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“connect the dots” | @billieeilish for @wsj
director ……. @n1kkiwalker
dp ……………. @thecarterrrrr
ran into @itsweiland on this shoot randomly. it was kinda rainy/foggy, but cleared up mid day. learned to love a key side edge. met the incredible, Billie Eilish. she was very nice and very cool. good stuff.
#nextquestion
“connect the dots” | @billieeilish for @wsj
director ……. @n1kkiwalker
dp ……………. @thecarterrrrr
ran into @itsweiland on this shoot randomly. it was kinda rainy/foggy, but cleared up mid day. learned to love a key side edge. met the incredible, Billie Eilish. she was very nice and very cool. good stuff.
#nextquestion
“connect the dots” | @billieeilish for @wsj
director ……. @n1kkiwalker
dp ……………. @thecarterrrrr
ran into @itsweiland on this shoot randomly. it was kinda rainy/foggy, but cleared up mid day. learned to love a key side edge. met the incredible, Billie Eilish. she was very nice and very cool. good stuff.
#nextquestion
“connect the dots” | @billieeilish for @wsj
director ……. @n1kkiwalker
dp ……………. @thecarterrrrr
ran into @itsweiland on this shoot randomly. it was kinda rainy/foggy, but cleared up mid day. learned to love a key side edge. met the incredible, Billie Eilish. she was very nice and very cool. good stuff.
#nextquestion
“connect the dots” | @billieeilish for @wsj
director ……. @n1kkiwalker
dp ……………. @thecarterrrrr
ran into @itsweiland on this shoot randomly. it was kinda rainy/foggy, but cleared up mid day. learned to love a key side edge. met the incredible, Billie Eilish. she was very nice and very cool. good stuff.
#nextquestion
“connect the dots” | @billieeilish for @wsj
director ……. @n1kkiwalker
dp ……………. @thecarterrrrr
ran into @itsweiland on this shoot randomly. it was kinda rainy/foggy, but cleared up mid day. learned to love a key side edge. met the incredible, Billie Eilish. she was very nice and very cool. good stuff.
#nextquestion
“connect the dots” | @billieeilish for @wsj
director ……. @n1kkiwalker
dp ……………. @thecarterrrrr
ran into @itsweiland on this shoot randomly. it was kinda rainy/foggy, but cleared up mid day. learned to love a key side edge. met the incredible, Billie Eilish. she was very nice and very cool. good stuff.
#nextquestion
“connect the dots” | @billieeilish for @wsj
director ……. @n1kkiwalker
dp ……………. @thecarterrrrr
ran into @itsweiland on this shoot randomly. it was kinda rainy/foggy, but cleared up mid day. learned to love a key side edge. met the incredible, Billie Eilish. she was very nice and very cool. good stuff.
#nextquestion
“connect the dots” | @billieeilish for @wsj
director ……. @n1kkiwalker
dp ……………. @thecarterrrrr
ran into @itsweiland on this shoot randomly. it was kinda rainy/foggy, but cleared up mid day. learned to love a key side edge. met the incredible, Billie Eilish. she was very nice and very cool. good stuff.
#nextquestion
“don’t put out the fire” | dirty honey
director …………….. @zebulonraps
dp …………………….. @cory.messer
gaffer ……………….. @walkeredelman
bbe …………………… @katelynadkisson
kg ……………………… @truman_waller
bbg …………………… @josiahdavid.dp
g&e vendor ……….. @nextquestionlighting
the idea behind this music video was to make things as HOT as possible. the titan tubes rigged up on safety wire held into place by zipties and these little locking screws were actually Cory’s idea, and boy did it work! they were meant to play as a heating element behind the band and as the song continues things getting progressively hotter and hotter. behind the tubes @notdevinparker and the grip team rigged up this silver shiny material? i honestly forget wtf this was but it looked epic. i’m sure Devin can drop the answer to that in the comments.
the tubes were pulsing to mimic a heating element/fire, we had an overhead softbox set at warm as possible/almost red, a 1200B w/ a softbox keying on the floor set the 3200K, a cool (6500K) hard backlight pushing through an industrial fan, and a hazer so we could see all those hard beams of light pushing through the fan.
also had the pleasure of working with my wife! @mollydianedelman was the intimacy coordinator for the narrative sequences in this video. all around incredible team, incredible time, and you bet ur ass an incredible music video. it came out like a year ago! go check it out!
#nextquestion
“don’t put out the fire” | dirty honey
director …………….. @zebulonraps
dp …………………….. @cory.messer
gaffer ……………….. @walkeredelman
bbe …………………… @katelynadkisson
kg ……………………… @truman_waller
bbg …………………… @josiahdavid.dp
g&e vendor ……….. @nextquestionlighting
the idea behind this music video was to make things as HOT as possible. the titan tubes rigged up on safety wire held into place by zipties and these little locking screws were actually Cory’s idea, and boy did it work! they were meant to play as a heating element behind the band and as the song continues things getting progressively hotter and hotter. behind the tubes @notdevinparker and the grip team rigged up this silver shiny material? i honestly forget wtf this was but it looked epic. i’m sure Devin can drop the answer to that in the comments.
the tubes were pulsing to mimic a heating element/fire, we had an overhead softbox set at warm as possible/almost red, a 1200B w/ a softbox keying on the floor set the 3200K, a cool (6500K) hard backlight pushing through an industrial fan, and a hazer so we could see all those hard beams of light pushing through the fan.
also had the pleasure of working with my wife! @mollydianedelman was the intimacy coordinator for the narrative sequences in this video. all around incredible team, incredible time, and you bet ur ass an incredible music video. it came out like a year ago! go check it out!
#nextquestion
“don’t put out the fire” | dirty honey
director …………….. @zebulonraps
dp …………………….. @cory.messer
gaffer ……………….. @walkeredelman
bbe …………………… @katelynadkisson
kg ……………………… @truman_waller
bbg …………………… @josiahdavid.dp
g&e vendor ……….. @nextquestionlighting
the idea behind this music video was to make things as HOT as possible. the titan tubes rigged up on safety wire held into place by zipties and these little locking screws were actually Cory’s idea, and boy did it work! they were meant to play as a heating element behind the band and as the song continues things getting progressively hotter and hotter. behind the tubes @notdevinparker and the grip team rigged up this silver shiny material? i honestly forget wtf this was but it looked epic. i’m sure Devin can drop the answer to that in the comments.
the tubes were pulsing to mimic a heating element/fire, we had an overhead softbox set at warm as possible/almost red, a 1200B w/ a softbox keying on the floor set the 3200K, a cool (6500K) hard backlight pushing through an industrial fan, and a hazer so we could see all those hard beams of light pushing through the fan.
also had the pleasure of working with my wife! @mollydianedelman was the intimacy coordinator for the narrative sequences in this video. all around incredible team, incredible time, and you bet ur ass an incredible music video. it came out like a year ago! go check it out!
#nextquestion
“don’t put out the fire” | dirty honey
director …………….. @zebulonraps
dp …………………….. @cory.messer
gaffer ……………….. @walkeredelman
bbe …………………… @katelynadkisson
kg ……………………… @truman_waller
bbg …………………… @josiahdavid.dp
g&e vendor ……….. @nextquestionlighting
the idea behind this music video was to make things as HOT as possible. the titan tubes rigged up on safety wire held into place by zipties and these little locking screws were actually Cory’s idea, and boy did it work! they were meant to play as a heating element behind the band and as the song continues things getting progressively hotter and hotter. behind the tubes @notdevinparker and the grip team rigged up this silver shiny material? i honestly forget wtf this was but it looked epic. i’m sure Devin can drop the answer to that in the comments.
the tubes were pulsing to mimic a heating element/fire, we had an overhead softbox set at warm as possible/almost red, a 1200B w/ a softbox keying on the floor set the 3200K, a cool (6500K) hard backlight pushing through an industrial fan, and a hazer so we could see all those hard beams of light pushing through the fan.
also had the pleasure of working with my wife! @mollydianedelman was the intimacy coordinator for the narrative sequences in this video. all around incredible team, incredible time, and you bet ur ass an incredible music video. it came out like a year ago! go check it out!
#nextquestion
“don’t put out the fire” | dirty honey
director …………….. @zebulonraps
dp …………………….. @cory.messer
gaffer ……………….. @walkeredelman
bbe …………………… @katelynadkisson
kg ……………………… @truman_waller
bbg …………………… @josiahdavid.dp
g&e vendor ……….. @nextquestionlighting
the idea behind this music video was to make things as HOT as possible. the titan tubes rigged up on safety wire held into place by zipties and these little locking screws were actually Cory’s idea, and boy did it work! they were meant to play as a heating element behind the band and as the song continues things getting progressively hotter and hotter. behind the tubes @notdevinparker and the grip team rigged up this silver shiny material? i honestly forget wtf this was but it looked epic. i’m sure Devin can drop the answer to that in the comments.
the tubes were pulsing to mimic a heating element/fire, we had an overhead softbox set at warm as possible/almost red, a 1200B w/ a softbox keying on the floor set the 3200K, a cool (6500K) hard backlight pushing through an industrial fan, and a hazer so we could see all those hard beams of light pushing through the fan.
also had the pleasure of working with my wife! @mollydianedelman was the intimacy coordinator for the narrative sequences in this video. all around incredible team, incredible time, and you bet ur ass an incredible music video. it came out like a year ago! go check it out!
#nextquestion
“don’t put out the fire” | dirty honey
director …………….. @zebulonraps
dp …………………….. @cory.messer
gaffer ……………….. @walkeredelman
bbe …………………… @katelynadkisson
kg ……………………… @truman_waller
bbg …………………… @josiahdavid.dp
g&e vendor ……….. @nextquestionlighting
the idea behind this music video was to make things as HOT as possible. the titan tubes rigged up on safety wire held into place by zipties and these little locking screws were actually Cory’s idea, and boy did it work! they were meant to play as a heating element behind the band and as the song continues things getting progressively hotter and hotter. behind the tubes @notdevinparker and the grip team rigged up this silver shiny material? i honestly forget wtf this was but it looked epic. i’m sure Devin can drop the answer to that in the comments.
the tubes were pulsing to mimic a heating element/fire, we had an overhead softbox set at warm as possible/almost red, a 1200B w/ a softbox keying on the floor set the 3200K, a cool (6500K) hard backlight pushing through an industrial fan, and a hazer so we could see all those hard beams of light pushing through the fan.
also had the pleasure of working with my wife! @mollydianedelman was the intimacy coordinator for the narrative sequences in this video. all around incredible team, incredible time, and you bet ur ass an incredible music video. it came out like a year ago! go check it out!
#nextquestion
“don’t put out the fire” | dirty honey
director …………….. @zebulonraps
dp …………………….. @cory.messer
gaffer ……………….. @walkeredelman
bbe …………………… @katelynadkisson
kg ……………………… @truman_waller
bbg …………………… @josiahdavid.dp
g&e vendor ……….. @nextquestionlighting
the idea behind this music video was to make things as HOT as possible. the titan tubes rigged up on safety wire held into place by zipties and these little locking screws were actually Cory’s idea, and boy did it work! they were meant to play as a heating element behind the band and as the song continues things getting progressively hotter and hotter. behind the tubes @notdevinparker and the grip team rigged up this silver shiny material? i honestly forget wtf this was but it looked epic. i’m sure Devin can drop the answer to that in the comments.
the tubes were pulsing to mimic a heating element/fire, we had an overhead softbox set at warm as possible/almost red, a 1200B w/ a softbox keying on the floor set the 3200K, a cool (6500K) hard backlight pushing through an industrial fan, and a hazer so we could see all those hard beams of light pushing through the fan.
also had the pleasure of working with my wife! @mollydianedelman was the intimacy coordinator for the narrative sequences in this video. all around incredible team, incredible time, and you bet ur ass an incredible music video. it came out like a year ago! go check it out!
#nextquestion
“don’t put out the fire” | dirty honey
director …………….. @zebulonraps
dp …………………….. @cory.messer
gaffer ……………….. @walkeredelman
bbe …………………… @katelynadkisson
kg ……………………… @truman_waller
bbg …………………… @josiahdavid.dp
g&e vendor ……….. @nextquestionlighting
the idea behind this music video was to make things as HOT as possible. the titan tubes rigged up on safety wire held into place by zipties and these little locking screws were actually Cory’s idea, and boy did it work! they were meant to play as a heating element behind the band and as the song continues things getting progressively hotter and hotter. behind the tubes @notdevinparker and the grip team rigged up this silver shiny material? i honestly forget wtf this was but it looked epic. i’m sure Devin can drop the answer to that in the comments.
the tubes were pulsing to mimic a heating element/fire, we had an overhead softbox set at warm as possible/almost red, a 1200B w/ a softbox keying on the floor set the 3200K, a cool (6500K) hard backlight pushing through an industrial fan, and a hazer so we could see all those hard beams of light pushing through the fan.
also had the pleasure of working with my wife! @mollydianedelman was the intimacy coordinator for the narrative sequences in this video. all around incredible team, incredible time, and you bet ur ass an incredible music video. it came out like a year ago! go check it out!
#nextquestion
“don’t put out the fire” | dirty honey
director …………….. @zebulonraps
dp …………………….. @cory.messer
gaffer ……………….. @walkeredelman
bbe …………………… @katelynadkisson
kg ……………………… @truman_waller
bbg …………………… @josiahdavid.dp
g&e vendor ……….. @nextquestionlighting
the idea behind this music video was to make things as HOT as possible. the titan tubes rigged up on safety wire held into place by zipties and these little locking screws were actually Cory’s idea, and boy did it work! they were meant to play as a heating element behind the band and as the song continues things getting progressively hotter and hotter. behind the tubes @notdevinparker and the grip team rigged up this silver shiny material? i honestly forget wtf this was but it looked epic. i’m sure Devin can drop the answer to that in the comments.
the tubes were pulsing to mimic a heating element/fire, we had an overhead softbox set at warm as possible/almost red, a 1200B w/ a softbox keying on the floor set the 3200K, a cool (6500K) hard backlight pushing through an industrial fan, and a hazer so we could see all those hard beams of light pushing through the fan.
also had the pleasure of working with my wife! @mollydianedelman was the intimacy coordinator for the narrative sequences in this video. all around incredible team, incredible time, and you bet ur ass an incredible music video. it came out like a year ago! go check it out!
#nextquestion
“don’t put out the fire” | dirty honey
director …………….. @zebulonraps
dp …………………….. @cory.messer
gaffer ……………….. @walkeredelman
bbe …………………… @katelynadkisson
kg ……………………… @truman_waller
bbg …………………… @josiahdavid.dp
g&e vendor ……….. @nextquestionlighting
the idea behind this music video was to make things as HOT as possible. the titan tubes rigged up on safety wire held into place by zipties and these little locking screws were actually Cory’s idea, and boy did it work! they were meant to play as a heating element behind the band and as the song continues things getting progressively hotter and hotter. behind the tubes @notdevinparker and the grip team rigged up this silver shiny material? i honestly forget wtf this was but it looked epic. i’m sure Devin can drop the answer to that in the comments.
the tubes were pulsing to mimic a heating element/fire, we had an overhead softbox set at warm as possible/almost red, a 1200B w/ a softbox keying on the floor set the 3200K, a cool (6500K) hard backlight pushing through an industrial fan, and a hazer so we could see all those hard beams of light pushing through the fan.
also had the pleasure of working with my wife! @mollydianedelman was the intimacy coordinator for the narrative sequences in this video. all around incredible team, incredible time, and you bet ur ass an incredible music video. it came out like a year ago! go check it out!
#nextquestion
“don’t put out the fire” | dirty honey
director …………….. @zebulonraps
dp …………………….. @cory.messer
gaffer ……………….. @walkeredelman
bbe …………………… @katelynadkisson
kg ……………………… @truman_waller
bbg …………………… @josiahdavid.dp
g&e vendor ……….. @nextquestionlighting
the idea behind this music video was to make things as HOT as possible. the titan tubes rigged up on safety wire held into place by zipties and these little locking screws were actually Cory’s idea, and boy did it work! they were meant to play as a heating element behind the band and as the song continues things getting progressively hotter and hotter. behind the tubes @notdevinparker and the grip team rigged up this silver shiny material? i honestly forget wtf this was but it looked epic. i’m sure Devin can drop the answer to that in the comments.
the tubes were pulsing to mimic a heating element/fire, we had an overhead softbox set at warm as possible/almost red, a 1200B w/ a softbox keying on the floor set the 3200K, a cool (6500K) hard backlight pushing through an industrial fan, and a hazer so we could see all those hard beams of light pushing through the fan.
also had the pleasure of working with my wife! @mollydianedelman was the intimacy coordinator for the narrative sequences in this video. all around incredible team, incredible time, and you bet ur ass an incredible music video. it came out like a year ago! go check it out!
#nextquestion
“don’t put out the fire” | dirty honey
director …………….. @zebulonraps
dp …………………….. @cory.messer
gaffer ……………….. @walkeredelman
bbe …………………… @katelynadkisson
kg ……………………… @truman_waller
bbg …………………… @josiahdavid.dp
g&e vendor ……….. @nextquestionlighting
the idea behind this music video was to make things as HOT as possible. the titan tubes rigged up on safety wire held into place by zipties and these little locking screws were actually Cory’s idea, and boy did it work! they were meant to play as a heating element behind the band and as the song continues things getting progressively hotter and hotter. behind the tubes @notdevinparker and the grip team rigged up this silver shiny material? i honestly forget wtf this was but it looked epic. i’m sure Devin can drop the answer to that in the comments.
the tubes were pulsing to mimic a heating element/fire, we had an overhead softbox set at warm as possible/almost red, a 1200B w/ a softbox keying on the floor set the 3200K, a cool (6500K) hard backlight pushing through an industrial fan, and a hazer so we could see all those hard beams of light pushing through the fan.
also had the pleasure of working with my wife! @mollydianedelman was the intimacy coordinator for the narrative sequences in this video. all around incredible team, incredible time, and you bet ur ass an incredible music video. it came out like a year ago! go check it out!
#nextquestion
“don’t put out the fire” | dirty honey
director …………….. @zebulonraps
dp …………………….. @cory.messer
gaffer ……………….. @walkeredelman
bbe …………………… @katelynadkisson
kg ……………………… @truman_waller
bbg …………………… @josiahdavid.dp
g&e vendor ……….. @nextquestionlighting
the idea behind this music video was to make things as HOT as possible. the titan tubes rigged up on safety wire held into place by zipties and these little locking screws were actually Cory’s idea, and boy did it work! they were meant to play as a heating element behind the band and as the song continues things getting progressively hotter and hotter. behind the tubes @notdevinparker and the grip team rigged up this silver shiny material? i honestly forget wtf this was but it looked epic. i’m sure Devin can drop the answer to that in the comments.
the tubes were pulsing to mimic a heating element/fire, we had an overhead softbox set at warm as possible/almost red, a 1200B w/ a softbox keying on the floor set the 3200K, a cool (6500K) hard backlight pushing through an industrial fan, and a hazer so we could see all those hard beams of light pushing through the fan.
also had the pleasure of working with my wife! @mollydianedelman was the intimacy coordinator for the narrative sequences in this video. all around incredible team, incredible time, and you bet ur ass an incredible music video. it came out like a year ago! go check it out!
#nextquestion
“don’t put out the fire” | dirty honey
director …………….. @zebulonraps
dp …………………….. @cory.messer
gaffer ……………….. @walkeredelman
bbe …………………… @katelynadkisson
kg ……………………… @truman_waller
bbg …………………… @josiahdavid.dp
g&e vendor ……….. @nextquestionlighting
the idea behind this music video was to make things as HOT as possible. the titan tubes rigged up on safety wire held into place by zipties and these little locking screws were actually Cory’s idea, and boy did it work! they were meant to play as a heating element behind the band and as the song continues things getting progressively hotter and hotter. behind the tubes @notdevinparker and the grip team rigged up this silver shiny material? i honestly forget wtf this was but it looked epic. i’m sure Devin can drop the answer to that in the comments.
the tubes were pulsing to mimic a heating element/fire, we had an overhead softbox set at warm as possible/almost red, a 1200B w/ a softbox keying on the floor set the 3200K, a cool (6500K) hard backlight pushing through an industrial fan, and a hazer so we could see all those hard beams of light pushing through the fan.
also had the pleasure of working with my wife! @mollydianedelman was the intimacy coordinator for the narrative sequences in this video. all around incredible team, incredible time, and you bet ur ass an incredible music video. it came out like a year ago! go check it out!
#nextquestion
“don’t put out the fire” | dirty honey
director …………….. @zebulonraps
dp …………………….. @cory.messer
gaffer ……………….. @walkeredelman
bbe …………………… @katelynadkisson
kg ……………………… @truman_waller
bbg …………………… @josiahdavid.dp
g&e vendor ……….. @nextquestionlighting
the idea behind this music video was to make things as HOT as possible. the titan tubes rigged up on safety wire held into place by zipties and these little locking screws were actually Cory’s idea, and boy did it work! they were meant to play as a heating element behind the band and as the song continues things getting progressively hotter and hotter. behind the tubes @notdevinparker and the grip team rigged up this silver shiny material? i honestly forget wtf this was but it looked epic. i’m sure Devin can drop the answer to that in the comments.
the tubes were pulsing to mimic a heating element/fire, we had an overhead softbox set at warm as possible/almost red, a 1200B w/ a softbox keying on the floor set the 3200K, a cool (6500K) hard backlight pushing through an industrial fan, and a hazer so we could see all those hard beams of light pushing through the fan.
also had the pleasure of working with my wife! @mollydianedelman was the intimacy coordinator for the narrative sequences in this video. all around incredible team, incredible time, and you bet ur ass an incredible music video. it came out like a year ago! go check it out!
#nextquestion
magda | narrative short
directors …. @kasiafierce and @johnericsteiner
dp …………… @deematicos
gaffer ……… @walkeredelman
kg …………… @c.r.velez
wish i had more bts of this! learned an insane amount underneath our dp @deematicos about lighting and technique. we shot this over a year ago and still to this day i find myself pulling from the lessons learned on this shoot. dimmed ambience, single source lighting, passive fill, muslin on everything, naturalistic, and DARK.
for this setup we had an titan tube wrapped in un-bleached muslin rigged overhead and dimmed wayyyy down for our low ambience room tour. a 600X w/ F10 Fresnel shooting through a 4x4 frame of 1/2 grid (also called Lite Grid) as our key shooting directly down into the bed right next to the window (not pictured) bouncing back up to light our subject. just adding to the naturalistic look of the whole scene, rather than aiming the light directly at the subject. we ended up using 1/2 grid a ton throughout this shoot, kind of became our go-to-diffusion, as well as 250 and 216 in a few other scenes. and lastly a wall of duvetyne scraps to suck out some of the light bouncing around the room.
that’s it! let me know if you have any questions.
@magdathefilm
magda | narrative short
directors …. @kasiafierce and @johnericsteiner
dp …………… @deematicos
gaffer ……… @walkeredelman
kg …………… @c.r.velez
wish i had more bts of this! learned an insane amount underneath our dp @deematicos about lighting and technique. we shot this over a year ago and still to this day i find myself pulling from the lessons learned on this shoot. dimmed ambience, single source lighting, passive fill, muslin on everything, naturalistic, and DARK.
for this setup we had an titan tube wrapped in un-bleached muslin rigged overhead and dimmed wayyyy down for our low ambience room tour. a 600X w/ F10 Fresnel shooting through a 4x4 frame of 1/2 grid (also called Lite Grid) as our key shooting directly down into the bed right next to the window (not pictured) bouncing back up to light our subject. just adding to the naturalistic look of the whole scene, rather than aiming the light directly at the subject. we ended up using 1/2 grid a ton throughout this shoot, kind of became our go-to-diffusion, as well as 250 and 216 in a few other scenes. and lastly a wall of duvetyne scraps to suck out some of the light bouncing around the room.
that’s it! let me know if you have any questions.
@magdathefilm
magda | narrative short
directors …. @kasiafierce and @johnericsteiner
dp …………… @deematicos
gaffer ……… @walkeredelman
kg …………… @c.r.velez
wish i had more bts of this! learned an insane amount underneath our dp @deematicos about lighting and technique. we shot this over a year ago and still to this day i find myself pulling from the lessons learned on this shoot. dimmed ambience, single source lighting, passive fill, muslin on everything, naturalistic, and DARK.
for this setup we had an titan tube wrapped in un-bleached muslin rigged overhead and dimmed wayyyy down for our low ambience room tour. a 600X w/ F10 Fresnel shooting through a 4x4 frame of 1/2 grid (also called Lite Grid) as our key shooting directly down into the bed right next to the window (not pictured) bouncing back up to light our subject. just adding to the naturalistic look of the whole scene, rather than aiming the light directly at the subject. we ended up using 1/2 grid a ton throughout this shoot, kind of became our go-to-diffusion, as well as 250 and 216 in a few other scenes. and lastly a wall of duvetyne scraps to suck out some of the light bouncing around the room.
that’s it! let me know if you have any questions.
@magdathefilm
magda | narrative short
directors …. @kasiafierce and @johnericsteiner
dp …………… @deematicos
gaffer ……… @walkeredelman
kg …………… @c.r.velez
wish i had more bts of this! learned an insane amount underneath our dp @deematicos about lighting and technique. we shot this over a year ago and still to this day i find myself pulling from the lessons learned on this shoot. dimmed ambience, single source lighting, passive fill, muslin on everything, naturalistic, and DARK.
for this setup we had an titan tube wrapped in un-bleached muslin rigged overhead and dimmed wayyyy down for our low ambience room tour. a 600X w/ F10 Fresnel shooting through a 4x4 frame of 1/2 grid (also called Lite Grid) as our key shooting directly down into the bed right next to the window (not pictured) bouncing back up to light our subject. just adding to the naturalistic look of the whole scene, rather than aiming the light directly at the subject. we ended up using 1/2 grid a ton throughout this shoot, kind of became our go-to-diffusion, as well as 250 and 216 in a few other scenes. and lastly a wall of duvetyne scraps to suck out some of the light bouncing around the room.
that’s it! let me know if you have any questions.
@magdathefilm
magda | narrative short
directors …. @kasiafierce and @johnericsteiner
dp …………… @deematicos
gaffer ……… @walkeredelman
kg …………… @c.r.velez
wish i had more bts of this! learned an insane amount underneath our dp @deematicos about lighting and technique. we shot this over a year ago and still to this day i find myself pulling from the lessons learned on this shoot. dimmed ambience, single source lighting, passive fill, muslin on everything, naturalistic, and DARK.
for this setup we had an titan tube wrapped in un-bleached muslin rigged overhead and dimmed wayyyy down for our low ambience room tour. a 600X w/ F10 Fresnel shooting through a 4x4 frame of 1/2 grid (also called Lite Grid) as our key shooting directly down into the bed right next to the window (not pictured) bouncing back up to light our subject. just adding to the naturalistic look of the whole scene, rather than aiming the light directly at the subject. we ended up using 1/2 grid a ton throughout this shoot, kind of became our go-to-diffusion, as well as 250 and 216 in a few other scenes. and lastly a wall of duvetyne scraps to suck out some of the light bouncing around the room.
that’s it! let me know if you have any questions.
@magdathefilm
magda | narrative short
directors …. @kasiafierce and @johnericsteiner
dp …………… @deematicos
gaffer ……… @walkeredelman
kg …………… @c.r.velez
wish i had more bts of this! learned an insane amount underneath our dp @deematicos about lighting and technique. we shot this over a year ago and still to this day i find myself pulling from the lessons learned on this shoot. dimmed ambience, single source lighting, passive fill, muslin on everything, naturalistic, and DARK.
for this setup we had an titan tube wrapped in un-bleached muslin rigged overhead and dimmed wayyyy down for our low ambience room tour. a 600X w/ F10 Fresnel shooting through a 4x4 frame of 1/2 grid (also called Lite Grid) as our key shooting directly down into the bed right next to the window (not pictured) bouncing back up to light our subject. just adding to the naturalistic look of the whole scene, rather than aiming the light directly at the subject. we ended up using 1/2 grid a ton throughout this shoot, kind of became our go-to-diffusion, as well as 250 and 216 in a few other scenes. and lastly a wall of duvetyne scraps to suck out some of the light bouncing around the room.
that’s it! let me know if you have any questions.
@magdathefilm
magda | narrative short
directors …. @kasiafierce and @johnericsteiner
dp …………… @deematicos
gaffer ……… @walkeredelman
kg …………… @c.r.velez
wish i had more bts of this! learned an insane amount underneath our dp @deematicos about lighting and technique. we shot this over a year ago and still to this day i find myself pulling from the lessons learned on this shoot. dimmed ambience, single source lighting, passive fill, muslin on everything, naturalistic, and DARK.
for this setup we had an titan tube wrapped in un-bleached muslin rigged overhead and dimmed wayyyy down for our low ambience room tour. a 600X w/ F10 Fresnel shooting through a 4x4 frame of 1/2 grid (also called Lite Grid) as our key shooting directly down into the bed right next to the window (not pictured) bouncing back up to light our subject. just adding to the naturalistic look of the whole scene, rather than aiming the light directly at the subject. we ended up using 1/2 grid a ton throughout this shoot, kind of became our go-to-diffusion, as well as 250 and 216 in a few other scenes. and lastly a wall of duvetyne scraps to suck out some of the light bouncing around the room.
that’s it! let me know if you have any questions.
@magdathefilm
magda | narrative short
directors …. @kasiafierce and @johnericsteiner
dp …………… @deematicos
gaffer ……… @walkeredelman
kg …………… @c.r.velez
wish i had more bts of this! learned an insane amount underneath our dp @deematicos about lighting and technique. we shot this over a year ago and still to this day i find myself pulling from the lessons learned on this shoot. dimmed ambience, single source lighting, passive fill, muslin on everything, naturalistic, and DARK.
for this setup we had an titan tube wrapped in un-bleached muslin rigged overhead and dimmed wayyyy down for our low ambience room tour. a 600X w/ F10 Fresnel shooting through a 4x4 frame of 1/2 grid (also called Lite Grid) as our key shooting directly down into the bed right next to the window (not pictured) bouncing back up to light our subject. just adding to the naturalistic look of the whole scene, rather than aiming the light directly at the subject. we ended up using 1/2 grid a ton throughout this shoot, kind of became our go-to-diffusion, as well as 250 and 216 in a few other scenes. and lastly a wall of duvetyne scraps to suck out some of the light bouncing around the room.
that’s it! let me know if you have any questions.
@magdathefilm
magda | narrative short
directors …. @kasiafierce and @johnericsteiner
dp …………… @deematicos
gaffer ……… @walkeredelman
kg …………… @c.r.velez
wish i had more bts of this! learned an insane amount underneath our dp @deematicos about lighting and technique. we shot this over a year ago and still to this day i find myself pulling from the lessons learned on this shoot. dimmed ambience, single source lighting, passive fill, muslin on everything, naturalistic, and DARK.
for this setup we had an titan tube wrapped in un-bleached muslin rigged overhead and dimmed wayyyy down for our low ambience room tour. a 600X w/ F10 Fresnel shooting through a 4x4 frame of 1/2 grid (also called Lite Grid) as our key shooting directly down into the bed right next to the window (not pictured) bouncing back up to light our subject. just adding to the naturalistic look of the whole scene, rather than aiming the light directly at the subject. we ended up using 1/2 grid a ton throughout this shoot, kind of became our go-to-diffusion, as well as 250 and 216 in a few other scenes. and lastly a wall of duvetyne scraps to suck out some of the light bouncing around the room.
that’s it! let me know if you have any questions.
@magdathefilm
i was alive | music video
director …….. @zebulonmusic
dp …………….. @cory.messer
gaffer ……….. @walkeredelman
kg …………….. @cooperhaaland
swing ……….. @winston_mitchell
when i say we had the dream team on this one, we had the fuckin dream team. had very little time to get a hell of a lot done and damn did we pull it off. one of my favorite music videos to date.
since we couldn’t fully tent or flag out the sun, we decided to light from the east facing windows and adjust the intensity of our units accordingly as the sun moves around us. we had 4 x 600Ds pushing through the highest windows (mimicking the beam angle the sun was going to be doing naturally) acting as our key and then used a 600X blasting directly through a 6x6 bleached muslin rag w/ a 50 degree control grid as our wrap. i normally only ever use the bleached mus as a bounce, but often forget that it’s the same amount of stop loss as something like a 1/2 grid cloth, both taking away about 2 full stops of light. just a good reminder you can use bleached or un-bleached muslin for fucking anything. it rocks. we also decided to leave on the overhead cup lights and dim them down as low as we could, didn’t really do anything to the overall room ambience but added a lot of specular reflections and pockets of interest throughout the frame.
and lastly we talked about adding some solid floppies for negative fill, but ultimately decided against it since we weren’t getting much from our subjects shadow side anyway due to the trees blocking the west facing windows. also shoutout to the #coffinbounce that was acting as our natural passive return.
anywho, let me know if you have any questions! and plz comment below if you think this lighting setup was heavenly enough—would god be proud?
i was alive | music video
director …….. @zebulonmusic
dp …………….. @cory.messer
gaffer ……….. @walkeredelman
kg …………….. @cooperhaaland
swing ……….. @winston_mitchell
when i say we had the dream team on this one, we had the fuckin dream team. had very little time to get a hell of a lot done and damn did we pull it off. one of my favorite music videos to date.
since we couldn’t fully tent or flag out the sun, we decided to light from the east facing windows and adjust the intensity of our units accordingly as the sun moves around us. we had 4 x 600Ds pushing through the highest windows (mimicking the beam angle the sun was going to be doing naturally) acting as our key and then used a 600X blasting directly through a 6x6 bleached muslin rag w/ a 50 degree control grid as our wrap. i normally only ever use the bleached mus as a bounce, but often forget that it’s the same amount of stop loss as something like a 1/2 grid cloth, both taking away about 2 full stops of light. just a good reminder you can use bleached or un-bleached muslin for fucking anything. it rocks. we also decided to leave on the overhead cup lights and dim them down as low as we could, didn’t really do anything to the overall room ambience but added a lot of specular reflections and pockets of interest throughout the frame.
and lastly we talked about adding some solid floppies for negative fill, but ultimately decided against it since we weren’t getting much from our subjects shadow side anyway due to the trees blocking the west facing windows. also shoutout to the #coffinbounce that was acting as our natural passive return.
anywho, let me know if you have any questions! and plz comment below if you think this lighting setup was heavenly enough—would god be proud?
i was alive | music video
director …….. @zebulonmusic
dp …………….. @cory.messer
gaffer ……….. @walkeredelman
kg …………….. @cooperhaaland
swing ……….. @winston_mitchell
when i say we had the dream team on this one, we had the fuckin dream team. had very little time to get a hell of a lot done and damn did we pull it off. one of my favorite music videos to date.
since we couldn’t fully tent or flag out the sun, we decided to light from the east facing windows and adjust the intensity of our units accordingly as the sun moves around us. we had 4 x 600Ds pushing through the highest windows (mimicking the beam angle the sun was going to be doing naturally) acting as our key and then used a 600X blasting directly through a 6x6 bleached muslin rag w/ a 50 degree control grid as our wrap. i normally only ever use the bleached mus as a bounce, but often forget that it’s the same amount of stop loss as something like a 1/2 grid cloth, both taking away about 2 full stops of light. just a good reminder you can use bleached or un-bleached muslin for fucking anything. it rocks. we also decided to leave on the overhead cup lights and dim them down as low as we could, didn’t really do anything to the overall room ambience but added a lot of specular reflections and pockets of interest throughout the frame.
and lastly we talked about adding some solid floppies for negative fill, but ultimately decided against it since we weren’t getting much from our subjects shadow side anyway due to the trees blocking the west facing windows. also shoutout to the #coffinbounce that was acting as our natural passive return.
anywho, let me know if you have any questions! and plz comment below if you think this lighting setup was heavenly enough—would god be proud?
i was alive | music video
director …….. @zebulonmusic
dp …………….. @cory.messer
gaffer ……….. @walkeredelman
kg …………….. @cooperhaaland
swing ……….. @winston_mitchell
when i say we had the dream team on this one, we had the fuckin dream team. had very little time to get a hell of a lot done and damn did we pull it off. one of my favorite music videos to date.
since we couldn’t fully tent or flag out the sun, we decided to light from the east facing windows and adjust the intensity of our units accordingly as the sun moves around us. we had 4 x 600Ds pushing through the highest windows (mimicking the beam angle the sun was going to be doing naturally) acting as our key and then used a 600X blasting directly through a 6x6 bleached muslin rag w/ a 50 degree control grid as our wrap. i normally only ever use the bleached mus as a bounce, but often forget that it’s the same amount of stop loss as something like a 1/2 grid cloth, both taking away about 2 full stops of light. just a good reminder you can use bleached or un-bleached muslin for fucking anything. it rocks. we also decided to leave on the overhead cup lights and dim them down as low as we could, didn’t really do anything to the overall room ambience but added a lot of specular reflections and pockets of interest throughout the frame.
and lastly we talked about adding some solid floppies for negative fill, but ultimately decided against it since we weren’t getting much from our subjects shadow side anyway due to the trees blocking the west facing windows. also shoutout to the #coffinbounce that was acting as our natural passive return.
anywho, let me know if you have any questions! and plz comment below if you think this lighting setup was heavenly enough—would god be proud?
i was alive | music video
director …….. @zebulonmusic
dp …………….. @cory.messer
gaffer ……….. @walkeredelman
kg …………….. @cooperhaaland
swing ……….. @winston_mitchell
when i say we had the dream team on this one, we had the fuckin dream team. had very little time to get a hell of a lot done and damn did we pull it off. one of my favorite music videos to date.
since we couldn’t fully tent or flag out the sun, we decided to light from the east facing windows and adjust the intensity of our units accordingly as the sun moves around us. we had 4 x 600Ds pushing through the highest windows (mimicking the beam angle the sun was going to be doing naturally) acting as our key and then used a 600X blasting directly through a 6x6 bleached muslin rag w/ a 50 degree control grid as our wrap. i normally only ever use the bleached mus as a bounce, but often forget that it’s the same amount of stop loss as something like a 1/2 grid cloth, both taking away about 2 full stops of light. just a good reminder you can use bleached or un-bleached muslin for fucking anything. it rocks. we also decided to leave on the overhead cup lights and dim them down as low as we could, didn’t really do anything to the overall room ambience but added a lot of specular reflections and pockets of interest throughout the frame.
and lastly we talked about adding some solid floppies for negative fill, but ultimately decided against it since we weren’t getting much from our subjects shadow side anyway due to the trees blocking the west facing windows. also shoutout to the #coffinbounce that was acting as our natural passive return.
anywho, let me know if you have any questions! and plz comment below if you think this lighting setup was heavenly enough—would god be proud?
i was alive | music video
director …….. @zebulonmusic
dp …………….. @cory.messer
gaffer ……….. @walkeredelman
kg …………….. @cooperhaaland
swing ……….. @winston_mitchell
when i say we had the dream team on this one, we had the fuckin dream team. had very little time to get a hell of a lot done and damn did we pull it off. one of my favorite music videos to date.
since we couldn’t fully tent or flag out the sun, we decided to light from the east facing windows and adjust the intensity of our units accordingly as the sun moves around us. we had 4 x 600Ds pushing through the highest windows (mimicking the beam angle the sun was going to be doing naturally) acting as our key and then used a 600X blasting directly through a 6x6 bleached muslin rag w/ a 50 degree control grid as our wrap. i normally only ever use the bleached mus as a bounce, but often forget that it’s the same amount of stop loss as something like a 1/2 grid cloth, both taking away about 2 full stops of light. just a good reminder you can use bleached or un-bleached muslin for fucking anything. it rocks. we also decided to leave on the overhead cup lights and dim them down as low as we could, didn’t really do anything to the overall room ambience but added a lot of specular reflections and pockets of interest throughout the frame.
and lastly we talked about adding some solid floppies for negative fill, but ultimately decided against it since we weren’t getting much from our subjects shadow side anyway due to the trees blocking the west facing windows. also shoutout to the #coffinbounce that was acting as our natural passive return.
anywho, let me know if you have any questions! and plz comment below if you think this lighting setup was heavenly enough—would god be proud?
i was alive | music video
director …….. @zebulonmusic
dp …………….. @cory.messer
gaffer ……….. @walkeredelman
kg …………….. @cooperhaaland
swing ……….. @winston_mitchell
when i say we had the dream team on this one, we had the fuckin dream team. had very little time to get a hell of a lot done and damn did we pull it off. one of my favorite music videos to date.
since we couldn’t fully tent or flag out the sun, we decided to light from the east facing windows and adjust the intensity of our units accordingly as the sun moves around us. we had 4 x 600Ds pushing through the highest windows (mimicking the beam angle the sun was going to be doing naturally) acting as our key and then used a 600X blasting directly through a 6x6 bleached muslin rag w/ a 50 degree control grid as our wrap. i normally only ever use the bleached mus as a bounce, but often forget that it’s the same amount of stop loss as something like a 1/2 grid cloth, both taking away about 2 full stops of light. just a good reminder you can use bleached or un-bleached muslin for fucking anything. it rocks. we also decided to leave on the overhead cup lights and dim them down as low as we could, didn’t really do anything to the overall room ambience but added a lot of specular reflections and pockets of interest throughout the frame.
and lastly we talked about adding some solid floppies for negative fill, but ultimately decided against it since we weren’t getting much from our subjects shadow side anyway due to the trees blocking the west facing windows. also shoutout to the #coffinbounce that was acting as our natural passive return.
anywho, let me know if you have any questions! and plz comment below if you think this lighting setup was heavenly enough—would god be proud?
i was alive | music video
director …….. @zebulonmusic
dp …………….. @cory.messer
gaffer ……….. @walkeredelman
kg …………….. @cooperhaaland
swing ……….. @winston_mitchell
when i say we had the dream team on this one, we had the fuckin dream team. had very little time to get a hell of a lot done and damn did we pull it off. one of my favorite music videos to date.
since we couldn’t fully tent or flag out the sun, we decided to light from the east facing windows and adjust the intensity of our units accordingly as the sun moves around us. we had 4 x 600Ds pushing through the highest windows (mimicking the beam angle the sun was going to be doing naturally) acting as our key and then used a 600X blasting directly through a 6x6 bleached muslin rag w/ a 50 degree control grid as our wrap. i normally only ever use the bleached mus as a bounce, but often forget that it’s the same amount of stop loss as something like a 1/2 grid cloth, both taking away about 2 full stops of light. just a good reminder you can use bleached or un-bleached muslin for fucking anything. it rocks. we also decided to leave on the overhead cup lights and dim them down as low as we could, didn’t really do anything to the overall room ambience but added a lot of specular reflections and pockets of interest throughout the frame.
and lastly we talked about adding some solid floppies for negative fill, but ultimately decided against it since we weren’t getting much from our subjects shadow side anyway due to the trees blocking the west facing windows. also shoutout to the #coffinbounce that was acting as our natural passive return.
anywho, let me know if you have any questions! and plz comment below if you think this lighting setup was heavenly enough—would god be proud?
“i was alive” beartooth
director …….. @zebulonmusic
dp …………….. @cory.messer
kg …………….. @cooperhaaland
swing ……….. @winston_mitchell
when i say we had the dream team on this one, we had the fuckin dream team. had very little time to get a hell of a lot done and damn did we pull it off. one of my favorite music videos to date.
since we couldn’t fully tent or flag out the sun, we decided to light from the east facing windows and adjust the intensity of our units accordingly as the sun moves around us. we had 4 x 600Ds pushing through the highest windows (mimicking the beam angle the sun was going to be doing naturally) acting as our key and then used a 600X blasting directly through a 6x6 bleached muslin rag w/ a 50 degree control grid as our wrap. i normally only ever use the bleached mus as a bounce, but often forget that it’s the same amount of stop loss as something like a 1/2 grid cloth, both taking away about 2 full stops of light. just a good reminder you can use bleached or un-bleached muslin for fucking anything. it rocks. we also decided to leave on the overhead cup lights and dim them down as low as we could, didn’t really do anything to the overall room ambience but added a lot of specular reflections and pockets of interest throughout the frame.
and lastly we talked about adding some solid floppies for negative fill, but ultimately decided against it since we weren’t getting much from our subjects shadow side anyway due to the trees blocking the west facing windows. also shoutout to the #coffinbounce that was acting as our natural passive return.
anywho, let me know if you have any questions! and plz comment below if you think this lighting setup was heavenly enough—would god be proud?
“i was alive” beartooth
director …….. @zebulonmusic
dp …………….. @cory.messer
kg …………….. @cooperhaaland
swing ……….. @winston_mitchell
when i say we had the dream team on this one, we had the fuckin dream team. had very little time to get a hell of a lot done and damn did we pull it off. one of my favorite music videos to date.
since we couldn’t fully tent or flag out the sun, we decided to light from the east facing windows and adjust the intensity of our units accordingly as the sun moves around us. we had 4 x 600Ds pushing through the highest windows (mimicking the beam angle the sun was going to be doing naturally) acting as our key and then used a 600X blasting directly through a 6x6 bleached muslin rag w/ a 50 degree control grid as our wrap. i normally only ever use the bleached mus as a bounce, but often forget that it’s the same amount of stop loss as something like a 1/2 grid cloth, both taking away about 2 full stops of light. just a good reminder you can use bleached or un-bleached muslin for fucking anything. it rocks. we also decided to leave on the overhead cup lights and dim them down as low as we could, didn’t really do anything to the overall room ambience but added a lot of specular reflections and pockets of interest throughout the frame.
and lastly we talked about adding some solid floppies for negative fill, but ultimately decided against it since we weren’t getting much from our subjects shadow side anyway due to the trees blocking the west facing windows. also shoutout to the #coffinbounce that was acting as our natural passive return.
anywho, let me know if you have any questions! and plz comment below if you think this lighting setup was heavenly enough—would god be proud?
View Instagram Stories in Secret
The Instagram Story Viewer is an easy tool that lets you secretly watch and save Instagram stories, videos, photos, or IGTV. With this service, you can download content and enjoy it offline whenever you like. If you find something interesting on Instagram that you’d like to check out later or want to view stories while staying anonymous, our Viewer is perfect for you. Anonstories offers an excellent solution for keeping your identity hidden. Instagram first launched the Stories feature in August 2023, which was quickly adopted by other platforms due to its engaging, time-sensitive format. Stories let users share quick updates, whether photos, videos, or selfies, enhanced with text, emojis, or filters, and are visible for only 24 hours. This limited time frame creates high engagement compared to regular posts. In today’s world, Stories are one of the most popular ways to connect and communicate on social media. However, when you view a Story, the creator can see your name in their viewer list, which may be a privacy concern. What if you wish to browse Stories without being noticed? Here’s where Anonstories becomes useful. It allows you to watch public Instagram content without revealing your identity. Simply enter the username of the profile you’re curious about, and the tool will display their latest Stories. Features of Anonstories Viewer: - Anonymous Browsing: Watch Stories without showing up on the viewer list. - No Account Needed: View public content without signing up for an Instagram account. - Content Download: Save any Stories content directly to your device for offline use. - View Highlights: Access Instagram Highlights, even beyond the 24-hour window. - Repost Monitoring: Track the reposts or engagement levels on Stories for personal profiles. Limitations: - This tool works only with public accounts; private accounts remain inaccessible. Benefits: - Privacy-Friendly: Watch any Instagram content without being noticed. - Simple and Easy: No app installation or registration required. - Exclusive Tools: Download and manage content in ways Instagram doesn’t offer.
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Enter a public username to view or download stories. The service generates direct links for saving content locally.