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v1c3v1c3v1c3.gmbh

STUDIO V1C3 is now online.

On the screen, we keep dancing.
A rhythm shaped by everything we have made,
and a small visual air® conditioner for what is yet to come.

STUDIO V1C3: cooling down what burns, sharpening its clarity, and setting the cold things back in motion.

v1c3v1c3v1c3.gmbh

STUDIO V1C3 is now online.

On the screen, we keep dancing.
A rhythm shaped by everything we have made,
and a small visual air® conditioner for what is yet to come.

STUDIO V1C3: cooling down what burns, sharpening its clarity, and setting the cold things back in motion.

v1c3v1c3v1c3.gmbh

STUDIO V1C3 is now online.

On the screen, we keep dancing.
A rhythm shaped by everything we have made,
and a small visual air® conditioner for what is yet to come.

STUDIO V1C3: cooling down what burns, sharpening its clarity, and setting the cold things back in motion.

v1c3v1c3v1c3.gmbh

STUDIO V1C3 is now online.

On the screen, we keep dancing.
A rhythm shaped by everything we have made,
and a small visual air® conditioner for what is yet to come.

STUDIO V1C3: cooling down what burns, sharpening its clarity, and setting the cold things back in motion.

SAFARISPOT × <잔인한 낙관> GV 스크리닝 이벤트

사파리스팟은 한국 독립영화의 지속적인 발전과 영화 산업 내 다양한 콘텐츠 확장을 지지하며, 이번 스크리닝과 연계한 이벤트를 준비했습니다.

사파리스팟과 영화 <잔인한 낙관>이 함께하는 GV 스크리닝 이벤트를 진행합니다.
본 작품은 제27회 전주국제영화제 한국경쟁 부문 상영작입니다.

마더 오프라인에서 진행되는 스크리닝과 함께,
이벤트 참여자 중 추첨을 통해 티셔츠 1부와 MOTHER OFFLINE SCREENING SERVICE DRINK 2잔을 증정드립니다.
티셔츠 증정은 스크리닝 종료 후 진행되며, 스크리닝 이후에는 신목야 감독님의 GV가 예정되어 있습니다.

—

[Event]
참여 방법 : 해당 게시글 좋아요 + 스토리 공유
당첨 인원 : 총 1명
추첨 날짜 : 5월 7일 수요일
*응모는 5월 6일 12:00PM까지 가능합니다.

[Benefit]

* <잔인한 낙관> 티셔츠 1장 (Free Size)
* MOTHER OFFLINE SCREENING SERVICE DRINK 2잔

[Information]

* 일정 : 5/21 오후 8시
* 장소 : 마더 오프라인 @mother.offline
* GV : 신목야 감독 참석 / 그 외 미정

-

<잔인한 낙관> 티셔츠는 전주국제영화제 기간 후로기 오피스 @froggyoffice 에서 30매 한정 판매됩니다.

티셔츠 디자인 : STUDIO V1C3 @studiov1c3

SAFARISPOT × <잔인한 낙관> GV 스크리닝 이벤트

사파리스팟은 한국 독립영화의 지속적인 발전과 영화 산업 내 다양한 콘텐츠 확장을 지지하며, 이번 스크리닝과 연계한 이벤트를 준비했습니다.

사파리스팟과 영화 <잔인한 낙관>이 함께하는 GV 스크리닝 이벤트를 진행합니다.
본 작품은 제27회 전주국제영화제 한국경쟁 부문 상영작입니다.

마더 오프라인에서 진행되는 스크리닝과 함께,
이벤트 참여자 중 추첨을 통해 티셔츠 1부와 MOTHER OFFLINE SCREENING SERVICE DRINK 2잔을 증정드립니다.
티셔츠 증정은 스크리닝 종료 후 진행되며, 스크리닝 이후에는 신목야 감독님의 GV가 예정되어 있습니다.

—

[Event]
참여 방법 : 해당 게시글 좋아요 + 스토리 공유
당첨 인원 : 총 1명
추첨 날짜 : 5월 7일 수요일
*응모는 5월 6일 12:00PM까지 가능합니다.

[Benefit]

* <잔인한 낙관> 티셔츠 1장 (Free Size)
* MOTHER OFFLINE SCREENING SERVICE DRINK 2잔

[Information]

* 일정 : 5/21 오후 8시
* 장소 : 마더 오프라인 @mother.offline
* GV : 신목야 감독 참석 / 그 외 미정

-

<잔인한 낙관> 티셔츠는 전주국제영화제 기간 후로기 오피스 @froggyoffice 에서 30매 한정 판매됩니다.

티셔츠 디자인 : STUDIO V1C3 @studiov1c3

SAFARISPOT × <잔인한 낙관> GV 스크리닝 이벤트

사파리스팟은 한국 독립영화의 지속적인 발전과 영화 산업 내 다양한 콘텐츠 확장을 지지하며, 이번 스크리닝과 연계한 이벤트를 준비했습니다.

사파리스팟과 영화 <잔인한 낙관>이 함께하는 GV 스크리닝 이벤트를 진행합니다.
본 작품은 제27회 전주국제영화제 한국경쟁 부문 상영작입니다.

마더 오프라인에서 진행되는 스크리닝과 함께,
이벤트 참여자 중 추첨을 통해 티셔츠 1부와 MOTHER OFFLINE SCREENING SERVICE DRINK 2잔을 증정드립니다.
티셔츠 증정은 스크리닝 종료 후 진행되며, 스크리닝 이후에는 신목야 감독님의 GV가 예정되어 있습니다.

—

[Event]
참여 방법 : 해당 게시글 좋아요 + 스토리 공유
당첨 인원 : 총 1명
추첨 날짜 : 5월 7일 수요일
*응모는 5월 6일 12:00PM까지 가능합니다.

[Benefit]

* <잔인한 낙관> 티셔츠 1장 (Free Size)
* MOTHER OFFLINE SCREENING SERVICE DRINK 2잔

[Information]

* 일정 : 5/21 오후 8시
* 장소 : 마더 오프라인 @mother.offline
* GV : 신목야 감독 참석 / 그 외 미정

-

<잔인한 낙관> 티셔츠는 전주국제영화제 기간 후로기 오피스 @froggyoffice 에서 30매 한정 판매됩니다.

티셔츠 디자인 : STUDIO V1C3 @studiov1c3

Artist BI Logo & Symbol Design for @daily_direction_official

The visual identity of DAILY:DIRECTION stands on its own. It carries a playful energy, grounded in an almost analog texture, while the vision they pursue feels distinctly independent and set apart from others.

Like the word “Daily,” the forward-moving DD star figure symbol embodies a sense of progression. It seamlessly merges with the rough, expressive main typeface, forming a unified graphic language.

The logotype is finished with a single sharp stroke, emphasizing direction and pointing toward where the group is headed.

Client: @official_oddwave
Creative direction: @xoxohee_
Project management: @hoyoon_by

Artist BI Logo & Symbol Design for @daily_direction_official

The visual identity of DAILY:DIRECTION stands on its own. It carries a playful energy, grounded in an almost analog texture, while the vision they pursue feels distinctly independent and set apart from others.

Like the word “Daily,” the forward-moving DD star figure symbol embodies a sense of progression. It seamlessly merges with the rough, expressive main typeface, forming a unified graphic language.

The logotype is finished with a single sharp stroke, emphasizing direction and pointing toward where the group is headed.

Client: @official_oddwave
Creative direction: @xoxohee_
Project management: @hoyoon_by

Artist BI Logo & Symbol Design for @daily_direction_official

The visual identity of DAILY:DIRECTION stands on its own. It carries a playful energy, grounded in an almost analog texture, while the vision they pursue feels distinctly independent and set apart from others.

Like the word “Daily,” the forward-moving DD star figure symbol embodies a sense of progression. It seamlessly merges with the rough, expressive main typeface, forming a unified graphic language.

The logotype is finished with a single sharp stroke, emphasizing direction and pointing toward where the group is headed.

Client: @official_oddwave
Creative direction: @xoxohee_
Project management: @hoyoon_by

Artist BI Logo & Symbol Design for @daily_direction_official

The visual identity of DAILY:DIRECTION stands on its own. It carries a playful energy, grounded in an almost analog texture, while the vision they pursue feels distinctly independent and set apart from others.

Like the word “Daily,” the forward-moving DD star figure symbol embodies a sense of progression. It seamlessly merges with the rough, expressive main typeface, forming a unified graphic language.

The logotype is finished with a single sharp stroke, emphasizing direction and pointing toward where the group is headed.

Client: @official_oddwave
Creative direction: @xoxohee_
Project management: @hoyoon_by

Artist BI Logo & Symbol Design for @daily_direction_official

The visual identity of DAILY:DIRECTION stands on its own. It carries a playful energy, grounded in an almost analog texture, while the vision they pursue feels distinctly independent and set apart from others.

Like the word “Daily,” the forward-moving DD star figure symbol embodies a sense of progression. It seamlessly merges with the rough, expressive main typeface, forming a unified graphic language.

The logotype is finished with a single sharp stroke, emphasizing direction and pointing toward where the group is headed.

Client: @official_oddwave
Creative direction: @xoxohee_
Project management: @hoyoon_by

Artist BI Logo & Symbol Design for @daily_direction_official

The visual identity of DAILY:DIRECTION stands on its own. It carries a playful energy, grounded in an almost analog texture, while the vision they pursue feels distinctly independent and set apart from others.

Like the word “Daily,” the forward-moving DD star figure symbol embodies a sense of progression. It seamlessly merges with the rough, expressive main typeface, forming a unified graphic language.

The logotype is finished with a single sharp stroke, emphasizing direction and pointing toward where the group is headed.

Client: @official_oddwave
Creative direction: @xoxohee_
Project management: @hoyoon_by

Artist BI Logo & Symbol Design for @daily_direction_official

The visual identity of DAILY:DIRECTION stands on its own. It carries a playful energy, grounded in an almost analog texture, while the vision they pursue feels distinctly independent and set apart from others.

Like the word “Daily,” the forward-moving DD star figure symbol embodies a sense of progression. It seamlessly merges with the rough, expressive main typeface, forming a unified graphic language.

The logotype is finished with a single sharp stroke, emphasizing direction and pointing toward where the group is headed.

Client: @official_oddwave
Creative direction: @xoxohee_
Project management: @hoyoon_by

Artist BI Logo & Symbol Design for @daily_direction_official

The visual identity of DAILY:DIRECTION stands on its own. It carries a playful energy, grounded in an almost analog texture, while the vision they pursue feels distinctly independent and set apart from others.

Like the word “Daily,” the forward-moving DD star figure symbol embodies a sense of progression. It seamlessly merges with the rough, expressive main typeface, forming a unified graphic language.

The logotype is finished with a single sharp stroke, emphasizing direction and pointing toward where the group is headed.

Client: @official_oddwave
Creative direction: @xoxohee_
Project management: @hoyoon_by

Artist BI Logo & Symbol Design for @daily_direction_official

The visual identity of DAILY:DIRECTION stands on its own. It carries a playful energy, grounded in an almost analog texture, while the vision they pursue feels distinctly independent and set apart from others.

Like the word “Daily,” the forward-moving DD star figure symbol embodies a sense of progression. It seamlessly merges with the rough, expressive main typeface, forming a unified graphic language.

The logotype is finished with a single sharp stroke, emphasizing direction and pointing toward where the group is headed.

Client: @official_oddwave
Creative direction: @xoxohee_
Project management: @hoyoon_by

Artist BI Logo & Symbol Design for @daily_direction_official

The visual identity of DAILY:DIRECTION stands on its own. It carries a playful energy, grounded in an almost analog texture, while the vision they pursue feels distinctly independent and set apart from others.

Like the word “Daily,” the forward-moving DD star figure symbol embodies a sense of progression. It seamlessly merges with the rough, expressive main typeface, forming a unified graphic language.

The logotype is finished with a single sharp stroke, emphasizing direction and pointing toward where the group is headed.

Client: @official_oddwave
Creative direction: @xoxohee_
Project management: @hoyoon_by

A small piece of STUDIO V1C3

This business card condenses the identity of STUDIO V1C3.
It creates visuals that are raw, creative, and stick in your mind, what we call a “visual air® conditioner” haha.

We’re always open to people who want to go through the whole process of visuals and experiences together,
and I’d love to hand you this card in person.

A small piece of STUDIO V1C3

This business card condenses the identity of STUDIO V1C3.
It creates visuals that are raw, creative, and stick in your mind, what we call a “visual air® conditioner” haha.

We’re always open to people who want to go through the whole process of visuals and experiences together,
and I’d love to hand you this card in person.

A small piece of STUDIO V1C3

This business card condenses the identity of STUDIO V1C3.
It creates visuals that are raw, creative, and stick in your mind, what we call a “visual air® conditioner” haha.

We’re always open to people who want to go through the whole process of visuals and experiences together,
and I’d love to hand you this card in person.

A small piece of STUDIO V1C3

This business card condenses the identity of STUDIO V1C3.
It creates visuals that are raw, creative, and stick in your mind, what we call a “visual air® conditioner” haha.

We’re always open to people who want to go through the whole process of visuals and experiences together,
and I’d love to hand you this card in person.

BI Logo & Symbol Design for @atheart.titan

‘Where emotion meets motion’

Each ‘a’ carries a distinct identity; the linear, directional ‘a’ in at suggests movement and intention, while the curved, organic ‘a’ in heart reflects warmth and emotional flow. Together they visualize the dual nature of Gen Z: rational yet deeply feeling. The subtle italic tilt adds speed, rhythm, and youthful energy, while the connected stems of r and t build visual continuity.

For the main symbol, we explored ways to combine @ (at) and heart in a more engaging and cohesive manner. Option A brings together the @ symbol and the wordmark’s h to form a single heart shape, resulting in a solid and visually striking impression.

BI Logo & Symbol Design for @atheart.titan

‘Where emotion meets motion’

Each ‘a’ carries a distinct identity; the linear, directional ‘a’ in at suggests movement and intention, while the curved, organic ‘a’ in heart reflects warmth and emotional flow. Together they visualize the dual nature of Gen Z: rational yet deeply feeling. The subtle italic tilt adds speed, rhythm, and youthful energy, while the connected stems of r and t build visual continuity.

For the main symbol, we explored ways to combine @ (at) and heart in a more engaging and cohesive manner. Option A brings together the @ symbol and the wordmark’s h to form a single heart shape, resulting in a solid and visually striking impression.

BI Logo & Symbol Design for @atheart.titan

‘Where emotion meets motion’

Each ‘a’ carries a distinct identity; the linear, directional ‘a’ in at suggests movement and intention, while the curved, organic ‘a’ in heart reflects warmth and emotional flow. Together they visualize the dual nature of Gen Z: rational yet deeply feeling. The subtle italic tilt adds speed, rhythm, and youthful energy, while the connected stems of r and t build visual continuity.

For the main symbol, we explored ways to combine @ (at) and heart in a more engaging and cohesive manner. Option A brings together the @ symbol and the wordmark’s h to form a single heart shape, resulting in a solid and visually striking impression.

BI Logo & Symbol Design for @atheart.titan

‘Where emotion meets motion’

Each ‘a’ carries a distinct identity; the linear, directional ‘a’ in at suggests movement and intention, while the curved, organic ‘a’ in heart reflects warmth and emotional flow. Together they visualize the dual nature of Gen Z: rational yet deeply feeling. The subtle italic tilt adds speed, rhythm, and youthful energy, while the connected stems of r and t build visual continuity.

For the main symbol, we explored ways to combine @ (at) and heart in a more engaging and cohesive manner. Option A brings together the @ symbol and the wordmark’s h to form a single heart shape, resulting in a solid and visually striking impression.

BI Logo & Symbol Design for @atheart.titan

‘Where emotion meets motion’

Each ‘a’ carries a distinct identity; the linear, directional ‘a’ in at suggests movement and intention, while the curved, organic ‘a’ in heart reflects warmth and emotional flow. Together they visualize the dual nature of Gen Z: rational yet deeply feeling. The subtle italic tilt adds speed, rhythm, and youthful energy, while the connected stems of r and t build visual continuity.

For the main symbol, we explored ways to combine @ (at) and heart in a more engaging and cohesive manner. Option A brings together the @ symbol and the wordmark’s h to form a single heart shape, resulting in a solid and visually striking impression.

BI Logo & Symbol Design for @atheart.titan

‘Where emotion meets motion’

Each ‘a’ carries a distinct identity; the linear, directional ‘a’ in at suggests movement and intention, while the curved, organic ‘a’ in heart reflects warmth and emotional flow. Together they visualize the dual nature of Gen Z: rational yet deeply feeling. The subtle italic tilt adds speed, rhythm, and youthful energy, while the connected stems of r and t build visual continuity.

For the main symbol, we explored ways to combine @ (at) and heart in a more engaging and cohesive manner. Option A brings together the @ symbol and the wordmark’s h to form a single heart shape, resulting in a solid and visually striking impression.

BI Logo & Symbol Design for @atheart.titan

‘Where emotion meets motion’

Each ‘a’ carries a distinct identity; the linear, directional ‘a’ in at suggests movement and intention, while the curved, organic ‘a’ in heart reflects warmth and emotional flow. Together they visualize the dual nature of Gen Z: rational yet deeply feeling. The subtle italic tilt adds speed, rhythm, and youthful energy, while the connected stems of r and t build visual continuity.

For the main symbol, we explored ways to combine @ (at) and heart in a more engaging and cohesive manner. Option A brings together the @ symbol and the wordmark’s h to form a single heart shape, resulting in a solid and visually striking impression.

Product & Physical Album Design for @woodz_dnwm 1st Full Album ‘Archvie. 1’

The inclusion of an analog key introduces a subtle tension. This juxtaposition captures the duality within his sound, where rawness and sincerity coexist within a refined structure, ultimately embodying the emotional gap between the digital and the tactile, the polished and the unfiltered.

Product & Physical Album Design for @woodz_dnwm 1st Full Album ‘Archvie. 1’

The inclusion of an analog key introduces a subtle tension. This juxtaposition captures the duality within his sound, where rawness and sincerity coexist within a refined structure, ultimately embodying the emotional gap between the digital and the tactile, the polished and the unfiltered.

Product & Physical Album Design for @woodz_dnwm 1st Full Album ‘Archvie. 1’

The inclusion of an analog key introduces a subtle tension. This juxtaposition captures the duality within his sound, where rawness and sincerity coexist within a refined structure, ultimately embodying the emotional gap between the digital and the tactile, the polished and the unfiltered.

Product & Physical Album Design for @woodz_dnwm 1st Full Album ‘Archvie. 1’

The inclusion of an analog key introduces a subtle tension. This juxtaposition captures the duality within his sound, where rawness and sincerity coexist within a refined structure, ultimately embodying the emotional gap between the digital and the tactile, the polished and the unfiltered.

Product & Physical Album Design for @woodz_dnwm 1st Full Album ‘Archvie. 1’

The inclusion of an analog key introduces a subtle tension. This juxtaposition captures the duality within his sound, where rawness and sincerity coexist within a refined structure, ultimately embodying the emotional gap between the digital and the tactile, the polished and the unfiltered.

Product & Physical Album Design for @woodz_dnwm 1st Full Album ‘Archvie. 1’

The inclusion of an analog key introduces a subtle tension. This juxtaposition captures the duality within his sound, where rawness and sincerity coexist within a refined structure, ultimately embodying the emotional gap between the digital and the tactile, the polished and the unfiltered.

Product & Physical Album Design for @woodz_dnwm 1st Full Album ‘Archvie. 1’

The keyring version of the album was conceived from the idea of a remote car key, directly reflecting the recurring motif of driving in his music.

As his first full length album, the design focuses on translating that narrative into a tangible object, something real, understated, and honest. The remote car key keyring is crafted with a sense of realism and restraint, while the packaging is designed to seamlessly extend this object, reinforcing a cohesive and grounded visual language.

Product & Physical Album Design for @woodz_dnwm 1st Full Album ‘Archvie. 1’

The keyring version of the album was conceived from the idea of a remote car key, directly reflecting the recurring motif of driving in his music.

As his first full length album, the design focuses on translating that narrative into a tangible object, something real, understated, and honest. The remote car key keyring is crafted with a sense of realism and restraint, while the packaging is designed to seamlessly extend this object, reinforcing a cohesive and grounded visual language.

Product & Physical Album Design for @woodz_dnwm 1st Full Album ‘Archvie. 1’

The keyring version of the album was conceived from the idea of a remote car key, directly reflecting the recurring motif of driving in his music.

As his first full length album, the design focuses on translating that narrative into a tangible object, something real, understated, and honest. The remote car key keyring is crafted with a sense of realism and restraint, while the packaging is designed to seamlessly extend this object, reinforcing a cohesive and grounded visual language.

Product & Physical Album Design for @woodz_dnwm 1st Full Album ‘Archvie. 1’

The keyring version of the album was conceived from the idea of a remote car key, directly reflecting the recurring motif of driving in his music.

As his first full length album, the design focuses on translating that narrative into a tangible object, something real, understated, and honest. The remote car key keyring is crafted with a sense of realism and restraint, while the packaging is designed to seamlessly extend this object, reinforcing a cohesive and grounded visual language.

Product & Physical Album Design for @woodz_dnwm 1st Full Album ‘Archvie. 1’

The keyring version of the album was conceived from the idea of a remote car key, directly reflecting the recurring motif of driving in his music.

As his first full length album, the design focuses on translating that narrative into a tangible object, something real, understated, and honest. The remote car key keyring is crafted with a sense of realism and restraint, while the packaging is designed to seamlessly extend this object, reinforcing a cohesive and grounded visual language.

Product & Physical Album Design for @woodz_dnwm 1st Full Album ‘Archvie. 1’

The keyring version of the album was conceived from the idea of a remote car key, directly reflecting the recurring motif of driving in his music.

As his first full length album, the design focuses on translating that narrative into a tangible object, something real, understated, and honest. The remote car key keyring is crafted with a sense of realism and restraint, while the packaging is designed to seamlessly extend this object, reinforcing a cohesive and grounded visual language.

Product & Physical Album Design for @woodz_dnwm 1st Full Album ‘Archvie. 1’

The keyring version of the album was conceived from the idea of a remote car key, directly reflecting the recurring motif of driving in his music.

As his first full length album, the design focuses on translating that narrative into a tangible object, something real, understated, and honest. The remote car key keyring is crafted with a sense of realism and restraint, while the packaging is designed to seamlessly extend this object, reinforcing a cohesive and grounded visual language.

Product & Physical Album Design for @woodz_dnwm 1st Full Album ‘Archvie. 1’

The keyring version of the album was conceived from the idea of a remote car key, directly reflecting the recurring motif of driving in his music.

As his first full length album, the design focuses on translating that narrative into a tangible object, something real, understated, and honest. The remote car key keyring is crafted with a sense of realism and restraint, while the packaging is designed to seamlessly extend this object, reinforcing a cohesive and grounded visual language.

Graphic & Physical Album Design for @woodz_dnwm 1st Full Album ‘Archvie. 1’

The main symbols of Archive.1 are conceived as a structural device that marks the beginning of an archive. The ‘W’ of WOODZ and the numeral ‘1’ function as a Drop Cap, signaling the opening of a narrative. Rather than a fixed logo, the form reflects a state in progress where emotions and sounds remain raw and unrefined.

An attempt to include even the pre polished, transitional states as part of the archive itself.

Graphic & Physical Album Design for @woodz_dnwm 1st Full Album ‘Archvie. 1’

The main symbols of Archive.1 are conceived as a structural device that marks the beginning of an archive. The ‘W’ of WOODZ and the numeral ‘1’ function as a Drop Cap, signaling the opening of a narrative. Rather than a fixed logo, the form reflects a state in progress where emotions and sounds remain raw and unrefined.

An attempt to include even the pre polished, transitional states as part of the archive itself.

Graphic & Physical Album Design for @woodz_dnwm 1st Full Album ‘Archvie. 1’

The main symbols of Archive.1 are conceived as a structural device that marks the beginning of an archive. The ‘W’ of WOODZ and the numeral ‘1’ function as a Drop Cap, signaling the opening of a narrative. Rather than a fixed logo, the form reflects a state in progress where emotions and sounds remain raw and unrefined.

An attempt to include even the pre polished, transitional states as part of the archive itself.

Graphic & Physical Album Design for @woodz_dnwm 1st Full Album ‘Archvie. 1’

The main symbols of Archive.1 are conceived as a structural device that marks the beginning of an archive. The ‘W’ of WOODZ and the numeral ‘1’ function as a Drop Cap, signaling the opening of a narrative. Rather than a fixed logo, the form reflects a state in progress where emotions and sounds remain raw and unrefined.

An attempt to include even the pre polished, transitional states as part of the archive itself.

Graphic & Physical Album Design for @woodz_dnwm 1st Full Album ‘Archvie. 1’

The main symbols of Archive.1 are conceived as a structural device that marks the beginning of an archive. The ‘W’ of WOODZ and the numeral ‘1’ function as a Drop Cap, signaling the opening of a narrative. Rather than a fixed logo, the form reflects a state in progress where emotions and sounds remain raw and unrefined.

An attempt to include even the pre polished, transitional states as part of the archive itself.

Graphic & Physical Album Design for @woodz_dnwm 1st Full Album ‘Archvie. 1’

The main symbols of Archive.1 are conceived as a structural device that marks the beginning of an archive. The ‘W’ of WOODZ and the numeral ‘1’ function as a Drop Cap, signaling the opening of a narrative. Rather than a fixed logo, the form reflects a state in progress where emotions and sounds remain raw and unrefined.

An attempt to include even the pre polished, transitional states as part of the archive itself.

BI Design & System Development for Flesh Film House®(FFH)

Flesh Film House® is a visual practice dedicated to exploring the nature of media itself. Expanding from moving image into print, FFH navigates across mediums to illuminate a spectrum of narratives—ranging from the subtleties of everyday life to moments of the extraordinary.

The dual-star motif embodies the collision between medium and medium, context and context, symbolizing a constant state of tension, interaction, and transformation. Through this visual language, FFH asserts a bold and fearless approach—one that embraces experimentation, challenges conventions, and materializes ideas with both conceptual rigor and striking execution.

BI Design & System Development for Flesh Film House®(FFH)

Flesh Film House® is a visual practice dedicated to exploring the nature of media itself. Expanding from moving image into print, FFH navigates across mediums to illuminate a spectrum of narratives—ranging from the subtleties of everyday life to moments of the extraordinary.

The dual-star motif embodies the collision between medium and medium, context and context, symbolizing a constant state of tension, interaction, and transformation. Through this visual language, FFH asserts a bold and fearless approach—one that embraces experimentation, challenges conventions, and materializes ideas with both conceptual rigor and striking execution.

BI Design & System Development for Flesh Film House®(FFH)

Flesh Film House® is a visual practice dedicated to exploring the nature of media itself. Expanding from moving image into print, FFH navigates across mediums to illuminate a spectrum of narratives—ranging from the subtleties of everyday life to moments of the extraordinary.

The dual-star motif embodies the collision between medium and medium, context and context, symbolizing a constant state of tension, interaction, and transformation. Through this visual language, FFH asserts a bold and fearless approach—one that embraces experimentation, challenges conventions, and materializes ideas with both conceptual rigor and striking execution.

BI Design & System Development for Flesh Film House®(FFH)

Flesh Film House® is a visual practice dedicated to exploring the nature of media itself. Expanding from moving image into print, FFH navigates across mediums to illuminate a spectrum of narratives—ranging from the subtleties of everyday life to moments of the extraordinary.

The dual-star motif embodies the collision between medium and medium, context and context, symbolizing a constant state of tension, interaction, and transformation. Through this visual language, FFH asserts a bold and fearless approach—one that embraces experimentation, challenges conventions, and materializes ideas with both conceptual rigor and striking execution.

BI Design & System Development for Flesh Film House®(FFH)

Flesh Film House® is a visual practice dedicated to exploring the nature of media itself. Expanding from moving image into print, FFH navigates across mediums to illuminate a spectrum of narratives—ranging from the subtleties of everyday life to moments of the extraordinary.

The dual-star motif embodies the collision between medium and medium, context and context, symbolizing a constant state of tension, interaction, and transformation. Through this visual language, FFH asserts a bold and fearless approach—one that embraces experimentation, challenges conventions, and materializes ideas with both conceptual rigor and striking execution.

Poster Design for Film ‘잔인한 낙관 Cruel Optimism’

Jeonju Internatinal Fim Festival Korean Competition
𝙨𝙮𝙣𝙤𝙗𝙨𝙞𝙨 / 61min / Written and Directed by Mokya Shin

영화는 다양한 예술 분야 중에서도 순수예술로 일컬어지는 영역에 초점을 맞춰 미디어, 퍼포먼스, 전쟁, 퀴어를 주소재로 다루는 동시대 다원 예술을 조망하면서도 동시대 작가들이 공통적으로 경험하고 있는 “잔인한 낙관”의 상태를 적극적으로 드러낸다. 이는 다른 분야에 비해 특히 예술 분야에서 도드라지는 풍경으로 본인의 작업을 꾸준히 이어 나감에 있어 사회 적 인정(기성 미술계의 승인)이 담보되어야 하는 현실에 기인하고 있다. 사회적 인정이 담보 되지 않을 경우 생계의 문제에 직면하게 될 가능성이 높아지기 때문이다. 
영화는 메인 스트림 데뷔를 앞두고 있는 한 미술 작가의 개인전 준비 과정을 조망한다. 한 인물에 초점을 맞춰 서사가 진행되지 아니하기에 ‘조망’이라는 표현이 등장한다. 자본가를 대변하는 작가의 개인전이 열리는 ‘갤러리 관장’, 작가의 친구이자 미술 기획자인 소영, 미술 계에 속해있는 작가이지만 아직 데뷔하지 못한 작가의 또 다른 친구, 소영의 제자인 미술대학 학부생 등 미술계 내에 각자의 다른 위치를 차지하고 있는 인물들이 등장한다. 

DIRECTOR’S NOTE

“욕망하는 어떤 대상이 오히려 더 나은 삶에 걸림돌이 될 때 바로 거기에 잔인한 낙관의 관계가 있다”는 로런 벌랜트의 말처럼 인간은 더 나은 삶, 지금보다는 더 풍요로운 삶을 꿈 꾸며 살아가고는 한다. 예술가에게 있어 “좋은 삶”은 한층 복잡해진다. 영화는 “환상이란, 사 람들이 어떻게 하면 자신과 세상이 “결국 무언가 의미있는 것이 될” 수 있는지에 대한 이상 적인 이론과 밑그림을 쟁여 두는 수단이다. 그런 환상들이 마모되기 시작하면 어떻게 될까?”라는 로라 벌랜트의 질문을 동시대 예술가에 던진다

Poster Design for Film ‘잔인한 낙관 Cruel Optimism’

Jeonju Internatinal Fim Festival Korean Competition
𝙨𝙮𝙣𝙤𝙗𝙨𝙞𝙨 / 61min / Written and Directed by Mokya Shin

영화는 다양한 예술 분야 중에서도 순수예술로 일컬어지는 영역에 초점을 맞춰 미디어, 퍼포먼스, 전쟁, 퀴어를 주소재로 다루는 동시대 다원 예술을 조망하면서도 동시대 작가들이 공통적으로 경험하고 있는 “잔인한 낙관”의 상태를 적극적으로 드러낸다. 이는 다른 분야에 비해 특히 예술 분야에서 도드라지는 풍경으로 본인의 작업을 꾸준히 이어 나감에 있어 사회 적 인정(기성 미술계의 승인)이 담보되어야 하는 현실에 기인하고 있다. 사회적 인정이 담보 되지 않을 경우 생계의 문제에 직면하게 될 가능성이 높아지기 때문이다. 
영화는 메인 스트림 데뷔를 앞두고 있는 한 미술 작가의 개인전 준비 과정을 조망한다. 한 인물에 초점을 맞춰 서사가 진행되지 아니하기에 ‘조망’이라는 표현이 등장한다. 자본가를 대변하는 작가의 개인전이 열리는 ‘갤러리 관장’, 작가의 친구이자 미술 기획자인 소영, 미술 계에 속해있는 작가이지만 아직 데뷔하지 못한 작가의 또 다른 친구, 소영의 제자인 미술대학 학부생 등 미술계 내에 각자의 다른 위치를 차지하고 있는 인물들이 등장한다. 

DIRECTOR’S NOTE

“욕망하는 어떤 대상이 오히려 더 나은 삶에 걸림돌이 될 때 바로 거기에 잔인한 낙관의 관계가 있다”는 로런 벌랜트의 말처럼 인간은 더 나은 삶, 지금보다는 더 풍요로운 삶을 꿈 꾸며 살아가고는 한다. 예술가에게 있어 “좋은 삶”은 한층 복잡해진다. 영화는 “환상이란, 사 람들이 어떻게 하면 자신과 세상이 “결국 무언가 의미있는 것이 될” 수 있는지에 대한 이상 적인 이론과 밑그림을 쟁여 두는 수단이다. 그런 환상들이 마모되기 시작하면 어떻게 될까?”라는 로라 벌랜트의 질문을 동시대 예술가에 던진다

Poster Design for Film ‘잔인한 낙관 Cruel Optimism’

Jeonju Internatinal Fim Festival Korean Competition
𝙨𝙮𝙣𝙤𝙗𝙨𝙞𝙨 / 61min / Written and Directed by Mokya Shin

영화는 다양한 예술 분야 중에서도 순수예술로 일컬어지는 영역에 초점을 맞춰 미디어, 퍼포먼스, 전쟁, 퀴어를 주소재로 다루는 동시대 다원 예술을 조망하면서도 동시대 작가들이 공통적으로 경험하고 있는 “잔인한 낙관”의 상태를 적극적으로 드러낸다. 이는 다른 분야에 비해 특히 예술 분야에서 도드라지는 풍경으로 본인의 작업을 꾸준히 이어 나감에 있어 사회 적 인정(기성 미술계의 승인)이 담보되어야 하는 현실에 기인하고 있다. 사회적 인정이 담보 되지 않을 경우 생계의 문제에 직면하게 될 가능성이 높아지기 때문이다. 
영화는 메인 스트림 데뷔를 앞두고 있는 한 미술 작가의 개인전 준비 과정을 조망한다. 한 인물에 초점을 맞춰 서사가 진행되지 아니하기에 ‘조망’이라는 표현이 등장한다. 자본가를 대변하는 작가의 개인전이 열리는 ‘갤러리 관장’, 작가의 친구이자 미술 기획자인 소영, 미술 계에 속해있는 작가이지만 아직 데뷔하지 못한 작가의 또 다른 친구, 소영의 제자인 미술대학 학부생 등 미술계 내에 각자의 다른 위치를 차지하고 있는 인물들이 등장한다. 

DIRECTOR’S NOTE

“욕망하는 어떤 대상이 오히려 더 나은 삶에 걸림돌이 될 때 바로 거기에 잔인한 낙관의 관계가 있다”는 로런 벌랜트의 말처럼 인간은 더 나은 삶, 지금보다는 더 풍요로운 삶을 꿈 꾸며 살아가고는 한다. 예술가에게 있어 “좋은 삶”은 한층 복잡해진다. 영화는 “환상이란, 사 람들이 어떻게 하면 자신과 세상이 “결국 무언가 의미있는 것이 될” 수 있는지에 대한 이상 적인 이론과 밑그림을 쟁여 두는 수단이다. 그런 환상들이 마모되기 시작하면 어떻게 될까?”라는 로라 벌랜트의 질문을 동시대 예술가에 던진다

Poster Design for Film ‘잔인한 낙관 Cruel Optimism’

Jeonju Internatinal Fim Festival Korean Competition
𝙨𝙮𝙣𝙤𝙗𝙨𝙞𝙨 / 61min / Written and Directed by Mokya Shin

영화는 다양한 예술 분야 중에서도 순수예술로 일컬어지는 영역에 초점을 맞춰 미디어, 퍼포먼스, 전쟁, 퀴어를 주소재로 다루는 동시대 다원 예술을 조망하면서도 동시대 작가들이 공통적으로 경험하고 있는 “잔인한 낙관”의 상태를 적극적으로 드러낸다. 이는 다른 분야에 비해 특히 예술 분야에서 도드라지는 풍경으로 본인의 작업을 꾸준히 이어 나감에 있어 사회 적 인정(기성 미술계의 승인)이 담보되어야 하는 현실에 기인하고 있다. 사회적 인정이 담보 되지 않을 경우 생계의 문제에 직면하게 될 가능성이 높아지기 때문이다. 
영화는 메인 스트림 데뷔를 앞두고 있는 한 미술 작가의 개인전 준비 과정을 조망한다. 한 인물에 초점을 맞춰 서사가 진행되지 아니하기에 ‘조망’이라는 표현이 등장한다. 자본가를 대변하는 작가의 개인전이 열리는 ‘갤러리 관장’, 작가의 친구이자 미술 기획자인 소영, 미술 계에 속해있는 작가이지만 아직 데뷔하지 못한 작가의 또 다른 친구, 소영의 제자인 미술대학 학부생 등 미술계 내에 각자의 다른 위치를 차지하고 있는 인물들이 등장한다. 

DIRECTOR’S NOTE

“욕망하는 어떤 대상이 오히려 더 나은 삶에 걸림돌이 될 때 바로 거기에 잔인한 낙관의 관계가 있다”는 로런 벌랜트의 말처럼 인간은 더 나은 삶, 지금보다는 더 풍요로운 삶을 꿈 꾸며 살아가고는 한다. 예술가에게 있어 “좋은 삶”은 한층 복잡해진다. 영화는 “환상이란, 사 람들이 어떻게 하면 자신과 세상이 “결국 무언가 의미있는 것이 될” 수 있는지에 대한 이상 적인 이론과 밑그림을 쟁여 두는 수단이다. 그런 환상들이 마모되기 시작하면 어떻게 될까?”라는 로라 벌랜트의 질문을 동시대 예술가에 던진다

Poster Design for Film ‘잔인한 낙관 Cruel Optimism’

Jeonju Internatinal Fim Festival Korean Competition
𝙨𝙮𝙣𝙤𝙗𝙨𝙞𝙨 / 61min / Written and Directed by Mokya Shin

영화는 다양한 예술 분야 중에서도 순수예술로 일컬어지는 영역에 초점을 맞춰 미디어, 퍼포먼스, 전쟁, 퀴어를 주소재로 다루는 동시대 다원 예술을 조망하면서도 동시대 작가들이 공통적으로 경험하고 있는 “잔인한 낙관”의 상태를 적극적으로 드러낸다. 이는 다른 분야에 비해 특히 예술 분야에서 도드라지는 풍경으로 본인의 작업을 꾸준히 이어 나감에 있어 사회 적 인정(기성 미술계의 승인)이 담보되어야 하는 현실에 기인하고 있다. 사회적 인정이 담보 되지 않을 경우 생계의 문제에 직면하게 될 가능성이 높아지기 때문이다. 
영화는 메인 스트림 데뷔를 앞두고 있는 한 미술 작가의 개인전 준비 과정을 조망한다. 한 인물에 초점을 맞춰 서사가 진행되지 아니하기에 ‘조망’이라는 표현이 등장한다. 자본가를 대변하는 작가의 개인전이 열리는 ‘갤러리 관장’, 작가의 친구이자 미술 기획자인 소영, 미술 계에 속해있는 작가이지만 아직 데뷔하지 못한 작가의 또 다른 친구, 소영의 제자인 미술대학 학부생 등 미술계 내에 각자의 다른 위치를 차지하고 있는 인물들이 등장한다. 

DIRECTOR’S NOTE

“욕망하는 어떤 대상이 오히려 더 나은 삶에 걸림돌이 될 때 바로 거기에 잔인한 낙관의 관계가 있다”는 로런 벌랜트의 말처럼 인간은 더 나은 삶, 지금보다는 더 풍요로운 삶을 꿈 꾸며 살아가고는 한다. 예술가에게 있어 “좋은 삶”은 한층 복잡해진다. 영화는 “환상이란, 사 람들이 어떻게 하면 자신과 세상이 “결국 무언가 의미있는 것이 될” 수 있는지에 대한 이상 적인 이론과 밑그림을 쟁여 두는 수단이다. 그런 환상들이 마모되기 시작하면 어떻게 될까?”라는 로라 벌랜트의 질문을 동시대 예술가에 던진다

BI Design & System Development for Flesh Film House®(FFH)

Flesh Film House® is a visual practice dedicated to exploring the nature of media itself. Expanding from moving image into print, FFH navigates across mediums to illuminate a spectrum of narratives—ranging from the subtleties of everyday life to moments of the extraordinary.

The dual-star motif embodies the collision between medium and medium, context and context, symbolizing a constant state of tension, interaction, and transformation. Through this visual language, FFH asserts a bold and fearless approach—one that embraces experimentation, challenges conventions, and materializes ideas with both conceptual rigor and striking execution.

BI Design & System Development for Flesh Film House®(FFH)

Flesh Film House® is a visual practice dedicated to exploring the nature of media itself. Expanding from moving image into print, FFH navigates across mediums to illuminate a spectrum of narratives—ranging from the subtleties of everyday life to moments of the extraordinary.

The dual-star motif embodies the collision between medium and medium, context and context, symbolizing a constant state of tension, interaction, and transformation. Through this visual language, FFH asserts a bold and fearless approach—one that embraces experimentation, challenges conventions, and materializes ideas with both conceptual rigor and striking execution.

BI Design & System Development for Flesh Film House®(FFH)

Flesh Film House® is a visual practice dedicated to exploring the nature of media itself. Expanding from moving image into print, FFH navigates across mediums to illuminate a spectrum of narratives—ranging from the subtleties of everyday life to moments of the extraordinary.

The dual-star motif embodies the collision between medium and medium, context and context, symbolizing a constant state of tension, interaction, and transformation. Through this visual language, FFH asserts a bold and fearless approach—one that embraces experimentation, challenges conventions, and materializes ideas with both conceptual rigor and striking execution.

BI Design & System Development for Flesh Film House®(FFH)

Flesh Film House® is a visual practice dedicated to exploring the nature of media itself. Expanding from moving image into print, FFH navigates across mediums to illuminate a spectrum of narratives—ranging from the subtleties of everyday life to moments of the extraordinary.

The dual-star motif embodies the collision between medium and medium, context and context, symbolizing a constant state of tension, interaction, and transformation. Through this visual language, FFH asserts a bold and fearless approach—one that embraces experimentation, challenges conventions, and materializes ideas with both conceptual rigor and striking execution.

BI Design & System Development for Flesh Film House®(FFH)

Flesh Film House® is a visual practice dedicated to exploring the nature of media itself. Expanding from moving image into print, FFH navigates across mediums to illuminate a spectrum of narratives—ranging from the subtleties of everyday life to moments of the extraordinary.

The dual-star motif embodies the collision between medium and medium, context and context, symbolizing a constant state of tension, interaction, and transformation. Through this visual language, FFH asserts a bold and fearless approach—one that embraces experimentation, challenges conventions, and materializes ideas with both conceptual rigor and striking execution.

BI Design & System Development for Flesh Film House®(FFH)

Flesh Film House® is a visual practice dedicated to exploring the nature of media itself. Expanding from moving image into print, FFH navigates across mediums to illuminate a spectrum of narratives—ranging from the subtleties of everyday life to moments of the extraordinary.

The dual-star motif embodies the collision between medium and medium, context and context, symbolizing a constant state of tension, interaction, and transformation. Through this visual language, FFH asserts a bold and fearless approach—one that embraces experimentation, challenges conventions, and materializes ideas with both conceptual rigor and striking execution.

BI Design & System Development for Flesh Film House®(FFH)

Flesh Film House® is a visual practice dedicated to exploring the nature of media itself. Expanding from moving image into print, FFH navigates across mediums to illuminate a spectrum of narratives—ranging from the subtleties of everyday life to moments of the extraordinary.

The dual-star motif embodies the collision between medium and medium, context and context, symbolizing a constant state of tension, interaction, and transformation. Through this visual language, FFH asserts a bold and fearless approach—one that embraces experimentation, challenges conventions, and materializes ideas with both conceptual rigor and striking execution.

BI Design & System Development for Flesh Film House®(FFH)

Flesh Film House® is a visual practice dedicated to exploring the nature of media itself. Expanding from moving image into print, FFH navigates across mediums to illuminate a spectrum of narratives—ranging from the subtleties of everyday life to moments of the extraordinary.

The dual-star motif embodies the collision between medium and medium, context and context, symbolizing a constant state of tension, interaction, and transformation. Through this visual language, FFH asserts a bold and fearless approach—one that embraces experimentation, challenges conventions, and materializes ideas with both conceptual rigor and striking execution.

Typography Design for @riize_official JP The 2nd Single ‘All of You’ MV

❤️🧡💛💚💙💜🩷🤍

[RIIZE ‘ALL OF YOU’ Credit]

Directed by 2eehyein (2eehyein film)
1st Assistant Director : Minhee Lee, Jeongmin Jo, Jungeun Kim
2nd Assistant Director : Sehee Lee, Damin Kim

Production House : NEWYEAR*
Executive Producer : Sebong Oh
Producer : Donghyun Jeong, Seulki Lee, Bom Kang

Director of Photography : Andy Iere Kim
1st AC : Juyoung An
2nd AC : Jiseong Han, Kyeongseo Kang

Gaffer : Byungju Park
Lighting Crew : Yeongjae Kim, Hojun Choi, Jeongpyo Ham

Art director : Insol Yoon
Art team leader : Miju Jeon
Art team : Chaeryung Han, Daehyun Park
Artwork : DIMZ

DI : LUCID COLOUR
Colorist : Jiyun Yeom
DI Crew : Eunseo Choi, Hyeryeong Kim, Dain Kim, Minkyung Lee
DI Producer : Onew Kim
DI Manager : Heejin Park

Cleaning : BLEUNOIA VFX

VFX Team 1 : Noisyroom
VFX Supervisor : Suhwan Lee, Seungrim Woo
3D Artist : Hyewon Shin, Miso Kim, Youngchae Song
FX Artist : Hamin Jo
Roto : Taehee Ahn
Matchmove : MMHUB
Matchmove Supervisor : Euiyeob Kim

VFX Team 2 : Yoosisipi

Typographic : STUDIO V1C3

AI Artist : Kangneko, Ypnida, River Kim (NEITHER.I)

2D CG : COMMA

Motion Graphic : Kelly Emmrich, Hyeonju Jang

[ LOCAL PRODUCTION ]
Japan Production : isai Inc.
Executive Producer : Keita Watanabe (isai Inc.)
Producer : Masaki Hashimoto (HANEUL Inc.)
Production Manager : Marei Uto (isai Inc.), Yuki Miyamoto (isai Inc.)
Production Assistant : Yuna Mogami, Naoki Hara, Daishin Shiina, Ayaka Seki, Ran Kosone
Interpreter : Hina

Drone : Jidai Malakar
Drone Assistant : Remi Kushige

Special Effect : Kazukuni Muraki, Yuichiro Tasaki

Japan 2nd Camera Assistant : Rika Ito
Japan 3rd Camera Assistant : Anna Sato

Japan Lighting Chief : Shuhei Ota (SHUHEI Inc.)
Japan Lighting Assistant : Asuka Sakon (SHUHEI Inc.) , Tasuku Sato , Yuji Akiyama

Lightning Equipment Support : SHUHEI Inc.

Snowboarder : Haruhi Tsuji, Yusei Kaku, Keisuke Shimakata

Transportation Company : BONDS

Typography Design for @riize_official JP The 2nd Single ‘All of You’ MV

❤️🧡💛💚💙💜🩷🤍

[RIIZE ‘ALL OF YOU’ Credit]

Directed by 2eehyein (2eehyein film)
1st Assistant Director : Minhee Lee, Jeongmin Jo, Jungeun Kim
2nd Assistant Director : Sehee Lee, Damin Kim

Production House : NEWYEAR*
Executive Producer : Sebong Oh
Producer : Donghyun Jeong, Seulki Lee, Bom Kang

Director of Photography : Andy Iere Kim
1st AC : Juyoung An
2nd AC : Jiseong Han, Kyeongseo Kang

Gaffer : Byungju Park
Lighting Crew : Yeongjae Kim, Hojun Choi, Jeongpyo Ham

Art director : Insol Yoon
Art team leader : Miju Jeon
Art team : Chaeryung Han, Daehyun Park
Artwork : DIMZ

DI : LUCID COLOUR
Colorist : Jiyun Yeom
DI Crew : Eunseo Choi, Hyeryeong Kim, Dain Kim, Minkyung Lee
DI Producer : Onew Kim
DI Manager : Heejin Park

Cleaning : BLEUNOIA VFX

VFX Team 1 : Noisyroom
VFX Supervisor : Suhwan Lee, Seungrim Woo
3D Artist : Hyewon Shin, Miso Kim, Youngchae Song
FX Artist : Hamin Jo
Roto : Taehee Ahn
Matchmove : MMHUB
Matchmove Supervisor : Euiyeob Kim

VFX Team 2 : Yoosisipi

Typographic : STUDIO V1C3

AI Artist : Kangneko, Ypnida, River Kim (NEITHER.I)

2D CG : COMMA

Motion Graphic : Kelly Emmrich, Hyeonju Jang

[ LOCAL PRODUCTION ]
Japan Production : isai Inc.
Executive Producer : Keita Watanabe (isai Inc.)
Producer : Masaki Hashimoto (HANEUL Inc.)
Production Manager : Marei Uto (isai Inc.), Yuki Miyamoto (isai Inc.)
Production Assistant : Yuna Mogami, Naoki Hara, Daishin Shiina, Ayaka Seki, Ran Kosone
Interpreter : Hina

Drone : Jidai Malakar
Drone Assistant : Remi Kushige

Special Effect : Kazukuni Muraki, Yuichiro Tasaki

Japan 2nd Camera Assistant : Rika Ito
Japan 3rd Camera Assistant : Anna Sato

Japan Lighting Chief : Shuhei Ota (SHUHEI Inc.)
Japan Lighting Assistant : Asuka Sakon (SHUHEI Inc.) , Tasuku Sato , Yuji Akiyama

Lightning Equipment Support : SHUHEI Inc.

Snowboarder : Haruhi Tsuji, Yusei Kaku, Keisuke Shimakata

Transportation Company : BONDS

Typography Design for @riize_official JP The 2nd Single ‘All of You’ MV

❤️🧡💛💚💙💜🩷🤍

[RIIZE ‘ALL OF YOU’ Credit]

Directed by 2eehyein (2eehyein film)
1st Assistant Director : Minhee Lee, Jeongmin Jo, Jungeun Kim
2nd Assistant Director : Sehee Lee, Damin Kim

Production House : NEWYEAR*
Executive Producer : Sebong Oh
Producer : Donghyun Jeong, Seulki Lee, Bom Kang

Director of Photography : Andy Iere Kim
1st AC : Juyoung An
2nd AC : Jiseong Han, Kyeongseo Kang

Gaffer : Byungju Park
Lighting Crew : Yeongjae Kim, Hojun Choi, Jeongpyo Ham

Art director : Insol Yoon
Art team leader : Miju Jeon
Art team : Chaeryung Han, Daehyun Park
Artwork : DIMZ

DI : LUCID COLOUR
Colorist : Jiyun Yeom
DI Crew : Eunseo Choi, Hyeryeong Kim, Dain Kim, Minkyung Lee
DI Producer : Onew Kim
DI Manager : Heejin Park

Cleaning : BLEUNOIA VFX

VFX Team 1 : Noisyroom
VFX Supervisor : Suhwan Lee, Seungrim Woo
3D Artist : Hyewon Shin, Miso Kim, Youngchae Song
FX Artist : Hamin Jo
Roto : Taehee Ahn
Matchmove : MMHUB
Matchmove Supervisor : Euiyeob Kim

VFX Team 2 : Yoosisipi

Typographic : STUDIO V1C3

AI Artist : Kangneko, Ypnida, River Kim (NEITHER.I)

2D CG : COMMA

Motion Graphic : Kelly Emmrich, Hyeonju Jang

[ LOCAL PRODUCTION ]
Japan Production : isai Inc.
Executive Producer : Keita Watanabe (isai Inc.)
Producer : Masaki Hashimoto (HANEUL Inc.)
Production Manager : Marei Uto (isai Inc.), Yuki Miyamoto (isai Inc.)
Production Assistant : Yuna Mogami, Naoki Hara, Daishin Shiina, Ayaka Seki, Ran Kosone
Interpreter : Hina

Drone : Jidai Malakar
Drone Assistant : Remi Kushige

Special Effect : Kazukuni Muraki, Yuichiro Tasaki

Japan 2nd Camera Assistant : Rika Ito
Japan 3rd Camera Assistant : Anna Sato

Japan Lighting Chief : Shuhei Ota (SHUHEI Inc.)
Japan Lighting Assistant : Asuka Sakon (SHUHEI Inc.) , Tasuku Sato , Yuji Akiyama

Lightning Equipment Support : SHUHEI Inc.

Snowboarder : Haruhi Tsuji, Yusei Kaku, Keisuke Shimakata

Transportation Company : BONDS

Typography Design for @riize_official JP The 2nd Single ‘All of You’ MV

❤️🧡💛💚💙💜🩷🤍

[RIIZE ‘ALL OF YOU’ Credit]

Directed by 2eehyein (2eehyein film)
1st Assistant Director : Minhee Lee, Jeongmin Jo, Jungeun Kim
2nd Assistant Director : Sehee Lee, Damin Kim

Production House : NEWYEAR*
Executive Producer : Sebong Oh
Producer : Donghyun Jeong, Seulki Lee, Bom Kang

Director of Photography : Andy Iere Kim
1st AC : Juyoung An
2nd AC : Jiseong Han, Kyeongseo Kang

Gaffer : Byungju Park
Lighting Crew : Yeongjae Kim, Hojun Choi, Jeongpyo Ham

Art director : Insol Yoon
Art team leader : Miju Jeon
Art team : Chaeryung Han, Daehyun Park
Artwork : DIMZ

DI : LUCID COLOUR
Colorist : Jiyun Yeom
DI Crew : Eunseo Choi, Hyeryeong Kim, Dain Kim, Minkyung Lee
DI Producer : Onew Kim
DI Manager : Heejin Park

Cleaning : BLEUNOIA VFX

VFX Team 1 : Noisyroom
VFX Supervisor : Suhwan Lee, Seungrim Woo
3D Artist : Hyewon Shin, Miso Kim, Youngchae Song
FX Artist : Hamin Jo
Roto : Taehee Ahn
Matchmove : MMHUB
Matchmove Supervisor : Euiyeob Kim

VFX Team 2 : Yoosisipi

Typographic : STUDIO V1C3

AI Artist : Kangneko, Ypnida, River Kim (NEITHER.I)

2D CG : COMMA

Motion Graphic : Kelly Emmrich, Hyeonju Jang

[ LOCAL PRODUCTION ]
Japan Production : isai Inc.
Executive Producer : Keita Watanabe (isai Inc.)
Producer : Masaki Hashimoto (HANEUL Inc.)
Production Manager : Marei Uto (isai Inc.), Yuki Miyamoto (isai Inc.)
Production Assistant : Yuna Mogami, Naoki Hara, Daishin Shiina, Ayaka Seki, Ran Kosone
Interpreter : Hina

Drone : Jidai Malakar
Drone Assistant : Remi Kushige

Special Effect : Kazukuni Muraki, Yuichiro Tasaki

Japan 2nd Camera Assistant : Rika Ito
Japan 3rd Camera Assistant : Anna Sato

Japan Lighting Chief : Shuhei Ota (SHUHEI Inc.)
Japan Lighting Assistant : Asuka Sakon (SHUHEI Inc.) , Tasuku Sato , Yuji Akiyama

Lightning Equipment Support : SHUHEI Inc.

Snowboarder : Haruhi Tsuji, Yusei Kaku, Keisuke Shimakata

Transportation Company : BONDS

Typography Design for @riize_official JP The 2nd Single ‘All of You’ MV

❤️🧡💛💚💙💜🩷🤍

[RIIZE ‘ALL OF YOU’ Credit]

Directed by 2eehyein (2eehyein film)
1st Assistant Director : Minhee Lee, Jeongmin Jo, Jungeun Kim
2nd Assistant Director : Sehee Lee, Damin Kim

Production House : NEWYEAR*
Executive Producer : Sebong Oh
Producer : Donghyun Jeong, Seulki Lee, Bom Kang

Director of Photography : Andy Iere Kim
1st AC : Juyoung An
2nd AC : Jiseong Han, Kyeongseo Kang

Gaffer : Byungju Park
Lighting Crew : Yeongjae Kim, Hojun Choi, Jeongpyo Ham

Art director : Insol Yoon
Art team leader : Miju Jeon
Art team : Chaeryung Han, Daehyun Park
Artwork : DIMZ

DI : LUCID COLOUR
Colorist : Jiyun Yeom
DI Crew : Eunseo Choi, Hyeryeong Kim, Dain Kim, Minkyung Lee
DI Producer : Onew Kim
DI Manager : Heejin Park

Cleaning : BLEUNOIA VFX

VFX Team 1 : Noisyroom
VFX Supervisor : Suhwan Lee, Seungrim Woo
3D Artist : Hyewon Shin, Miso Kim, Youngchae Song
FX Artist : Hamin Jo
Roto : Taehee Ahn
Matchmove : MMHUB
Matchmove Supervisor : Euiyeob Kim

VFX Team 2 : Yoosisipi

Typographic : STUDIO V1C3

AI Artist : Kangneko, Ypnida, River Kim (NEITHER.I)

2D CG : COMMA

Motion Graphic : Kelly Emmrich, Hyeonju Jang

[ LOCAL PRODUCTION ]
Japan Production : isai Inc.
Executive Producer : Keita Watanabe (isai Inc.)
Producer : Masaki Hashimoto (HANEUL Inc.)
Production Manager : Marei Uto (isai Inc.), Yuki Miyamoto (isai Inc.)
Production Assistant : Yuna Mogami, Naoki Hara, Daishin Shiina, Ayaka Seki, Ran Kosone
Interpreter : Hina

Drone : Jidai Malakar
Drone Assistant : Remi Kushige

Special Effect : Kazukuni Muraki, Yuichiro Tasaki

Japan 2nd Camera Assistant : Rika Ito
Japan 3rd Camera Assistant : Anna Sato

Japan Lighting Chief : Shuhei Ota (SHUHEI Inc.)
Japan Lighting Assistant : Asuka Sakon (SHUHEI Inc.) , Tasuku Sato , Yuji Akiyama

Lightning Equipment Support : SHUHEI Inc.

Snowboarder : Haruhi Tsuji, Yusei Kaku, Keisuke Shimakata

Transportation Company : BONDS

Typography Design for @riize_official JP The 2nd Single ‘All of You’ MV

❤️🧡💛💚💙💜🩷🤍

[RIIZE ‘ALL OF YOU’ Credit]

Directed by 2eehyein (2eehyein film)
1st Assistant Director : Minhee Lee, Jeongmin Jo, Jungeun Kim
2nd Assistant Director : Sehee Lee, Damin Kim

Production House : NEWYEAR*
Executive Producer : Sebong Oh
Producer : Donghyun Jeong, Seulki Lee, Bom Kang

Director of Photography : Andy Iere Kim
1st AC : Juyoung An
2nd AC : Jiseong Han, Kyeongseo Kang

Gaffer : Byungju Park
Lighting Crew : Yeongjae Kim, Hojun Choi, Jeongpyo Ham

Art director : Insol Yoon
Art team leader : Miju Jeon
Art team : Chaeryung Han, Daehyun Park
Artwork : DIMZ

DI : LUCID COLOUR
Colorist : Jiyun Yeom
DI Crew : Eunseo Choi, Hyeryeong Kim, Dain Kim, Minkyung Lee
DI Producer : Onew Kim
DI Manager : Heejin Park

Cleaning : BLEUNOIA VFX

VFX Team 1 : Noisyroom
VFX Supervisor : Suhwan Lee, Seungrim Woo
3D Artist : Hyewon Shin, Miso Kim, Youngchae Song
FX Artist : Hamin Jo
Roto : Taehee Ahn
Matchmove : MMHUB
Matchmove Supervisor : Euiyeob Kim

VFX Team 2 : Yoosisipi

Typographic : STUDIO V1C3

AI Artist : Kangneko, Ypnida, River Kim (NEITHER.I)

2D CG : COMMA

Motion Graphic : Kelly Emmrich, Hyeonju Jang

[ LOCAL PRODUCTION ]
Japan Production : isai Inc.
Executive Producer : Keita Watanabe (isai Inc.)
Producer : Masaki Hashimoto (HANEUL Inc.)
Production Manager : Marei Uto (isai Inc.), Yuki Miyamoto (isai Inc.)
Production Assistant : Yuna Mogami, Naoki Hara, Daishin Shiina, Ayaka Seki, Ran Kosone
Interpreter : Hina

Drone : Jidai Malakar
Drone Assistant : Remi Kushige

Special Effect : Kazukuni Muraki, Yuichiro Tasaki

Japan 2nd Camera Assistant : Rika Ito
Japan 3rd Camera Assistant : Anna Sato

Japan Lighting Chief : Shuhei Ota (SHUHEI Inc.)
Japan Lighting Assistant : Asuka Sakon (SHUHEI Inc.) , Tasuku Sato , Yuji Akiyama

Lightning Equipment Support : SHUHEI Inc.

Snowboarder : Haruhi Tsuji, Yusei Kaku, Keisuke Shimakata

Transportation Company : BONDS

Typography Design for @riize_official JP The 2nd Single ‘All of You’ MV

❤️🧡💛💚💙💜🩷🤍

[RIIZE ‘ALL OF YOU’ Credit]

Directed by 2eehyein (2eehyein film)
1st Assistant Director : Minhee Lee, Jeongmin Jo, Jungeun Kim
2nd Assistant Director : Sehee Lee, Damin Kim

Production House : NEWYEAR*
Executive Producer : Sebong Oh
Producer : Donghyun Jeong, Seulki Lee, Bom Kang

Director of Photography : Andy Iere Kim
1st AC : Juyoung An
2nd AC : Jiseong Han, Kyeongseo Kang

Gaffer : Byungju Park
Lighting Crew : Yeongjae Kim, Hojun Choi, Jeongpyo Ham

Art director : Insol Yoon
Art team leader : Miju Jeon
Art team : Chaeryung Han, Daehyun Park
Artwork : DIMZ

DI : LUCID COLOUR
Colorist : Jiyun Yeom
DI Crew : Eunseo Choi, Hyeryeong Kim, Dain Kim, Minkyung Lee
DI Producer : Onew Kim
DI Manager : Heejin Park

Cleaning : BLEUNOIA VFX

VFX Team 1 : Noisyroom
VFX Supervisor : Suhwan Lee, Seungrim Woo
3D Artist : Hyewon Shin, Miso Kim, Youngchae Song
FX Artist : Hamin Jo
Roto : Taehee Ahn
Matchmove : MMHUB
Matchmove Supervisor : Euiyeob Kim

VFX Team 2 : Yoosisipi

Typographic : STUDIO V1C3

AI Artist : Kangneko, Ypnida, River Kim (NEITHER.I)

2D CG : COMMA

Motion Graphic : Kelly Emmrich, Hyeonju Jang

[ LOCAL PRODUCTION ]
Japan Production : isai Inc.
Executive Producer : Keita Watanabe (isai Inc.)
Producer : Masaki Hashimoto (HANEUL Inc.)
Production Manager : Marei Uto (isai Inc.), Yuki Miyamoto (isai Inc.)
Production Assistant : Yuna Mogami, Naoki Hara, Daishin Shiina, Ayaka Seki, Ran Kosone
Interpreter : Hina

Drone : Jidai Malakar
Drone Assistant : Remi Kushige

Special Effect : Kazukuni Muraki, Yuichiro Tasaki

Japan 2nd Camera Assistant : Rika Ito
Japan 3rd Camera Assistant : Anna Sato

Japan Lighting Chief : Shuhei Ota (SHUHEI Inc.)
Japan Lighting Assistant : Asuka Sakon (SHUHEI Inc.) , Tasuku Sato , Yuji Akiyama

Lightning Equipment Support : SHUHEI Inc.

Snowboarder : Haruhi Tsuji, Yusei Kaku, Keisuke Shimakata

Transportation Company : BONDS

Typography Design for @riize_official JP The 2nd Single ‘All of You’ MV

❤️🧡💛💚💙💜🩷🤍

[RIIZE ‘ALL OF YOU’ Credit]

Directed by 2eehyein (2eehyein film)
1st Assistant Director : Minhee Lee, Jeongmin Jo, Jungeun Kim
2nd Assistant Director : Sehee Lee, Damin Kim

Production House : NEWYEAR*
Executive Producer : Sebong Oh
Producer : Donghyun Jeong, Seulki Lee, Bom Kang

Director of Photography : Andy Iere Kim
1st AC : Juyoung An
2nd AC : Jiseong Han, Kyeongseo Kang

Gaffer : Byungju Park
Lighting Crew : Yeongjae Kim, Hojun Choi, Jeongpyo Ham

Art director : Insol Yoon
Art team leader : Miju Jeon
Art team : Chaeryung Han, Daehyun Park
Artwork : DIMZ

DI : LUCID COLOUR
Colorist : Jiyun Yeom
DI Crew : Eunseo Choi, Hyeryeong Kim, Dain Kim, Minkyung Lee
DI Producer : Onew Kim
DI Manager : Heejin Park

Cleaning : BLEUNOIA VFX

VFX Team 1 : Noisyroom
VFX Supervisor : Suhwan Lee, Seungrim Woo
3D Artist : Hyewon Shin, Miso Kim, Youngchae Song
FX Artist : Hamin Jo
Roto : Taehee Ahn
Matchmove : MMHUB
Matchmove Supervisor : Euiyeob Kim

VFX Team 2 : Yoosisipi

Typographic : STUDIO V1C3

AI Artist : Kangneko, Ypnida, River Kim (NEITHER.I)

2D CG : COMMA

Motion Graphic : Kelly Emmrich, Hyeonju Jang

[ LOCAL PRODUCTION ]
Japan Production : isai Inc.
Executive Producer : Keita Watanabe (isai Inc.)
Producer : Masaki Hashimoto (HANEUL Inc.)
Production Manager : Marei Uto (isai Inc.), Yuki Miyamoto (isai Inc.)
Production Assistant : Yuna Mogami, Naoki Hara, Daishin Shiina, Ayaka Seki, Ran Kosone
Interpreter : Hina

Drone : Jidai Malakar
Drone Assistant : Remi Kushige

Special Effect : Kazukuni Muraki, Yuichiro Tasaki

Japan 2nd Camera Assistant : Rika Ito
Japan 3rd Camera Assistant : Anna Sato

Japan Lighting Chief : Shuhei Ota (SHUHEI Inc.)
Japan Lighting Assistant : Asuka Sakon (SHUHEI Inc.) , Tasuku Sato , Yuji Akiyama

Lightning Equipment Support : SHUHEI Inc.

Snowboarder : Haruhi Tsuji, Yusei Kaku, Keisuke Shimakata

Transportation Company : BONDS

Typography Design for @riize_official JP The 2nd Single ‘All of You’ MV

❤️🧡💛💚💙💜🩷🤍

[RIIZE ‘ALL OF YOU’ Credit]

Directed by 2eehyein (2eehyein film)
1st Assistant Director : Minhee Lee, Jeongmin Jo, Jungeun Kim
2nd Assistant Director : Sehee Lee, Damin Kim

Production House : NEWYEAR*
Executive Producer : Sebong Oh
Producer : Donghyun Jeong, Seulki Lee, Bom Kang

Director of Photography : Andy Iere Kim
1st AC : Juyoung An
2nd AC : Jiseong Han, Kyeongseo Kang

Gaffer : Byungju Park
Lighting Crew : Yeongjae Kim, Hojun Choi, Jeongpyo Ham

Art director : Insol Yoon
Art team leader : Miju Jeon
Art team : Chaeryung Han, Daehyun Park
Artwork : DIMZ

DI : LUCID COLOUR
Colorist : Jiyun Yeom
DI Crew : Eunseo Choi, Hyeryeong Kim, Dain Kim, Minkyung Lee
DI Producer : Onew Kim
DI Manager : Heejin Park

Cleaning : BLEUNOIA VFX

VFX Team 1 : Noisyroom
VFX Supervisor : Suhwan Lee, Seungrim Woo
3D Artist : Hyewon Shin, Miso Kim, Youngchae Song
FX Artist : Hamin Jo
Roto : Taehee Ahn
Matchmove : MMHUB
Matchmove Supervisor : Euiyeob Kim

VFX Team 2 : Yoosisipi

Typographic : STUDIO V1C3

AI Artist : Kangneko, Ypnida, River Kim (NEITHER.I)

2D CG : COMMA

Motion Graphic : Kelly Emmrich, Hyeonju Jang

[ LOCAL PRODUCTION ]
Japan Production : isai Inc.
Executive Producer : Keita Watanabe (isai Inc.)
Producer : Masaki Hashimoto (HANEUL Inc.)
Production Manager : Marei Uto (isai Inc.), Yuki Miyamoto (isai Inc.)
Production Assistant : Yuna Mogami, Naoki Hara, Daishin Shiina, Ayaka Seki, Ran Kosone
Interpreter : Hina

Drone : Jidai Malakar
Drone Assistant : Remi Kushige

Special Effect : Kazukuni Muraki, Yuichiro Tasaki

Japan 2nd Camera Assistant : Rika Ito
Japan 3rd Camera Assistant : Anna Sato

Japan Lighting Chief : Shuhei Ota (SHUHEI Inc.)
Japan Lighting Assistant : Asuka Sakon (SHUHEI Inc.) , Tasuku Sato , Yuji Akiyama

Lightning Equipment Support : SHUHEI Inc.

Snowboarder : Haruhi Tsuji, Yusei Kaku, Keisuke Shimakata

Transportation Company : BONDS

Typography Design for @riize_official JP The 2nd Single ‘All of You’ MV

❤️🧡💛💚💙💜🩷🤍

[RIIZE ‘ALL OF YOU’ Credit]

Directed by 2eehyein (2eehyein film)
1st Assistant Director : Minhee Lee, Jeongmin Jo, Jungeun Kim
2nd Assistant Director : Sehee Lee, Damin Kim

Production House : NEWYEAR*
Executive Producer : Sebong Oh
Producer : Donghyun Jeong, Seulki Lee, Bom Kang

Director of Photography : Andy Iere Kim
1st AC : Juyoung An
2nd AC : Jiseong Han, Kyeongseo Kang

Gaffer : Byungju Park
Lighting Crew : Yeongjae Kim, Hojun Choi, Jeongpyo Ham

Art director : Insol Yoon
Art team leader : Miju Jeon
Art team : Chaeryung Han, Daehyun Park
Artwork : DIMZ

DI : LUCID COLOUR
Colorist : Jiyun Yeom
DI Crew : Eunseo Choi, Hyeryeong Kim, Dain Kim, Minkyung Lee
DI Producer : Onew Kim
DI Manager : Heejin Park

Cleaning : BLEUNOIA VFX

VFX Team 1 : Noisyroom
VFX Supervisor : Suhwan Lee, Seungrim Woo
3D Artist : Hyewon Shin, Miso Kim, Youngchae Song
FX Artist : Hamin Jo
Roto : Taehee Ahn
Matchmove : MMHUB
Matchmove Supervisor : Euiyeob Kim

VFX Team 2 : Yoosisipi

Typographic : STUDIO V1C3

AI Artist : Kangneko, Ypnida, River Kim (NEITHER.I)

2D CG : COMMA

Motion Graphic : Kelly Emmrich, Hyeonju Jang

[ LOCAL PRODUCTION ]
Japan Production : isai Inc.
Executive Producer : Keita Watanabe (isai Inc.)
Producer : Masaki Hashimoto (HANEUL Inc.)
Production Manager : Marei Uto (isai Inc.), Yuki Miyamoto (isai Inc.)
Production Assistant : Yuna Mogami, Naoki Hara, Daishin Shiina, Ayaka Seki, Ran Kosone
Interpreter : Hina

Drone : Jidai Malakar
Drone Assistant : Remi Kushige

Special Effect : Kazukuni Muraki, Yuichiro Tasaki

Japan 2nd Camera Assistant : Rika Ito
Japan 3rd Camera Assistant : Anna Sato

Japan Lighting Chief : Shuhei Ota (SHUHEI Inc.)
Japan Lighting Assistant : Asuka Sakon (SHUHEI Inc.) , Tasuku Sato , Yuji Akiyama

Lightning Equipment Support : SHUHEI Inc.

Snowboarder : Haruhi Tsuji, Yusei Kaku, Keisuke Shimakata

Transportation Company : BONDS

Typography Design for @riize_official JP The 2nd Single ‘All of You’ MV

❤️🧡💛💚💙💜🩷🤍

[RIIZE ‘ALL OF YOU’ Credit]

Directed by 2eehyein (2eehyein film)
1st Assistant Director : Minhee Lee, Jeongmin Jo, Jungeun Kim
2nd Assistant Director : Sehee Lee, Damin Kim

Production House : NEWYEAR*
Executive Producer : Sebong Oh
Producer : Donghyun Jeong, Seulki Lee, Bom Kang

Director of Photography : Andy Iere Kim
1st AC : Juyoung An
2nd AC : Jiseong Han, Kyeongseo Kang

Gaffer : Byungju Park
Lighting Crew : Yeongjae Kim, Hojun Choi, Jeongpyo Ham

Art director : Insol Yoon
Art team leader : Miju Jeon
Art team : Chaeryung Han, Daehyun Park
Artwork : DIMZ

DI : LUCID COLOUR
Colorist : Jiyun Yeom
DI Crew : Eunseo Choi, Hyeryeong Kim, Dain Kim, Minkyung Lee
DI Producer : Onew Kim
DI Manager : Heejin Park

Cleaning : BLEUNOIA VFX

VFX Team 1 : Noisyroom
VFX Supervisor : Suhwan Lee, Seungrim Woo
3D Artist : Hyewon Shin, Miso Kim, Youngchae Song
FX Artist : Hamin Jo
Roto : Taehee Ahn
Matchmove : MMHUB
Matchmove Supervisor : Euiyeob Kim

VFX Team 2 : Yoosisipi

Typographic : STUDIO V1C3

AI Artist : Kangneko, Ypnida, River Kim (NEITHER.I)

2D CG : COMMA

Motion Graphic : Kelly Emmrich, Hyeonju Jang

[ LOCAL PRODUCTION ]
Japan Production : isai Inc.
Executive Producer : Keita Watanabe (isai Inc.)
Producer : Masaki Hashimoto (HANEUL Inc.)
Production Manager : Marei Uto (isai Inc.), Yuki Miyamoto (isai Inc.)
Production Assistant : Yuna Mogami, Naoki Hara, Daishin Shiina, Ayaka Seki, Ran Kosone
Interpreter : Hina

Drone : Jidai Malakar
Drone Assistant : Remi Kushige

Special Effect : Kazukuni Muraki, Yuichiro Tasaki

Japan 2nd Camera Assistant : Rika Ito
Japan 3rd Camera Assistant : Anna Sato

Japan Lighting Chief : Shuhei Ota (SHUHEI Inc.)
Japan Lighting Assistant : Asuka Sakon (SHUHEI Inc.) , Tasuku Sato , Yuji Akiyama

Lightning Equipment Support : SHUHEI Inc.

Snowboarder : Haruhi Tsuji, Yusei Kaku, Keisuke Shimakata

Transportation Company : BONDS