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Unveiling a labor of love, the journey behind my latest directorial- a Dabur Honey commercial that was committed to sustainable beekeeping and upliftment of the beekeepers where Dabur stays true to its promise of crafting the best. While filming it pushed our boundaries and weathered storms quite literally, amidst the majestic landscapes during the monsoon and G20 Summit. The unpredictable weather tested our resilience, but our small yet dedicated team stood strong, determined to bring this vision to life. Around such breathtaking terrains and the indomitable spirit of our crew despite facing natural obstacles including a moment when the army halted our shoot, we persevered. Long hard work and unwavering commitment have led to this moment. A huge shoutout to the phenomenal team who stood by through all the thicks and thin. This is one of my most special films till date being indebted to IML and all eager to know your thoughts..

Brand: @daburhoneyofficial
Content Shop: @icemedialab
Director: @utsavdan
Producers: @ambarish_it_is @anirban.ajoy.das @thisisdebojit
Written By: @ambarish_it_is
Creative Producer & Music Director: @anirban.ajoy.das
DOP: @roopeshshaji
Editor: @raktim.social
Associate Producer: @shei.meghbalika 
Colorist: @manoharnaik__
Production Manager: @paulanirban03
1st AD: @suryadiptabhaumik
2nd AD: @meer_aamir013
AC: @_ajith_victor
Cast: Adil Ahmad Bhatt & Toyba Mushtaq
Sync Sound Recordist: Riyaz Bhatt
Post Producer: @work.atmajo
CG: @iamshubhayan
Graphic: Subhrojyoti Biswas
VO Artist: @trishnamukherjeeofficial (F) | @iwasi_official (M)
Programming: Debasis Shome
Add Programming: Debabrata, Soumalya Das
Backing Vocals: Anirban Ajoy Das, Debabrata, Debasis Shom
Recording Studio: Niyogi's Place
Mix & Master: Nilabjo Niyogi
Team IML: Sreshtha, Akshita, Rajibani, Rajib & Sanju
IML Finance: Ayan & Krishna
Special Mention: Mr. Akshay Labroo, Mr. Bahar, @thakur.vikram777 Deepak Ji, Ayaz Bhai, Aziz Siddique Chacha, @malang_writings & @ansh__quresh

Let’s celebrate the Festival of Lights in the true sense by spreading joy and enlightening the world of others. Wishing you all a Happy Diwali over my third commercial directorial. Thank you Murali Da, thank you Rana Da and thank you team..

Client: Wow! Momo
Cast: @mommyandtammy8 | @antasheela_ghosh__ | @manav_mv | @arya_dasguptaa
Producer: @ranabt
Director:@utsavdan
Cinematographer: @cinematographersubho
Edit & Color: @space_junk23
Sound Design, Music & Mix: @sumitnandimixengineer
Art: @soumen.bhowmick.35
Stylist: @_nandy_009
Post Production Support: @avik_maity | @subratasenn
Production House: @jltsolutionz
#wowmomo #wowchina #wowchicken #wowdiwali #food #fodgasm #diwali #india #festival #happydiwali #love #diwaligifts #diwalidecorations #diwalidecor #instagram #diwalivibes #festiveseason #art #deepavali #indianfestival #festivevibes #celebration #diya #rangoli #indian #diwalicelebration

New Work: Taste the refreshanam through my recent directorial in a language I don’t speak but one that spoke to me in every shot, now flowing through the heart of Kerala carrying a sip of sweetness and a splash of pure joy. Bringing to life a brand I’ve grown up tasting since school days was nostalgic but doing it on an unimaginable budget made the journey even more special. This film is a reminder that heart, hustle and a solid team can craft anything beyond constraints. Here’s Pran Litchi Drink - ‘Vannallo | Malayalam’

Director: @utsavdan
Producer: @arindam_chakraborty3 Chakraborty
Client: @pran_litchi_india
Agency: @sosideasindia
Production House: Sure Shot Production
Artists: @iammr.sarkar | @miraroy9696 | Sandip | Anirban | Arka | @aaakashnil
Executive Producer: AtanuMondal
DOP: @dopshaan
Edit: @raktim.social
VFX: @iamshubhayan
Colorist: @yash_thecolorist
Music: @itz_rashaantharwin
Choreographer: @khush_subhajit
Voice Over: @milindmehta
Costume Stylist: @apugobinda
Art: Ganesh Roy | Tamal
DA: @ml_samya
First Assistant Director: @smondaldirrubu
Gaffer: Sanjoy Biswas (Kyabla)
AC: Rajesh Bag
MUH: Subir Manna
Focus Suman Das
Production Manager: Uday Sarkar
Assistant Manager: Chandan Samanta
Storyboard Artist: Vikas Bhatt
Equipments: @eskayequipments
Lights: Sadhana Cine Equipment

#adfilms #newwork #directorlife #brandfilm #keralavibes #madewithheart #litchi #southindian #vannallo #malayalam #filmmakerdiaries #refreshing #pranlitchidrink

There’s something about frames like this which refuse to look away, the lives stacked, dignity compressed yet still breathing through every pore of the image. It’s in these quiet, uncomfortable truths that photography becomes more than art and it becomes witness. To me, Raghu Rai always had a way of standing with those who are rarely centered, never loud about it, never decorative but just present. His lens didn’t preach but has always revealed and sometimes revealing is the most political act of all. Rest in frames @raghurai.official ..

Not done @rishav_agrawals_pov I’m still not being able to register this from last night. Our conversation began with numbers, you the First AD and me the Co-producer, bargaining, but somewhere between the cuts and cues, we knew each other and the deal dissolved into a bond more real than reel. While clicking this image of yours you were like, “Yeh shot perfect hai bhai, hold it right there I’ll be back..” Little did we know the frame would stay, but you wouldn’t. Had films left to discuss, indeed you left the conversations untold brother..

#newwork alert as some journeys don’t end when the series wraps. They echo. Clean Up Crew soon releasing on @mxplayer has been one such echo. More than a year of living between call sheets and chaos. Between early morning fights and sleepless night shoots. Between planning boards, running sets, over-shifting, shared food, unexpected accidents, calibrated frames and those fleeting moments the camera managed to hold forever. Being the Second Unit Director and First Assistant Director on this series wasn’t just a job that my brothers Creator & Director @rohan_ghose and writer @konarakmukherjee has given me but was a a rhythm that got me back to action. A rhythm of travel, people, pressure, laughter, panic and persistence. And now that the announcement is out, it lands with a strange thud in the chest. Because behind the title lives a thousand memories of sets being built and dismantled, of ideas turning into frames, of a crew becoming a family for a while. Some stories stay with you not because of the screen they appear on but because of the road you walked to reach them. Thank you @officialjiostudios @tejkarran @gseamsak @arjunsbaran @kartiknishandar @deipak.nailwal @ronakmotla
Stay tuned as you’ll love the stellar performances by @vishaljethwa06 @ameyzone @ajitesh_gupta_ @saswatachatterjeeofficial @senguptajisshu @tuhinadasofficial @the_vikram_bham @whotusharrungta @salim_husen_mulla @shajichoudhary @reshlamba @siddhi_potdar96
Shot beautifully by DOP @sumitsamaddar09 and Second Cam by @iswardp while Characters casted not just chosen by @paragnm Spaces thoughtfully production designed by @dixitmadhuresh associated by @singhnisha1588 Actors styled by @boskysheth Power packed action by @ajaythakurstunts Gracefully choreographed by @kalepooja Seemlesly cut by @i_am_aakash0 Graded by @aviavinashshukla at @famous_1945 And last but the most important without whom nothing would have been possible my direction team @paawaanagarwl @samirbhosle @kriteyu @balajee_64 @_niharikasoni_ @balajee.nba_nagarajan @hiya_misanthrope along with the ever-efficient Kolkata team @_black_noise @abhishek.bagchi1 @d_piu @arkanblues .
#CleanUpCrew #WebSeries #FilmLife #comingsoon

Writer & Associate Director of the World’s First Generative Theatrical - yes, it feels different. Different to walk the red carpet after days and nights of hard work, constant brainstorming, failing, rebuilding and trying all over again and there evolved Shatak. You may love it, question it, disagree with it and that’s completely fair but one thing is undeniable that this is a first of its kind and shaping it with this level of finesse was no easy task. Seven months. One complete film from research to release. A new form of filmmaking. And I must say Paperboat now sails into the oceans..

Writer & Associate Director of the World’s First Generative Theatrical - yes, it feels different. Different to walk the red carpet after days and nights of hard work, constant brainstorming, failing, rebuilding and trying all over again and there evolved Shatak. You may love it, question it, disagree with it and that’s completely fair but one thing is undeniable that this is a first of its kind and shaping it with this level of finesse was no easy task. Seven months. One complete film from research to release. A new form of filmmaking. And I must say Paperboat now sails into the oceans..

Writer & Associate Director of the World’s First Generative Theatrical - yes, it feels different. Different to walk the red carpet after days and nights of hard work, constant brainstorming, failing, rebuilding and trying all over again and there evolved Shatak. You may love it, question it, disagree with it and that’s completely fair but one thing is undeniable that this is a first of its kind and shaping it with this level of finesse was no easy task. Seven months. One complete film from research to release. A new form of filmmaking. And I must say Paperboat now sails into the oceans..

Writer & Associate Director of the World’s First Generative Theatrical - yes, it feels different. Different to walk the red carpet after days and nights of hard work, constant brainstorming, failing, rebuilding and trying all over again and there evolved Shatak. You may love it, question it, disagree with it and that’s completely fair but one thing is undeniable that this is a first of its kind and shaping it with this level of finesse was no easy task. Seven months. One complete film from research to release. A new form of filmmaking. And I must say Paperboat now sails into the oceans..

Writer & Associate Director of the World’s First Generative Theatrical - yes, it feels different. Different to walk the red carpet after days and nights of hard work, constant brainstorming, failing, rebuilding and trying all over again and there evolved Shatak. You may love it, question it, disagree with it and that’s completely fair but one thing is undeniable that this is a first of its kind and shaping it with this level of finesse was no easy task. Seven months. One complete film from research to release. A new form of filmmaking. And I must say Paperboat now sails into the oceans..

Writer & Associate Director of the World’s First Generative Theatrical - yes, it feels different. Different to walk the red carpet after days and nights of hard work, constant brainstorming, failing, rebuilding and trying all over again and there evolved Shatak. You may love it, question it, disagree with it and that’s completely fair but one thing is undeniable that this is a first of its kind and shaping it with this level of finesse was no easy task. Seven months. One complete film from research to release. A new form of filmmaking. And I must say Paperboat now sails into the oceans..

Writer & Associate Director of the World’s First Generative Theatrical - yes, it feels different. Different to walk the red carpet after days and nights of hard work, constant brainstorming, failing, rebuilding and trying all over again and there evolved Shatak. You may love it, question it, disagree with it and that’s completely fair but one thing is undeniable that this is a first of its kind and shaping it with this level of finesse was no easy task. Seven months. One complete film from research to release. A new form of filmmaking. And I must say Paperboat now sails into the oceans..

Writer & Associate Director of the World’s First Generative Theatrical - yes, it feels different. Different to walk the red carpet after days and nights of hard work, constant brainstorming, failing, rebuilding and trying all over again and there evolved Shatak. You may love it, question it, disagree with it and that’s completely fair but one thing is undeniable that this is a first of its kind and shaping it with this level of finesse was no easy task. Seven months. One complete film from research to release. A new form of filmmaking. And I must say Paperboat now sails into the oceans..

Writer & Associate Director of the World’s First Generative Theatrical - yes, it feels different. Different to walk the red carpet after days and nights of hard work, constant brainstorming, failing, rebuilding and trying all over again and there evolved Shatak. You may love it, question it, disagree with it and that’s completely fair but one thing is undeniable that this is a first of its kind and shaping it with this level of finesse was no easy task. Seven months. One complete film from research to release. A new form of filmmaking. And I must say Paperboat now sails into the oceans..

Writer & Associate Director of the World’s First Generative Theatrical - yes, it feels different. Different to walk the red carpet after days and nights of hard work, constant brainstorming, failing, rebuilding and trying all over again and there evolved Shatak. You may love it, question it, disagree with it and that’s completely fair but one thing is undeniable that this is a first of its kind and shaping it with this level of finesse was no easy task. Seven months. One complete film from research to release. A new form of filmmaking. And I must say Paperboat now sails into the oceans..

Six months. One complete film. A new form of filmmaking. Quite a few sleepless nights. Sweat soaked days. Thoughts that refused to rest. And all of these finally accumulated to the announcement of @shatakthefilm presented by @ada360degree . As a Writer and Associate Director, I can say this film has been shaped through long discussions and readings through doubts, generating and regenerating, rewrites and silences where every sequence carried a piece of madness. I believe you may love it, hate it, question it or even disagree with it but one thing is undeniable: this is a first of its kind and shaping it with this level of finesse was no easy task. @paperboat_design_studios thank you for choosing and always trusting me. Thank you, @aashishmall , one of the best souls for standing tall as a director and as my pillar when it mattered the most. Dhanyavaad producer sahab @vir_kapur09 you were the calm hand that steered the storm. Mayank bhai thank you for everything in between. @talesbyabhinav cheers to more fights and sweets for the next part. @rohitgahlowt1 @nitinsawant99 it is a pleasure sharing the credit and pen with you both. A special mention to @kumaarofficial@sunnyinderofficial and @sukhwindersinghofficial for such a powerhouse. @chin2singh for the efforts over edit. @postcolorist for painting the film with your brushstrokes. The soundscape by @realmontysharma and the design by @amrit.pritam_official will amaze everyone. @parthsayani it was truly fun for those couple of days. And none of this would have been possible without the team @sreejazz @prashantprb4 @_kush.s._ @nomadic_parikrama @01vjkumar @mayur31.in @hrithik_35mm @ddarshann_ @anuj.upasani @omaewa_sumit @john_v3.14 @atharvakadm @vision_3010 @thenameisritwik098 @aadipankarr@iso_visuals_ @_aarav_jha@bipin___gupta @iamdiavaish_@d_anielj @neel @ravi.k.m_ niharika vikram sashi ajit jadeja mohan and others who were all there making sure the reels keep rolling. And at the very end, yet above all else thank you @rameshchandradan @mala.dan.5 and @puja_feb_baby for absorbing everything over the past few months..

The labour of our first kind of hard work brewed by a few young unwired individuals amidst chaos and circumstances but born in the heartbeat became life’s quiet centre. This was the film where I learnt the most, where frames became feelings and every mistake turned into meaning. I believe whatever I can create today was seeded in the making of this one, a film that taught me not just how to direct but how to listen, to light, to silence and to time. Honestly, this was my first film where I dared to experiment, to stumble, to lose my way a little. Perhaps there are gaps in places but in those fractures my eyes opened wider, my senses grew sharper and as a result after a hundred rejections and restless moons, it still refused to die only to find its home, seven years later, in the flicker of @kiff__official . Here’s our final film school dream, Khoshkheyaltogiri, aged like a tender memory, now breathes on screen for the first time IN Kolkata on Thursday, 13th of November 2025. Thank you, RKK, thank you all my faculties and KIFF for making me believe tha some moments do take time to arrive..

Finding the source of darkness to turn the negetive energy into positive..

Khoye khoye dilse tere, Koi ye kahega..

I want to see the sunshine after the rain, I want to see bluebirds flying over the mountains again..
#sunshine #nature #instagood #landscape #afterrain