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Sedition is proud to present “Infinite Void 2k25”, a new triptych of generative video works by Andreas Nicolas Fischer (b. 1982, Munich), who is one of the most celebrated artists on Sedition.

Known for transforming data and code into mesmerizing visual systems, ANF has built a career exploring the intersection of technology automation, and contemporary art.

We’re excited to welcome acclaimed artist and photographer Ryan Koopmans as the newest guest curator at Sedition.

Known for his hauntingly beautiful transformations of abandoned architecture, Ryan brings a bold, cinematic eye to the digital art space - and his first curatorial selection sets the tone: Jonas Bendiksen’s “Brazil, São Paulo” - a powerful, meditative piece exploring urban density and human connection.

Ryan’s full curation will be available to stream on Art Stream this Monday, exclusively on Sedition.

A new perspective is here. Don’t miss it.

Ever wondered what happens when passion meets innovation? 🎨⁠
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When our founder, Dyl, started collecting digital art, he knew there had to be a better way to experience it. That’s where the idea for Muse Frame was born—turning digital art into a centerpiece that doesn’t just hang on your wall but brings your space to life.⁠
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With Muse Frame, every piece feels like it’s been designed just for you. Ready to elevate your home? Dive into Dyl’s journey and discover how you can make your art collection more than just a gallery on a screen. ⁠
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Your walls will thank you. 🖼️⁠
#MuseMonday #ArtInspiration #BehindTheScenes

Sasha Stiles (@sashastiles)

Curated by Farrah Carbonell @far.rah for @artandvault, in collaboration with @themuseframe and @theHUGxyz. Powered by @artdomains.

We close this program with Sasha Stiles, whose work explores what it means to be human in a more-than-human age.

A Kalmyk-American poet, artist, and researcher, Stiles works at the intersection of language and computation, reimagining poetry as a form of living intelligence. Her practice synthesizes text and technology, memory and imagination, expanding language into a dynamic system shaped in dialogue with artificial intelligence.
Through projects such as Technelegy and Cursive Binary, she reveals AI as fundamentally a linguistic technology, where writing becomes both medium and method. Poetry operates as a structure for attention, empathy, and meaning, evolving alongside the systems that generate it.

Her work has been honored by the Prix Ars Electronica and the Lumen Prize, and exhibited internationally, from MoMA to Art Basel to Gucci.

As the final presentation, her work brings the program to a point of reflection—where language, system, and presence converge, and where the question of what it means to be human remains open.

Across this program, a range of women artists comes into view, working across disciplines while advancing distinct approaches to image, language, and system.

Linda Dounia Rebeiz (@lindadouniar)

Curated by Farrah Carbonell @far.rah for @artandvault, in collaboration with @themuseframe and @theHUGxyz. Powered by @artdomains.

Linda Dounia is an artist, designer, and writer whose practice engages AI, archives, and the politics of memory. Her work examines how fragmented and uneven datasets shape what can be seen, remembered, and generated.

In Once Upon A Garden, she reconstructs speculative histories of extinct and endangered flora in West Africa using AI trained on incomplete, outdated, and often colonial records. The resulting images function as both reconstruction and rupture, revealing the limits of data and the structures that inform it.

Her work approaches AI as a system of memory shaped by human input, where images reflect the biases, omissions, and priorities embedded in data. Through the development of personal archives, she proposes alternative forms of knowledge as a response to absence and erasure.

Dounia was named to the TIME100 AI list in 2023 and received the Mozilla RISE25 Award in 2024. Her work has been exhibited internationally, including presentations at the California African American Museum (PST ART), KIKK Festival, Dak’Art Biennale OFF, Bright Moments Paris, and ART X Lagos.
Once Upon A Garden was developed in collaboration with @fellowship.xyz, @artxcode.io and Alejandro Cartagena(@alexcartagenamex).

This program brings together artists engaging contemporary conditions through distinct visual languages.

Christy Lee Rogers (@christyleerogers)

Curated by Farrah Carbonell @far.rah for @artandvault, in collaboration with @themuseframe and @theHUGxyz.
Powered by @artdomains.

Christy Lee Rogers is a visual artist known for her modern-day Baroque approach, working across still and moving image. Through a distinctive underwater technique, she uses light and refraction to create painterly compositions often compared to the dramatic intensity of Caravaggio and Rubens.
Her work centers on the human figure, where choreographed bodies suspended in water move between control and surrender—exploring vulnerability, sensuality, chaos, and beauty within the human condition.

Born and raised on the island of Oʻahu, Hawaiʻi, Rogers developed an early connection to the ocean, which continues to shape her visual language. Her practice holds a cinematic sensibility, with water functioning as both medium and environment.

Her work has been presented internationally and has received significant recognition, including the Sony World Photography Awards Open Photographer of the Year (2019), and two finalist positions for the Contemporary Talents Award from the Fondation François Schneider. She has collaborated with Apple and Lavazza, and her underwater works inspired by Avatar: The Way of Water were developed in collaboration with James Cameron and Disney.
This program brings together artists engaging contemporary conditions through distinct visual languages.

María Sánchez (@mariasanchez____ )

Curated by Farrah Carbonell @far.rah for @artandvault, in collaboration with @themuseframe and @theHUGxyz. Powered by @artdomains.

María Sánchez (b. 1993, Venezuela) is an interdisciplinary artist working across drawing, painting, poetry, and movement-based deconstruction. Her practice draws from psychoanalysis, mysticism, quantum phenomena, and technology to explore the layered architecture of the psyche.

Blending traditional materials such as paper and ink with digital processes, she creates a dialogue between organic and synthetic elements. Her works often take the form of human-like entities—constructed presences shaped through gesture, fragmentation, and language.

Rooted in a background in dance, her work carries a sensitivity to movement, rhythm, and stillness, where negative space functions as a site of tension and meaning. Physical gesture and constructed language operate simultaneously as ritual and disruption.
Her work has been exhibited internationally, including presentations at La Luz de Jesus Gallery (Los Angeles) and the Rema Hort Mann Foundation (New York), alongside solo exhibitions in London and Berlin.

This program brings together artists engaging contemporary conditions through distinct visual languages.

OONA (@made.by.oona)

Curated by Farrah Carbonell @far.rah for @artandvault, in collaboration with @themuseframe and @theHUGxyz.Powered by @artdomains.

OONA is an anonymous conceptual artist working across performance and moving image. Emerging as a constructed presence, her work treats identity not as something fixed, but as something staged, mediated, and continuously negotiated.

Operating through the body as both interface and instrument, OONA examines the intersections of technology, finance, gender, and control—exposing how systems shape visibility, authorship, and power. Her practice does not resolve these tensions, but holds them in place.

Since her emergence in 2021, OONA has performed and exhibited internationally, including Art Basel Miami, The Metropolitan Museum of Art, Proof of People (London and New York), Vellum (Los Angeles), and Avalanche Summit (Barcelona). Her work is held in private and public collections.

This program brings together artists engaging contemporary conditions through distinct visual languages.

Iskra Velitchkova (@ognyveli)

Curated by Farrah Carbonell @far.rah for @artandvault, in collaboration with @themuseframe and @theHUGxyz.
Powered by @artdomains.

Iskra Velitchkova is an artist working at the intersection of generative systems, technology, and perception. With a background in data visualization and philosophy of technology, her practice emerged from a shift—where questions became more compelling than answers.

She uses generative methods to explore the relationship between nature and intention through algorithms and randomness, asking whether technology can meaningfully respond to human questions.

Her work engages the concept of distance—how it is reshaped in an era defined by data, systems, and computation. Forms emerge through controlled systems yet remain unstable, unfolding as structures where perception and authorship are continuously renegotiated.

Her recent body of work, I See Generative, reflects a shift toward what she describes as “narrative logic” within generative systems—where meaning is shaped through selection, sequencing, and structure rather than infinite variation. Operating through restraint, her work allows form to emerge without resolution, positioning generative art as a space of perception rather than spectacle.

Her work has been exhibited internationally across London, Paris, Milan, New York, Miami, Singapore, Mexico City, and Berlin. She has collaborated with galleries including Kate Vass, Bright Moments, Feral File, and Unit London, and has participated in major art fairs such as Art Basel. Her work has been auctioned at Sotheby’s New York and Christie’s New York, including collaborations with Gucci.

This program brings together artists engaging contemporary conditions through distinct visual languages.

Elhem Younes (@elhemyounes)

Curated by Farrah Carbonell for @artandvault, in collaboration with @museframe and @theHUGxyz.
Powered by @artdomains.

Elhem Younes is a Tunisian-born visual artist based in Paris, working across painting, engraving, and immersive digital environments. Her practice examines the construction of meaning, perception, and imagination in relation to contemporary technologies.
Holding a PhD in Aesthetics, Science, and Arts Technologies, her work develops through a sustained theoretical and artistic inquiry into the “indiscernible” as both an aesthetic condition and a mode of perception.

Her practice unfolds through structured phases rather than isolated works, forming a continuous system of investigation. Each phase addresses a specific moment of inquiry—from inner emotional architectures and identity formation, to rupture, transmission, and broader systems of relation. Individual works operate as fragments within this larger conceptual framework.
Her background includes studies at the Higher Institute of Fine Arts of Tunis, a Master’s in Aesthetics from Université Paris I Panthéon-Sorbonne, and doctoral research at Université Paris VIII Vincennes–Saint-Denis (INREV/ATI), where she also contributed as a lecturer in Digital Art History.

This program brings together artists engaging contemporary conditions through distinct visual languages.

Kamand Kavand (@kamandkavand)

Curated by Farrah Carbonell @far.rah for @artandvault, in collaboration with @themuseframe and @theHUGxyz.
Powered by @artdomains.

Kamand Kavand (b. 1991, Iran) is a self-taught painter based in Tehran, working through abstraction and expression across physical and digital forms.
Her practice is grounded in immediacy and intuition, where painting emerges from the moment—shaped by emotion, music, and lived experience. The canvas functions as both surface and refuge, translating shifting internal states through color, gesture, and form.

Extending her work into digital formats, she develops hybrid pieces that combine acrylic painting, animation, and sound in collaboration with a composer. These works draw from imagination, cinema, and scientific thought, expanding her abstract language beyond the canvas.

Her work has been presented internationally across Iran, France, and the United States, including exhibitions in Paris and presentations during NFT.NYC in New York. She is a member of the AIA Association in France.

This program brings together artists engaging contemporary conditions through distinct visual languages.

Katherine Boland (@katherine.boland.artist)

Curated by Farrah Carbonell for @artandvault, in collaboration with @themuseframe museframe and @theHUGxyz.
Powered by @artdomains.

Katherine Boland is a multidisciplinary artist based on the southeast coast of Australia. Her practice spans digital media, photography, and experimental processes, engaging the natural world through a sustained focus on the tension between beauty and vulnerability—holding both resilience and ecological fragility in view.

Following the 2019–20 Australian bushfires that impacted her region, her work has increasingly centered on environmental conditions and the realities of a warming planet. Through material experimentation and emerging technologies, she reimagines landscapes and ecosystems in ways that foster emotional connection and ecological awareness.

Her work has been presented in international contexts, including OUTPUT: Art After Fire, supported by the Australian Department of Foreign Affairs and Trade, and global climate forums such as the United Nations Climate Conferences, where she has participated in DigitalArt4Climate and Art Speaks Out exhibitions.
In 2023, her work Fire Flower No. 8, created using fire itself, was presented by the Australian Prime Minister as an official gift to President Joe Biden at the White House. She is the recipient of major Australian art prizes including the National Capital Art Prize (Sustainability, 2023) and the Burrinja Climate Change Biennale Art Award (2023).

This program brings together artists engaging contemporary conditions through distinct visual languages.