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#FromOurFriends @worksandprocess Artist Curator in Residence @calebteicher is performing “Blue Skies” with @bughthere in @americantapdancefoundation (ATDF) founder Tony Waag’s “Tap City” at @thejoycetheater from May 19-24. For 25 years, ATDF has been a cornerstone of the art form, honoring its past while shaping its future. This program celebrates tap across generations, styles, and artistic visions. For tickets and to see the full list of performers, visit joyce.org
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#Reposted video excerpt of @calebteicher and @bughthere in “Blue Skies” at @ajwkorea AJW SHOW 2025. Video by @leejudy_

May 16 | 2PM @bethanyartsorg
40 Somerstown Rd, Ossining, NY 10562

Join SLMDances for a public offering as the culmination of their @worksandprocess at Bethany Arts Community for their new work in development, A Side Of The World For A Canvas, based on the work of Zora Neale Hurston.

This informal sharing will include a performance of their work-in-progress developed during their residency week, and invite participation and feedback from witnesses.

Free and open to the public.

Register @bethanyartsorg.

📸:
Image ID 1: Six SLMDancers. They each wear vibrant colors of green, pink, yellow, blue, and orange. Some wear dresses and others wear mixed tops and bottoms. The dancers stand gathered in a clump, and in unison, their bodies face the camera while their focus and their right arms extend toward the sun in the sky. They are outside in the grass at the park with trees in the background. This image is framed with a black border and text that reads ‘Works & Process 2025-2026 Open Call Residency Artist. Sydnie L. Mosley Dances In partnership with Bethany Arts Community.’ Credit: @shocphoto / @worksandprocess

Image ID 2: 1937 black and white photo of Zora Neale Hurston, half-length portrait, standing, smiling, facing slightly left, beating the hountar, or mama drum. Credit: New York World-Telegram & Sun Collection/Library of Congress

May 16 | 2PM @bethanyartsorg
40 Somerstown Rd, Ossining, NY 10562

Join SLMDances for a public offering as the culmination of their @worksandprocess at Bethany Arts Community for their new work in development, A Side Of The World For A Canvas, based on the work of Zora Neale Hurston.

This informal sharing will include a performance of their work-in-progress developed during their residency week, and invite participation and feedback from witnesses.

Free and open to the public.

Register @bethanyartsorg.

📸:
Image ID 1: Six SLMDancers. They each wear vibrant colors of green, pink, yellow, blue, and orange. Some wear dresses and others wear mixed tops and bottoms. The dancers stand gathered in a clump, and in unison, their bodies face the camera while their focus and their right arms extend toward the sun in the sky. They are outside in the grass at the park with trees in the background. This image is framed with a black border and text that reads ‘Works & Process 2025-2026 Open Call Residency Artist. Sydnie L. Mosley Dances In partnership with Bethany Arts Community.’ Credit: @shocphoto / @worksandprocess

Image ID 2: 1937 black and white photo of Zora Neale Hurston, half-length portrait, standing, smiling, facing slightly left, beating the hountar, or mama drum. Credit: New York World-Telegram & Sun Collection/Library of Congress

On the occasion of Peggy Guggenheim in London: The Making of a Collector, the exhibition celebrating the beginning of Peggy Guggenheim’s career as a collector between 1938–39, on May 8 @guggenheim_venice, in collaboration with @worksandprocess, presented two legendary solos by Martha Graham, one of the most iconic dancers of the twentieth century.

The @marthagrahamdance Company, founded by Graham 1938 and evolving from the Dance Group she founded in 1926, performed two chorographic masterpieces: Lamentation (1930), with a score by Zoltán Kodály, and Ekstasis (1933), accompanied by original music by Lehman Engel.

Lamentation
Music: Zoltán Kodály
Danced by @xin_ying_dance

Ekstasis
Music: Lehman Engel
Danced by @anniesoud
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Photos: Arianna Ferraretto

On the occasion of Peggy Guggenheim in London: The Making of a Collector, the exhibition celebrating the beginning of Peggy Guggenheim’s career as a collector between 1938–39, on May 8 @guggenheim_venice, in collaboration with @worksandprocess, presented two legendary solos by Martha Graham, one of the most iconic dancers of the twentieth century.

The @marthagrahamdance Company, founded by Graham 1938 and evolving from the Dance Group she founded in 1926, performed two chorographic masterpieces: Lamentation (1930), with a score by Zoltán Kodály, and Ekstasis (1933), accompanied by original music by Lehman Engel.

Lamentation
Music: Zoltán Kodály
Danced by @xin_ying_dance

Ekstasis
Music: Lehman Engel
Danced by @anniesoud
-
Photos: Arianna Ferraretto

On the occasion of Peggy Guggenheim in London: The Making of a Collector, the exhibition celebrating the beginning of Peggy Guggenheim’s career as a collector between 1938–39, on May 8 @guggenheim_venice, in collaboration with @worksandprocess, presented two legendary solos by Martha Graham, one of the most iconic dancers of the twentieth century.

The @marthagrahamdance Company, founded by Graham 1938 and evolving from the Dance Group she founded in 1926, performed two chorographic masterpieces: Lamentation (1930), with a score by Zoltán Kodály, and Ekstasis (1933), accompanied by original music by Lehman Engel.

Lamentation
Music: Zoltán Kodály
Danced by @xin_ying_dance

Ekstasis
Music: Lehman Engel
Danced by @anniesoud
-
Photos: Arianna Ferraretto

On the occasion of Peggy Guggenheim in London: The Making of a Collector, the exhibition celebrating the beginning of Peggy Guggenheim’s career as a collector between 1938–39, on May 8 @guggenheim_venice, in collaboration with @worksandprocess, presented two legendary solos by Martha Graham, one of the most iconic dancers of the twentieth century.

The @marthagrahamdance Company, founded by Graham 1938 and evolving from the Dance Group she founded in 1926, performed two chorographic masterpieces: Lamentation (1930), with a score by Zoltán Kodály, and Ekstasis (1933), accompanied by original music by Lehman Engel.

Lamentation
Music: Zoltán Kodály
Danced by @xin_ying_dance

Ekstasis
Music: Lehman Engel
Danced by @anniesoud
-
Photos: Arianna Ferraretto

“We’ve had this institution for so long, and I’ve been the first.”

In 2023, Mira Nadon made history as the first Asian American female principal dancer at the New York City Ballet. Now, she’s reflecting on what that milestone really means — and what still lies ahead for greater representation.

🎥 Voices Rising: Asian Americans in Motion, co-produced with the Serica Initiative.

▶️ Now streaming on the ALL ARTS YouTube channel.

A costume piece/body mask/wearable art custom made by @yuchang_xiao for Lloyd’s Lament. Teardrop seeping from beneath the skin.

Rehearsal of Lloyd’s Lament

Performed by @lloydknight
Music by @myles_avery
With voice of Martha Graham @marthagrahamdance
Media and lighting design @therealjimjelly
Volumetric Design @alanwinslow
Costume Design @yuchang_xiao @xiaoyuchangatelier

Excerpt from
In the Folds of Her Purple by Xin Ying @xin_ying_dance Presented by @worksandprocess
In partnership with Onassis ONX @onassis.onx and PS21 at Guggenheim New York @ps21chatham @guggenheim

On the occasion of the exhibition of South African artist @igshaan.adams’s work in the @museoguggenheim, @worksandprocess in collaboration with the Museum, organized two performances with South African based group @garagedanceensemble, and a discussion with Adams.

On May 4-5 in Bilbao, Spain, Garage Dance Ensemble shared their overpowering energy with audiences. The dancers have worked with Igshaan Adams in the creation of some of the works currently on display in the Museum. In his practice, moving bodies on ink applied linoleum floors covered with canvas leave traces of personal and collective memories. Adams collects them to highlight the connections between people and between individuals and the community.

Choreographed and Directed by: Byron Klassen
Technical director: Faroll Coetzee
Performers: Georgia Julies, Manon-Lee Saal, Keeanu Samuels, Druwayne Strauss

Activities organized with the collaboration of @worksandprocess, with the support of @a4artsfoundation and @hillartfoundation.
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Photos by Guggenheim Bilbao Museoa, 2026. Photo: Erika Barahona Ede

On the occasion of the exhibition of South African artist @igshaan.adams’s work in the @museoguggenheim, @worksandprocess in collaboration with the Museum, organized two performances with South African based group @garagedanceensemble, and a discussion with Adams.

On May 4-5 in Bilbao, Spain, Garage Dance Ensemble shared their overpowering energy with audiences. The dancers have worked with Igshaan Adams in the creation of some of the works currently on display in the Museum. In his practice, moving bodies on ink applied linoleum floors covered with canvas leave traces of personal and collective memories. Adams collects them to highlight the connections between people and between individuals and the community.

Choreographed and Directed by: Byron Klassen
Technical director: Faroll Coetzee
Performers: Georgia Julies, Manon-Lee Saal, Keeanu Samuels, Druwayne Strauss

Activities organized with the collaboration of @worksandprocess, with the support of @a4artsfoundation and @hillartfoundation.
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Photos by Guggenheim Bilbao Museoa, 2026. Photo: Erika Barahona Ede

On the occasion of the exhibition of South African artist @igshaan.adams’s work in the @museoguggenheim, @worksandprocess in collaboration with the Museum, organized two performances with South African based group @garagedanceensemble, and a discussion with Adams.

On May 4-5 in Bilbao, Spain, Garage Dance Ensemble shared their overpowering energy with audiences. The dancers have worked with Igshaan Adams in the creation of some of the works currently on display in the Museum. In his practice, moving bodies on ink applied linoleum floors covered with canvas leave traces of personal and collective memories. Adams collects them to highlight the connections between people and between individuals and the community.

Choreographed and Directed by: Byron Klassen
Technical director: Faroll Coetzee
Performers: Georgia Julies, Manon-Lee Saal, Keeanu Samuels, Druwayne Strauss

Activities organized with the collaboration of @worksandprocess, with the support of @a4artsfoundation and @hillartfoundation.
-
Photos by Guggenheim Bilbao Museoa, 2026. Photo: Erika Barahona Ede

On the occasion of the exhibition of South African artist @igshaan.adams’s work in the @museoguggenheim, @worksandprocess in collaboration with the Museum, organized two performances with South African based group @garagedanceensemble, and a discussion with Adams.

On May 4-5 in Bilbao, Spain, Garage Dance Ensemble shared their overpowering energy with audiences. The dancers have worked with Igshaan Adams in the creation of some of the works currently on display in the Museum. In his practice, moving bodies on ink applied linoleum floors covered with canvas leave traces of personal and collective memories. Adams collects them to highlight the connections between people and between individuals and the community.

Choreographed and Directed by: Byron Klassen
Technical director: Faroll Coetzee
Performers: Georgia Julies, Manon-Lee Saal, Keeanu Samuels, Druwayne Strauss

Activities organized with the collaboration of @worksandprocess, with the support of @a4artsfoundation and @hillartfoundation.
-
Photos by Guggenheim Bilbao Museoa, 2026. Photo: Erika Barahona Ede

On the occasion of the exhibition of South African artist @igshaan.adams’s work in the @museoguggenheim, @worksandprocess in collaboration with the Museum, organized two performances with South African based group @garagedanceensemble, and a discussion with Adams.

On May 4-5 in Bilbao, Spain, Garage Dance Ensemble shared their overpowering energy with audiences. The dancers have worked with Igshaan Adams in the creation of some of the works currently on display in the Museum. In his practice, moving bodies on ink applied linoleum floors covered with canvas leave traces of personal and collective memories. Adams collects them to highlight the connections between people and between individuals and the community.

Choreographed and Directed by: Byron Klassen
Technical director: Faroll Coetzee
Performers: Georgia Julies, Manon-Lee Saal, Keeanu Samuels, Druwayne Strauss

Activities organized with the collaboration of @worksandprocess, with the support of @a4artsfoundation and @hillartfoundation.
-
Photos by Guggenheim Bilbao Museoa, 2026. Photo: Erika Barahona Ede

On the occasion of the exhibition of South African artist @igshaan.adams’s work in the @museoguggenheim, @worksandprocess in collaboration with the Museum, organized two performances with South African based group @garagedanceensemble, and a discussion with Adams.

On May 4-5 in Bilbao, Spain, Garage Dance Ensemble shared their overpowering energy with audiences. The dancers have worked with Igshaan Adams in the creation of some of the works currently on display in the Museum. In his practice, moving bodies on ink applied linoleum floors covered with canvas leave traces of personal and collective memories. Adams collects them to highlight the connections between people and between individuals and the community.

Choreographed and Directed by: Byron Klassen
Technical director: Faroll Coetzee
Performers: Georgia Julies, Manon-Lee Saal, Keeanu Samuels, Druwayne Strauss

Activities organized with the collaboration of @worksandprocess, with the support of @a4artsfoundation and @hillartfoundation.
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Photos by Guggenheim Bilbao Museoa, 2026. Photo: Erika Barahona Ede

Go inside the @worksandprocess residency at @bethanyartsorg with @nubiannene / @aladyinthehouse! On May 9 at 2 pm in Ossining, NY see an Open Rehearsal & Open Conversation with Nubian Néné / A Lady In The House Dance. To learn more and RSVP, visit worksandprocess.org!

From the Choreographer: “Waacking/Punking is activism: a tool against oppression, and a force of resistance. Dare to Wack. Dare to fight back. Dare to be a Punk. Dare to protect one another. We invite you into our space of Punkness—to witness, be inspired, and see how W*acking/Punking has shaped us.”

About the open rehearsal: “This event is open to all, and we intentionally invite Black bodies to be present —Queer, Cis, Women, Men, Trans, teenagers, and multiple generations. This is not exclusionary, but about being both the representation and the represented.”
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Nubian Néné : @nubiannene + A Lady in the House: @aladyinthehouse
NYX: @tyronebevans
Amethyst: @jaysonpsmith
Cruella: @cruella_the_waacker
King Rich: @richrich9
Jennuine: @jenny_v

Filmmaker: Tinasan :@movementina

Social media content creator: Michele @theeladybyrd
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This project is supported with a @cdi_dance joint residency with @worksandprocess and @kupferbergcenter as well as a Works & Process residency at @bethanyartsorg.

#HappyBirthday to Countertenor and @operaphila General Director & President @arcostanzo! He was most recently at @worksandprocess in January 2026 showing excerpts from Complications in Sue by Michael R. Jackson before the world premiere at Opera Philadelphia in February. To watch the full performance at Works & Process at @guggenheim, visit YouTube.com/worksandprocess!

This new work showed how one librettist, one actor, four singers, and ten composers joined forces to make opera in a brand-new way. In his first opera libretto, Pulitzer Prize– and Tony Award–winning playwright Michael R. Jackson (A Strange Loop) trace the life of a woman named Sue over ten decades. Sue’s life—from the mundane to the extraordinary—unfolds, with each chapter scored by a different musical luminary.

Panel
@arcostanzo, Opera Philadelphia General Director & President
@thelivingmichaeljackson, Librettist
@photosfromthepromptbox, Conductor
@rajafeatherkelly, Director
@winokurz, Director

Artists
@kierajduffy, Soprano
@rehannathelwell, Mezzo-Soprano
@nickythespence, Tenor
@nichonewt, Bass-Baritone
Grant Loehnig, Piano
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Photos: @e.mertz.photography

#HappyBirthday to Countertenor and @operaphila General Director & President @arcostanzo! He was most recently at @worksandprocess in January 2026 showing excerpts from Complications in Sue by Michael R. Jackson before the world premiere at Opera Philadelphia in February. To watch the full performance at Works & Process at @guggenheim, visit YouTube.com/worksandprocess!

This new work showed how one librettist, one actor, four singers, and ten composers joined forces to make opera in a brand-new way. In his first opera libretto, Pulitzer Prize– and Tony Award–winning playwright Michael R. Jackson (A Strange Loop) trace the life of a woman named Sue over ten decades. Sue’s life—from the mundane to the extraordinary—unfolds, with each chapter scored by a different musical luminary.

Panel
@arcostanzo, Opera Philadelphia General Director & President
@thelivingmichaeljackson, Librettist
@photosfromthepromptbox, Conductor
@rajafeatherkelly, Director
@winokurz, Director

Artists
@kierajduffy, Soprano
@rehannathelwell, Mezzo-Soprano
@nickythespence, Tenor
@nichonewt, Bass-Baritone
Grant Loehnig, Piano
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Photos: @e.mertz.photography

#HappyBirthday to Countertenor and @operaphila General Director & President @arcostanzo! He was most recently at @worksandprocess in January 2026 showing excerpts from Complications in Sue by Michael R. Jackson before the world premiere at Opera Philadelphia in February. To watch the full performance at Works & Process at @guggenheim, visit YouTube.com/worksandprocess!

This new work showed how one librettist, one actor, four singers, and ten composers joined forces to make opera in a brand-new way. In his first opera libretto, Pulitzer Prize– and Tony Award–winning playwright Michael R. Jackson (A Strange Loop) trace the life of a woman named Sue over ten decades. Sue’s life—from the mundane to the extraordinary—unfolds, with each chapter scored by a different musical luminary.

Panel
@arcostanzo, Opera Philadelphia General Director & President
@thelivingmichaeljackson, Librettist
@photosfromthepromptbox, Conductor
@rajafeatherkelly, Director
@winokurz, Director

Artists
@kierajduffy, Soprano
@rehannathelwell, Mezzo-Soprano
@nickythespence, Tenor
@nichonewt, Bass-Baritone
Grant Loehnig, Piano
-
Photos: @e.mertz.photography

#HappyBirthday to Countertenor and @operaphila General Director & President @arcostanzo! He was most recently at @worksandprocess in January 2026 showing excerpts from Complications in Sue by Michael R. Jackson before the world premiere at Opera Philadelphia in February. To watch the full performance at Works & Process at @guggenheim, visit YouTube.com/worksandprocess!

This new work showed how one librettist, one actor, four singers, and ten composers joined forces to make opera in a brand-new way. In his first opera libretto, Pulitzer Prize– and Tony Award–winning playwright Michael R. Jackson (A Strange Loop) trace the life of a woman named Sue over ten decades. Sue’s life—from the mundane to the extraordinary—unfolds, with each chapter scored by a different musical luminary.

Panel
@arcostanzo, Opera Philadelphia General Director & President
@thelivingmichaeljackson, Librettist
@photosfromthepromptbox, Conductor
@rajafeatherkelly, Director
@winokurz, Director

Artists
@kierajduffy, Soprano
@rehannathelwell, Mezzo-Soprano
@nickythespence, Tenor
@nichonewt, Bass-Baritone
Grant Loehnig, Piano
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Photos: @e.mertz.photography

FREE ON SATURDAY! @kneeheartco's visually arresting mix of tap, theater and mask work draws from years of creation at @nylivearts, @cprnyc, @thenewhousecenter and, most recently, with @worksandprocess at @bridgestreettheatre as seen in this video.

Caribbean memory, Taíno cosmologies, and colonial myths collide on stage in Knee Heart Connection's "Too soon to discover planets, too late to discover islands", followed by a dynamic Q&A.

SATURDAY, MAY 9 at 7:30PM
@hostoscollege @hostoscenter
Bronx, NYC

FREE w/ RSVP [link in bio]
eventbrite.com/e/orlando-hernandez-the-knee-heart-connection-free-event-tickets-1985827163503

Video excerpt by Becca Marcela Oviatt

#tapdance #taino #carribbean #nycdance #tapdancers

Hace unos días vivimos en el Museo la emocionante actuación de Garage Dance Ensemble (@garagedanceensemble) presentada en colaboración con Works & Process (@worksandprocess ).

Su presencia en la inauguración de 'in situ: Levantando el polvo: El archivo del cuerpo' conecta con el proceso creativo de Igshaan Adams (@igshaan.adams), desarrollado en colaboración con bailarines.

Las obras de la exposición surgen de la convicción del artista de que la danza y el movimiento pueden abordar e incluso sanar las heridas internas.

___

A few days ago, we experienced a powerful performance at the Museum by Garage Dance Ensemble presented in collaboration with Works & Process.

Their presence at the opening of 'in situ: Unsettling Dust: The Archive of the Body' connects to Igshaan Adams’s creative process, developed in collaboration with dancers.

The artworks in the exhibition come from the artist's belief that dance and movement can address and even heal internal wounds.

#IgshaanAdamsGuggenheimBilbao #GarageDanceEnsemble

I appreciate y’all for letting me color in a page in your coloring book.

I appreciate y’all for letting me color in a page in your coloring book.

I appreciate y’all for letting me color in a page in your coloring book.

I appreciate y’all for letting me color in a page in your coloring book.

I appreciate y’all for letting me color in a page in your coloring book.

I appreciate y’all for letting me color in a page in your coloring book.

I appreciate y’all for letting me color in a page in your coloring book.

I appreciate y’all for letting me color in a page in your coloring book.

I appreciate y’all for letting me color in a page in your coloring book.

I appreciate y’all for letting me color in a page in your coloring book.

Purr! 😼 Sometimes you have to speak it directly into existence. 🎭 Omari Wiles and Arturo Lyons are now Tony Award nominees for Best Choreography, with Cats: The Jellicle Ball earning a total of nine nominations.

Excerpts from @catsjellicleball panel at Works & Process at the Solomon R. Guggenheim Museum, moderated by nightlife & ballroom archivist Sailey Williams.

Co-director Bill Rauch joined choreographers and New York City Ballroom legends Omari Wiles and Arturo Lyons, alongside music supervisor and director William Waldrop, for a conversation on bringing ballroom to the Broadway stage.

Full Panel Discussion @worksandprocess

#catsthejellicleball #tonyawards #catsthemusical

Purr! 😼 Sometimes you have to speak it directly into existence. 🎭 Omari Wiles and Arturo Lyons are now Tony Award nominees for Best Choreography, with Cats: The Jellicle Ball earning a total of nine nominations.

Excerpts from @catsjellicleball panel at Works & Process at the Solomon R. Guggenheim Museum, moderated by nightlife & ballroom archivist Sailey Williams.

Co-director Bill Rauch joined choreographers and New York City Ballroom legends Omari Wiles and Arturo Lyons, alongside music supervisor and director William Waldrop, for a conversation on bringing ballroom to the Broadway stage.

Full Panel Discussion @worksandprocess

#catsthejellicleball #tonyawards #catsthemusical

Purr! 😼 Sometimes you have to speak it directly into existence. 🎭 Omari Wiles and Arturo Lyons are now Tony Award nominees for Best Choreography, with Cats: The Jellicle Ball earning a total of nine nominations.

Excerpts from @catsjellicleball panel at Works & Process at the Solomon R. Guggenheim Museum, moderated by nightlife & ballroom archivist Sailey Williams.

Co-director Bill Rauch joined choreographers and New York City Ballroom legends Omari Wiles and Arturo Lyons, alongside music supervisor and director William Waldrop, for a conversation on bringing ballroom to the Broadway stage.

Full Panel Discussion @worksandprocess

#catsthejellicleball #tonyawards #catsthemusical

Purr! 😼 Sometimes you have to speak it directly into existence. 🎭 Omari Wiles and Arturo Lyons are now Tony Award nominees for Best Choreography, with Cats: The Jellicle Ball earning a total of nine nominations.

Excerpts from @catsjellicleball panel at Works & Process at the Solomon R. Guggenheim Museum, moderated by nightlife & ballroom archivist Sailey Williams.

Co-director Bill Rauch joined choreographers and New York City Ballroom legends Omari Wiles and Arturo Lyons, alongside music supervisor and director William Waldrop, for a conversation on bringing ballroom to the Broadway stage.

Full Panel Discussion @worksandprocess

#catsthejellicleball #tonyawards #catsthemusical

Purr! 😼 Sometimes you have to speak it directly into existence. 🎭 Omari Wiles and Arturo Lyons are now Tony Award nominees for Best Choreography, with Cats: The Jellicle Ball earning a total of nine nominations.

Excerpts from @catsjellicleball panel at Works & Process at the Solomon R. Guggenheim Museum, moderated by nightlife & ballroom archivist Sailey Williams.

Co-director Bill Rauch joined choreographers and New York City Ballroom legends Omari Wiles and Arturo Lyons, alongside music supervisor and director William Waldrop, for a conversation on bringing ballroom to the Broadway stage.

Full Panel Discussion @worksandprocess

#catsthejellicleball #tonyawards #catsthemusical

Purr! 😼 Sometimes you have to speak it directly into existence. 🎭 Omari Wiles and Arturo Lyons are now Tony Award nominees for Best Choreography, with Cats: The Jellicle Ball earning a total of nine nominations.

Excerpts from @catsjellicleball panel at Works & Process at the Solomon R. Guggenheim Museum, moderated by nightlife & ballroom archivist Sailey Williams.

Co-director Bill Rauch joined choreographers and New York City Ballroom legends Omari Wiles and Arturo Lyons, alongside music supervisor and director William Waldrop, for a conversation on bringing ballroom to the Broadway stage.

Full Panel Discussion @worksandprocess

#catsthejellicleball #tonyawards #catsthemusical

Purr! 😼 Sometimes you have to speak it directly into existence. 🎭 Omari Wiles and Arturo Lyons are now Tony Award nominees for Best Choreography, with Cats: The Jellicle Ball earning a total of nine nominations.

Excerpts from @catsjellicleball panel at Works & Process at the Solomon R. Guggenheim Museum, moderated by nightlife & ballroom archivist Sailey Williams.

Co-director Bill Rauch joined choreographers and New York City Ballroom legends Omari Wiles and Arturo Lyons, alongside music supervisor and director William Waldrop, for a conversation on bringing ballroom to the Broadway stage.

Full Panel Discussion @worksandprocess

#catsthejellicleball #tonyawards #catsthemusical

Purr! 😼 Sometimes you have to speak it directly into existence. 🎭 Omari Wiles and Arturo Lyons are now Tony Award nominees for Best Choreography, with Cats: The Jellicle Ball earning a total of nine nominations.

Excerpts from @catsjellicleball panel at Works & Process at the Solomon R. Guggenheim Museum, moderated by nightlife & ballroom archivist Sailey Williams.

Co-director Bill Rauch joined choreographers and New York City Ballroom legends Omari Wiles and Arturo Lyons, alongside music supervisor and director William Waldrop, for a conversation on bringing ballroom to the Broadway stage.

Full Panel Discussion @worksandprocess

#catsthejellicleball #tonyawards #catsthemusical

Purr! 😼 Sometimes you have to speak it directly into existence. 🎭 Omari Wiles and Arturo Lyons are now Tony Award nominees for Best Choreography, with Cats: The Jellicle Ball earning a total of nine nominations.

Excerpts from @catsjellicleball panel at Works & Process at the Solomon R. Guggenheim Museum, moderated by nightlife & ballroom archivist Sailey Williams.

Co-director Bill Rauch joined choreographers and New York City Ballroom legends Omari Wiles and Arturo Lyons, alongside music supervisor and director William Waldrop, for a conversation on bringing ballroom to the Broadway stage.

Full Panel Discussion @worksandprocess

#catsthejellicleball #tonyawards #catsthemusical

Purr! 😼 Sometimes you have to speak it directly into existence. 🎭 Omari Wiles and Arturo Lyons are now Tony Award nominees for Best Choreography, with Cats: The Jellicle Ball earning a total of nine nominations.

Excerpts from @catsjellicleball panel at Works & Process at the Solomon R. Guggenheim Museum, moderated by nightlife & ballroom archivist Sailey Williams.

Co-director Bill Rauch joined choreographers and New York City Ballroom legends Omari Wiles and Arturo Lyons, alongside music supervisor and director William Waldrop, for a conversation on bringing ballroom to the Broadway stage.

Full Panel Discussion @worksandprocess

#catsthejellicleball #tonyawards #catsthemusical