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Rare Aesthetics, opens on this Friday, March 6th, 6 - 8pm! 🖤

Vikky Alexander @vixen1234
Katherine Auchterlonie @katherineroseauchterlonie Auchterlonie
Jessica Diamond
Nancy Dwyer
Sophie Giraux @_sophiegiraux
Madeleine Ray Hines @madeleinehines_
Sofia Sinibaldi @sofiasinibaldi
Marius Steiger @2.marius
Alix Vernet @alixalwaysmoves
Connor Marie Stankard @connormariestankard
Julia Wachtel @juliawachtel

A special episode with gallerist Tara Downs @tara.downs.gallery talking about Jiang Cheng’s show ‘The Shiver’ open until Dec 12th 2025 at 424 Broadway, being neighbors with Maxwell Graham, Tomorrow gallery on Eldridge St, The industry slump, tech collectors, and artists Catherine Mulligan, Rute Merk, Deanna Havas, Madeline Ray Hines, Preslav Kostov and more on this 106th episode of WVFP NYC

#nycartist #nycgallery #podcast #manhattan #artshow #nyctelevision #taradowns

A special episode with gallerist Tara Downs @tara.downs.gallery talking about Jiang Cheng’s show ‘The Shiver’ open until Dec 12th 2025 at 424 Broadway, being neighbors with Maxwell Graham, Tomorrow gallery on Eldridge St, The industry slump, tech collectors, and artists Catherine Mulligan, Rute Merk, Deanna Havas, Madeline Ray Hines, Preslav Kostov and more on this 106th episode of WVFP NYC

#nycartist #nycgallery #podcast #manhattan #artshow #nyctelevision #taradowns

From narcissistic gym selfies to the toxic effects of microplastics — Max Lakin’s review of Preslav Kostov’s Soft Focus in November’s Artforum is a must-read. “Despite Kostov’s splicing, his bodies remained intact, possessed of an unnaturally pliable flesh that never ruptured.”

@preslavkostov #preslavkostov

From narcissistic gym selfies to the toxic effects of microplastics — Max Lakin’s review of Preslav Kostov’s Soft Focus in November’s Artforum is a must-read. “Despite Kostov’s splicing, his bodies remained intact, possessed of an unnaturally pliable flesh that never ruptured.”

@preslavkostov #preslavkostov

Lu Ferreira’s solo presentation is extended at the gallery thru June 13th! 🌿

@lu___ferreira #luferreira

Lu Ferreira’s solo presentation is extended at the gallery thru June 13th! 🌿

@lu___ferreira #luferreira

Lu Ferreira’s solo presentation is extended at the gallery thru June 13th! 🌿

@lu___ferreira #luferreira

Cell Repair, curated Eidmann Gallery, is open through June 13!

Examining how material and the body internalize damage, reorganizing into forms that remain in flux rather than restored or resolved. The exhibition frames repair as an ongoing, indeterminate process, not a return to origin. Across varied practices, the works engage rupture, recalibration, and persistence, tracing how form and meaning are reconstituted through stress and transformation.

Chando Ao @chandoao
Howard Reyes McLaren @howardreyesmclaren
Justin Nalley @hota_
Marika Thunder @marikathunder

@eidmanngallery

Cell Repair, curated Eidmann Gallery, is open through June 13!

Examining how material and the body internalize damage, reorganizing into forms that remain in flux rather than restored or resolved. The exhibition frames repair as an ongoing, indeterminate process, not a return to origin. Across varied practices, the works engage rupture, recalibration, and persistence, tracing how form and meaning are reconstituted through stress and transformation.

Chando Ao @chandoao
Howard Reyes McLaren @howardreyesmclaren
Justin Nalley @hota_
Marika Thunder @marikathunder

@eidmanngallery

Our presentation at Esther with Nick Jensen is captured in The Observer by Elisa Carollo! Open through Saturday, May 16th

“Building imagery in layers, the artist engages in a subconscious, emotional exercise, reconstructing a dream by returning again and again to the same subject. Through intuitive layering in tempera and oil, figures begin to emerge from abstraction, led by the alchemy of colors and textures that replicate the phenomenological process by which we see, transform sensation into symbol and meaning, then interiorize it as memory.”

@nick__jensen @elisartgal @observer @esther.newyork

Our presentation at Esther with Nick Jensen is captured in The Observer by Elisa Carollo! Open through Saturday, May 16th

“Building imagery in layers, the artist engages in a subconscious, emotional exercise, reconstructing a dream by returning again and again to the same subject. Through intuitive layering in tempera and oil, figures begin to emerge from abstraction, led by the alchemy of colors and textures that replicate the phenomenological process by which we see, transform sensation into symbol and meaning, then interiorize it as memory.”

@nick__jensen @elisartgal @observer @esther.newyork

At the gallery this week we have Lu Ferreira’s solo presentation! 🌿

Lu Ferreira attends to the residues of gesture as a site of historical metabolism. Through a process the artist calls “washing,” pigment is layered onto canvas and then worked against itself with toothbrushes, broom fibers, and scraps of rubber, scrubbed, soaked, and wrung until the accumulated matter turns translucent.

@lu___ferreira #luferreira

At the gallery this week we have Lu Ferreira’s solo presentation! 🌿

Lu Ferreira attends to the residues of gesture as a site of historical metabolism. Through a process the artist calls “washing,” pigment is layered onto canvas and then worked against itself with toothbrushes, broom fibers, and scraps of rubber, scrubbed, soaked, and wrung until the accumulated matter turns translucent.

@lu___ferreira #luferreira

Opening tomorrow! Tara Downs will participate in Esther III with a duo presentation of new works by Nick Jensen and Julien Monnerie. The fair runs from May 12 – 16. 💫

Above:
Nick Jensen
Paris, 2025
Distemper and oil on linen
39 ×31 in/100×80cm

Esther III
Estonian House
May 12 – 16
243 E 34th St, New York

@nick__jensen #nickjensen

Opening next Tuesday, the gallery will participate in Esther III with new works by Julien Monnerie. 💫

Julien’s Potato (curve), 2026, pewter and tinned brass wire. The forms are cast from food molds, dispatches from a vanishing culinary world. Pewter is a proletarian substance, the stuff of cups and spoons, everyday utensils, not sterling silver, nor platinum. Yet there is nothing precious about its origins, yet the surface is intoxicatingly celestial, accepting and reflecting everything in the room without hierarchy.

Esther III
Estonian House
May 12 – 16
243 E 34th St, New York​​​​​​​​​​​​​​​​

@julienmonnerie #julienmonnerie

Opening next Tuesday, the gallery will participate in Esther III with new works by Julien Monnerie. 💫

Julien’s Potato (curve), 2026, pewter and tinned brass wire. The forms are cast from food molds, dispatches from a vanishing culinary world. Pewter is a proletarian substance, the stuff of cups and spoons, everyday utensils, not sterling silver, nor platinum. Yet there is nothing precious about its origins, yet the surface is intoxicatingly celestial, accepting and reflecting everything in the room without hierarchy.

Esther III
Estonian House
May 12 – 16
243 E 34th St, New York​​​​​​​​​​​​​​​​

@julienmonnerie #julienmonnerie

TONIGHT! Lu Ferreira’s second solo exhibition with the gallery, 6-8 pm!

Lu Ferreira attends to the residues of gesture as a site of historical metabolism. The compositions generate an ambiguous field in which forms appear at once suspended and in motion, biomorphic and unfixed, rooted in the narratives of Ferreira’s life as a Black northeastern Brazilian man. Raised in Pernambuco, in close proximity to Afro-Brazilian spiritual traditions that shaped his visual imagination from childhood.

Thank you to Elizabeth Bandeira for your words and curatorial guidance, and to Daniel Guerra for everything that went into making this exhibition happen.

@elizabndeira @lu___ferreira @inadarreug

Cell Repair, an exhibition organized by Eidmann Gallery, is opening this Friday, May 1st, 6–8 pm, including works by Chando Ao, Howard Reyes McLaren, Justin Nalley, and Marika Thunder.

Chando Ao’s paintings operate at the threshold where images begin to form and simultaneously fall apart. Rather than depicting stable subjects, his works stage a condition in which figure, ground, and atmosphere remain in continuous negotiation.

Above:
CHANDO AO
Figure with Both Inside and Outside, 2025
Oil and pigment on linen
78 × 59 in / 200 × 149,9 cm

@chandoao @eidmanngallery

Cell Repair, an exhibition organized by Eidmann Gallery, is opening this Friday, May 1st, 6–8 pm, including works by Chando Ao, Howard Reyes McLaren, Justin Nalley, and Marika Thunder.

Chando Ao’s paintings operate at the threshold where images begin to form and simultaneously fall apart. Rather than depicting stable subjects, his works stage a condition in which figure, ground, and atmosphere remain in continuous negotiation.

Above:
CHANDO AO
Figure with Both Inside and Outside, 2025
Oil and pigment on linen
78 × 59 in / 200 × 149,9 cm

@chandoao @eidmanngallery

Cell Repair, an exhibition organized by Eidmann Gallery, is opening this Friday, May 1st, 6–8 pm, including works by Chando Ao, Howard Reyes McLaren, Justin Nalley, and Marika Thunder.

Chando Ao’s paintings operate at the threshold where images begin to form and simultaneously fall apart. Rather than depicting stable subjects, his works stage a condition in which figure, ground, and atmosphere remain in continuous negotiation.

Above:
CHANDO AO
Figure with Both Inside and Outside, 2025
Oil and pigment on linen
78 × 59 in / 200 × 149,9 cm

@chandoao @eidmanngallery

This Friday, we are opening Lu Ferreira’s second solo exhibition with the gallery, 6-8 pm!

“Material is a problem, not a solution,” Ferreira has said, and his surfaces bear out the proposition: what remains is neither image nor erasure but a luminous sediment, the record of a hand that has labored over the surface and, in laboring, refused it. Through a process the artist calls “washing,” pigment is layered onto canvas and then worked against itself with toothbrushes, broom fibers, and scraps of rubber, scrubbed, soaked, and wrung until the accumulated matter turns translucent.

Above:
Lu Ferreira
Sem título, 2025
Oil, acrylic, charcoal, professional colored pencil, dry and oil pastel on canvas
48 × 55 1/2 in / 122 × 141 cm

@tara.downs.gallery @lu___ferreira