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u____p
U-P
U-P is an interdisciplinary design practice led by Paul Marcus Fuog and Uriah Gray.
(AGI) @agigraphic
(Field Experiments) @fieldexperiments
Exhibition for Rebel Heart @library_vic
Exhibition text
The rebel heart wants what it wants.
It is not bound by what is convenient, realistic or expected. It is not swayed by reason, counsel or opinion.
Across cultures and time, humans have used language and music to express the heart’s desires, translating love and longing into letters, poems and songs. This exhibition brings together an array of these intimate declarations from State Library Victoria’s collection, sent and received over the last 170 years.
Today, AI can draft our letters, craft our texts and even act as a substitute for our real-life relationships. The scribbly, imperfect messages in Rebel Heart contrast with these tidy and obedient automations. Blotched, misspelled, crossed out or un-sent; adorned with pet names, private jokes and drawings in the margins, they commemorate the messy humanness of love.
Contained in these handmade tokens are stories of resilience and romance. They reveal love not as sentiment alone, but as a generative force: a driver of social change, a bringer of hope and a spring of creative inspiration.
New songs by Amos Roach, Angie McMahon, Mindy Meng Wang and Mo’Ju, and artworks by Drew Pettifer and Paul Knight, take inspiration from the courageous hearts within these stories.
A soundscape in the centre space by Nick Cave and Warren Ellis reflects on what it means to love: the rushes and the risks.
Collaborators:
(Curators) Georgia Goud, Georgia Knight and Isabel Baker with Angela Bailey (Producer) Maree 幸 Williams
(Design) @studiopeterking and @melaniehuang_
Photo @will.neill
Exhibition for Rebel Heart @library_vic
Exhibition text
The rebel heart wants what it wants.
It is not bound by what is convenient, realistic or expected. It is not swayed by reason, counsel or opinion.
Across cultures and time, humans have used language and music to express the heart’s desires, translating love and longing into letters, poems and songs. This exhibition brings together an array of these intimate declarations from State Library Victoria’s collection, sent and received over the last 170 years.
Today, AI can draft our letters, craft our texts and even act as a substitute for our real-life relationships. The scribbly, imperfect messages in Rebel Heart contrast with these tidy and obedient automations. Blotched, misspelled, crossed out or un-sent; adorned with pet names, private jokes and drawings in the margins, they commemorate the messy humanness of love.
Contained in these handmade tokens are stories of resilience and romance. They reveal love not as sentiment alone, but as a generative force: a driver of social change, a bringer of hope and a spring of creative inspiration.
New songs by Amos Roach, Angie McMahon, Mindy Meng Wang and Mo’Ju, and artworks by Drew Pettifer and Paul Knight, take inspiration from the courageous hearts within these stories.
A soundscape in the centre space by Nick Cave and Warren Ellis reflects on what it means to love: the rushes and the risks.
Collaborators:
(Curators) Georgia Goud, Georgia Knight and Isabel Baker with Angela Bailey (Producer) Maree 幸 Williams
(Design) @studiopeterking and @melaniehuang_
Photo @will.neill
Exhibition for Rebel Heart @library_vic
Exhibition text
The rebel heart wants what it wants.
It is not bound by what is convenient, realistic or expected. It is not swayed by reason, counsel or opinion.
Across cultures and time, humans have used language and music to express the heart’s desires, translating love and longing into letters, poems and songs. This exhibition brings together an array of these intimate declarations from State Library Victoria’s collection, sent and received over the last 170 years.
Today, AI can draft our letters, craft our texts and even act as a substitute for our real-life relationships. The scribbly, imperfect messages in Rebel Heart contrast with these tidy and obedient automations. Blotched, misspelled, crossed out or un-sent; adorned with pet names, private jokes and drawings in the margins, they commemorate the messy humanness of love.
Contained in these handmade tokens are stories of resilience and romance. They reveal love not as sentiment alone, but as a generative force: a driver of social change, a bringer of hope and a spring of creative inspiration.
New songs by Amos Roach, Angie McMahon, Mindy Meng Wang and Mo’Ju, and artworks by Drew Pettifer and Paul Knight, take inspiration from the courageous hearts within these stories.
A soundscape in the centre space by Nick Cave and Warren Ellis reflects on what it means to love: the rushes and the risks.
Collaborators:
(Curators) Georgia Goud, Georgia Knight and Isabel Baker with Angela Bailey (Producer) Maree 幸 Williams
(Design) @studiopeterking and @melaniehuang_
Photo @will.neill
Exhibition for Rebel Heart @library_vic
Exhibition text
The rebel heart wants what it wants.
It is not bound by what is convenient, realistic or expected. It is not swayed by reason, counsel or opinion.
Across cultures and time, humans have used language and music to express the heart’s desires, translating love and longing into letters, poems and songs. This exhibition brings together an array of these intimate declarations from State Library Victoria’s collection, sent and received over the last 170 years.
Today, AI can draft our letters, craft our texts and even act as a substitute for our real-life relationships. The scribbly, imperfect messages in Rebel Heart contrast with these tidy and obedient automations. Blotched, misspelled, crossed out or un-sent; adorned with pet names, private jokes and drawings in the margins, they commemorate the messy humanness of love.
Contained in these handmade tokens are stories of resilience and romance. They reveal love not as sentiment alone, but as a generative force: a driver of social change, a bringer of hope and a spring of creative inspiration.
New songs by Amos Roach, Angie McMahon, Mindy Meng Wang and Mo’Ju, and artworks by Drew Pettifer and Paul Knight, take inspiration from the courageous hearts within these stories.
A soundscape in the centre space by Nick Cave and Warren Ellis reflects on what it means to love: the rushes and the risks.
Collaborators:
(Curators) Georgia Goud, Georgia Knight and Isabel Baker with Angela Bailey (Producer) Maree 幸 Williams
(Design) @studiopeterking and @melaniehuang_
📸 @will.neill
Exhibition for Rebel Heart @library_vic
Exhibition text
The rebel heart wants what it wants.
It is not bound by what is convenient, realistic or expected. It is not swayed by reason, counsel or opinion.
Across cultures and time, humans have used language and music to express the heart’s desires, translating love and longing into letters, poems and songs. This exhibition brings together an array of these intimate declarations from State Library Victoria’s collection, sent and received over the last 170 years.
Today, AI can draft our letters, craft our texts and even act as a substitute for our real-life relationships. The scribbly, imperfect messages in Rebel Heart contrast with these tidy and obedient automations. Blotched, misspelled, crossed out or un-sent; adorned with pet names, private jokes and drawings in the margins, they commemorate the messy humanness of love.
Contained in these handmade tokens are stories of resilience and romance. They reveal love not as sentiment alone, but as a generative force: a driver of social change, a bringer of hope and a spring of creative inspiration.
New songs by Amos Roach, Angie McMahon, Mindy Meng Wang and Mo’Ju, and artworks by Drew Pettifer and Paul Knight, take inspiration from the courageous hearts within these stories.
A soundscape in the centre space by Nick Cave and Warren Ellis reflects on what it means to love: the rushes and the risks.
Collaborators:
(Curators) Georgia Goud, Georgia Knight and Isabel Baker with Angela Bailey (Producer) Maree 幸 Williams
(Design) @studiopeterking and @melaniehuang_
📸 @will.neill
Exhibition for Rebel Heart @library_vic
Exhibition text
The rebel heart wants what it wants.
It is not bound by what is convenient, realistic or expected. It is not swayed by reason, counsel or opinion.
Across cultures and time, humans have used language and music to express the heart’s desires, translating love and longing into letters, poems and songs. This exhibition brings together an array of these intimate declarations from State Library Victoria’s collection, sent and received over the last 170 years.
Today, AI can draft our letters, craft our texts and even act as a substitute for our real-life relationships. The scribbly, imperfect messages in Rebel Heart contrast with these tidy and obedient automations. Blotched, misspelled, crossed out or un-sent; adorned with pet names, private jokes and drawings in the margins, they commemorate the messy humanness of love.
Contained in these handmade tokens are stories of resilience and romance. They reveal love not as sentiment alone, but as a generative force: a driver of social change, a bringer of hope and a spring of creative inspiration.
New songs by Amos Roach, Angie McMahon, Mindy Meng Wang and Mo’Ju, and artworks by Drew Pettifer and Paul Knight, take inspiration from the courageous hearts within these stories.
A soundscape in the centre space by Nick Cave and Warren Ellis reflects on what it means to love: the rushes and the risks.
Collaborators:
(Curators) Georgia Goud, Georgia Knight and Isabel Baker with Angela Bailey (Producer) Maree 幸 Williams
(Design) @studiopeterking and @melaniehuang_
📸 @will.neill
The Mourning After invites people to explore grief in all its multiple forms — as something felt, shared, and expressed through different rituals and creative practices.
The Mourning After
RMIT Design Hub Gallery @rmitgalleries
24 Jul 2025 – 20 Sep 2025
Curated by Larissa Hjorth @micronarrative
Documentation @will.neill
The Mourning After invites people to explore grief in all its multiple forms — as something felt, shared, and expressed through different rituals and creative practices.
The Mourning After
RMIT Design Hub Gallery @rmitgalleries
24 Jul 2025 – 20 Sep 2025
Curated by Larissa Hjorth @micronarrative
Documentation @will.neill
Exhibition design with and for @threefivefivethree
Immobilities was an exhibition curated by OFFICE, Jack Isles, Mark Romei, and U-P, featuring work by Border Forensics; Faculty of Arts - University of Melbourne; Forensis; INDEX; LIMINAL; the Manus Recording Project Collective; Mark Romei; and The Investigative Commons
Curatorial Statement by 3553:
Across the world, architectures and environments are mobilised to monitor and control the movement of bodies and communities. Central to these practices is the immobilisation of people on the move—an effort to dictate who holds the right to mobility, and under what conditions. From borders, walls, rooms and ecologies to soundscapes, Immobilities reflects on the many ways nation states design and perpetuate systems of border control, shaping the global mobility regime and the lives of those within it.
The exhibition convened an international consortium of researchers, designers and activists, situating Australian and international research within a transcontinental analysis of border practices. In doing so, it documented—and denounced—bordering in its many forms, across diverse geographies, technologies and methodologies.
Documentation: @benhoskingphotographer
Exhibition design with and for @threefivefivethree
Immobilities was an exhibition curated by OFFICE, Jack Isles, Mark Romei, and U-P, featuring work by Border Forensics; Faculty of Arts - University of Melbourne; Forensis; INDEX; LIMINAL; the Manus Recording Project Collective; Mark Romei; and The Investigative Commons
Curatorial Statement by 3553:
Across the world, architectures and environments are mobilised to monitor and control the movement of bodies and communities. Central to these practices is the immobilisation of people on the move—an effort to dictate who holds the right to mobility, and under what conditions. From borders, walls, rooms and ecologies to soundscapes, Immobilities reflects on the many ways nation states design and perpetuate systems of border control, shaping the global mobility regime and the lives of those within it.
The exhibition convened an international consortium of researchers, designers and activists, situating Australian and international research within a transcontinental analysis of border practices. In doing so, it documented—and denounced—bordering in its many forms, across diverse geographies, technologies and methodologies.
Documentation: @benhoskingphotographer
Exhibition design with and for @threefivefivethree
Immobilities was an exhibition curated by OFFICE, Jack Isles, Mark Romei, and U-P, featuring work by Border Forensics; Faculty of Arts - University of Melbourne; Forensis; INDEX; LIMINAL; the Manus Recording Project Collective; Mark Romei; and The Investigative Commons
Curatorial Statement by 3553:
Across the world, architectures and environments are mobilised to monitor and control the movement of bodies and communities. Central to these practices is the immobilisation of people on the move—an effort to dictate who holds the right to mobility, and under what conditions. From borders, walls, rooms and ecologies to soundscapes, Immobilities reflects on the many ways nation states design and perpetuate systems of border control, shaping the global mobility regime and the lives of those within it.
The exhibition convened an international consortium of researchers, designers and activists, situating Australian and international research within a transcontinental analysis of border practices. In doing so, it documented—and denounced—bordering in its many forms, across diverse geographies, technologies and methodologies.
Documentation: @benhoskingphotographer
The Mourning After invites people to explore grief in all its multiple forms — as something felt, shared, and expressed through different rituals and creative practices.
The Mourning After
RMIT Design Hub Gallery @rmitgalleries
24 Jul 2025 – 20 Sep 2025
Curated by Larissa Hjorth @micronarrative
Documentation @will.neill
The Mourning After invites people to explore grief in all its multiple forms — as something felt, shared, and expressed through different rituals and creative practices.
The Mourning After
RMIT Design Hub Gallery @rmitgalleries
24 Jul 2025 – 20 Sep 2025
Curated by Larissa Hjorth @micronarrative
Documentation @will.neill
The Mourning After invites people to explore grief in all its multiple forms — as something felt, shared, and expressed through different rituals and creative practices.
The Mourning After
RMIT Design Hub Gallery @rmitgalleries
24 Jul 2025 – 20 Sep 2025
Curated by Larissa Hjorth @micronarrative
Documentation @will.neill
The Mourning After invites people to explore grief in all its multiple forms — as something felt, shared, and expressed through different rituals and creative practices.
The Mourning After
RMIT Design Hub Gallery @rmitgalleries
24 Jul 2025 – 20 Sep 2025
Curated by Larissa Hjorth @micronarrative
Documentation @will.neill
The Mourning After invites people to explore grief in all its multiple forms — as something felt, shared, and expressed through different rituals and creative practices.
The Mourning After
RMIT Design Hub Gallery @rmitgalleries
24 Jul 2025 – 20 Sep 2025
Curated by Larissa Hjorth @micronarrative
Documentation @will.neill
The Mourning After invites people to explore grief in all its multiple forms — as something felt, shared, and expressed through different rituals and creative practices.
The Mourning After
RMIT Design Hub Gallery @rmitgalleries
24 Jul 2025 – 20 Sep 2025
Curated by Larissa Hjorth @micronarrative
Documentation @will.neill
The Mourning After invites people to explore grief in all its multiple forms — as something felt, shared, and expressed through different rituals and creative practices.
The Mourning After
RMIT Design Hub Gallery
24 Jul 2025 – 20 Sep 2025
@rmitgalleries
YIRRAMBOI, Creative Direction for Yirramboi, Australia’s premier First Nations arts festival that provides a stage for First Nations voices to be heard, 2025
Client @yirramboi
Typeface Dinamo @abcdinamo
Website development Love + Money @loveandmoney.agency
YIRRAMBOI, Creative Direction for Yirramboi, Australia’s premier First Nations arts festival that provides a stage for First Nations voices to be heard, 2025
Client @yirramboi
Typeface Dinamo @abcdinamo
Website development Love + Money @loveandmoney.agency
YIRRAMBOI, Creative Direction for Yirramboi, Australia’s premier First Nations arts festival that provides a stage for First Nations voices to be heard, 2025
Client @yirramboi
Typeface Dinamo @abcdinamo
Website development Love + Money @loveandmoney.agency
View Instagram Stories in Secret
The Instagram Story Viewer is an easy tool that lets you secretly watch and save Instagram stories, videos, photos, or IGTV. With this service, you can download content and enjoy it offline whenever you like. If you find something interesting on Instagram that you’d like to check out later or want to view stories while staying anonymous, our Viewer is perfect for you. Anonstories offers an excellent solution for keeping your identity hidden. Instagram first launched the Stories feature in August 2023, which was quickly adopted by other platforms due to its engaging, time-sensitive format. Stories let users share quick updates, whether photos, videos, or selfies, enhanced with text, emojis, or filters, and are visible for only 24 hours. This limited time frame creates high engagement compared to regular posts. In today’s world, Stories are one of the most popular ways to connect and communicate on social media. However, when you view a Story, the creator can see your name in their viewer list, which may be a privacy concern. What if you wish to browse Stories without being noticed? Here’s where Anonstories becomes useful. It allows you to watch public Instagram content without revealing your identity. Simply enter the username of the profile you’re curious about, and the tool will display their latest Stories. Features of Anonstories Viewer: - Anonymous Browsing: Watch Stories without showing up on the viewer list. - No Account Needed: View public content without signing up for an Instagram account. - Content Download: Save any Stories content directly to your device for offline use. - View Highlights: Access Instagram Highlights, even beyond the 24-hour window. - Repost Monitoring: Track the reposts or engagement levels on Stories for personal profiles. Limitations: - This tool works only with public accounts; private accounts remain inaccessible. Benefits: - Privacy-Friendly: Watch any Instagram content without being noticed. - Simple and Easy: No app installation or registration required. - Exclusive Tools: Download and manage content in ways Instagram doesn’t offer.
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Explore IG Stories Privately
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Private Instagram Viewer
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Frequently asked questions
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Anonstories lets users view Instagram stories without alerting the creator.
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Works seamlessly on iOS, Android, Windows, macOS, and modern browsers like Chrome and Safari.
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Prioritizes secure, anonymous browsing without requiring login credentials.
No Registration
Users can view public stories by simply entering a username—no account needed.
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Downloads photos (JPEG) and videos (MP4) with ease.
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Private Accounts
Content from private accounts can only be accessed by followers.
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Files are for personal or educational use only and must comply with copyright rules.
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Enter a public username to view or download stories. The service generates direct links for saving content locally.