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mattyower
Matty
NYC | LA
A sneak peek into our most recent short film ‘You Will Enjoy This Film’. The doco follows the most widely read author you’ve never heard of… the author of fortunes in fortune cookies.
For now, we’ve had a couple of awesome private screenings whilst the film hopefully gets pick up by some film festivals.
Can’t wait to share it with you all!
An amazingly talented crew on this one
A Film by @demonsnap & @tomsacre_
Director of Photography @mattyower
Additional Cinematography @nickdolphdp
Editor @tomantolini
Composer & Sound Design @jonnyhiggins
Colourist @alexia_films
Art Director @_winglau @s___p___a___n
A sneak peek into our most recent short film ‘You Will Enjoy This Film’. The doco follows the most widely read author you’ve never heard of… the author of fortunes in fortune cookies.
For now, we’ve had a couple of awesome private screenings whilst the film hopefully gets pick up by some film festivals.
Can’t wait to share it with you all!
An amazingly talented crew on this one
A Film by @demonsnap & @tomsacre_
Director of Photography @mattyower
Additional Cinematography @nickdolphdp
Editor @tomantolini
Composer & Sound Design @jonnyhiggins
Colourist @alexia_films
Art Director @_winglau @s___p___a___n
A sneak peek into our most recent short film ‘You Will Enjoy This Film’. The doco follows the most widely read author you’ve never heard of… the author of fortunes in fortune cookies.
For now, we’ve had a couple of awesome private screenings whilst the film hopefully gets pick up by some film festivals.
Can’t wait to share it with you all!
An amazingly talented crew on this one
A Film by @demonsnap & @tomsacre_
Director of Photography @mattyower
Additional Cinematography @nickdolphdp
Editor @tomantolini
Composer & Sound Design @jonnyhiggins
Colourist @alexia_films
Art Director @_winglau @s___p___a___n
A sneak peek into our most recent short film ‘You Will Enjoy This Film’. The doco follows the most widely read author you’ve never heard of… the author of fortunes in fortune cookies.
For now, we’ve had a couple of awesome private screenings whilst the film hopefully gets pick up by some film festivals.
Can’t wait to share it with you all!
An amazingly talented crew on this one
A Film by @demonsnap & @tomsacre_
Director of Photography @mattyower
Additional Cinematography @nickdolphdp
Editor @tomantolini
Composer & Sound Design @jonnyhiggins
Colourist @alexia_films
Art Director @_winglau @s___p___a___n
A sneak peek into our most recent short film ‘You Will Enjoy This Film’. The doco follows the most widely read author you’ve never heard of… the author of fortunes in fortune cookies.
For now, we’ve had a couple of awesome private screenings whilst the film hopefully gets pick up by some film festivals.
Can’t wait to share it with you all!
An amazingly talented crew on this one
A Film by @demonsnap & @tomsacre_
Director of Photography @mattyower
Additional Cinematography @nickdolphdp
Editor @tomantolini
Composer & Sound Design @jonnyhiggins
Colourist @alexia_films
Art Director @_winglau @s___p___a___n
A sneak peek into our most recent short film ‘You Will Enjoy This Film’. The doco follows the most widely read author you’ve never heard of… the author of fortunes in fortune cookies.
For now, we’ve had a couple of awesome private screenings whilst the film hopefully gets pick up by some film festivals.
Can’t wait to share it with you all!
An amazingly talented crew on this one
A Film by @demonsnap & @tomsacre_
Director of Photography @mattyower
Additional Cinematography @nickdolphdp
Editor @tomantolini
Composer & Sound Design @jonnyhiggins
Colourist @alexia_films
Art Director @_winglau @s___p___a___n
A sneak peek into our most recent short film ‘You Will Enjoy This Film’. The doco follows the most widely read author you’ve never heard of… the author of fortunes in fortune cookies.
For now, we’ve had a couple of awesome private screenings whilst the film hopefully gets pick up by some film festivals.
Can’t wait to share it with you all!
An amazingly talented crew on this one
A Film by @demonsnap & @tomsacre_
Director of Photography @mattyower
Additional Cinematography @nickdolphdp
Editor @tomantolini
Composer & Sound Design @jonnyhiggins
Colourist @alexia_films
Art Director @_winglau @s___p___a___n
A sneak peek into our most recent short film ‘You Will Enjoy This Film’. The doco follows the most widely read author you’ve never heard of… the author of fortunes in fortune cookies.
For now, we’ve had a couple of awesome private screenings whilst the film hopefully gets pick up by some film festivals.
Can’t wait to share it with you all!
An amazingly talented crew on this one
A Film by @demonsnap & @tomsacre_
Director of Photography @mattyower
Additional Cinematography @nickdolphdp
Editor @tomantolini
Composer & Sound Design @jonnyhiggins
Colourist @alexia_films
Art Director @_winglau @s___p___a___n
A sneak peek into our most recent short film ‘You Will Enjoy This Film’. The doco follows the most widely read author you’ve never heard of… the author of fortunes in fortune cookies.
For now, we’ve had a couple of awesome private screenings whilst the film hopefully gets pick up by some film festivals.
Can’t wait to share it with you all!
An amazingly talented crew on this one
A Film by @demonsnap & @tomsacre_
Director of Photography @mattyower
Additional Cinematography @nickdolphdp
Editor @tomantolini
Composer & Sound Design @jonnyhiggins
Colourist @alexia_films
Art Director @_winglau @s___p___a___n
A sneak peek into our most recent short film ‘You Will Enjoy This Film’. The doco follows the most widely read author you’ve never heard of… the author of fortunes in fortune cookies.
For now, we’ve had a couple of awesome private screenings whilst the film hopefully gets pick up by some film festivals.
Can’t wait to share it with you all!
An amazingly talented crew on this one
A Film by @demonsnap & @tomsacre_
Director of Photography @mattyower
Additional Cinematography @nickdolphdp
Editor @tomantolini
Composer & Sound Design @jonnyhiggins
Colourist @alexia_films
Art Director @_winglau @s___p___a___n
A sneak peek into our most recent short film ‘You Will Enjoy This Film’. The doco follows the most widely read author you’ve never heard of… the author of fortunes in fortune cookies.
For now, we’ve had a couple of awesome private screenings whilst the film hopefully gets pick up by some film festivals.
Can’t wait to share it with you all!
An amazingly talented crew on this one
A Film by @demonsnap & @tomsacre_
Director of Photography @mattyower
Additional Cinematography @nickdolphdp
Editor @tomantolini
Composer & Sound Design @jonnyhiggins
Colourist @alexia_films
Art Director @_winglau @s___p___a___n
A sneak peek into our most recent short film ‘You Will Enjoy This Film’. The doco follows the most widely read author you’ve never heard of… the author of fortunes in fortune cookies.
For now, we’ve had a couple of awesome private screenings whilst the film hopefully gets pick up by some film festivals.
Can’t wait to share it with you all!
An amazingly talented crew on this one
A Film by @demonsnap & @tomsacre_
Director of Photography @mattyower
Additional Cinematography @nickdolphdp
Editor @tomantolini
Composer & Sound Design @jonnyhiggins
Colourist @alexia_films
Art Director @_winglau @s___p___a___n
By far the wettest LA shoot in memory with Nike & @thommarch
Made into a fun adventure with great crew, expensive toys and some creative solutions by the grip dept. (4’ CTB frames as a temp roof in our electric tracking vehicle.)
2x Alexa 35’s w/ EZ’s
2x Ronin 2’s
Black Arm Rig + Technocrane
@patriotcameracars EV tracking vehicle
@thommarch
@pancho_ortiz
@j.ytc
@adam__hull
@ghostremote
@patriotcameracars
@lilo_dit
@poorfredd
@ginobass
@kaitfitzy
@dicknurr
@sunxsounds
By far the wettest LA shoot in memory with Nike & @thommarch
Made into a fun adventure with great crew, expensive toys and some creative solutions by the grip dept. (4’ CTB frames as a temp roof in our electric tracking vehicle.)
2x Alexa 35’s w/ EZ’s
2x Ronin 2’s
Black Arm Rig + Technocrane
@patriotcameracars EV tracking vehicle
@thommarch
@pancho_ortiz
@j.ytc
@adam__hull
@ghostremote
@patriotcameracars
@lilo_dit
@poorfredd
@ginobass
@kaitfitzy
@dicknurr
@sunxsounds
By far the wettest LA shoot in memory with Nike & @thommarch
Made into a fun adventure with great crew, expensive toys and some creative solutions by the grip dept. (4’ CTB frames as a temp roof in our electric tracking vehicle.)
2x Alexa 35’s w/ EZ’s
2x Ronin 2’s
Black Arm Rig + Technocrane
@patriotcameracars EV tracking vehicle
@thommarch
@pancho_ortiz
@j.ytc
@adam__hull
@ghostremote
@patriotcameracars
@lilo_dit
@poorfredd
@ginobass
@kaitfitzy
@dicknurr
@sunxsounds
By far the wettest LA shoot in memory with Nike & @thommarch
Made into a fun adventure with great crew, expensive toys and some creative solutions by the grip dept. (4’ CTB frames as a temp roof in our electric tracking vehicle.)
2x Alexa 35’s w/ EZ’s
2x Ronin 2’s
Black Arm Rig + Technocrane
@patriotcameracars EV tracking vehicle
@thommarch
@pancho_ortiz
@j.ytc
@adam__hull
@ghostremote
@patriotcameracars
@lilo_dit
@poorfredd
@ginobass
@kaitfitzy
@dicknurr
@sunxsounds
By far the wettest LA shoot in memory with Nike & @thommarch
Made into a fun adventure with great crew, expensive toys and some creative solutions by the grip dept. (4’ CTB frames as a temp roof in our electric tracking vehicle.)
2x Alexa 35’s w/ EZ’s
2x Ronin 2’s
Black Arm Rig + Technocrane
@patriotcameracars EV tracking vehicle
@thommarch
@pancho_ortiz
@j.ytc
@adam__hull
@ghostremote
@patriotcameracars
@lilo_dit
@poorfredd
@ginobass
@kaitfitzy
@dicknurr
@sunxsounds
By far the wettest LA shoot in memory with Nike & @thommarch
Made into a fun adventure with great crew, expensive toys and some creative solutions by the grip dept. (4’ CTB frames as a temp roof in our electric tracking vehicle.)
2x Alexa 35’s w/ EZ’s
2x Ronin 2’s
Black Arm Rig + Technocrane
@patriotcameracars EV tracking vehicle
@thommarch
@pancho_ortiz
@j.ytc
@adam__hull
@ghostremote
@patriotcameracars
@lilo_dit
@poorfredd
@ginobass
@kaitfitzy
@dicknurr
@sunxsounds
By far the wettest LA shoot in memory with Nike & @thommarch
Made into a fun adventure with great crew, expensive toys and some creative solutions by the grip dept. (4’ CTB frames as a temp roof in our electric tracking vehicle.)
2x Alexa 35’s w/ EZ’s
2x Ronin 2’s
Black Arm Rig + Technocrane
@patriotcameracars EV tracking vehicle
@thommarch
@pancho_ortiz
@j.ytc
@adam__hull
@ghostremote
@patriotcameracars
@lilo_dit
@poorfredd
@ginobass
@kaitfitzy
@dicknurr
@sunxsounds
By far the wettest LA shoot in memory with Nike & @thommarch
Made into a fun adventure with great crew, expensive toys and some creative solutions by the grip dept. (4’ CTB frames as a temp roof in our electric tracking vehicle.)
2x Alexa 35’s w/ EZ’s
2x Ronin 2’s
Black Arm Rig + Technocrane
@patriotcameracars EV tracking vehicle
@thommarch
@pancho_ortiz
@j.ytc
@adam__hull
@ghostremote
@patriotcameracars
@lilo_dit
@poorfredd
@ginobass
@kaitfitzy
@dicknurr
@sunxsounds
By far the wettest LA shoot in memory with Nike & @thommarch
Made into a fun adventure with great crew, expensive toys and some creative solutions by the grip dept. (4’ CTB frames as a temp roof in our electric tracking vehicle.)
2x Alexa 35’s w/ EZ’s
2x Ronin 2’s
Black Arm Rig + Technocrane
@patriotcameracars EV tracking vehicle
@thommarch
@pancho_ortiz
@j.ytc
@adam__hull
@ghostremote
@patriotcameracars
@lilo_dit
@poorfredd
@ginobass
@kaitfitzy
@dicknurr
@sunxsounds
By far the wettest LA shoot in memory with Nike & @thommarch
Made into a fun adventure with great crew, expensive toys and some creative solutions by the grip dept. (4’ CTB frames as a temp roof in our electric tracking vehicle.)
2x Alexa 35’s w/ EZ’s
2x Ronin 2’s
Black Arm Rig + Technocrane
@patriotcameracars EV tracking vehicle
@thommarch
@pancho_ortiz
@j.ytc
@adam__hull
@ghostremote
@patriotcameracars
@lilo_dit
@poorfredd
@ginobass
@kaitfitzy
@dicknurr
@sunxsounds
By far the wettest LA shoot in memory with Nike & @thommarch
Made into a fun adventure with great crew, expensive toys and some creative solutions by the grip dept. (4’ CTB frames as a temp roof in our electric tracking vehicle.)
2x Alexa 35’s w/ EZ’s
2x Ronin 2’s
Black Arm Rig + Technocrane
@patriotcameracars EV tracking vehicle
@thommarch
@pancho_ortiz
@j.ytc
@adam__hull
@ghostremote
@patriotcameracars
@lilo_dit
@poorfredd
@ginobass
@kaitfitzy
@dicknurr
@sunxsounds
By far the wettest LA shoot in memory with Nike & @thommarch
Made into a fun adventure with great crew, expensive toys and some creative solutions by the grip dept. (4’ CTB frames as a temp roof in our electric tracking vehicle.)
2x Alexa 35’s w/ EZ’s
2x Ronin 2’s
Black Arm Rig + Technocrane
@patriotcameracars EV tracking vehicle
@thommarch
@pancho_ortiz
@j.ytc
@adam__hull
@ghostremote
@patriotcameracars
@lilo_dit
@poorfredd
@ginobass
@kaitfitzy
@dicknurr
@sunxsounds
By far the wettest LA shoot in memory with Nike & @thommarch
Made into a fun adventure with great crew, expensive toys and some creative solutions by the grip dept. (4’ CTB frames as a temp roof in our electric tracking vehicle.)
2x Alexa 35’s w/ EZ’s
2x Ronin 2’s
Black Arm Rig + Technocrane
@patriotcameracars EV tracking vehicle
@thommarch
@pancho_ortiz
@j.ytc
@adam__hull
@ghostremote
@patriotcameracars
@lilo_dit
@poorfredd
@ginobass
@kaitfitzy
@dicknurr
@sunxsounds
They say NYC is all about the hustle. For me, hustle is about creating community and friendships.
I’d been wanting to mess around with CGI for a while — and when the @musicbed spec comp popped up, it was the perfect chance to show what we can do as creatives and filmmakers.
But why stop at a spec ad, when one of my great mates @declanbasile runs the best sock company in the game — @sweetfeet.nyc
Me, @emmakasarsky , and @mattyower decided to shoot two ads:
• One for the comp (had to be a fake brand: Sprint Union),
• And one for Sweetfeet.
We created a similar logo to Sweetfeet, shot two takes with our sock props, and swapped the sock logos in post with CGI, and I reckon we pulled it off! We landed a top 5 finalist spot in the comp and now get to drop this banger ad for Sweetfeet.
At the end of the day, it’s been a rollercoaster ride since moving to NYC, so it’s exciting to share something that has everything I love about it - amazing community and friendships. Proud of what we made and who we made it with.
Big thanks to the stellar cast and crew!
Lead - @sonyeeahh
Creative @demonsnap & @emmakasarsky
Director @demonsnap
DOP @mattyower
AC @harrison_stag
2AC Eli Learner
Steady @camera_villain_
Gaff and awesome dude @clear_soup
VFX @me_muhammad_burhan
Sound Post @lukeafuller
@andrewshelley_ @declanbasile @colebradley25
And shout out to @nycinerentals for their support, @sofiasbk535 and all the runners
xoxo
They say NYC is all about the hustle. For me, hustle is about creating community and friendships.
I’d been wanting to mess around with CGI for a while — and when the @musicbed spec comp popped up, it was the perfect chance to show what we can do as creatives and filmmakers.
But why stop at a spec ad, when one of my great mates @declanbasile runs the best sock company in the game — @sweetfeet.nyc
Me, @emmakasarsky , and @mattyower decided to shoot two ads:
• One for the comp (had to be a fake brand: Sprint Union),
• And one for Sweetfeet.
We created a similar logo to Sweetfeet, shot two takes with our sock props, and swapped the sock logos in post with CGI, and I reckon we pulled it off! We landed a top 5 finalist spot in the comp and now get to drop this banger ad for Sweetfeet.
At the end of the day, it’s been a rollercoaster ride since moving to NYC, so it’s exciting to share something that has everything I love about it - amazing community and friendships. Proud of what we made and who we made it with.
Big thanks to the stellar cast and crew!
Lead - @sonyeeahh
Creative @demonsnap & @emmakasarsky
Director @demonsnap
DOP @mattyower
AC @harrison_stag
2AC Eli Learner
Steady @camera_villain_
Gaff and awesome dude @clear_soup
VFX @me_muhammad_burhan
Sound Post @lukeafuller
@andrewshelley_ @declanbasile @colebradley25
And shout out to @nycinerentals for their support, @sofiasbk535 and all the runners
xoxo
They say NYC is all about the hustle. For me, hustle is about creating community and friendships.
I’d been wanting to mess around with CGI for a while — and when the @musicbed spec comp popped up, it was the perfect chance to show what we can do as creatives and filmmakers.
But why stop at a spec ad, when one of my great mates @declanbasile runs the best sock company in the game — @sweetfeet.nyc
Me, @emmakasarsky , and @mattyower decided to shoot two ads:
• One for the comp (had to be a fake brand: Sprint Union),
• And one for Sweetfeet.
We created a similar logo to Sweetfeet, shot two takes with our sock props, and swapped the sock logos in post with CGI, and I reckon we pulled it off! We landed a top 5 finalist spot in the comp and now get to drop this banger ad for Sweetfeet.
At the end of the day, it’s been a rollercoaster ride since moving to NYC, so it’s exciting to share something that has everything I love about it - amazing community and friendships. Proud of what we made and who we made it with.
Big thanks to the stellar cast and crew!
Lead - @sonyeeahh
Creative @demonsnap & @emmakasarsky
Director @demonsnap
DOP @mattyower
AC @harrison_stag
2AC Eli Learner
Steady @camera_villain_
Gaff and awesome dude @clear_soup
VFX @me_muhammad_burhan
Sound Post @lukeafuller
@andrewshelley_ @declanbasile @colebradley25
And shout out to @nycinerentals for their support, @sofiasbk535 and all the runners
xoxo
They say NYC is all about the hustle. For me, hustle is about creating community and friendships.
I’d been wanting to mess around with CGI for a while — and when the @musicbed spec comp popped up, it was the perfect chance to show what we can do as creatives and filmmakers.
But why stop at a spec ad, when one of my great mates @declanbasile runs the best sock company in the game — @sweetfeet.nyc
Me, @emmakasarsky , and @mattyower decided to shoot two ads:
• One for the comp (had to be a fake brand: Sprint Union),
• And one for Sweetfeet.
We created a similar logo to Sweetfeet, shot two takes with our sock props, and swapped the sock logos in post with CGI, and I reckon we pulled it off! We landed a top 5 finalist spot in the comp and now get to drop this banger ad for Sweetfeet.
At the end of the day, it’s been a rollercoaster ride since moving to NYC, so it’s exciting to share something that has everything I love about it - amazing community and friendships. Proud of what we made and who we made it with.
Big thanks to the stellar cast and crew!
Lead - @sonyeeahh
Creative @demonsnap & @emmakasarsky
Director @demonsnap
DOP @mattyower
AC @harrison_stag
2AC Eli Learner
Steady @camera_villain_
Gaff and awesome dude @clear_soup
VFX @me_muhammad_burhan
Sound Post @lukeafuller
@andrewshelley_ @declanbasile @colebradley25
And shout out to @nycinerentals for their support, @sofiasbk535 and all the runners
xoxo
They say NYC is all about the hustle. For me, hustle is about creating community and friendships.
I’d been wanting to mess around with CGI for a while — and when the @musicbed spec comp popped up, it was the perfect chance to show what we can do as creatives and filmmakers.
But why stop at a spec ad, when one of my great mates @declanbasile runs the best sock company in the game — @sweetfeet.nyc
Me, @emmakasarsky , and @mattyower decided to shoot two ads:
• One for the comp (had to be a fake brand: Sprint Union),
• And one for Sweetfeet.
We created a similar logo to Sweetfeet, shot two takes with our sock props, and swapped the sock logos in post with CGI, and I reckon we pulled it off! We landed a top 5 finalist spot in the comp and now get to drop this banger ad for Sweetfeet.
At the end of the day, it’s been a rollercoaster ride since moving to NYC, so it’s exciting to share something that has everything I love about it - amazing community and friendships. Proud of what we made and who we made it with.
Big thanks to the stellar cast and crew!
Lead - @sonyeeahh
Creative @demonsnap & @emmakasarsky
Director @demonsnap
DOP @mattyower
AC @harrison_stag
2AC Eli Learner
Steady @camera_villain_
Gaff and awesome dude @clear_soup
VFX @me_muhammad_burhan
Sound Post @lukeafuller
@andrewshelley_ @declanbasile @colebradley25
And shout out to @nycinerentals for their support, @sofiasbk535 and all the runners
xoxo
They say NYC is all about the hustle. For me, hustle is about creating community and friendships.
I’d been wanting to mess around with CGI for a while — and when the @musicbed spec comp popped up, it was the perfect chance to show what we can do as creatives and filmmakers.
But why stop at a spec ad, when one of my great mates @declanbasile runs the best sock company in the game — @sweetfeet.nyc
Me, @emmakasarsky , and @mattyower decided to shoot two ads:
• One for the comp (had to be a fake brand: Sprint Union),
• And one for Sweetfeet.
We created a similar logo to Sweetfeet, shot two takes with our sock props, and swapped the sock logos in post with CGI, and I reckon we pulled it off! We landed a top 5 finalist spot in the comp and now get to drop this banger ad for Sweetfeet.
At the end of the day, it’s been a rollercoaster ride since moving to NYC, so it’s exciting to share something that has everything I love about it - amazing community and friendships. Proud of what we made and who we made it with.
Big thanks to the stellar cast and crew!
Lead - @sonyeeahh
Creative @demonsnap & @emmakasarsky
Director @demonsnap
DOP @mattyower
AC @harrison_stag
2AC Eli Learner
Steady @camera_villain_
Gaff and awesome dude @clear_soup
VFX @me_muhammad_burhan
Sound Post @lukeafuller
@andrewshelley_ @declanbasile @colebradley25
And shout out to @nycinerentals for their support, @sofiasbk535 and all the runners
xoxo
They say NYC is all about the hustle. For me, hustle is about creating community and friendships.
I’d been wanting to mess around with CGI for a while — and when the @musicbed spec comp popped up, it was the perfect chance to show what we can do as creatives and filmmakers.
But why stop at a spec ad, when one of my great mates @declanbasile runs the best sock company in the game — @sweetfeet.nyc
Me, @emmakasarsky , and @mattyower decided to shoot two ads:
• One for the comp (had to be a fake brand: Sprint Union),
• And one for Sweetfeet.
We created a similar logo to Sweetfeet, shot two takes with our sock props, and swapped the sock logos in post with CGI, and I reckon we pulled it off! We landed a top 5 finalist spot in the comp and now get to drop this banger ad for Sweetfeet.
At the end of the day, it’s been a rollercoaster ride since moving to NYC, so it’s exciting to share something that has everything I love about it - amazing community and friendships. Proud of what we made and who we made it with.
Big thanks to the stellar cast and crew!
Lead - @sonyeeahh
Creative @demonsnap & @emmakasarsky
Director @demonsnap
DOP @mattyower
AC @harrison_stag
2AC Eli Learner
Steady @camera_villain_
Gaff and awesome dude @clear_soup
VFX @me_muhammad_burhan
Sound Post @lukeafuller
@andrewshelley_ @declanbasile @colebradley25
And shout out to @nycinerentals for their support, @sofiasbk535 and all the runners
xoxo
They say NYC is all about the hustle. For me, hustle is about creating community and friendships.
I’d been wanting to mess around with CGI for a while — and when the @musicbed spec comp popped up, it was the perfect chance to show what we can do as creatives and filmmakers.
But why stop at a spec ad, when one of my great mates @declanbasile runs the best sock company in the game — @sweetfeet.nyc
Me, @emmakasarsky , and @mattyower decided to shoot two ads:
• One for the comp (had to be a fake brand: Sprint Union),
• And one for Sweetfeet.
We created a similar logo to Sweetfeet, shot two takes with our sock props, and swapped the sock logos in post with CGI, and I reckon we pulled it off! We landed a top 5 finalist spot in the comp and now get to drop this banger ad for Sweetfeet.
At the end of the day, it’s been a rollercoaster ride since moving to NYC, so it’s exciting to share something that has everything I love about it - amazing community and friendships. Proud of what we made and who we made it with.
Big thanks to the stellar cast and crew!
Lead - @sonyeeahh
Creative @demonsnap & @emmakasarsky
Director @demonsnap
DOP @mattyower
AC @harrison_stag
2AC Eli Learner
Steady @camera_villain_
Gaff and awesome dude @clear_soup
VFX @me_muhammad_burhan
Sound Post @lukeafuller
@andrewshelley_ @declanbasile @colebradley25
And shout out to @nycinerentals for their support, @sofiasbk535 and all the runners
xoxo
They say NYC is all about the hustle. For me, hustle is about creating community and friendships.
I’d been wanting to mess around with CGI for a while — and when the @musicbed spec comp popped up, it was the perfect chance to show what we can do as creatives and filmmakers.
But why stop at a spec ad, when one of my great mates @declanbasile runs the best sock company in the game — @sweetfeet.nyc
Me, @emmakasarsky , and @mattyower decided to shoot two ads:
• One for the comp (had to be a fake brand: Sprint Union),
• And one for Sweetfeet.
We created a similar logo to Sweetfeet, shot two takes with our sock props, and swapped the sock logos in post with CGI, and I reckon we pulled it off! We landed a top 5 finalist spot in the comp and now get to drop this banger ad for Sweetfeet.
At the end of the day, it’s been a rollercoaster ride since moving to NYC, so it’s exciting to share something that has everything I love about it - amazing community and friendships. Proud of what we made and who we made it with.
Big thanks to the stellar cast and crew!
Lead - @sonyeeahh
Creative @demonsnap & @emmakasarsky
Director @demonsnap
DOP @mattyower
AC @harrison_stag
2AC Eli Learner
Steady @camera_villain_
Gaff and awesome dude @clear_soup
VFX @me_muhammad_burhan
Sound Post @lukeafuller
@andrewshelley_ @declanbasile @colebradley25
And shout out to @nycinerentals for their support, @sofiasbk535 and all the runners
xoxo
BIG THINGS COMING!!! We’re officially 1 of 5 finalists in the @musicbed spec ad competition.
We poured our hearts & socks into this one — and now we’re in it to win it. Final decision from the judges drops April 18th.
Thanks to the stellar cast and crew @sonyeeahh @clear_soup @harrison_stag @camera_villain_ @me_muhammad_burhan
@lukeafuller @sofiasbk535 @nycinerentals and many more
MOVING PORTRAITS FROM A COMMERCIAL SERIES FOR MARRIOTT BONVOY.
@DEMONSNAP X @WAVELENGTHPRODS
SHOT ON LOCATION AROUND NEW YORK.
SHOUT OUT TO @NYCINERENTALS FOR THE SUPPORT.
MARRIOTT:
HEAD OF MARRIOTT CONTENT STUDIO: KATE PFETSCH
EP: ALAN MASSEY
PRODUCER: @EMMAHTOBIN
PRODUCTION: @WAVELENGTHPRODS
EP: MIKE PRALL
PRODUCER: @3MMAHE
PM: @PAGEELLERSON
DIRECTOR: @DEMONSNAP
DP: @MATTYOWER
AC: @SYLVESTER.ALONE
SOUND: ROBYN HUEY
COLOR: @MATTYOWER
EDIT: @NICOLAKIMU
MOVING PORTRAITS FROM A COMMERCIAL SERIES FOR MARRIOTT BONVOY.
@DEMONSNAP X @WAVELENGTHPRODS
SHOT ON LOCATION AROUND NEW YORK.
SHOUT OUT TO @NYCINERENTALS FOR THE SUPPORT.
MARRIOTT:
HEAD OF MARRIOTT CONTENT STUDIO: KATE PFETSCH
EP: ALAN MASSEY
PRODUCER: @EMMAHTOBIN
PRODUCTION: @WAVELENGTHPRODS
EP: MIKE PRALL
PRODUCER: @3MMAHE
PM: @PAGEELLERSON
DIRECTOR: @DEMONSNAP
DP: @MATTYOWER
AC: @SYLVESTER.ALONE
SOUND: ROBYN HUEY
COLOR: @MATTYOWER
EDIT: @NICOLAKIMU
MOVING PORTRAITS FROM A COMMERCIAL SERIES FOR MARRIOTT BONVOY.
@DEMONSNAP X @WAVELENGTHPRODS
SHOT ON LOCATION AROUND NEW YORK.
SHOUT OUT TO @NYCINERENTALS FOR THE SUPPORT.
MARRIOTT:
HEAD OF MARRIOTT CONTENT STUDIO: KATE PFETSCH
EP: ALAN MASSEY
PRODUCER: @EMMAHTOBIN
PRODUCTION: @WAVELENGTHPRODS
EP: MIKE PRALL
PRODUCER: @3MMAHE
PM: @PAGEELLERSON
DIRECTOR: @DEMONSNAP
DP: @MATTYOWER
AC: @SYLVESTER.ALONE
SOUND: ROBYN HUEY
COLOR: @MATTYOWER
EDIT: @NICOLAKIMU
MOVING PORTRAITS FROM A COMMERCIAL SERIES FOR MARRIOTT BONVOY.
@DEMONSNAP X @WAVELENGTHPRODS
SHOT ON LOCATION AROUND NEW YORK.
SHOUT OUT TO @NYCINERENTALS FOR THE SUPPORT.
MARRIOTT:
HEAD OF MARRIOTT CONTENT STUDIO: KATE PFETSCH
EP: ALAN MASSEY
PRODUCER: @EMMAHTOBIN
PRODUCTION: @WAVELENGTHPRODS
EP: MIKE PRALL
PRODUCER: @3MMAHE
PM: @PAGEELLERSON
DIRECTOR: @DEMONSNAP
DP: @MATTYOWER
AC: @SYLVESTER.ALONE
SOUND: ROBYN HUEY
COLOR: @MATTYOWER
EDIT: @NICOLAKIMU
MOVING PORTRAITS FROM A COMMERCIAL SERIES FOR MARRIOTT BONVOY.
@DEMONSNAP X @WAVELENGTHPRODS
SHOT ON LOCATION AROUND NEW YORK.
SHOUT OUT TO @NYCINERENTALS FOR THE SUPPORT.
MARRIOTT:
HEAD OF MARRIOTT CONTENT STUDIO: KATE PFETSCH
EP: ALAN MASSEY
PRODUCER: @EMMAHTOBIN
PRODUCTION: @WAVELENGTHPRODS
EP: MIKE PRALL
PRODUCER: @3MMAHE
PM: @PAGEELLERSON
DIRECTOR: @DEMONSNAP
DP: @MATTYOWER
AC: @SYLVESTER.ALONE
SOUND: ROBYN HUEY
COLOR: @MATTYOWER
EDIT: @NICOLAKIMU
MOVING PORTRAITS FROM A COMMERCIAL SERIES FOR MARRIOTT BONVOY.
@DEMONSNAP X @WAVELENGTHPRODS
SHOT ON LOCATION AROUND NEW YORK.
SHOUT OUT TO @NYCINERENTALS FOR THE SUPPORT.
MARRIOTT:
HEAD OF MARRIOTT CONTENT STUDIO: KATE PFETSCH
EP: ALAN MASSEY
PRODUCER: @EMMAHTOBIN
PRODUCTION: @WAVELENGTHPRODS
EP: MIKE PRALL
PRODUCER: @3MMAHE
PM: @PAGEELLERSON
DIRECTOR: @DEMONSNAP
DP: @MATTYOWER
AC: @SYLVESTER.ALONE
SOUND: ROBYN HUEY
COLOR: @MATTYOWER
EDIT: @NICOLAKIMU
COPPER KETTLE NZ
Copper Kettle | Pepsi Co. NZ
Directed by @denis_scholsem
Camera Assistant : @leopoletronnier
Color & Online: @clembcolorist
Equipment Support: @thefront118
It’s not always the big jobs that are the best. Just Dennis, Leo & myself shooting 2 little Doco style stories over two weeks in my homeland of NZ.
A collection of frames that I enjoyed most from Jason’s story.
One of my favorite aspects about my job is frequently finding solutions for fresh challenges, sometimes there’s more creativity found there than what’s in the frame!
I didn’t want to compromise on the quality of what we were setting out to shoot, just because it was “run & gun” by nature. I looked into all sorts of expensive backpack rigs and settled on designing my own with the help of Sonny from @thefront118
I had power plates and transmitters mounted to the back of a military plate carrier. Up front I had the Alexa mini viewfinder mounted on a cinelock.. a MagSafe adapter to hold my phone open and unlocked on the ARRI companion app… a dovetail in the centre to quickly mount the camera to my chest for a little rest..and a cheeky quick release plate for my Fuji stills camera. Call it overkill, call it whatever you want, but it worked incredibly well, and I had so much fun engineering to solve the problem of a potentially heavy camera package to be out and about with day after day.
COPPER KETTLE NZ
Copper Kettle | Pepsi Co. NZ
Directed by @denis_scholsem
Camera Assistant : @leopoletronnier
Color & Online: @clembcolorist
Equipment Support: @thefront118
It’s not always the big jobs that are the best. Just Dennis, Leo & myself shooting 2 little Doco style stories over two weeks in my homeland of NZ.
A collection of frames that I enjoyed most from Jason’s story.
One of my favorite aspects about my job is frequently finding solutions for fresh challenges, sometimes there’s more creativity found there than what’s in the frame!
I didn’t want to compromise on the quality of what we were setting out to shoot, just because it was “run & gun” by nature. I looked into all sorts of expensive backpack rigs and settled on designing my own with the help of Sonny from @thefront118
I had power plates and transmitters mounted to the back of a military plate carrier. Up front I had the Alexa mini viewfinder mounted on a cinelock.. a MagSafe adapter to hold my phone open and unlocked on the ARRI companion app… a dovetail in the centre to quickly mount the camera to my chest for a little rest..and a cheeky quick release plate for my Fuji stills camera. Call it overkill, call it whatever you want, but it worked incredibly well, and I had so much fun engineering to solve the problem of a potentially heavy camera package to be out and about with day after day.
COPPER KETTLE NZ
Copper Kettle | Pepsi Co. NZ
Directed by @denis_scholsem
Camera Assistant : @leopoletronnier
Color & Online: @clembcolorist
Equipment Support: @thefront118
It’s not always the big jobs that are the best. Just Dennis, Leo & myself shooting 2 little Doco style stories over two weeks in my homeland of NZ.
A collection of frames that I enjoyed most from Jason’s story.
One of my favorite aspects about my job is frequently finding solutions for fresh challenges, sometimes there’s more creativity found there than what’s in the frame!
I didn’t want to compromise on the quality of what we were setting out to shoot, just because it was “run & gun” by nature. I looked into all sorts of expensive backpack rigs and settled on designing my own with the help of Sonny from @thefront118
I had power plates and transmitters mounted to the back of a military plate carrier. Up front I had the Alexa mini viewfinder mounted on a cinelock.. a MagSafe adapter to hold my phone open and unlocked on the ARRI companion app… a dovetail in the centre to quickly mount the camera to my chest for a little rest..and a cheeky quick release plate for my Fuji stills camera. Call it overkill, call it whatever you want, but it worked incredibly well, and I had so much fun engineering to solve the problem of a potentially heavy camera package to be out and about with day after day.
COPPER KETTLE NZ
Copper Kettle | Pepsi Co. NZ
Directed by @denis_scholsem
Camera Assistant : @leopoletronnier
Color & Online: @clembcolorist
Equipment Support: @thefront118
It’s not always the big jobs that are the best. Just Dennis, Leo & myself shooting 2 little Doco style stories over two weeks in my homeland of NZ.
A collection of frames that I enjoyed most from Jason’s story.
One of my favorite aspects about my job is frequently finding solutions for fresh challenges, sometimes there’s more creativity found there than what’s in the frame!
I didn’t want to compromise on the quality of what we were setting out to shoot, just because it was “run & gun” by nature. I looked into all sorts of expensive backpack rigs and settled on designing my own with the help of Sonny from @thefront118
I had power plates and transmitters mounted to the back of a military plate carrier. Up front I had the Alexa mini viewfinder mounted on a cinelock.. a MagSafe adapter to hold my phone open and unlocked on the ARRI companion app… a dovetail in the centre to quickly mount the camera to my chest for a little rest..and a cheeky quick release plate for my Fuji stills camera. Call it overkill, call it whatever you want, but it worked incredibly well, and I had so much fun engineering to solve the problem of a potentially heavy camera package to be out and about with day after day.
COPPER KETTLE NZ
Copper Kettle | Pepsi Co. NZ
Directed by @denis_scholsem
Camera Assistant : @leopoletronnier
Color & Online: @clembcolorist
Equipment Support: @thefront118
It’s not always the big jobs that are the best. Just Dennis, Leo & myself shooting 2 little Doco style stories over two weeks in my homeland of NZ.
A collection of frames that I enjoyed most from Jason’s story.
One of my favorite aspects about my job is frequently finding solutions for fresh challenges, sometimes there’s more creativity found there than what’s in the frame!
I didn’t want to compromise on the quality of what we were setting out to shoot, just because it was “run & gun” by nature. I looked into all sorts of expensive backpack rigs and settled on designing my own with the help of Sonny from @thefront118
I had power plates and transmitters mounted to the back of a military plate carrier. Up front I had the Alexa mini viewfinder mounted on a cinelock.. a MagSafe adapter to hold my phone open and unlocked on the ARRI companion app… a dovetail in the centre to quickly mount the camera to my chest for a little rest..and a cheeky quick release plate for my Fuji stills camera. Call it overkill, call it whatever you want, but it worked incredibly well, and I had so much fun engineering to solve the problem of a potentially heavy camera package to be out and about with day after day.
COPPER KETTLE NZ
Copper Kettle | Pepsi Co. NZ
Directed by @denis_scholsem
Camera Assistant : @leopoletronnier
Color & Online: @clembcolorist
Equipment Support: @thefront118
It’s not always the big jobs that are the best. Just Dennis, Leo & myself shooting 2 little Doco style stories over two weeks in my homeland of NZ.
A collection of frames that I enjoyed most from Jason’s story.
One of my favorite aspects about my job is frequently finding solutions for fresh challenges, sometimes there’s more creativity found there than what’s in the frame!
I didn’t want to compromise on the quality of what we were setting out to shoot, just because it was “run & gun” by nature. I looked into all sorts of expensive backpack rigs and settled on designing my own with the help of Sonny from @thefront118
I had power plates and transmitters mounted to the back of a military plate carrier. Up front I had the Alexa mini viewfinder mounted on a cinelock.. a MagSafe adapter to hold my phone open and unlocked on the ARRI companion app… a dovetail in the centre to quickly mount the camera to my chest for a little rest..and a cheeky quick release plate for my Fuji stills camera. Call it overkill, call it whatever you want, but it worked incredibly well, and I had so much fun engineering to solve the problem of a potentially heavy camera package to be out and about with day after day.
COPPER KETTLE NZ
Copper Kettle | Pepsi Co. NZ
Directed by @denis_scholsem
Camera Assistant : @leopoletronnier
Color & Online: @clembcolorist
Equipment Support: @thefront118
It’s not always the big jobs that are the best. Just Dennis, Leo & myself shooting 2 little Doco style stories over two weeks in my homeland of NZ.
A collection of frames that I enjoyed most from Jason’s story.
One of my favorite aspects about my job is frequently finding solutions for fresh challenges, sometimes there’s more creativity found there than what’s in the frame!
I didn’t want to compromise on the quality of what we were setting out to shoot, just because it was “run & gun” by nature. I looked into all sorts of expensive backpack rigs and settled on designing my own with the help of Sonny from @thefront118
I had power plates and transmitters mounted to the back of a military plate carrier. Up front I had the Alexa mini viewfinder mounted on a cinelock.. a MagSafe adapter to hold my phone open and unlocked on the ARRI companion app… a dovetail in the centre to quickly mount the camera to my chest for a little rest..and a cheeky quick release plate for my Fuji stills camera. Call it overkill, call it whatever you want, but it worked incredibly well, and I had so much fun engineering to solve the problem of a potentially heavy camera package to be out and about with day after day.
COPPER KETTLE NZ
Copper Kettle | Pepsi Co. NZ
Directed by @denis_scholsem
Camera Assistant : @leopoletronnier
Color & Online: @clembcolorist
Equipment Support: @thefront118
It’s not always the big jobs that are the best. Just Dennis, Leo & myself shooting 2 little Doco style stories over two weeks in my homeland of NZ.
A collection of frames that I enjoyed most from Jason’s story.
One of my favorite aspects about my job is frequently finding solutions for fresh challenges, sometimes there’s more creativity found there than what’s in the frame!
I didn’t want to compromise on the quality of what we were setting out to shoot, just because it was “run & gun” by nature. I looked into all sorts of expensive backpack rigs and settled on designing my own with the help of Sonny from @thefront118
I had power plates and transmitters mounted to the back of a military plate carrier. Up front I had the Alexa mini viewfinder mounted on a cinelock.. a MagSafe adapter to hold my phone open and unlocked on the ARRI companion app… a dovetail in the centre to quickly mount the camera to my chest for a little rest..and a cheeky quick release plate for my Fuji stills camera. Call it overkill, call it whatever you want, but it worked incredibly well, and I had so much fun engineering to solve the problem of a potentially heavy camera package to be out and about with day after day.
COPPER KETTLE NZ
Copper Kettle | Pepsi Co. NZ
Directed by @denis_scholsem
Camera Assistant : @leopoletronnier
Color & Online: @clembcolorist
Equipment Support: @thefront118
It’s not always the big jobs that are the best. Just Dennis, Leo & myself shooting 2 little Doco style stories over two weeks in my homeland of NZ.
A collection of frames that I enjoyed most from Jason’s story.
One of my favorite aspects about my job is frequently finding solutions for fresh challenges, sometimes there’s more creativity found there than what’s in the frame!
I didn’t want to compromise on the quality of what we were setting out to shoot, just because it was “run & gun” by nature. I looked into all sorts of expensive backpack rigs and settled on designing my own with the help of Sonny from @thefront118
I had power plates and transmitters mounted to the back of a military plate carrier. Up front I had the Alexa mini viewfinder mounted on a cinelock.. a MagSafe adapter to hold my phone open and unlocked on the ARRI companion app… a dovetail in the centre to quickly mount the camera to my chest for a little rest..and a cheeky quick release plate for my Fuji stills camera. Call it overkill, call it whatever you want, but it worked incredibly well, and I had so much fun engineering to solve the problem of a potentially heavy camera package to be out and about with day after day.
COPPER KETTLE NZ
Copper Kettle | Pepsi Co. NZ
Directed by @denis_scholsem
Camera Assistant : @leopoletronnier
Color & Online: @clembcolorist
Equipment Support: @thefront118
It’s not always the big jobs that are the best. Just Dennis, Leo & myself shooting 2 little Doco style stories over two weeks in my homeland of NZ.
A collection of frames that I enjoyed most from Jason’s story.
One of my favorite aspects about my job is frequently finding solutions for fresh challenges, sometimes there’s more creativity found there than what’s in the frame!
I didn’t want to compromise on the quality of what we were setting out to shoot, just because it was “run & gun” by nature. I looked into all sorts of expensive backpack rigs and settled on designing my own with the help of Sonny from @thefront118
I had power plates and transmitters mounted to the back of a military plate carrier. Up front I had the Alexa mini viewfinder mounted on a cinelock.. a MagSafe adapter to hold my phone open and unlocked on the ARRI companion app… a dovetail in the centre to quickly mount the camera to my chest for a little rest..and a cheeky quick release plate for my Fuji stills camera. Call it overkill, call it whatever you want, but it worked incredibly well, and I had so much fun engineering to solve the problem of a potentially heavy camera package to be out and about with day after day.
COPPER KETTLE NZ
Copper Kettle | Pepsi Co. NZ
Directed by @denis_scholsem
Camera Assistant : @leopoletronnier
Color & Online: @clembcolorist
Equipment Support: @thefront118
It’s not always the big jobs that are the best. Just Dennis, Leo & myself shooting 2 little Doco style stories over two weeks in my homeland of NZ.
A collection of frames that I enjoyed most from Jason’s story.
One of my favorite aspects about my job is frequently finding solutions for fresh challenges, sometimes there’s more creativity found there than what’s in the frame!
I didn’t want to compromise on the quality of what we were setting out to shoot, just because it was “run & gun” by nature. I looked into all sorts of expensive backpack rigs and settled on designing my own with the help of Sonny from @thefront118
I had power plates and transmitters mounted to the back of a military plate carrier. Up front I had the Alexa mini viewfinder mounted on a cinelock.. a MagSafe adapter to hold my phone open and unlocked on the ARRI companion app… a dovetail in the centre to quickly mount the camera to my chest for a little rest..and a cheeky quick release plate for my Fuji stills camera. Call it overkill, call it whatever you want, but it worked incredibly well, and I had so much fun engineering to solve the problem of a potentially heavy camera package to be out and about with day after day.
COPPER KETTLE NZ
Copper Kettle | Pepsi Co. NZ
Directed by @denis_scholsem
Camera Assistant : @leopoletronnier
Color & Online: @clembcolorist
Equipment Support: @thefront118
It’s not always the big jobs that are the best. Just Dennis, Leo & myself shooting 2 little Doco style stories over two weeks in my homeland of NZ.
A collection of frames that I enjoyed most from Jason’s story.
One of my favorite aspects about my job is frequently finding solutions for fresh challenges, sometimes there’s more creativity found there than what’s in the frame!
I didn’t want to compromise on the quality of what we were setting out to shoot, just because it was “run & gun” by nature. I looked into all sorts of expensive backpack rigs and settled on designing my own with the help of Sonny from @thefront118
I had power plates and transmitters mounted to the back of a military plate carrier. Up front I had the Alexa mini viewfinder mounted on a cinelock.. a MagSafe adapter to hold my phone open and unlocked on the ARRI companion app… a dovetail in the centre to quickly mount the camera to my chest for a little rest..and a cheeky quick release plate for my Fuji stills camera. Call it overkill, call it whatever you want, but it worked incredibly well, and I had so much fun engineering to solve the problem of a potentially heavy camera package to be out and about with day after day.
@luvlou._ X @jordyzsimpson
Shot on location earlier this year in Australia.
@pierretoussaint
@jordyzsimpson
@luvlou._ X @jordyzsimpson
Shot on location earlier this year in Australia.
@pierretoussaint
@jordyzsimpson
@luvlou._ X @jordyzsimpson
Shot on location earlier this year in Australia.
@pierretoussaint
@jordyzsimpson
AestheticsRX | “B-Side” 🐚
Trimmings from the cutting room floor, shown the light of day.
@jordyzsimpson
@saundersandcoagency
@megan_wm
@michael.comninus
@beauty_dept_
@simon_portbury
@aestheticsrxskincare
AestheticsRX | “B-Side” 🐚
Trimmings from the cutting room floor, shown the light of day.
@jordyzsimpson
@saundersandcoagency
@megan_wm
@michael.comninus
@beauty_dept_
@simon_portbury
@aestheticsrxskincare
AestheticsRX | “B-Side” 🐚
Trimmings from the cutting room floor, shown the light of day.
@jordyzsimpson
@saundersandcoagency
@megan_wm
@michael.comninus
@beauty_dept_
@simon_portbury
@aestheticsrxskincare
AestheticsRX | “B-Side” 🐚
Trimmings from the cutting room floor, shown the light of day.
@jordyzsimpson
@saundersandcoagency
@megan_wm
@michael.comninus
@beauty_dept_
@simon_portbury
@aestheticsrxskincare
AestheticsRX | “B-Side” 🐚
Trimmings from the cutting room floor, shown the light of day.
@jordyzsimpson
@saundersandcoagency
@megan_wm
@michael.comninus
@beauty_dept_
@simon_portbury
@aestheticsrxskincare
AestheticsRX | “B-Side” 🐚
Trimmings from the cutting room floor, shown the light of day.
@jordyzsimpson
@saundersandcoagency
@megan_wm
@michael.comninus
@beauty_dept_
@simon_portbury
@aestheticsrxskincare
Pepsi Co. | Copper Kettle Commercial with @denis_scholsem Directing & @leopoletronnier AC
Invested some time during preproduction to develop a backpack rig style umbilical vest for my Alexa Mini. It was great to be able to follow the story unencumbered by the support typically necessary to achieve these frames. Unlocking the ability to run high grade AKS / components on the camera package whilst remaining just a few kilograms in-hand was a delightful shooting experience.
A well deserved thank you to @thefront118 & @sonnycostin for their unrelenting support in all of my projects but specifically this one.
@leopoletronnier for rising to the occasion, embodying a high end ‘slashie’ necessary for international shoots whilst also keeping every frame sharp.
@oli.coulthard & @spiritussystems for the plate carrier that served as the best platform for this innovation.
Pepsi Co. | Copper Kettle Commercial with @denis_scholsem Directing & @leopoletronnier AC
Invested some time during preproduction to develop a backpack rig style umbilical vest for my Alexa Mini. It was great to be able to follow the story unencumbered by the support typically necessary to achieve these frames. Unlocking the ability to run high grade AKS / components on the camera package whilst remaining just a few kilograms in-hand was a delightful shooting experience.
A well deserved thank you to @thefront118 & @sonnycostin for their unrelenting support in all of my projects but specifically this one.
@leopoletronnier for rising to the occasion, embodying a high end ‘slashie’ necessary for international shoots whilst also keeping every frame sharp.
@oli.coulthard & @spiritussystems for the plate carrier that served as the best platform for this innovation.
Pepsi Co. | Copper Kettle Commercial with @denis_scholsem Directing & @leopoletronnier AC
Invested some time during preproduction to develop a backpack rig style umbilical vest for my Alexa Mini. It was great to be able to follow the story unencumbered by the support typically necessary to achieve these frames. Unlocking the ability to run high grade AKS / components on the camera package whilst remaining just a few kilograms in-hand was a delightful shooting experience.
A well deserved thank you to @thefront118 & @sonnycostin for their unrelenting support in all of my projects but specifically this one.
@leopoletronnier for rising to the occasion, embodying a high end ‘slashie’ necessary for international shoots whilst also keeping every frame sharp.
@oli.coulthard & @spiritussystems for the plate carrier that served as the best platform for this innovation.
Pepsi Co. | Copper Kettle Commercial with @denis_scholsem Directing & @leopoletronnier AC
Invested some time during preproduction to develop a backpack rig style umbilical vest for my Alexa Mini. It was great to be able to follow the story unencumbered by the support typically necessary to achieve these frames. Unlocking the ability to run high grade AKS / components on the camera package whilst remaining just a few kilograms in-hand was a delightful shooting experience.
A well deserved thank you to @thefront118 & @sonnycostin for their unrelenting support in all of my projects but specifically this one.
@leopoletronnier for rising to the occasion, embodying a high end ‘slashie’ necessary for international shoots whilst also keeping every frame sharp.
@oli.coulthard & @spiritussystems for the plate carrier that served as the best platform for this innovation.
Pepsi Co. | Copper Kettle Commercial with @denis_scholsem Directing & @leopoletronnier AC
Invested some time during preproduction to develop a backpack rig style umbilical vest for my Alexa Mini. It was great to be able to follow the story unencumbered by the support typically necessary to achieve these frames. Unlocking the ability to run high grade AKS / components on the camera package whilst remaining just a few kilograms in-hand was a delightful shooting experience.
A well deserved thank you to @thefront118 & @sonnycostin for their unrelenting support in all of my projects but specifically this one.
@leopoletronnier for rising to the occasion, embodying a high end ‘slashie’ necessary for international shoots whilst also keeping every frame sharp.
@oli.coulthard & @spiritussystems for the plate carrier that served as the best platform for this innovation.
Pepsi Co. | Copper Kettle Commercial with @denis_scholsem Directing & @leopoletronnier AC
Invested some time during preproduction to develop a backpack rig style umbilical vest for my Alexa Mini. It was great to be able to follow the story unencumbered by the support typically necessary to achieve these frames. Unlocking the ability to run high grade AKS / components on the camera package whilst remaining just a few kilograms in-hand was a delightful shooting experience.
A well deserved thank you to @thefront118 & @sonnycostin for their unrelenting support in all of my projects but specifically this one.
@leopoletronnier for rising to the occasion, embodying a high end ‘slashie’ necessary for international shoots whilst also keeping every frame sharp.
@oli.coulthard & @spiritussystems for the plate carrier that served as the best platform for this innovation.
Pepsi Co. | Copper Kettle Commercial with @denis_scholsem Directing & @leopoletronnier AC
Invested some time during preproduction to develop a backpack rig style umbilical vest for my Alexa Mini. It was great to be able to follow the story unencumbered by the support typically necessary to achieve these frames. Unlocking the ability to run high grade AKS / components on the camera package whilst remaining just a few kilograms in-hand was a delightful shooting experience.
A well deserved thank you to @thefront118 & @sonnycostin for their unrelenting support in all of my projects but specifically this one.
@leopoletronnier for rising to the occasion, embodying a high end ‘slashie’ necessary for international shoots whilst also keeping every frame sharp.
@oli.coulthard & @spiritussystems for the plate carrier that served as the best platform for this innovation.
Pepsi Co. | Copper Kettle Commercial with @denis_scholsem Directing & @leopoletronnier AC
Invested some time during preproduction to develop a backpack rig style umbilical vest for my Alexa Mini. It was great to be able to follow the story unencumbered by the support typically necessary to achieve these frames. Unlocking the ability to run high grade AKS / components on the camera package whilst remaining just a few kilograms in-hand was a delightful shooting experience.
A well deserved thank you to @thefront118 & @sonnycostin for their unrelenting support in all of my projects but specifically this one.
@leopoletronnier for rising to the occasion, embodying a high end ‘slashie’ necessary for international shoots whilst also keeping every frame sharp.
@oli.coulthard & @spiritussystems for the plate carrier that served as the best platform for this innovation.
Pepsi Co. | Copper Kettle Commercial with @denis_scholsem Directing & @leopoletronnier AC
Invested some time during preproduction to develop a backpack rig style umbilical vest for my Alexa Mini. It was great to be able to follow the story unencumbered by the support typically necessary to achieve these frames. Unlocking the ability to run high grade AKS / components on the camera package whilst remaining just a few kilograms in-hand was a delightful shooting experience.
A well deserved thank you to @thefront118 & @sonnycostin for their unrelenting support in all of my projects but specifically this one.
@leopoletronnier for rising to the occasion, embodying a high end ‘slashie’ necessary for international shoots whilst also keeping every frame sharp.
@oli.coulthard & @spiritussystems for the plate carrier that served as the best platform for this innovation.
Pepsi Co. | Copper Kettle Commercial with @denis_scholsem Directing & @leopoletronnier AC
Invested some time during preproduction to develop a backpack rig style umbilical vest for my Alexa Mini. It was great to be able to follow the story unencumbered by the support typically necessary to achieve these frames. Unlocking the ability to run high grade AKS / components on the camera package whilst remaining just a few kilograms in-hand was a delightful shooting experience.
A well deserved thank you to @thefront118 & @sonnycostin for their unrelenting support in all of my projects but specifically this one.
@leopoletronnier for rising to the occasion, embodying a high end ‘slashie’ necessary for international shoots whilst also keeping every frame sharp.
@oli.coulthard & @spiritussystems for the plate carrier that served as the best platform for this innovation.
Veja Stories do Instagram Secretamente
O Visualizador de Stories do Instagram é uma ferramenta fácil que permite assistir e salvar stories, vídeos, fotos ou IGTV do Instagram secretamente. Com este serviço, você pode baixar conteúdos e apreciá-los offline sempre que quiser. Se você encontrar algo interessante no Instagram que gostaria de ver mais tarde ou quiser visualizar stories de forma anônima, nosso Visualizador é perfeito para você. Anonstories oferece uma excelente solução para manter sua identidade oculta. O Instagram lançou a funcionalidade de Stories em agosto de 2023, que logo foi adotada por outras plataformas devido ao seu formato dinâmico e sensível ao tempo. Os Stories permitem que os usuários compartilhem atualizações rápidas, sejam fotos, vídeos ou selfies, com textos, emojis ou filtros, e ficam visíveis por apenas 24 horas. Esse limite de tempo cria maior engajamento em comparação com posts comuns. Nos dias de hoje, os Stories são uma das formas mais populares de se conectar e comunicar nas redes sociais. No entanto, quando você visualiza um Story, o criador pode ver seu nome na lista de visualizadores, o que pode ser uma preocupação com a privacidade. E se você quiser navegar pelos Stories sem ser notado? É aí que o Anonstories se torna útil. Ele permite que você assista a conteúdos públicos do Instagram sem revelar sua identidade. Basta digitar o nome de usuário do perfil que você está curioso, e a ferramenta mostrará seus Stories mais recentes. Funcionalidades do Visualizador Anonstories: - Navegação Anônima: Veja Stories sem aparecer na lista de visualizadores. - Sem Conta Necessária: Veja conteúdos públicos sem se cadastrar no Instagram. - Download de Conteúdos: Salve qualquer conteúdo de Stories diretamente no seu dispositivo para uso offline. - Veja Destaques: Acesse os Destaques do Instagram, até mesmo após o prazo de 24 horas. - Monitoramento de Reposts: Acompanhe os reposts ou o nível de engajamento em Stories de perfis pessoais. Limitações: - Esta ferramenta funciona apenas com contas públicas; contas privadas permanecem inacessíveis. Benefícios: - Amigável à Privacidade: Veja qualquer conteúdo do Instagram sem ser notado. - Simples e Fácil: Não há necessidade de instalação de aplicativo ou registro. - Ferramentas Exclusivas: Baixe e gerencie conteúdos de maneiras que o Instagram não oferece.
Vantagens do Anonstories
Explore Stories do IG Privadamente
Acompanhe as atualizações do Instagram de forma discreta, protegendo sua privacidade e permanecendo anônimo.
Visualizador Privado do Instagram
Veja perfis e fotos anonimamente com facilidade usando o Visualizador de Perfil Privado.
Visualizador de Stories Gratuito
Esta ferramenta gratuita permite que você veja Stories do Instagram anonimamente, garantindo que sua atividade permaneça oculta do criador do story.
Perguntas Frequentes
Anonimato
Anonstories permite que os usuários vejam stories do Instagram sem alertar o criador.
Compatibilidade com Dispositivos
Funciona perfeitamente em iOS, Android, Windows, macOS e navegadores modernos como Chrome e Safari.
Segurança e Privacidade
Prioriza navegação segura e anônima, sem necessidade de credenciais de login.
Sem Registro
Os usuários podem visualizar stories públicos digitando apenas o nome de usuário—sem precisar de uma conta.
Formatos Suportados
Baixa fotos (JPEG) e vídeos (MP4) com facilidade.
Custo
O serviço é gratuito.
Contas Privadas
Conteúdos de contas privadas só podem ser acessados por seguidores.
Uso de Arquivos
Os arquivos são para uso pessoal ou educacional, conforme as regras de direitos autorais.
Como Funciona
Digite um nome de usuário público para ver ou baixar stories. O serviço gera links diretos para salvar o conteúdo localmente.