Them Ones
Production and curatorial studio powered by global storytellers.

🎬 FESTIVAL NEWS 🎬 Leaving Ikorodu In 1999 will be showing at @raindancefilmfestival and @blackstarfest!
Grateful and excited to bring our short film to London with a UK Premiere at Raindance Film Festival. We’ll be playing on 23rd and 24th June at Vue Cinema Piccadilly before heading to @blackstarfest for our U.S. Premiere this August 🎟️
If you’re at Raindance or Philadelphia this summer - come through 🇳🇬

🎬 FESTIVAL NEWS 🎬 Leaving Ikorodu In 1999 will be showing at @raindancefilmfestival and @blackstarfest!
Grateful and excited to bring our short film to London with a UK Premiere at Raindance Film Festival. We’ll be playing on 23rd and 24th June at Vue Cinema Piccadilly before heading to @blackstarfest for our U.S. Premiere this August 🎟️
If you’re at Raindance or Philadelphia this summer - come through 🇳🇬

🎬 FESTIVAL NEWS 🎬 Leaving Ikorodu In 1999 will be showing at @raindancefilmfestival and @blackstarfest!
Grateful and excited to bring our short film to London with a UK Premiere at Raindance Film Festival. We’ll be playing on 23rd and 24th June at Vue Cinema Piccadilly before heading to @blackstarfest for our U.S. Premiere this August 🎟️
If you’re at Raindance or Philadelphia this summer - come through 🇳🇬

Them Ones x Garden of Afruika: Breaking Bread 🤎
Yesterday we brought together a few of the most inspiring, nurturing and imaginative minds and souls to cook together, break bread together, and dream of the collective potential and future of Them Ones together. Guided by @gardenofafruika, we made pumpkin chana curry with plait braid, plantain, and an avocado and cucumber salad, while dreaming up infrastructure, creativity, ambition and a collective ethos for Them Ones that is rooted in ‘we’, not ‘I’.
The collective is at the centre of Them Ones - we exist because I exist, and I exist because you exist. Thank you to the family who gave up their Sunday to nourish one another: Abigail, Akil, Anu, Daniel, Debo, Estie, Eyram, Junior, Kareem, Nate, Ola, Reena, Sofia, Tamara-Jade, Tia, and Xanthus.
A special thank you to Victoria and Maria at @hackneyschooloffood who allowed this day to run so smoothly and kept us warm with fresh Rosemary and Mint Tea from the garden, and to @wearemirchi for the delicious spiced rum.
📸 All captured by the peopledem

Them Ones x Garden of Afruika: Breaking Bread 🤎
Yesterday we brought together a few of the most inspiring, nurturing and imaginative minds and souls to cook together, break bread together, and dream of the collective potential and future of Them Ones together. Guided by @gardenofafruika, we made pumpkin chana curry with plait braid, plantain, and an avocado and cucumber salad, while dreaming up infrastructure, creativity, ambition and a collective ethos for Them Ones that is rooted in ‘we’, not ‘I’.
The collective is at the centre of Them Ones - we exist because I exist, and I exist because you exist. Thank you to the family who gave up their Sunday to nourish one another: Abigail, Akil, Anu, Daniel, Debo, Estie, Eyram, Junior, Kareem, Nate, Ola, Reena, Sofia, Tamara-Jade, Tia, and Xanthus.
A special thank you to Victoria and Maria at @hackneyschooloffood who allowed this day to run so smoothly and kept us warm with fresh Rosemary and Mint Tea from the garden, and to @wearemirchi for the delicious spiced rum.
📸 All captured by the peopledem

Them Ones x Garden of Afruika: Breaking Bread 🤎
Yesterday we brought together a few of the most inspiring, nurturing and imaginative minds and souls to cook together, break bread together, and dream of the collective potential and future of Them Ones together. Guided by @gardenofafruika, we made pumpkin chana curry with plait braid, plantain, and an avocado and cucumber salad, while dreaming up infrastructure, creativity, ambition and a collective ethos for Them Ones that is rooted in ‘we’, not ‘I’.
The collective is at the centre of Them Ones - we exist because I exist, and I exist because you exist. Thank you to the family who gave up their Sunday to nourish one another: Abigail, Akil, Anu, Daniel, Debo, Estie, Eyram, Junior, Kareem, Nate, Ola, Reena, Sofia, Tamara-Jade, Tia, and Xanthus.
A special thank you to Victoria and Maria at @hackneyschooloffood who allowed this day to run so smoothly and kept us warm with fresh Rosemary and Mint Tea from the garden, and to @wearemirchi for the delicious spiced rum.
📸 All captured by the peopledem

Them Ones x Garden of Afruika: Breaking Bread 🤎
Yesterday we brought together a few of the most inspiring, nurturing and imaginative minds and souls to cook together, break bread together, and dream of the collective potential and future of Them Ones together. Guided by @gardenofafruika, we made pumpkin chana curry with plait braid, plantain, and an avocado and cucumber salad, while dreaming up infrastructure, creativity, ambition and a collective ethos for Them Ones that is rooted in ‘we’, not ‘I’.
The collective is at the centre of Them Ones - we exist because I exist, and I exist because you exist. Thank you to the family who gave up their Sunday to nourish one another: Abigail, Akil, Anu, Daniel, Debo, Estie, Eyram, Junior, Kareem, Nate, Ola, Reena, Sofia, Tamara-Jade, Tia, and Xanthus.
A special thank you to Victoria and Maria at @hackneyschooloffood who allowed this day to run so smoothly and kept us warm with fresh Rosemary and Mint Tea from the garden, and to @wearemirchi for the delicious spiced rum.
📸 All captured by the peopledem

Them Ones x Garden of Afruika: Breaking Bread 🤎
Yesterday we brought together a few of the most inspiring, nurturing and imaginative minds and souls to cook together, break bread together, and dream of the collective potential and future of Them Ones together. Guided by @gardenofafruika, we made pumpkin chana curry with plait braid, plantain, and an avocado and cucumber salad, while dreaming up infrastructure, creativity, ambition and a collective ethos for Them Ones that is rooted in ‘we’, not ‘I’.
The collective is at the centre of Them Ones - we exist because I exist, and I exist because you exist. Thank you to the family who gave up their Sunday to nourish one another: Abigail, Akil, Anu, Daniel, Debo, Estie, Eyram, Junior, Kareem, Nate, Ola, Reena, Sofia, Tamara-Jade, Tia, and Xanthus.
A special thank you to Victoria and Maria at @hackneyschooloffood who allowed this day to run so smoothly and kept us warm with fresh Rosemary and Mint Tea from the garden, and to @wearemirchi for the delicious spiced rum.
📸 All captured by the peopledem

Them Ones x Garden of Afruika: Breaking Bread 🤎
Yesterday we brought together a few of the most inspiring, nurturing and imaginative minds and souls to cook together, break bread together, and dream of the collective potential and future of Them Ones together. Guided by @gardenofafruika, we made pumpkin chana curry with plait braid, plantain, and an avocado and cucumber salad, while dreaming up infrastructure, creativity, ambition and a collective ethos for Them Ones that is rooted in ‘we’, not ‘I’.
The collective is at the centre of Them Ones - we exist because I exist, and I exist because you exist. Thank you to the family who gave up their Sunday to nourish one another: Abigail, Akil, Anu, Daniel, Debo, Estie, Eyram, Junior, Kareem, Nate, Ola, Reena, Sofia, Tamara-Jade, Tia, and Xanthus.
A special thank you to Victoria and Maria at @hackneyschooloffood who allowed this day to run so smoothly and kept us warm with fresh Rosemary and Mint Tea from the garden, and to @wearemirchi for the delicious spiced rum.
📸 All captured by the peopledem

Them Ones x Garden of Afruika: Breaking Bread 🤎
Yesterday we brought together a few of the most inspiring, nurturing and imaginative minds and souls to cook together, break bread together, and dream of the collective potential and future of Them Ones together. Guided by @gardenofafruika, we made pumpkin chana curry with plait braid, plantain, and an avocado and cucumber salad, while dreaming up infrastructure, creativity, ambition and a collective ethos for Them Ones that is rooted in ‘we’, not ‘I’.
The collective is at the centre of Them Ones - we exist because I exist, and I exist because you exist. Thank you to the family who gave up their Sunday to nourish one another: Abigail, Akil, Anu, Daniel, Debo, Estie, Eyram, Junior, Kareem, Nate, Ola, Reena, Sofia, Tamara-Jade, Tia, and Xanthus.
A special thank you to Victoria and Maria at @hackneyschooloffood who allowed this day to run so smoothly and kept us warm with fresh Rosemary and Mint Tea from the garden, and to @wearemirchi for the delicious spiced rum.
📸 All captured by the peopledem

Them Ones x Garden of Afruika: Breaking Bread 🤎
Yesterday we brought together a few of the most inspiring, nurturing and imaginative minds and souls to cook together, break bread together, and dream of the collective potential and future of Them Ones together. Guided by @gardenofafruika, we made pumpkin chana curry with plait braid, plantain, and an avocado and cucumber salad, while dreaming up infrastructure, creativity, ambition and a collective ethos for Them Ones that is rooted in ‘we’, not ‘I’.
The collective is at the centre of Them Ones - we exist because I exist, and I exist because you exist. Thank you to the family who gave up their Sunday to nourish one another: Abigail, Akil, Anu, Daniel, Debo, Estie, Eyram, Junior, Kareem, Nate, Ola, Reena, Sofia, Tamara-Jade, Tia, and Xanthus.
A special thank you to Victoria and Maria at @hackneyschooloffood who allowed this day to run so smoothly and kept us warm with fresh Rosemary and Mint Tea from the garden, and to @wearemirchi for the delicious spiced rum.
📸 All captured by the peopledem

Them Ones x Garden of Afruika: Breaking Bread 🤎
Yesterday we brought together a few of the most inspiring, nurturing and imaginative minds and souls to cook together, break bread together, and dream of the collective potential and future of Them Ones together. Guided by @gardenofafruika, we made pumpkin chana curry with plait braid, plantain, and an avocado and cucumber salad, while dreaming up infrastructure, creativity, ambition and a collective ethos for Them Ones that is rooted in ‘we’, not ‘I’.
The collective is at the centre of Them Ones - we exist because I exist, and I exist because you exist. Thank you to the family who gave up their Sunday to nourish one another: Abigail, Akil, Anu, Daniel, Debo, Estie, Eyram, Junior, Kareem, Nate, Ola, Reena, Sofia, Tamara-Jade, Tia, and Xanthus.
A special thank you to Victoria and Maria at @hackneyschooloffood who allowed this day to run so smoothly and kept us warm with fresh Rosemary and Mint Tea from the garden, and to @wearemirchi for the delicious spiced rum.
📸 All captured by the peopledem

Them Ones x Garden of Afruika: Breaking Bread 🤎
Yesterday we brought together a few of the most inspiring, nurturing and imaginative minds and souls to cook together, break bread together, and dream of the collective potential and future of Them Ones together. Guided by @gardenofafruika, we made pumpkin chana curry with plait braid, plantain, and an avocado and cucumber salad, while dreaming up infrastructure, creativity, ambition and a collective ethos for Them Ones that is rooted in ‘we’, not ‘I’.
The collective is at the centre of Them Ones - we exist because I exist, and I exist because you exist. Thank you to the family who gave up their Sunday to nourish one another: Abigail, Akil, Anu, Daniel, Debo, Estie, Eyram, Junior, Kareem, Nate, Ola, Reena, Sofia, Tamara-Jade, Tia, and Xanthus.
A special thank you to Victoria and Maria at @hackneyschooloffood who allowed this day to run so smoothly and kept us warm with fresh Rosemary and Mint Tea from the garden, and to @wearemirchi for the delicious spiced rum.
📸 All captured by the peopledem

Them Ones x Garden of Afruika: Breaking Bread 🤎
Yesterday we brought together a few of the most inspiring, nurturing and imaginative minds and souls to cook together, break bread together, and dream of the collective potential and future of Them Ones together. Guided by @gardenofafruika, we made pumpkin chana curry with plait braid, plantain, and an avocado and cucumber salad, while dreaming up infrastructure, creativity, ambition and a collective ethos for Them Ones that is rooted in ‘we’, not ‘I’.
The collective is at the centre of Them Ones - we exist because I exist, and I exist because you exist. Thank you to the family who gave up their Sunday to nourish one another: Abigail, Akil, Anu, Daniel, Debo, Estie, Eyram, Junior, Kareem, Nate, Ola, Reena, Sofia, Tamara-Jade, Tia, and Xanthus.
A special thank you to Victoria and Maria at @hackneyschooloffood who allowed this day to run so smoothly and kept us warm with fresh Rosemary and Mint Tea from the garden, and to @wearemirchi for the delicious spiced rum.
📸 All captured by the peopledem

Them Ones x Garden of Afruika: Breaking Bread 🤎
Yesterday we brought together a few of the most inspiring, nurturing and imaginative minds and souls to cook together, break bread together, and dream of the collective potential and future of Them Ones together. Guided by @gardenofafruika, we made pumpkin chana curry with plait braid, plantain, and an avocado and cucumber salad, while dreaming up infrastructure, creativity, ambition and a collective ethos for Them Ones that is rooted in ‘we’, not ‘I’.
The collective is at the centre of Them Ones - we exist because I exist, and I exist because you exist. Thank you to the family who gave up their Sunday to nourish one another: Abigail, Akil, Anu, Daniel, Debo, Estie, Eyram, Junior, Kareem, Nate, Ola, Reena, Sofia, Tamara-Jade, Tia, and Xanthus.
A special thank you to Victoria and Maria at @hackneyschooloffood who allowed this day to run so smoothly and kept us warm with fresh Rosemary and Mint Tea from the garden, and to @wearemirchi for the delicious spiced rum.
📸 All captured by the peopledem

Them Ones x Garden of Afruika: Breaking Bread 🤎
Yesterday we brought together a few of the most inspiring, nurturing and imaginative minds and souls to cook together, break bread together, and dream of the collective potential and future of Them Ones together. Guided by @gardenofafruika, we made pumpkin chana curry with plait braid, plantain, and an avocado and cucumber salad, while dreaming up infrastructure, creativity, ambition and a collective ethos for Them Ones that is rooted in ‘we’, not ‘I’.
The collective is at the centre of Them Ones - we exist because I exist, and I exist because you exist. Thank you to the family who gave up their Sunday to nourish one another: Abigail, Akil, Anu, Daniel, Debo, Estie, Eyram, Junior, Kareem, Nate, Ola, Reena, Sofia, Tamara-Jade, Tia, and Xanthus.
A special thank you to Victoria and Maria at @hackneyschooloffood who allowed this day to run so smoothly and kept us warm with fresh Rosemary and Mint Tea from the garden, and to @wearemirchi for the delicious spiced rum.
📸 All captured by the peopledem

Them Ones x Garden of Afruika: Breaking Bread 🤎
Yesterday we brought together a few of the most inspiring, nurturing and imaginative minds and souls to cook together, break bread together, and dream of the collective potential and future of Them Ones together. Guided by @gardenofafruika, we made pumpkin chana curry with plait braid, plantain, and an avocado and cucumber salad, while dreaming up infrastructure, creativity, ambition and a collective ethos for Them Ones that is rooted in ‘we’, not ‘I’.
The collective is at the centre of Them Ones - we exist because I exist, and I exist because you exist. Thank you to the family who gave up their Sunday to nourish one another: Abigail, Akil, Anu, Daniel, Debo, Estie, Eyram, Junior, Kareem, Nate, Ola, Reena, Sofia, Tamara-Jade, Tia, and Xanthus.
A special thank you to Victoria and Maria at @hackneyschooloffood who allowed this day to run so smoothly and kept us warm with fresh Rosemary and Mint Tea from the garden, and to @wearemirchi for the delicious spiced rum.
📸 All captured by the peopledem

Them Ones x Garden of Afruika: Breaking Bread 🤎
Yesterday we brought together a few of the most inspiring, nurturing and imaginative minds and souls to cook together, break bread together, and dream of the collective potential and future of Them Ones together. Guided by @gardenofafruika, we made pumpkin chana curry with plait braid, plantain, and an avocado and cucumber salad, while dreaming up infrastructure, creativity, ambition and a collective ethos for Them Ones that is rooted in ‘we’, not ‘I’.
The collective is at the centre of Them Ones - we exist because I exist, and I exist because you exist. Thank you to the family who gave up their Sunday to nourish one another: Abigail, Akil, Anu, Daniel, Debo, Estie, Eyram, Junior, Kareem, Nate, Ola, Reena, Sofia, Tamara-Jade, Tia, and Xanthus.
A special thank you to Victoria and Maria at @hackneyschooloffood who allowed this day to run so smoothly and kept us warm with fresh Rosemary and Mint Tea from the garden, and to @wearemirchi for the delicious spiced rum.
📸 All captured by the peopledem

Them Ones x Garden of Afruika: Breaking Bread 🤎
Yesterday we brought together a few of the most inspiring, nurturing and imaginative minds and souls to cook together, break bread together, and dream of the collective potential and future of Them Ones together. Guided by @gardenofafruika, we made pumpkin chana curry with plait braid, plantain, and an avocado and cucumber salad, while dreaming up infrastructure, creativity, ambition and a collective ethos for Them Ones that is rooted in ‘we’, not ‘I’.
The collective is at the centre of Them Ones - we exist because I exist, and I exist because you exist. Thank you to the family who gave up their Sunday to nourish one another: Abigail, Akil, Anu, Daniel, Debo, Estie, Eyram, Junior, Kareem, Nate, Ola, Reena, Sofia, Tamara-Jade, Tia, and Xanthus.
A special thank you to Victoria and Maria at @hackneyschooloffood who allowed this day to run so smoothly and kept us warm with fresh Rosemary and Mint Tea from the garden, and to @wearemirchi for the delicious spiced rum.
📸 All captured by the peopledem

Them Ones x Garden of Afruika: Breaking Bread 🤎
Yesterday we brought together a few of the most inspiring, nurturing and imaginative minds and souls to cook together, break bread together, and dream of the collective potential and future of Them Ones together. Guided by @gardenofafruika, we made pumpkin chana curry with plait braid, plantain, and an avocado and cucumber salad, while dreaming up infrastructure, creativity, ambition and a collective ethos for Them Ones that is rooted in ‘we’, not ‘I’.
The collective is at the centre of Them Ones - we exist because I exist, and I exist because you exist. Thank you to the family who gave up their Sunday to nourish one another: Abigail, Akil, Anu, Daniel, Debo, Estie, Eyram, Junior, Kareem, Nate, Ola, Reena, Sofia, Tamara-Jade, Tia, and Xanthus.
A special thank you to Victoria and Maria at @hackneyschooloffood who allowed this day to run so smoothly and kept us warm with fresh Rosemary and Mint Tea from the garden, and to @wearemirchi for the delicious spiced rum.
📸 All captured by the peopledem

Them Ones x Garden of Afruika: Breaking Bread 🤎
Yesterday we brought together a few of the most inspiring, nurturing and imaginative minds and souls to cook together, break bread together, and dream of the collective potential and future of Them Ones together. Guided by @gardenofafruika, we made pumpkin chana curry with plait braid, plantain, and an avocado and cucumber salad, while dreaming up infrastructure, creativity, ambition and a collective ethos for Them Ones that is rooted in ‘we’, not ‘I’.
The collective is at the centre of Them Ones - we exist because I exist, and I exist because you exist. Thank you to the family who gave up their Sunday to nourish one another: Abigail, Akil, Anu, Daniel, Debo, Estie, Eyram, Junior, Kareem, Nate, Ola, Reena, Sofia, Tamara-Jade, Tia, and Xanthus.
A special thank you to Victoria and Maria at @hackneyschooloffood who allowed this day to run so smoothly and kept us warm with fresh Rosemary and Mint Tea from the garden, and to @wearemirchi for the delicious spiced rum.
📸 All captured by the peopledem

Them Ones x Garden of Afruika: Breaking Bread 🤎
Yesterday we brought together a few of the most inspiring, nurturing and imaginative minds and souls to cook together, break bread together, and dream of the collective potential and future of Them Ones together. Guided by @gardenofafruika, we made pumpkin chana curry with plait braid, plantain, and an avocado and cucumber salad, while dreaming up infrastructure, creativity, ambition and a collective ethos for Them Ones that is rooted in ‘we’, not ‘I’.
The collective is at the centre of Them Ones - we exist because I exist, and I exist because you exist. Thank you to the family who gave up their Sunday to nourish one another: Abigail, Akil, Anu, Daniel, Debo, Estie, Eyram, Junior, Kareem, Nate, Ola, Reena, Sofia, Tamara-Jade, Tia, and Xanthus.
A special thank you to Victoria and Maria at @hackneyschooloffood who allowed this day to run so smoothly and kept us warm with fresh Rosemary and Mint Tea from the garden, and to @wearemirchi for the delicious spiced rum.
📸 All captured by the peopledem

Them Ones x Garden of Afruika: Breaking Bread 🤎
Yesterday we brought together a few of the most inspiring, nurturing and imaginative minds and souls to cook together, break bread together, and dream of the collective potential and future of Them Ones together. Guided by @gardenofafruika, we made pumpkin chana curry with plait braid, plantain, and an avocado and cucumber salad, while dreaming up infrastructure, creativity, ambition and a collective ethos for Them Ones that is rooted in ‘we’, not ‘I’.
The collective is at the centre of Them Ones - we exist because I exist, and I exist because you exist. Thank you to the family who gave up their Sunday to nourish one another: Abigail, Akil, Anu, Daniel, Debo, Estie, Eyram, Junior, Kareem, Nate, Ola, Reena, Sofia, Tamara-Jade, Tia, and Xanthus.
A special thank you to Victoria and Maria at @hackneyschooloffood who allowed this day to run so smoothly and kept us warm with fresh Rosemary and Mint Tea from the garden, and to @wearemirchi for the delicious spiced rum.
📸 All captured by the peopledem

The Truth About Space 👨🏿🚀🚀🔭
Honoured to be a small rock in this gorgeous universe of a film, written and directed by @thebellyjar and expertly produced by the legend that is @emilyradakovic @itskinofilms. Grateful for the opportunity to support this film coming to life. It’s already doing big rounds at international film festivals. Make sure to catch it on a BIG screen near you soon 👽
Obi: @jkouame_
Ife: @livyrosepose
Tola: @amarahjaestaubyn
Probation Officer: @qmzubis
Writer/Director: @thebellyjar
Producer: @emilyradakovic @itskinofilms
Executive Producer: @tobikyere @them___ones
Executive Producer: @olancollardy
Executive Producers: @theharveyjohn @developingroomfilms @shorescripts @uncertainkngdm @cinecircleuk @keeleygainey @sharphouseuk
DoP: @olancollardy @lil.wontons
1st AC: Michael Hannides
2nd AC: @edusi.e @tviisha_
DIT: Luke McCarthy
Gaffer: @emil_nolan
Sparks: @typical_ianblax @gabrielemang0 @rou.linkd
Production Designer: @adeyumyum
Art Director: @chloe.littlewood
Standby Art Director: Erica Harding
Set Dresser: @darcynorgan
Art Assistant: Emily Tyrer
Art Hands: Kai Jackson, Ama Choi, Martina Bottello, Alberta Sancisi
Editor: @sakky_cuts
Costume Designer: @cynthialawrencejohn
Costume Standby: @shy.sanders
Costume Maker: @officialrhysellis
Hair & Make Up Designer: @reginameessen
Composer: @joseph_stevenson_
Sound Designer: @chaddesignssound
Sound Recordist: Max Wright
Script Supervisor: @dhurgadoesfilm
Casting Director: @fran_cattaneo
1st AD: @kashmanharris
3rd AD: Samuel Jackson
Production Assistant: @hannahgecope
Production Runners: @kate__johnston Jackson Perez & Ben Mallett
Stills Photographers: @amaalsaid @zwee_p @maxslaterdp
Colourist: Andi Chu
Colour Producer: Alex Carswell @electric_theatre_collective
Titles Designer: @izzymgfx
Post Finishing Editor: @charlesrare_ @indetailstudios

Excited to be screening at the New York African Film Festival next!
7th and 8th May at the Lincoln Center✨

Excited to be screening at the New York African Film Festival next!
7th and 8th May at the Lincoln Center✨

HURRICANE MELISSA FUNDRAISER: £800 RAISED!
We’re thrilled to announce that our Hurricane Melissa New Year’s Fundraiser raised £800, that has been donated to the Caribbean Hurricane Fund to support on-the-ground rebuilding efforts in Jamaica following Hurricane Melissa.
A huge thank you to organisers Anjela Lauren Smith and Tobi Kyeremateng, our host Richie Brave (BBC1 XTRA), and Babymother lead actor and DJ Wil Johnson, for helping us make the event the beautiful night of vibrant community it was.
Shoutout to everyone who attended and celebrated Jamaican culture with us, and of course, a massive thank you to everyone who donated, including @maharishi who provided clothing for the raffle.
For more information on the fund, and to make a donation please follow @black.curatorial

Thank you to @ourppls.art for leading the way in creative care 🫶🏿
I’ve said it so many times it’s probably become boring to hear, but I deeply care about the way we work with each other in the arts. This is a people’s business - 80% of my job is holding people’s highs and lows. Care isn’t about agreeing with each other all the time (because that would be dry), but how we show up for each other when production is hard, or one of us is having a bad day, or we don’t agree on an approach to things. Care is at the centre of conflict as well as resolution. I love getting to work with artists, crew, and stories, and I hope I keep getting to learn and do and learn and do and learn and do ❤️
#CreativesWhoCare Class of 2026

Thank you to @ourppls.art for leading the way in creative care 🫶🏿
I’ve said it so many times it’s probably become boring to hear, but I deeply care about the way we work with each other in the arts. This is a people’s business - 80% of my job is holding people’s highs and lows. Care isn’t about agreeing with each other all the time (because that would be dry), but how we show up for each other when production is hard, or one of us is having a bad day, or we don’t agree on an approach to things. Care is at the centre of conflict as well as resolution. I love getting to work with artists, crew, and stories, and I hope I keep getting to learn and do and learn and do and learn and do ❤️
#CreativesWhoCare Class of 2026

In Motion, We Remember | The National Gallery | 20.02.26
For @wearesoul’s Friday Late at @nationalgallery, I’ve curated 3 film pieces that speak to the themes of art and movement, honouring the process as much as the performance, where artists move as one, finding rhythm, voice and connection through creativity.
💫 And Granny Would Dance (2024) dir. Maryam Mohajer
Six-year-old Marmar observes how the adult women in her life navigate their relationships with their loved ones and each other. She listens in on her grandmother’s friends laughing about their partners as they play an illicit game of cards. Based on the director’s memories of her childhood in Iran, And Granny Would Dance is a tale of love, grief and resilience across generations. At its heart, it is a tribute to the solidarity of Iranian women.
💫 ęmí: freedomsong (2025) dir. Rohan Ayinde and Tayo Rapoport
ęmí: freedomsong is an audio-visual piece inspired by bell hooks’ All About Love and Camille Sapara Barton’s Tending Grief. Reflecting on the Yoruba concept of ęmí {the breath that animates life} freedomsong invites audiences to connect with their voices and find the courage to speak out. Rooted in the history of revolutionary song, ęmí: freedomsong alchemises grief into a shared language of love, protest, and possibility.
💫 Paradise (2023), dir. Child.
Director child. maps Crenshaw’s dreamy spirit of Black living through this kaleidoscopic visual narrative, merging archive footage, everyday characters, and music from producer and multi-instrumentalist Terrace Martin. Punctuated by a narration that feels like home, Paradise places Crenshaw’s soul before the audience and invites us to move, sing, and dream.

In Motion, We Remember | The National Gallery | 20.02.26
For @wearesoul’s Friday Late at @nationalgallery, I’ve curated 3 film pieces that speak to the themes of art and movement, honouring the process as much as the performance, where artists move as one, finding rhythm, voice and connection through creativity.
💫 And Granny Would Dance (2024) dir. Maryam Mohajer
Six-year-old Marmar observes how the adult women in her life navigate their relationships with their loved ones and each other. She listens in on her grandmother’s friends laughing about their partners as they play an illicit game of cards. Based on the director’s memories of her childhood in Iran, And Granny Would Dance is a tale of love, grief and resilience across generations. At its heart, it is a tribute to the solidarity of Iranian women.
💫 ęmí: freedomsong (2025) dir. Rohan Ayinde and Tayo Rapoport
ęmí: freedomsong is an audio-visual piece inspired by bell hooks’ All About Love and Camille Sapara Barton’s Tending Grief. Reflecting on the Yoruba concept of ęmí {the breath that animates life} freedomsong invites audiences to connect with their voices and find the courage to speak out. Rooted in the history of revolutionary song, ęmí: freedomsong alchemises grief into a shared language of love, protest, and possibility.
💫 Paradise (2023), dir. Child.
Director child. maps Crenshaw’s dreamy spirit of Black living through this kaleidoscopic visual narrative, merging archive footage, everyday characters, and music from producer and multi-instrumentalist Terrace Martin. Punctuated by a narration that feels like home, Paradise places Crenshaw’s soul before the audience and invites us to move, sing, and dream.

In Motion, We Remember | The National Gallery | 20.02.26
For @wearesoul’s Friday Late at @nationalgallery, I’ve curated 3 film pieces that speak to the themes of art and movement, honouring the process as much as the performance, where artists move as one, finding rhythm, voice and connection through creativity.
💫 And Granny Would Dance (2024) dir. Maryam Mohajer
Six-year-old Marmar observes how the adult women in her life navigate their relationships with their loved ones and each other. She listens in on her grandmother’s friends laughing about their partners as they play an illicit game of cards. Based on the director’s memories of her childhood in Iran, And Granny Would Dance is a tale of love, grief and resilience across generations. At its heart, it is a tribute to the solidarity of Iranian women.
💫 ęmí: freedomsong (2025) dir. Rohan Ayinde and Tayo Rapoport
ęmí: freedomsong is an audio-visual piece inspired by bell hooks’ All About Love and Camille Sapara Barton’s Tending Grief. Reflecting on the Yoruba concept of ęmí {the breath that animates life} freedomsong invites audiences to connect with their voices and find the courage to speak out. Rooted in the history of revolutionary song, ęmí: freedomsong alchemises grief into a shared language of love, protest, and possibility.
💫 Paradise (2023), dir. Child.
Director child. maps Crenshaw’s dreamy spirit of Black living through this kaleidoscopic visual narrative, merging archive footage, everyday characters, and music from producer and multi-instrumentalist Terrace Martin. Punctuated by a narration that feels like home, Paradise places Crenshaw’s soul before the audience and invites us to move, sing, and dream.

In Motion, We Remember | The National Gallery | 20.02.26
For @wearesoul’s Friday Late at @nationalgallery, I’ve curated 3 film pieces that speak to the themes of art and movement, honouring the process as much as the performance, where artists move as one, finding rhythm, voice and connection through creativity.
💫 And Granny Would Dance (2024) dir. Maryam Mohajer
Six-year-old Marmar observes how the adult women in her life navigate their relationships with their loved ones and each other. She listens in on her grandmother’s friends laughing about their partners as they play an illicit game of cards. Based on the director’s memories of her childhood in Iran, And Granny Would Dance is a tale of love, grief and resilience across generations. At its heart, it is a tribute to the solidarity of Iranian women.
💫 ęmí: freedomsong (2025) dir. Rohan Ayinde and Tayo Rapoport
ęmí: freedomsong is an audio-visual piece inspired by bell hooks’ All About Love and Camille Sapara Barton’s Tending Grief. Reflecting on the Yoruba concept of ęmí {the breath that animates life} freedomsong invites audiences to connect with their voices and find the courage to speak out. Rooted in the history of revolutionary song, ęmí: freedomsong alchemises grief into a shared language of love, protest, and possibility.
💫 Paradise (2023), dir. Child.
Director child. maps Crenshaw’s dreamy spirit of Black living through this kaleidoscopic visual narrative, merging archive footage, everyday characters, and music from producer and multi-instrumentalist Terrace Martin. Punctuated by a narration that feels like home, Paradise places Crenshaw’s soul before the audience and invites us to move, sing, and dream.

For the final time, we’re taking over the @nationalgallery on 20th February for a digital exhibition and film screening in collaboration with @takemorephotos, @ocurenscontent, @ctrlncreate, @them___ones and @pavilionworks.
‘In Motion, We Remember’ is a curated evening of art, movement, creativity and music films, followed by a live Q&A with selected filmmakers and curators.
This isn’t just another event. It’s our final event, ever. A full-circle moment and a celebration of what we’ve built as a community.
Secure your FREE ticket via the link in our bio to be in the room. Spaces are limited.
#WEARESOUL #FridayLate #NationalGallery

Rotterdam Producer Lab 2026 done 🇳🇱
Shock horror - didn’t take nearly enough photos to capture the experience. An amazing week of learning and laughing with the best of the best. An ambush of tigers, for real. Thank you @iffr and @britisharts for nominating me as part of the UK delegation of producers to attend and supporting me to get here. It’s a consideration I deeply needed at this stage in my career.
To be able to travel to learn and work is a privilege. To spend a week with 80+ other people from all over the world is one-in-a-lifetime.
Until next time, Rotterdam ❤️🤍💙

Rotterdam Producer Lab 2026 done 🇳🇱
Shock horror - didn’t take nearly enough photos to capture the experience. An amazing week of learning and laughing with the best of the best. An ambush of tigers, for real. Thank you @iffr and @britisharts for nominating me as part of the UK delegation of producers to attend and supporting me to get here. It’s a consideration I deeply needed at this stage in my career.
To be able to travel to learn and work is a privilege. To spend a week with 80+ other people from all over the world is one-in-a-lifetime.
Until next time, Rotterdam ❤️🤍💙

Rotterdam Producer Lab 2026 done 🇳🇱
Shock horror - didn’t take nearly enough photos to capture the experience. An amazing week of learning and laughing with the best of the best. An ambush of tigers, for real. Thank you @iffr and @britisharts for nominating me as part of the UK delegation of producers to attend and supporting me to get here. It’s a consideration I deeply needed at this stage in my career.
To be able to travel to learn and work is a privilege. To spend a week with 80+ other people from all over the world is one-in-a-lifetime.
Until next time, Rotterdam ❤️🤍💙

Rotterdam Producer Lab 2026 done 🇳🇱
Shock horror - didn’t take nearly enough photos to capture the experience. An amazing week of learning and laughing with the best of the best. An ambush of tigers, for real. Thank you @iffr and @britisharts for nominating me as part of the UK delegation of producers to attend and supporting me to get here. It’s a consideration I deeply needed at this stage in my career.
To be able to travel to learn and work is a privilege. To spend a week with 80+ other people from all over the world is one-in-a-lifetime.
Until next time, Rotterdam ❤️🤍💙

Rotterdam Producer Lab 2026 done 🇳🇱
Shock horror - didn’t take nearly enough photos to capture the experience. An amazing week of learning and laughing with the best of the best. An ambush of tigers, for real. Thank you @iffr and @britisharts for nominating me as part of the UK delegation of producers to attend and supporting me to get here. It’s a consideration I deeply needed at this stage in my career.
To be able to travel to learn and work is a privilege. To spend a week with 80+ other people from all over the world is one-in-a-lifetime.
Until next time, Rotterdam ❤️🤍💙

Rotterdam Producer Lab 2026 done 🇳🇱
Shock horror - didn’t take nearly enough photos to capture the experience. An amazing week of learning and laughing with the best of the best. An ambush of tigers, for real. Thank you @iffr and @britisharts for nominating me as part of the UK delegation of producers to attend and supporting me to get here. It’s a consideration I deeply needed at this stage in my career.
To be able to travel to learn and work is a privilege. To spend a week with 80+ other people from all over the world is one-in-a-lifetime.
Until next time, Rotterdam ❤️🤍💙

Rotterdam Producer Lab 2026 done 🇳🇱
Shock horror - didn’t take nearly enough photos to capture the experience. An amazing week of learning and laughing with the best of the best. An ambush of tigers, for real. Thank you @iffr and @britisharts for nominating me as part of the UK delegation of producers to attend and supporting me to get here. It’s a consideration I deeply needed at this stage in my career.
To be able to travel to learn and work is a privilege. To spend a week with 80+ other people from all over the world is one-in-a-lifetime.
Until next time, Rotterdam ❤️🤍💙

Rotterdam Producer Lab 2026 done 🇳🇱
Shock horror - didn’t take nearly enough photos to capture the experience. An amazing week of learning and laughing with the best of the best. An ambush of tigers, for real. Thank you @iffr and @britisharts for nominating me as part of the UK delegation of producers to attend and supporting me to get here. It’s a consideration I deeply needed at this stage in my career.
To be able to travel to learn and work is a privilege. To spend a week with 80+ other people from all over the world is one-in-a-lifetime.
Until next time, Rotterdam ❤️🤍💙

Rotterdam Producer Lab 2026 done 🇳🇱
Shock horror - didn’t take nearly enough photos to capture the experience. An amazing week of learning and laughing with the best of the best. An ambush of tigers, for real. Thank you @iffr and @britisharts for nominating me as part of the UK delegation of producers to attend and supporting me to get here. It’s a consideration I deeply needed at this stage in my career.
To be able to travel to learn and work is a privilege. To spend a week with 80+ other people from all over the world is one-in-a-lifetime.
Until next time, Rotterdam ❤️🤍💙

Rotterdam Producer Lab 2026 done 🇳🇱
Shock horror - didn’t take nearly enough photos to capture the experience. An amazing week of learning and laughing with the best of the best. An ambush of tigers, for real. Thank you @iffr and @britisharts for nominating me as part of the UK delegation of producers to attend and supporting me to get here. It’s a consideration I deeply needed at this stage in my career.
To be able to travel to learn and work is a privilege. To spend a week with 80+ other people from all over the world is one-in-a-lifetime.
Until next time, Rotterdam ❤️🤍💙

Rotterdam Producer Lab 2026 done 🇳🇱
Shock horror - didn’t take nearly enough photos to capture the experience. An amazing week of learning and laughing with the best of the best. An ambush of tigers, for real. Thank you @iffr and @britisharts for nominating me as part of the UK delegation of producers to attend and supporting me to get here. It’s a consideration I deeply needed at this stage in my career.
To be able to travel to learn and work is a privilege. To spend a week with 80+ other people from all over the world is one-in-a-lifetime.
Until next time, Rotterdam ❤️🤍💙

Rotterdam Producer Lab 2026 done 🇳🇱
Shock horror - didn’t take nearly enough photos to capture the experience. An amazing week of learning and laughing with the best of the best. An ambush of tigers, for real. Thank you @iffr and @britisharts for nominating me as part of the UK delegation of producers to attend and supporting me to get here. It’s a consideration I deeply needed at this stage in my career.
To be able to travel to learn and work is a privilege. To spend a week with 80+ other people from all over the world is one-in-a-lifetime.
Until next time, Rotterdam ❤️🤍💙

Rotterdam Producer Lab 2026 done 🇳🇱
Shock horror - didn’t take nearly enough photos to capture the experience. An amazing week of learning and laughing with the best of the best. An ambush of tigers, for real. Thank you @iffr and @britisharts for nominating me as part of the UK delegation of producers to attend and supporting me to get here. It’s a consideration I deeply needed at this stage in my career.
To be able to travel to learn and work is a privilege. To spend a week with 80+ other people from all over the world is one-in-a-lifetime.
Until next time, Rotterdam ❤️🤍💙

Rotterdam Producer Lab 2026 done 🇳🇱
Shock horror - didn’t take nearly enough photos to capture the experience. An amazing week of learning and laughing with the best of the best. An ambush of tigers, for real. Thank you @iffr and @britisharts for nominating me as part of the UK delegation of producers to attend and supporting me to get here. It’s a consideration I deeply needed at this stage in my career.
To be able to travel to learn and work is a privilege. To spend a week with 80+ other people from all over the world is one-in-a-lifetime.
Until next time, Rotterdam ❤️🤍💙

Rotterdam Producer Lab 2026 done 🇳🇱
Shock horror - didn’t take nearly enough photos to capture the experience. An amazing week of learning and laughing with the best of the best. An ambush of tigers, for real. Thank you @iffr and @britisharts for nominating me as part of the UK delegation of producers to attend and supporting me to get here. It’s a consideration I deeply needed at this stage in my career.
To be able to travel to learn and work is a privilege. To spend a week with 80+ other people from all over the world is one-in-a-lifetime.
Until next time, Rotterdam ❤️🤍💙

Rotterdam Producer Lab 2026 done 🇳🇱
Shock horror - didn’t take nearly enough photos to capture the experience. An amazing week of learning and laughing with the best of the best. An ambush of tigers, for real. Thank you @iffr and @britisharts for nominating me as part of the UK delegation of producers to attend and supporting me to get here. It’s a consideration I deeply needed at this stage in my career.
To be able to travel to learn and work is a privilege. To spend a week with 80+ other people from all over the world is one-in-a-lifetime.
Until next time, Rotterdam ❤️🤍💙

Rotterdam Producer Lab 2026 done 🇳🇱
Shock horror - didn’t take nearly enough photos to capture the experience. An amazing week of learning and laughing with the best of the best. An ambush of tigers, for real. Thank you @iffr and @britisharts for nominating me as part of the UK delegation of producers to attend and supporting me to get here. It’s a consideration I deeply needed at this stage in my career.
To be able to travel to learn and work is a privilege. To spend a week with 80+ other people from all over the world is one-in-a-lifetime.
Until next time, Rotterdam ❤️🤍💙

Rotterdam Producer Lab 2026 done 🇳🇱
Shock horror - didn’t take nearly enough photos to capture the experience. An amazing week of learning and laughing with the best of the best. An ambush of tigers, for real. Thank you @iffr and @britisharts for nominating me as part of the UK delegation of producers to attend and supporting me to get here. It’s a consideration I deeply needed at this stage in my career.
To be able to travel to learn and work is a privilege. To spend a week with 80+ other people from all over the world is one-in-a-lifetime.
Until next time, Rotterdam ❤️🤍💙

Rotterdam Producer Lab 2026 done 🇳🇱
Shock horror - didn’t take nearly enough photos to capture the experience. An amazing week of learning and laughing with the best of the best. An ambush of tigers, for real. Thank you @iffr and @britisharts for nominating me as part of the UK delegation of producers to attend and supporting me to get here. It’s a consideration I deeply needed at this stage in my career.
To be able to travel to learn and work is a privilege. To spend a week with 80+ other people from all over the world is one-in-a-lifetime.
Until next time, Rotterdam ❤️🤍💙

Rotterdam Producer Lab 2026 done 🇳🇱
Shock horror - didn’t take nearly enough photos to capture the experience. An amazing week of learning and laughing with the best of the best. An ambush of tigers, for real. Thank you @iffr and @britisharts for nominating me as part of the UK delegation of producers to attend and supporting me to get here. It’s a consideration I deeply needed at this stage in my career.
To be able to travel to learn and work is a privilege. To spend a week with 80+ other people from all over the world is one-in-a-lifetime.
Until next time, Rotterdam ❤️🤍💙

Founder Tobi Kyeremateng has been selected for @iffr’s Rotterdam Producers Lab, nominated by British Council 🇳🇱
The prestigious Rotterdam Producers Lab is one of the few producer-focused labs looking at international co-production methodologies. Thank you to @britisharts for the selection ❤️
If you’ll be in Rotterdam - holla!

Founder Tobi Kyeremateng has been selected for @iffr’s Rotterdam Producers Lab, nominated by British Council 🇳🇱
The prestigious Rotterdam Producers Lab is one of the few producer-focused labs looking at international co-production methodologies. Thank you to @britisharts for the selection ❤️
If you’ll be in Rotterdam - holla!

Founder Tobi Kyeremateng has been selected for @iffr’s Rotterdam Producers Lab, nominated by British Council 🇳🇱
The prestigious Rotterdam Producers Lab is one of the few producer-focused labs looking at international co-production methodologies. Thank you to @britisharts for the selection ❤️
If you’ll be in Rotterdam - holla!

Founder Tobi Kyeremateng has been selected for @iffr’s Rotterdam Producers Lab, nominated by British Council 🇳🇱
The prestigious Rotterdam Producers Lab is one of the few producer-focused labs looking at international co-production methodologies. Thank you to @britisharts for the selection ❤️
If you’ll be in Rotterdam - holla!

Leaving Ikorodu In 1999 - Flickerfest International Short Film Festival 2026
We’re back in 🇦🇺 at the end of the month at @flickerfest in Sydney! We’ll be showing on Saturday 24th January as part of the Best Of International Shorts 1 Programme. If you’re around, come through!
More 2026 festival news to come 🌍

Them Ones x Garden of Afruika: Plottings and (New) Recipes
For me, 2025 has been a year of re-centring the ‘why’ in my work and bringing it back to a people-centred practice. The creative industries can really harden us as people. My deep emotional care for not only the stories I make, but mainly the people I choose to work with, is the core of my integrity and I’m really proud of it.
I only ever want to choose to surround myself with people who care about the ‘why’ and ‘how’ of the ways we work; those who are excited about pondering collectively, failing safely, and exchanging notes on an integrity-based manifesto for our collective thrivance.
The Them Ones (Local) Away Day last month holds a microcosmic but true reflection of the spirit I hope to embed within Them Ones: led with love, play, and the collective imagination.
Building our communal knowledge systems is something I’ve always stood firm about, and I’m excited to share our learnings and questions from the day beautifully crafted by @tamarajadekaz, alongside the recipes to the food we made together led by @gardenofafruika. As @eyramdzotsi said at the beginning of the class - it is up to us to build upon, create anew, and pass down recipes to generations to come.
📸 Taken by the peopledem, with the B&W photos shared by our sis @anuhenriques

Them Ones x Garden of Afruika: Plottings and (New) Recipes
For me, 2025 has been a year of re-centring the ‘why’ in my work and bringing it back to a people-centred practice. The creative industries can really harden us as people. My deep emotional care for not only the stories I make, but mainly the people I choose to work with, is the core of my integrity and I’m really proud of it.
I only ever want to choose to surround myself with people who care about the ‘why’ and ‘how’ of the ways we work; those who are excited about pondering collectively, failing safely, and exchanging notes on an integrity-based manifesto for our collective thrivance.
The Them Ones (Local) Away Day last month holds a microcosmic but true reflection of the spirit I hope to embed within Them Ones: led with love, play, and the collective imagination.
Building our communal knowledge systems is something I’ve always stood firm about, and I’m excited to share our learnings and questions from the day beautifully crafted by @tamarajadekaz, alongside the recipes to the food we made together led by @gardenofafruika. As @eyramdzotsi said at the beginning of the class - it is up to us to build upon, create anew, and pass down recipes to generations to come.
📸 Taken by the peopledem, with the B&W photos shared by our sis @anuhenriques

Them Ones x Garden of Afruika: Plottings and (New) Recipes
For me, 2025 has been a year of re-centring the ‘why’ in my work and bringing it back to a people-centred practice. The creative industries can really harden us as people. My deep emotional care for not only the stories I make, but mainly the people I choose to work with, is the core of my integrity and I’m really proud of it.
I only ever want to choose to surround myself with people who care about the ‘why’ and ‘how’ of the ways we work; those who are excited about pondering collectively, failing safely, and exchanging notes on an integrity-based manifesto for our collective thrivance.
The Them Ones (Local) Away Day last month holds a microcosmic but true reflection of the spirit I hope to embed within Them Ones: led with love, play, and the collective imagination.
Building our communal knowledge systems is something I’ve always stood firm about, and I’m excited to share our learnings and questions from the day beautifully crafted by @tamarajadekaz, alongside the recipes to the food we made together led by @gardenofafruika. As @eyramdzotsi said at the beginning of the class - it is up to us to build upon, create anew, and pass down recipes to generations to come.
📸 Taken by the peopledem, with the B&W photos shared by our sis @anuhenriques

Them Ones x Garden of Afruika: Plottings and (New) Recipes
For me, 2025 has been a year of re-centring the ‘why’ in my work and bringing it back to a people-centred practice. The creative industries can really harden us as people. My deep emotional care for not only the stories I make, but mainly the people I choose to work with, is the core of my integrity and I’m really proud of it.
I only ever want to choose to surround myself with people who care about the ‘why’ and ‘how’ of the ways we work; those who are excited about pondering collectively, failing safely, and exchanging notes on an integrity-based manifesto for our collective thrivance.
The Them Ones (Local) Away Day last month holds a microcosmic but true reflection of the spirit I hope to embed within Them Ones: led with love, play, and the collective imagination.
Building our communal knowledge systems is something I’ve always stood firm about, and I’m excited to share our learnings and questions from the day beautifully crafted by @tamarajadekaz, alongside the recipes to the food we made together led by @gardenofafruika. As @eyramdzotsi said at the beginning of the class - it is up to us to build upon, create anew, and pass down recipes to generations to come.
📸 Taken by the peopledem, with the B&W photos shared by our sis @anuhenriques

Them Ones x Garden of Afruika: Plottings and (New) Recipes
For me, 2025 has been a year of re-centring the ‘why’ in my work and bringing it back to a people-centred practice. The creative industries can really harden us as people. My deep emotional care for not only the stories I make, but mainly the people I choose to work with, is the core of my integrity and I’m really proud of it.
I only ever want to choose to surround myself with people who care about the ‘why’ and ‘how’ of the ways we work; those who are excited about pondering collectively, failing safely, and exchanging notes on an integrity-based manifesto for our collective thrivance.
The Them Ones (Local) Away Day last month holds a microcosmic but true reflection of the spirit I hope to embed within Them Ones: led with love, play, and the collective imagination.
Building our communal knowledge systems is something I’ve always stood firm about, and I’m excited to share our learnings and questions from the day beautifully crafted by @tamarajadekaz, alongside the recipes to the food we made together led by @gardenofafruika. As @eyramdzotsi said at the beginning of the class - it is up to us to build upon, create anew, and pass down recipes to generations to come.
📸 Taken by the peopledem, with the B&W photos shared by our sis @anuhenriques

Them Ones x Garden of Afruika: Plottings and (New) Recipes
For me, 2025 has been a year of re-centring the ‘why’ in my work and bringing it back to a people-centred practice. The creative industries can really harden us as people. My deep emotional care for not only the stories I make, but mainly the people I choose to work with, is the core of my integrity and I’m really proud of it.
I only ever want to choose to surround myself with people who care about the ‘why’ and ‘how’ of the ways we work; those who are excited about pondering collectively, failing safely, and exchanging notes on an integrity-based manifesto for our collective thrivance.
The Them Ones (Local) Away Day last month holds a microcosmic but true reflection of the spirit I hope to embed within Them Ones: led with love, play, and the collective imagination.
Building our communal knowledge systems is something I’ve always stood firm about, and I’m excited to share our learnings and questions from the day beautifully crafted by @tamarajadekaz, alongside the recipes to the food we made together led by @gardenofafruika. As @eyramdzotsi said at the beginning of the class - it is up to us to build upon, create anew, and pass down recipes to generations to come.
📸 Taken by the peopledem, with the B&W photos shared by our sis @anuhenriques

Them Ones x Garden of Afruika: Plottings and (New) Recipes
For me, 2025 has been a year of re-centring the ‘why’ in my work and bringing it back to a people-centred practice. The creative industries can really harden us as people. My deep emotional care for not only the stories I make, but mainly the people I choose to work with, is the core of my integrity and I’m really proud of it.
I only ever want to choose to surround myself with people who care about the ‘why’ and ‘how’ of the ways we work; those who are excited about pondering collectively, failing safely, and exchanging notes on an integrity-based manifesto for our collective thrivance.
The Them Ones (Local) Away Day last month holds a microcosmic but true reflection of the spirit I hope to embed within Them Ones: led with love, play, and the collective imagination.
Building our communal knowledge systems is something I’ve always stood firm about, and I’m excited to share our learnings and questions from the day beautifully crafted by @tamarajadekaz, alongside the recipes to the food we made together led by @gardenofafruika. As @eyramdzotsi said at the beginning of the class - it is up to us to build upon, create anew, and pass down recipes to generations to come.
📸 Taken by the peopledem, with the B&W photos shared by our sis @anuhenriques

Them Ones x Garden of Afruika: Plottings and (New) Recipes
For me, 2025 has been a year of re-centring the ‘why’ in my work and bringing it back to a people-centred practice. The creative industries can really harden us as people. My deep emotional care for not only the stories I make, but mainly the people I choose to work with, is the core of my integrity and I’m really proud of it.
I only ever want to choose to surround myself with people who care about the ‘why’ and ‘how’ of the ways we work; those who are excited about pondering collectively, failing safely, and exchanging notes on an integrity-based manifesto for our collective thrivance.
The Them Ones (Local) Away Day last month holds a microcosmic but true reflection of the spirit I hope to embed within Them Ones: led with love, play, and the collective imagination.
Building our communal knowledge systems is something I’ve always stood firm about, and I’m excited to share our learnings and questions from the day beautifully crafted by @tamarajadekaz, alongside the recipes to the food we made together led by @gardenofafruika. As @eyramdzotsi said at the beginning of the class - it is up to us to build upon, create anew, and pass down recipes to generations to come.
📸 Taken by the peopledem, with the B&W photos shared by our sis @anuhenriques

Them Ones x Garden of Afruika: Plottings and (New) Recipes
For me, 2025 has been a year of re-centring the ‘why’ in my work and bringing it back to a people-centred practice. The creative industries can really harden us as people. My deep emotional care for not only the stories I make, but mainly the people I choose to work with, is the core of my integrity and I’m really proud of it.
I only ever want to choose to surround myself with people who care about the ‘why’ and ‘how’ of the ways we work; those who are excited about pondering collectively, failing safely, and exchanging notes on an integrity-based manifesto for our collective thrivance.
The Them Ones (Local) Away Day last month holds a microcosmic but true reflection of the spirit I hope to embed within Them Ones: led with love, play, and the collective imagination.
Building our communal knowledge systems is something I’ve always stood firm about, and I’m excited to share our learnings and questions from the day beautifully crafted by @tamarajadekaz, alongside the recipes to the food we made together led by @gardenofafruika. As @eyramdzotsi said at the beginning of the class - it is up to us to build upon, create anew, and pass down recipes to generations to come.
📸 Taken by the peopledem, with the B&W photos shared by our sis @anuhenriques

Them Ones x Garden of Afruika: Plottings and (New) Recipes
For me, 2025 has been a year of re-centring the ‘why’ in my work and bringing it back to a people-centred practice. The creative industries can really harden us as people. My deep emotional care for not only the stories I make, but mainly the people I choose to work with, is the core of my integrity and I’m really proud of it.
I only ever want to choose to surround myself with people who care about the ‘why’ and ‘how’ of the ways we work; those who are excited about pondering collectively, failing safely, and exchanging notes on an integrity-based manifesto for our collective thrivance.
The Them Ones (Local) Away Day last month holds a microcosmic but true reflection of the spirit I hope to embed within Them Ones: led with love, play, and the collective imagination.
Building our communal knowledge systems is something I’ve always stood firm about, and I’m excited to share our learnings and questions from the day beautifully crafted by @tamarajadekaz, alongside the recipes to the food we made together led by @gardenofafruika. As @eyramdzotsi said at the beginning of the class - it is up to us to build upon, create anew, and pass down recipes to generations to come.
📸 Taken by the peopledem, with the B&W photos shared by our sis @anuhenriques

Them Ones x Garden of Afruika: Plottings and (New) Recipes
For me, 2025 has been a year of re-centring the ‘why’ in my work and bringing it back to a people-centred practice. The creative industries can really harden us as people. My deep emotional care for not only the stories I make, but mainly the people I choose to work with, is the core of my integrity and I’m really proud of it.
I only ever want to choose to surround myself with people who care about the ‘why’ and ‘how’ of the ways we work; those who are excited about pondering collectively, failing safely, and exchanging notes on an integrity-based manifesto for our collective thrivance.
The Them Ones (Local) Away Day last month holds a microcosmic but true reflection of the spirit I hope to embed within Them Ones: led with love, play, and the collective imagination.
Building our communal knowledge systems is something I’ve always stood firm about, and I’m excited to share our learnings and questions from the day beautifully crafted by @tamarajadekaz, alongside the recipes to the food we made together led by @gardenofafruika. As @eyramdzotsi said at the beginning of the class - it is up to us to build upon, create anew, and pass down recipes to generations to come.
📸 Taken by the peopledem, with the B&W photos shared by our sis @anuhenriques

Them Ones x Garden of Afruika: Plottings and (New) Recipes
For me, 2025 has been a year of re-centring the ‘why’ in my work and bringing it back to a people-centred practice. The creative industries can really harden us as people. My deep emotional care for not only the stories I make, but mainly the people I choose to work with, is the core of my integrity and I’m really proud of it.
I only ever want to choose to surround myself with people who care about the ‘why’ and ‘how’ of the ways we work; those who are excited about pondering collectively, failing safely, and exchanging notes on an integrity-based manifesto for our collective thrivance.
The Them Ones (Local) Away Day last month holds a microcosmic but true reflection of the spirit I hope to embed within Them Ones: led with love, play, and the collective imagination.
Building our communal knowledge systems is something I’ve always stood firm about, and I’m excited to share our learnings and questions from the day beautifully crafted by @tamarajadekaz, alongside the recipes to the food we made together led by @gardenofafruika. As @eyramdzotsi said at the beginning of the class - it is up to us to build upon, create anew, and pass down recipes to generations to come.
📸 Taken by the peopledem, with the B&W photos shared by our sis @anuhenriques

Them Ones x Garden of Afruika: Plottings and (New) Recipes
For me, 2025 has been a year of re-centring the ‘why’ in my work and bringing it back to a people-centred practice. The creative industries can really harden us as people. My deep emotional care for not only the stories I make, but mainly the people I choose to work with, is the core of my integrity and I’m really proud of it.
I only ever want to choose to surround myself with people who care about the ‘why’ and ‘how’ of the ways we work; those who are excited about pondering collectively, failing safely, and exchanging notes on an integrity-based manifesto for our collective thrivance.
The Them Ones (Local) Away Day last month holds a microcosmic but true reflection of the spirit I hope to embed within Them Ones: led with love, play, and the collective imagination.
Building our communal knowledge systems is something I’ve always stood firm about, and I’m excited to share our learnings and questions from the day beautifully crafted by @tamarajadekaz, alongside the recipes to the food we made together led by @gardenofafruika. As @eyramdzotsi said at the beginning of the class - it is up to us to build upon, create anew, and pass down recipes to generations to come.
📸 Taken by the peopledem, with the B&W photos shared by our sis @anuhenriques

Them Ones x Garden of Afruika: Plottings and (New) Recipes
For me, 2025 has been a year of re-centring the ‘why’ in my work and bringing it back to a people-centred practice. The creative industries can really harden us as people. My deep emotional care for not only the stories I make, but mainly the people I choose to work with, is the core of my integrity and I’m really proud of it.
I only ever want to choose to surround myself with people who care about the ‘why’ and ‘how’ of the ways we work; those who are excited about pondering collectively, failing safely, and exchanging notes on an integrity-based manifesto for our collective thrivance.
The Them Ones (Local) Away Day last month holds a microcosmic but true reflection of the spirit I hope to embed within Them Ones: led with love, play, and the collective imagination.
Building our communal knowledge systems is something I’ve always stood firm about, and I’m excited to share our learnings and questions from the day beautifully crafted by @tamarajadekaz, alongside the recipes to the food we made together led by @gardenofafruika. As @eyramdzotsi said at the beginning of the class - it is up to us to build upon, create anew, and pass down recipes to generations to come.
📸 Taken by the peopledem, with the B&W photos shared by our sis @anuhenriques

Them Ones x Garden of Afruika: Plottings and (New) Recipes
For me, 2025 has been a year of re-centring the ‘why’ in my work and bringing it back to a people-centred practice. The creative industries can really harden us as people. My deep emotional care for not only the stories I make, but mainly the people I choose to work with, is the core of my integrity and I’m really proud of it.
I only ever want to choose to surround myself with people who care about the ‘why’ and ‘how’ of the ways we work; those who are excited about pondering collectively, failing safely, and exchanging notes on an integrity-based manifesto for our collective thrivance.
The Them Ones (Local) Away Day last month holds a microcosmic but true reflection of the spirit I hope to embed within Them Ones: led with love, play, and the collective imagination.
Building our communal knowledge systems is something I’ve always stood firm about, and I’m excited to share our learnings and questions from the day beautifully crafted by @tamarajadekaz, alongside the recipes to the food we made together led by @gardenofafruika. As @eyramdzotsi said at the beginning of the class - it is up to us to build upon, create anew, and pass down recipes to generations to come.
📸 Taken by the peopledem, with the B&W photos shared by our sis @anuhenriques

Them Ones x Garden of Afruika: Plottings and (New) Recipes
For me, 2025 has been a year of re-centring the ‘why’ in my work and bringing it back to a people-centred practice. The creative industries can really harden us as people. My deep emotional care for not only the stories I make, but mainly the people I choose to work with, is the core of my integrity and I’m really proud of it.
I only ever want to choose to surround myself with people who care about the ‘why’ and ‘how’ of the ways we work; those who are excited about pondering collectively, failing safely, and exchanging notes on an integrity-based manifesto for our collective thrivance.
The Them Ones (Local) Away Day last month holds a microcosmic but true reflection of the spirit I hope to embed within Them Ones: led with love, play, and the collective imagination.
Building our communal knowledge systems is something I’ve always stood firm about, and I’m excited to share our learnings and questions from the day beautifully crafted by @tamarajadekaz, alongside the recipes to the food we made together led by @gardenofafruika. As @eyramdzotsi said at the beginning of the class - it is up to us to build upon, create anew, and pass down recipes to generations to come.
📸 Taken by the peopledem, with the B&W photos shared by our sis @anuhenriques

Them Ones x Garden of Afruika: Plottings and (New) Recipes
For me, 2025 has been a year of re-centring the ‘why’ in my work and bringing it back to a people-centred practice. The creative industries can really harden us as people. My deep emotional care for not only the stories I make, but mainly the people I choose to work with, is the core of my integrity and I’m really proud of it.
I only ever want to choose to surround myself with people who care about the ‘why’ and ‘how’ of the ways we work; those who are excited about pondering collectively, failing safely, and exchanging notes on an integrity-based manifesto for our collective thrivance.
The Them Ones (Local) Away Day last month holds a microcosmic but true reflection of the spirit I hope to embed within Them Ones: led with love, play, and the collective imagination.
Building our communal knowledge systems is something I’ve always stood firm about, and I’m excited to share our learnings and questions from the day beautifully crafted by @tamarajadekaz, alongside the recipes to the food we made together led by @gardenofafruika. As @eyramdzotsi said at the beginning of the class - it is up to us to build upon, create anew, and pass down recipes to generations to come.
📸 Taken by the peopledem, with the B&W photos shared by our sis @anuhenriques

Them Ones x Garden of Afruika: Plottings and (New) Recipes
For me, 2025 has been a year of re-centring the ‘why’ in my work and bringing it back to a people-centred practice. The creative industries can really harden us as people. My deep emotional care for not only the stories I make, but mainly the people I choose to work with, is the core of my integrity and I’m really proud of it.
I only ever want to choose to surround myself with people who care about the ‘why’ and ‘how’ of the ways we work; those who are excited about pondering collectively, failing safely, and exchanging notes on an integrity-based manifesto for our collective thrivance.
The Them Ones (Local) Away Day last month holds a microcosmic but true reflection of the spirit I hope to embed within Them Ones: led with love, play, and the collective imagination.
Building our communal knowledge systems is something I’ve always stood firm about, and I’m excited to share our learnings and questions from the day beautifully crafted by @tamarajadekaz, alongside the recipes to the food we made together led by @gardenofafruika. As @eyramdzotsi said at the beginning of the class - it is up to us to build upon, create anew, and pass down recipes to generations to come.
📸 Taken by the peopledem, with the B&W photos shared by our sis @anuhenriques

Them Ones x Garden of Afruika: Plottings and (New) Recipes
For me, 2025 has been a year of re-centring the ‘why’ in my work and bringing it back to a people-centred practice. The creative industries can really harden us as people. My deep emotional care for not only the stories I make, but mainly the people I choose to work with, is the core of my integrity and I’m really proud of it.
I only ever want to choose to surround myself with people who care about the ‘why’ and ‘how’ of the ways we work; those who are excited about pondering collectively, failing safely, and exchanging notes on an integrity-based manifesto for our collective thrivance.
The Them Ones (Local) Away Day last month holds a microcosmic but true reflection of the spirit I hope to embed within Them Ones: led with love, play, and the collective imagination.
Building our communal knowledge systems is something I’ve always stood firm about, and I’m excited to share our learnings and questions from the day beautifully crafted by @tamarajadekaz, alongside the recipes to the food we made together led by @gardenofafruika. As @eyramdzotsi said at the beginning of the class - it is up to us to build upon, create anew, and pass down recipes to generations to come.
📸 Taken by the peopledem, with the B&W photos shared by our sis @anuhenriques
The Instagram Story Viewer is an easy tool that lets you secretly watch and save Instagram stories, videos, photos, or IGTV. With this service, you can download content and enjoy it offline whenever you like. If you find something interesting on Instagram that you’d like to check out later or want to view stories while staying anonymous, our Viewer is perfect for you. Anonstories offers an excellent solution for keeping your identity hidden. Instagram first launched the Stories feature in August 2023, which was quickly adopted by other platforms due to its engaging, time-sensitive format. Stories let users share quick updates, whether photos, videos, or selfies, enhanced with text, emojis, or filters, and are visible for only 24 hours. This limited time frame creates high engagement compared to regular posts. In today’s world, Stories are one of the most popular ways to connect and communicate on social media. However, when you view a Story, the creator can see your name in their viewer list, which may be a privacy concern. What if you wish to browse Stories without being noticed? Here’s where Anonstories becomes useful. It allows you to watch public Instagram content without revealing your identity. Simply enter the username of the profile you’re curious about, and the tool will display their latest Stories. Features of Anonstories Viewer: - Anonymous Browsing: Watch Stories without showing up on the viewer list. - No Account Needed: View public content without signing up for an Instagram account. - Content Download: Save any Stories content directly to your device for offline use. - View Highlights: Access Instagram Highlights, even beyond the 24-hour window. - Repost Monitoring: Track the reposts or engagement levels on Stories for personal profiles. Limitations: - This tool works only with public accounts; private accounts remain inaccessible. Benefits: - Privacy-Friendly: Watch any Instagram content without being noticed. - Simple and Easy: No app installation or registration required. - Exclusive Tools: Download and manage content in ways Instagram doesn’t offer.
Keep track of Instagram updates discreetly while protecting your privacy and staying anonymous.
View profiles and photos anonymously with ease using the Private Profile Viewer.
This free tool allows you to view Instagram Stories anonymously, ensuring your activity remains hidden from the story uploader.
Anonstories lets users view Instagram stories without alerting the creator.
Works seamlessly on iOS, Android, Windows, macOS, and modern browsers like Chrome and Safari.
Prioritizes secure, anonymous browsing without requiring login credentials.
Users can view public stories by simply entering a username—no account needed.
Downloads photos (JPEG) and videos (MP4) with ease.
The service is free to use.
Content from private accounts can only be accessed by followers.
Files are for personal or educational use only and must comply with copyright rules.
Enter a public username to view or download stories. The service generates direct links for saving content locally.