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Adidas has launched its latest star studded campaign directed by Mark Molloy @_markmolloy and produced by Smuggler @smugglersite

Director of Photography: Harry Wheeler @harry__wheeler
Production Designer: Andy Kelly @thekellbar
Costume Designer: Verity May Lane @veritymaylane

Come #behindthescenes with us on @ubereats ‘Evil’d Enough’ spot from @opositivefilms and @motherlondon, serviced by #BlackIslandStudios and #Panalux London.

The spot’s #gaffer @bloodandlight66 tells us, “One of the three sets designed by the excellent @thekellbar was a brutalist science fiction monolith on a planet in a distant galaxy – dark grey walls and vast rooms lit from a large single aperture. We decided to hang 6 Vortex V8 fixtures on three separate ladder beams behind a 20’ x 20’ half gridcloth with a soft egg crate, lent at a 60 degree angle into the centre of the set. Large 20x20 black solids hung on either side cut any spill, and both open sides of the set were created with further blackouts. The second, a long corridor, had a single slot window running down one side. We used a run of Vortex V8’s with no diffusion to create a sharp endless line of directional light. It worked perfectly, enhancing both the architecture and the frames composition.”

“It was lovely to work at Black Island and do a decent sized set build in London, allowing me to work with my long-time collaborators #artdirector @ashdando and #propmaster @hoxtonb, who are the best to do it,” #productiondesigner Andy Kelly tells us. “Our #director @davyshane wanted to really lean into the cinematic version of this script, and after showing him some thoughts and references, we thankfully landed on moody single source lighting style and minimalist brutalist looking design. We were lucky to have Verity Hawkes tying it all together with her beautifully designed costumes.”

"It was an exciting job to be a part of,” says #DP @sblenkov. “The visual approach came from the incredible Andy Kelly before I was attached to the project, and it was such a great collaboration with him. It was important though for David, Andy and myself to keep the spot in a very cold, soft, dark grey environment until he finally gets into a more warm environment for the final. The main idea was to have this soft key light coming from the big light shafts, no visible windows at all. We were shooting with four cameras at the same time so we didn’t want any lights on the floor and wanted to be able to move quickly."

Come #behindthescenes with us on @ubereats ‘Evil’d Enough’ spot from @opositivefilms and @motherlondon, serviced by #BlackIslandStudios and #Panalux London.

The spot’s #gaffer @bloodandlight66 tells us, “One of the three sets designed by the excellent @thekellbar was a brutalist science fiction monolith on a planet in a distant galaxy – dark grey walls and vast rooms lit from a large single aperture. We decided to hang 6 Vortex V8 fixtures on three separate ladder beams behind a 20’ x 20’ half gridcloth with a soft egg crate, lent at a 60 degree angle into the centre of the set. Large 20x20 black solids hung on either side cut any spill, and both open sides of the set were created with further blackouts. The second, a long corridor, had a single slot window running down one side. We used a run of Vortex V8’s with no diffusion to create a sharp endless line of directional light. It worked perfectly, enhancing both the architecture and the frames composition.”

“It was lovely to work at Black Island and do a decent sized set build in London, allowing me to work with my long-time collaborators #artdirector @ashdando and #propmaster @hoxtonb, who are the best to do it,” #productiondesigner Andy Kelly tells us. “Our #director @davyshane wanted to really lean into the cinematic version of this script, and after showing him some thoughts and references, we thankfully landed on moody single source lighting style and minimalist brutalist looking design. We were lucky to have Verity Hawkes tying it all together with her beautifully designed costumes.”

"It was an exciting job to be a part of,” says #DP @sblenkov. “The visual approach came from the incredible Andy Kelly before I was attached to the project, and it was such a great collaboration with him. It was important though for David, Andy and myself to keep the spot in a very cold, soft, dark grey environment until he finally gets into a more warm environment for the final. The main idea was to have this soft key light coming from the big light shafts, no visible windows at all. We were shooting with four cameras at the same time so we didn’t want any lights on the floor and wanted to be able to move quickly."

Come #behindthescenes with us on @ubereats ‘Evil’d Enough’ spot from @opositivefilms and @motherlondon, serviced by #BlackIslandStudios and #Panalux London.

The spot’s #gaffer @bloodandlight66 tells us, “One of the three sets designed by the excellent @thekellbar was a brutalist science fiction monolith on a planet in a distant galaxy – dark grey walls and vast rooms lit from a large single aperture. We decided to hang 6 Vortex V8 fixtures on three separate ladder beams behind a 20’ x 20’ half gridcloth with a soft egg crate, lent at a 60 degree angle into the centre of the set. Large 20x20 black solids hung on either side cut any spill, and both open sides of the set were created with further blackouts. The second, a long corridor, had a single slot window running down one side. We used a run of Vortex V8’s with no diffusion to create a sharp endless line of directional light. It worked perfectly, enhancing both the architecture and the frames composition.”

“It was lovely to work at Black Island and do a decent sized set build in London, allowing me to work with my long-time collaborators #artdirector @ashdando and #propmaster @hoxtonb, who are the best to do it,” #productiondesigner Andy Kelly tells us. “Our #director @davyshane wanted to really lean into the cinematic version of this script, and after showing him some thoughts and references, we thankfully landed on moody single source lighting style and minimalist brutalist looking design. We were lucky to have Verity Hawkes tying it all together with her beautifully designed costumes.”

"It was an exciting job to be a part of,” says #DP @sblenkov. “The visual approach came from the incredible Andy Kelly before I was attached to the project, and it was such a great collaboration with him. It was important though for David, Andy and myself to keep the spot in a very cold, soft, dark grey environment until he finally gets into a more warm environment for the final. The main idea was to have this soft key light coming from the big light shafts, no visible windows at all. We were shooting with four cameras at the same time so we didn’t want any lights on the floor and wanted to be able to move quickly."

Come #behindthescenes with us on @ubereats ‘Evil’d Enough’ spot from @opositivefilms and @motherlondon, serviced by #BlackIslandStudios and #Panalux London.

The spot’s #gaffer @bloodandlight66 tells us, “One of the three sets designed by the excellent @thekellbar was a brutalist science fiction monolith on a planet in a distant galaxy – dark grey walls and vast rooms lit from a large single aperture. We decided to hang 6 Vortex V8 fixtures on three separate ladder beams behind a 20’ x 20’ half gridcloth with a soft egg crate, lent at a 60 degree angle into the centre of the set. Large 20x20 black solids hung on either side cut any spill, and both open sides of the set were created with further blackouts. The second, a long corridor, had a single slot window running down one side. We used a run of Vortex V8’s with no diffusion to create a sharp endless line of directional light. It worked perfectly, enhancing both the architecture and the frames composition.”

“It was lovely to work at Black Island and do a decent sized set build in London, allowing me to work with my long-time collaborators #artdirector @ashdando and #propmaster @hoxtonb, who are the best to do it,” #productiondesigner Andy Kelly tells us. “Our #director @davyshane wanted to really lean into the cinematic version of this script, and after showing him some thoughts and references, we thankfully landed on moody single source lighting style and minimalist brutalist looking design. We were lucky to have Verity Hawkes tying it all together with her beautifully designed costumes.”

"It was an exciting job to be a part of,” says #DP @sblenkov. “The visual approach came from the incredible Andy Kelly before I was attached to the project, and it was such a great collaboration with him. It was important though for David, Andy and myself to keep the spot in a very cold, soft, dark grey environment until he finally gets into a more warm environment for the final. The main idea was to have this soft key light coming from the big light shafts, no visible windows at all. We were shooting with four cameras at the same time so we didn’t want any lights on the floor and wanted to be able to move quickly."

Come #behindthescenes with us on @ubereats ‘Evil’d Enough’ spot from @opositivefilms and @motherlondon, serviced by #BlackIslandStudios and #Panalux London.

The spot’s #gaffer @bloodandlight66 tells us, “One of the three sets designed by the excellent @thekellbar was a brutalist science fiction monolith on a planet in a distant galaxy – dark grey walls and vast rooms lit from a large single aperture. We decided to hang 6 Vortex V8 fixtures on three separate ladder beams behind a 20’ x 20’ half gridcloth with a soft egg crate, lent at a 60 degree angle into the centre of the set. Large 20x20 black solids hung on either side cut any spill, and both open sides of the set were created with further blackouts. The second, a long corridor, had a single slot window running down one side. We used a run of Vortex V8’s with no diffusion to create a sharp endless line of directional light. It worked perfectly, enhancing both the architecture and the frames composition.”

“It was lovely to work at Black Island and do a decent sized set build in London, allowing me to work with my long-time collaborators #artdirector @ashdando and #propmaster @hoxtonb, who are the best to do it,” #productiondesigner Andy Kelly tells us. “Our #director @davyshane wanted to really lean into the cinematic version of this script, and after showing him some thoughts and references, we thankfully landed on moody single source lighting style and minimalist brutalist looking design. We were lucky to have Verity Hawkes tying it all together with her beautifully designed costumes.”

"It was an exciting job to be a part of,” says #DP @sblenkov. “The visual approach came from the incredible Andy Kelly before I was attached to the project, and it was such a great collaboration with him. It was important though for David, Andy and myself to keep the spot in a very cold, soft, dark grey environment until he finally gets into a more warm environment for the final. The main idea was to have this soft key light coming from the big light shafts, no visible windows at all. We were shooting with four cameras at the same time so we didn’t want any lights on the floor and wanted to be able to move quickly."

Come #behindthescenes with us on @ubereats ‘Evil’d Enough’ spot from @opositivefilms and @motherlondon, serviced by #BlackIslandStudios and #Panalux London.

The spot’s #gaffer @bloodandlight66 tells us, “One of the three sets designed by the excellent @thekellbar was a brutalist science fiction monolith on a planet in a distant galaxy – dark grey walls and vast rooms lit from a large single aperture. We decided to hang 6 Vortex V8 fixtures on three separate ladder beams behind a 20’ x 20’ half gridcloth with a soft egg crate, lent at a 60 degree angle into the centre of the set. Large 20x20 black solids hung on either side cut any spill, and both open sides of the set were created with further blackouts. The second, a long corridor, had a single slot window running down one side. We used a run of Vortex V8’s with no diffusion to create a sharp endless line of directional light. It worked perfectly, enhancing both the architecture and the frames composition.”

“It was lovely to work at Black Island and do a decent sized set build in London, allowing me to work with my long-time collaborators #artdirector @ashdando and #propmaster @hoxtonb, who are the best to do it,” #productiondesigner Andy Kelly tells us. “Our #director @davyshane wanted to really lean into the cinematic version of this script, and after showing him some thoughts and references, we thankfully landed on moody single source lighting style and minimalist brutalist looking design. We were lucky to have Verity Hawkes tying it all together with her beautifully designed costumes.”

"It was an exciting job to be a part of,” says #DP @sblenkov. “The visual approach came from the incredible Andy Kelly before I was attached to the project, and it was such a great collaboration with him. It was important though for David, Andy and myself to keep the spot in a very cold, soft, dark grey environment until he finally gets into a more warm environment for the final. The main idea was to have this soft key light coming from the big light shafts, no visible windows at all. We were shooting with four cameras at the same time so we didn’t want any lights on the floor and wanted to be able to move quickly."

Come #behindthescenes with us on @ubereats ‘Evil’d Enough’ spot from @opositivefilms and @motherlondon, serviced by #BlackIslandStudios and #Panalux London.

The spot’s #gaffer @bloodandlight66 tells us, “One of the three sets designed by the excellent @thekellbar was a brutalist science fiction monolith on a planet in a distant galaxy – dark grey walls and vast rooms lit from a large single aperture. We decided to hang 6 Vortex V8 fixtures on three separate ladder beams behind a 20’ x 20’ half gridcloth with a soft egg crate, lent at a 60 degree angle into the centre of the set. Large 20x20 black solids hung on either side cut any spill, and both open sides of the set were created with further blackouts. The second, a long corridor, had a single slot window running down one side. We used a run of Vortex V8’s with no diffusion to create a sharp endless line of directional light. It worked perfectly, enhancing both the architecture and the frames composition.”

“It was lovely to work at Black Island and do a decent sized set build in London, allowing me to work with my long-time collaborators #artdirector @ashdando and #propmaster @hoxtonb, who are the best to do it,” #productiondesigner Andy Kelly tells us. “Our #director @davyshane wanted to really lean into the cinematic version of this script, and after showing him some thoughts and references, we thankfully landed on moody single source lighting style and minimalist brutalist looking design. We were lucky to have Verity Hawkes tying it all together with her beautifully designed costumes.”

"It was an exciting job to be a part of,” says #DP @sblenkov. “The visual approach came from the incredible Andy Kelly before I was attached to the project, and it was such a great collaboration with him. It was important though for David, Andy and myself to keep the spot in a very cold, soft, dark grey environment until he finally gets into a more warm environment for the final. The main idea was to have this soft key light coming from the big light shafts, no visible windows at all. We were shooting with four cameras at the same time so we didn’t want any lights on the floor and wanted to be able to move quickly."

Come #behindthescenes with us on @ubereats ‘Evil’d Enough’ spot from @opositivefilms and @motherlondon, serviced by #BlackIslandStudios and #Panalux London.

The spot’s #gaffer @bloodandlight66 tells us, “One of the three sets designed by the excellent @thekellbar was a brutalist science fiction monolith on a planet in a distant galaxy – dark grey walls and vast rooms lit from a large single aperture. We decided to hang 6 Vortex V8 fixtures on three separate ladder beams behind a 20’ x 20’ half gridcloth with a soft egg crate, lent at a 60 degree angle into the centre of the set. Large 20x20 black solids hung on either side cut any spill, and both open sides of the set were created with further blackouts. The second, a long corridor, had a single slot window running down one side. We used a run of Vortex V8’s with no diffusion to create a sharp endless line of directional light. It worked perfectly, enhancing both the architecture and the frames composition.”

“It was lovely to work at Black Island and do a decent sized set build in London, allowing me to work with my long-time collaborators #artdirector @ashdando and #propmaster @hoxtonb, who are the best to do it,” #productiondesigner Andy Kelly tells us. “Our #director @davyshane wanted to really lean into the cinematic version of this script, and after showing him some thoughts and references, we thankfully landed on moody single source lighting style and minimalist brutalist looking design. We were lucky to have Verity Hawkes tying it all together with her beautifully designed costumes.”

"It was an exciting job to be a part of,” says #DP @sblenkov. “The visual approach came from the incredible Andy Kelly before I was attached to the project, and it was such a great collaboration with him. It was important though for David, Andy and myself to keep the spot in a very cold, soft, dark grey environment until he finally gets into a more warm environment for the final. The main idea was to have this soft key light coming from the big light shafts, no visible windows at all. We were shooting with four cameras at the same time so we didn’t want any lights on the floor and wanted to be able to move quickly."

Come #behindthescenes with us on @ubereats ‘Evil’d Enough’ spot from @opositivefilms and @motherlondon, serviced by #BlackIslandStudios and #Panalux London.

The spot’s #gaffer @bloodandlight66 tells us, “One of the three sets designed by the excellent @thekellbar was a brutalist science fiction monolith on a planet in a distant galaxy – dark grey walls and vast rooms lit from a large single aperture. We decided to hang 6 Vortex V8 fixtures on three separate ladder beams behind a 20’ x 20’ half gridcloth with a soft egg crate, lent at a 60 degree angle into the centre of the set. Large 20x20 black solids hung on either side cut any spill, and both open sides of the set were created with further blackouts. The second, a long corridor, had a single slot window running down one side. We used a run of Vortex V8’s with no diffusion to create a sharp endless line of directional light. It worked perfectly, enhancing both the architecture and the frames composition.”

“It was lovely to work at Black Island and do a decent sized set build in London, allowing me to work with my long-time collaborators #artdirector @ashdando and #propmaster @hoxtonb, who are the best to do it,” #productiondesigner Andy Kelly tells us. “Our #director @davyshane wanted to really lean into the cinematic version of this script, and after showing him some thoughts and references, we thankfully landed on moody single source lighting style and minimalist brutalist looking design. We were lucky to have Verity Hawkes tying it all together with her beautifully designed costumes.”

"It was an exciting job to be a part of,” says #DP @sblenkov. “The visual approach came from the incredible Andy Kelly before I was attached to the project, and it was such a great collaboration with him. It was important though for David, Andy and myself to keep the spot in a very cold, soft, dark grey environment until he finally gets into a more warm environment for the final. The main idea was to have this soft key light coming from the big light shafts, no visible windows at all. We were shooting with four cameras at the same time so we didn’t want any lights on the floor and wanted to be able to move quickly."

Come #behindthescenes with us on @ubereats ‘Evil’d Enough’ spot from @opositivefilms and @motherlondon, serviced by #BlackIslandStudios and #Panalux London.

The spot’s #gaffer @bloodandlight66 tells us, “One of the three sets designed by the excellent @thekellbar was a brutalist science fiction monolith on a planet in a distant galaxy – dark grey walls and vast rooms lit from a large single aperture. We decided to hang 6 Vortex V8 fixtures on three separate ladder beams behind a 20’ x 20’ half gridcloth with a soft egg crate, lent at a 60 degree angle into the centre of the set. Large 20x20 black solids hung on either side cut any spill, and both open sides of the set were created with further blackouts. The second, a long corridor, had a single slot window running down one side. We used a run of Vortex V8’s with no diffusion to create a sharp endless line of directional light. It worked perfectly, enhancing both the architecture and the frames composition.”

“It was lovely to work at Black Island and do a decent sized set build in London, allowing me to work with my long-time collaborators #artdirector @ashdando and #propmaster @hoxtonb, who are the best to do it,” #productiondesigner Andy Kelly tells us. “Our #director @davyshane wanted to really lean into the cinematic version of this script, and after showing him some thoughts and references, we thankfully landed on moody single source lighting style and minimalist brutalist looking design. We were lucky to have Verity Hawkes tying it all together with her beautifully designed costumes.”

"It was an exciting job to be a part of,” says #DP @sblenkov. “The visual approach came from the incredible Andy Kelly before I was attached to the project, and it was such a great collaboration with him. It was important though for David, Andy and myself to keep the spot in a very cold, soft, dark grey environment until he finally gets into a more warm environment for the final. The main idea was to have this soft key light coming from the big light shafts, no visible windows at all. We were shooting with four cameras at the same time so we didn’t want any lights on the floor and wanted to be able to move quickly."

OVO directed by Realité

Director of Photography Pat Aldinger @pataldingerdp
Production Designer Andy Kelly @thekellbar

Director of Photography Arnaud Potier, AFC, Production Designer Andy Kelly and Costume Designers The Lipops have collaborated on the promo for the Fury vs Usyk Heavyweight Championship rematch. Featuring cameos by both boxers, they both invade each others daily lives taking shape of everyone they come across. Directors Megaforce use this anxiety to great effect that pays homage to a classic music video and brings it into the modern era.
@losbosques @thekellbar @t.lipop @emmajaynelipop #ArnaudPotier #AndyKelly #TheLipops #FuryVSUsyk #LUXartists

Super fun job with talented lovely humans.

Well.....that was lots and lots of fun. Thank you to my amazing wife for the most fucking incredible and unforgettable weekend I’ve ever experienced.To all you lot too, you nailed it: Bridesmaids! @tessarose @katkamera @raxpax1982 @wonderhaus_uk Not only did you all look drop dead beautiful but the speeches were truly something special. @_jacob2006_We were very proud of your speech. I’m gonna stop pinching your cheeks now. @jesskellbel Caitlin and Indy you looked like unicorn angels!!
Jackson thank you for keeping the rings safe and making a wedding suit look that wrecked.Cormac You are some craic. Mum, Dad @moiraluke for the love and support ❤️ Best man: Paul Kelly if one more person talks to me about your fucking speech....Well done. I’ll literally never hear the end of it.Groomsmen @ashdando @papanusnus @julesrealworld @richardthunderhoward (should defo be your insta handle your MCing was brilliant. No more short jokes for a while please) You made the week and weekend immensely more fun and easier.@janelouisekelly the celebrant! Such an apt name for the day. You were beyond beautiful. Thank you for making a special day even more beautiful and surreal than we could have imagined
@pixiegrundy you smashed the reading out of the forest. Thank you thank you thank you.@fforest and @fforest_weddings what a venue and what a team! @cahoonashairhub you gorgeous woman thank you for everything. @eveycoles (and in his own special way Fergus) you were fucking fantastic!! The Kessell Brothers (wish you had an insta page) so so so good. The Irish music really made the Friday night and into the wee hours. - @_bazillionair @snorthcott thank you for your playlists throughout the weekend and for you stealthy perching during the ceremony Bazzle. @rosscooper you fucking smashed the dance floor a new A hole. Thank you!!! @phil_sansom @ohwilliams @dougalwilson @neilgordon_dop possibly the greatest rock and roll band that ever lived. I can’t wait for the documentary. You guys were superstars!! @bobpipe 🎸!!!!!

Well.....that was lots and lots of fun. Thank you to my amazing wife for the most fucking incredible and unforgettable weekend I’ve ever experienced.To all you lot too, you nailed it: Bridesmaids! @tessarose @katkamera @raxpax1982 @wonderhaus_uk Not only did you all look drop dead beautiful but the speeches were truly something special. @_jacob2006_We were very proud of your speech. I’m gonna stop pinching your cheeks now. @jesskellbel Caitlin and Indy you looked like unicorn angels!!
Jackson thank you for keeping the rings safe and making a wedding suit look that wrecked.Cormac You are some craic. Mum, Dad @moiraluke for the love and support ❤️ Best man: Paul Kelly if one more person talks to me about your fucking speech....Well done. I’ll literally never hear the end of it.Groomsmen @ashdando @papanusnus @julesrealworld @richardthunderhoward (should defo be your insta handle your MCing was brilliant. No more short jokes for a while please) You made the week and weekend immensely more fun and easier.@janelouisekelly the celebrant! Such an apt name for the day. You were beyond beautiful. Thank you for making a special day even more beautiful and surreal than we could have imagined
@pixiegrundy you smashed the reading out of the forest. Thank you thank you thank you.@fforest and @fforest_weddings what a venue and what a team! @cahoonashairhub you gorgeous woman thank you for everything. @eveycoles (and in his own special way Fergus) you were fucking fantastic!! The Kessell Brothers (wish you had an insta page) so so so good. The Irish music really made the Friday night and into the wee hours. - @_bazillionair @snorthcott thank you for your playlists throughout the weekend and for you stealthy perching during the ceremony Bazzle. @rosscooper you fucking smashed the dance floor a new A hole. Thank you!!! @phil_sansom @ohwilliams @dougalwilson @neilgordon_dop possibly the greatest rock and roll band that ever lived. I can’t wait for the documentary. You guys were superstars!! @bobpipe 🎸!!!!!

Well.....that was lots and lots of fun. Thank you to my amazing wife for the most fucking incredible and unforgettable weekend I’ve ever experienced.To all you lot too, you nailed it: Bridesmaids! @tessarose @katkamera @raxpax1982 @wonderhaus_uk Not only did you all look drop dead beautiful but the speeches were truly something special. @_jacob2006_We were very proud of your speech. I’m gonna stop pinching your cheeks now. @jesskellbel Caitlin and Indy you looked like unicorn angels!!
Jackson thank you for keeping the rings safe and making a wedding suit look that wrecked.Cormac You are some craic. Mum, Dad @moiraluke for the love and support ❤️ Best man: Paul Kelly if one more person talks to me about your fucking speech....Well done. I’ll literally never hear the end of it.Groomsmen @ashdando @papanusnus @julesrealworld @richardthunderhoward (should defo be your insta handle your MCing was brilliant. No more short jokes for a while please) You made the week and weekend immensely more fun and easier.@janelouisekelly the celebrant! Such an apt name for the day. You were beyond beautiful. Thank you for making a special day even more beautiful and surreal than we could have imagined
@pixiegrundy you smashed the reading out of the forest. Thank you thank you thank you.@fforest and @fforest_weddings what a venue and what a team! @cahoonashairhub you gorgeous woman thank you for everything. @eveycoles (and in his own special way Fergus) you were fucking fantastic!! The Kessell Brothers (wish you had an insta page) so so so good. The Irish music really made the Friday night and into the wee hours. - @_bazillionair @snorthcott thank you for your playlists throughout the weekend and for you stealthy perching during the ceremony Bazzle. @rosscooper you fucking smashed the dance floor a new A hole. Thank you!!! @phil_sansom @ohwilliams @dougalwilson @neilgordon_dop possibly the greatest rock and roll band that ever lived. I can’t wait for the documentary. You guys were superstars!! @bobpipe 🎸!!!!!

Well.....that was lots and lots of fun. Thank you to my amazing wife for the most fucking incredible and unforgettable weekend I’ve ever experienced.To all you lot too, you nailed it: Bridesmaids! @tessarose @katkamera @raxpax1982 @wonderhaus_uk Not only did you all look drop dead beautiful but the speeches were truly something special. @_jacob2006_We were very proud of your speech. I’m gonna stop pinching your cheeks now. @jesskellbel Caitlin and Indy you looked like unicorn angels!!
Jackson thank you for keeping the rings safe and making a wedding suit look that wrecked.Cormac You are some craic. Mum, Dad @moiraluke for the love and support ❤️ Best man: Paul Kelly if one more person talks to me about your fucking speech....Well done. I’ll literally never hear the end of it.Groomsmen @ashdando @papanusnus @julesrealworld @richardthunderhoward (should defo be your insta handle your MCing was brilliant. No more short jokes for a while please) You made the week and weekend immensely more fun and easier.@janelouisekelly the celebrant! Such an apt name for the day. You were beyond beautiful. Thank you for making a special day even more beautiful and surreal than we could have imagined
@pixiegrundy you smashed the reading out of the forest. Thank you thank you thank you.@fforest and @fforest_weddings what a venue and what a team! @cahoonashairhub you gorgeous woman thank you for everything. @eveycoles (and in his own special way Fergus) you were fucking fantastic!! The Kessell Brothers (wish you had an insta page) so so so good. The Irish music really made the Friday night and into the wee hours. - @_bazillionair @snorthcott thank you for your playlists throughout the weekend and for you stealthy perching during the ceremony Bazzle. @rosscooper you fucking smashed the dance floor a new A hole. Thank you!!! @phil_sansom @ohwilliams @dougalwilson @neilgordon_dop possibly the greatest rock and roll band that ever lived. I can’t wait for the documentary. You guys were superstars!! @bobpipe 🎸!!!!!

Well.....that was lots and lots of fun. Thank you to my amazing wife for the most fucking incredible and unforgettable weekend I’ve ever experienced.To all you lot too, you nailed it: Bridesmaids! @tessarose @katkamera @raxpax1982 @wonderhaus_uk Not only did you all look drop dead beautiful but the speeches were truly something special. @_jacob2006_We were very proud of your speech. I’m gonna stop pinching your cheeks now. @jesskellbel Caitlin and Indy you looked like unicorn angels!!
Jackson thank you for keeping the rings safe and making a wedding suit look that wrecked.Cormac You are some craic. Mum, Dad @moiraluke for the love and support ❤️ Best man: Paul Kelly if one more person talks to me about your fucking speech....Well done. I’ll literally never hear the end of it.Groomsmen @ashdando @papanusnus @julesrealworld @richardthunderhoward (should defo be your insta handle your MCing was brilliant. No more short jokes for a while please) You made the week and weekend immensely more fun and easier.@janelouisekelly the celebrant! Such an apt name for the day. You were beyond beautiful. Thank you for making a special day even more beautiful and surreal than we could have imagined
@pixiegrundy you smashed the reading out of the forest. Thank you thank you thank you.@fforest and @fforest_weddings what a venue and what a team! @cahoonashairhub you gorgeous woman thank you for everything. @eveycoles (and in his own special way Fergus) you were fucking fantastic!! The Kessell Brothers (wish you had an insta page) so so so good. The Irish music really made the Friday night and into the wee hours. - @_bazillionair @snorthcott thank you for your playlists throughout the weekend and for you stealthy perching during the ceremony Bazzle. @rosscooper you fucking smashed the dance floor a new A hole. Thank you!!! @phil_sansom @ohwilliams @dougalwilson @neilgordon_dop possibly the greatest rock and roll band that ever lived. I can’t wait for the documentary. You guys were superstars!! @bobpipe 🎸!!!!!

Well.....that was lots and lots of fun. Thank you to my amazing wife for the most fucking incredible and unforgettable weekend I’ve ever experienced.To all you lot too, you nailed it: Bridesmaids! @tessarose @katkamera @raxpax1982 @wonderhaus_uk Not only did you all look drop dead beautiful but the speeches were truly something special. @_jacob2006_We were very proud of your speech. I’m gonna stop pinching your cheeks now. @jesskellbel Caitlin and Indy you looked like unicorn angels!!
Jackson thank you for keeping the rings safe and making a wedding suit look that wrecked.Cormac You are some craic. Mum, Dad @moiraluke for the love and support ❤️ Best man: Paul Kelly if one more person talks to me about your fucking speech....Well done. I’ll literally never hear the end of it.Groomsmen @ashdando @papanusnus @julesrealworld @richardthunderhoward (should defo be your insta handle your MCing was brilliant. No more short jokes for a while please) You made the week and weekend immensely more fun and easier.@janelouisekelly the celebrant! Such an apt name for the day. You were beyond beautiful. Thank you for making a special day even more beautiful and surreal than we could have imagined
@pixiegrundy you smashed the reading out of the forest. Thank you thank you thank you.@fforest and @fforest_weddings what a venue and what a team! @cahoonashairhub you gorgeous woman thank you for everything. @eveycoles (and in his own special way Fergus) you were fucking fantastic!! The Kessell Brothers (wish you had an insta page) so so so good. The Irish music really made the Friday night and into the wee hours. - @_bazillionair @snorthcott thank you for your playlists throughout the weekend and for you stealthy perching during the ceremony Bazzle. @rosscooper you fucking smashed the dance floor a new A hole. Thank you!!! @phil_sansom @ohwilliams @dougalwilson @neilgordon_dop possibly the greatest rock and roll band that ever lived. I can’t wait for the documentary. You guys were superstars!! @bobpipe 🎸!!!!!

Well.....that was lots and lots of fun. Thank you to my amazing wife for the most fucking incredible and unforgettable weekend I’ve ever experienced.To all you lot too, you nailed it: Bridesmaids! @tessarose @katkamera @raxpax1982 @wonderhaus_uk Not only did you all look drop dead beautiful but the speeches were truly something special. @_jacob2006_We were very proud of your speech. I’m gonna stop pinching your cheeks now. @jesskellbel Caitlin and Indy you looked like unicorn angels!!
Jackson thank you for keeping the rings safe and making a wedding suit look that wrecked.Cormac You are some craic. Mum, Dad @moiraluke for the love and support ❤️ Best man: Paul Kelly if one more person talks to me about your fucking speech....Well done. I’ll literally never hear the end of it.Groomsmen @ashdando @papanusnus @julesrealworld @richardthunderhoward (should defo be your insta handle your MCing was brilliant. No more short jokes for a while please) You made the week and weekend immensely more fun and easier.@janelouisekelly the celebrant! Such an apt name for the day. You were beyond beautiful. Thank you for making a special day even more beautiful and surreal than we could have imagined
@pixiegrundy you smashed the reading out of the forest. Thank you thank you thank you.@fforest and @fforest_weddings what a venue and what a team! @cahoonashairhub you gorgeous woman thank you for everything. @eveycoles (and in his own special way Fergus) you were fucking fantastic!! The Kessell Brothers (wish you had an insta page) so so so good. The Irish music really made the Friday night and into the wee hours. - @_bazillionair @snorthcott thank you for your playlists throughout the weekend and for you stealthy perching during the ceremony Bazzle. @rosscooper you fucking smashed the dance floor a new A hole. Thank you!!! @phil_sansom @ohwilliams @dougalwilson @neilgordon_dop possibly the greatest rock and roll band that ever lived. I can’t wait for the documentary. You guys were superstars!! @bobpipe 🎸!!!!!

Well.....that was lots and lots of fun. Thank you to my amazing wife for the most fucking incredible and unforgettable weekend I’ve ever experienced.To all you lot too, you nailed it: Bridesmaids! @tessarose @katkamera @raxpax1982 @wonderhaus_uk Not only did you all look drop dead beautiful but the speeches were truly something special. @_jacob2006_We were very proud of your speech. I’m gonna stop pinching your cheeks now. @jesskellbel Caitlin and Indy you looked like unicorn angels!!
Jackson thank you for keeping the rings safe and making a wedding suit look that wrecked.Cormac You are some craic. Mum, Dad @moiraluke for the love and support ❤️ Best man: Paul Kelly if one more person talks to me about your fucking speech....Well done. I’ll literally never hear the end of it.Groomsmen @ashdando @papanusnus @julesrealworld @richardthunderhoward (should defo be your insta handle your MCing was brilliant. No more short jokes for a while please) You made the week and weekend immensely more fun and easier.@janelouisekelly the celebrant! Such an apt name for the day. You were beyond beautiful. Thank you for making a special day even more beautiful and surreal than we could have imagined
@pixiegrundy you smashed the reading out of the forest. Thank you thank you thank you.@fforest and @fforest_weddings what a venue and what a team! @cahoonashairhub you gorgeous woman thank you for everything. @eveycoles (and in his own special way Fergus) you were fucking fantastic!! The Kessell Brothers (wish you had an insta page) so so so good. The Irish music really made the Friday night and into the wee hours. - @_bazillionair @snorthcott thank you for your playlists throughout the weekend and for you stealthy perching during the ceremony Bazzle. @rosscooper you fucking smashed the dance floor a new A hole. Thank you!!! @phil_sansom @ohwilliams @dougalwilson @neilgordon_dop possibly the greatest rock and roll band that ever lived. I can’t wait for the documentary. You guys were superstars!! @bobpipe 🎸!!!!!

Well.....that was lots and lots of fun. Thank you to my amazing wife for the most fucking incredible and unforgettable weekend I’ve ever experienced.To all you lot too, you nailed it: Bridesmaids! @tessarose @katkamera @raxpax1982 @wonderhaus_uk Not only did you all look drop dead beautiful but the speeches were truly something special. @_jacob2006_We were very proud of your speech. I’m gonna stop pinching your cheeks now. @jesskellbel Caitlin and Indy you looked like unicorn angels!!
Jackson thank you for keeping the rings safe and making a wedding suit look that wrecked.Cormac You are some craic. Mum, Dad @moiraluke for the love and support ❤️ Best man: Paul Kelly if one more person talks to me about your fucking speech....Well done. I’ll literally never hear the end of it.Groomsmen @ashdando @papanusnus @julesrealworld @richardthunderhoward (should defo be your insta handle your MCing was brilliant. No more short jokes for a while please) You made the week and weekend immensely more fun and easier.@janelouisekelly the celebrant! Such an apt name for the day. You were beyond beautiful. Thank you for making a special day even more beautiful and surreal than we could have imagined
@pixiegrundy you smashed the reading out of the forest. Thank you thank you thank you.@fforest and @fforest_weddings what a venue and what a team! @cahoonashairhub you gorgeous woman thank you for everything. @eveycoles (and in his own special way Fergus) you were fucking fantastic!! The Kessell Brothers (wish you had an insta page) so so so good. The Irish music really made the Friday night and into the wee hours. - @_bazillionair @snorthcott thank you for your playlists throughout the weekend and for you stealthy perching during the ceremony Bazzle. @rosscooper you fucking smashed the dance floor a new A hole. Thank you!!! @phil_sansom @ohwilliams @dougalwilson @neilgordon_dop possibly the greatest rock and roll band that ever lived. I can’t wait for the documentary. You guys were superstars!! @bobpipe 🎸!!!!!

Well.....that was lots and lots of fun. Thank you to my amazing wife for the most fucking incredible and unforgettable weekend I’ve ever experienced.To all you lot too, you nailed it: Bridesmaids! @tessarose @katkamera @raxpax1982 @wonderhaus_uk Not only did you all look drop dead beautiful but the speeches were truly something special. @_jacob2006_We were very proud of your speech. I’m gonna stop pinching your cheeks now. @jesskellbel Caitlin and Indy you looked like unicorn angels!!
Jackson thank you for keeping the rings safe and making a wedding suit look that wrecked.Cormac You are some craic. Mum, Dad @moiraluke for the love and support ❤️ Best man: Paul Kelly if one more person talks to me about your fucking speech....Well done. I’ll literally never hear the end of it.Groomsmen @ashdando @papanusnus @julesrealworld @richardthunderhoward (should defo be your insta handle your MCing was brilliant. No more short jokes for a while please) You made the week and weekend immensely more fun and easier.@janelouisekelly the celebrant! Such an apt name for the day. You were beyond beautiful. Thank you for making a special day even more beautiful and surreal than we could have imagined
@pixiegrundy you smashed the reading out of the forest. Thank you thank you thank you.@fforest and @fforest_weddings what a venue and what a team! @cahoonashairhub you gorgeous woman thank you for everything. @eveycoles (and in his own special way Fergus) you were fucking fantastic!! The Kessell Brothers (wish you had an insta page) so so so good. The Irish music really made the Friday night and into the wee hours. - @_bazillionair @snorthcott thank you for your playlists throughout the weekend and for you stealthy perching during the ceremony Bazzle. @rosscooper you fucking smashed the dance floor a new A hole. Thank you!!! @phil_sansom @ohwilliams @dougalwilson @neilgordon_dop possibly the greatest rock and roll band that ever lived. I can’t wait for the documentary. You guys were superstars!! @bobpipe 🎸!!!!!

Jesus H tap dancing Christ I have seen the light!We’re getting the band back together.#ourdogcannowtalk #hunterthehuntaway #thebluesbrothers #jesushtapdancingchrist

I just want a fucking ice-cream. #irishmaninthesun #angrykelly #howtoruinparadise

Not to rub salt in the wounds of Jesus on his special day, but Claire and I got engaged and we’re really fucking happy about it!!!💍🥂🎄Merry Christmas💚

O430 hike back up Mam Tor, the weather lords took pity on us....briefly. #summerinbritain #blinkprods #iwantacaramelslice

No man left behind.....Except the director. #i'msurehe'sfine #windypops #canweshootinthis? @dougalwilson @jimbocole @blinkprods

Ladies of the lake #freezing #ihavenowilly