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ON AIR NOW: 15th Edition of Underneath the Floorboards 2026 (UK)
Curated by Pablo Robertson de Unamuno
from the 18th of April to the 16th of May 2026
https://www.visualcontainer.tv/15th-edition-of-underneath-the-floorboards-2026-uk/

Artists: MJ Golzari – Maya Bentley – Sara N. Santos – Dina Yanni – Jolene Mok – Mojca Radkovič – Ajda Zupan – Malaz Usta – Chris Mich – Irene Dionisio – João Garcia Neto – Shako None – Lei Lei – Nim Longley – Guadalupe Arellanes – Sylvie Boisseau – Frank Westermeyer – Indexthumb – Adam E. Stone – Diana Olifirova

Underneath the Floorboards presents its 15th edition, a programme that brings together a wide range of experimental moving-image practices by artists from diverse contexts and generations. Through intimate narratives, poetic gestures, political reflection, and formal experimentation, this selection unfolds as a journey across fragile states of being, memory, displacement, vulnerability, and transformation.

From domestic spaces overshadowed by distant violence to landscapes shaped by longing, transit, and return, the works in this edition move between the personal and the collective, the dreamlike and the historical, the analogue and the algorithmic.

ON AIR NOW: Visual Conversation // VVVResidency (UK)

From the 6th of March to the 8th of April, 2026

Curated By VVV-Residency

Artists: Bridge Phillips, Jay Orren, Tristan Robinson

VVV-R and the exhibition “ Visual Conversation ” are a Visualcontainer Platform and Vegapunk// Ex-Voto project curated by Alessandra Arnò and Simona Da Pozzo in collaboration with Arts University Bournemouth, as part of Global Networks and SuperOtium.

VISUAL CONVERSATION

The three artists in Visual Conversations use found footage and archival images as a shared curatorial strategy to question how contemporary systems make experience readable: AI that narrates life through statistical “milestones,” instructional media that present control as care, and cinematic modernity that turns subjectivity into a monitored simulation. Across the programme, montage becomes a critical method that reduces the distance between image and regime—between what is shown and what is governed—so that intimacy, landscape, and identity appear as contested terrains.

Video List

Bridge Phillips – Vantage, 4’32”, 2026

Jay Orren – Ungeneratable, 5′ 12″, 2026

Tristan Robinson – Trimming, 9’23”, 2026

V V V – R

VISUALCONTAINER VEGAPUNK VIDEOART RESIDENCY

video art residencies

a project by

Alessandra Arnò, Visualcontainer

Simona Da Pozzo, Vegapunk.

VVV Residency is a project of critical reflection and an audiovisual production time articulated through a residency, an exhibition and an event to introduce the student to the contemporary artistic professional field.

The project is articulated around a web-based artistic residency in its tools and the analysis and use of online digital audiovisuals to create new works.

VVV-Residency is an online residency, an exhibition and an event time

The project aims to experiment with moving image and video art through an online artistic residence in which the Academy’s students while creating the work, move in a professional research environment with process collaborative and horizontal.

ON AIR NOW: Visual Conversation // VVVResidency (UK)

From the 6th of March to the 8th of April, 2026

Curated By VVV-Residency

Artists: Bridge Phillips, Jay Orren, Tristan Robinson

VVV-R and the exhibition “ Visual Conversation ” are a Visualcontainer Platform and Vegapunk// Ex-Voto project curated by Alessandra Arnò and Simona Da Pozzo in collaboration with Arts University Bournemouth, as part of Global Networks and SuperOtium.

VISUAL CONVERSATION

The three artists in Visual Conversations use found footage and archival images as a shared curatorial strategy to question how contemporary systems make experience readable: AI that narrates life through statistical “milestones,” instructional media that present control as care, and cinematic modernity that turns subjectivity into a monitored simulation. Across the programme, montage becomes a critical method that reduces the distance between image and regime—between what is shown and what is governed—so that intimacy, landscape, and identity appear as contested terrains.

Video List

Bridge Phillips – Vantage, 4’32”, 2026

Jay Orren – Ungeneratable, 5′ 12″, 2026

Tristan Robinson – Trimming, 9’23”, 2026

V V V – R

VISUALCONTAINER VEGAPUNK VIDEOART RESIDENCY

video art residencies

a project by

Alessandra Arnò, Visualcontainer

Simona Da Pozzo, Vegapunk.

VVV Residency is a project of critical reflection and an audiovisual production time articulated through a residency, an exhibition and an event to introduce the student to the contemporary artistic professional field.

The project is articulated around a web-based artistic residency in its tools and the analysis and use of online digital audiovisuals to create new works.

VVV-Residency is an online residency, an exhibition and an event time

The project aims to experiment with moving image and video art through an online artistic residence in which the Academy’s students while creating the work, move in a professional research environment with process collaborative and horizontal.

ON AIR NOW: Visual Conversation // VVVResidency (UK)

From the 6th of March to the 8th of April, 2026

Curated By VVV-Residency

Artists: Bridge Phillips, Jay Orren, Tristan Robinson

VVV-R and the exhibition “ Visual Conversation ” are a Visualcontainer Platform and Vegapunk// Ex-Voto project curated by Alessandra Arnò and Simona Da Pozzo in collaboration with Arts University Bournemouth, as part of Global Networks and SuperOtium.

VISUAL CONVERSATION

The three artists in Visual Conversations use found footage and archival images as a shared curatorial strategy to question how contemporary systems make experience readable: AI that narrates life through statistical “milestones,” instructional media that present control as care, and cinematic modernity that turns subjectivity into a monitored simulation. Across the programme, montage becomes a critical method that reduces the distance between image and regime—between what is shown and what is governed—so that intimacy, landscape, and identity appear as contested terrains.

Video List

Bridge Phillips – Vantage, 4’32”, 2026

Jay Orren – Ungeneratable, 5′ 12″, 2026

Tristan Robinson – Trimming, 9’23”, 2026

V V V – R

VISUALCONTAINER VEGAPUNK VIDEOART RESIDENCY

video art residencies

a project by

Alessandra Arnò, Visualcontainer

Simona Da Pozzo, Vegapunk.

VVV Residency is a project of critical reflection and an audiovisual production time articulated through a residency, an exhibition and an event to introduce the student to the contemporary artistic professional field.

The project is articulated around a web-based artistic residency in its tools and the analysis and use of online digital audiovisuals to create new works.

VVV-Residency is an online residency, an exhibition and an event time

The project aims to experiment with moving image and video art through an online artistic residence in which the Academy’s students while creating the work, move in a professional research environment with process collaborative and horizontal.

ON AIR NOW: Visual Conversation // VVVResidency (UK)

From the 6th of March to the 8th of April, 2026

Curated By VVV-Residency

Artists: Bridge Phillips, Jay Orren, Tristan Robinson

VVV-R and the exhibition “ Visual Conversation ” are a Visualcontainer Platform and Vegapunk// Ex-Voto project curated by Alessandra Arnò and Simona Da Pozzo in collaboration with Arts University Bournemouth, as part of Global Networks and SuperOtium.

VISUAL CONVERSATION

The three artists in Visual Conversations use found footage and archival images as a shared curatorial strategy to question how contemporary systems make experience readable: AI that narrates life through statistical “milestones,” instructional media that present control as care, and cinematic modernity that turns subjectivity into a monitored simulation. Across the programme, montage becomes a critical method that reduces the distance between image and regime—between what is shown and what is governed—so that intimacy, landscape, and identity appear as contested terrains.

Video List

Bridge Phillips – Vantage, 4’32”, 2026

Jay Orren – Ungeneratable, 5′ 12″, 2026

Tristan Robinson – Trimming, 9’23”, 2026

V V V – R

VISUALCONTAINER VEGAPUNK VIDEOART RESIDENCY

video art residencies

a project by

Alessandra Arnò, Visualcontainer

Simona Da Pozzo, Vegapunk.

VVV Residency is a project of critical reflection and an audiovisual production time articulated through a residency, an exhibition and an event to introduce the student to the contemporary artistic professional field.

The project is articulated around a web-based artistic residency in its tools and the analysis and use of online digital audiovisuals to create new works.

VVV-Residency is an online residency, an exhibition and an event time

The project aims to experiment with moving image and video art through an online artistic residence in which the Academy’s students while creating the work, move in a professional research environment with process collaborative and horizontal.

ON AIR NOW: Visual Conversation // VVVResidency (UK)

From the 6th of March to the 8th of April, 2026

Curated By VVV-Residency

Artists: Bridge Phillips, Jay Orren, Tristan Robinson

VVV-R and the exhibition “ Visual Conversation ” are a Visualcontainer Platform and Vegapunk// Ex-Voto project curated by Alessandra Arnò and Simona Da Pozzo in collaboration with Arts University Bournemouth, as part of Global Networks and SuperOtium.

VISUAL CONVERSATION

The three artists in Visual Conversations use found footage and archival images as a shared curatorial strategy to question how contemporary systems make experience readable: AI that narrates life through statistical “milestones,” instructional media that present control as care, and cinematic modernity that turns subjectivity into a monitored simulation. Across the programme, montage becomes a critical method that reduces the distance between image and regime—between what is shown and what is governed—so that intimacy, landscape, and identity appear as contested terrains.

Video List

Bridge Phillips – Vantage, 4’32”, 2026

Jay Orren – Ungeneratable, 5′ 12″, 2026

Tristan Robinson – Trimming, 9’23”, 2026

V V V – R

VISUALCONTAINER VEGAPUNK VIDEOART RESIDENCY

video art residencies

a project by

Alessandra Arnò, Visualcontainer

Simona Da Pozzo, Vegapunk.

VVV Residency is a project of critical reflection and an audiovisual production time articulated through a residency, an exhibition and an event to introduce the student to the contemporary artistic professional field.

The project is articulated around a web-based artistic residency in its tools and the analysis and use of online digital audiovisuals to create new works.

VVV-Residency is an online residency, an exhibition and an event time

The project aims to experiment with moving image and video art through an online artistic residence in which the Academy’s students while creating the work, move in a professional research environment with process collaborative and horizontal.

ON AIR NOW: Visual Conversation // VVVResidency (UK)

From the 6th of March to the 8th of April, 2026

Curated By VVV-Residency

Artists: Bridge Phillips, Jay Orren, Tristan Robinson

VVV-R and the exhibition “ Visual Conversation ” are a Visualcontainer Platform and Vegapunk// Ex-Voto project curated by Alessandra Arnò and Simona Da Pozzo in collaboration with Arts University Bournemouth, as part of Global Networks and SuperOtium.

VISUAL CONVERSATION

The three artists in Visual Conversations use found footage and archival images as a shared curatorial strategy to question how contemporary systems make experience readable: AI that narrates life through statistical “milestones,” instructional media that present control as care, and cinematic modernity that turns subjectivity into a monitored simulation. Across the programme, montage becomes a critical method that reduces the distance between image and regime—between what is shown and what is governed—so that intimacy, landscape, and identity appear as contested terrains.

Video List

Bridge Phillips – Vantage, 4’32”, 2026

Jay Orren – Ungeneratable, 5′ 12″, 2026

Tristan Robinson – Trimming, 9’23”, 2026

V V V – R

VISUALCONTAINER VEGAPUNK VIDEOART RESIDENCY

video art residencies

a project by

Alessandra Arnò, Visualcontainer

Simona Da Pozzo, Vegapunk.

VVV Residency is a project of critical reflection and an audiovisual production time articulated through a residency, an exhibition and an event to introduce the student to the contemporary artistic professional field.

The project is articulated around a web-based artistic residency in its tools and the analysis and use of online digital audiovisuals to create new works.

VVV-Residency is an online residency, an exhibition and an event time

The project aims to experiment with moving image and video art through an online artistic residence in which the Academy’s students while creating the work, move in a professional research environment with process collaborative and horizontal.

ON AIR NOW: Visual Conversation // VVVResidency (UK)

From the 6th of March to the 8th of April, 2026

Curated By VVV-Residency

Artists: Bridge Phillips, Jay Orren, Tristan Robinson

VVV-R and the exhibition “ Visual Conversation ” are a Visualcontainer Platform and Vegapunk// Ex-Voto project curated by Alessandra Arnò and Simona Da Pozzo in collaboration with Arts University Bournemouth, as part of Global Networks and SuperOtium.

VISUAL CONVERSATION

The three artists in Visual Conversations use found footage and archival images as a shared curatorial strategy to question how contemporary systems make experience readable: AI that narrates life through statistical “milestones,” instructional media that present control as care, and cinematic modernity that turns subjectivity into a monitored simulation. Across the programme, montage becomes a critical method that reduces the distance between image and regime—between what is shown and what is governed—so that intimacy, landscape, and identity appear as contested terrains.

Video List

Bridge Phillips – Vantage, 4’32”, 2026

Jay Orren – Ungeneratable, 5′ 12″, 2026

Tristan Robinson – Trimming, 9’23”, 2026

V V V – R

VISUALCONTAINER VEGAPUNK VIDEOART RESIDENCY

video art residencies

a project by

Alessandra Arnò, Visualcontainer

Simona Da Pozzo, Vegapunk.

VVV Residency is a project of critical reflection and an audiovisual production time articulated through a residency, an exhibition and an event to introduce the student to the contemporary artistic professional field.

The project is articulated around a web-based artistic residency in its tools and the analysis and use of online digital audiovisuals to create new works.

VVV-Residency is an online residency, an exhibition and an event time

The project aims to experiment with moving image and video art through an online artistic residence in which the Academy’s students while creating the work, move in a professional research environment with process collaborative and horizontal.

2nd Fanvid Radical Film Reading Group:
• Reading about “bad art” w. @someradonbelly
• Live screening on @visualcontainertv from @badvideoart festival
• Discussion on artistic badness

Join us if you appreciate/hate (or are) bad art, we will convince you it matters (or doesn’t)
March 1st, Sunday
Doors: 19:00

About the artist:
Joan Somers Donnelly is a Dublin-based artist with a collaborative performance practice. She is primarily concerned with examining existing social structures and creating not-yet-existing ones, using live situations as testing grounds for experiments in different ways of relating. She is an ensemble member of Kirkos and of Outlandish Theatre Platform.

“Memories for 14 busts “ by Marcio Carvalho (21’28” color, stero, Germany 2023) at @pavillonammilchhof in the frame of Hacking Monuments. Tips to make sense of them curated by @radical_public_culture in collaboration with @visualcontainertv and promoted by @peninsula_dotland

@marciocarvalho.artist.curator
@elenabaritagada
#hackingmonuments research
@simona.da.pozzo

“Notes about a polyamorous affair with the Body of Naples” by @simona.da.pozzo from #atlasdeicorpi research.
At the @pavillonammilchhof in the frame of “Hacking Monuments. Tips to make sense of them” curated by @radical_public_culture in collaboration with @visualcontainertv and promoted by @peninsula_dotland

@elenabaritagada
#hackingmonuments
@atlas_dei_corpi

BÁJANJE by Neža Jamnikar | Slovenia | 2024 - don't miss your chance to see the winner of the Audience Award in the program THORNS IN A BOOK of our winter 2025 session, now part of the award winners' stream on VisualcontainerTV, available ONLY until February 15! All the links are in Bio and About sections 🔥🔥👀🎞🔗

LANGUAGE : Slovenian
COUNTRY :Slovenia
YEAR : 2024
DURATION : 14m
DIRECTOR, EDITOR : Neža Jamnikar
DOP : James Risbey
ORIGINAL MUSIC (lyrics: folk song): Brina & String . si - 'Pobelelo polje'
MUSICIAN (folk song): Janja Habe
Financially supported by the Municipality of Velenje, Culture Moves Europe, and donators.
SOUND DESIGN : James Risbey
DANCERS : Gea Erjavec, Simona Kočar, Kaja Marion Ribnikar, Kristina Slapernik, Katarina Bogataj, Neža Jamnikar
PERFORMERS : Janja Habe, Darja Jamnikar, Lidija Lončarič
TEXT AND VOICE : Neža Jamnikar

BÁJANJE is a short experimental film in which author Neža Jamnikar explores elements of Slovenian folklore through movement and a fantastical tale. The focus of the research is on the intertwined interpretations of motifs from Slovenian folk dances, music, old-faith (pagan) rituals, and symbols, which are experimentally woven into the physical and conceptual embodiments of the Krivopete and Vedomci—entities from Slovenian folklore and mythology—and are gradually revealed through the film’s fictional narrative.

On their journey toward “the knowing,” three women traverse hills and forests, twist their bodies, utter incantations, and make offerings. They dance around the maypole until, in their half-dream state, they hear incomprehensible words that guide them to the “other side of the sky.”
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Neža Jamnikar@nezajamnikar@visualcontainertv Visualcontainertv Online Videoart Platform#pebblesunderground #art #cinéma #experimental #visualthinking #movingimage #independentdocumentary #IndependentFilm#experimentaldocumentary #essayfilm #performance #screendance #experimentalfilm #videoart #undergroundartist #videopoetry #awardwinners2025 #visualcontainertv

Limited time to see NO ENTRY TO THE GALLERY by Tigran Abramjan, Andran Abramjan | Czech Republic | 2025! The film has won the Jury Award in the program THORNS IN A BOOK of our winter 2025 series, and is now part of the award winners' program on VisualcontainerTV, streaming only until February 15, all the links are in Bio and About 🔥🔥🔥👀📽👀🔗🔗

COUNTRY :Czech Republic
YEAR : 2025
DURATION : 4m
DIRECTOR : Tigran Abramjan, Andran Abramjan
CAMERA, EDITING, SOUND : Andran Abramjan
MUSIC : Tigran Abramjan, Andran Abramjan

We enter a space where entry is officially prohibited. Over the course of five years, we have observed the spontaneous transformations of this environment – ​​contrasts between absolute emptiness and overwhelm, where one substance spills over into another: concrete, graffiti and manure. The observer brings another dimension to this remarkable gallery, where unique connections emerge, functioning as works of art. Each new visit seems like a different exhibition opening.
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@a._tig @visualcontainertv Visualcontainertv Online Videoart Platform #pebblesunderground #art #cinéma #experimental #visualthinking #movingimage #independentdocumentary #IndependentFilm#experimentaldocumentary #essayfilm #performance #screendance #experimentalfilm #videoart #undergroundartist #videopoetry #awardwinners2025 #visualcontainertv

Only a few days left to see WHY-EEELA by Ian Gibbins | Australia | 2025! The film received the Special Mention in the program EFFICIENCY FIRST of our winter 2025 screenings, and is now part of the award winners' stream on VisualcontainerTV available ONLY until February 15!!! All the links can be found in the Bio and About sections of our page 🔥🔗🎞👀📽

LANGUAGE : English
COUNTRY : Australia
YEAR : 2025
DURATION : 4m
DIRECTOR, CONCEPT, EDITING, SOUND : Ian Gibbins

'im an' 'im an' me a'ways in wide-blue out low-a-drift clou's all windfeath'ry

The Yellow-tailed Black Cockatoo (Calyptorhyncus funereus) has a distinctive, relaxed loping flight and a loud plaintive call: "why-eeela, weee-la". It feeds on the seeds of diverse trees including eucalypts, banksias and hakeas. Much of this habitat has been destroyed or degraded by human activity. However, the cockatoos are often seen around the outer suburbs of Adelaide, South Australia, feeding on seeds in the cones of introduced Monterey Pines (Pinus radiata) planted along roadsides and in parks and gardens.

As a yellow-tailed black cockatoo searches for food and missing companions in urban deserts, we hear fragments of its calls...
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Ian Gibbins@iangibbins52@visualcontainertv Visualcontainertv Online Videoart Platform #pebblesunderground #art #cinéma #experimental #visualthinking #movingimage #independentdocumentary #IndependentFilm#experimentaldocumentary #essayfilm #performance #screendance #experimentalfilm #videoart #undergroundartist #videopoetry #awardwinners2025 #visualcontainertv

Time is running out! The film LOS by Martin Del Carpio | USA | 2020 the winner of Jury and Audience Awards in the program EFFICIENCY FIRST in our winter 2025 session is now part of the winners' stream on VisualcontainerTV available only until February 15, all the links are in Bio and About sections 🔗🔥🎞👀

LANGUAGE : English
COUNTRY : USA
YEAR : 2020
DURATION : 06m
DIRECTOR / WRITER : Martin Del Carpio
ANIMATION AND COLLAGE ART : Nikola Gocic
PRODUCER : Martin Del Carpio
COMPOSER : Sharif Sehnaoui

In another time, in a different world, mankind has made progress . . .Ruled by the very AI they developed and employed to set them free, humans have become slaves to their machine. We have lost friendship, love, and sex, and we are the machine labor and means of production. In a tomorrow-land without touch or value, a future very much of our making, upon which human life is transaction and output, we have lost humanity. The AI, the machine, has put us to work, and we humans do not work without it. We labor and toil for calculations and machinations logical and unfeeling, having forgotten one another and ourselves.

Yet there are the Los: the most human of us, ostracized, exiled, and refuted by the rest for knowing nature and refusing to resist intimacy and the intangible connections of life. It is the Los who would free mankind to return to their humanity and to become again the collective “we” of individuality, of love, of freedom from artificial design. The Los will go to war for the humans who were not and for the humans they are, but . . . will they save us?
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Martin Del Carpio@martin_del_carpio@visualcontainertvVisualcontainertv Online Videoart Platform #pebblesunderground #art #cinéma #experimental #visualthinking #movingimage #independentdocumentary #IndependentFilm#experimentaldocumentary #essayfilm #performance #screendance #experimentalfilm #videoart #undergroundartist #videopoetry #awardwinners2025 #visualcontainertv

ʜᴀᴄᴋɪɴɢ ᴍᴏɴᴜᴍᴇɴᴛꜱ. ᴛɪᴘꜱ ᴛᴏ ᴍᴀᴋᴇ ꜱᴇɴꜱᴇ ᴏꜰ ᴛʜᴇᴍ
𝘀𝗰𝗿𝗲𝗲𝗻𝗶𝗻𝗴 𝗮𝘁 𝗣𝗮𝘃𝗶𝗹𝗹𝗼𝗻 𝗮𝗺 𝗠𝗶𝗹𝗰𝗵𝗵𝗼𝗳𝗳, 𝗕𝗲𝗿𝗹𝗶𝗻 - 𝗙𝗲𝗯𝗿𝘂𝗮𝗿𝘆 𝟭𝟰𝘁𝗵 𝗳𝗿𝗼𝗺 𝟱 𝘁𝗼 𝟵 𝗽𝗺
Curated by @radical_public_culturein collaboration with @visualcontainertv and the support of @peninsula_dotland

>>>>> 𝗮𝗿𝘁𝗶𝘀𝘁𝘀:ꜱᴏᴘʜɪᴇ ᴇʀɴꜱᴛ, ꜱᴀʀᴀʜ ᴠᴀɴᴀɢᴛ, ᴅᴀɴɪᴇʟᴀ ᴏʀᴛɪᴢ, ᴍᴀʀᴄɪᴏ ᴄᴀʀᴠᴀʟʜᴏ, ꜱɪᴍᴏɴᴀ ᴅᴀ ᴘᴏᴢᴢᴏ

𝗜𝗺𝗮𝗴𝗲𝘀: 𝗦𝘁𝗶𝗹𝗹𝘀 𝗳𝗿𝗼𝗺 “𝗢𝗳𝗿𝗲𝗻𝗱𝗮” 𝗯𝘆 𝗗𝗮𝗻𝗶𝗲𝗹𝗮 𝗢𝗿𝘁𝗶𝘇 𝟮𝟬𝟭𝟮

Through her work 𝗗𝗮𝗻𝗶𝗲𝗹𝗮 𝗢𝗿𝘁𝗶𝘇 (1986) aims to generate visual narratives in which the concepts of nationality, racialization, social class and genre are explored in order to critically understand structures of colonial, patriarchal and capitalist power. Her recent projects and research revolve around the European migratory control system, its links to colonialism and the legal structure created by institutions in order to inflict violence towards racialized communities. 
Also have produced projects about the Peruvian upper class and its exploitative relationship with domestic workers. Recently her artistic practice has turned back into visual and manual work, developing art pieces in ceramic, collage and in formats such as children books in order to take distance from eurocentric conceptual art aesthetics. 
Besides her artistic practice she is a single mother of a four years old child, gives talks, workshops, and participates in various discussions and struggles against the European migratory control system and institutional racism. 

@danillaortiz
@elenabaritagada
@simona.da.pozzo
@pavillonammilchhof
@visualcontainertv
@peninsula_dotland
#hackingmonuments
@radical_public_culture

ʜᴀᴄᴋɪɴɢ ᴍᴏɴᴜᴍᴇɴᴛꜱ. ᴛɪᴘꜱ ᴛᴏ ᴍᴀᴋᴇ ꜱᴇɴꜱᴇ ᴏꜰ ᴛʜᴇᴍ
𝘀𝗰𝗿𝗲𝗲𝗻𝗶𝗻𝗴 𝗮𝘁 𝗣𝗮𝘃𝗶𝗹𝗹𝗼𝗻 𝗮𝗺 𝗠𝗶𝗹𝗰𝗵𝗵𝗼𝗳𝗳, 𝗕𝗲𝗿𝗹𝗶𝗻 - 𝗙𝗲𝗯𝗿𝘂𝗮𝗿𝘆 𝟭𝟰𝘁𝗵 𝗳𝗿𝗼𝗺 𝟱 𝘁𝗼 𝟵 𝗽𝗺
Curated by @radical_public_culturein collaboration with @visualcontainertv and the support of @peninsula_dotland

>>>>> 𝗮𝗿𝘁𝗶𝘀𝘁𝘀:ꜱᴏᴘʜɪᴇ ᴇʀɴꜱᴛ, ꜱᴀʀᴀʜ ᴠᴀɴᴀɢᴛ, ᴅᴀɴɪᴇʟᴀ ᴏʀᴛɪᴢ, ᴍᴀʀᴄɪᴏ ᴄᴀʀᴠᴀʟʜᴏ, ꜱɪᴍᴏɴᴀ ᴅᴀ ᴘᴏᴢᴢᴏ

𝗜𝗺𝗮𝗴𝗲𝘀: 𝗦𝘁𝗶𝗹𝗹𝘀 𝗳𝗿𝗼𝗺 “𝗢𝗳𝗿𝗲𝗻𝗱𝗮” 𝗯𝘆 𝗗𝗮𝗻𝗶𝗲𝗹𝗮 𝗢𝗿𝘁𝗶𝘇 𝟮𝟬𝟭𝟮

Through her work 𝗗𝗮𝗻𝗶𝗲𝗹𝗮 𝗢𝗿𝘁𝗶𝘇 (1986) aims to generate visual narratives in which the concepts of nationality, racialization, social class and genre are explored in order to critically understand structures of colonial, patriarchal and capitalist power. Her recent projects and research revolve around the European migratory control system, its links to colonialism and the legal structure created by institutions in order to inflict violence towards racialized communities. 
Also have produced projects about the Peruvian upper class and its exploitative relationship with domestic workers. Recently her artistic practice has turned back into visual and manual work, developing art pieces in ceramic, collage and in formats such as children books in order to take distance from eurocentric conceptual art aesthetics. 
Besides her artistic practice she is a single mother of a four years old child, gives talks, workshops, and participates in various discussions and struggles against the European migratory control system and institutional racism. 

@danillaortiz
@elenabaritagada
@simona.da.pozzo
@pavillonammilchhof
@visualcontainertv
@peninsula_dotland
#hackingmonuments
@radical_public_culture

ʜᴀᴄᴋɪɴɢ ᴍᴏɴᴜᴍᴇɴᴛꜱ. ᴛɪᴘꜱ ᴛᴏ ᴍᴀᴋᴇ ꜱᴇɴꜱᴇ ᴏꜰ ᴛʜᴇᴍ
𝘀𝗰𝗿𝗲𝗲𝗻𝗶𝗻𝗴 𝗮𝘁 𝗣𝗮𝘃𝗶𝗹𝗹𝗼𝗻 𝗮𝗺 𝗠𝗶𝗹𝗰𝗵𝗵𝗼𝗳𝗳, 𝗕𝗲𝗿𝗹𝗶𝗻 - 𝗙𝗲𝗯𝗿𝘂𝗮𝗿𝘆 𝟭𝟰𝘁𝗵 𝗳𝗿𝗼𝗺 𝟱 𝘁𝗼 𝟵 𝗽𝗺
Curated by @radical_public_culturein collaboration with @visualcontainertv and the support of @peninsula_dotland

>>>>> 𝗮𝗿𝘁𝗶𝘀𝘁𝘀:ꜱᴏᴘʜɪᴇ ᴇʀɴꜱᴛ, ꜱᴀʀᴀʜ ᴠᴀɴᴀɢᴛ, ᴅᴀɴɪᴇʟᴀ ᴏʀᴛɪᴢ, ᴍᴀʀᴄɪᴏ ᴄᴀʀᴠᴀʟʜᴏ, ꜱɪᴍᴏɴᴀ ᴅᴀ ᴘᴏᴢᴢᴏ

𝗜𝗺𝗮𝗴𝗲𝘀: 𝗦𝘁𝗶𝗹𝗹𝘀 𝗳𝗿𝗼𝗺 “𝗢𝗳𝗿𝗲𝗻𝗱𝗮” 𝗯𝘆 𝗗𝗮𝗻𝗶𝗲𝗹𝗮 𝗢𝗿𝘁𝗶𝘇 𝟮𝟬𝟭𝟮

Through her work 𝗗𝗮𝗻𝗶𝗲𝗹𝗮 𝗢𝗿𝘁𝗶𝘇 (1986) aims to generate visual narratives in which the concepts of nationality, racialization, social class and genre are explored in order to critically understand structures of colonial, patriarchal and capitalist power. Her recent projects and research revolve around the European migratory control system, its links to colonialism and the legal structure created by institutions in order to inflict violence towards racialized communities. 
Also have produced projects about the Peruvian upper class and its exploitative relationship with domestic workers. Recently her artistic practice has turned back into visual and manual work, developing art pieces in ceramic, collage and in formats such as children books in order to take distance from eurocentric conceptual art aesthetics. 
Besides her artistic practice she is a single mother of a four years old child, gives talks, workshops, and participates in various discussions and struggles against the European migratory control system and institutional racism. 

@danillaortiz
@elenabaritagada
@simona.da.pozzo
@pavillonammilchhof
@visualcontainertv
@peninsula_dotland
#hackingmonuments
@radical_public_culture

ʜᴀᴄᴋɪɴɢ ᴍᴏɴᴜᴍᴇɴᴛꜱ. ᴛɪᴘꜱ ᴛᴏ ᴍᴀᴋᴇ ꜱᴇɴꜱᴇ ᴏꜰ ᴛʜᴇᴍ
𝘀𝗰𝗿𝗲𝗲𝗻𝗶𝗻𝗴 𝗮𝘁 𝗣𝗮𝘃𝗶𝗹𝗹𝗼𝗻 𝗮𝗺 𝗠𝗶𝗹𝗰𝗵𝗵𝗼𝗳𝗳, 𝗕𝗲𝗿𝗹𝗶𝗻 - 𝗙𝗲𝗯𝗿𝘂𝗮𝗿𝘆 𝟭𝟰𝘁𝗵 𝗳𝗿𝗼𝗺 𝟱 𝘁𝗼 𝟵 𝗽𝗺
Curated by @radical_public_culturein collaboration with @visualcontainertv and the support of @peninsula_dotland

>>>>> 𝗮𝗿𝘁𝗶𝘀𝘁𝘀:ꜱᴏᴘʜɪᴇ ᴇʀɴꜱᴛ, ꜱᴀʀᴀʜ ᴠᴀɴᴀɢᴛ, ᴅᴀɴɪᴇʟᴀ ᴏʀᴛɪᴢ, ᴍᴀʀᴄɪᴏ ᴄᴀʀᴠᴀʟʜᴏ, ꜱɪᴍᴏɴᴀ ᴅᴀ ᴘᴏᴢᴢᴏ

𝗜𝗺𝗮𝗴𝗲𝘀: 𝗦𝘁𝗶𝗹𝗹𝘀 𝗳𝗿𝗼𝗺 “𝗢𝗳𝗿𝗲𝗻𝗱𝗮” 𝗯𝘆 𝗗𝗮𝗻𝗶𝗲𝗹𝗮 𝗢𝗿𝘁𝗶𝘇 𝟮𝟬𝟭𝟮

Through her work 𝗗𝗮𝗻𝗶𝗲𝗹𝗮 𝗢𝗿𝘁𝗶𝘇 (1986) aims to generate visual narratives in which the concepts of nationality, racialization, social class and genre are explored in order to critically understand structures of colonial, patriarchal and capitalist power. Her recent projects and research revolve around the European migratory control system, its links to colonialism and the legal structure created by institutions in order to inflict violence towards racialized communities. 
Also have produced projects about the Peruvian upper class and its exploitative relationship with domestic workers. Recently her artistic practice has turned back into visual and manual work, developing art pieces in ceramic, collage and in formats such as children books in order to take distance from eurocentric conceptual art aesthetics. 
Besides her artistic practice she is a single mother of a four years old child, gives talks, workshops, and participates in various discussions and struggles against the European migratory control system and institutional racism. 

@danillaortiz
@elenabaritagada
@simona.da.pozzo
@pavillonammilchhof
@visualcontainertv
@peninsula_dotland
#hackingmonuments
@radical_public_culture

Only a few days left to see NORMAL LITIO by Massimiliano Marianni | Italy | 2025
The film has won the Audience Award in the program LONELINESS IN AN ENVELOPE in our winter 2025 screenings, and is now part of the award winners' stream on VisualcontainerTV, available only until February 15!!! All the links are in Bio and About sections 📽🎞🔥👀

COUNTRY :Italy
YEAR : 2025
DURATION : 11
DIRECTOR, WRITER, SOUND, ANIMATION : Massimiliano Marianni

I don’t know if “Normal Litio” is the most personal work I’ve ever made so far but it’s definitely the least intuitive from a first viewing.

Each of my works is a step towards a self-analysis that doesn’t always reveal itself immediately; each work is a very personal visual/sound staging that sometimes (I hope) touches universal territories.

The theme of this work specifically is the inner crisis; starting from my experience of a moment of creative/emotional stasis in which I found myself paralyzed both from a human and artistic point of view.
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@massimiliano_marianni@visualcontainertv Visualcontainertv Online Videoart Platform #pebblesunderground #art #cinéma #experimental #visualthinking #movingimage #independentdocumentary #IndependentFilm#experimentaldocumentary #essayfilm #performance #screendance #experimentalfilm #videoart #undergroundartist #videopoetry #awardwinners2025 #visualcontainertv

ʜᴀᴄᴋɪɴɢ ᴍᴏɴᴜᴍᴇɴᴛꜱ. ᴛɪᴘꜱ ᴛᴏ ᴍᴀᴋᴇ ꜱᴇɴꜱᴇ ᴏꜰ ᴛʜᴇᴍ
𝘀𝗰𝗿𝗲𝗲𝗻𝗶𝗻𝗴 𝗮𝘁 𝗣𝗮𝘃𝗶𝗹𝗹𝗼𝗻 𝗮𝗺 𝗠𝗶𝗹𝗰𝗵𝗵𝗼𝗳𝗳, 𝗕𝗲𝗿𝗹𝗶𝗻 - 𝗙𝗲𝗯𝗿𝘂𝗮𝗿𝘆 𝟭𝟰𝘁𝗵 𝗳𝗿𝗼𝗺 𝟱 𝘁𝗼 𝟵 𝗽𝗺
Curated by @radical_public_culturein collaboration with @visualcontainertv and the support of @peninsula_dotland

>>>>> 𝗮𝗿𝘁𝗶𝘀𝘁𝘀:ꜱᴏᴘʜɪᴇ ᴇʀɴꜱᴛ, ꜱᴀʀᴀʜ ᴠᴀɴᴀɢᴛ, ᴅᴀɴɪᴇʟᴀ ᴏʀᴛɪᴢ, ᴍᴀʀᴄɪᴏ ᴄᴀʀᴠᴀʟʜᴏ, ꜱɪᴍᴏɴᴀ ᴅᴀ ᴘᴏᴢᴢᴏ

𝗜𝗺𝗮𝗴𝗲𝘀: 𝗦𝘁𝗶𝗹𝗹𝘀 𝗳𝗿𝗼𝗺 « 𝗠𝗲𝗺𝗼𝗿𝗶𝗲𝘀 𝗳𝗼𝗿 𝟭𝟰 𝗯𝘂𝘀𝘁𝘀 », 𝗠𝗮𝗿𝗰𝗶𝗼 𝗖𝗮𝗿𝘃𝗮𝗹𝗵𝗼, 𝟮𝟭’𝟮𝟴” 𝗰𝗼𝗹𝗼𝗿, 𝘀𝘁𝗲𝗿𝗼, 𝗚𝗲𝗿𝗺𝗮𝗻𝘆 𝟮𝟬𝟮𝟯

Descended from Angolans and Portuguese, 𝗠𝗮𝗿𝗰𝗶𝗼 𝗖𝗮𝗿𝘃𝗮𝗹𝗵𝗼 shares ancestors from two distinct geographies, with different epistemological systems and articulations, from where he departs to complicate the notions of autobiographical and collective memory. His artistic work examines public life and archives, autobiographical and collective memory, focusing on the acts of recording and remembering and their biological, cultural, and social influences. Whether through drawing, film, installation, or performance, Marcio Carvalho’s art attempts to create modes of public participation, where the historical and memorial realities of the city are challenged and co-created by groups of citizens and their memories. His artistic projects attempt to separate memory and the act of recording from the traditional idea of the archive – a fixed repository of information – to give memorial activity the status of a social, discursive, and cultural practice, thus ensuring that memory and remembering continuous to be a creative, ephemeral, continuous, and unfinished process.

@marciocarvalho.artist.curator
@elenabaritagada
@simona.da.pozzo
@pavillonammilchhof
@visualcontainer_platform

ʜᴀᴄᴋɪɴɢ ᴍᴏɴᴜᴍᴇɴᴛꜱ. ᴛɪᴘꜱ ᴛᴏ ᴍᴀᴋᴇ ꜱᴇɴꜱᴇ ᴏꜰ ᴛʜᴇᴍ
𝘀𝗰𝗿𝗲𝗲𝗻𝗶𝗻𝗴 𝗮𝘁 𝗣𝗮𝘃𝗶𝗹𝗹𝗼𝗻 𝗮𝗺 𝗠𝗶𝗹𝗰𝗵𝗵𝗼𝗳𝗳, 𝗕𝗲𝗿𝗹𝗶𝗻 - 𝗙𝗲𝗯𝗿𝘂𝗮𝗿𝘆 𝟭𝟰𝘁𝗵 𝗳𝗿𝗼𝗺 𝟱 𝘁𝗼 𝟵 𝗽𝗺
Curated by @radical_public_culturein collaboration with @visualcontainertv and the support of @peninsula_dotland

>>>>> 𝗮𝗿𝘁𝗶𝘀𝘁𝘀:ꜱᴏᴘʜɪᴇ ᴇʀɴꜱᴛ, ꜱᴀʀᴀʜ ᴠᴀɴᴀɢᴛ, ᴅᴀɴɪᴇʟᴀ ᴏʀᴛɪᴢ, ᴍᴀʀᴄɪᴏ ᴄᴀʀᴠᴀʟʜᴏ, ꜱɪᴍᴏɴᴀ ᴅᴀ ᴘᴏᴢᴢᴏ

𝗜𝗺𝗮𝗴𝗲𝘀: 𝗦𝘁𝗶𝗹𝗹𝘀 𝗳𝗿𝗼𝗺 « 𝗠𝗲𝗺𝗼𝗿𝗶𝗲𝘀 𝗳𝗼𝗿 𝟭𝟰 𝗯𝘂𝘀𝘁𝘀 », 𝗠𝗮𝗿𝗰𝗶𝗼 𝗖𝗮𝗿𝘃𝗮𝗹𝗵𝗼, 𝟮𝟭’𝟮𝟴” 𝗰𝗼𝗹𝗼𝗿, 𝘀𝘁𝗲𝗿𝗼, 𝗚𝗲𝗿𝗺𝗮𝗻𝘆 𝟮𝟬𝟮𝟯

Descended from Angolans and Portuguese, 𝗠𝗮𝗿𝗰𝗶𝗼 𝗖𝗮𝗿𝘃𝗮𝗹𝗵𝗼 shares ancestors from two distinct geographies, with different epistemological systems and articulations, from where he departs to complicate the notions of autobiographical and collective memory. His artistic work examines public life and archives, autobiographical and collective memory, focusing on the acts of recording and remembering and their biological, cultural, and social influences. Whether through drawing, film, installation, or performance, Marcio Carvalho’s art attempts to create modes of public participation, where the historical and memorial realities of the city are challenged and co-created by groups of citizens and their memories. His artistic projects attempt to separate memory and the act of recording from the traditional idea of the archive – a fixed repository of information – to give memorial activity the status of a social, discursive, and cultural practice, thus ensuring that memory and remembering continuous to be a creative, ephemeral, continuous, and unfinished process.

@marciocarvalho.artist.curator
@elenabaritagada
@simona.da.pozzo
@pavillonammilchhof
@visualcontainer_platform

ʜᴀᴄᴋɪɴɢ ᴍᴏɴᴜᴍᴇɴᴛꜱ. ᴛɪᴘꜱ ᴛᴏ ᴍᴀᴋᴇ ꜱᴇɴꜱᴇ ᴏꜰ ᴛʜᴇᴍ
𝘀𝗰𝗿𝗲𝗲𝗻𝗶𝗻𝗴 𝗮𝘁 𝗣𝗮𝘃𝗶𝗹𝗹𝗼𝗻 𝗮𝗺 𝗠𝗶𝗹𝗰𝗵𝗵𝗼𝗳𝗳, 𝗕𝗲𝗿𝗹𝗶𝗻 - 𝗙𝗲𝗯𝗿𝘂𝗮𝗿𝘆 𝟭𝟰𝘁𝗵 𝗳𝗿𝗼𝗺 𝟱 𝘁𝗼 𝟵 𝗽𝗺
Curated by @radical_public_culturein collaboration with @visualcontainertv and the support of @peninsula_dotland

>>>>> 𝗮𝗿𝘁𝗶𝘀𝘁𝘀:ꜱᴏᴘʜɪᴇ ᴇʀɴꜱᴛ, ꜱᴀʀᴀʜ ᴠᴀɴᴀɢᴛ, ᴅᴀɴɪᴇʟᴀ ᴏʀᴛɪᴢ, ᴍᴀʀᴄɪᴏ ᴄᴀʀᴠᴀʟʜᴏ, ꜱɪᴍᴏɴᴀ ᴅᴀ ᴘᴏᴢᴢᴏ

𝗜𝗺𝗮𝗴𝗲𝘀: 𝗦𝘁𝗶𝗹𝗹𝘀 𝗳𝗿𝗼𝗺 « 𝗠𝗲𝗺𝗼𝗿𝗶𝗲𝘀 𝗳𝗼𝗿 𝟭𝟰 𝗯𝘂𝘀𝘁𝘀 », 𝗠𝗮𝗿𝗰𝗶𝗼 𝗖𝗮𝗿𝘃𝗮𝗹𝗵𝗼, 𝟮𝟭’𝟮𝟴” 𝗰𝗼𝗹𝗼𝗿, 𝘀𝘁𝗲𝗿𝗼, 𝗚𝗲𝗿𝗺𝗮𝗻𝘆 𝟮𝟬𝟮𝟯

Descended from Angolans and Portuguese, 𝗠𝗮𝗿𝗰𝗶𝗼 𝗖𝗮𝗿𝘃𝗮𝗹𝗵𝗼 shares ancestors from two distinct geographies, with different epistemological systems and articulations, from where he departs to complicate the notions of autobiographical and collective memory. His artistic work examines public life and archives, autobiographical and collective memory, focusing on the acts of recording and remembering and their biological, cultural, and social influences. Whether through drawing, film, installation, or performance, Marcio Carvalho’s art attempts to create modes of public participation, where the historical and memorial realities of the city are challenged and co-created by groups of citizens and their memories. His artistic projects attempt to separate memory and the act of recording from the traditional idea of the archive – a fixed repository of information – to give memorial activity the status of a social, discursive, and cultural practice, thus ensuring that memory and remembering continuous to be a creative, ephemeral, continuous, and unfinished process.

@marciocarvalho.artist.curator
@elenabaritagada
@simona.da.pozzo
@pavillonammilchhof
@visualcontainer_platform

ʜᴀᴄᴋɪɴɢ ᴍᴏɴᴜᴍᴇɴᴛꜱ. ᴛɪᴘꜱ ᴛᴏ ᴍᴀᴋᴇ ꜱᴇɴꜱᴇ ᴏꜰ ᴛʜᴇᴍ
𝘀𝗰𝗿𝗲𝗲𝗻𝗶𝗻𝗴 𝗮𝘁 𝗣𝗮𝘃𝗶𝗹𝗹𝗼𝗻 𝗮𝗺 𝗠𝗶𝗹𝗰𝗵𝗵𝗼𝗳𝗳, 𝗕𝗲𝗿𝗹𝗶𝗻 - 𝗙𝗲𝗯𝗿𝘂𝗮𝗿𝘆 𝟭𝟰𝘁𝗵 𝗳𝗿𝗼𝗺 𝟱 𝘁𝗼 𝟵 𝗽𝗺
Curated by @radical_public_culturein collaboration with @visualcontainertv and the support of @peninsula_dotland

>>>>> 𝗮𝗿𝘁𝗶𝘀𝘁𝘀:ꜱᴏᴘʜɪᴇ ᴇʀɴꜱᴛ, ꜱᴀʀᴀʜ ᴠᴀɴᴀɢᴛ, ᴅᴀɴɪᴇʟᴀ ᴏʀᴛɪᴢ, ᴍᴀʀᴄɪᴏ ᴄᴀʀᴠᴀʟʜᴏ, ꜱɪᴍᴏɴᴀ ᴅᴀ ᴘᴏᴢᴢᴏ

𝗜𝗺𝗮𝗴𝗲𝘀: 𝗦𝘁𝗶𝗹𝗹𝘀 𝗳𝗿𝗼𝗺 « 𝗠𝗲𝗺𝗼𝗿𝗶𝗲𝘀 𝗳𝗼𝗿 𝟭𝟰 𝗯𝘂𝘀𝘁𝘀 », 𝗠𝗮𝗿𝗰𝗶𝗼 𝗖𝗮𝗿𝘃𝗮𝗹𝗵𝗼, 𝟮𝟭’𝟮𝟴” 𝗰𝗼𝗹𝗼𝗿, 𝘀𝘁𝗲𝗿𝗼, 𝗚𝗲𝗿𝗺𝗮𝗻𝘆 𝟮𝟬𝟮𝟯

Descended from Angolans and Portuguese, 𝗠𝗮𝗿𝗰𝗶𝗼 𝗖𝗮𝗿𝘃𝗮𝗹𝗵𝗼 shares ancestors from two distinct geographies, with different epistemological systems and articulations, from where he departs to complicate the notions of autobiographical and collective memory. His artistic work examines public life and archives, autobiographical and collective memory, focusing on the acts of recording and remembering and their biological, cultural, and social influences. Whether through drawing, film, installation, or performance, Marcio Carvalho’s art attempts to create modes of public participation, where the historical and memorial realities of the city are challenged and co-created by groups of citizens and their memories. His artistic projects attempt to separate memory and the act of recording from the traditional idea of the archive – a fixed repository of information – to give memorial activity the status of a social, discursive, and cultural practice, thus ensuring that memory and remembering continuous to be a creative, ephemeral, continuous, and unfinished process.

@marciocarvalho.artist.curator
@elenabaritagada
@simona.da.pozzo
@pavillonammilchhof
@visualcontainer_platform