.

And then — the premiere. Seeing our visuals come alive on the Schloss facade, feeling the energy of the crowd, watching all of us react to what we’d made… pure magic.

What I take back isn’t just technical knowledge, but friendships, stamina, humility, and the reminder that art can connect across cultures. Projection mapping has meaning again for me, and I hope to take it further. I rediscovered that I thrive in collaboration, that collective optimism and stubbornness can power through anything, and that yes — I’ve still got it.

📸 @schlosslichtspielekarlsruhe @karlsruhetweets @zepya_ @jesus_s.baptista

Pt 2
From chaos to collaboration

With just 2 weeks to create a projection mapping show, the challenges were real. Clunky workflows, tech hiccups, creative fogs, endless late nights, but the breakthroughs were even better. These 2 weeks were about learning from incredible mentors @ruestungsschmie.de, swapping inspiration, adapting to new approaches and building something bigger than any one of us.

And then — the premiere. Seeing our visuals come alive on the Schloss facade, feeling the energy of the crowd, watching all of us react to what we’d made… pure magic.

What I take back isn’t just technical knowledge, but friendships, stamina, humility, and the reminder that art can connect across cultures. Projection mapping has meaning again for me, and I hope to take it further. I rediscovered that I thrive in collaboration, that collective optimism and stubbornness can power through anything, and that yes — I’ve still got it.

📸 @schlosslichtspielekarlsruhe @karlsruhetweets @zepya_ @jesus_s.baptista

Pt 2
From chaos to collaboration

With just 2 weeks to create a projection mapping show, the challenges were real. Clunky workflows, tech hiccups, creative fogs, endless late nights, but the breakthroughs were even better. These 2 weeks were about learning from incredible mentors @ruestungsschmie.de, swapping inspiration, adapting to new approaches and building something bigger than any one of us.

And then — the premiere. Seeing our visuals come alive on the Schloss facade, feeling the energy of the crowd, watching all of us react to what we’d made… pure magic.

What I take back isn’t just technical knowledge, but friendships, stamina, humility, and the reminder that art can connect across cultures. Projection mapping has meaning again for me, and I hope to take it further. I rediscovered that I thrive in collaboration, that collective optimism and stubbornness can power through anything, and that yes — I’ve still got it.

📸 @schlosslichtspielekarlsruhe @karlsruhetweets @zepya_ @jesus_s.baptista