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For the 2nd time, I’m featured as a mannequin in the @metmuseum @metcostumeinstitute (☆▽☆) This time in the Costume Art exhibition, as an epic collab with my trans mom @willieherself @willienorrisworkshop🌟
It’s a replica of me from my first runway show ever with Willie in 2019 🥹💓 immortalizing my baby self LMFAO
The sheer irony of ‘queer capital’ is not lost on us and that is the statement within itself
Tbh I’m just in disbelief that we live in a timeline where a life-size mannequin replica of me has been put up in one of the biggest art institutions in the world, twice for everybody to witness 😭❤️ I’m just from the hood and the islands with my family in Antigua like I never thought this kind of stuff would or could happen… as somebody who gets bullied over my body and the way that I look to this day, it makes me feel immeasurably grateful and thankful 💗💗💓 My mannequin will be going into the permanent collection of the MET after the exhibition is over, which is in nine months I believe. The exhibition is up for so long! It was very wild to view myself for the first time in real life with everyone else at the MET gala the other night. And now you can go see me too if you feel like it because Costume Art is open at the MET!
Thank you always to my dearest Andrew Bolton and Mellissa Huber for believing in me and showing me so much love 🫂❤️ as well as to the MET and the entire Costume Institute🫂💓💕💗💖
Here are some words from Willie about our very ironic and iconic serve:
“I was so pleased when the Met asked to acquire this look for their permanent collection and display it in this year’s exhibition, because it so perfectly illustrates my personal thesis: that all creation should be done with humility and be born from humble means, with what’s around you. A pair of Rustler shorts I found at a thrift store and added angled zipper pockets to. A used white t-shirt I had lying around and printed myself. To see this look presented amongst couture gowns and historical sartorial artifacts illustrates a plane of creation and recognition that I really can get down with.”
I love you so much Willie 🫂🫂🫂 to think that we have come this far together:,)))

For the 2nd time, I’m featured as a mannequin in the @metmuseum @metcostumeinstitute (☆▽☆) This time in the Costume Art exhibition, as an epic collab with my trans mom @willieherself @willienorrisworkshop🌟
It’s a replica of me from my first runway show ever with Willie in 2019 🥹💓 immortalizing my baby self LMFAO
The sheer irony of ‘queer capital’ is not lost on us and that is the statement within itself
Tbh I’m just in disbelief that we live in a timeline where a life-size mannequin replica of me has been put up in one of the biggest art institutions in the world, twice for everybody to witness 😭❤️ I’m just from the hood and the islands with my family in Antigua like I never thought this kind of stuff would or could happen… as somebody who gets bullied over my body and the way that I look to this day, it makes me feel immeasurably grateful and thankful 💗💗💓 My mannequin will be going into the permanent collection of the MET after the exhibition is over, which is in nine months I believe. The exhibition is up for so long! It was very wild to view myself for the first time in real life with everyone else at the MET gala the other night. And now you can go see me too if you feel like it because Costume Art is open at the MET!
Thank you always to my dearest Andrew Bolton and Mellissa Huber for believing in me and showing me so much love 🫂❤️ as well as to the MET and the entire Costume Institute🫂💓💕💗💖
Here are some words from Willie about our very ironic and iconic serve:
“I was so pleased when the Met asked to acquire this look for their permanent collection and display it in this year’s exhibition, because it so perfectly illustrates my personal thesis: that all creation should be done with humility and be born from humble means, with what’s around you. A pair of Rustler shorts I found at a thrift store and added angled zipper pockets to. A used white t-shirt I had lying around and printed myself. To see this look presented amongst couture gowns and historical sartorial artifacts illustrates a plane of creation and recognition that I really can get down with.”
I love you so much Willie 🫂🫂🫂 to think that we have come this far together:,)))

For the 2nd time, I’m featured as a mannequin in the @metmuseum @metcostumeinstitute (☆▽☆) This time in the Costume Art exhibition, as an epic collab with my trans mom @willieherself @willienorrisworkshop🌟
It’s a replica of me from my first runway show ever with Willie in 2019 🥹💓 immortalizing my baby self LMFAO
The sheer irony of ‘queer capital’ is not lost on us and that is the statement within itself
Tbh I’m just in disbelief that we live in a timeline where a life-size mannequin replica of me has been put up in one of the biggest art institutions in the world, twice for everybody to witness 😭❤️ I’m just from the hood and the islands with my family in Antigua like I never thought this kind of stuff would or could happen… as somebody who gets bullied over my body and the way that I look to this day, it makes me feel immeasurably grateful and thankful 💗💗💓 My mannequin will be going into the permanent collection of the MET after the exhibition is over, which is in nine months I believe. The exhibition is up for so long! It was very wild to view myself for the first time in real life with everyone else at the MET gala the other night. And now you can go see me too if you feel like it because Costume Art is open at the MET!
Thank you always to my dearest Andrew Bolton and Mellissa Huber for believing in me and showing me so much love 🫂❤️ as well as to the MET and the entire Costume Institute🫂💓💕💗💖
Here are some words from Willie about our very ironic and iconic serve:
“I was so pleased when the Met asked to acquire this look for their permanent collection and display it in this year’s exhibition, because it so perfectly illustrates my personal thesis: that all creation should be done with humility and be born from humble means, with what’s around you. A pair of Rustler shorts I found at a thrift store and added angled zipper pockets to. A used white t-shirt I had lying around and printed myself. To see this look presented amongst couture gowns and historical sartorial artifacts illustrates a plane of creation and recognition that I really can get down with.”
I love you so much Willie 🫂🫂🫂 to think that we have come this far together:,)))

For the 2nd time, I’m featured as a mannequin in the @metmuseum @metcostumeinstitute (☆▽☆) This time in the Costume Art exhibition, as an epic collab with my trans mom @willieherself @willienorrisworkshop🌟
It’s a replica of me from my first runway show ever with Willie in 2019 🥹💓 immortalizing my baby self LMFAO
The sheer irony of ‘queer capital’ is not lost on us and that is the statement within itself
Tbh I’m just in disbelief that we live in a timeline where a life-size mannequin replica of me has been put up in one of the biggest art institutions in the world, twice for everybody to witness 😭❤️ I’m just from the hood and the islands with my family in Antigua like I never thought this kind of stuff would or could happen… as somebody who gets bullied over my body and the way that I look to this day, it makes me feel immeasurably grateful and thankful 💗💗💓 My mannequin will be going into the permanent collection of the MET after the exhibition is over, which is in nine months I believe. The exhibition is up for so long! It was very wild to view myself for the first time in real life with everyone else at the MET gala the other night. And now you can go see me too if you feel like it because Costume Art is open at the MET!
Thank you always to my dearest Andrew Bolton and Mellissa Huber for believing in me and showing me so much love 🫂❤️ as well as to the MET and the entire Costume Institute🫂💓💕💗💖
Here are some words from Willie about our very ironic and iconic serve:
“I was so pleased when the Met asked to acquire this look for their permanent collection and display it in this year’s exhibition, because it so perfectly illustrates my personal thesis: that all creation should be done with humility and be born from humble means, with what’s around you. A pair of Rustler shorts I found at a thrift store and added angled zipper pockets to. A used white t-shirt I had lying around and printed myself. To see this look presented amongst couture gowns and historical sartorial artifacts illustrates a plane of creation and recognition that I really can get down with.”
I love you so much Willie 🫂🫂🫂 to think that we have come this far together:,)))

For the 2nd time, I’m featured as a mannequin in the @metmuseum @metcostumeinstitute (☆▽☆) This time in the Costume Art exhibition, as an epic collab with my trans mom @willieherself @willienorrisworkshop🌟
It’s a replica of me from my first runway show ever with Willie in 2019 🥹💓 immortalizing my baby self LMFAO
The sheer irony of ‘queer capital’ is not lost on us and that is the statement within itself
Tbh I’m just in disbelief that we live in a timeline where a life-size mannequin replica of me has been put up in one of the biggest art institutions in the world, twice for everybody to witness 😭❤️ I’m just from the hood and the islands with my family in Antigua like I never thought this kind of stuff would or could happen… as somebody who gets bullied over my body and the way that I look to this day, it makes me feel immeasurably grateful and thankful 💗💗💓 My mannequin will be going into the permanent collection of the MET after the exhibition is over, which is in nine months I believe. The exhibition is up for so long! It was very wild to view myself for the first time in real life with everyone else at the MET gala the other night. And now you can go see me too if you feel like it because Costume Art is open at the MET!
Thank you always to my dearest Andrew Bolton and Mellissa Huber for believing in me and showing me so much love 🫂❤️ as well as to the MET and the entire Costume Institute🫂💓💕💗💖
Here are some words from Willie about our very ironic and iconic serve:
“I was so pleased when the Met asked to acquire this look for their permanent collection and display it in this year’s exhibition, because it so perfectly illustrates my personal thesis: that all creation should be done with humility and be born from humble means, with what’s around you. A pair of Rustler shorts I found at a thrift store and added angled zipper pockets to. A used white t-shirt I had lying around and printed myself. To see this look presented amongst couture gowns and historical sartorial artifacts illustrates a plane of creation and recognition that I really can get down with.”
I love you so much Willie 🫂🫂🫂 to think that we have come this far together:,)))

For the 2nd time, I’m featured as a mannequin in the @metmuseum @metcostumeinstitute (☆▽☆) This time in the Costume Art exhibition, as an epic collab with my trans mom @willieherself @willienorrisworkshop🌟
It’s a replica of me from my first runway show ever with Willie in 2019 🥹💓 immortalizing my baby self LMFAO
The sheer irony of ‘queer capital’ is not lost on us and that is the statement within itself
Tbh I’m just in disbelief that we live in a timeline where a life-size mannequin replica of me has been put up in one of the biggest art institutions in the world, twice for everybody to witness 😭❤️ I’m just from the hood and the islands with my family in Antigua like I never thought this kind of stuff would or could happen… as somebody who gets bullied over my body and the way that I look to this day, it makes me feel immeasurably grateful and thankful 💗💗💓 My mannequin will be going into the permanent collection of the MET after the exhibition is over, which is in nine months I believe. The exhibition is up for so long! It was very wild to view myself for the first time in real life with everyone else at the MET gala the other night. And now you can go see me too if you feel like it because Costume Art is open at the MET!
Thank you always to my dearest Andrew Bolton and Mellissa Huber for believing in me and showing me so much love 🫂❤️ as well as to the MET and the entire Costume Institute🫂💓💕💗💖
Here are some words from Willie about our very ironic and iconic serve:
“I was so pleased when the Met asked to acquire this look for their permanent collection and display it in this year’s exhibition, because it so perfectly illustrates my personal thesis: that all creation should be done with humility and be born from humble means, with what’s around you. A pair of Rustler shorts I found at a thrift store and added angled zipper pockets to. A used white t-shirt I had lying around and printed myself. To see this look presented amongst couture gowns and historical sartorial artifacts illustrates a plane of creation and recognition that I really can get down with.”
I love you so much Willie 🫂🫂🫂 to think that we have come this far together:,)))

For the 2nd time, I’m featured as a mannequin in the @metmuseum @metcostumeinstitute (☆▽☆) This time in the Costume Art exhibition, as an epic collab with my trans mom @willieherself @willienorrisworkshop🌟
It’s a replica of me from my first runway show ever with Willie in 2019 🥹💓 immortalizing my baby self LMFAO
The sheer irony of ‘queer capital’ is not lost on us and that is the statement within itself
Tbh I’m just in disbelief that we live in a timeline where a life-size mannequin replica of me has been put up in one of the biggest art institutions in the world, twice for everybody to witness 😭❤️ I’m just from the hood and the islands with my family in Antigua like I never thought this kind of stuff would or could happen… as somebody who gets bullied over my body and the way that I look to this day, it makes me feel immeasurably grateful and thankful 💗💗💓 My mannequin will be going into the permanent collection of the MET after the exhibition is over, which is in nine months I believe. The exhibition is up for so long! It was very wild to view myself for the first time in real life with everyone else at the MET gala the other night. And now you can go see me too if you feel like it because Costume Art is open at the MET!
Thank you always to my dearest Andrew Bolton and Mellissa Huber for believing in me and showing me so much love 🫂❤️ as well as to the MET and the entire Costume Institute🫂💓💕💗💖
Here are some words from Willie about our very ironic and iconic serve:
“I was so pleased when the Met asked to acquire this look for their permanent collection and display it in this year’s exhibition, because it so perfectly illustrates my personal thesis: that all creation should be done with humility and be born from humble means, with what’s around you. A pair of Rustler shorts I found at a thrift store and added angled zipper pockets to. A used white t-shirt I had lying around and printed myself. To see this look presented amongst couture gowns and historical sartorial artifacts illustrates a plane of creation and recognition that I really can get down with.”
I love you so much Willie 🫂🫂🫂 to think that we have come this far together:,)))

For the 2nd time, I’m featured as a mannequin in the @metmuseum @metcostumeinstitute (☆▽☆) This time in the Costume Art exhibition, as an epic collab with my trans mom @willieherself @willienorrisworkshop🌟
It’s a replica of me from my first runway show ever with Willie in 2019 🥹💓 immortalizing my baby self LMFAO
The sheer irony of ‘queer capital’ is not lost on us and that is the statement within itself
Tbh I’m just in disbelief that we live in a timeline where a life-size mannequin replica of me has been put up in one of the biggest art institutions in the world, twice for everybody to witness 😭❤️ I’m just from the hood and the islands with my family in Antigua like I never thought this kind of stuff would or could happen… as somebody who gets bullied over my body and the way that I look to this day, it makes me feel immeasurably grateful and thankful 💗💗💓 My mannequin will be going into the permanent collection of the MET after the exhibition is over, which is in nine months I believe. The exhibition is up for so long! It was very wild to view myself for the first time in real life with everyone else at the MET gala the other night. And now you can go see me too if you feel like it because Costume Art is open at the MET!
Thank you always to my dearest Andrew Bolton and Mellissa Huber for believing in me and showing me so much love 🫂❤️ as well as to the MET and the entire Costume Institute🫂💓💕💗💖
Here are some words from Willie about our very ironic and iconic serve:
“I was so pleased when the Met asked to acquire this look for their permanent collection and display it in this year’s exhibition, because it so perfectly illustrates my personal thesis: that all creation should be done with humility and be born from humble means, with what’s around you. A pair of Rustler shorts I found at a thrift store and added angled zipper pockets to. A used white t-shirt I had lying around and printed myself. To see this look presented amongst couture gowns and historical sartorial artifacts illustrates a plane of creation and recognition that I really can get down with.”
I love you so much Willie 🫂🫂🫂 to think that we have come this far together:,)))

For the 2nd time, I’m featured as a mannequin in the @metmuseum @metcostumeinstitute (☆▽☆) This time in the Costume Art exhibition, as an epic collab with my trans mom @willieherself @willienorrisworkshop🌟
It’s a replica of me from my first runway show ever with Willie in 2019 🥹💓 immortalizing my baby self LMFAO
The sheer irony of ‘queer capital’ is not lost on us and that is the statement within itself
Tbh I’m just in disbelief that we live in a timeline where a life-size mannequin replica of me has been put up in one of the biggest art institutions in the world, twice for everybody to witness 😭❤️ I’m just from the hood and the islands with my family in Antigua like I never thought this kind of stuff would or could happen… as somebody who gets bullied over my body and the way that I look to this day, it makes me feel immeasurably grateful and thankful 💗💗💓 My mannequin will be going into the permanent collection of the MET after the exhibition is over, which is in nine months I believe. The exhibition is up for so long! It was very wild to view myself for the first time in real life with everyone else at the MET gala the other night. And now you can go see me too if you feel like it because Costume Art is open at the MET!
Thank you always to my dearest Andrew Bolton and Mellissa Huber for believing in me and showing me so much love 🫂❤️ as well as to the MET and the entire Costume Institute🫂💓💕💗💖
Here are some words from Willie about our very ironic and iconic serve:
“I was so pleased when the Met asked to acquire this look for their permanent collection and display it in this year’s exhibition, because it so perfectly illustrates my personal thesis: that all creation should be done with humility and be born from humble means, with what’s around you. A pair of Rustler shorts I found at a thrift store and added angled zipper pockets to. A used white t-shirt I had lying around and printed myself. To see this look presented amongst couture gowns and historical sartorial artifacts illustrates a plane of creation and recognition that I really can get down with.”
I love you so much Willie 🫂🫂🫂 to think that we have come this far together:,)))

My work is included in the 2026 Costume Institute exhibition, “Fashion is Art.”

This moment is shared with my eternal muse and absolute DAUGHTER, miss @aarianaphilip , whose custom mannequin so elegantly displays a look she wore in my first (and still only) runway show.. and her first time walking a runway…which I held in 2019 at La Mama Galleria. I funded the show with 10K I made off selling t-shirts on Kickstarter, and a hell of a lot of gigantic asks. I never sold, or offered for sale, any of the pieces in the show, though that was never really the point for me.

I was so pleased when the Met asked to acquire this look for their permanent collection and display it in this year’s exhibition, because it so perfectly illustrates my personal thesis: that all creation should be done with humility and be born from humble means, with what’s around you. A pair of Rustler shorts I found at a thrift store and added angled zipper pockets to. A used white t-shirt I had lying around and printed myself. To see this look presented amongst couture gowns and historical sartorial artifacts illustrates a plane of creation and recognition that I really can get down with.

About the printed QUEER|CAPITAL design: it’s always been a personal prompt to myself (and you, but only if you want), guiding me to question how I can use what I have to get what I want—the personal is the collective here. It’s hopelessly idealistic and so deeply imperfect, but somehow it’s guided me well so far. I practice it, but don’t ask me to defend it with words, because I won’t. I’m not particularly interested in continuing the discussion the way I was in 2019. What I will say is I am not against capital. I am against capital as the only choice.

I’ve taken the last year and some bit off from fashion in any real way—intentionally, but also because I realized that inherited ambition was blocking my power and my ability to use my work to connect with and truly serve people with a gift I was lucky enough to receive. I’m still in my cocoon, still emerging from a genesis goo I knew I needed to put myself back into, but I won’t always be.

Big love always. Thanks for taking the time.

RUNWAY 2 when??

My work is included in the 2026 Costume Institute exhibition, “Fashion is Art.”

This moment is shared with my eternal muse and absolute DAUGHTER, miss @aarianaphilip , whose custom mannequin so elegantly displays a look she wore in my first (and still only) runway show.. and her first time walking a runway…which I held in 2019 at La Mama Galleria. I funded the show with 10K I made off selling t-shirts on Kickstarter, and a hell of a lot of gigantic asks. I never sold, or offered for sale, any of the pieces in the show, though that was never really the point for me.

I was so pleased when the Met asked to acquire this look for their permanent collection and display it in this year’s exhibition, because it so perfectly illustrates my personal thesis: that all creation should be done with humility and be born from humble means, with what’s around you. A pair of Rustler shorts I found at a thrift store and added angled zipper pockets to. A used white t-shirt I had lying around and printed myself. To see this look presented amongst couture gowns and historical sartorial artifacts illustrates a plane of creation and recognition that I really can get down with.

About the printed QUEER|CAPITAL design: it’s always been a personal prompt to myself (and you, but only if you want), guiding me to question how I can use what I have to get what I want—the personal is the collective here. It’s hopelessly idealistic and so deeply imperfect, but somehow it’s guided me well so far. I practice it, but don’t ask me to defend it with words, because I won’t. I’m not particularly interested in continuing the discussion the way I was in 2019. What I will say is I am not against capital. I am against capital as the only choice.

I’ve taken the last year and some bit off from fashion in any real way—intentionally, but also because I realized that inherited ambition was blocking my power and my ability to use my work to connect with and truly serve people with a gift I was lucky enough to receive. I’m still in my cocoon, still emerging from a genesis goo I knew I needed to put myself back into, but I won’t always be.

Big love always. Thanks for taking the time.

RUNWAY 2 when??

My work is included in the 2026 Costume Institute exhibition, “Fashion is Art.”

This moment is shared with my eternal muse and absolute DAUGHTER, miss @aarianaphilip , whose custom mannequin so elegantly displays a look she wore in my first (and still only) runway show.. and her first time walking a runway…which I held in 2019 at La Mama Galleria. I funded the show with 10K I made off selling t-shirts on Kickstarter, and a hell of a lot of gigantic asks. I never sold, or offered for sale, any of the pieces in the show, though that was never really the point for me.

I was so pleased when the Met asked to acquire this look for their permanent collection and display it in this year’s exhibition, because it so perfectly illustrates my personal thesis: that all creation should be done with humility and be born from humble means, with what’s around you. A pair of Rustler shorts I found at a thrift store and added angled zipper pockets to. A used white t-shirt I had lying around and printed myself. To see this look presented amongst couture gowns and historical sartorial artifacts illustrates a plane of creation and recognition that I really can get down with.

About the printed QUEER|CAPITAL design: it’s always been a personal prompt to myself (and you, but only if you want), guiding me to question how I can use what I have to get what I want—the personal is the collective here. It’s hopelessly idealistic and so deeply imperfect, but somehow it’s guided me well so far. I practice it, but don’t ask me to defend it with words, because I won’t. I’m not particularly interested in continuing the discussion the way I was in 2019. What I will say is I am not against capital. I am against capital as the only choice.

I’ve taken the last year and some bit off from fashion in any real way—intentionally, but also because I realized that inherited ambition was blocking my power and my ability to use my work to connect with and truly serve people with a gift I was lucky enough to receive. I’m still in my cocoon, still emerging from a genesis goo I knew I needed to put myself back into, but I won’t always be.

Big love always. Thanks for taking the time.

RUNWAY 2 when??

My work is included in the 2026 Costume Institute exhibition, “Fashion is Art.”

This moment is shared with my eternal muse and absolute DAUGHTER, miss @aarianaphilip , whose custom mannequin so elegantly displays a look she wore in my first (and still only) runway show.. and her first time walking a runway…which I held in 2019 at La Mama Galleria. I funded the show with 10K I made off selling t-shirts on Kickstarter, and a hell of a lot of gigantic asks. I never sold, or offered for sale, any of the pieces in the show, though that was never really the point for me.

I was so pleased when the Met asked to acquire this look for their permanent collection and display it in this year’s exhibition, because it so perfectly illustrates my personal thesis: that all creation should be done with humility and be born from humble means, with what’s around you. A pair of Rustler shorts I found at a thrift store and added angled zipper pockets to. A used white t-shirt I had lying around and printed myself. To see this look presented amongst couture gowns and historical sartorial artifacts illustrates a plane of creation and recognition that I really can get down with.

About the printed QUEER|CAPITAL design: it’s always been a personal prompt to myself (and you, but only if you want), guiding me to question how I can use what I have to get what I want—the personal is the collective here. It’s hopelessly idealistic and so deeply imperfect, but somehow it’s guided me well so far. I practice it, but don’t ask me to defend it with words, because I won’t. I’m not particularly interested in continuing the discussion the way I was in 2019. What I will say is I am not against capital. I am against capital as the only choice.

I’ve taken the last year and some bit off from fashion in any real way—intentionally, but also because I realized that inherited ambition was blocking my power and my ability to use my work to connect with and truly serve people with a gift I was lucky enough to receive. I’m still in my cocoon, still emerging from a genesis goo I knew I needed to put myself back into, but I won’t always be.

Big love always. Thanks for taking the time.

RUNWAY 2 when??

My work is included in the 2026 Costume Institute exhibition, “Fashion is Art.”

This moment is shared with my eternal muse and absolute DAUGHTER, miss @aarianaphilip , whose custom mannequin so elegantly displays a look she wore in my first (and still only) runway show.. and her first time walking a runway…which I held in 2019 at La Mama Galleria. I funded the show with 10K I made off selling t-shirts on Kickstarter, and a hell of a lot of gigantic asks. I never sold, or offered for sale, any of the pieces in the show, though that was never really the point for me.

I was so pleased when the Met asked to acquire this look for their permanent collection and display it in this year’s exhibition, because it so perfectly illustrates my personal thesis: that all creation should be done with humility and be born from humble means, with what’s around you. A pair of Rustler shorts I found at a thrift store and added angled zipper pockets to. A used white t-shirt I had lying around and printed myself. To see this look presented amongst couture gowns and historical sartorial artifacts illustrates a plane of creation and recognition that I really can get down with.

About the printed QUEER|CAPITAL design: it’s always been a personal prompt to myself (and you, but only if you want), guiding me to question how I can use what I have to get what I want—the personal is the collective here. It’s hopelessly idealistic and so deeply imperfect, but somehow it’s guided me well so far. I practice it, but don’t ask me to defend it with words, because I won’t. I’m not particularly interested in continuing the discussion the way I was in 2019. What I will say is I am not against capital. I am against capital as the only choice.

I’ve taken the last year and some bit off from fashion in any real way—intentionally, but also because I realized that inherited ambition was blocking my power and my ability to use my work to connect with and truly serve people with a gift I was lucky enough to receive. I’m still in my cocoon, still emerging from a genesis goo I knew I needed to put myself back into, but I won’t always be.

Big love always. Thanks for taking the time.

RUNWAY 2 when??

My work is included in the 2026 Costume Institute exhibition, “Fashion is Art.”

This moment is shared with my eternal muse and absolute DAUGHTER, miss @aarianaphilip , whose custom mannequin so elegantly displays a look she wore in my first (and still only) runway show.. and her first time walking a runway…which I held in 2019 at La Mama Galleria. I funded the show with 10K I made off selling t-shirts on Kickstarter, and a hell of a lot of gigantic asks. I never sold, or offered for sale, any of the pieces in the show, though that was never really the point for me.

I was so pleased when the Met asked to acquire this look for their permanent collection and display it in this year’s exhibition, because it so perfectly illustrates my personal thesis: that all creation should be done with humility and be born from humble means, with what’s around you. A pair of Rustler shorts I found at a thrift store and added angled zipper pockets to. A used white t-shirt I had lying around and printed myself. To see this look presented amongst couture gowns and historical sartorial artifacts illustrates a plane of creation and recognition that I really can get down with.

About the printed QUEER|CAPITAL design: it’s always been a personal prompt to myself (and you, but only if you want), guiding me to question how I can use what I have to get what I want—the personal is the collective here. It’s hopelessly idealistic and so deeply imperfect, but somehow it’s guided me well so far. I practice it, but don’t ask me to defend it with words, because I won’t. I’m not particularly interested in continuing the discussion the way I was in 2019. What I will say is I am not against capital. I am against capital as the only choice.

I’ve taken the last year and some bit off from fashion in any real way—intentionally, but also because I realized that inherited ambition was blocking my power and my ability to use my work to connect with and truly serve people with a gift I was lucky enough to receive. I’m still in my cocoon, still emerging from a genesis goo I knew I needed to put myself back into, but I won’t always be.

Big love always. Thanks for taking the time.

RUNWAY 2 when??

My work is included in the 2026 Costume Institute exhibition, “Fashion is Art.”

This moment is shared with my eternal muse and absolute DAUGHTER, miss @aarianaphilip , whose custom mannequin so elegantly displays a look she wore in my first (and still only) runway show.. and her first time walking a runway…which I held in 2019 at La Mama Galleria. I funded the show with 10K I made off selling t-shirts on Kickstarter, and a hell of a lot of gigantic asks. I never sold, or offered for sale, any of the pieces in the show, though that was never really the point for me.

I was so pleased when the Met asked to acquire this look for their permanent collection and display it in this year’s exhibition, because it so perfectly illustrates my personal thesis: that all creation should be done with humility and be born from humble means, with what’s around you. A pair of Rustler shorts I found at a thrift store and added angled zipper pockets to. A used white t-shirt I had lying around and printed myself. To see this look presented amongst couture gowns and historical sartorial artifacts illustrates a plane of creation and recognition that I really can get down with.

About the printed QUEER|CAPITAL design: it’s always been a personal prompt to myself (and you, but only if you want), guiding me to question how I can use what I have to get what I want—the personal is the collective here. It’s hopelessly idealistic and so deeply imperfect, but somehow it’s guided me well so far. I practice it, but don’t ask me to defend it with words, because I won’t. I’m not particularly interested in continuing the discussion the way I was in 2019. What I will say is I am not against capital. I am against capital as the only choice.

I’ve taken the last year and some bit off from fashion in any real way—intentionally, but also because I realized that inherited ambition was blocking my power and my ability to use my work to connect with and truly serve people with a gift I was lucky enough to receive. I’m still in my cocoon, still emerging from a genesis goo I knew I needed to put myself back into, but I won’t always be.

Big love always. Thanks for taking the time.

RUNWAY 2 when??

My work is included in the 2026 Costume Institute exhibition, “Fashion is Art.”

This moment is shared with my eternal muse and absolute DAUGHTER, miss @aarianaphilip , whose custom mannequin so elegantly displays a look she wore in my first (and still only) runway show.. and her first time walking a runway…which I held in 2019 at La Mama Galleria. I funded the show with 10K I made off selling t-shirts on Kickstarter, and a hell of a lot of gigantic asks. I never sold, or offered for sale, any of the pieces in the show, though that was never really the point for me.

I was so pleased when the Met asked to acquire this look for their permanent collection and display it in this year’s exhibition, because it so perfectly illustrates my personal thesis: that all creation should be done with humility and be born from humble means, with what’s around you. A pair of Rustler shorts I found at a thrift store and added angled zipper pockets to. A used white t-shirt I had lying around and printed myself. To see this look presented amongst couture gowns and historical sartorial artifacts illustrates a plane of creation and recognition that I really can get down with.

About the printed QUEER|CAPITAL design: it’s always been a personal prompt to myself (and you, but only if you want), guiding me to question how I can use what I have to get what I want—the personal is the collective here. It’s hopelessly idealistic and so deeply imperfect, but somehow it’s guided me well so far. I practice it, but don’t ask me to defend it with words, because I won’t. I’m not particularly interested in continuing the discussion the way I was in 2019. What I will say is I am not against capital. I am against capital as the only choice.

I’ve taken the last year and some bit off from fashion in any real way—intentionally, but also because I realized that inherited ambition was blocking my power and my ability to use my work to connect with and truly serve people with a gift I was lucky enough to receive. I’m still in my cocoon, still emerging from a genesis goo I knew I needed to put myself back into, but I won’t always be.

Big love always. Thanks for taking the time.

RUNWAY 2 when??

My work is included in the 2026 Costume Institute exhibition, “Fashion is Art.”

This moment is shared with my eternal muse and absolute DAUGHTER, miss @aarianaphilip , whose custom mannequin so elegantly displays a look she wore in my first (and still only) runway show.. and her first time walking a runway…which I held in 2019 at La Mama Galleria. I funded the show with 10K I made off selling t-shirts on Kickstarter, and a hell of a lot of gigantic asks. I never sold, or offered for sale, any of the pieces in the show, though that was never really the point for me.

I was so pleased when the Met asked to acquire this look for their permanent collection and display it in this year’s exhibition, because it so perfectly illustrates my personal thesis: that all creation should be done with humility and be born from humble means, with what’s around you. A pair of Rustler shorts I found at a thrift store and added angled zipper pockets to. A used white t-shirt I had lying around and printed myself. To see this look presented amongst couture gowns and historical sartorial artifacts illustrates a plane of creation and recognition that I really can get down with.

About the printed QUEER|CAPITAL design: it’s always been a personal prompt to myself (and you, but only if you want), guiding me to question how I can use what I have to get what I want—the personal is the collective here. It’s hopelessly idealistic and so deeply imperfect, but somehow it’s guided me well so far. I practice it, but don’t ask me to defend it with words, because I won’t. I’m not particularly interested in continuing the discussion the way I was in 2019. What I will say is I am not against capital. I am against capital as the only choice.

I’ve taken the last year and some bit off from fashion in any real way—intentionally, but also because I realized that inherited ambition was blocking my power and my ability to use my work to connect with and truly serve people with a gift I was lucky enough to receive. I’m still in my cocoon, still emerging from a genesis goo I knew I needed to put myself back into, but I won’t always be.

Big love always. Thanks for taking the time.

RUNWAY 2 when??

My work is included in the 2026 Costume Institute exhibition, “Fashion is Art.”

This moment is shared with my eternal muse and absolute DAUGHTER, miss @aarianaphilip , whose custom mannequin so elegantly displays a look she wore in my first (and still only) runway show.. and her first time walking a runway…which I held in 2019 at La Mama Galleria. I funded the show with 10K I made off selling t-shirts on Kickstarter, and a hell of a lot of gigantic asks. I never sold, or offered for sale, any of the pieces in the show, though that was never really the point for me.

I was so pleased when the Met asked to acquire this look for their permanent collection and display it in this year’s exhibition, because it so perfectly illustrates my personal thesis: that all creation should be done with humility and be born from humble means, with what’s around you. A pair of Rustler shorts I found at a thrift store and added angled zipper pockets to. A used white t-shirt I had lying around and printed myself. To see this look presented amongst couture gowns and historical sartorial artifacts illustrates a plane of creation and recognition that I really can get down with.

About the printed QUEER|CAPITAL design: it’s always been a personal prompt to myself (and you, but only if you want), guiding me to question how I can use what I have to get what I want—the personal is the collective here. It’s hopelessly idealistic and so deeply imperfect, but somehow it’s guided me well so far. I practice it, but don’t ask me to defend it with words, because I won’t. I’m not particularly interested in continuing the discussion the way I was in 2019. What I will say is I am not against capital. I am against capital as the only choice.

I’ve taken the last year and some bit off from fashion in any real way—intentionally, but also because I realized that inherited ambition was blocking my power and my ability to use my work to connect with and truly serve people with a gift I was lucky enough to receive. I’m still in my cocoon, still emerging from a genesis goo I knew I needed to put myself back into, but I won’t always be.

Big love always. Thanks for taking the time.

RUNWAY 2 when??

My work is included in the 2026 Costume Institute exhibition, “Fashion is Art.”

This moment is shared with my eternal muse and absolute DAUGHTER, miss @aarianaphilip , whose custom mannequin so elegantly displays a look she wore in my first (and still only) runway show.. and her first time walking a runway…which I held in 2019 at La Mama Galleria. I funded the show with 10K I made off selling t-shirts on Kickstarter, and a hell of a lot of gigantic asks. I never sold, or offered for sale, any of the pieces in the show, though that was never really the point for me.

I was so pleased when the Met asked to acquire this look for their permanent collection and display it in this year’s exhibition, because it so perfectly illustrates my personal thesis: that all creation should be done with humility and be born from humble means, with what’s around you. A pair of Rustler shorts I found at a thrift store and added angled zipper pockets to. A used white t-shirt I had lying around and printed myself. To see this look presented amongst couture gowns and historical sartorial artifacts illustrates a plane of creation and recognition that I really can get down with.

About the printed QUEER|CAPITAL design: it’s always been a personal prompt to myself (and you, but only if you want), guiding me to question how I can use what I have to get what I want—the personal is the collective here. It’s hopelessly idealistic and so deeply imperfect, but somehow it’s guided me well so far. I practice it, but don’t ask me to defend it with words, because I won’t. I’m not particularly interested in continuing the discussion the way I was in 2019. What I will say is I am not against capital. I am against capital as the only choice.

I’ve taken the last year and some bit off from fashion in any real way—intentionally, but also because I realized that inherited ambition was blocking my power and my ability to use my work to connect with and truly serve people with a gift I was lucky enough to receive. I’m still in my cocoon, still emerging from a genesis goo I knew I needed to put myself back into, but I won’t always be.

Big love always. Thanks for taking the time.

RUNWAY 2 when??

WEST DAKOTA BY LIA CLAY BARNES FOR HELMUT LANGUAGE BY WILLIE NORRIS. JUNE 2020.

© WILLIE NORRIS WORKSHOP, 2026.

@IAMWESTDAKOTA
@LIACLAYBARNES
@WILLIEHERSELF
@HELMUTLANG

COLOR THEORIES BY JULIO TORRES BY WILLIE NORRIS | A special collaborative project between @spaceprincejulio and @willienorrisworkshop inspired by Torres’ Off-Broadway show presented at @performance.space.new.york and subsequent @hbo comedy special, COLOR THEORIES BY JULIO TORRES BY WILLIE NORRIS translates lines from Julio’s script into colorful tees and hats with bold text and high-chest placements drawn from Willie’s signature tees. Available now on WWW.WILLIENORRISWORK.SHOP

Available for a limited time. All tees are $35 and available in S-3X. Gildan 5000 merch blank. All hats are $35 and O/S. Please allow up to seven business days for orders to ship. All sales final except for manufacturing fault.

A •WORKSHOP SERVICES• PRODUCTION
Starring @spaceprincejulio
Photos by @samlleephoto
Hair by @stylebysergio
Makeup by @willssassy

Photographed in Brooklyn, NYC on Thursday, March 12 2026

COLOR THEORIES BY JULIO TORRES BY WILLIE NORRIS | A special collaborative project between @spaceprincejulio and @willienorrisworkshop inspired by Torres’ Off-Broadway show presented at @performance.space.new.york and subsequent @hbo comedy special, COLOR THEORIES BY JULIO TORRES BY WILLIE NORRIS translates lines from Julio’s script into colorful tees and hats with bold text and high-chest placements drawn from Willie’s signature tees. Available now on WWW.WILLIENORRISWORK.SHOP

Available for a limited time. All tees are $35 and available in S-3X. Gildan 5000 merch blank. All hats are $35 and O/S. Please allow up to seven business days for orders to ship. All sales final except for manufacturing fault.

A •WORKSHOP SERVICES• PRODUCTION
Starring @spaceprincejulio
Photos by @samlleephoto
Hair by @stylebysergio
Makeup by @willssassy

Photographed in Brooklyn, NYC on Thursday, March 12 2026

COLOR THEORIES BY JULIO TORRES BY WILLIE NORRIS | A special collaborative project between @spaceprincejulio and @willienorrisworkshop inspired by Torres’ Off-Broadway show presented at @performance.space.new.york and subsequent @hbo comedy special, COLOR THEORIES BY JULIO TORRES BY WILLIE NORRIS translates lines from Julio’s script into colorful tees and hats with bold text and high-chest placements drawn from Willie’s signature tees. Available now on WWW.WILLIENORRISWORK.SHOP

Available for a limited time. All tees are $35 and available in S-3X. Gildan 5000 merch blank. All hats are $35 and O/S. Please allow up to seven business days for orders to ship. All sales final except for manufacturing fault.

A •WORKSHOP SERVICES• PRODUCTION
Starring @spaceprincejulio
Photos by @samlleephoto
Hair by @stylebysergio
Makeup by @willssassy

Photographed in Brooklyn, NYC on Thursday, March 12 2026

COLOR THEORIES BY JULIO TORRES BY WILLIE NORRIS | A special collaborative project between @spaceprincejulio and @willienorrisworkshop inspired by Torres’ Off-Broadway show presented at @performance.space.new.york and subsequent @hbo comedy special, COLOR THEORIES BY JULIO TORRES BY WILLIE NORRIS translates lines from Julio’s script into colorful tees and hats with bold text and high-chest placements drawn from Willie’s signature tees. Available now on WWW.WILLIENORRISWORK.SHOP

Available for a limited time. All tees are $35 and available in S-3X. Gildan 5000 merch blank. All hats are $35 and O/S. Please allow up to seven business days for orders to ship. All sales final except for manufacturing fault.

A •WORKSHOP SERVICES• PRODUCTION
Starring @spaceprincejulio
Photos by @samlleephoto
Hair by @stylebysergio
Makeup by @willssassy

Photographed in Brooklyn, NYC on Thursday, March 12 2026

COLOR THEORIES BY JULIO TORRES BY WILLIE NORRIS | A special collaborative project between @spaceprincejulio and @willienorrisworkshop inspired by Torres’ Off-Broadway show presented at @performance.space.new.york and subsequent @hbo comedy special, COLOR THEORIES BY JULIO TORRES BY WILLIE NORRIS translates lines from Julio’s script into colorful tees and hats with bold text and high-chest placements drawn from Willie’s signature tees. Available now on WWW.WILLIENORRISWORK.SHOP

Available for a limited time. All tees are $35 and available in S-3X. Gildan 5000 merch blank. All hats are $35 and O/S. Please allow up to seven business days for orders to ship. All sales final except for manufacturing fault.

A •WORKSHOP SERVICES• PRODUCTION
Starring @spaceprincejulio
Photos by @samlleephoto
Hair by @stylebysergio
Makeup by @willssassy

Photographed in Brooklyn, NYC on Thursday, March 12 2026

COLOR THEORIES BY JULIO TORRES BY WILLIE NORRIS | A special collaborative project between @spaceprincejulio and @willienorrisworkshop inspired by Torres’ Off-Broadway show presented at @performance.space.new.york and subsequent @hbo comedy special, COLOR THEORIES BY JULIO TORRES BY WILLIE NORRIS translates lines from Julio’s script into colorful tees and hats with bold text and high-chest placements drawn from Willie’s signature tees. Available now on WWW.WILLIENORRISWORK.SHOP

Available for a limited time. All tees are $35 and available in S-3X. Gildan 5000 merch blank. All hats are $35 and O/S. Please allow up to seven business days for orders to ship. All sales final except for manufacturing fault.

A •WORKSHOP SERVICES• PRODUCTION
Starring @spaceprincejulio
Photos by @samlleephoto
Hair by @stylebysergio
Makeup by @willssassy

Photographed in Brooklyn, NYC on Thursday, March 12 2026

COLOR THEORIES BY JULIO TORRES BY WILLIE NORRIS | A special collaborative project between @spaceprincejulio and @willienorrisworkshop inspired by Torres’ Off-Broadway show presented at @performance.space.new.york and subsequent @hbo comedy special, COLOR THEORIES BY JULIO TORRES BY WILLIE NORRIS translates lines from Julio’s script into colorful tees and hats with bold text and high-chest placements drawn from Willie’s signature tees. Available now on WWW.WILLIENORRISWORK.SHOP

Available for a limited time. All tees are $35 and available in S-3X. Gildan 5000 merch blank. All hats are $35 and O/S. Please allow up to seven business days for orders to ship. All sales final except for manufacturing fault.

A •WORKSHOP SERVICES• PRODUCTION
Starring @spaceprincejulio
Photos by @samlleephoto
Hair by @stylebysergio
Makeup by @willssassy

Photographed in Brooklyn, NYC on Thursday, March 12 2026

COLOR THEORIES BY JULIO TORRES BY WILLIE NORRIS | A special collaborative project between @spaceprincejulio and @willienorrisworkshop inspired by Torres’ Off-Broadway show presented at @performance.space.new.york and subsequent @hbo comedy special, COLOR THEORIES BY JULIO TORRES BY WILLIE NORRIS translates lines from Julio’s script into colorful tees and hats with bold text and high-chest placements drawn from Willie’s signature tees. Available now on WWW.WILLIENORRISWORK.SHOP

Available for a limited time. All tees are $35 and available in S-3X. Gildan 5000 merch blank. All hats are $35 and O/S. Please allow up to seven business days for orders to ship. All sales final except for manufacturing fault.

A •WORKSHOP SERVICES• PRODUCTION
Starring @spaceprincejulio
Photos by @samlleephoto
Hair by @stylebysergio
Makeup by @willssassy

Photographed in Brooklyn, NYC on Thursday, March 12 2026

COLOR THEORIES BY JULIO TORRES BY WILLIE NORRIS | A special collaborative project between @spaceprincejulio and @willienorrisworkshop inspired by Torres’ Off-Broadway show presented at @performance.space.new.york and subsequent @hbo comedy special, COLOR THEORIES BY JULIO TORRES BY WILLIE NORRIS translates lines from Julio’s script into colorful tees and hats with bold text and high-chest placements drawn from Willie’s signature tees. Available now on WWW.WILLIENORRISWORK.SHOP

Available for a limited time. All tees are $35 and available in S-3X. Gildan 5000 merch blank. All hats are $35 and O/S. Please allow up to seven business days for orders to ship. All sales final except for manufacturing fault.

A •WORKSHOP SERVICES• PRODUCTION
Starring @spaceprincejulio
Photos by @samlleephoto
Hair by @stylebysergio
Makeup by @willssassy

Photographed in Brooklyn, NYC on Thursday, March 12 2026

COLOR THEORIES BY JULIO TORRES BY WILLIE NORRIS | A special collaborative project between @spaceprincejulio and @willienorrisworkshop inspired by Torres’ Off-Broadway show presented at @performance.space.new.york and subsequent @hbo comedy special, COLOR THEORIES BY JULIO TORRES BY WILLIE NORRIS translates lines from Julio’s script into colorful tees and hats with bold text and high-chest placements drawn from Willie’s signature tees. Available now on WWW.WILLIENORRISWORK.SHOP

Available for a limited time. All tees are $35 and available in S-3X. Gildan 5000 merch blank. All hats are $35 and O/S. Please allow up to seven business days for orders to ship. All sales final except for manufacturing fault.

A •WORKSHOP SERVICES• PRODUCTION
Starring @spaceprincejulio
Photos by @samlleephoto
Hair by @stylebysergio
Makeup by @willssassy

Photographed in Brooklyn, NYC on Thursday, March 12 2026

COLOR THEORIES BY JULIO TORRES BY WILLIE NORRIS | A special collaborative project between @spaceprincejulio and @willienorrisworkshop inspired by Torres’ Off-Broadway show presented at @performance.space.new.york and subsequent @hbo comedy special, COLOR THEORIES BY JULIO TORRES BY WILLIE NORRIS translates lines from Julio’s script into colorful tees and hats with bold text and high-chest placements drawn from Willie’s signature tees. Available now on WWW.WILLIENORRISWORK.SHOP

Available for a limited time. All tees are $35 and available in S-3X. Gildan 5000 merch blank. All hats are $35 and O/S. Please allow up to seven business days for orders to ship. All sales final except for manufacturing fault.

A •WORKSHOP SERVICES• PRODUCTION
Starring @spaceprincejulio
Photos by @samlleephoto
Hair by @stylebysergio
Makeup by @willssassy

Photographed in Brooklyn, NYC on Thursday, March 12 2026

COLOR THEORIES BY JULIO TORRES BY WILLIE NORRIS | A special collaborative project between @spaceprincejulio and @willienorrisworkshop inspired by Torres’ Off-Broadway show presented at @performance.space.new.york and subsequent @hbo comedy special, COLOR THEORIES BY JULIO TORRES BY WILLIE NORRIS translates lines from Julio’s script into colorful tees and hats with bold text and high-chest placements drawn from Willie’s signature tees. Available now on WWW.WILLIENORRISWORK.SHOP

Available for a limited time. All tees are $35 and available in S-3X. Gildan 5000 merch blank. All hats are $35 and O/S. Please allow up to seven business days for orders to ship. All sales final except for manufacturing fault.

A •WORKSHOP SERVICES• PRODUCTION
Starring @spaceprincejulio
Photos by @samlleephoto
Hair by @stylebysergio
Makeup by @willssassy

Photographed in Brooklyn, NYC on Thursday, March 12 2026

COLOR THEORIES BY JULIO TORRES BY WILLIE NORRIS | A special collaborative project between @spaceprincejulio and @willienorrisworkshop inspired by Torres’ Off-Broadway show presented at @performance.space.new.york and subsequent @hbo comedy special, COLOR THEORIES BY JULIO TORRES BY WILLIE NORRIS translates lines from Julio’s script into colorful tees and hats with bold text and high-chest placements drawn from Willie’s signature tees. Available now on WWW.WILLIENORRISWORK.SHOP

Available for a limited time. All tees are $35 and available in S-3X. Gildan 5000 merch blank. All hats are $35 and O/S. Please allow up to seven business days for orders to ship. All sales final except for manufacturing fault.

A •WORKSHOP SERVICES• PRODUCTION
Starring @spaceprincejulio
Photos by @samlleephoto
Hair by @stylebysergio
Makeup by @willssassy

Photographed in Brooklyn, NYC on Thursday, March 12 2026

COLOR THEORIES BY JULIO TORRES BY WILLIE NORRIS | A special collaborative project between @spaceprincejulio and @willienorrisworkshop inspired by Torres’ Off-Broadway show presented at @performance.space.new.york and subsequent @hbo comedy special, COLOR THEORIES BY JULIO TORRES BY WILLIE NORRIS translates lines from Julio’s script into colorful tees and hats with bold text and high-chest placements drawn from Willie’s signature tees. Available now on WWW.WILLIENORRISWORK.SHOP

Available for a limited time. All tees are $35 and available in S-3X. Gildan 5000 merch blank. All hats are $35 and O/S. Please allow up to seven business days for orders to ship. All sales final except for manufacturing fault.

A •WORKSHOP SERVICES• PRODUCTION
Starring @spaceprincejulio
Photos by @samlleephoto
Hair by @stylebysergio
Makeup by @willssassy

Photographed in Brooklyn, NYC on Thursday, March 12 2026

COLOR THEORIES BY JULIO TORRES BY WILLIE NORRIS | A special collaborative project between @spaceprincejulio and @willienorrisworkshop inspired by Torres’ Off-Broadway show presented at @performance.space.new.york and subsequent @hbo comedy special, COLOR THEORIES BY JULIO TORRES BY WILLIE NORRIS translates lines from Julio’s script into colorful tees and hats with bold text and high-chest placements drawn from Willie’s signature tees. Available now on WWW.WILLIENORRISWORK.SHOP

Available for a limited time. All tees are $35 and available in S-3X. Gildan 5000 merch blank. All hats are $35 and O/S. Please allow up to seven business days for orders to ship. All sales final except for manufacturing fault.

A •WORKSHOP SERVICES• PRODUCTION
Starring @spaceprincejulio
Photos by @samlleephoto
Hair by @stylebysergio
Makeup by @willssassy

Photographed in Brooklyn, NYC on Thursday, March 12 2026

COLOR THEORIES BY JULIO TORRES BY WILLIE NORRIS | A special collaborative project between @spaceprincejulio and @willienorrisworkshop inspired by Torres’ Off-Broadway show presented at @performance.space.new.york and subsequent @hbo comedy special, COLOR THEORIES BY JULIO TORRES BY WILLIE NORRIS translates lines from Julio’s script into colorful tees and hats with bold text and high-chest placements drawn from Willie’s signature tees. Available now on WWW.WILLIENORRISWORK.SHOP

Available for a limited time. All tees are $35 and available in S-3X. Gildan 5000 merch blank. All hats are $35 and O/S. Please allow up to seven business days for orders to ship. All sales final except for manufacturing fault.

A •WORKSHOP SERVICES• PRODUCTION
Starring @spaceprincejulio
Photos by @samlleephoto
Hair by @stylebysergio
Makeup by @willssassy

Photographed in Brooklyn, NYC on Thursday, March 12 2026

COLOR THEORIES BY JULIO TORRES BY WILLIE NORRIS | A special collaborative project between @spaceprincejulio and @willienorrisworkshop inspired by Torres’ Off-Broadway show presented at @performance.space.new.york and subsequent @hbo comedy special, COLOR THEORIES BY JULIO TORRES BY WILLIE NORRIS translates lines from Julio’s script into colorful tees and hats with bold text and high-chest placements drawn from Willie’s signature tees. Available now on WWW.WILLIENORRISWORK.SHOP

Available for a limited time. All tees are $35 and available in S-3X. Gildan 5000 merch blank. All hats are $35 and O/S. Please allow up to seven business days for orders to ship. All sales final except for manufacturing fault.

A •WORKSHOP SERVICES• PRODUCTION
Starring @spaceprincejulio
Photos by @samlleephoto
Hair by @stylebysergio
Makeup by @willssassy

Photographed in Brooklyn, NYC on Thursday, March 12 2026

COLOR THEORIES BY JULIO TORRES BY WILLIE NORRIS | A special collaborative project between @spaceprincejulio and @willienorrisworkshop inspired by Torres’ Off-Broadway show presented at @performance.space.new.york and subsequent @hbo comedy special, COLOR THEORIES BY JULIO TORRES BY WILLIE NORRIS translates lines from Julio’s script into colorful tees and hats with bold text and high-chest placements drawn from Willie’s signature tees. Available now on WWW.WILLIENORRISWORK.SHOP

Available for a limited time. All tees are $35 and available in S-3X. Gildan 5000 merch blank. All hats are $35 and O/S. Please allow up to seven business days for orders to ship. All sales final except for manufacturing fault.

A •WORKSHOP SERVICES• PRODUCTION
Starring @spaceprincejulio
Photos by @samlleephoto
Hair by @stylebysergio
Makeup by @willssassy

Photographed in Brooklyn, NYC on Thursday, March 12 2026

@lyft asked lil’ ol’ me to create a lil’ ol’ something for their @stud.country country x @brooklynbowl x @kesha (!!) pride party this year. I offered up two lyft-pink cotton bandanas with willie-style text for the occasion. One
had a stream of consciousness...in-transit spiral...”if i lose it is it lost forever???” type spew, and one had a more existential joy (or dread!... you do you!) type thing going on. You know what I mean. The bandanas were offered up to guests as they entered the space, and it was the highlight of the night to see people immediately re-fashioning them into quick coverups and these darling!!!! little head scarves. Finding a way to meet my beat to external projects like this is always an exciting challenge and I’m never not grateful to be considered for this type of gig. Thanks 2 all my friends and famn who came thru and especially to @jsacks28 and @knnthdrk for being my world class shop boys.

@lyft asked lil’ ol’ me to create a lil’ ol’ something for their @stud.country country x @brooklynbowl x @kesha (!!) pride party this year. I offered up two lyft-pink cotton bandanas with willie-style text for the occasion. One
had a stream of consciousness...in-transit spiral...”if i lose it is it lost forever???” type spew, and one had a more existential joy (or dread!... you do you!) type thing going on. You know what I mean. The bandanas were offered up to guests as they entered the space, and it was the highlight of the night to see people immediately re-fashioning them into quick coverups and these darling!!!! little head scarves. Finding a way to meet my beat to external projects like this is always an exciting challenge and I’m never not grateful to be considered for this type of gig. Thanks 2 all my friends and famn who came thru and especially to @jsacks28 and @knnthdrk for being my world class shop boys.

@lyft asked lil’ ol’ me to create a lil’ ol’ something for their @stud.country country x @brooklynbowl x @kesha (!!) pride party this year. I offered up two lyft-pink cotton bandanas with willie-style text for the occasion. One
had a stream of consciousness...in-transit spiral...”if i lose it is it lost forever???” type spew, and one had a more existential joy (or dread!... you do you!) type thing going on. You know what I mean. The bandanas were offered up to guests as they entered the space, and it was the highlight of the night to see people immediately re-fashioning them into quick coverups and these darling!!!! little head scarves. Finding a way to meet my beat to external projects like this is always an exciting challenge and I’m never not grateful to be considered for this type of gig. Thanks 2 all my friends and famn who came thru and especially to @jsacks28 and @knnthdrk for being my world class shop boys.

@lyft asked lil’ ol’ me to create a lil’ ol’ something for their @stud.country country x @brooklynbowl x @kesha (!!) pride party this year. I offered up two lyft-pink cotton bandanas with willie-style text for the occasion. One
had a stream of consciousness...in-transit spiral...”if i lose it is it lost forever???” type spew, and one had a more existential joy (or dread!... you do you!) type thing going on. You know what I mean. The bandanas were offered up to guests as they entered the space, and it was the highlight of the night to see people immediately re-fashioning them into quick coverups and these darling!!!! little head scarves. Finding a way to meet my beat to external projects like this is always an exciting challenge and I’m never not grateful to be considered for this type of gig. Thanks 2 all my friends and famn who came thru and especially to @jsacks28 and @knnthdrk for being my world class shop boys.

@lyft asked lil’ ol’ me to create a lil’ ol’ something for their @stud.country country x @brooklynbowl x @kesha (!!) pride party this year. I offered up two lyft-pink cotton bandanas with willie-style text for the occasion. One
had a stream of consciousness...in-transit spiral...”if i lose it is it lost forever???” type spew, and one had a more existential joy (or dread!... you do you!) type thing going on. You know what I mean. The bandanas were offered up to guests as they entered the space, and it was the highlight of the night to see people immediately re-fashioning them into quick coverups and these darling!!!! little head scarves. Finding a way to meet my beat to external projects like this is always an exciting challenge and I’m never not grateful to be considered for this type of gig. Thanks 2 all my friends and famn who came thru and especially to @jsacks28 and @knnthdrk for being my world class shop boys.

@lyft asked lil’ ol’ me to create a lil’ ol’ something for their @stud.country country x @brooklynbowl x @kesha (!!) pride party this year. I offered up two lyft-pink cotton bandanas with willie-style text for the occasion. One
had a stream of consciousness...in-transit spiral...”if i lose it is it lost forever???” type spew, and one had a more existential joy (or dread!... you do you!) type thing going on. You know what I mean. The bandanas were offered up to guests as they entered the space, and it was the highlight of the night to see people immediately re-fashioning them into quick coverups and these darling!!!! little head scarves. Finding a way to meet my beat to external projects like this is always an exciting challenge and I’m never not grateful to be considered for this type of gig. Thanks 2 all my friends and famn who came thru and especially to @jsacks28 and @knnthdrk for being my world class shop boys.

@lyft asked lil’ ol’ me to create a lil’ ol’ something for their @stud.country country x @brooklynbowl x @kesha (!!) pride party this year. I offered up two lyft-pink cotton bandanas with willie-style text for the occasion. One
had a stream of consciousness...in-transit spiral...”if i lose it is it lost forever???” type spew, and one had a more existential joy (or dread!... you do you!) type thing going on. You know what I mean. The bandanas were offered up to guests as they entered the space, and it was the highlight of the night to see people immediately re-fashioning them into quick coverups and these darling!!!! little head scarves. Finding a way to meet my beat to external projects like this is always an exciting challenge and I’m never not grateful to be considered for this type of gig. Thanks 2 all my friends and famn who came thru and especially to @jsacks28 and @knnthdrk for being my world class shop boys.

@lyft asked lil’ ol’ me to create a lil’ ol’ something for their @stud.country country x @brooklynbowl x @kesha (!!) pride party this year. I offered up two lyft-pink cotton bandanas with willie-style text for the occasion. One
had a stream of consciousness...in-transit spiral...”if i lose it is it lost forever???” type spew, and one had a more existential joy (or dread!... you do you!) type thing going on. You know what I mean. The bandanas were offered up to guests as they entered the space, and it was the highlight of the night to see people immediately re-fashioning them into quick coverups and these darling!!!! little head scarves. Finding a way to meet my beat to external projects like this is always an exciting challenge and I’m never not grateful to be considered for this type of gig. Thanks 2 all my friends and famn who came thru and especially to @jsacks28 and @knnthdrk for being my world class shop boys.

@lyft asked lil’ ol’ me to create a lil’ ol’ something for their @stud.country country x @brooklynbowl x @kesha (!!) pride party this year. I offered up two lyft-pink cotton bandanas with willie-style text for the occasion. One
had a stream of consciousness...in-transit spiral...”if i lose it is it lost forever???” type spew, and one had a more existential joy (or dread!... you do you!) type thing going on. You know what I mean. The bandanas were offered up to guests as they entered the space, and it was the highlight of the night to see people immediately re-fashioning them into quick coverups and these darling!!!! little head scarves. Finding a way to meet my beat to external projects like this is always an exciting challenge and I’m never not grateful to be considered for this type of gig. Thanks 2 all my friends and famn who came thru and especially to @jsacks28 and @knnthdrk for being my world class shop boys.

@lyft asked lil’ ol’ me to create a lil’ ol’ something for their @stud.country country x @brooklynbowl x @kesha (!!) pride party this year. I offered up two lyft-pink cotton bandanas with willie-style text for the occasion. One
had a stream of consciousness...in-transit spiral...”if i lose it is it lost forever???” type spew, and one had a more existential joy (or dread!... you do you!) type thing going on. You know what I mean. The bandanas were offered up to guests as they entered the space, and it was the highlight of the night to see people immediately re-fashioning them into quick coverups and these darling!!!! little head scarves. Finding a way to meet my beat to external projects like this is always an exciting challenge and I’m never not grateful to be considered for this type of gig. Thanks 2 all my friends and famn who came thru and especially to @jsacks28 and @knnthdrk for being my world class shop boys.

The AGAVE NECTAR SHORTSLEEVE is a unisex fit, short sleeve t-shirt made of a dense and sturdy 100% USA-grown cotton jersey with a rib-knit crewneck collar and a straight hem. Available now, as a second open-edition print run, in WHITE in sizes XS-4X for $55. It features a short-story of a @nytcooking section comment by "colormestacy." Thank you, Stacy! We are all Stacy.

The AGAVE NECTAR SHORTSLEEVE is a unisex fit, short sleeve t-shirt made of a dense and sturdy 100% USA-grown cotton jersey with a rib-knit crewneck collar and a straight hem. Available now, as a second open-edition print run, in WHITE in sizes XS-4X for $55. It features a short-story of a @nytcooking section comment by "colormestacy." Thank you, Stacy! We are all Stacy.

The AGAVE NECTAR SHORTSLEEVE is a unisex fit, short sleeve t-shirt made of a dense and sturdy 100% USA-grown cotton jersey with a rib-knit crewneck collar and a straight hem. Available now, as a second open-edition print run, in WHITE in sizes XS-4X for $55. It features a short-story of a @nytcooking section comment by "colormestacy." Thank you, Stacy! We are all Stacy.

The AGAVE NECTAR SHORTSLEEVE is a unisex fit, short sleeve t-shirt made of a dense and sturdy 100% USA-grown cotton jersey with a rib-knit crewneck collar and a straight hem. Available now, as a second open-edition print run, in WHITE in sizes XS-4X for $55. It features a short-story of a @nytcooking section comment by "colormestacy." Thank you, Stacy! We are all Stacy.

The AGAVE NECTAR SHORTSLEEVE is a unisex fit, short sleeve t-shirt made of a dense and sturdy 100% USA-grown cotton jersey with a rib-knit crewneck collar and a straight hem. Available now, as a second open-edition print run, in WHITE in sizes XS-4X for $55. It features a short-story of a @nytcooking section comment by "colormestacy." Thank you, Stacy! We are all Stacy.

some oldies that really do it for me

some oldies that really do it for me

some oldies that really do it for me

some oldies that really do it for me

some oldies that really do it for me

some oldies that really do it for me

A very long short story written for in-store installation in the @away Williamsburg store as part of the @willienorrisreworkshop x @away pride 2023 collaboration. The text, as well as the full collection of customized luggage, will be on view for the entire month of June.

A very long short story written for in-store installation in the @away Williamsburg store as part of the @willienorrisreworkshop x @away pride 2023 collaboration. The text, as well as the full collection of customized luggage, will be on view for the entire month of June.

unanswerable questions are lustful questions

“#REASONSIHATEWILLIAMSBURG,” 2019. 1/1

review tee roundup

review tee roundup

review tee roundup

review tee roundup

review tee roundup

review tee roundup

willie one liners pt.2

willie one liners pt.2

willie one liners pt.2

willie one liners pt.2

willie one liners pt.2

willie one liners pt.2

willie one liners pt.2

willie one liners pt.2