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TELEVISOR isn’t just about commercials. Here’s a fresh music video we worked on for @bovska & @rogucki_rogucki, directed by @mateusz__nowakowski, shot by @_barbarakajakaniewska_

Production: @cine.gene
Executive producer: @mariaaestera
Director: Mateusz Nowakowski
DOP: Barbra Kai Kaniewska
Production manager: Mariusz Matwiejczuk
Postproduction: @televisor.studio
Edit: Mateusz Nowakowski
Color: Przemek Resil

No expectations.
No rules.
Just move.
However it feels right.

Client: FoodCare | @4move_official
Agency: @halluzinelle_halluzinelle
Brand strategy: Tycjan Lewandowski, Michał Makowski
Director: @sliwatadeusz
DOP:@englert_dop
Production: @the_moonfilms
Postproduction: @televisor.studio
Sound: @juice.pl

Old-school craft meets the AI revolution.

For our latest project with FORTUNA, the challenge wasn’t AI versus classic craft. It was about combining them in a hybrid workflow that works across every stage of production.

On one side, we relied on creative VFX and CGI; tools and skills we’ve mastered for years - tracking, keying, compositing. On the other, a generative AI workflow demanding thousands of iterations to tame hallucinations and create believable, smooth motion.

The biggest challenge was building digital athletes who look and move real, with weight, rhythm, and intent. AI generated footballers, speedway riders, a full stadium, cheering crowds, clouds and even a train racing onto the pitch. AI delivered incredible results, giving us a strong base to work from, but scenes like the train, which don’t exist in reality, required many iterations and careful guidance. Our hybrid workflow that combines generative AI with top-tier CGI allowed us to refine every element with precision, turning the scenes into seamless, realistic shots.

Together with Kuba Michalczuk, Watchout Studio, metaUNIT, and 2012 Agency - the result is a next-generation commercial built on the best of both worlds.

Everything had to fit into a single, coherent visual language, combining generative tools with traditional CGI workflows.

The result is a next-generation commercial built on the best of both worlds - classic craft and AI integration.

Here’s the second spot.

Client: @efortunapl
Agency: @2012_agency
Production: @watchout_studio
Director: @kuba.michalczuk
DOP: @kacper_fertacz
Producer: Adrian Wlodarski
Postproduction: @televisor.studio
Edit: Mateusz Rybka
Color: Piotrek Nowicki
Sound: @studioglosno

For this campaign, we leaned into a hybrid AI workflow to elevate the visuals and enhance the close-ups of honey and hops.

Another project that confirms how well traditional post-production craft and AI-assisted tools can support each other in production pipelines.

Client: @kompania_piwowarska | Książęce
Agency: @przestrzen.agency
Director: @arek_nowakowski_
Production: @otofilm
Postproduction: @televisor.studio
Sound: @olesoundstudio

Thanks, Przestrzeń, Ewelina Skwarko, Igor Zajda, Wojciech Bogusz, Barbara Baranowska

Plus Fiber; built for multitasking, just like the people who made it. Big thanks to the crew. Proud to be part of this one. 🫱🏻‍🫲🏼

Client: Plus
Agency: @freundschaft.grupa
Production: @tfpfilm
Director: @simon_pawlik
DOP: @kamilplocki
Postproduction: @televisor.studio / @ropel_sz
Edit: Maciek Kozłowski
Color: Martyna Laskowska
Sound: @ztudioiburza

A new Kozel spot for Asahi / @kompania_piwowarska, built around one simple idea: the perfect mix.
For us, it was also a perfect mix of post-production craft, hybrid AI, and close collaboration between the client, director, agency and production house.

Client: @kozelbeer_pl
Agency: @mccannprague
Director: @michal.sablinski
Produkcja: @the_moonfilms
Postproduction: @televisor.studio
Edit: @wojtek_wlodarski
Kolor: Piotr Sasim

When things don’t go as planned, resilience becomes the strategy. Situations shift, pressure builds, and sometimes the unexpected hits you head-on. That idea sits at the core of the latest Samsung campaign, and as it reflects a mindset we know and embrace at Televisor, it was a double pleasure to support this project with postproduction and contribute to a campaign built around those same values.

Client: @samsungpolska
Agency: @vml_poland
Production: @istvmedia
Dir: @marysiamakowska
DOP: @kajetan.plis
Postproduction: @televisor.studio

One of three campaigns with @maciej_stuhr for @ingpolska and the Twój Asystent app, built on the idea that ING takes care of the essentials, so you can focus on what truly matters.

Client: @ingpolska
Agency: @brain_warsaw
Director: @sliwatadeusz
DOP: @msyguda
Production: @watchout_studio
Postproduction: @televisor.studio
Edit: Robert Gryka
Sound: @ztudioiburza

Our second Darktrace campaign with @karol_kolodzinski and @letitrippictures pushed further into AI-assisted production, combining live-action footage with generative tools and a traditional CG pipeline.

We used AI to create stylised characters, elements and environments, then placed them onto 3D geometry for full control over animation, camera and compositing. Selected shots, like the train and stadium, were built entirely from AI-generated layers and assembled in Nuke.

Another project together, and another confirmation that our hybrid AI approach is the right way forward. Here are two of the four spots we worked on.

Client: @darktraceai
Agency: @madebygrizzly
Director: @karol_kolodzinski
DP: @lukatrajkovic
Production: @letitrippictures
Producer: @tomekkulesza
Postproduction: @televisor.studio
Supervisor: @chris.fendryk
Post Producer: Vasyl Malko
Edit: Miłosz Matuszewski
Color: Szymon Obrostek
Sound: @halo_studio_dzwiekowe

The Respite Association’s campaign won Bronze at the @britisharrows 2026 in the Charity & Public Service category. 🏆

Great to see this story recognised on such a stage.

Thank you @rsandersondir and @wearepartizan for trusting us with postproduction.

🧡 NEW WORK for DARKTRACE 🧡

We like to build things that last, ideas that evolve, partnerships that grow, and stories that keep unfolding. This latest chapter of the Defenders campaign continues that journey, pushing both scale and craft even further.

This time, we’re presenting the first two out of four films shot in Lisbon with our friends at Chocolate Filmes, expanding the world through a bold, CGI heavy approach and a strong visual identity. Created together with Grizzly and Outlier, it’s another collaboration built on trust and ambition.

Directed by Karol Kołodziński and shot by Luka Trajković, and featuring Clark Gregg, this one brought together an incredible team to build something cohesive, detailed, and full of character.

_____

Client: Darktrace @darktraceai
Agency: Grizzly @madebygrizzly
Talent: Clark Gregg @clarkgregg
Production Company: Let it Rip Pictures 🇺🇸 @letitrippictures
Director Let it Rip Pictures: Karol Kołodziński @karol_kolodzinski @the_reel_friends
DOP: Luka Trajković @lukatrajkovic
Co-Production with Outlier: @outlierfilms.co
EP & Founder: Tomek Kulesza @tomekkulesza
EP & Producer: Maruška Ðukić @usermarushka
Production Coordinator: Nuša Ðukić @nussssha
Cast Coordinator: Karolina Słomczyńska @_kurdebele

LISBON TEAM:
Service Production: Chocolate Filmes @chocolatefilmesdotcom
EP’s: Janeka Andrade @janekaandrade & Fred Rosa
Line Producer: Sandra Serrão @sandraserrao
Production Coordinator: Maria Mota @mariehasnotoes
1st AD: Jorge Salgueiro @jorge_sal
Location Manager: @sacramento_i1_calice

Steadicam: Marek Zajączkowski @marek_flying_for_film
VFX: Televisor @televisor.studio
Sound: Halo Productions @halo_studio_dzwiekowe
Still Photographer: Mateusz Nasternak @mateusznasternakphotography
Retouch & Stills postproduction: Piotr Frączkowski @thepostoffice_retouch

We like effects. We make effects. We love EFEKT BLACK.

Client: @blackenergy.pl
Director: @sliwatadeusz
DOP: @dominikpanasiuk
Production: @the_moonfilms
Agency: @halluzinelle_halluzinelle
Strategia marki: Tycjan Lewandowski, Tomasz Dziedzic
Postproduction: @televisor.studio
Sound: @juice.pl