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The celebrated Wallpaper* Travel Guides return with a new series, revisiting four of the world’s most stylish and culturally vibrant hubs: Milan, Paris, New York City and London.

Fully revised and curated by Wallpaper* writers with insider knowledge, each pocket-sized book moves through the cities with precision, mapping the spaces, people and ideas shaping design, architecture, culture and everyday life now.

Built for design lovers, each guide offers a considered way into culture-rich getaways, from established landmarks to lesser-seen addresses.

Pick up a copy via the link in bio or at wallpaper.com.

#wallpapertravelguide

Introducing the Wallpaper* 2026 Design Issue.

Wallpaper* May 2026 focuses on Milan and the projects shaping the design year, from Salone del Mobile to new commissions, collaborations and conversations across the industry. A clear view of where design is now and where it’s heading next.

Pick up your copy of the May Design Issue via the link in bio or at wallpaper.com, or comment ‘DESIGN’ and we’ll send you the link to buy.

Introducing the Wallpaper* 2026 Design Issue.

Wallpaper* May 2026 focuses on Milan and the projects shaping the design year, from Salone del Mobile to new commissions, collaborations and conversations across the industry. A clear view of where design is now and where it’s heading next.

Pick up your copy of the May Design Issue via the link in bio or at wallpaper.com, or comment ‘DESIGN’ and we’ll send you the link to buy.

Introducing the Wallpaper* 2026 Design Issue.

Wallpaper* May 2026 focuses on Milan and the projects shaping the design year, from Salone del Mobile to new commissions, collaborations and conversations across the industry. A clear view of where design is now and where it’s heading next.

Pick up your copy of the May Design Issue via the link in bio or at wallpaper.com, or comment ‘DESIGN’ and we’ll send you the link to buy.

Introducing the Wallpaper* 2026 Design Issue.

Wallpaper* May 2026 focuses on Milan and the projects shaping the design year, from Salone del Mobile to new commissions, collaborations and conversations across the industry. A clear view of where design is now and where it’s heading next.

Pick up your copy of the May Design Issue via the link in bio or at wallpaper.com, or comment ‘DESIGN’ and we’ll send you the link to buy.

Introducing the Wallpaper* 2026 Design Issue.

Wallpaper* May 2026 focuses on Milan and the projects shaping the design year, from Salone del Mobile to new commissions, collaborations and conversations across the industry. A clear view of where design is now and where it’s heading next.

Pick up your copy of the May Design Issue via the link in bio or at wallpaper.com, or comment ‘DESIGN’ and we’ll send you the link to buy.

Introducing the Wallpaper* 2026 Design Issue.

Wallpaper* May 2026 focuses on Milan and the projects shaping the design year, from Salone del Mobile to new commissions, collaborations and conversations across the industry. A clear view of where design is now and where it’s heading next.

Pick up your copy of the May Design Issue via the link in bio or at wallpaper.com, or comment ‘DESIGN’ and we’ll send you the link to buy.

Design that doesn't just decorate, but directs: this is the Patina mandate. As part of the Capella Hotel Group, Patina is pioneering a fresh vision for global hospitality, one that places architectural prowess and cultural affinity at its core.

The Patina experience is defined by art, music and design – from the Listening Room in Osaka, meticulously curated by sound pioneer Devon Turnbull, to the clean architectural lines of the Maldives resort, a masterpiece by Marcio Kogan’s award-winning Studio MK27. Even their forthcoming opening in Tianjin sets a new benchmark, occupying the only complete Italian-style architectural complex outside of Italy.

Discover the properties setting the new standard. Read the full feature at the link in bio.

The Venice Art Biennale returns from 9 May to 22 November 2026, bringing artists, curators and visitors back to the city’s squares, labyrinth walkways and palazzos. This year’s 61st International Art Exhibition unfolds under the late curator Koyo Kouoh’s theme, 'In Minor Keys', turning attention towards the quieter undercurrents that shape daily life, from mood to memory, politics to the planet.

Across the Giardini, the Arsenale and satellite exhibitions throughout churches, museums and palazzos, these are some of the shows we're looking forward to.

1. At the Greek Pavilion, Andreas @angelidakis presents ‘Escape Room’, an immersive installation drawing on Plato’s cave and the commercialisation of escapism through performance, architecture and theory.

2. At the British Pavilion, Lubaina Himid (@lubainapics) presents ‘Predicting History: Testing Translation’, surreal, boldly coloured paintings exploring what it takes for a place to become home.

3. At the Basilica of San Giorgio Maggiore, @barryxballstudio’s ‘The Shape of Time’ rethinks historical and religious motifs through marble and metal sculptures.

4.At Ca’ Pesaro – International Gallery of Modern Art, @hernanbas presents ‘The Visitors’, a darkly humorous exhibition inspired by Venice’s tourism industry.

5. At Palazzo Loredan, Sanya Kantarovsky’s (@skantily) Basic Failure brings together paintings, ceramics and Murano glass sculpture with dark, wry humour.

6. At Fondazione Prada, curator Nancy Spector (@nespector) places Arthur Jafa (@anamibia) and Richard Prince in dialogue through ‘Helter Skelter’, tracing appropriation and image culture through photography, installation and painting.

7. At the Danish Pavilion, Maja Malou Lyse (@habitual_body_monitoring2) explores fertility, pornography and scientific imagery through a large-scale video installation set within a sperm bank in 2045.

8. At Magazzini del Sale, @nalinimalani’s ‘Of Woman Born’ reimagines the Greek myth of Orestes through animation and soundscape, reflecting on accountability and patriarchal violence.

Read more about the exhibitions shaping Venice Biennale 2026 via the link in bio or at wallpaper.com.

🖊️: _hannahsilver_

The Venice Art Biennale returns from 9 May to 22 November 2026, bringing artists, curators and visitors back to the city’s squares, labyrinth walkways and palazzos. This year’s 61st International Art Exhibition unfolds under the late curator Koyo Kouoh’s theme, 'In Minor Keys', turning attention towards the quieter undercurrents that shape daily life, from mood to memory, politics to the planet.

Across the Giardini, the Arsenale and satellite exhibitions throughout churches, museums and palazzos, these are some of the shows we're looking forward to.

1. At the Greek Pavilion, Andreas @angelidakis presents ‘Escape Room’, an immersive installation drawing on Plato’s cave and the commercialisation of escapism through performance, architecture and theory.

2. At the British Pavilion, Lubaina Himid (@lubainapics) presents ‘Predicting History: Testing Translation’, surreal, boldly coloured paintings exploring what it takes for a place to become home.

3. At the Basilica of San Giorgio Maggiore, @barryxballstudio’s ‘The Shape of Time’ rethinks historical and religious motifs through marble and metal sculptures.

4.At Ca’ Pesaro – International Gallery of Modern Art, @hernanbas presents ‘The Visitors’, a darkly humorous exhibition inspired by Venice’s tourism industry.

5. At Palazzo Loredan, Sanya Kantarovsky’s (@skantily) Basic Failure brings together paintings, ceramics and Murano glass sculpture with dark, wry humour.

6. At Fondazione Prada, curator Nancy Spector (@nespector) places Arthur Jafa (@anamibia) and Richard Prince in dialogue through ‘Helter Skelter’, tracing appropriation and image culture through photography, installation and painting.

7. At the Danish Pavilion, Maja Malou Lyse (@habitual_body_monitoring2) explores fertility, pornography and scientific imagery through a large-scale video installation set within a sperm bank in 2045.

8. At Magazzini del Sale, @nalinimalani’s ‘Of Woman Born’ reimagines the Greek myth of Orestes through animation and soundscape, reflecting on accountability and patriarchal violence.

Read more about the exhibitions shaping Venice Biennale 2026 via the link in bio or at wallpaper.com.

🖊️: _hannahsilver_

The Venice Art Biennale returns from 9 May to 22 November 2026, bringing artists, curators and visitors back to the city’s squares, labyrinth walkways and palazzos. This year’s 61st International Art Exhibition unfolds under the late curator Koyo Kouoh’s theme, 'In Minor Keys', turning attention towards the quieter undercurrents that shape daily life, from mood to memory, politics to the planet.

Across the Giardini, the Arsenale and satellite exhibitions throughout churches, museums and palazzos, these are some of the shows we're looking forward to.

1. At the Greek Pavilion, Andreas @angelidakis presents ‘Escape Room’, an immersive installation drawing on Plato’s cave and the commercialisation of escapism through performance, architecture and theory.

2. At the British Pavilion, Lubaina Himid (@lubainapics) presents ‘Predicting History: Testing Translation’, surreal, boldly coloured paintings exploring what it takes for a place to become home.

3. At the Basilica of San Giorgio Maggiore, @barryxballstudio’s ‘The Shape of Time’ rethinks historical and religious motifs through marble and metal sculptures.

4.At Ca’ Pesaro – International Gallery of Modern Art, @hernanbas presents ‘The Visitors’, a darkly humorous exhibition inspired by Venice’s tourism industry.

5. At Palazzo Loredan, Sanya Kantarovsky’s (@skantily) Basic Failure brings together paintings, ceramics and Murano glass sculpture with dark, wry humour.

6. At Fondazione Prada, curator Nancy Spector (@nespector) places Arthur Jafa (@anamibia) and Richard Prince in dialogue through ‘Helter Skelter’, tracing appropriation and image culture through photography, installation and painting.

7. At the Danish Pavilion, Maja Malou Lyse (@habitual_body_monitoring2) explores fertility, pornography and scientific imagery through a large-scale video installation set within a sperm bank in 2045.

8. At Magazzini del Sale, @nalinimalani’s ‘Of Woman Born’ reimagines the Greek myth of Orestes through animation and soundscape, reflecting on accountability and patriarchal violence.

Read more about the exhibitions shaping Venice Biennale 2026 via the link in bio or at wallpaper.com.

🖊️: _hannahsilver_

The Venice Art Biennale returns from 9 May to 22 November 2026, bringing artists, curators and visitors back to the city’s squares, labyrinth walkways and palazzos. This year’s 61st International Art Exhibition unfolds under the late curator Koyo Kouoh’s theme, 'In Minor Keys', turning attention towards the quieter undercurrents that shape daily life, from mood to memory, politics to the planet.

Across the Giardini, the Arsenale and satellite exhibitions throughout churches, museums and palazzos, these are some of the shows we're looking forward to.

1. At the Greek Pavilion, Andreas @angelidakis presents ‘Escape Room’, an immersive installation drawing on Plato’s cave and the commercialisation of escapism through performance, architecture and theory.

2. At the British Pavilion, Lubaina Himid (@lubainapics) presents ‘Predicting History: Testing Translation’, surreal, boldly coloured paintings exploring what it takes for a place to become home.

3. At the Basilica of San Giorgio Maggiore, @barryxballstudio’s ‘The Shape of Time’ rethinks historical and religious motifs through marble and metal sculptures.

4.At Ca’ Pesaro – International Gallery of Modern Art, @hernanbas presents ‘The Visitors’, a darkly humorous exhibition inspired by Venice’s tourism industry.

5. At Palazzo Loredan, Sanya Kantarovsky’s (@skantily) Basic Failure brings together paintings, ceramics and Murano glass sculpture with dark, wry humour.

6. At Fondazione Prada, curator Nancy Spector (@nespector) places Arthur Jafa (@anamibia) and Richard Prince in dialogue through ‘Helter Skelter’, tracing appropriation and image culture through photography, installation and painting.

7. At the Danish Pavilion, Maja Malou Lyse (@habitual_body_monitoring2) explores fertility, pornography and scientific imagery through a large-scale video installation set within a sperm bank in 2045.

8. At Magazzini del Sale, @nalinimalani’s ‘Of Woman Born’ reimagines the Greek myth of Orestes through animation and soundscape, reflecting on accountability and patriarchal violence.

Read more about the exhibitions shaping Venice Biennale 2026 via the link in bio or at wallpaper.com.

🖊️: _hannahsilver_

The Venice Art Biennale returns from 9 May to 22 November 2026, bringing artists, curators and visitors back to the city’s squares, labyrinth walkways and palazzos. This year’s 61st International Art Exhibition unfolds under the late curator Koyo Kouoh’s theme, 'In Minor Keys', turning attention towards the quieter undercurrents that shape daily life, from mood to memory, politics to the planet.

Across the Giardini, the Arsenale and satellite exhibitions throughout churches, museums and palazzos, these are some of the shows we're looking forward to.

1. At the Greek Pavilion, Andreas @angelidakis presents ‘Escape Room’, an immersive installation drawing on Plato’s cave and the commercialisation of escapism through performance, architecture and theory.

2. At the British Pavilion, Lubaina Himid (@lubainapics) presents ‘Predicting History: Testing Translation’, surreal, boldly coloured paintings exploring what it takes for a place to become home.

3. At the Basilica of San Giorgio Maggiore, @barryxballstudio’s ‘The Shape of Time’ rethinks historical and religious motifs through marble and metal sculptures.

4.At Ca’ Pesaro – International Gallery of Modern Art, @hernanbas presents ‘The Visitors’, a darkly humorous exhibition inspired by Venice’s tourism industry.

5. At Palazzo Loredan, Sanya Kantarovsky’s (@skantily) Basic Failure brings together paintings, ceramics and Murano glass sculpture with dark, wry humour.

6. At Fondazione Prada, curator Nancy Spector (@nespector) places Arthur Jafa (@anamibia) and Richard Prince in dialogue through ‘Helter Skelter’, tracing appropriation and image culture through photography, installation and painting.

7. At the Danish Pavilion, Maja Malou Lyse (@habitual_body_monitoring2) explores fertility, pornography and scientific imagery through a large-scale video installation set within a sperm bank in 2045.

8. At Magazzini del Sale, @nalinimalani’s ‘Of Woman Born’ reimagines the Greek myth of Orestes through animation and soundscape, reflecting on accountability and patriarchal violence.

Read more about the exhibitions shaping Venice Biennale 2026 via the link in bio or at wallpaper.com.

🖊️: _hannahsilver_

The Venice Art Biennale returns from 9 May to 22 November 2026, bringing artists, curators and visitors back to the city’s squares, labyrinth walkways and palazzos. This year’s 61st International Art Exhibition unfolds under the late curator Koyo Kouoh’s theme, 'In Minor Keys', turning attention towards the quieter undercurrents that shape daily life, from mood to memory, politics to the planet.

Across the Giardini, the Arsenale and satellite exhibitions throughout churches, museums and palazzos, these are some of the shows we're looking forward to.

1. At the Greek Pavilion, Andreas @angelidakis presents ‘Escape Room’, an immersive installation drawing on Plato’s cave and the commercialisation of escapism through performance, architecture and theory.

2. At the British Pavilion, Lubaina Himid (@lubainapics) presents ‘Predicting History: Testing Translation’, surreal, boldly coloured paintings exploring what it takes for a place to become home.

3. At the Basilica of San Giorgio Maggiore, @barryxballstudio’s ‘The Shape of Time’ rethinks historical and religious motifs through marble and metal sculptures.

4.At Ca’ Pesaro – International Gallery of Modern Art, @hernanbas presents ‘The Visitors’, a darkly humorous exhibition inspired by Venice’s tourism industry.

5. At Palazzo Loredan, Sanya Kantarovsky’s (@skantily) Basic Failure brings together paintings, ceramics and Murano glass sculpture with dark, wry humour.

6. At Fondazione Prada, curator Nancy Spector (@nespector) places Arthur Jafa (@anamibia) and Richard Prince in dialogue through ‘Helter Skelter’, tracing appropriation and image culture through photography, installation and painting.

7. At the Danish Pavilion, Maja Malou Lyse (@habitual_body_monitoring2) explores fertility, pornography and scientific imagery through a large-scale video installation set within a sperm bank in 2045.

8. At Magazzini del Sale, @nalinimalani’s ‘Of Woman Born’ reimagines the Greek myth of Orestes through animation and soundscape, reflecting on accountability and patriarchal violence.

Read more about the exhibitions shaping Venice Biennale 2026 via the link in bio or at wallpaper.com.

🖊️: _hannahsilver_

The Venice Art Biennale returns from 9 May to 22 November 2026, bringing artists, curators and visitors back to the city’s squares, labyrinth walkways and palazzos. This year’s 61st International Art Exhibition unfolds under the late curator Koyo Kouoh’s theme, 'In Minor Keys', turning attention towards the quieter undercurrents that shape daily life, from mood to memory, politics to the planet.

Across the Giardini, the Arsenale and satellite exhibitions throughout churches, museums and palazzos, these are some of the shows we're looking forward to.

1. At the Greek Pavilion, Andreas @angelidakis presents ‘Escape Room’, an immersive installation drawing on Plato’s cave and the commercialisation of escapism through performance, architecture and theory.

2. At the British Pavilion, Lubaina Himid (@lubainapics) presents ‘Predicting History: Testing Translation’, surreal, boldly coloured paintings exploring what it takes for a place to become home.

3. At the Basilica of San Giorgio Maggiore, @barryxballstudio’s ‘The Shape of Time’ rethinks historical and religious motifs through marble and metal sculptures.

4.At Ca’ Pesaro – International Gallery of Modern Art, @hernanbas presents ‘The Visitors’, a darkly humorous exhibition inspired by Venice’s tourism industry.

5. At Palazzo Loredan, Sanya Kantarovsky’s (@skantily) Basic Failure brings together paintings, ceramics and Murano glass sculpture with dark, wry humour.

6. At Fondazione Prada, curator Nancy Spector (@nespector) places Arthur Jafa (@anamibia) and Richard Prince in dialogue through ‘Helter Skelter’, tracing appropriation and image culture through photography, installation and painting.

7. At the Danish Pavilion, Maja Malou Lyse (@habitual_body_monitoring2) explores fertility, pornography and scientific imagery through a large-scale video installation set within a sperm bank in 2045.

8. At Magazzini del Sale, @nalinimalani’s ‘Of Woman Born’ reimagines the Greek myth of Orestes through animation and soundscape, reflecting on accountability and patriarchal violence.

Read more about the exhibitions shaping Venice Biennale 2026 via the link in bio or at wallpaper.com.

🖊️: _hannahsilver_

The Venice Art Biennale returns from 9 May to 22 November 2026, bringing artists, curators and visitors back to the city’s squares, labyrinth walkways and palazzos. This year’s 61st International Art Exhibition unfolds under the late curator Koyo Kouoh’s theme, 'In Minor Keys', turning attention towards the quieter undercurrents that shape daily life, from mood to memory, politics to the planet.

Across the Giardini, the Arsenale and satellite exhibitions throughout churches, museums and palazzos, these are some of the shows we're looking forward to.

1. At the Greek Pavilion, Andreas @angelidakis presents ‘Escape Room’, an immersive installation drawing on Plato’s cave and the commercialisation of escapism through performance, architecture and theory.

2. At the British Pavilion, Lubaina Himid (@lubainapics) presents ‘Predicting History: Testing Translation’, surreal, boldly coloured paintings exploring what it takes for a place to become home.

3. At the Basilica of San Giorgio Maggiore, @barryxballstudio’s ‘The Shape of Time’ rethinks historical and religious motifs through marble and metal sculptures.

4.At Ca’ Pesaro – International Gallery of Modern Art, @hernanbas presents ‘The Visitors’, a darkly humorous exhibition inspired by Venice’s tourism industry.

5. At Palazzo Loredan, Sanya Kantarovsky’s (@skantily) Basic Failure brings together paintings, ceramics and Murano glass sculpture with dark, wry humour.

6. At Fondazione Prada, curator Nancy Spector (@nespector) places Arthur Jafa (@anamibia) and Richard Prince in dialogue through ‘Helter Skelter’, tracing appropriation and image culture through photography, installation and painting.

7. At the Danish Pavilion, Maja Malou Lyse (@habitual_body_monitoring2) explores fertility, pornography and scientific imagery through a large-scale video installation set within a sperm bank in 2045.

8. At Magazzini del Sale, @nalinimalani’s ‘Of Woman Born’ reimagines the Greek myth of Orestes through animation and soundscape, reflecting on accountability and patriarchal violence.

Read more about the exhibitions shaping Venice Biennale 2026 via the link in bio or at wallpaper.com.

🖊️: _hannahsilver_

The Venice Art Biennale returns from 9 May to 22 November 2026, bringing artists, curators and visitors back to the city’s squares, labyrinth walkways and palazzos. This year’s 61st International Art Exhibition unfolds under the late curator Koyo Kouoh’s theme, 'In Minor Keys', turning attention towards the quieter undercurrents that shape daily life, from mood to memory, politics to the planet.

Across the Giardini, the Arsenale and satellite exhibitions throughout churches, museums and palazzos, these are some of the shows we're looking forward to.

1. At the Greek Pavilion, Andreas @angelidakis presents ‘Escape Room’, an immersive installation drawing on Plato’s cave and the commercialisation of escapism through performance, architecture and theory.

2. At the British Pavilion, Lubaina Himid (@lubainapics) presents ‘Predicting History: Testing Translation’, surreal, boldly coloured paintings exploring what it takes for a place to become home.

3. At the Basilica of San Giorgio Maggiore, @barryxballstudio’s ‘The Shape of Time’ rethinks historical and religious motifs through marble and metal sculptures.

4.At Ca’ Pesaro – International Gallery of Modern Art, @hernanbas presents ‘The Visitors’, a darkly humorous exhibition inspired by Venice’s tourism industry.

5. At Palazzo Loredan, Sanya Kantarovsky’s (@skantily) Basic Failure brings together paintings, ceramics and Murano glass sculpture with dark, wry humour.

6. At Fondazione Prada, curator Nancy Spector (@nespector) places Arthur Jafa (@anamibia) and Richard Prince in dialogue through ‘Helter Skelter’, tracing appropriation and image culture through photography, installation and painting.

7. At the Danish Pavilion, Maja Malou Lyse (@habitual_body_monitoring2) explores fertility, pornography and scientific imagery through a large-scale video installation set within a sperm bank in 2045.

8. At Magazzini del Sale, @nalinimalani’s ‘Of Woman Born’ reimagines the Greek myth of Orestes through animation and soundscape, reflecting on accountability and patriarchal violence.

Read more about the exhibitions shaping Venice Biennale 2026 via the link in bio or at wallpaper.com.

🖊️: _hannahsilver_

One of London's post-modernist gems has just reopened to the public.

The Cosmic House, by late architectural theorist Charles Jencks and writer Maggie Keswick, was transformed into a museum in 2021, open between April and December each year.

Architecture & Environment Director, Ellie Stathaki, explains why @thecosmichouse is a must-visit for London architecture fans.

London's concrete landmarks have long divided opinion. To some, the city is defined by the overbearing presence of post-war Brutalism; to others, these buildings remain among its most important architectural legacies. 'Brutalist London', published by @bluecrowmaps and written by Owen Hopkins, with photography by Dr. Nigel Green, explores over fifty buildings, placing London's Brutalist architecture within its social, political, and cultural contexts.

1. Brunel University (@bruneluni) by R Sheppard, Robson & Partners, 1966, captures the monumental ambition of 1960s campus architecture.

2. Royal College of Physicians (@rcphysicians) by Denys Lasdun & Partners, 1960–64, combines stark massing, inverted ziggurats and carefully controlled symmetry.

3. Camberwell Submarine by Ted Hollamby and Bill Jacoby, 1973–74, transforms ventilation infrastructure into a sculptural Brutalist statement.

4. Housden House by Brian Housden, 1963–65, unfolds through interlocking planes and layered spatial complexity.

5. The @barbicancentre Estate by Chamberlin, Powell & Bon, 1963–82, emerges as a vast megastructure combining housing, landscape and culture.

6. The @southbankcentre's Queen Elizabeth Hall, Purcell Room and @hayward.gallery, by the London County Council Architects' Department, 1968, continue the story of civic concrete architecture.

7. Dowgate Fire Station by Hubbard Ford & Partners, 1975, introduces rounded apertures and a distinctly futuristic character, with a concrete frame.

8. Salters' Hall by Basil Spence, Bonnington and Collins, and John S Bonnington Partnership, 1976, carries Brutalism into a more formal institutional language.

9. Ernő Goldfinger's Trellick Tower, 1968–72, rises 31 storeys through uncompromising structure and repeating elevations.

10. The Salters' Estate by Chamberlin, Powell & Bon, 1982, remains one of London's defining post-war concrete environments.

With increasing heritage protection and a growing culture of adaptive reuse,' Brutalist London' reflects on an architectural movement that continues to shape the city.

Read more about Brutalist London via the link in bio or at wallpaper.com.

📷: Dr Nigel Green
🖊️: @titledasfound

London's concrete landmarks have long divided opinion. To some, the city is defined by the overbearing presence of post-war Brutalism; to others, these buildings remain among its most important architectural legacies. 'Brutalist London', published by @bluecrowmaps and written by Owen Hopkins, with photography by Dr. Nigel Green, explores over fifty buildings, placing London's Brutalist architecture within its social, political, and cultural contexts.

1. Brunel University (@bruneluni) by R Sheppard, Robson & Partners, 1966, captures the monumental ambition of 1960s campus architecture.

2. Royal College of Physicians (@rcphysicians) by Denys Lasdun & Partners, 1960–64, combines stark massing, inverted ziggurats and carefully controlled symmetry.

3. Camberwell Submarine by Ted Hollamby and Bill Jacoby, 1973–74, transforms ventilation infrastructure into a sculptural Brutalist statement.

4. Housden House by Brian Housden, 1963–65, unfolds through interlocking planes and layered spatial complexity.

5. The @barbicancentre Estate by Chamberlin, Powell & Bon, 1963–82, emerges as a vast megastructure combining housing, landscape and culture.

6. The @southbankcentre's Queen Elizabeth Hall, Purcell Room and @hayward.gallery, by the London County Council Architects' Department, 1968, continue the story of civic concrete architecture.

7. Dowgate Fire Station by Hubbard Ford & Partners, 1975, introduces rounded apertures and a distinctly futuristic character, with a concrete frame.

8. Salters' Hall by Basil Spence, Bonnington and Collins, and John S Bonnington Partnership, 1976, carries Brutalism into a more formal institutional language.

9. Ernő Goldfinger's Trellick Tower, 1968–72, rises 31 storeys through uncompromising structure and repeating elevations.

10. The Salters' Estate by Chamberlin, Powell & Bon, 1982, remains one of London's defining post-war concrete environments.

With increasing heritage protection and a growing culture of adaptive reuse,' Brutalist London' reflects on an architectural movement that continues to shape the city.

Read more about Brutalist London via the link in bio or at wallpaper.com.

📷: Dr Nigel Green
🖊️: @titledasfound

London's concrete landmarks have long divided opinion. To some, the city is defined by the overbearing presence of post-war Brutalism; to others, these buildings remain among its most important architectural legacies. 'Brutalist London', published by @bluecrowmaps and written by Owen Hopkins, with photography by Dr. Nigel Green, explores over fifty buildings, placing London's Brutalist architecture within its social, political, and cultural contexts.

1. Brunel University (@bruneluni) by R Sheppard, Robson & Partners, 1966, captures the monumental ambition of 1960s campus architecture.

2. Royal College of Physicians (@rcphysicians) by Denys Lasdun & Partners, 1960–64, combines stark massing, inverted ziggurats and carefully controlled symmetry.

3. Camberwell Submarine by Ted Hollamby and Bill Jacoby, 1973–74, transforms ventilation infrastructure into a sculptural Brutalist statement.

4. Housden House by Brian Housden, 1963–65, unfolds through interlocking planes and layered spatial complexity.

5. The @barbicancentre Estate by Chamberlin, Powell & Bon, 1963–82, emerges as a vast megastructure combining housing, landscape and culture.

6. The @southbankcentre's Queen Elizabeth Hall, Purcell Room and @hayward.gallery, by the London County Council Architects' Department, 1968, continue the story of civic concrete architecture.

7. Dowgate Fire Station by Hubbard Ford & Partners, 1975, introduces rounded apertures and a distinctly futuristic character, with a concrete frame.

8. Salters' Hall by Basil Spence, Bonnington and Collins, and John S Bonnington Partnership, 1976, carries Brutalism into a more formal institutional language.

9. Ernő Goldfinger's Trellick Tower, 1968–72, rises 31 storeys through uncompromising structure and repeating elevations.

10. The Salters' Estate by Chamberlin, Powell & Bon, 1982, remains one of London's defining post-war concrete environments.

With increasing heritage protection and a growing culture of adaptive reuse,' Brutalist London' reflects on an architectural movement that continues to shape the city.

Read more about Brutalist London via the link in bio or at wallpaper.com.

📷: Dr Nigel Green
🖊️: @titledasfound

London's concrete landmarks have long divided opinion. To some, the city is defined by the overbearing presence of post-war Brutalism; to others, these buildings remain among its most important architectural legacies. 'Brutalist London', published by @bluecrowmaps and written by Owen Hopkins, with photography by Dr. Nigel Green, explores over fifty buildings, placing London's Brutalist architecture within its social, political, and cultural contexts.

1. Brunel University (@bruneluni) by R Sheppard, Robson & Partners, 1966, captures the monumental ambition of 1960s campus architecture.

2. Royal College of Physicians (@rcphysicians) by Denys Lasdun & Partners, 1960–64, combines stark massing, inverted ziggurats and carefully controlled symmetry.

3. Camberwell Submarine by Ted Hollamby and Bill Jacoby, 1973–74, transforms ventilation infrastructure into a sculptural Brutalist statement.

4. Housden House by Brian Housden, 1963–65, unfolds through interlocking planes and layered spatial complexity.

5. The @barbicancentre Estate by Chamberlin, Powell & Bon, 1963–82, emerges as a vast megastructure combining housing, landscape and culture.

6. The @southbankcentre's Queen Elizabeth Hall, Purcell Room and @hayward.gallery, by the London County Council Architects' Department, 1968, continue the story of civic concrete architecture.

7. Dowgate Fire Station by Hubbard Ford & Partners, 1975, introduces rounded apertures and a distinctly futuristic character, with a concrete frame.

8. Salters' Hall by Basil Spence, Bonnington and Collins, and John S Bonnington Partnership, 1976, carries Brutalism into a more formal institutional language.

9. Ernő Goldfinger's Trellick Tower, 1968–72, rises 31 storeys through uncompromising structure and repeating elevations.

10. The Salters' Estate by Chamberlin, Powell & Bon, 1982, remains one of London's defining post-war concrete environments.

With increasing heritage protection and a growing culture of adaptive reuse,' Brutalist London' reflects on an architectural movement that continues to shape the city.

Read more about Brutalist London via the link in bio or at wallpaper.com.

📷: Dr Nigel Green
🖊️: @titledasfound

London's concrete landmarks have long divided opinion. To some, the city is defined by the overbearing presence of post-war Brutalism; to others, these buildings remain among its most important architectural legacies. 'Brutalist London', published by @bluecrowmaps and written by Owen Hopkins, with photography by Dr. Nigel Green, explores over fifty buildings, placing London's Brutalist architecture within its social, political, and cultural contexts.

1. Brunel University (@bruneluni) by R Sheppard, Robson & Partners, 1966, captures the monumental ambition of 1960s campus architecture.

2. Royal College of Physicians (@rcphysicians) by Denys Lasdun & Partners, 1960–64, combines stark massing, inverted ziggurats and carefully controlled symmetry.

3. Camberwell Submarine by Ted Hollamby and Bill Jacoby, 1973–74, transforms ventilation infrastructure into a sculptural Brutalist statement.

4. Housden House by Brian Housden, 1963–65, unfolds through interlocking planes and layered spatial complexity.

5. The @barbicancentre Estate by Chamberlin, Powell & Bon, 1963–82, emerges as a vast megastructure combining housing, landscape and culture.

6. The @southbankcentre's Queen Elizabeth Hall, Purcell Room and @hayward.gallery, by the London County Council Architects' Department, 1968, continue the story of civic concrete architecture.

7. Dowgate Fire Station by Hubbard Ford & Partners, 1975, introduces rounded apertures and a distinctly futuristic character, with a concrete frame.

8. Salters' Hall by Basil Spence, Bonnington and Collins, and John S Bonnington Partnership, 1976, carries Brutalism into a more formal institutional language.

9. Ernő Goldfinger's Trellick Tower, 1968–72, rises 31 storeys through uncompromising structure and repeating elevations.

10. The Salters' Estate by Chamberlin, Powell & Bon, 1982, remains one of London's defining post-war concrete environments.

With increasing heritage protection and a growing culture of adaptive reuse,' Brutalist London' reflects on an architectural movement that continues to shape the city.

Read more about Brutalist London via the link in bio or at wallpaper.com.

📷: Dr Nigel Green
🖊️: @titledasfound

London's concrete landmarks have long divided opinion. To some, the city is defined by the overbearing presence of post-war Brutalism; to others, these buildings remain among its most important architectural legacies. 'Brutalist London', published by @bluecrowmaps and written by Owen Hopkins, with photography by Dr. Nigel Green, explores over fifty buildings, placing London's Brutalist architecture within its social, political, and cultural contexts.

1. Brunel University (@bruneluni) by R Sheppard, Robson & Partners, 1966, captures the monumental ambition of 1960s campus architecture.

2. Royal College of Physicians (@rcphysicians) by Denys Lasdun & Partners, 1960–64, combines stark massing, inverted ziggurats and carefully controlled symmetry.

3. Camberwell Submarine by Ted Hollamby and Bill Jacoby, 1973–74, transforms ventilation infrastructure into a sculptural Brutalist statement.

4. Housden House by Brian Housden, 1963–65, unfolds through interlocking planes and layered spatial complexity.

5. The @barbicancentre Estate by Chamberlin, Powell & Bon, 1963–82, emerges as a vast megastructure combining housing, landscape and culture.

6. The @southbankcentre's Queen Elizabeth Hall, Purcell Room and @hayward.gallery, by the London County Council Architects' Department, 1968, continue the story of civic concrete architecture.

7. Dowgate Fire Station by Hubbard Ford & Partners, 1975, introduces rounded apertures and a distinctly futuristic character, with a concrete frame.

8. Salters' Hall by Basil Spence, Bonnington and Collins, and John S Bonnington Partnership, 1976, carries Brutalism into a more formal institutional language.

9. Ernő Goldfinger's Trellick Tower, 1968–72, rises 31 storeys through uncompromising structure and repeating elevations.

10. The Salters' Estate by Chamberlin, Powell & Bon, 1982, remains one of London's defining post-war concrete environments.

With increasing heritage protection and a growing culture of adaptive reuse,' Brutalist London' reflects on an architectural movement that continues to shape the city.

Read more about Brutalist London via the link in bio or at wallpaper.com.

📷: Dr Nigel Green
🖊️: @titledasfound

London's concrete landmarks have long divided opinion. To some, the city is defined by the overbearing presence of post-war Brutalism; to others, these buildings remain among its most important architectural legacies. 'Brutalist London', published by @bluecrowmaps and written by Owen Hopkins, with photography by Dr. Nigel Green, explores over fifty buildings, placing London's Brutalist architecture within its social, political, and cultural contexts.

1. Brunel University (@bruneluni) by R Sheppard, Robson & Partners, 1966, captures the monumental ambition of 1960s campus architecture.

2. Royal College of Physicians (@rcphysicians) by Denys Lasdun & Partners, 1960–64, combines stark massing, inverted ziggurats and carefully controlled symmetry.

3. Camberwell Submarine by Ted Hollamby and Bill Jacoby, 1973–74, transforms ventilation infrastructure into a sculptural Brutalist statement.

4. Housden House by Brian Housden, 1963–65, unfolds through interlocking planes and layered spatial complexity.

5. The @barbicancentre Estate by Chamberlin, Powell & Bon, 1963–82, emerges as a vast megastructure combining housing, landscape and culture.

6. The @southbankcentre's Queen Elizabeth Hall, Purcell Room and @hayward.gallery, by the London County Council Architects' Department, 1968, continue the story of civic concrete architecture.

7. Dowgate Fire Station by Hubbard Ford & Partners, 1975, introduces rounded apertures and a distinctly futuristic character, with a concrete frame.

8. Salters' Hall by Basil Spence, Bonnington and Collins, and John S Bonnington Partnership, 1976, carries Brutalism into a more formal institutional language.

9. Ernő Goldfinger's Trellick Tower, 1968–72, rises 31 storeys through uncompromising structure and repeating elevations.

10. The Salters' Estate by Chamberlin, Powell & Bon, 1982, remains one of London's defining post-war concrete environments.

With increasing heritage protection and a growing culture of adaptive reuse,' Brutalist London' reflects on an architectural movement that continues to shape the city.

Read more about Brutalist London via the link in bio or at wallpaper.com.

📷: Dr Nigel Green
🖊️: @titledasfound

London's concrete landmarks have long divided opinion. To some, the city is defined by the overbearing presence of post-war Brutalism; to others, these buildings remain among its most important architectural legacies. 'Brutalist London', published by @bluecrowmaps and written by Owen Hopkins, with photography by Dr. Nigel Green, explores over fifty buildings, placing London's Brutalist architecture within its social, political, and cultural contexts.

1. Brunel University (@bruneluni) by R Sheppard, Robson & Partners, 1966, captures the monumental ambition of 1960s campus architecture.

2. Royal College of Physicians (@rcphysicians) by Denys Lasdun & Partners, 1960–64, combines stark massing, inverted ziggurats and carefully controlled symmetry.

3. Camberwell Submarine by Ted Hollamby and Bill Jacoby, 1973–74, transforms ventilation infrastructure into a sculptural Brutalist statement.

4. Housden House by Brian Housden, 1963–65, unfolds through interlocking planes and layered spatial complexity.

5. The @barbicancentre Estate by Chamberlin, Powell & Bon, 1963–82, emerges as a vast megastructure combining housing, landscape and culture.

6. The @southbankcentre's Queen Elizabeth Hall, Purcell Room and @hayward.gallery, by the London County Council Architects' Department, 1968, continue the story of civic concrete architecture.

7. Dowgate Fire Station by Hubbard Ford & Partners, 1975, introduces rounded apertures and a distinctly futuristic character, with a concrete frame.

8. Salters' Hall by Basil Spence, Bonnington and Collins, and John S Bonnington Partnership, 1976, carries Brutalism into a more formal institutional language.

9. Ernő Goldfinger's Trellick Tower, 1968–72, rises 31 storeys through uncompromising structure and repeating elevations.

10. The Salters' Estate by Chamberlin, Powell & Bon, 1982, remains one of London's defining post-war concrete environments.

With increasing heritage protection and a growing culture of adaptive reuse,' Brutalist London' reflects on an architectural movement that continues to shape the city.

Read more about Brutalist London via the link in bio or at wallpaper.com.

📷: Dr Nigel Green
🖊️: @titledasfound

London's concrete landmarks have long divided opinion. To some, the city is defined by the overbearing presence of post-war Brutalism; to others, these buildings remain among its most important architectural legacies. 'Brutalist London', published by @bluecrowmaps and written by Owen Hopkins, with photography by Dr. Nigel Green, explores over fifty buildings, placing London's Brutalist architecture within its social, political, and cultural contexts.

1. Brunel University (@bruneluni) by R Sheppard, Robson & Partners, 1966, captures the monumental ambition of 1960s campus architecture.

2. Royal College of Physicians (@rcphysicians) by Denys Lasdun & Partners, 1960–64, combines stark massing, inverted ziggurats and carefully controlled symmetry.

3. Camberwell Submarine by Ted Hollamby and Bill Jacoby, 1973–74, transforms ventilation infrastructure into a sculptural Brutalist statement.

4. Housden House by Brian Housden, 1963–65, unfolds through interlocking planes and layered spatial complexity.

5. The @barbicancentre Estate by Chamberlin, Powell & Bon, 1963–82, emerges as a vast megastructure combining housing, landscape and culture.

6. The @southbankcentre's Queen Elizabeth Hall, Purcell Room and @hayward.gallery, by the London County Council Architects' Department, 1968, continue the story of civic concrete architecture.

7. Dowgate Fire Station by Hubbard Ford & Partners, 1975, introduces rounded apertures and a distinctly futuristic character, with a concrete frame.

8. Salters' Hall by Basil Spence, Bonnington and Collins, and John S Bonnington Partnership, 1976, carries Brutalism into a more formal institutional language.

9. Ernő Goldfinger's Trellick Tower, 1968–72, rises 31 storeys through uncompromising structure and repeating elevations.

10. The Salters' Estate by Chamberlin, Powell & Bon, 1982, remains one of London's defining post-war concrete environments.

With increasing heritage protection and a growing culture of adaptive reuse,' Brutalist London' reflects on an architectural movement that continues to shape the city.

Read more about Brutalist London via the link in bio or at wallpaper.com.

📷: Dr Nigel Green
🖊️: @titledasfound

London's concrete landmarks have long divided opinion. To some, the city is defined by the overbearing presence of post-war Brutalism; to others, these buildings remain among its most important architectural legacies. 'Brutalist London', published by @bluecrowmaps and written by Owen Hopkins, with photography by Dr. Nigel Green, explores over fifty buildings, placing London's Brutalist architecture within its social, political, and cultural contexts.

1. Brunel University (@bruneluni) by R Sheppard, Robson & Partners, 1966, captures the monumental ambition of 1960s campus architecture.

2. Royal College of Physicians (@rcphysicians) by Denys Lasdun & Partners, 1960–64, combines stark massing, inverted ziggurats and carefully controlled symmetry.

3. Camberwell Submarine by Ted Hollamby and Bill Jacoby, 1973–74, transforms ventilation infrastructure into a sculptural Brutalist statement.

4. Housden House by Brian Housden, 1963–65, unfolds through interlocking planes and layered spatial complexity.

5. The @barbicancentre Estate by Chamberlin, Powell & Bon, 1963–82, emerges as a vast megastructure combining housing, landscape and culture.

6. The @southbankcentre's Queen Elizabeth Hall, Purcell Room and @hayward.gallery, by the London County Council Architects' Department, 1968, continue the story of civic concrete architecture.

7. Dowgate Fire Station by Hubbard Ford & Partners, 1975, introduces rounded apertures and a distinctly futuristic character, with a concrete frame.

8. Salters' Hall by Basil Spence, Bonnington and Collins, and John S Bonnington Partnership, 1976, carries Brutalism into a more formal institutional language.

9. Ernő Goldfinger's Trellick Tower, 1968–72, rises 31 storeys through uncompromising structure and repeating elevations.

10. The Salters' Estate by Chamberlin, Powell & Bon, 1982, remains one of London's defining post-war concrete environments.

With increasing heritage protection and a growing culture of adaptive reuse,' Brutalist London' reflects on an architectural movement that continues to shape the city.

Read more about Brutalist London via the link in bio or at wallpaper.com.

📷: Dr Nigel Green
🖊️: @titledasfound

Francis Kéré’s new monograph is like reading his personal notebook.

With notes and creative scribbles, 'Francis Kéré: Building Stories' is a fascinating insight into the creative process of one of the world’s leading architects.

Get to know his work.

🎤:@tianna_jemima
🎥: @just.giu

#architecture #sustainablearchitecture

There's lots to see on the London gallery scene this month. Here are some of our top picks.

1. @carriemaeweems at @goodman_gallery brings together recent and significant bodies of work reflecting on migration, belonging and the enduring afterlives of the Atlantic passage, marking her London debut after more than four decades of practice.

2. @nengiomuku at @pippyhouldsworthgallery presents ‘We Were Like Those Who Dreamed’, exploring pre-colonial Yoruba history on large-scale strips of Sanyan cloth, rooted in horticulture and a deep connection to the natural world.

3. Francis Picabia at @hauserwirth traces a career shaped by experimentation across Impressionism, Fauvism, Dadaism and Cubism, mapping his progression from the early 1900s to the 1950s.

4. Also at @hauserwirth Roni Horn presents ‘Seizure of Hope’, her first London exhibition in a decade, bringing together works on paper, repetition, language, glass sculptures and cast objects.

5. At @tiwanicontemporary in collaboration with @addisfineart, @tiztaberhanu explores human connection, vulnerability and care in ‘Love Is A Practice’ and ‘The Silence Between’, where figures gather, yet remain distant, holding private burdens.

6. Delcy Morelos at @barbicancentre transforms the Sculpture Court with ‘Origo’, a multisensory environment of soil, light and scent, offering a soft contrast to the brutalist setting.

7. At @vam_east Storehouse, @esdevlin presents ‘The Everythingists’, sculptural drawings inspired by Natalia Goncharova and the idea of working across painting, theatre, fashion and performance.

8. @zinebsedira at @tate Britain takes on the Tate Britain Commission, presenting new work in the Duveen galleries, exploring photography, film, installation and performance through geopolitical change.

Plan your next gallery visit and take a closer look via the link in bio or at wallpaper.com.

🖊️: @tianna_jemima

There's lots to see on the London gallery scene this month. Here are some of our top picks.

1. @carriemaeweems at @goodman_gallery brings together recent and significant bodies of work reflecting on migration, belonging and the enduring afterlives of the Atlantic passage, marking her London debut after more than four decades of practice.

2. @nengiomuku at @pippyhouldsworthgallery presents ‘We Were Like Those Who Dreamed’, exploring pre-colonial Yoruba history on large-scale strips of Sanyan cloth, rooted in horticulture and a deep connection to the natural world.

3. Francis Picabia at @hauserwirth traces a career shaped by experimentation across Impressionism, Fauvism, Dadaism and Cubism, mapping his progression from the early 1900s to the 1950s.

4. Also at @hauserwirth Roni Horn presents ‘Seizure of Hope’, her first London exhibition in a decade, bringing together works on paper, repetition, language, glass sculptures and cast objects.

5. At @tiwanicontemporary in collaboration with @addisfineart, @tiztaberhanu explores human connection, vulnerability and care in ‘Love Is A Practice’ and ‘The Silence Between’, where figures gather, yet remain distant, holding private burdens.

6. Delcy Morelos at @barbicancentre transforms the Sculpture Court with ‘Origo’, a multisensory environment of soil, light and scent, offering a soft contrast to the brutalist setting.

7. At @vam_east Storehouse, @esdevlin presents ‘The Everythingists’, sculptural drawings inspired by Natalia Goncharova and the idea of working across painting, theatre, fashion and performance.

8. @zinebsedira at @tate Britain takes on the Tate Britain Commission, presenting new work in the Duveen galleries, exploring photography, film, installation and performance through geopolitical change.

Plan your next gallery visit and take a closer look via the link in bio or at wallpaper.com.

🖊️: @tianna_jemima

There's lots to see on the London gallery scene this month. Here are some of our top picks.

1. @carriemaeweems at @goodman_gallery brings together recent and significant bodies of work reflecting on migration, belonging and the enduring afterlives of the Atlantic passage, marking her London debut after more than four decades of practice.

2. @nengiomuku at @pippyhouldsworthgallery presents ‘We Were Like Those Who Dreamed’, exploring pre-colonial Yoruba history on large-scale strips of Sanyan cloth, rooted in horticulture and a deep connection to the natural world.

3. Francis Picabia at @hauserwirth traces a career shaped by experimentation across Impressionism, Fauvism, Dadaism and Cubism, mapping his progression from the early 1900s to the 1950s.

4. Also at @hauserwirth Roni Horn presents ‘Seizure of Hope’, her first London exhibition in a decade, bringing together works on paper, repetition, language, glass sculptures and cast objects.

5. At @tiwanicontemporary in collaboration with @addisfineart, @tiztaberhanu explores human connection, vulnerability and care in ‘Love Is A Practice’ and ‘The Silence Between’, where figures gather, yet remain distant, holding private burdens.

6. Delcy Morelos at @barbicancentre transforms the Sculpture Court with ‘Origo’, a multisensory environment of soil, light and scent, offering a soft contrast to the brutalist setting.

7. At @vam_east Storehouse, @esdevlin presents ‘The Everythingists’, sculptural drawings inspired by Natalia Goncharova and the idea of working across painting, theatre, fashion and performance.

8. @zinebsedira at @tate Britain takes on the Tate Britain Commission, presenting new work in the Duveen galleries, exploring photography, film, installation and performance through geopolitical change.

Plan your next gallery visit and take a closer look via the link in bio or at wallpaper.com.

🖊️: @tianna_jemima

There's lots to see on the London gallery scene this month. Here are some of our top picks.

1. @carriemaeweems at @goodman_gallery brings together recent and significant bodies of work reflecting on migration, belonging and the enduring afterlives of the Atlantic passage, marking her London debut after more than four decades of practice.

2. @nengiomuku at @pippyhouldsworthgallery presents ‘We Were Like Those Who Dreamed’, exploring pre-colonial Yoruba history on large-scale strips of Sanyan cloth, rooted in horticulture and a deep connection to the natural world.

3. Francis Picabia at @hauserwirth traces a career shaped by experimentation across Impressionism, Fauvism, Dadaism and Cubism, mapping his progression from the early 1900s to the 1950s.

4. Also at @hauserwirth Roni Horn presents ‘Seizure of Hope’, her first London exhibition in a decade, bringing together works on paper, repetition, language, glass sculptures and cast objects.

5. At @tiwanicontemporary in collaboration with @addisfineart, @tiztaberhanu explores human connection, vulnerability and care in ‘Love Is A Practice’ and ‘The Silence Between’, where figures gather, yet remain distant, holding private burdens.

6. Delcy Morelos at @barbicancentre transforms the Sculpture Court with ‘Origo’, a multisensory environment of soil, light and scent, offering a soft contrast to the brutalist setting.

7. At @vam_east Storehouse, @esdevlin presents ‘The Everythingists’, sculptural drawings inspired by Natalia Goncharova and the idea of working across painting, theatre, fashion and performance.

8. @zinebsedira at @tate Britain takes on the Tate Britain Commission, presenting new work in the Duveen galleries, exploring photography, film, installation and performance through geopolitical change.

Plan your next gallery visit and take a closer look via the link in bio or at wallpaper.com.

🖊️: @tianna_jemima

There's lots to see on the London gallery scene this month. Here are some of our top picks.

1. @carriemaeweems at @goodman_gallery brings together recent and significant bodies of work reflecting on migration, belonging and the enduring afterlives of the Atlantic passage, marking her London debut after more than four decades of practice.

2. @nengiomuku at @pippyhouldsworthgallery presents ‘We Were Like Those Who Dreamed’, exploring pre-colonial Yoruba history on large-scale strips of Sanyan cloth, rooted in horticulture and a deep connection to the natural world.

3. Francis Picabia at @hauserwirth traces a career shaped by experimentation across Impressionism, Fauvism, Dadaism and Cubism, mapping his progression from the early 1900s to the 1950s.

4. Also at @hauserwirth Roni Horn presents ‘Seizure of Hope’, her first London exhibition in a decade, bringing together works on paper, repetition, language, glass sculptures and cast objects.

5. At @tiwanicontemporary in collaboration with @addisfineart, @tiztaberhanu explores human connection, vulnerability and care in ‘Love Is A Practice’ and ‘The Silence Between’, where figures gather, yet remain distant, holding private burdens.

6. Delcy Morelos at @barbicancentre transforms the Sculpture Court with ‘Origo’, a multisensory environment of soil, light and scent, offering a soft contrast to the brutalist setting.

7. At @vam_east Storehouse, @esdevlin presents ‘The Everythingists’, sculptural drawings inspired by Natalia Goncharova and the idea of working across painting, theatre, fashion and performance.

8. @zinebsedira at @tate Britain takes on the Tate Britain Commission, presenting new work in the Duveen galleries, exploring photography, film, installation and performance through geopolitical change.

Plan your next gallery visit and take a closer look via the link in bio or at wallpaper.com.

🖊️: @tianna_jemima

There's lots to see on the London gallery scene this month. Here are some of our top picks.

1. @carriemaeweems at @goodman_gallery brings together recent and significant bodies of work reflecting on migration, belonging and the enduring afterlives of the Atlantic passage, marking her London debut after more than four decades of practice.

2. @nengiomuku at @pippyhouldsworthgallery presents ‘We Were Like Those Who Dreamed’, exploring pre-colonial Yoruba history on large-scale strips of Sanyan cloth, rooted in horticulture and a deep connection to the natural world.

3. Francis Picabia at @hauserwirth traces a career shaped by experimentation across Impressionism, Fauvism, Dadaism and Cubism, mapping his progression from the early 1900s to the 1950s.

4. Also at @hauserwirth Roni Horn presents ‘Seizure of Hope’, her first London exhibition in a decade, bringing together works on paper, repetition, language, glass sculptures and cast objects.

5. At @tiwanicontemporary in collaboration with @addisfineart, @tiztaberhanu explores human connection, vulnerability and care in ‘Love Is A Practice’ and ‘The Silence Between’, where figures gather, yet remain distant, holding private burdens.

6. Delcy Morelos at @barbicancentre transforms the Sculpture Court with ‘Origo’, a multisensory environment of soil, light and scent, offering a soft contrast to the brutalist setting.

7. At @vam_east Storehouse, @esdevlin presents ‘The Everythingists’, sculptural drawings inspired by Natalia Goncharova and the idea of working across painting, theatre, fashion and performance.

8. @zinebsedira at @tate Britain takes on the Tate Britain Commission, presenting new work in the Duveen galleries, exploring photography, film, installation and performance through geopolitical change.

Plan your next gallery visit and take a closer look via the link in bio or at wallpaper.com.

🖊️: @tianna_jemima

There's lots to see on the London gallery scene this month. Here are some of our top picks.

1. @carriemaeweems at @goodman_gallery brings together recent and significant bodies of work reflecting on migration, belonging and the enduring afterlives of the Atlantic passage, marking her London debut after more than four decades of practice.

2. @nengiomuku at @pippyhouldsworthgallery presents ‘We Were Like Those Who Dreamed’, exploring pre-colonial Yoruba history on large-scale strips of Sanyan cloth, rooted in horticulture and a deep connection to the natural world.

3. Francis Picabia at @hauserwirth traces a career shaped by experimentation across Impressionism, Fauvism, Dadaism and Cubism, mapping his progression from the early 1900s to the 1950s.

4. Also at @hauserwirth Roni Horn presents ‘Seizure of Hope’, her first London exhibition in a decade, bringing together works on paper, repetition, language, glass sculptures and cast objects.

5. At @tiwanicontemporary in collaboration with @addisfineart, @tiztaberhanu explores human connection, vulnerability and care in ‘Love Is A Practice’ and ‘The Silence Between’, where figures gather, yet remain distant, holding private burdens.

6. Delcy Morelos at @barbicancentre transforms the Sculpture Court with ‘Origo’, a multisensory environment of soil, light and scent, offering a soft contrast to the brutalist setting.

7. At @vam_east Storehouse, @esdevlin presents ‘The Everythingists’, sculptural drawings inspired by Natalia Goncharova and the idea of working across painting, theatre, fashion and performance.

8. @zinebsedira at @tate Britain takes on the Tate Britain Commission, presenting new work in the Duveen galleries, exploring photography, film, installation and performance through geopolitical change.

Plan your next gallery visit and take a closer look via the link in bio or at wallpaper.com.

🖊️: @tianna_jemima

There's lots to see on the London gallery scene this month. Here are some of our top picks.

1. @carriemaeweems at @goodman_gallery brings together recent and significant bodies of work reflecting on migration, belonging and the enduring afterlives of the Atlantic passage, marking her London debut after more than four decades of practice.

2. @nengiomuku at @pippyhouldsworthgallery presents ‘We Were Like Those Who Dreamed’, exploring pre-colonial Yoruba history on large-scale strips of Sanyan cloth, rooted in horticulture and a deep connection to the natural world.

3. Francis Picabia at @hauserwirth traces a career shaped by experimentation across Impressionism, Fauvism, Dadaism and Cubism, mapping his progression from the early 1900s to the 1950s.

4. Also at @hauserwirth Roni Horn presents ‘Seizure of Hope’, her first London exhibition in a decade, bringing together works on paper, repetition, language, glass sculptures and cast objects.

5. At @tiwanicontemporary in collaboration with @addisfineart, @tiztaberhanu explores human connection, vulnerability and care in ‘Love Is A Practice’ and ‘The Silence Between’, where figures gather, yet remain distant, holding private burdens.

6. Delcy Morelos at @barbicancentre transforms the Sculpture Court with ‘Origo’, a multisensory environment of soil, light and scent, offering a soft contrast to the brutalist setting.

7. At @vam_east Storehouse, @esdevlin presents ‘The Everythingists’, sculptural drawings inspired by Natalia Goncharova and the idea of working across painting, theatre, fashion and performance.

8. @zinebsedira at @tate Britain takes on the Tate Britain Commission, presenting new work in the Duveen galleries, exploring photography, film, installation and performance through geopolitical change.

Plan your next gallery visit and take a closer look via the link in bio or at wallpaper.com.

🖊️: @tianna_jemima

Last night saw the opening of ‘Costume Art’ at The Metropolitan Museum of Art (@metmuseum), as the Met Gala returned with its familiar spectacle of celebrities and celebration. Beyond the red carpet, a new exhibition places fashion front and centre within the museum’s curatorial scope.

Unfolding across 12,000 sq ft of dedicated gallery space, the show brings together clothing from the Costume Institute’s holdings alongside some 400 objects from the Met’s 19 departments, establishing a link between fashion and art. Here, the dressed body becomes a throughline across 5,000 years, moving between garments and meaning.

Set within a space designed by @peterson_rich_office, the exhibition reflects a broader idea that to study fashion is to study ourselves.

Visitors enter through a double-height antechamber, where the most basic conceit is introduced: the naked body. From there, works from different periods are brought into dialogue, shaping a survey that demonstrates how clothing continues to carry cultural and historical weight.

On view at The Met Fifth Avenue from 10 May 2026 to 10 January 2027.

Read more about ‘Costume Art’ via the link in bio or at wallpaper.com.

🎥 & 🖊️: @anna_fixsen

Last night saw the opening of ‘Costume Art’ at The Metropolitan Museum of Art (@metmuseum), as the Met Gala returned with its familiar spectacle of celebrities and celebration. Beyond the red carpet, a new exhibition places fashion front and centre within the museum’s curatorial scope.

Unfolding across 12,000 sq ft of dedicated gallery space, the show brings together clothing from the Costume Institute’s holdings alongside some 400 objects from the Met’s 19 departments, establishing a link between fashion and art. Here, the dressed body becomes a throughline across 5,000 years, moving between garments and meaning.

Set within a space designed by @peterson_rich_office, the exhibition reflects a broader idea that to study fashion is to study ourselves.

Visitors enter through a double-height antechamber, where the most basic conceit is introduced: the naked body. From there, works from different periods are brought into dialogue, shaping a survey that demonstrates how clothing continues to carry cultural and historical weight.

On view at The Met Fifth Avenue from 10 May 2026 to 10 January 2027.

Read more about ‘Costume Art’ via the link in bio or at wallpaper.com.

🎥 & 🖊️: @anna_fixsen

Last night saw the opening of ‘Costume Art’ at The Metropolitan Museum of Art (@metmuseum), as the Met Gala returned with its familiar spectacle of celebrities and celebration. Beyond the red carpet, a new exhibition places fashion front and centre within the museum’s curatorial scope.

Unfolding across 12,000 sq ft of dedicated gallery space, the show brings together clothing from the Costume Institute’s holdings alongside some 400 objects from the Met’s 19 departments, establishing a link between fashion and art. Here, the dressed body becomes a throughline across 5,000 years, moving between garments and meaning.

Set within a space designed by @peterson_rich_office, the exhibition reflects a broader idea that to study fashion is to study ourselves.

Visitors enter through a double-height antechamber, where the most basic conceit is introduced: the naked body. From there, works from different periods are brought into dialogue, shaping a survey that demonstrates how clothing continues to carry cultural and historical weight.

On view at The Met Fifth Avenue from 10 May 2026 to 10 January 2027.

Read more about ‘Costume Art’ via the link in bio or at wallpaper.com.

🎥 & 🖊️: @anna_fixsen

Last night saw the opening of ‘Costume Art’ at The Metropolitan Museum of Art (@metmuseum), as the Met Gala returned with its familiar spectacle of celebrities and celebration. Beyond the red carpet, a new exhibition places fashion front and centre within the museum’s curatorial scope.

Unfolding across 12,000 sq ft of dedicated gallery space, the show brings together clothing from the Costume Institute’s holdings alongside some 400 objects from the Met’s 19 departments, establishing a link between fashion and art. Here, the dressed body becomes a throughline across 5,000 years, moving between garments and meaning.

Set within a space designed by @peterson_rich_office, the exhibition reflects a broader idea that to study fashion is to study ourselves.

Visitors enter through a double-height antechamber, where the most basic conceit is introduced: the naked body. From there, works from different periods are brought into dialogue, shaping a survey that demonstrates how clothing continues to carry cultural and historical weight.

On view at The Met Fifth Avenue from 10 May 2026 to 10 January 2027.

Read more about ‘Costume Art’ via the link in bio or at wallpaper.com.

🎥 & 🖊️: @anna_fixsen

Last night saw the opening of ‘Costume Art’ at The Metropolitan Museum of Art (@metmuseum), as the Met Gala returned with its familiar spectacle of celebrities and celebration. Beyond the red carpet, a new exhibition places fashion front and centre within the museum’s curatorial scope.

Unfolding across 12,000 sq ft of dedicated gallery space, the show brings together clothing from the Costume Institute’s holdings alongside some 400 objects from the Met’s 19 departments, establishing a link between fashion and art. Here, the dressed body becomes a throughline across 5,000 years, moving between garments and meaning.

Set within a space designed by @peterson_rich_office, the exhibition reflects a broader idea that to study fashion is to study ourselves.

Visitors enter through a double-height antechamber, where the most basic conceit is introduced: the naked body. From there, works from different periods are brought into dialogue, shaping a survey that demonstrates how clothing continues to carry cultural and historical weight.

On view at The Met Fifth Avenue from 10 May 2026 to 10 January 2027.

Read more about ‘Costume Art’ via the link in bio or at wallpaper.com.

🎥 & 🖊️: @anna_fixsen

Last night saw the opening of ‘Costume Art’ at The Metropolitan Museum of Art (@metmuseum), as the Met Gala returned with its familiar spectacle of celebrities and celebration. Beyond the red carpet, a new exhibition places fashion front and centre within the museum’s curatorial scope.

Unfolding across 12,000 sq ft of dedicated gallery space, the show brings together clothing from the Costume Institute’s holdings alongside some 400 objects from the Met’s 19 departments, establishing a link between fashion and art. Here, the dressed body becomes a throughline across 5,000 years, moving between garments and meaning.

Set within a space designed by @peterson_rich_office, the exhibition reflects a broader idea that to study fashion is to study ourselves.

Visitors enter through a double-height antechamber, where the most basic conceit is introduced: the naked body. From there, works from different periods are brought into dialogue, shaping a survey that demonstrates how clothing continues to carry cultural and historical weight.

On view at The Met Fifth Avenue from 10 May 2026 to 10 January 2027.

Read more about ‘Costume Art’ via the link in bio or at wallpaper.com.

🎥 & 🖊️: @anna_fixsen

Last night saw the opening of ‘Costume Art’ at The Metropolitan Museum of Art (@metmuseum), as the Met Gala returned with its familiar spectacle of celebrities and celebration. Beyond the red carpet, a new exhibition places fashion front and centre within the museum’s curatorial scope.

Unfolding across 12,000 sq ft of dedicated gallery space, the show brings together clothing from the Costume Institute’s holdings alongside some 400 objects from the Met’s 19 departments, establishing a link between fashion and art. Here, the dressed body becomes a throughline across 5,000 years, moving between garments and meaning.

Set within a space designed by @peterson_rich_office, the exhibition reflects a broader idea that to study fashion is to study ourselves.

Visitors enter through a double-height antechamber, where the most basic conceit is introduced: the naked body. From there, works from different periods are brought into dialogue, shaping a survey that demonstrates how clothing continues to carry cultural and historical weight.

On view at The Met Fifth Avenue from 10 May 2026 to 10 January 2027.

Read more about ‘Costume Art’ via the link in bio or at wallpaper.com.

🎥 & 🖊️: @anna_fixsen

Last night saw the opening of ‘Costume Art’ at The Metropolitan Museum of Art (@metmuseum), as the Met Gala returned with its familiar spectacle of celebrities and celebration. Beyond the red carpet, a new exhibition places fashion front and centre within the museum’s curatorial scope.

Unfolding across 12,000 sq ft of dedicated gallery space, the show brings together clothing from the Costume Institute’s holdings alongside some 400 objects from the Met’s 19 departments, establishing a link between fashion and art. Here, the dressed body becomes a throughline across 5,000 years, moving between garments and meaning.

Set within a space designed by @peterson_rich_office, the exhibition reflects a broader idea that to study fashion is to study ourselves.

Visitors enter through a double-height antechamber, where the most basic conceit is introduced: the naked body. From there, works from different periods are brought into dialogue, shaping a survey that demonstrates how clothing continues to carry cultural and historical weight.

On view at The Met Fifth Avenue from 10 May 2026 to 10 January 2027.

Read more about ‘Costume Art’ via the link in bio or at wallpaper.com.

🎥 & 🖊️: @anna_fixsen

Last night saw the opening of ‘Costume Art’ at The Metropolitan Museum of Art (@metmuseum), as the Met Gala returned with its familiar spectacle of celebrities and celebration. Beyond the red carpet, a new exhibition places fashion front and centre within the museum’s curatorial scope.

Unfolding across 12,000 sq ft of dedicated gallery space, the show brings together clothing from the Costume Institute’s holdings alongside some 400 objects from the Met’s 19 departments, establishing a link between fashion and art. Here, the dressed body becomes a throughline across 5,000 years, moving between garments and meaning.

Set within a space designed by @peterson_rich_office, the exhibition reflects a broader idea that to study fashion is to study ourselves.

Visitors enter through a double-height antechamber, where the most basic conceit is introduced: the naked body. From there, works from different periods are brought into dialogue, shaping a survey that demonstrates how clothing continues to carry cultural and historical weight.

On view at The Met Fifth Avenue from 10 May 2026 to 10 January 2027.

Read more about ‘Costume Art’ via the link in bio or at wallpaper.com.

🎥 & 🖊️: @anna_fixsen

Our latest hot pick of the latest global goings-on include:

1. ‘Disco Aperitivo’ glass ashtray by @sophieloujacobsen
2. ‘P3’ indoor lounge chair by Tito Agnoli for @gubiofficial and @bonacina1889
3.Pepper & Rose liquid soap by @driesvannoten Beauty
4. ‘Wander’ matelassé nappa leather hobo bag by @miumiu
5. ‘Materials of the Old World’ necklace by @glennspirojewels. ‘Panton’ tray by Verner Panton for @georgjensen

See more at the link in bio and in the May issue of Wallpaper*, on newsstands now.⁠

📸: Neil Godwin
Art direction: @cparthonnaud
🖊: @lauramaytodd; @biscott_i; @mary__cleary; @jackbenjaminmoss; @_hannahsilver_;

Our latest hot pick of the latest global goings-on include:

1. ‘Disco Aperitivo’ glass ashtray by @sophieloujacobsen
2. ‘P3’ indoor lounge chair by Tito Agnoli for @gubiofficial and @bonacina1889
3.Pepper & Rose liquid soap by @driesvannoten Beauty
4. ‘Wander’ matelassé nappa leather hobo bag by @miumiu
5. ‘Materials of the Old World’ necklace by @glennspirojewels. ‘Panton’ tray by Verner Panton for @georgjensen

See more at the link in bio and in the May issue of Wallpaper*, on newsstands now.⁠

📸: Neil Godwin
Art direction: @cparthonnaud
🖊: @lauramaytodd; @biscott_i; @mary__cleary; @jackbenjaminmoss; @_hannahsilver_;

Our latest hot pick of the latest global goings-on include:

1. ‘Disco Aperitivo’ glass ashtray by @sophieloujacobsen
2. ‘P3’ indoor lounge chair by Tito Agnoli for @gubiofficial and @bonacina1889
3.Pepper & Rose liquid soap by @driesvannoten Beauty
4. ‘Wander’ matelassé nappa leather hobo bag by @miumiu
5. ‘Materials of the Old World’ necklace by @glennspirojewels. ‘Panton’ tray by Verner Panton for @georgjensen

See more at the link in bio and in the May issue of Wallpaper*, on newsstands now.⁠

📸: Neil Godwin
Art direction: @cparthonnaud
🖊: @lauramaytodd; @biscott_i; @mary__cleary; @jackbenjaminmoss; @_hannahsilver_;

Our latest hot pick of the latest global goings-on include:

1. ‘Disco Aperitivo’ glass ashtray by @sophieloujacobsen
2. ‘P3’ indoor lounge chair by Tito Agnoli for @gubiofficial and @bonacina1889
3.Pepper & Rose liquid soap by @driesvannoten Beauty
4. ‘Wander’ matelassé nappa leather hobo bag by @miumiu
5. ‘Materials of the Old World’ necklace by @glennspirojewels. ‘Panton’ tray by Verner Panton for @georgjensen

See more at the link in bio and in the May issue of Wallpaper*, on newsstands now.⁠

📸: Neil Godwin
Art direction: @cparthonnaud
🖊: @lauramaytodd; @biscott_i; @mary__cleary; @jackbenjaminmoss; @_hannahsilver_;

Our latest hot pick of the latest global goings-on include:

1. ‘Disco Aperitivo’ glass ashtray by @sophieloujacobsen
2. ‘P3’ indoor lounge chair by Tito Agnoli for @gubiofficial and @bonacina1889
3.Pepper & Rose liquid soap by @driesvannoten Beauty
4. ‘Wander’ matelassé nappa leather hobo bag by @miumiu
5. ‘Materials of the Old World’ necklace by @glennspirojewels. ‘Panton’ tray by Verner Panton for @georgjensen

See more at the link in bio and in the May issue of Wallpaper*, on newsstands now.⁠

📸: Neil Godwin
Art direction: @cparthonnaud
🖊: @lauramaytodd; @biscott_i; @mary__cleary; @jackbenjaminmoss; @_hannahsilver_;

Tucked into a wooded slope below a quiet stretch of the Old Tokaido Road, @hoshinoresorts.kai sits in the heart of hot springs country, where serenity begins the moment you step inside.

Located in Hakone Yumoto Onsen, an eight-minute drive from Hakone-Yumoto railway station, the ryokan unfolds through a lamp-lit lounge and glass-walled views of forest and river, drawing the landscape into the experience. A new chapter by @yukiito.arch Architectural Design and lead designer Hirofumi Inoue of Nomura Co., Ltd. reimagines the space through the lens of historic travellers’ stays along the Tokaido Road.

An outdoor tea house, Sawa Chaya, and a marquetry workshop invite convivial gatherings, while two suites above offer private open-air onsens and close proximity to the lounge, restaurant and coffee station. Across its 34 rooms, tatami flooring and expansive views create gently cocooning spaces, built for contemplation.

Here, the focus is not on exploration but on staying still, soaking in forest and stream, and letting time stretch. For those willing to spend a day or two sitting and savouring, Kai Hakone becomes a tranquil retreat shaped by its setting.

Read the full review, including what to see, which room to stay in and what to eat, via the link in bio or at wallpaper.com.

Courtesy of Hoshino Resorts
🖊️: @leandrabeabout

Tucked into a wooded slope below a quiet stretch of the Old Tokaido Road, @hoshinoresorts.kai sits in the heart of hot springs country, where serenity begins the moment you step inside.

Located in Hakone Yumoto Onsen, an eight-minute drive from Hakone-Yumoto railway station, the ryokan unfolds through a lamp-lit lounge and glass-walled views of forest and river, drawing the landscape into the experience. A new chapter by @yukiito.arch Architectural Design and lead designer Hirofumi Inoue of Nomura Co., Ltd. reimagines the space through the lens of historic travellers’ stays along the Tokaido Road.

An outdoor tea house, Sawa Chaya, and a marquetry workshop invite convivial gatherings, while two suites above offer private open-air onsens and close proximity to the lounge, restaurant and coffee station. Across its 34 rooms, tatami flooring and expansive views create gently cocooning spaces, built for contemplation.

Here, the focus is not on exploration but on staying still, soaking in forest and stream, and letting time stretch. For those willing to spend a day or two sitting and savouring, Kai Hakone becomes a tranquil retreat shaped by its setting.

Read the full review, including what to see, which room to stay in and what to eat, via the link in bio or at wallpaper.com.

Courtesy of Hoshino Resorts
🖊️: @leandrabeabout

Tucked into a wooded slope below a quiet stretch of the Old Tokaido Road, @hoshinoresorts.kai sits in the heart of hot springs country, where serenity begins the moment you step inside.

Located in Hakone Yumoto Onsen, an eight-minute drive from Hakone-Yumoto railway station, the ryokan unfolds through a lamp-lit lounge and glass-walled views of forest and river, drawing the landscape into the experience. A new chapter by @yukiito.arch Architectural Design and lead designer Hirofumi Inoue of Nomura Co., Ltd. reimagines the space through the lens of historic travellers’ stays along the Tokaido Road.

An outdoor tea house, Sawa Chaya, and a marquetry workshop invite convivial gatherings, while two suites above offer private open-air onsens and close proximity to the lounge, restaurant and coffee station. Across its 34 rooms, tatami flooring and expansive views create gently cocooning spaces, built for contemplation.

Here, the focus is not on exploration but on staying still, soaking in forest and stream, and letting time stretch. For those willing to spend a day or two sitting and savouring, Kai Hakone becomes a tranquil retreat shaped by its setting.

Read the full review, including what to see, which room to stay in and what to eat, via the link in bio or at wallpaper.com.

Courtesy of Hoshino Resorts
🖊️: @leandrabeabout

Tucked into a wooded slope below a quiet stretch of the Old Tokaido Road, @hoshinoresorts.kai sits in the heart of hot springs country, where serenity begins the moment you step inside.

Located in Hakone Yumoto Onsen, an eight-minute drive from Hakone-Yumoto railway station, the ryokan unfolds through a lamp-lit lounge and glass-walled views of forest and river, drawing the landscape into the experience. A new chapter by @yukiito.arch Architectural Design and lead designer Hirofumi Inoue of Nomura Co., Ltd. reimagines the space through the lens of historic travellers’ stays along the Tokaido Road.

An outdoor tea house, Sawa Chaya, and a marquetry workshop invite convivial gatherings, while two suites above offer private open-air onsens and close proximity to the lounge, restaurant and coffee station. Across its 34 rooms, tatami flooring and expansive views create gently cocooning spaces, built for contemplation.

Here, the focus is not on exploration but on staying still, soaking in forest and stream, and letting time stretch. For those willing to spend a day or two sitting and savouring, Kai Hakone becomes a tranquil retreat shaped by its setting.

Read the full review, including what to see, which room to stay in and what to eat, via the link in bio or at wallpaper.com.

Courtesy of Hoshino Resorts
🖊️: @leandrabeabout

Tucked into a wooded slope below a quiet stretch of the Old Tokaido Road, @hoshinoresorts.kai sits in the heart of hot springs country, where serenity begins the moment you step inside.

Located in Hakone Yumoto Onsen, an eight-minute drive from Hakone-Yumoto railway station, the ryokan unfolds through a lamp-lit lounge and glass-walled views of forest and river, drawing the landscape into the experience. A new chapter by @yukiito.arch Architectural Design and lead designer Hirofumi Inoue of Nomura Co., Ltd. reimagines the space through the lens of historic travellers’ stays along the Tokaido Road.

An outdoor tea house, Sawa Chaya, and a marquetry workshop invite convivial gatherings, while two suites above offer private open-air onsens and close proximity to the lounge, restaurant and coffee station. Across its 34 rooms, tatami flooring and expansive views create gently cocooning spaces, built for contemplation.

Here, the focus is not on exploration but on staying still, soaking in forest and stream, and letting time stretch. For those willing to spend a day or two sitting and savouring, Kai Hakone becomes a tranquil retreat shaped by its setting.

Read the full review, including what to see, which room to stay in and what to eat, via the link in bio or at wallpaper.com.

Courtesy of Hoshino Resorts
🖊️: @leandrabeabout

Tucked into a wooded slope below a quiet stretch of the Old Tokaido Road, @hoshinoresorts.kai sits in the heart of hot springs country, where serenity begins the moment you step inside.

Located in Hakone Yumoto Onsen, an eight-minute drive from Hakone-Yumoto railway station, the ryokan unfolds through a lamp-lit lounge and glass-walled views of forest and river, drawing the landscape into the experience. A new chapter by @yukiito.arch Architectural Design and lead designer Hirofumi Inoue of Nomura Co., Ltd. reimagines the space through the lens of historic travellers’ stays along the Tokaido Road.

An outdoor tea house, Sawa Chaya, and a marquetry workshop invite convivial gatherings, while two suites above offer private open-air onsens and close proximity to the lounge, restaurant and coffee station. Across its 34 rooms, tatami flooring and expansive views create gently cocooning spaces, built for contemplation.

Here, the focus is not on exploration but on staying still, soaking in forest and stream, and letting time stretch. For those willing to spend a day or two sitting and savouring, Kai Hakone becomes a tranquil retreat shaped by its setting.

Read the full review, including what to see, which room to stay in and what to eat, via the link in bio or at wallpaper.com.

Courtesy of Hoshino Resorts
🖊️: @leandrabeabout

Tucked into a wooded slope below a quiet stretch of the Old Tokaido Road, @hoshinoresorts.kai sits in the heart of hot springs country, where serenity begins the moment you step inside.

Located in Hakone Yumoto Onsen, an eight-minute drive from Hakone-Yumoto railway station, the ryokan unfolds through a lamp-lit lounge and glass-walled views of forest and river, drawing the landscape into the experience. A new chapter by @yukiito.arch Architectural Design and lead designer Hirofumi Inoue of Nomura Co., Ltd. reimagines the space through the lens of historic travellers’ stays along the Tokaido Road.

An outdoor tea house, Sawa Chaya, and a marquetry workshop invite convivial gatherings, while two suites above offer private open-air onsens and close proximity to the lounge, restaurant and coffee station. Across its 34 rooms, tatami flooring and expansive views create gently cocooning spaces, built for contemplation.

Here, the focus is not on exploration but on staying still, soaking in forest and stream, and letting time stretch. For those willing to spend a day or two sitting and savouring, Kai Hakone becomes a tranquil retreat shaped by its setting.

Read the full review, including what to see, which room to stay in and what to eat, via the link in bio or at wallpaper.com.

Courtesy of Hoshino Resorts
🖊️: @leandrabeabout

Tucked into a wooded slope below a quiet stretch of the Old Tokaido Road, @hoshinoresorts.kai sits in the heart of hot springs country, where serenity begins the moment you step inside.

Located in Hakone Yumoto Onsen, an eight-minute drive from Hakone-Yumoto railway station, the ryokan unfolds through a lamp-lit lounge and glass-walled views of forest and river, drawing the landscape into the experience. A new chapter by @yukiito.arch Architectural Design and lead designer Hirofumi Inoue of Nomura Co., Ltd. reimagines the space through the lens of historic travellers’ stays along the Tokaido Road.

An outdoor tea house, Sawa Chaya, and a marquetry workshop invite convivial gatherings, while two suites above offer private open-air onsens and close proximity to the lounge, restaurant and coffee station. Across its 34 rooms, tatami flooring and expansive views create gently cocooning spaces, built for contemplation.

Here, the focus is not on exploration but on staying still, soaking in forest and stream, and letting time stretch. For those willing to spend a day or two sitting and savouring, Kai Hakone becomes a tranquil retreat shaped by its setting.

Read the full review, including what to see, which room to stay in and what to eat, via the link in bio or at wallpaper.com.

Courtesy of Hoshino Resorts
🖊️: @leandrabeabout

Tucked into a wooded slope below a quiet stretch of the Old Tokaido Road, @hoshinoresorts.kai sits in the heart of hot springs country, where serenity begins the moment you step inside.

Located in Hakone Yumoto Onsen, an eight-minute drive from Hakone-Yumoto railway station, the ryokan unfolds through a lamp-lit lounge and glass-walled views of forest and river, drawing the landscape into the experience. A new chapter by @yukiito.arch Architectural Design and lead designer Hirofumi Inoue of Nomura Co., Ltd. reimagines the space through the lens of historic travellers’ stays along the Tokaido Road.

An outdoor tea house, Sawa Chaya, and a marquetry workshop invite convivial gatherings, while two suites above offer private open-air onsens and close proximity to the lounge, restaurant and coffee station. Across its 34 rooms, tatami flooring and expansive views create gently cocooning spaces, built for contemplation.

Here, the focus is not on exploration but on staying still, soaking in forest and stream, and letting time stretch. For those willing to spend a day or two sitting and savouring, Kai Hakone becomes a tranquil retreat shaped by its setting.

Read the full review, including what to see, which room to stay in and what to eat, via the link in bio or at wallpaper.com.

Courtesy of Hoshino Resorts
🖊️: @leandrabeabout

Tucked into a wooded slope below a quiet stretch of the Old Tokaido Road, @hoshinoresorts.kai sits in the heart of hot springs country, where serenity begins the moment you step inside.

Located in Hakone Yumoto Onsen, an eight-minute drive from Hakone-Yumoto railway station, the ryokan unfolds through a lamp-lit lounge and glass-walled views of forest and river, drawing the landscape into the experience. A new chapter by @yukiito.arch Architectural Design and lead designer Hirofumi Inoue of Nomura Co., Ltd. reimagines the space through the lens of historic travellers’ stays along the Tokaido Road.

An outdoor tea house, Sawa Chaya, and a marquetry workshop invite convivial gatherings, while two suites above offer private open-air onsens and close proximity to the lounge, restaurant and coffee station. Across its 34 rooms, tatami flooring and expansive views create gently cocooning spaces, built for contemplation.

Here, the focus is not on exploration but on staying still, soaking in forest and stream, and letting time stretch. For those willing to spend a day or two sitting and savouring, Kai Hakone becomes a tranquil retreat shaped by its setting.

Read the full review, including what to see, which room to stay in and what to eat, via the link in bio or at wallpaper.com.

Courtesy of Hoshino Resorts
🖊️: @leandrabeabout

In the hills of northern Portugal, where the vineyards of the Douro region ripple across the contours, Loivos House by Pablo Pita Arquitectos (@pablopita.arch) begins with a traditional olive press, an old outbuilding that shapes the form of a new country retreat.

Set within a hillside site bounded by a traditional stone wall, which becomes the anchoring plinth, the house follows the footprint of the original press, breaking the plan into four distinct quadrants. Described as ‘stretched out like a cat in the sun’, the shallow structure wraps around the edge of the topography, stepping down the landscape.

An entrance courtyard with a sculptural olive tree leads to the upper floor sitting area and down to a middle courtyard, where a deep, industrial plunge pool sits within the plan. Inside and out, the house is pared back to the absolute minimum, bringing rough materiality to a simple composition.

A ruin reborn as a retreat, Loivos House maintains a strong connection to the past while settling into the surrounding landscape.

Take a closer look at Loivos House via the link in bio or at wallpaper.com.

📷: @josecamposphotographer
🖊️: @titledasfound

In the hills of northern Portugal, where the vineyards of the Douro region ripple across the contours, Loivos House by Pablo Pita Arquitectos (@pablopita.arch) begins with a traditional olive press, an old outbuilding that shapes the form of a new country retreat.

Set within a hillside site bounded by a traditional stone wall, which becomes the anchoring plinth, the house follows the footprint of the original press, breaking the plan into four distinct quadrants. Described as ‘stretched out like a cat in the sun’, the shallow structure wraps around the edge of the topography, stepping down the landscape.

An entrance courtyard with a sculptural olive tree leads to the upper floor sitting area and down to a middle courtyard, where a deep, industrial plunge pool sits within the plan. Inside and out, the house is pared back to the absolute minimum, bringing rough materiality to a simple composition.

A ruin reborn as a retreat, Loivos House maintains a strong connection to the past while settling into the surrounding landscape.

Take a closer look at Loivos House via the link in bio or at wallpaper.com.

📷: @josecamposphotographer
🖊️: @titledasfound

In the hills of northern Portugal, where the vineyards of the Douro region ripple across the contours, Loivos House by Pablo Pita Arquitectos (@pablopita.arch) begins with a traditional olive press, an old outbuilding that shapes the form of a new country retreat.

Set within a hillside site bounded by a traditional stone wall, which becomes the anchoring plinth, the house follows the footprint of the original press, breaking the plan into four distinct quadrants. Described as ‘stretched out like a cat in the sun’, the shallow structure wraps around the edge of the topography, stepping down the landscape.

An entrance courtyard with a sculptural olive tree leads to the upper floor sitting area and down to a middle courtyard, where a deep, industrial plunge pool sits within the plan. Inside and out, the house is pared back to the absolute minimum, bringing rough materiality to a simple composition.

A ruin reborn as a retreat, Loivos House maintains a strong connection to the past while settling into the surrounding landscape.

Take a closer look at Loivos House via the link in bio or at wallpaper.com.

📷: @josecamposphotographer
🖊️: @titledasfound

In the hills of northern Portugal, where the vineyards of the Douro region ripple across the contours, Loivos House by Pablo Pita Arquitectos (@pablopita.arch) begins with a traditional olive press, an old outbuilding that shapes the form of a new country retreat.

Set within a hillside site bounded by a traditional stone wall, which becomes the anchoring plinth, the house follows the footprint of the original press, breaking the plan into four distinct quadrants. Described as ‘stretched out like a cat in the sun’, the shallow structure wraps around the edge of the topography, stepping down the landscape.

An entrance courtyard with a sculptural olive tree leads to the upper floor sitting area and down to a middle courtyard, where a deep, industrial plunge pool sits within the plan. Inside and out, the house is pared back to the absolute minimum, bringing rough materiality to a simple composition.

A ruin reborn as a retreat, Loivos House maintains a strong connection to the past while settling into the surrounding landscape.

Take a closer look at Loivos House via the link in bio or at wallpaper.com.

📷: @josecamposphotographer
🖊️: @titledasfound

In the hills of northern Portugal, where the vineyards of the Douro region ripple across the contours, Loivos House by Pablo Pita Arquitectos (@pablopita.arch) begins with a traditional olive press, an old outbuilding that shapes the form of a new country retreat.

Set within a hillside site bounded by a traditional stone wall, which becomes the anchoring plinth, the house follows the footprint of the original press, breaking the plan into four distinct quadrants. Described as ‘stretched out like a cat in the sun’, the shallow structure wraps around the edge of the topography, stepping down the landscape.

An entrance courtyard with a sculptural olive tree leads to the upper floor sitting area and down to a middle courtyard, where a deep, industrial plunge pool sits within the plan. Inside and out, the house is pared back to the absolute minimum, bringing rough materiality to a simple composition.

A ruin reborn as a retreat, Loivos House maintains a strong connection to the past while settling into the surrounding landscape.

Take a closer look at Loivos House via the link in bio or at wallpaper.com.

📷: @josecamposphotographer
🖊️: @titledasfound

In the hills of northern Portugal, where the vineyards of the Douro region ripple across the contours, Loivos House by Pablo Pita Arquitectos (@pablopita.arch) begins with a traditional olive press, an old outbuilding that shapes the form of a new country retreat.

Set within a hillside site bounded by a traditional stone wall, which becomes the anchoring plinth, the house follows the footprint of the original press, breaking the plan into four distinct quadrants. Described as ‘stretched out like a cat in the sun’, the shallow structure wraps around the edge of the topography, stepping down the landscape.

An entrance courtyard with a sculptural olive tree leads to the upper floor sitting area and down to a middle courtyard, where a deep, industrial plunge pool sits within the plan. Inside and out, the house is pared back to the absolute minimum, bringing rough materiality to a simple composition.

A ruin reborn as a retreat, Loivos House maintains a strong connection to the past while settling into the surrounding landscape.

Take a closer look at Loivos House via the link in bio or at wallpaper.com.

📷: @josecamposphotographer
🖊️: @titledasfound

In the hills of northern Portugal, where the vineyards of the Douro region ripple across the contours, Loivos House by Pablo Pita Arquitectos (@pablopita.arch) begins with a traditional olive press, an old outbuilding that shapes the form of a new country retreat.

Set within a hillside site bounded by a traditional stone wall, which becomes the anchoring plinth, the house follows the footprint of the original press, breaking the plan into four distinct quadrants. Described as ‘stretched out like a cat in the sun’, the shallow structure wraps around the edge of the topography, stepping down the landscape.

An entrance courtyard with a sculptural olive tree leads to the upper floor sitting area and down to a middle courtyard, where a deep, industrial plunge pool sits within the plan. Inside and out, the house is pared back to the absolute minimum, bringing rough materiality to a simple composition.

A ruin reborn as a retreat, Loivos House maintains a strong connection to the past while settling into the surrounding landscape.

Take a closer look at Loivos House via the link in bio or at wallpaper.com.

📷: @josecamposphotographer
🖊️: @titledasfound

In the hills of northern Portugal, where the vineyards of the Douro region ripple across the contours, Loivos House by Pablo Pita Arquitectos (@pablopita.arch) begins with a traditional olive press, an old outbuilding that shapes the form of a new country retreat.

Set within a hillside site bounded by a traditional stone wall, which becomes the anchoring plinth, the house follows the footprint of the original press, breaking the plan into four distinct quadrants. Described as ‘stretched out like a cat in the sun’, the shallow structure wraps around the edge of the topography, stepping down the landscape.

An entrance courtyard with a sculptural olive tree leads to the upper floor sitting area and down to a middle courtyard, where a deep, industrial plunge pool sits within the plan. Inside and out, the house is pared back to the absolute minimum, bringing rough materiality to a simple composition.

A ruin reborn as a retreat, Loivos House maintains a strong connection to the past while settling into the surrounding landscape.

Take a closer look at Loivos House via the link in bio or at wallpaper.com.

📷: @josecamposphotographer
🖊️: @titledasfound