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yanickhunter
Timothy Yanick Hunter
Cross Section (2026)
A backdrop of brood chambers, pebble clusters, bundled cables, soil and bodily migration.
A public work for A Kind of Order with @blackartndialog @josephinedenis
Alongside @a4ronjones @thatotoeba @hazellepalmer
On view until August 31 at west wing of Toronto’s Union Station
📷 @springmorris
Cross Section (2026)
A backdrop of brood chambers, pebble clusters, bundled cables, soil and bodily migration.
A public work for A Kind of Order with @blackartndialog @josephinedenis
Alongside @a4ronjones @thatotoeba @hazellepalmer
On view until August 31 at west wing of Toronto’s Union Station
📷 @springmorris
Cross Section (2026)
A backdrop of brood chambers, pebble clusters, bundled cables, soil and bodily migration.
A public work for A Kind of Order with @blackartndialog @josephinedenis
Alongside @a4ronjones @thatotoeba @hazellepalmer
On view until August 31 at west wing of Toronto’s Union Station
📷 @springmorris
Cross Section (2026)
A backdrop of brood chambers, pebble clusters, bundled cables, soil and bodily migration.
A public work for A Kind of Order with @blackartndialog @josephinedenis
Alongside @a4ronjones @thatotoeba @hazellepalmer
On view until August 31 at west wing of Toronto’s Union Station
📷 @springmorris
Cross Section (2026)
A backdrop of brood chambers, pebble clusters, bundled cables, soil and bodily migration.
A public work for A Kind of Order with @blackartndialog @josephinedenis
Alongside @a4ronjones @thatotoeba @hazellepalmer
On view until August 31 at west wing of Toronto’s Union Station
📷 @springmorris
Entangled Circulatory System, 2025
Dye sublimation fabric SEG print in aluminum frame
76” X 120” X 2”
Network Branch, 2025
Multichannel video
04:00 min
Complex Organic Polymer I
Subterrane, 2025
Enamel, 2025
Cable Dissection, 2025
Dye sublimation fabric SEG print in aluminum frame
38” X 26” X 2”
All on view @coopercole
Exhibition closes tomorrow! ⛓️✨
Entangled Circulatory System, 2025
Dye sublimation fabric SEG print in aluminum frame
76” X 120” X 2”
Network Branch, 2025
Multichannel video
04:00 min
Complex Organic Polymer I
Subterrane, 2025
Enamel, 2025
Cable Dissection, 2025
Dye sublimation fabric SEG print in aluminum frame
38” X 26” X 2”
All on view @coopercole
Exhibition closes tomorrow! ⛓️✨
Entangled Circulatory System, 2025
Dye sublimation fabric SEG print in aluminum frame
76” X 120” X 2”
Network Branch, 2025
Multichannel video
04:00 min
Complex Organic Polymer I
Subterrane, 2025
Enamel, 2025
Cable Dissection, 2025
Dye sublimation fabric SEG print in aluminum frame
38” X 26” X 2”
All on view @coopercole
Exhibition closes tomorrow! ⛓️✨
Entangled Circulatory System, 2025
Dye sublimation fabric SEG print in aluminum frame
76” X 120” X 2”
Network Branch, 2025
Multichannel video
04:00 min
Complex Organic Polymer I
Subterrane, 2025
Enamel, 2025
Cable Dissection, 2025
Dye sublimation fabric SEG print in aluminum frame
38” X 26” X 2”
All on view @coopercole
Exhibition closes tomorrow! ⛓️✨
Entangled Circulatory System, 2025
Dye sublimation fabric SEG print in aluminum frame
76” X 120” X 2”
Network Branch, 2025
Multichannel video
04:00 min
Complex Organic Polymer I
Subterrane, 2025
Enamel, 2025
Cable Dissection, 2025
Dye sublimation fabric SEG print in aluminum frame
38” X 26” X 2”
All on view @coopercole
Exhibition closes tomorrow! ⛓️✨
Timothy Yanick Hunter at COOPER COLE, Toronto and Bradley Ertaskiran, Montreal
“Antecedent Conditions For A Landslide”
November 13 – January 17, 2026
Photos: all images copyright and courtesy of the artist, COOPER COLE, Toronto and Bradley Ertaskiran, Montreal
@coopercole @yanickhunter @bradleyertaskiran_
Timothy Yanick Hunter at COOPER COLE, Toronto and Bradley Ertaskiran, Montreal
“Antecedent Conditions For A Landslide”
November 13 – January 17, 2026
Photos: all images copyright and courtesy of the artist, COOPER COLE, Toronto and Bradley Ertaskiran, Montreal
@coopercole @yanickhunter @bradleyertaskiran_
Timothy Yanick Hunter at COOPER COLE, Toronto and Bradley Ertaskiran, Montreal
“Antecedent Conditions For A Landslide”
November 13 – January 17, 2026
Photos: all images copyright and courtesy of the artist, COOPER COLE, Toronto and Bradley Ertaskiran, Montreal
@coopercole @yanickhunter @bradleyertaskiran_
Timothy Yanick Hunter at COOPER COLE, Toronto and Bradley Ertaskiran, Montreal
“Antecedent Conditions For A Landslide”
November 13 – January 17, 2026
Photos: all images copyright and courtesy of the artist, COOPER COLE, Toronto and Bradley Ertaskiran, Montreal
@coopercole @yanickhunter @bradleyertaskiran_
Timothy Yanick Hunter at COOPER COLE, Toronto and Bradley Ertaskiran, Montreal
“Antecedent Conditions For A Landslide”
November 13 – January 17, 2026
Photos: all images copyright and courtesy of the artist, COOPER COLE, Toronto and Bradley Ertaskiran, Montreal
@coopercole @yanickhunter @bradleyertaskiran_
Timothy Yanick Hunter at COOPER COLE, Toronto and Bradley Ertaskiran, Montreal
“Antecedent Conditions For A Landslide”
November 13 – January 17, 2026
Photos: all images copyright and courtesy of the artist, COOPER COLE, Toronto and Bradley Ertaskiran, Montreal
@coopercole @yanickhunter @bradleyertaskiran_
Install views for Antecedent Conditions For A Landslide at @bradleyertaskiran_
Antecedent Conditions For A Landslide draws on the structural relationships between land, body, and technology, considering how these entanglements shape migratory movement and the transfer of knowledge across time and space.
The exhibition takes place in two galleries in two different cities, with one iteration at @coopercole in Toronto and another @bradleyertaskiran_ in Montreal.
The dual presentation runs until December 20, 2025
in Montreal, and through January 17, 2026 in Toronto.
🔗🧬
Thank you to everyone who helped me realize this project; especially my family in JA - my mom, robbi, dane,
Michael and everyone ❤️🔥
Install views for Antecedent Conditions For A Landslide at @bradleyertaskiran_
Antecedent Conditions For A Landslide draws on the structural relationships between land, body, and technology, considering how these entanglements shape migratory movement and the transfer of knowledge across time and space.
The exhibition takes place in two galleries in two different cities, with one iteration at @coopercole in Toronto and another @bradleyertaskiran_ in Montreal.
The dual presentation runs until December 20, 2025
in Montreal, and through January 17, 2026 in Toronto.
🔗🧬
Thank you to everyone who helped me realize this project; especially my family in JA - my mom, robbi, dane,
Michael and everyone ❤️🔥
Install views for Antecedent Conditions For A Landslide at @bradleyertaskiran_
Antecedent Conditions For A Landslide draws on the structural relationships between land, body, and technology, considering how these entanglements shape migratory movement and the transfer of knowledge across time and space.
The exhibition takes place in two galleries in two different cities, with one iteration at @coopercole in Toronto and another @bradleyertaskiran_ in Montreal.
The dual presentation runs until December 20, 2025
in Montreal, and through January 17, 2026 in Toronto.
🔗🧬
Thank you to everyone who helped me realize this project; especially my family in JA - my mom, robbi, dane,
Michael and everyone ❤️🔥
Install views for Antecedent Conditions For A Landslide at @bradleyertaskiran_
Antecedent Conditions For A Landslide draws on the structural relationships between land, body, and technology, considering how these entanglements shape migratory movement and the transfer of knowledge across time and space.
The exhibition takes place in two galleries in two different cities, with one iteration at @coopercole in Toronto and another @bradleyertaskiran_ in Montreal.
The dual presentation runs until December 20, 2025
in Montreal, and through January 17, 2026 in Toronto.
🔗🧬
Thank you to everyone who helped me realize this project; especially my family in JA - my mom, robbi, dane,
Michael and everyone ❤️🔥
30 x 34in / Offset printing on newsprint / 2025
SIXTEENSIXTEEN.NET compiles floating thoughts, illustration, and research materials with reference to the traditional newspaper format. Separately, the contributors reflect on Black interiority, the body, gender presentation, and the social parade of normalcy. SIXTEENSIXTEEN.NET includes the works of Gyimah Gariba, Khadijah Morley, Ashley Marshall and produced with the support of Gallery 44 Centre for Contemporary Photography, Toronto Canada.
Available online @ SIXTEENSIXTEEN.NET and at g44
@g44photo @peenutbuttahbabe @gyimahg #ashleymarshall
30 x 34in / Offset printing on newsprint / 2025
SIXTEENSIXTEEN.NET compiles floating thoughts, illustration, and research materials with reference to the traditional newspaper format. Separately, the contributors reflect on Black interiority, the body, gender presentation, and the social parade of normalcy. SIXTEENSIXTEEN.NET includes the works of Gyimah Gariba, Khadijah Morley, Ashley Marshall and produced with the support of Gallery 44 Centre for Contemporary Photography, Toronto Canada.
Available online @ SIXTEENSIXTEEN.NET and at g44
@g44photo @peenutbuttahbabe @gyimahg #ashleymarshall
30 x 34in / Offset printing on newsprint / 2025
SIXTEENSIXTEEN.NET compiles floating thoughts, illustration, and research materials with reference to the traditional newspaper format. Separately, the contributors reflect on Black interiority, the body, gender presentation, and the social parade of normalcy. SIXTEENSIXTEEN.NET includes the works of Gyimah Gariba, Khadijah Morley, Ashley Marshall and produced with the support of Gallery 44 Centre for Contemporary Photography, Toronto Canada.
Available online @ SIXTEENSIXTEEN.NET and at g44
@g44photo @peenutbuttahbabe @gyimahg #ashleymarshall
30 x 34in / Offset printing on newsprint / 2025
SIXTEENSIXTEEN.NET compiles floating thoughts, illustration, and research materials with reference to the traditional newspaper format. Separately, the contributors reflect on Black interiority, the body, gender presentation, and the social parade of normalcy. SIXTEENSIXTEEN.NET includes the works of Gyimah Gariba, Khadijah Morley, Ashley Marshall and produced with the support of Gallery 44 Centre for Contemporary Photography, Toronto Canada.
Available online @ SIXTEENSIXTEEN.NET and at g44
@g44photo @peenutbuttahbabe @gyimahg #ashleymarshall
30 x 34in / Offset printing on newsprint / 2025
SIXTEENSIXTEEN.NET compiles floating thoughts, illustration, and research materials with reference to the traditional newspaper format. Separately, the contributors reflect on Black interiority, the body, gender presentation, and the social parade of normalcy. SIXTEENSIXTEEN.NET includes the works of Gyimah Gariba, Khadijah Morley, Ashley Marshall and produced with the support of Gallery 44 Centre for Contemporary Photography, Toronto Canada.
Available online @ SIXTEENSIXTEEN.NET and at g44
@g44photo @peenutbuttahbabe @gyimahg #ashleymarshall
Thorax, 2025
Digital Multi Channel Video
480p
3min 20sec
Bug Test, 2025
Digital video, OLED Screen
3 x 3 x 3 cm
1.5 x 1.5 x 1.5 in.
🐜🫀💿🔗
Thorax, 2025
Digital Multi Channel Video
480p
3min 20sec
Bug Test, 2025
Digital video, OLED Screen
3 x 3 x 3 cm
1.5 x 1.5 x 1.5 in.
🐜🫀💿🔗
Complex Organic Polymer I, 2025
Dye sublimation fabric SEG Print, Aluminum frame
101.6 x 71.12 cm
40 x 28 in.
Continuous Dimensional Thorax
Sidony O’Neal & Timothy Yanick Hunter
June 13 – July 26, 2025
@thirdborn.mx
Cozumel 86, #8, Roma Nte., Cuauhtémoc
06700 Ciudad de México, CDMX
Thank you to @thirdborn.mx ! And the brilliant and gifted @sidony_oneal for joining up with me ⭐️⭐️⭐️
Complex Organic Polymer I, 2025
Dye sublimation fabric SEG Print, Aluminum frame
101.6 x 71.12 cm
40 x 28 in.
Continuous Dimensional Thorax
Sidony O’Neal & Timothy Yanick Hunter
June 13 – July 26, 2025
@thirdborn.mx
Cozumel 86, #8, Roma Nte., Cuauhtémoc
06700 Ciudad de México, CDMX
Thank you to @thirdborn.mx ! And the brilliant and gifted @sidony_oneal for joining up with me ⭐️⭐️⭐️
Continuation, 2024
SEG fabric on Aluminum Frame
170 x 111 cm
Things You’ve Left behind, 2024
Two channel video
03:00 min
𝑊𝑎𝑣𝑒𝑡𝑎𝑏𝑙𝑒 (𝑁𝑖𝑛𝑒 𝑁𝑖𝑔ℎ𝑡) on view @gallerykendrajaynepatrick
22 November - 19 January, 2025 🌙 🌐
Continuation, 2024
SEG fabric on Aluminum Frame
170 x 111 cm
Things You’ve Left behind, 2024
Two channel video
03:00 min
𝑊𝑎𝑣𝑒𝑡𝑎𝑏𝑙𝑒 (𝑁𝑖𝑛𝑒 𝑁𝑖𝑔ℎ𝑡) on view @gallerykendrajaynepatrick
22 November - 19 January, 2025 🌙 🌐
Continuation, 2024
SEG fabric on Aluminum Frame
170 x 111 cm
Things You’ve Left behind, 2024
Two channel video
03:00 min
𝑊𝑎𝑣𝑒𝑡𝑎𝑏𝑙𝑒 (𝑁𝑖𝑛𝑒 𝑁𝑖𝑔ℎ𝑡) on view @gallerykendrajaynepatrick
22 November - 19 January, 2025 🌙 🌐
Continuation, 2024
SEG fabric on Aluminum Frame
170 x 111 cm
Things You’ve Left behind, 2024
Two channel video
03:00 min
𝑊𝑎𝑣𝑒𝑡𝑎𝑏𝑙𝑒 (𝑁𝑖𝑛𝑒 𝑁𝑖𝑔ℎ𝑡) on view @gallerykendrajaynepatrick
22 November - 19 January, 2025 🌙 🌐
Altitude, 2024
Dye sublimation fabric SEG print in aluminum frame
55 x 46 inches
Remote Viewing, 2024
Dye sublimation fabric SEG print in aluminum frame
38 x 40 inches
Altitude, 2024
Dye sublimation fabric SEG print in aluminum frame
55 x 46 inches
Remote Viewing, 2024
Dye sublimation fabric SEG print in aluminum frame
38 x 40 inches
Noise / Grain
September 13 - November 9, 2024
ILY2
925 NW Flanders St
Portland, Oregon
@ily2.ily2 🌺 🌺🌺
And a pic of the rose garden
Noise / Grain
September 13 - November 9, 2024
ILY2
925 NW Flanders St
Portland, Oregon
@ily2.ily2 🌺 🌺🌺
And a pic of the rose garden
Stereo As A Prefix, 2024
On view at the @mocatoronto for the GTA24 exhibition. Many many thanks @katekmwong @toleeners @ebotron and the whole crew for the support ✨🩸
Stereo As A Prefix, 2024
On view at the @mocatoronto for the GTA24 exhibition. Many many thanks @katekmwong @toleeners @ebotron and the whole crew for the support ✨🩸
Stereo As A Prefix, 2024
On view at the @mocatoronto for the GTA24 exhibition. Many many thanks @katekmwong @toleeners @ebotron and the whole crew for the support ✨🩸
Stereo As A Prefix, 2024
On view at the @mocatoronto for the GTA24 exhibition. Many many thanks @katekmwong @toleeners @ebotron and the whole crew for the support ✨🩸
View Instagram Stories in Secret
The Instagram Story Viewer is an easy tool that lets you secretly watch and save Instagram stories, videos, photos, or IGTV. With this service, you can download content and enjoy it offline whenever you like. If you find something interesting on Instagram that you’d like to check out later or want to view stories while staying anonymous, our Viewer is perfect for you. Anonstories offers an excellent solution for keeping your identity hidden. Instagram first launched the Stories feature in August 2023, which was quickly adopted by other platforms due to its engaging, time-sensitive format. Stories let users share quick updates, whether photos, videos, or selfies, enhanced with text, emojis, or filters, and are visible for only 24 hours. This limited time frame creates high engagement compared to regular posts. In today’s world, Stories are one of the most popular ways to connect and communicate on social media. However, when you view a Story, the creator can see your name in their viewer list, which may be a privacy concern. What if you wish to browse Stories without being noticed? Here’s where Anonstories becomes useful. It allows you to watch public Instagram content without revealing your identity. Simply enter the username of the profile you’re curious about, and the tool will display their latest Stories. Features of Anonstories Viewer: - Anonymous Browsing: Watch Stories without showing up on the viewer list. - No Account Needed: View public content without signing up for an Instagram account. - Content Download: Save any Stories content directly to your device for offline use. - View Highlights: Access Instagram Highlights, even beyond the 24-hour window. - Repost Monitoring: Track the reposts or engagement levels on Stories for personal profiles. Limitations: - This tool works only with public accounts; private accounts remain inaccessible. Benefits: - Privacy-Friendly: Watch any Instagram content without being noticed. - Simple and Easy: No app installation or registration required. - Exclusive Tools: Download and manage content in ways Instagram doesn’t offer.
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