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some bts of the experimental and performative sound series Speaking Otherwise I-IV that saw its first light last year in may 2025 <3
as part of @affair______________ through 4 iterations we have been collectively working on curation, design + direction, organisation, production ++ sound check, cable hunting, pizza eating etc
what a year of a learning curve : )
with artists
Circular Ruins & Maryland, Dylan Kerr & Ugnė Uma, Angelina Nonaj & Adrienne Herr, Seán Being & Matto Zoppi
thank u all and grateful for everyone involved who helped us realise it
more to come
all the luv
💌
clara, julia, ren & love
some bts of the experimental and performative sound series Speaking Otherwise I-IV that saw its first light last year in may 2025 <3
as part of @affair______________ through 4 iterations we have been collectively working on curation, design + direction, organisation, production ++ sound check, cable hunting, pizza eating etc
what a year of a learning curve : )
with artists
Circular Ruins & Maryland, Dylan Kerr & Ugnė Uma, Angelina Nonaj & Adrienne Herr, Seán Being & Matto Zoppi
thank u all and grateful for everyone involved who helped us realise it
more to come
all the luv
💌
clara, julia, ren & love
some bts of the experimental and performative sound series Speaking Otherwise I-IV that saw its first light last year in may 2025 <3
as part of @affair______________ through 4 iterations we have been collectively working on curation, design + direction, organisation, production ++ sound check, cable hunting, pizza eating etc
what a year of a learning curve : )
with artists
Circular Ruins & Maryland, Dylan Kerr & Ugnė Uma, Angelina Nonaj & Adrienne Herr, Seán Being & Matto Zoppi
thank u all and grateful for everyone involved who helped us realise it
more to come
all the luv
💌
clara, julia, ren & love
some bts of the experimental and performative sound series Speaking Otherwise I-IV that saw its first light last year in may 2025 <3
as part of @affair______________ through 4 iterations we have been collectively working on curation, design + direction, organisation, production ++ sound check, cable hunting, pizza eating etc
what a year of a learning curve : )
with artists
Circular Ruins & Maryland, Dylan Kerr & Ugnė Uma, Angelina Nonaj & Adrienne Herr, Seán Being & Matto Zoppi
thank u all and grateful for everyone involved who helped us realise it
more to come
all the luv
💌
clara, julia, ren & love
some bts of the experimental and performative sound series Speaking Otherwise I-IV that saw its first light last year in may 2025 <3
as part of @affair______________ through 4 iterations we have been collectively working on curation, design + direction, organisation, production ++ sound check, cable hunting, pizza eating etc
what a year of a learning curve : )
with artists
Circular Ruins & Maryland, Dylan Kerr & Ugnė Uma, Angelina Nonaj & Adrienne Herr, Seán Being & Matto Zoppi
thank u all and grateful for everyone involved who helped us realise it
more to come
all the luv
💌
clara, julia, ren & love
some bts of the experimental and performative sound series Speaking Otherwise I-IV that saw its first light last year in may 2025 <3
as part of @affair______________ through 4 iterations we have been collectively working on curation, design + direction, organisation, production ++ sound check, cable hunting, pizza eating etc
what a year of a learning curve : )
with artists
Circular Ruins & Maryland, Dylan Kerr & Ugnė Uma, Angelina Nonaj & Adrienne Herr, Seán Being & Matto Zoppi
thank u all and grateful for everyone involved who helped us realise it
more to come
all the luv
💌
clara, julia, ren & love
some bts of the experimental and performative sound series Speaking Otherwise I-IV that saw its first light last year in may 2025 <3
as part of @affair______________ through 4 iterations we have been collectively working on curation, design + direction, organisation, production ++ sound check, cable hunting, pizza eating etc
what a year of a learning curve : )
with artists
Circular Ruins & Maryland, Dylan Kerr & Ugnė Uma, Angelina Nonaj & Adrienne Herr, Seán Being & Matto Zoppi
thank u all and grateful for everyone involved who helped us realise it
more to come
all the luv
💌
clara, julia, ren & love
some bts of the experimental and performative sound series Speaking Otherwise I-IV that saw its first light last year in may 2025 <3
as part of @affair______________ through 4 iterations we have been collectively working on curation, design + direction, organisation, production ++ sound check, cable hunting, pizza eating etc
what a year of a learning curve : )
with artists
Circular Ruins & Maryland, Dylan Kerr & Ugnė Uma, Angelina Nonaj & Adrienne Herr, Seán Being & Matto Zoppi
thank u all and grateful for everyone involved who helped us realise it
more to come
all the luv
💌
clara, julia, ren & love
some bts of the experimental and performative sound series Speaking Otherwise I-IV that saw its first light last year in may 2025 <3
as part of @affair______________ through 4 iterations we have been collectively working on curation, design + direction, organisation, production ++ sound check, cable hunting, pizza eating etc
what a year of a learning curve : )
with artists
Circular Ruins & Maryland, Dylan Kerr & Ugnė Uma, Angelina Nonaj & Adrienne Herr, Seán Being & Matto Zoppi
thank u all and grateful for everyone involved who helped us realise it
more to come
all the luv
💌
clara, julia, ren & love
some bts of the experimental and performative sound series Speaking Otherwise I-IV that saw its first light last year in may 2025 <3
as part of @affair______________ through 4 iterations we have been collectively working on curation, design + direction, organisation, production ++ sound check, cable hunting, pizza eating etc
what a year of a learning curve : )
with artists
Circular Ruins & Maryland, Dylan Kerr & Ugnė Uma, Angelina Nonaj & Adrienne Herr, Seán Being & Matto Zoppi
thank u all and grateful for everyone involved who helped us realise it
more to come
all the luv
💌
clara, julia, ren & love
some bts of the experimental and performative sound series Speaking Otherwise I-IV that saw its first light last year in may 2025 <3
as part of @affair______________ through 4 iterations we have been collectively working on curation, design + direction, organisation, production ++ sound check, cable hunting, pizza eating etc
what a year of a learning curve : )
with artists
Circular Ruins & Maryland, Dylan Kerr & Ugnė Uma, Angelina Nonaj & Adrienne Herr, Seán Being & Matto Zoppi
thank u all and grateful for everyone involved who helped us realise it
more to come
all the luv
💌
clara, julia, ren & love
some bts of the experimental and performative sound series Speaking Otherwise I-IV that saw its first light last year in may 2025 <3
as part of @affair______________ through 4 iterations we have been collectively working on curation, design + direction, organisation, production ++ sound check, cable hunting, pizza eating etc
what a year of a learning curve : )
with artists
Circular Ruins & Maryland, Dylan Kerr & Ugnė Uma, Angelina Nonaj & Adrienne Herr, Seán Being & Matto Zoppi
thank u all and grateful for everyone involved who helped us realise it
more to come
all the luv
💌
clara, julia, ren & love
some bts of the experimental and performative sound series Speaking Otherwise I-IV that saw its first light last year in may 2025 <3
as part of @affair______________ through 4 iterations we have been collectively working on curation, design + direction, organisation, production ++ sound check, cable hunting, pizza eating etc
what a year of a learning curve : )
with artists
Circular Ruins & Maryland, Dylan Kerr & Ugnė Uma, Angelina Nonaj & Adrienne Herr, Seán Being & Matto Zoppi
thank u all and grateful for everyone involved who helped us realise it
more to come
all the luv
💌
clara, julia, ren & love
some bts of the experimental and performative sound series Speaking Otherwise I-IV that saw its first light last year in may 2025 <3
as part of @affair______________ through 4 iterations we have been collectively working on curation, design + direction, organisation, production ++ sound check, cable hunting, pizza eating etc
what a year of a learning curve : )
with artists
Circular Ruins & Maryland, Dylan Kerr & Ugnė Uma, Angelina Nonaj & Adrienne Herr, Seán Being & Matto Zoppi
thank u all and grateful for everyone involved who helped us realise it
more to come
all the luv
💌
clara, julia, ren & love
some bts of the experimental and performative sound series Speaking Otherwise I-IV that saw its first light last year in may 2025 <3
as part of @affair______________ through 4 iterations we have been collectively working on curation, design + direction, organisation, production ++ sound check, cable hunting, pizza eating etc
what a year of a learning curve : )
with artists
Circular Ruins & Maryland, Dylan Kerr & Ugnė Uma, Angelina Nonaj & Adrienne Herr, Seán Being & Matto Zoppi
thank u all and grateful for everyone involved who helped us realise it
more to come
all the luv
💌
clara, julia, ren & love
some bts of the experimental and performative sound series Speaking Otherwise I-IV that saw its first light last year in may 2025 <3
as part of @affair______________ through 4 iterations we have been collectively working on curation, design + direction, organisation, production ++ sound check, cable hunting, pizza eating etc
what a year of a learning curve : )
with artists
Circular Ruins & Maryland, Dylan Kerr & Ugnė Uma, Angelina Nonaj & Adrienne Herr, Seán Being & Matto Zoppi
thank u all and grateful for everyone involved who helped us realise it
more to come
all the luv
💌
clara, julia, ren & love
some bts of the experimental and performative sound series Speaking Otherwise I-IV that saw its first light last year in may 2025 <3
as part of @affair______________ through 4 iterations we have been collectively working on curation, design + direction, organisation, production ++ sound check, cable hunting, pizza eating etc
what a year of a learning curve : )
with artists
Circular Ruins & Maryland, Dylan Kerr & Ugnė Uma, Angelina Nonaj & Adrienne Herr, Seán Being & Matto Zoppi
thank u all and grateful for everyone involved who helped us realise it
more to come
all the luv
💌
clara, julia, ren & love
some bts of the experimental and performative sound series Speaking Otherwise I-IV that saw its first light last year in may 2025 <3
as part of @affair______________ through 4 iterations we have been collectively working on curation, design + direction, organisation, production ++ sound check, cable hunting, pizza eating etc
what a year of a learning curve : )
with artists
Circular Ruins & Maryland, Dylan Kerr & Ugnė Uma, Angelina Nonaj & Adrienne Herr, Seán Being & Matto Zoppi
thank u all and grateful for everyone involved who helped us realise it
more to come
all the luv
💌
clara, julia, ren & love
some bts of the experimental and performative sound series Speaking Otherwise I-IV that saw its first light last year in may 2025 <3
as part of @affair______________ through 4 iterations we have been collectively working on curation, design + direction, organisation, production ++ sound check, cable hunting, pizza eating etc
what a year of a learning curve : )
with artists
Circular Ruins & Maryland, Dylan Kerr & Ugnė Uma, Angelina Nonaj & Adrienne Herr, Seán Being & Matto Zoppi
thank u all and grateful for everyone involved who helped us realise it
more to come
all the luv
💌
clara, julia, ren & love
some bts of the experimental and performative sound series Speaking Otherwise I-IV that saw its first light last year in may 2025 <3
as part of @affair______________ through 4 iterations we have been collectively working on curation, design + direction, organisation, production ++ sound check, cable hunting, pizza eating etc
what a year of a learning curve : )
with artists
Circular Ruins & Maryland, Dylan Kerr & Ugnė Uma, Angelina Nonaj & Adrienne Herr, Seán Being & Matto Zoppi
thank u all and grateful for everyone involved who helped us realise it
more to come
all the luv
💌
clara, julia, ren & love
back at the radio this wednesday 11 of march, hexcode episode 4 with two very special guests circular ruins b2b wren. THREE GRAPHIC DESIGNERS, TWO HOURS OF MUSIC. 11/03 6pm to 8pm CET on @mutantradiotbilisi streaming live from berlin and online. Come hang out at du beast while we play das muzik. @marijijn @w______ren
back at the radio this wednesday 11 of march, hexcode episode 4 with two very special guests circular ruins b2b wren. THREE GRAPHIC DESIGNERS, TWO HOURS OF MUSIC. 11/03 6pm to 8pm CET on @mutantradiotbilisi streaming live from berlin and online. Come hang out at du beast while we play das muzik. @marijijn @w______ren
catch 𝘥𝘰𝘵 𝘱𝘳𝘦𝘴𝘴 at spy gallery book fair in Toronto this weekend, 28-29 June with 𝘢𝘯𝘥 𝘵𝘩𝘦 𝘮𝘰𝘳𝘦 𝘳𝘦𝘤𝘦𝘯𝘵 𝘰𝘯𝘦𝘴 – print publication + cassette tape. a collection of word assemblages / ambient poetry. thank you @spypress for having us ☆
text + voice @em.ilj
sound design @cillianfinnerty
graphic design @w______ren
catch 𝘥𝘰𝘵 𝘱𝘳𝘦𝘴𝘴 at spy gallery book fair in Toronto this weekend, 28-29 June with 𝘢𝘯𝘥 𝘵𝘩𝘦 𝘮𝘰𝘳𝘦 𝘳𝘦𝘤𝘦𝘯𝘵 𝘰𝘯𝘦𝘴 – print publication + cassette tape. a collection of word assemblages / ambient poetry. thank you @spypress for having us ☆
text + voice @em.ilj
sound design @cillianfinnerty
graphic design @w______ren
catch 𝘥𝘰𝘵 𝘱𝘳𝘦𝘴𝘴 at spy gallery book fair in Toronto this weekend, 28-29 June with 𝘢𝘯𝘥 𝘵𝘩𝘦 𝘮𝘰𝘳𝘦 𝘳𝘦𝘤𝘦𝘯𝘵 𝘰𝘯𝘦𝘴 – print publication + cassette tape. a collection of word assemblages / ambient poetry. thank you @spypress for having us ☆
text + voice @em.ilj
sound design @cillianfinnerty
graphic design @w______ren
catch 𝘥𝘰𝘵 𝘱𝘳𝘦𝘴𝘴 at spy gallery book fair in Toronto this weekend, 28-29 June with 𝘢𝘯𝘥 𝘵𝘩𝘦 𝘮𝘰𝘳𝘦 𝘳𝘦𝘤𝘦𝘯𝘵 𝘰𝘯𝘦𝘴 – print publication + cassette tape. a collection of word assemblages / ambient poetry. thank you @spypress for having us ☆
text + voice @em.ilj
sound design @cillianfinnerty
graphic design @w______ren
catch 𝘥𝘰𝘵 𝘱𝘳𝘦𝘴𝘴 at spy gallery book fair in Toronto this weekend, 28-29 June with 𝘢𝘯𝘥 𝘵𝘩𝘦 𝘮𝘰𝘳𝘦 𝘳𝘦𝘤𝘦𝘯𝘵 𝘰𝘯𝘦𝘴 – print publication + cassette tape. a collection of word assemblages / ambient poetry. thank you @spypress for having us ☆
text + voice @em.ilj
sound design @cillianfinnerty
graphic design @w______ren
Feeling very thankful to have worked with such skilled friends and practitioners @cillianfinnerty and @w______ren on recent experimental publishing project 'and the more recent ones'. This multimedia project spanning text, collage and sound can be purchased in Dublin, Berlin and London (please reach out for further details). The sound work produced specifically for this project was recently broadcast on @rtm.fm at Taco Gallery London and can be listened back using the link in my bio ♡
𝘢𝘯𝘥 𝘵𝘩𝘦 𝘮𝘰𝘳𝘦 𝘳𝘦𝘤𝘦𝘯𝘵 𝘰𝘯𝘦𝘴, is an experimental publishing project spanning image, text and sound, established in 2019 and produced by Emily Johnston in collaboration with Cillian Finnerty and Irene Mansoldo.
The project is a study of Johnston’s quotidian surroundings between 2019-2024. The print publication comprises a series of texts and analogue photographs. The language of the book is further interwoven with a soundscape by Finnerty, creating a narrative world inhabited by the text in an alternative manner to the page.
The book ebbs between rural and urban contexts explored through playful punctuation and rhythmic arrangements of text. The writing style is diaristic and poetic, non-functional and experimental. Profound thoughts, daily chores and borrowed phrases are stacked together to create word tableaus. These word paintings are arranged to depict the multifaceted aspects of daily life and the many stimuli occurring simultaneously with each other. The text is presented in varying alignments across 71 pages.
This expansive publishing project brings together our sensory experiences of the world, posing questions about how material objects relate to the act of listening and witnessing.
A4, 2-colour risograph printing by WayBad; cassette tape.
Initially launched in November 2024 at @dublinartbookfair in @templebargalleryandstudios. Limited copies can be found at @hopscotchreadingroom, Berlin, @san.serriffe, Amsterdam, and TACO Gallery, London.
The sound work was recently broadcast on @rtm.fm at TACO, and can be listened back through their web archive or @ emilyjjjj on Bandcamp.
Voice + text @em.ilj
Sound @cillianfinnerty
Design @w______ren
Published by Dot Press
All proceeds going to Palestinian relief.
𝘢𝘯𝘥 𝘵𝘩𝘦 𝘮𝘰𝘳𝘦 𝘳𝘦𝘤𝘦𝘯𝘵 𝘰𝘯𝘦𝘴, is an experimental publishing project spanning image, text and sound, established in 2019 and produced by Emily Johnston in collaboration with Cillian Finnerty and Irene Mansoldo.
The project is a study of Johnston’s quotidian surroundings between 2019-2024. The print publication comprises a series of texts and analogue photographs. The language of the book is further interwoven with a soundscape by Finnerty, creating a narrative world inhabited by the text in an alternative manner to the page.
The book ebbs between rural and urban contexts explored through playful punctuation and rhythmic arrangements of text. The writing style is diaristic and poetic, non-functional and experimental. Profound thoughts, daily chores and borrowed phrases are stacked together to create word tableaus. These word paintings are arranged to depict the multifaceted aspects of daily life and the many stimuli occurring simultaneously with each other. The text is presented in varying alignments across 71 pages.
This expansive publishing project brings together our sensory experiences of the world, posing questions about how material objects relate to the act of listening and witnessing.
A4, 2-colour risograph printing by WayBad; cassette tape.
Initially launched in November 2024 at @dublinartbookfair in @templebargalleryandstudios. Limited copies can be found at @hopscotchreadingroom, Berlin, @san.serriffe, Amsterdam, and TACO Gallery, London.
The sound work was recently broadcast on @rtm.fm at TACO, and can be listened back through their web archive or @ emilyjjjj on Bandcamp.
Voice + text @em.ilj
Sound @cillianfinnerty
Design @w______ren
Published by Dot Press
All proceeds going to Palestinian relief.
𝘢𝘯𝘥 𝘵𝘩𝘦 𝘮𝘰𝘳𝘦 𝘳𝘦𝘤𝘦𝘯𝘵 𝘰𝘯𝘦𝘴, is an experimental publishing project spanning image, text and sound, established in 2019 and produced by Emily Johnston in collaboration with Cillian Finnerty and Irene Mansoldo.
The project is a study of Johnston’s quotidian surroundings between 2019-2024. The print publication comprises a series of texts and analogue photographs. The language of the book is further interwoven with a soundscape by Finnerty, creating a narrative world inhabited by the text in an alternative manner to the page.
The book ebbs between rural and urban contexts explored through playful punctuation and rhythmic arrangements of text. The writing style is diaristic and poetic, non-functional and experimental. Profound thoughts, daily chores and borrowed phrases are stacked together to create word tableaus. These word paintings are arranged to depict the multifaceted aspects of daily life and the many stimuli occurring simultaneously with each other. The text is presented in varying alignments across 71 pages.
This expansive publishing project brings together our sensory experiences of the world, posing questions about how material objects relate to the act of listening and witnessing.
A4, 2-colour risograph printing by WayBad; cassette tape.
Initially launched in November 2024 at @dublinartbookfair in @templebargalleryandstudios. Limited copies can be found at @hopscotchreadingroom, Berlin, @san.serriffe, Amsterdam, and TACO Gallery, London.
The sound work was recently broadcast on @rtm.fm at TACO, and can be listened back through their web archive or @ emilyjjjj on Bandcamp.
Voice + text @em.ilj
Sound @cillianfinnerty
Design @w______ren
Published by Dot Press
All proceeds going to Palestinian relief.
𝘢𝘯𝘥 𝘵𝘩𝘦 𝘮𝘰𝘳𝘦 𝘳𝘦𝘤𝘦𝘯𝘵 𝘰𝘯𝘦𝘴, is an experimental publishing project spanning image, text and sound, established in 2019 and produced by Emily Johnston in collaboration with Cillian Finnerty and Irene Mansoldo.
The project is a study of Johnston’s quotidian surroundings between 2019-2024. The print publication comprises a series of texts and analogue photographs. The language of the book is further interwoven with a soundscape by Finnerty, creating a narrative world inhabited by the text in an alternative manner to the page.
The book ebbs between rural and urban contexts explored through playful punctuation and rhythmic arrangements of text. The writing style is diaristic and poetic, non-functional and experimental. Profound thoughts, daily chores and borrowed phrases are stacked together to create word tableaus. These word paintings are arranged to depict the multifaceted aspects of daily life and the many stimuli occurring simultaneously with each other. The text is presented in varying alignments across 71 pages.
This expansive publishing project brings together our sensory experiences of the world, posing questions about how material objects relate to the act of listening and witnessing.
A4, 2-colour risograph printing by WayBad; cassette tape.
Initially launched in November 2024 at @dublinartbookfair in @templebargalleryandstudios. Limited copies can be found at @hopscotchreadingroom, Berlin, @san.serriffe, Amsterdam, and TACO Gallery, London.
The sound work was recently broadcast on @rtm.fm at TACO, and can be listened back through their web archive or @ emilyjjjj on Bandcamp.
Voice + text @em.ilj
Sound @cillianfinnerty
Design @w______ren
Published by Dot Press
All proceeds going to Palestinian relief.
𝘢𝘯𝘥 𝘵𝘩𝘦 𝘮𝘰𝘳𝘦 𝘳𝘦𝘤𝘦𝘯𝘵 𝘰𝘯𝘦𝘴, is an experimental publishing project spanning image, text and sound, established in 2019 and produced by Emily Johnston in collaboration with Cillian Finnerty and Irene Mansoldo.
The project is a study of Johnston’s quotidian surroundings between 2019-2024. The print publication comprises a series of texts and analogue photographs. The language of the book is further interwoven with a soundscape by Finnerty, creating a narrative world inhabited by the text in an alternative manner to the page.
The book ebbs between rural and urban contexts explored through playful punctuation and rhythmic arrangements of text. The writing style is diaristic and poetic, non-functional and experimental. Profound thoughts, daily chores and borrowed phrases are stacked together to create word tableaus. These word paintings are arranged to depict the multifaceted aspects of daily life and the many stimuli occurring simultaneously with each other. The text is presented in varying alignments across 71 pages.
This expansive publishing project brings together our sensory experiences of the world, posing questions about how material objects relate to the act of listening and witnessing.
A4, 2-colour risograph printing by WayBad; cassette tape.
Initially launched in November 2024 at @dublinartbookfair in @templebargalleryandstudios. Limited copies can be found at @hopscotchreadingroom, Berlin, @san.serriffe, Amsterdam, and TACO Gallery, London.
The sound work was recently broadcast on @rtm.fm at TACO, and can be listened back through their web archive or @ emilyjjjj on Bandcamp.
Voice + text @em.ilj
Sound @cillianfinnerty
Design @w______ren
Published by Dot Press
All proceeds going to Palestinian relief.
𝘢𝘯𝘥 𝘵𝘩𝘦 𝘮𝘰𝘳𝘦 𝘳𝘦𝘤𝘦𝘯𝘵 𝘰𝘯𝘦𝘴, is an experimental publishing project spanning image, text and sound, established in 2019 and produced by Emily Johnston in collaboration with Cillian Finnerty and Irene Mansoldo.
The project is a study of Johnston’s quotidian surroundings between 2019-2024. The print publication comprises a series of texts and analogue photographs. The language of the book is further interwoven with a soundscape by Finnerty, creating a narrative world inhabited by the text in an alternative manner to the page.
The book ebbs between rural and urban contexts explored through playful punctuation and rhythmic arrangements of text. The writing style is diaristic and poetic, non-functional and experimental. Profound thoughts, daily chores and borrowed phrases are stacked together to create word tableaus. These word paintings are arranged to depict the multifaceted aspects of daily life and the many stimuli occurring simultaneously with each other. The text is presented in varying alignments across 71 pages.
This expansive publishing project brings together our sensory experiences of the world, posing questions about how material objects relate to the act of listening and witnessing.
A4, 2-colour risograph printing by WayBad; cassette tape.
Initially launched in November 2024 at @dublinartbookfair in @templebargalleryandstudios. Limited copies can be found at @hopscotchreadingroom, Berlin, @san.serriffe, Amsterdam, and TACO Gallery, London.
The sound work was recently broadcast on @rtm.fm at TACO, and can be listened back through their web archive or @ emilyjjjj on Bandcamp.
Voice + text @em.ilj
Sound @cillianfinnerty
Design @w______ren
Published by Dot Press
All proceeds going to Palestinian relief.
𝘢𝘯𝘥 𝘵𝘩𝘦 𝘮𝘰𝘳𝘦 𝘳𝘦𝘤𝘦𝘯𝘵 𝘰𝘯𝘦𝘴, is an experimental publishing project spanning image, text and sound, established in 2019 and produced by Emily Johnston in collaboration with Cillian Finnerty and Irene Mansoldo.
The project is a study of Johnston’s quotidian surroundings between 2019-2024. The print publication comprises a series of texts and analogue photographs. The language of the book is further interwoven with a soundscape by Finnerty, creating a narrative world inhabited by the text in an alternative manner to the page.
The book ebbs between rural and urban contexts explored through playful punctuation and rhythmic arrangements of text. The writing style is diaristic and poetic, non-functional and experimental. Profound thoughts, daily chores and borrowed phrases are stacked together to create word tableaus. These word paintings are arranged to depict the multifaceted aspects of daily life and the many stimuli occurring simultaneously with each other. The text is presented in varying alignments across 71 pages.
This expansive publishing project brings together our sensory experiences of the world, posing questions about how material objects relate to the act of listening and witnessing.
A4, 2-colour risograph printing by WayBad; cassette tape.
Initially launched in November 2024 at @dublinartbookfair in @templebargalleryandstudios. Limited copies can be found at @hopscotchreadingroom, Berlin, @san.serriffe, Amsterdam, and TACO Gallery, London.
The sound work was recently broadcast on @rtm.fm at TACO, and can be listened back through their web archive or @ emilyjjjj on Bandcamp.
Voice + text @em.ilj
Sound @cillianfinnerty
Design @w______ren
Published by Dot Press
All proceeds going to Palestinian relief.
𝘢𝘯𝘥 𝘵𝘩𝘦 𝘮𝘰𝘳𝘦 𝘳𝘦𝘤𝘦𝘯𝘵 𝘰𝘯𝘦𝘴, is an experimental publishing project spanning image, text and sound, established in 2019 and produced by Emily Johnston in collaboration with Cillian Finnerty and Irene Mansoldo.
The project is a study of Johnston’s quotidian surroundings between 2019-2024. The print publication comprises a series of texts and analogue photographs. The language of the book is further interwoven with a soundscape by Finnerty, creating a narrative world inhabited by the text in an alternative manner to the page.
The book ebbs between rural and urban contexts explored through playful punctuation and rhythmic arrangements of text. The writing style is diaristic and poetic, non-functional and experimental. Profound thoughts, daily chores and borrowed phrases are stacked together to create word tableaus. These word paintings are arranged to depict the multifaceted aspects of daily life and the many stimuli occurring simultaneously with each other. The text is presented in varying alignments across 71 pages.
This expansive publishing project brings together our sensory experiences of the world, posing questions about how material objects relate to the act of listening and witnessing.
A4, 2-colour risograph printing by WayBad; cassette tape.
Initially launched in November 2024 at @dublinartbookfair in @templebargalleryandstudios. Limited copies can be found at @hopscotchreadingroom, Berlin, @san.serriffe, Amsterdam, and TACO Gallery, London.
The sound work was recently broadcast on @rtm.fm at TACO, and can be listened back through their web archive or @ emilyjjjj on Bandcamp.
Voice + text @em.ilj
Sound @cillianfinnerty
Design @w______ren
Published by Dot Press
All proceeds going to Palestinian relief.
𝘢𝘯𝘥 𝘵𝘩𝘦 𝘮𝘰𝘳𝘦 𝘳𝘦𝘤𝘦𝘯𝘵 𝘰𝘯𝘦𝘴, is an experimental publishing project spanning image, text and sound, established in 2019 and produced by Emily Johnston in collaboration with Cillian Finnerty and Irene Mansoldo.
The project is a study of Johnston’s quotidian surroundings between 2019-2024. The print publication comprises a series of texts and analogue photographs. The language of the book is further interwoven with a soundscape by Finnerty, creating a narrative world inhabited by the text in an alternative manner to the page.
The book ebbs between rural and urban contexts explored through playful punctuation and rhythmic arrangements of text. The writing style is diaristic and poetic, non-functional and experimental. Profound thoughts, daily chores and borrowed phrases are stacked together to create word tableaus. These word paintings are arranged to depict the multifaceted aspects of daily life and the many stimuli occurring simultaneously with each other. The text is presented in varying alignments across 71 pages.
This expansive publishing project brings together our sensory experiences of the world, posing questions about how material objects relate to the act of listening and witnessing.
A4, 2-colour risograph printing by WayBad; cassette tape.
Initially launched in November 2024 at @dublinartbookfair in @templebargalleryandstudios. Limited copies can be found at @hopscotchreadingroom, Berlin, @san.serriffe, Amsterdam, and TACO Gallery, London.
The sound work was recently broadcast on @rtm.fm at TACO, and can be listened back through their web archive or @ emilyjjjj on Bandcamp.
Voice + text @em.ilj
Sound @cillianfinnerty
Design @w______ren
Published by Dot Press
All proceeds going to Palestinian relief.
𝘢𝘯𝘥 𝘵𝘩𝘦 𝘮𝘰𝘳𝘦 𝘳𝘦𝘤𝘦𝘯𝘵 𝘰𝘯𝘦𝘴, is an experimental publishing project spanning image, text and sound, established in 2019 and produced by Emily Johnston in collaboration with Cillian Finnerty and Irene Mansoldo.
The project is a study of Johnston’s quotidian surroundings between 2019-2024. The print publication comprises a series of texts and analogue photographs. The language of the book is further interwoven with a soundscape by Finnerty, creating a narrative world inhabited by the text in an alternative manner to the page.
The book ebbs between rural and urban contexts explored through playful punctuation and rhythmic arrangements of text. The writing style is diaristic and poetic, non-functional and experimental. Profound thoughts, daily chores and borrowed phrases are stacked together to create word tableaus. These word paintings are arranged to depict the multifaceted aspects of daily life and the many stimuli occurring simultaneously with each other. The text is presented in varying alignments across 71 pages.
This expansive publishing project brings together our sensory experiences of the world, posing questions about how material objects relate to the act of listening and witnessing.
A4, 2-colour risograph printing by WayBad; cassette tape.
Initially launched in November 2024 at @dublinartbookfair in @templebargalleryandstudios. Limited copies can be found at @hopscotchreadingroom, Berlin, @san.serriffe, Amsterdam, and TACO Gallery, London.
The sound work was recently broadcast on @rtm.fm at TACO, and can be listened back through their web archive or @ emilyjjjj on Bandcamp.
Voice + text @em.ilj
Sound @cillianfinnerty
Design @w______ren
Published by Dot Press
All proceeds going to Palestinian relief.
Ĉena Reago 24 – our calendar is finally here🪞
Made over the course of nearly four years between Ireland, Berlin and London, the calendar brings together a host of references, research, and associations gathered over that period; esperanto, alternative modes of recording time, and fictitious systems for organising the world.
Taking pre-orders now for this 2024 calendar, made by Irene Mansoldo and Cillian Finnerty.
Newsprint, 350x500mm folded, 500x700mm unfolded; €15 + pp. Dm if you would like a copy
100% of the profits from sales for this week will be donated to @medicalaidpal 🕊️
Ĉena Reago 24 – our calendar is finally here🪞
Made over the course of nearly four years between Ireland, Berlin and London, the calendar brings together a host of references, research, and associations gathered over that period; esperanto, alternative modes of recording time, and fictitious systems for organising the world.
Taking pre-orders now for this 2024 calendar, made by Irene Mansoldo and Cillian Finnerty.
Newsprint, 350x500mm folded, 500x700mm unfolded; €15 + pp. Dm if you would like a copy
100% of the profits from sales for this week will be donated to @medicalaidpal 🕊️
Ĉena Reago 24 – our calendar is finally here🪞
Made over the course of nearly four years between Ireland, Berlin and London, the calendar brings together a host of references, research, and associations gathered over that period; esperanto, alternative modes of recording time, and fictitious systems for organising the world.
Taking pre-orders now for this 2024 calendar, made by Irene Mansoldo and Cillian Finnerty.
Newsprint, 350x500mm folded, 500x700mm unfolded; €15 + pp. Dm if you would like a copy
100% of the profits from sales for this week will be donated to @medicalaidpal 🕊️
Ĉena Reago 24 – our calendar is finally here🪞
Made over the course of nearly four years between Ireland, Berlin and London, the calendar brings together a host of references, research, and associations gathered over that period; esperanto, alternative modes of recording time, and fictitious systems for organising the world.
Taking pre-orders now for this 2024 calendar, made by Irene Mansoldo and Cillian Finnerty.
Newsprint, 350x500mm folded, 500x700mm unfolded; €15 + pp. Dm if you would like a copy
100% of the profits from sales for this week will be donated to @medicalaidpal 🕊️
View Instagram Stories in Secret
The Instagram Story Viewer is an easy tool that lets you secretly watch and save Instagram stories, videos, photos, or IGTV. With this service, you can download content and enjoy it offline whenever you like. If you find something interesting on Instagram that you’d like to check out later or want to view stories while staying anonymous, our Viewer is perfect for you. Anonstories offers an excellent solution for keeping your identity hidden. Instagram first launched the Stories feature in August 2023, which was quickly adopted by other platforms due to its engaging, time-sensitive format. Stories let users share quick updates, whether photos, videos, or selfies, enhanced with text, emojis, or filters, and are visible for only 24 hours. This limited time frame creates high engagement compared to regular posts. In today’s world, Stories are one of the most popular ways to connect and communicate on social media. However, when you view a Story, the creator can see your name in their viewer list, which may be a privacy concern. What if you wish to browse Stories without being noticed? Here’s where Anonstories becomes useful. It allows you to watch public Instagram content without revealing your identity. Simply enter the username of the profile you’re curious about, and the tool will display their latest Stories. Features of Anonstories Viewer: - Anonymous Browsing: Watch Stories without showing up on the viewer list. - No Account Needed: View public content without signing up for an Instagram account. - Content Download: Save any Stories content directly to your device for offline use. - View Highlights: Access Instagram Highlights, even beyond the 24-hour window. - Repost Monitoring: Track the reposts or engagement levels on Stories for personal profiles. Limitations: - This tool works only with public accounts; private accounts remain inaccessible. Benefits: - Privacy-Friendly: Watch any Instagram content without being noticed. - Simple and Easy: No app installation or registration required. - Exclusive Tools: Download and manage content in ways Instagram doesn’t offer.
Advantages of Anonstories
Explore IG Stories Privately
Keep track of Instagram updates discreetly while protecting your privacy and staying anonymous.
Private Instagram Viewer
View profiles and photos anonymously with ease using the Private Profile Viewer.
Story Viewer for Free
This free tool allows you to view Instagram Stories anonymously, ensuring your activity remains hidden from the story uploader.
Frequently asked questions
Anonymity
Anonstories lets users view Instagram stories without alerting the creator.
Device Compatibility
Works seamlessly on iOS, Android, Windows, macOS, and modern browsers like Chrome and Safari.
Safety and Privacy
Prioritizes secure, anonymous browsing without requiring login credentials.
No Registration
Users can view public stories by simply entering a username—no account needed.
Supported Formats
Downloads photos (JPEG) and videos (MP4) with ease.
Cost
The service is free to use.
Private Accounts
Content from private accounts can only be accessed by followers.
File Usage
Files are for personal or educational use only and must comply with copyright rules.
How It Works
Enter a public username to view or download stories. The service generates direct links for saving content locally.