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We’re incredibly grateful to Amplify and Netflix for bringing us onto this project and trusting us with the final development of the Stranger Things season finale experience.

Taking on our first fully immersive Hologauze VFX show in just six weeks from concept to delivery was no small feat — and it simply wouldn’t have been possible without the
unwavering talent, support, and collaboration of every team involved.

A heartfelt thank-you to Bursty for beautifully capturing the video and photography necessary to share to audiences across the globe, and to Eat The Elephant for their
exceptional integration of the show across screens, lighting, and pyrotechnics. Your work elevated every moment.

We’re deeply proud of what we created together, a true team effort in every sense.

Client: @netflixanz

Creative Agency: @weareamplify
Creative Producer: Benny Gattegno
Amplify Executive Producer: Aaron Bilham
Amplify Production: Domenic Scriva
Amplify Creative: Joel Menegazzo Susan Alzaim Jackson Holst Lucinda O’Brien
Amplify Client Services: Kate Boekhorst Caitlin Todd
Client – Netflix: Cammy Dale, Channa Goonasekara, Tony Broderick

VFX & Animation – @synctum
VFX Supervisor & Exec. Producer: @zannakii
VFX Supervisor & Compositor: @drzkindness
3D Creature Animator: Luke Free
3D Creature Animator: Kurt Duane

Technical Direction: @justeatthedamnelephant Matthew Teale
Lighting Design - Michael Burton
Sound Design - Will Thackray Lukas Farry Camille Yaptinchay (Otis Studios)
Content Capture – @burstycompany Ryan Earles, Jack Clark

A big thank you to Anna Fawcett, Jonathan Brough, Filmgraphics & Bastion for bringing us onto this project in the collaborative effort of bringing Cornelius to life for the first time.

Client: Kellanova
Marketing Director: Leanne Bell
Group Marketing Manager: Irene Anast
National Marketing Manager: Natasha Sunderland
Brand Manager: Demi Di Stefano

Agency: Bastion @bastionagencyaus
General Manager: Ana Lynch
Group Chief Creative officer: Simon Langley
National Chief Strategy Officer: Angela Morris
Group Client Director: Katy Grey
Head of Production: Jacqueline Archer
Lead Senior Producer: Niki Bentley
Creative Lead: James Gillespie
Creative Lead – Copy: Lewis Farrar
Senior Client Manager: Kirsty Wootton

Production Company - Filmgraphics
Director - Jonathan Brough
EP/Producer - Anna Fawcett
Prod Manager - Suze Jackson
DP - Bob Humphries

VFX & 3D Animation: Synctum
VFX Supervisor/VFX Producer: Jonny Morfoulis @zannakii
VFX Supervisor/Lead VFX Artist: Declan Kindness @drzkindness
Compositor: Jarrett Piggott
Edit – Charles Ivory
Grade – Matt Fezz
Online – White Chocolate

Music Studio: Saint Juno Music
Composers: Brendan Etherington, Michael Etherington, Thomas Marland
Executive Producer: Kat Remy

Sound: Electric Sheep Music
Sound Designer: Georgia Collins
Executive Producer: Kate Stenhouse

Petronas F1 – Delta

To ‘Delta' means "to move in another direction". Envisioning this concept, we utilised sharp angular lines to aesthetically contribute as a component that leans into fast-paced bursts of energy, whilst employing aggressive motions of glitches and linework to showcase the relentless power the car has over its environment.

We produced this spot for Petronas’ F1 team in UE and C4D, honing in on various different features and workflows. Utilising Niagara, we created real-time fluid simulations and of course used UE's amazing lighting and rendering technology. The motion design was produced in C4D and then the images were composited using a mixture of UE-to-Nuke and After Effects to create the final product.

A @Synctum Production
Director/ 3D Generalist: @drzkindness
Executive Producer/Colour: @zannakii
VFX Artist: @the_piggott

Sound Production: @blaklabelmusic
Sound Design: @alf_the_goat

Over 12,000 people had something to say across this series of 9 posts to kick off @qt_hotels advent calendar.

Production: @wearepoolparty
VFX: @synctum
VFX Supervisor & Artist: Declan Kindness @drzkindness
VFX Supervisor & Producer: Jonny Morfoulis @zannakii

Over 12,000 people had something to say across this series of 9 posts to kick off @qt_hotels advent calendar.

Production: @wearepoolparty
VFX: @synctum
VFX Supervisor & Artist: Declan Kindness @drzkindness
VFX Supervisor & Producer: Jonny Morfoulis @zannakii

Over 12,000 people had something to say across this series of 9 posts to kick off @qt_hotels advent calendar.

Production: @wearepoolparty
VFX: @synctum
VFX Supervisor & Artist: Declan Kindness @drzkindness
VFX Supervisor & Producer: Jonny Morfoulis @zannakii

Over 12,000 people had something to say across this series of 9 posts to kick off @qt_hotels advent calendar.

Production: @wearepoolparty
VFX: @synctum
VFX Supervisor & Artist: Declan Kindness @drzkindness
VFX Supervisor & Producer: Jonny Morfoulis @zannakii

Over 12,000 people had something to say across this series of 9 posts to kick off @qt_hotels advent calendar.

Production: @wearepoolparty
VFX: @synctum
VFX Supervisor & Artist: Declan Kindness @drzkindness
VFX Supervisor & Producer: Jonny Morfoulis @zannakii

Over 12,000 people had something to say across this series of 9 posts to kick off @qt_hotels advent calendar.

Production: @wearepoolparty
VFX: @synctum
VFX Supervisor & Artist: Declan Kindness @drzkindness
VFX Supervisor & Producer: Jonny Morfoulis @zannakii

Over 12,000 people had something to say across this series of 9 posts to kick off @qt_hotels advent calendar.

Production: @wearepoolparty
VFX: @synctum
VFX Supervisor & Artist: Declan Kindness @drzkindness
VFX Supervisor & Producer: Jonny Morfoulis @zannakii

Over 12,000 people had something to say across this series of 9 posts to kick off @qt_hotels advent calendar.

Production: @wearepoolparty
VFX: @synctum
VFX Supervisor & Artist: Declan Kindness @drzkindness
VFX Supervisor & Producer: Jonny Morfoulis @zannakii

Over 12,000 people had something to say across this series of 9 posts to kick off @qt_hotels advent calendar.

Production: @wearepoolparty
VFX: @synctum
VFX Supervisor & Artist: Declan Kindness @drzkindness
VFX Supervisor & Producer: Jonny Morfoulis @zannakii

Clothes so good… you’d risk it all 🏃‍♂️💨

Recent vertical campaign for Derchutze, showcasing their new embroidery heaven boots.

Production Company: @onehouse
Director: @newbeny
Producer: @maxkearsley
DOP: @cam_mitchell_
Gaffer: @nickrijneveld
Styling Assist: @charlieyanko
Content Creator: @hweyylin
Talent: @darraghdoherty_ j_mulu744 @_sahar1j @lego_blok

VFX: Synctum
VFX Supervisor & Artist: Declan Kindness @drzkindness
VFX Supervisor & Producer: Jonny Morfoulis @zannakii

In just under six weeks, we adapted the original show assets provided by Wētā for this activation. This was no ordinary undertaking for our talented team.

Creating the Stranger Things finale experience was only half the story - the real magic happened behind the scenes, working alongside industry-leading professionals at
Amplify, Netflix, Bursty, and Eat The Elephant.

Here’s a look behind the curtain at how we brought this 3D projection to life.

Client: @netflixanz
Creative Agency: @weareamplify
Creative Producer: Benny Gattegno
Amplify Executive Producer: Aaron Bilham
Amplify Production: Domenic Scriva
Amplify Creative: Joel Menegazzo Susan Alzaim Jackson Holst Lucinda O’Brien
Amplify Client Services: Kate Boekhorst Caitlin Todd
Client – Netflix: Cammy Dale, Channa Goonasekara, Tony Broderick

VFX & Animation – @synctum
VFX Supervisor & Exec. Producer: @zannakii
VFX Supervisor & Compositor: @drzkindness
3D Creature Animator: Luke Free @drawnbyfree
3D Creature Animator: Kurt Duane @doopags

Technical Direction: @justeatthedamnelephant Matthew Teale
Lighting Design - Michael Burton
Sound Design - Will Thackray Lukas Farry Camille Yaptinchay (@otis_studios)
Content Capture – @burstycompany Ryan Earles, Jack Clark

VFX Breakdown for Luna @eliteelevensporting 🪐

We had just under two weeks to produce a custom smoke simulation, comet enhancement, sky and green screen replacements.

It was a rush job but we loved every second of it!

VFX @synctum
VFX Supervisor & Producer @zannakii
VFX Supervisor & Compositor @drzkindness
VFX Artist & 3D Generalist Luke Free

Production Company @onehouse
Director @fineg4n
Producer @maxkearsley @maddi.kelly
DOP @cam_mitchell_
Talent @jasminettavares @podolyano
1st AC @bonnie.18
Gaffer @ben.morgs @filmstarlighting
Best @100dollarsofwine
Grip @pribblecommabee
Art Director @jakefeastart
Art Assists @blair.allen @designbykarlirose @itssamgan Phillip Portellos
HMUA @phoenixly.hmua
Styling Assist @charlieyanko
Runner @eve__gol
EE Creative Team @agezarafa @yopapi_raw @shot_by_flick @madisonlinsdell
Editor @cam_mitchell_
Sound Design + Score @jpanasewych
Colourist @cam_mitchell_

LUNA for @eliteelevensporting ☄️

Production Company @onehouse
Director @fineg4n
Producer @maxkearsley @maddi.kelly
DOP @cam_mitchell_

Talent @jasminettavares @podolyano

1st AC @bonnie.18
Gaffer @ben.morgs @filmstarlighting
Best @100dollarsofwine
Grip @pribblecommabee

Art Director @jakefeastart
Art Assists @blair.allen @designbykarlirose @itssamgan Phillip Portellos

HMUA @phoenixly.hmua
Styling Assist @charlieyanko
Runner @eve__gol

EE Creative Team @agezarafa @yopapi_raw @shot_by_flick @madisonlinsdell

Editor @cam_mitchell_
Sound Design + Score @jpanasewych

VFX @synctum
VFX Supervisor & Producer @zannakii
VFX Supervisor & Compositor @drzkindness
VFX Artist & 3D Generalist Luke Free @drawnbyfree
Colourist @cam_mitchell_

Your friendly neighbourhood edit suite has arrived in the heart of Greenslopes.

We built the Synctum edit suite to feel less like a facility and more like a place you actually want to spend a full day cutting in. The room can be fully blacked out for focused editing, colour decisions and finishing work, then opened up into a brighter, comfortable space for collaborative reviews and relaxed client sessions.

Same room, two completely different working moods, designed to adapt to the people in it.

We’re also running early bird special discounts for a limited time only.

Link in bio to check out the facility or to book sessions.

Your friendly neighbourhood edit suite has arrived in the heart of Greenslopes.

We built the Synctum edit suite to feel less like a facility and more like a place you actually want to spend a full day cutting in. The room can be fully blacked out for focused editing, colour decisions and finishing work, then opened up into a brighter, comfortable space for collaborative reviews and relaxed client sessions.

Same room, two completely different working moods, designed to adapt to the people in it.

We’re also running early bird special discounts for a limited time only.

Link in bio to check out the facility or to book sessions.

Your friendly neighbourhood edit suite has arrived in the heart of Greenslopes.

We built the Synctum edit suite to feel less like a facility and more like a place you actually want to spend a full day cutting in. The room can be fully blacked out for focused editing, colour decisions and finishing work, then opened up into a brighter, comfortable space for collaborative reviews and relaxed client sessions.

Same room, two completely different working moods, designed to adapt to the people in it.

We’re also running early bird special discounts for a limited time only.

Link in bio to check out the facility or to book sessions.

Your friendly neighbourhood edit suite has arrived in the heart of Greenslopes.

We built the Synctum edit suite to feel less like a facility and more like a place you actually want to spend a full day cutting in. The room can be fully blacked out for focused editing, colour decisions and finishing work, then opened up into a brighter, comfortable space for collaborative reviews and relaxed client sessions.

Same room, two completely different working moods, designed to adapt to the people in it.

We’re also running early bird special discounts for a limited time only.

Link in bio to check out the facility or to book sessions.

Your friendly neighbourhood edit suite has arrived in the heart of Greenslopes.

We built the Synctum edit suite to feel less like a facility and more like a place you actually want to spend a full day cutting in. The room can be fully blacked out for focused editing, colour decisions and finishing work, then opened up into a brighter, comfortable space for collaborative reviews and relaxed client sessions.

Same room, two completely different working moods, designed to adapt to the people in it.

We’re also running early bird special discounts for a limited time only.

Link in bio to check out the facility or to book sessions.

Your friendly neighbourhood edit suite has arrived in the heart of Greenslopes.

We built the Synctum edit suite to feel less like a facility and more like a place you actually want to spend a full day cutting in. The room can be fully blacked out for focused editing, colour decisions and finishing work, then opened up into a brighter, comfortable space for collaborative reviews and relaxed client sessions.

Same room, two completely different working moods, designed to adapt to the people in it.

We’re also running early bird special discounts for a limited time only.

Link in bio to check out the facility or to book sessions.

What does it take to tell 10,000 years of human progress in 60 seconds?

👉 A caveman, a standing desk, and a team crazy enough to pull it off.

Thank you @deskyau for being amazing to work with & backing our vision, and @synctum for the post-production firepower!

Keep sharing ❤️

Behind every 60-second ad is a story.

This one had:
- 3 hours of caveman makeup
- A dinosaur head in the foyer
- A tiny crew making a huge idea real

Proud of what we built with @deskyau. Grateful for the crew at @synctum and their post-production magic. And huge props to the team for producing a spot that makes us laugh every time!