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CLOSING EVENT THIS SUNDAY APRIL 12

Join us this Sunday, April 12, to celebrate Nick Fusaro's solo exhibition at 'Foreman' from 6 —8PM.

—

WORKS PICTURED

Nick Fusaro
'Double Blind,' 2026
15.5" x 12" x 13" ( 39cm x 30cm x 33cm )
Roofing Nails, Pine

—

NICK FUSARO (b. 1989) is based in Brooklyn, NY. He received his MFA in Sculpture from Hunter College in 2022 and his BFA in Sculpture from Pratt Institute in 2012. His sculptural practice combines humble materials, collections, and iteration to emphasize the effects of memory on lived experience. Fusaro also studied at the Gerrit Rietveld Academie in 2011 and is the founder of Three Four Three Four, an artist-run gallery in New York. He has shown at Gordon Robichaux (Manhattan, NY ), Parent Company Gallery (Brooklyn, NY), Marwan (Amsterdam, Netherlands), Jupiter Woods (London, UK), Fisher Parrish (Brooklyn, NY), Strobe Gallery (New York, NY) and Long Story Short (New York, NY).

—

Please DM or email bladestudy@bladestudy.net for additional information and previews.

—

@ellsworthjelly

CLOSING EVENT THIS SUNDAY APRIL 12

Join us this Sunday, April 12, to celebrate Nick Fusaro's solo exhibition at 'Foreman' from 6 —8PM.

—

WORKS PICTURED

Nick Fusaro
'Double Blind,' 2026
15.5" x 12" x 13" ( 39cm x 30cm x 33cm )
Roofing Nails, Pine

—

NICK FUSARO (b. 1989) is based in Brooklyn, NY. He received his MFA in Sculpture from Hunter College in 2022 and his BFA in Sculpture from Pratt Institute in 2012. His sculptural practice combines humble materials, collections, and iteration to emphasize the effects of memory on lived experience. Fusaro also studied at the Gerrit Rietveld Academie in 2011 and is the founder of Three Four Three Four, an artist-run gallery in New York. He has shown at Gordon Robichaux (Manhattan, NY ), Parent Company Gallery (Brooklyn, NY), Marwan (Amsterdam, Netherlands), Jupiter Woods (London, UK), Fisher Parrish (Brooklyn, NY), Strobe Gallery (New York, NY) and Long Story Short (New York, NY).

—

Please DM or email bladestudy@bladestudy.net for additional information and previews.

—

@ellsworthjelly

CLOSING EVENT THIS SUNDAY APRIL 12

Join us this Sunday, April 12, to celebrate Nick Fusaro's solo exhibition at 'Foreman' from 6 —8PM.

—

WORKS PICTURED

Nick Fusaro
'Double Blind,' 2026
15.5" x 12" x 13" ( 39cm x 30cm x 33cm )
Roofing Nails, Pine

—

NICK FUSARO (b. 1989) is based in Brooklyn, NY. He received his MFA in Sculpture from Hunter College in 2022 and his BFA in Sculpture from Pratt Institute in 2012. His sculptural practice combines humble materials, collections, and iteration to emphasize the effects of memory on lived experience. Fusaro also studied at the Gerrit Rietveld Academie in 2011 and is the founder of Three Four Three Four, an artist-run gallery in New York. He has shown at Gordon Robichaux (Manhattan, NY ), Parent Company Gallery (Brooklyn, NY), Marwan (Amsterdam, Netherlands), Jupiter Woods (London, UK), Fisher Parrish (Brooklyn, NY), Strobe Gallery (New York, NY) and Long Story Short (New York, NY).

—

Please DM or email bladestudy@bladestudy.net for additional information and previews.

—

@ellsworthjelly

NEXT SATURDAY APRIL 11

Picture Day 2026 with Eric Helgas
April 11 from 11AM — 5PM

—

Everyone needs a headshot. Eric Helgas’ photography explores desire, illusion and artifice. Helgas draws from popular culture’s constructed realities, staging his subjects with meticulous detail and deliberate artificial light.

For the third annual Picture Day, come to Blade Study and get your picture taken and participate in the second iteration of a larger series by Helgas. $5/session, OBO.

Peruse 2025's Picture Day results at the link in our bio.

—

📷 @erichelgas

LVL3 ARTIST OF THE WEEK MARCH 23

Em Aull was selected by LVL3 as their artist of the week. The interview features selections from their solo exhibition from the gallery, 'Never Too Much.' Interview conducted by Luca Lotruglio and edited by Paul Fitzpatrick.

—

LL: What draws you to the large congregations of people that your work sometimes features?

EA: I’ve always loved a big crowd, a huge collective feeling. From childhood until tomorrow, big crowd moments have always been a huge part of my life. I love basketball games, wrestling shows, racing, monster trucks, summer concerts in the park, any kind of arena. I think there’s a beautiful indescribable feeling of witnessing something with a mass of people. My favorite event in the world is the Indianapolis 500, the largest single day sporting event in the world. Over 300,000 people attend it and the cars go 250mph. You look a mile and a half in the distance and you see another grandstand. It’s a surreal experience. The hundreds of thousands of people surrounding you validate its reality with their own shock and excitement. Seeing tens of thousands of people jump up and yell in joy, or gasp, or boo and hiss in a collective unspoken unison is so powerful. Crowds, or fans rather, exist in this incredible space where the lines between discomfort and anxiousness blend seamlessly with comfort and collective joy. When I paint crowds, I don’t suggest the number of people. I draw every person with eyes looking on, mouths smiling or frowning, and if the scale isn’t too small I’ll even give them eyebrows and noses. I think it gives my crowd paintings an endless multitude of energy and emotion.

—

WORKS PICTURED

(Paradise Ballroom Mix), 2024
19.5" x 19.5" x 1"
Acrylic, Lenticular Sheet, Canvas

Babylon System, 2024
19.5" x 19.5" x 1"
Acrylic, Canvas, Cut Selection of Record Cover

Everyday Reading, 2024
17" x 14" x 1.5"
Acrylic, Gesso Board, Ornate Artist's Frame

—

@emmy.news
@lvl3official
Portrait & Studio 📸 by @benjibustamante

LVL3 ARTIST OF THE WEEK MARCH 23

Em Aull was selected by LVL3 as their artist of the week. The interview features selections from their solo exhibition from the gallery, 'Never Too Much.' Interview conducted by Luca Lotruglio and edited by Paul Fitzpatrick.

—

LL: What draws you to the large congregations of people that your work sometimes features?

EA: I’ve always loved a big crowd, a huge collective feeling. From childhood until tomorrow, big crowd moments have always been a huge part of my life. I love basketball games, wrestling shows, racing, monster trucks, summer concerts in the park, any kind of arena. I think there’s a beautiful indescribable feeling of witnessing something with a mass of people. My favorite event in the world is the Indianapolis 500, the largest single day sporting event in the world. Over 300,000 people attend it and the cars go 250mph. You look a mile and a half in the distance and you see another grandstand. It’s a surreal experience. The hundreds of thousands of people surrounding you validate its reality with their own shock and excitement. Seeing tens of thousands of people jump up and yell in joy, or gasp, or boo and hiss in a collective unspoken unison is so powerful. Crowds, or fans rather, exist in this incredible space where the lines between discomfort and anxiousness blend seamlessly with comfort and collective joy. When I paint crowds, I don’t suggest the number of people. I draw every person with eyes looking on, mouths smiling or frowning, and if the scale isn’t too small I’ll even give them eyebrows and noses. I think it gives my crowd paintings an endless multitude of energy and emotion.

—

WORKS PICTURED

(Paradise Ballroom Mix), 2024
19.5" x 19.5" x 1"
Acrylic, Lenticular Sheet, Canvas

Babylon System, 2024
19.5" x 19.5" x 1"
Acrylic, Canvas, Cut Selection of Record Cover

Everyday Reading, 2024
17" x 14" x 1.5"
Acrylic, Gesso Board, Ornate Artist's Frame

—

@emmy.news
@lvl3official
Portrait & Studio 📸 by @benjibustamante

LVL3 ARTIST OF THE WEEK MARCH 23

Em Aull was selected by LVL3 as their artist of the week. The interview features selections from their solo exhibition from the gallery, 'Never Too Much.' Interview conducted by Luca Lotruglio and edited by Paul Fitzpatrick.

—

LL: What draws you to the large congregations of people that your work sometimes features?

EA: I’ve always loved a big crowd, a huge collective feeling. From childhood until tomorrow, big crowd moments have always been a huge part of my life. I love basketball games, wrestling shows, racing, monster trucks, summer concerts in the park, any kind of arena. I think there’s a beautiful indescribable feeling of witnessing something with a mass of people. My favorite event in the world is the Indianapolis 500, the largest single day sporting event in the world. Over 300,000 people attend it and the cars go 250mph. You look a mile and a half in the distance and you see another grandstand. It’s a surreal experience. The hundreds of thousands of people surrounding you validate its reality with their own shock and excitement. Seeing tens of thousands of people jump up and yell in joy, or gasp, or boo and hiss in a collective unspoken unison is so powerful. Crowds, or fans rather, exist in this incredible space where the lines between discomfort and anxiousness blend seamlessly with comfort and collective joy. When I paint crowds, I don’t suggest the number of people. I draw every person with eyes looking on, mouths smiling or frowning, and if the scale isn’t too small I’ll even give them eyebrows and noses. I think it gives my crowd paintings an endless multitude of energy and emotion.

—

WORKS PICTURED

(Paradise Ballroom Mix), 2024
19.5" x 19.5" x 1"
Acrylic, Lenticular Sheet, Canvas

Babylon System, 2024
19.5" x 19.5" x 1"
Acrylic, Canvas, Cut Selection of Record Cover

Everyday Reading, 2024
17" x 14" x 1.5"
Acrylic, Gesso Board, Ornate Artist's Frame

—

@emmy.news
@lvl3official
Portrait & Studio 📸 by @benjibustamante

LVL3 ARTIST OF THE WEEK MARCH 23

Em Aull was selected by LVL3 as their artist of the week. The interview features selections from their solo exhibition from the gallery, 'Never Too Much.' Interview conducted by Luca Lotruglio and edited by Paul Fitzpatrick.

—

LL: What draws you to the large congregations of people that your work sometimes features?

EA: I’ve always loved a big crowd, a huge collective feeling. From childhood until tomorrow, big crowd moments have always been a huge part of my life. I love basketball games, wrestling shows, racing, monster trucks, summer concerts in the park, any kind of arena. I think there’s a beautiful indescribable feeling of witnessing something with a mass of people. My favorite event in the world is the Indianapolis 500, the largest single day sporting event in the world. Over 300,000 people attend it and the cars go 250mph. You look a mile and a half in the distance and you see another grandstand. It’s a surreal experience. The hundreds of thousands of people surrounding you validate its reality with their own shock and excitement. Seeing tens of thousands of people jump up and yell in joy, or gasp, or boo and hiss in a collective unspoken unison is so powerful. Crowds, or fans rather, exist in this incredible space where the lines between discomfort and anxiousness blend seamlessly with comfort and collective joy. When I paint crowds, I don’t suggest the number of people. I draw every person with eyes looking on, mouths smiling or frowning, and if the scale isn’t too small I’ll even give them eyebrows and noses. I think it gives my crowd paintings an endless multitude of energy and emotion.

—

WORKS PICTURED

(Paradise Ballroom Mix), 2024
19.5" x 19.5" x 1"
Acrylic, Lenticular Sheet, Canvas

Babylon System, 2024
19.5" x 19.5" x 1"
Acrylic, Canvas, Cut Selection of Record Cover

Everyday Reading, 2024
17" x 14" x 1.5"
Acrylic, Gesso Board, Ornate Artist's Frame

—

@emmy.news
@lvl3official
Portrait & Studio 📸 by @benjibustamante

LVL3 ARTIST OF THE WEEK MARCH 23

Em Aull was selected by LVL3 as their artist of the week. The interview features selections from their solo exhibition from the gallery, 'Never Too Much.' Interview conducted by Luca Lotruglio and edited by Paul Fitzpatrick.

—

LL: What draws you to the large congregations of people that your work sometimes features?

EA: I’ve always loved a big crowd, a huge collective feeling. From childhood until tomorrow, big crowd moments have always been a huge part of my life. I love basketball games, wrestling shows, racing, monster trucks, summer concerts in the park, any kind of arena. I think there’s a beautiful indescribable feeling of witnessing something with a mass of people. My favorite event in the world is the Indianapolis 500, the largest single day sporting event in the world. Over 300,000 people attend it and the cars go 250mph. You look a mile and a half in the distance and you see another grandstand. It’s a surreal experience. The hundreds of thousands of people surrounding you validate its reality with their own shock and excitement. Seeing tens of thousands of people jump up and yell in joy, or gasp, or boo and hiss in a collective unspoken unison is so powerful. Crowds, or fans rather, exist in this incredible space where the lines between discomfort and anxiousness blend seamlessly with comfort and collective joy. When I paint crowds, I don’t suggest the number of people. I draw every person with eyes looking on, mouths smiling or frowning, and if the scale isn’t too small I’ll even give them eyebrows and noses. I think it gives my crowd paintings an endless multitude of energy and emotion.

—

WORKS PICTURED

(Paradise Ballroom Mix), 2024
19.5" x 19.5" x 1"
Acrylic, Lenticular Sheet, Canvas

Babylon System, 2024
19.5" x 19.5" x 1"
Acrylic, Canvas, Cut Selection of Record Cover

Everyday Reading, 2024
17" x 14" x 1.5"
Acrylic, Gesso Board, Ornate Artist's Frame

—

@emmy.news
@lvl3official
Portrait & Studio 📸 by @benjibustamante

OPEN THIS WEEK

Nick Fusaro
Foreman
March 5 — April 12, 2026

"On the gallery's floor are six blue-gray nodules, inspired by a found object the artist has since misplaced, an antique metallic otorhinolaryngologist’s tool used for measuring ear canals. Fusaro has ballooned their scale, exalting the original object, a medical mold, to the level of fine art. The coloration of their surface is determined by batch mixes of polyester resin (clear, shiny), epoxy (dull, gray) and hardener (a deep blue tint). Each mixed batch has a short pot life, resulting in patch-work patterning after multiple applications overlapping layers. They are finely sanded, a practice that mimics how a carpenter might refine the surface of a chair, however their form hints at no clear or concise function given the change in scale and material."

—

WORKS PICTURED

Nodules (N_5), 2026
19" x 8" x 8"
Polyester Resin, Epoxy Resin, Insulation Foam

Nodules (N_1), 2026
24" x 6" x 6"
Polyester Resin, Epoxy Resin, Insulation Foam

Nodules (N_2), 2026
14" x 8" x 8"
Polyester Resin, Epoxy Resin, Insulation Foam

Nodules (N_3), 2026
20" x 10" x 10"
Polyester Resin, Epoxy Resin, Insulation Foam

Nodules (N_4), 2026
35" x 4" x 4"
Polyester Resin, Epoxy Resin, Insulation Foam

Nodules (N_6), 2026
30" x 10" x 10"
Polyester Resin, Epoxy Resin, Insulation Foam

—

NICK FUSARO (b. 1989) is based in Brooklyn, NY. He received his MFA in Sculpture from Hunter College in 2022 and his BFA in Sculpture from Pratt Institute in 2012. His sculptural practice combines humble materials, collections, and iteration to emphasize the effects of memory on lived experience. Fusaro also studied at the Gerrit Rietveld Academie in 2011 and is the founder of Three Four Three Four, an artist-run gallery in New York. He has shown at Gordon Robichaux (Manhattan, NY ), Parent Company Gallery (Brooklyn, NY), Marwan (Amsterdam, Netherlands), Jupiter Woods (London, UK), Fisher Parrish (Brooklyn, NY), Strobe Gallery (New York, NY) and Long Story Short (New York, NY).

—

Please DM or email bladestudy@bladestudy.net for information and previews.

—

@ellsworthjelly

OPEN THIS WEEK

Nick Fusaro
Foreman
March 5 — April 12, 2026

"On the gallery's floor are six blue-gray nodules, inspired by a found object the artist has since misplaced, an antique metallic otorhinolaryngologist’s tool used for measuring ear canals. Fusaro has ballooned their scale, exalting the original object, a medical mold, to the level of fine art. The coloration of their surface is determined by batch mixes of polyester resin (clear, shiny), epoxy (dull, gray) and hardener (a deep blue tint). Each mixed batch has a short pot life, resulting in patch-work patterning after multiple applications overlapping layers. They are finely sanded, a practice that mimics how a carpenter might refine the surface of a chair, however their form hints at no clear or concise function given the change in scale and material."

—

WORKS PICTURED

Nodules (N_5), 2026
19" x 8" x 8"
Polyester Resin, Epoxy Resin, Insulation Foam

Nodules (N_1), 2026
24" x 6" x 6"
Polyester Resin, Epoxy Resin, Insulation Foam

Nodules (N_2), 2026
14" x 8" x 8"
Polyester Resin, Epoxy Resin, Insulation Foam

Nodules (N_3), 2026
20" x 10" x 10"
Polyester Resin, Epoxy Resin, Insulation Foam

Nodules (N_4), 2026
35" x 4" x 4"
Polyester Resin, Epoxy Resin, Insulation Foam

Nodules (N_6), 2026
30" x 10" x 10"
Polyester Resin, Epoxy Resin, Insulation Foam

—

NICK FUSARO (b. 1989) is based in Brooklyn, NY. He received his MFA in Sculpture from Hunter College in 2022 and his BFA in Sculpture from Pratt Institute in 2012. His sculptural practice combines humble materials, collections, and iteration to emphasize the effects of memory on lived experience. Fusaro also studied at the Gerrit Rietveld Academie in 2011 and is the founder of Three Four Three Four, an artist-run gallery in New York. He has shown at Gordon Robichaux (Manhattan, NY ), Parent Company Gallery (Brooklyn, NY), Marwan (Amsterdam, Netherlands), Jupiter Woods (London, UK), Fisher Parrish (Brooklyn, NY), Strobe Gallery (New York, NY) and Long Story Short (New York, NY).

—

Please DM or email bladestudy@bladestudy.net for information and previews.

—

@ellsworthjelly

OPEN THIS WEEK

Nick Fusaro
Foreman
March 5 — April 12, 2026

"On the gallery's floor are six blue-gray nodules, inspired by a found object the artist has since misplaced, an antique metallic otorhinolaryngologist’s tool used for measuring ear canals. Fusaro has ballooned their scale, exalting the original object, a medical mold, to the level of fine art. The coloration of their surface is determined by batch mixes of polyester resin (clear, shiny), epoxy (dull, gray) and hardener (a deep blue tint). Each mixed batch has a short pot life, resulting in patch-work patterning after multiple applications overlapping layers. They are finely sanded, a practice that mimics how a carpenter might refine the surface of a chair, however their form hints at no clear or concise function given the change in scale and material."

—

WORKS PICTURED

Nodules (N_5), 2026
19" x 8" x 8"
Polyester Resin, Epoxy Resin, Insulation Foam

Nodules (N_1), 2026
24" x 6" x 6"
Polyester Resin, Epoxy Resin, Insulation Foam

Nodules (N_2), 2026
14" x 8" x 8"
Polyester Resin, Epoxy Resin, Insulation Foam

Nodules (N_3), 2026
20" x 10" x 10"
Polyester Resin, Epoxy Resin, Insulation Foam

Nodules (N_4), 2026
35" x 4" x 4"
Polyester Resin, Epoxy Resin, Insulation Foam

Nodules (N_6), 2026
30" x 10" x 10"
Polyester Resin, Epoxy Resin, Insulation Foam

—

NICK FUSARO (b. 1989) is based in Brooklyn, NY. He received his MFA in Sculpture from Hunter College in 2022 and his BFA in Sculpture from Pratt Institute in 2012. His sculptural practice combines humble materials, collections, and iteration to emphasize the effects of memory on lived experience. Fusaro also studied at the Gerrit Rietveld Academie in 2011 and is the founder of Three Four Three Four, an artist-run gallery in New York. He has shown at Gordon Robichaux (Manhattan, NY ), Parent Company Gallery (Brooklyn, NY), Marwan (Amsterdam, Netherlands), Jupiter Woods (London, UK), Fisher Parrish (Brooklyn, NY), Strobe Gallery (New York, NY) and Long Story Short (New York, NY).

—

Please DM or email bladestudy@bladestudy.net for information and previews.

—

@ellsworthjelly

OPEN THIS WEEK

Nick Fusaro
Foreman
March 5 — April 12, 2026

"On the gallery's floor are six blue-gray nodules, inspired by a found object the artist has since misplaced, an antique metallic otorhinolaryngologist’s tool used for measuring ear canals. Fusaro has ballooned their scale, exalting the original object, a medical mold, to the level of fine art. The coloration of their surface is determined by batch mixes of polyester resin (clear, shiny), epoxy (dull, gray) and hardener (a deep blue tint). Each mixed batch has a short pot life, resulting in patch-work patterning after multiple applications overlapping layers. They are finely sanded, a practice that mimics how a carpenter might refine the surface of a chair, however their form hints at no clear or concise function given the change in scale and material."

—

WORKS PICTURED

Nodules (N_5), 2026
19" x 8" x 8"
Polyester Resin, Epoxy Resin, Insulation Foam

Nodules (N_1), 2026
24" x 6" x 6"
Polyester Resin, Epoxy Resin, Insulation Foam

Nodules (N_2), 2026
14" x 8" x 8"
Polyester Resin, Epoxy Resin, Insulation Foam

Nodules (N_3), 2026
20" x 10" x 10"
Polyester Resin, Epoxy Resin, Insulation Foam

Nodules (N_4), 2026
35" x 4" x 4"
Polyester Resin, Epoxy Resin, Insulation Foam

Nodules (N_6), 2026
30" x 10" x 10"
Polyester Resin, Epoxy Resin, Insulation Foam

—

NICK FUSARO (b. 1989) is based in Brooklyn, NY. He received his MFA in Sculpture from Hunter College in 2022 and his BFA in Sculpture from Pratt Institute in 2012. His sculptural practice combines humble materials, collections, and iteration to emphasize the effects of memory on lived experience. Fusaro also studied at the Gerrit Rietveld Academie in 2011 and is the founder of Three Four Three Four, an artist-run gallery in New York. He has shown at Gordon Robichaux (Manhattan, NY ), Parent Company Gallery (Brooklyn, NY), Marwan (Amsterdam, Netherlands), Jupiter Woods (London, UK), Fisher Parrish (Brooklyn, NY), Strobe Gallery (New York, NY) and Long Story Short (New York, NY).

—

Please DM or email bladestudy@bladestudy.net for information and previews.

—

@ellsworthjelly

OPEN THIS WEEK

Nick Fusaro
Foreman
March 5 — April 12, 2026

"On the gallery's floor are six blue-gray nodules, inspired by a found object the artist has since misplaced, an antique metallic otorhinolaryngologist’s tool used for measuring ear canals. Fusaro has ballooned their scale, exalting the original object, a medical mold, to the level of fine art. The coloration of their surface is determined by batch mixes of polyester resin (clear, shiny), epoxy (dull, gray) and hardener (a deep blue tint). Each mixed batch has a short pot life, resulting in patch-work patterning after multiple applications overlapping layers. They are finely sanded, a practice that mimics how a carpenter might refine the surface of a chair, however their form hints at no clear or concise function given the change in scale and material."

—

WORKS PICTURED

Nodules (N_5), 2026
19" x 8" x 8"
Polyester Resin, Epoxy Resin, Insulation Foam

Nodules (N_1), 2026
24" x 6" x 6"
Polyester Resin, Epoxy Resin, Insulation Foam

Nodules (N_2), 2026
14" x 8" x 8"
Polyester Resin, Epoxy Resin, Insulation Foam

Nodules (N_3), 2026
20" x 10" x 10"
Polyester Resin, Epoxy Resin, Insulation Foam

Nodules (N_4), 2026
35" x 4" x 4"
Polyester Resin, Epoxy Resin, Insulation Foam

Nodules (N_6), 2026
30" x 10" x 10"
Polyester Resin, Epoxy Resin, Insulation Foam

—

NICK FUSARO (b. 1989) is based in Brooklyn, NY. He received his MFA in Sculpture from Hunter College in 2022 and his BFA in Sculpture from Pratt Institute in 2012. His sculptural practice combines humble materials, collections, and iteration to emphasize the effects of memory on lived experience. Fusaro also studied at the Gerrit Rietveld Academie in 2011 and is the founder of Three Four Three Four, an artist-run gallery in New York. He has shown at Gordon Robichaux (Manhattan, NY ), Parent Company Gallery (Brooklyn, NY), Marwan (Amsterdam, Netherlands), Jupiter Woods (London, UK), Fisher Parrish (Brooklyn, NY), Strobe Gallery (New York, NY) and Long Story Short (New York, NY).

—

Please DM or email bladestudy@bladestudy.net for information and previews.

—

@ellsworthjelly

OPEN THIS WEEK

Nick Fusaro
Foreman
March 5 — April 12, 2026

"On the gallery's floor are six blue-gray nodules, inspired by a found object the artist has since misplaced, an antique metallic otorhinolaryngologist’s tool used for measuring ear canals. Fusaro has ballooned their scale, exalting the original object, a medical mold, to the level of fine art. The coloration of their surface is determined by batch mixes of polyester resin (clear, shiny), epoxy (dull, gray) and hardener (a deep blue tint). Each mixed batch has a short pot life, resulting in patch-work patterning after multiple applications overlapping layers. They are finely sanded, a practice that mimics how a carpenter might refine the surface of a chair, however their form hints at no clear or concise function given the change in scale and material."

—

WORKS PICTURED

Nodules (N_5), 2026
19" x 8" x 8"
Polyester Resin, Epoxy Resin, Insulation Foam

Nodules (N_1), 2026
24" x 6" x 6"
Polyester Resin, Epoxy Resin, Insulation Foam

Nodules (N_2), 2026
14" x 8" x 8"
Polyester Resin, Epoxy Resin, Insulation Foam

Nodules (N_3), 2026
20" x 10" x 10"
Polyester Resin, Epoxy Resin, Insulation Foam

Nodules (N_4), 2026
35" x 4" x 4"
Polyester Resin, Epoxy Resin, Insulation Foam

Nodules (N_6), 2026
30" x 10" x 10"
Polyester Resin, Epoxy Resin, Insulation Foam

—

NICK FUSARO (b. 1989) is based in Brooklyn, NY. He received his MFA in Sculpture from Hunter College in 2022 and his BFA in Sculpture from Pratt Institute in 2012. His sculptural practice combines humble materials, collections, and iteration to emphasize the effects of memory on lived experience. Fusaro also studied at the Gerrit Rietveld Academie in 2011 and is the founder of Three Four Three Four, an artist-run gallery in New York. He has shown at Gordon Robichaux (Manhattan, NY ), Parent Company Gallery (Brooklyn, NY), Marwan (Amsterdam, Netherlands), Jupiter Woods (London, UK), Fisher Parrish (Brooklyn, NY), Strobe Gallery (New York, NY) and Long Story Short (New York, NY).

—

Please DM or email bladestudy@bladestudy.net for information and previews.

—

@ellsworthjelly

Rendered Instant
Thursday, April 9 from 5:30 - 9PM
264 Canal Street 3W
New York NY 10013

—

Join Blade Study and Electronic Arts Intermix ( @electronicartsintermix ) on Thursday, April 9, for an evening of screenings, performance and sculpture exploring the threshold of computational and human perception.

Featuring work by Stewart Bird, Mark Dorf, Allen-Golder Carpenter, Will Freudenheim, Frank Heath, Gary Hill, Kunning Huang, Jacob Hurwitz-Goodman, Craig Jun Li, Maggie Lee, Kristin Lucas, Maya Man, Emmanuel Massillon, Takeshi Murata, Karyn Nakamura, Alix Pearlstein, Ben Shirken, Stan VanDerBeek and Nick Vyssotsky.

To RSVP for the event, please visit the link in our profile.

-

PRESS RELEASE GENERATOR 1770926352 | SEED 430021 | ONTOLOGICAL LEVEL 46%

"At 00:00:00 UTC on 1 January 1970, a counter began. Unix time measures reality in non-leap seconds, accumulating without pause, a technical infrastructure that functions as our closest approximation of a universal now:a shared coordinate system where human perception and computational logic converge.

Yet convergence does not constitute equivalence.

The works assembled in this exhibition are computational, generative, or occupy both positions. Some execute continuously, producing output that exceeds any individual viewer's capacity for reception. Others investigate the ontological gap between what machines can generate and what humans can meaningfully attend to. All operate within the productive tension between infinite generativity and finite attention."

GENERATED AT HTTPS://RENDEREDINSTANT.BLADESTUDY.NET

—

WORKS PICTURED

Kunning Huang
"Untitled (Sol LeWitt and Crate)," 2025
Spray Paint, Polylactic Acid (PLA), Reclaimed wooden Crate
36" x 12" x 12"

A Sol LeWitt sculpture reconstructed from an online image, modeled, 3D printed with automatically generated tree supports, and spray painted white, placed on produce crates found near Chinatown markets.

—

@sstewrat
@mrkdrf
@allengolder
@freudenheiim
@garyhillstudio
@kunninng
@h.g.jacob
@helmet_lung
@suede87
@ksltwo
@mayaontheinternet
@massi____
@takeshimurata
@frog_spit_simulation
@alixpearlstein
@ex.wiish
@stanvanderbeekarchive
@nick_v.yssotsky

Nick Fusaro
Foreman
March 5 — April 12, 2026

The artist Nick Fusaro will be at Blade Study this weekend, Saturday March 21st and Sunday March 22nd for exhibition walkthroughs.

—

WORKS PICTURED

Nick Fusaro
Playing Out the String, 2025
13" x 16" x 13.5" ( 33cm x 40cm x 35cm )

Aluminum Roofing Paint, Roofing Nails, Oak, Plywood, Pine

—

NICK FUSARO (b. 1989) is based in Brooklyn, NY. He received his MFA in Sculpture from Hunter College in 2022 and his BFA in Sculpture from Pratt Institute in 2012. His sculptural practice combines humble materials, collections, and iteration to emphasize the effects of memory on lived experience. Fusaro also studied at the Gerrit Rietveld Academie in 2011 and is the founder of Three Four Three Four, an artist-run gallery in New York. He has shown at Gordon Robichaux (Manhattan, NY ), Parent Company Gallery (Brooklyn, NY), Marwan (Amsterdam, Netherlands), Jupiter Woods (London, UK), Fisher Parrish (Brooklyn, NY), Strobe Gallery (New York, NY) and Long Story Short (New York, NY).

—

Please DM or email bladestudy@bladestudy.net for information and previews.

—

@ellsworthjelly

Nick Fusaro
Foreman
March 5 — April 12, 2026

The artist Nick Fusaro will be at Blade Study this weekend, Saturday March 21st and Sunday March 22nd for exhibition walkthroughs.

—

WORKS PICTURED

Nick Fusaro
Playing Out the String, 2025
13" x 16" x 13.5" ( 33cm x 40cm x 35cm )

Aluminum Roofing Paint, Roofing Nails, Oak, Plywood, Pine

—

NICK FUSARO (b. 1989) is based in Brooklyn, NY. He received his MFA in Sculpture from Hunter College in 2022 and his BFA in Sculpture from Pratt Institute in 2012. His sculptural practice combines humble materials, collections, and iteration to emphasize the effects of memory on lived experience. Fusaro also studied at the Gerrit Rietveld Academie in 2011 and is the founder of Three Four Three Four, an artist-run gallery in New York. He has shown at Gordon Robichaux (Manhattan, NY ), Parent Company Gallery (Brooklyn, NY), Marwan (Amsterdam, Netherlands), Jupiter Woods (London, UK), Fisher Parrish (Brooklyn, NY), Strobe Gallery (New York, NY) and Long Story Short (New York, NY).

—

Please DM or email bladestudy@bladestudy.net for information and previews.

—

@ellsworthjelly

Nick Fusaro
Foreman
March 5 — April 12, 2026

The artist Nick Fusaro will be at Blade Study this weekend, Saturday March 21st and Sunday March 22nd for exhibition walkthroughs.

—

WORKS PICTURED

Nick Fusaro
Playing Out the String, 2025
13" x 16" x 13.5" ( 33cm x 40cm x 35cm )

Aluminum Roofing Paint, Roofing Nails, Oak, Plywood, Pine

—

NICK FUSARO (b. 1989) is based in Brooklyn, NY. He received his MFA in Sculpture from Hunter College in 2022 and his BFA in Sculpture from Pratt Institute in 2012. His sculptural practice combines humble materials, collections, and iteration to emphasize the effects of memory on lived experience. Fusaro also studied at the Gerrit Rietveld Academie in 2011 and is the founder of Three Four Three Four, an artist-run gallery in New York. He has shown at Gordon Robichaux (Manhattan, NY ), Parent Company Gallery (Brooklyn, NY), Marwan (Amsterdam, Netherlands), Jupiter Woods (London, UK), Fisher Parrish (Brooklyn, NY), Strobe Gallery (New York, NY) and Long Story Short (New York, NY).

—

Please DM or email bladestudy@bladestudy.net for information and previews.

—

@ellsworthjelly

Foreman is up at Blade Study through April 12! 🖤✨ Images are now online, thanks to everyone who came through to the opening and showed us love <33

Photos by @kunninng
More info @blade_study

Foreman is up at Blade Study through April 12! 🖤✨ Images are now online, thanks to everyone who came through to the opening and showed us love <33

Photos by @kunninng
More info @blade_study

Foreman is up at Blade Study through April 12! 🖤✨ Images are now online, thanks to everyone who came through to the opening and showed us love <33

Photos by @kunninng
More info @blade_study

Foreman is up at Blade Study through April 12! 🖤✨ Images are now online, thanks to everyone who came through to the opening and showed us love <33

Photos by @kunninng
More info @blade_study

Foreman is up at Blade Study through April 12! 🖤✨ Images are now online, thanks to everyone who came through to the opening and showed us love <33

Photos by @kunninng
More info @blade_study

Foreman is up at Blade Study through April 12! 🖤✨ Images are now online, thanks to everyone who came through to the opening and showed us love <33

Photos by @kunninng
More info @blade_study

Nick Fusaro
Foreman
March 5 — April 12, 2026

Installation shots are available and online now at the Blade Study website, link in bio. Foreman is open today and all this weekend.

—

"Both panel pieces, "Foreman" and, "Whose Ghost?", are intentionally reminiscent of blueprints, strategic drawings traditionally used to lay out floor plans for homes and buildings. Blueprints shed the market value and maker’s hand associated with fine art prints, but still maintain a sense of mark-making and organization of space traditionally associated with composition. With this as his starting point, Fusaro layers collaged sheets of paper around his panels as an architect might lay out a bedroom, foyer, or hallway. The negative plywood spaces in the panels serve as interstices on an imagined plane, a site that is neither finished nor in progress. The same can be said of the sculptural houses that dot the walls and perch on a pedestal. They are not true structures. Cozy but inhospitable, offering no way in or out, they are proposals for impossibly modest buildings."

—

WORKS PICTURED

Whose Ghost?, 2026
48" x 48" ( 122cm x 122cm )
Aluminum Roofing Paint, Graphite on paper, on panel

Nodules (N_1), 2026
24" x 6" x 6" ( 71cm x 15cm x 15cm )
Polyester Resin, Epoxy Resin, Insulation Foam

Nodules (N_2), 2026
14" x 8" x 8" ( 35cm x 20cm x 20cm )
Polyester Resin, Epoxy Resin, Insulation Foam

—

NICK FUSARO (b. 1989) is based in Brooklyn, NY. He received his MFA in Sculpture from Hunter College in 2022 and his BFA in Sculpture from Pratt Institute in 2012. His sculptural practice combines humble materials, collections, and iteration to emphasize the effects of memory on lived experience. Fusaro also studied at the Gerrit Rietveld Academie in 2011 and is the founder of Three Four Three Four, an artist-run gallery in New York. He has shown at Gordon Robichaux (Manhattan, NY ), Parent Company Gallery (Brooklyn, NY), Marwan (Amsterdam, Netherlands), Jupiter Woods (London, UK), Fisher Parrish (Brooklyn, NY), Strobe Gallery (New York, NY) and Long Story Short (New York, NY).

—

Please DM or email bladestudy@bladestudy.net for information and previews.

—

@ellsworthjelly

Nick Fusaro
Foreman
March 5 — April 12, 2026

Installation shots are available and online now at the Blade Study website, link in bio. Foreman is open today and all this weekend.

—

"Both panel pieces, "Foreman" and, "Whose Ghost?", are intentionally reminiscent of blueprints, strategic drawings traditionally used to lay out floor plans for homes and buildings. Blueprints shed the market value and maker’s hand associated with fine art prints, but still maintain a sense of mark-making and organization of space traditionally associated with composition. With this as his starting point, Fusaro layers collaged sheets of paper around his panels as an architect might lay out a bedroom, foyer, or hallway. The negative plywood spaces in the panels serve as interstices on an imagined plane, a site that is neither finished nor in progress. The same can be said of the sculptural houses that dot the walls and perch on a pedestal. They are not true structures. Cozy but inhospitable, offering no way in or out, they are proposals for impossibly modest buildings."

—

WORKS PICTURED

Whose Ghost?, 2026
48" x 48" ( 122cm x 122cm )
Aluminum Roofing Paint, Graphite on paper, on panel

Nodules (N_1), 2026
24" x 6" x 6" ( 71cm x 15cm x 15cm )
Polyester Resin, Epoxy Resin, Insulation Foam

Nodules (N_2), 2026
14" x 8" x 8" ( 35cm x 20cm x 20cm )
Polyester Resin, Epoxy Resin, Insulation Foam

—

NICK FUSARO (b. 1989) is based in Brooklyn, NY. He received his MFA in Sculpture from Hunter College in 2022 and his BFA in Sculpture from Pratt Institute in 2012. His sculptural practice combines humble materials, collections, and iteration to emphasize the effects of memory on lived experience. Fusaro also studied at the Gerrit Rietveld Academie in 2011 and is the founder of Three Four Three Four, an artist-run gallery in New York. He has shown at Gordon Robichaux (Manhattan, NY ), Parent Company Gallery (Brooklyn, NY), Marwan (Amsterdam, Netherlands), Jupiter Woods (London, UK), Fisher Parrish (Brooklyn, NY), Strobe Gallery (New York, NY) and Long Story Short (New York, NY).

—

Please DM or email bladestudy@bladestudy.net for information and previews.

—

@ellsworthjelly

Nick Fusaro
Foreman
March 5 — April 12, 2026

Installation shots are available and online now at the Blade Study website, link in bio. Foreman is open today and all this weekend.

—

"Both panel pieces, "Foreman" and, "Whose Ghost?", are intentionally reminiscent of blueprints, strategic drawings traditionally used to lay out floor plans for homes and buildings. Blueprints shed the market value and maker’s hand associated with fine art prints, but still maintain a sense of mark-making and organization of space traditionally associated with composition. With this as his starting point, Fusaro layers collaged sheets of paper around his panels as an architect might lay out a bedroom, foyer, or hallway. The negative plywood spaces in the panels serve as interstices on an imagined plane, a site that is neither finished nor in progress. The same can be said of the sculptural houses that dot the walls and perch on a pedestal. They are not true structures. Cozy but inhospitable, offering no way in or out, they are proposals for impossibly modest buildings."

—

WORKS PICTURED

Whose Ghost?, 2026
48" x 48" ( 122cm x 122cm )
Aluminum Roofing Paint, Graphite on paper, on panel

Nodules (N_1), 2026
24" x 6" x 6" ( 71cm x 15cm x 15cm )
Polyester Resin, Epoxy Resin, Insulation Foam

Nodules (N_2), 2026
14" x 8" x 8" ( 35cm x 20cm x 20cm )
Polyester Resin, Epoxy Resin, Insulation Foam

—

NICK FUSARO (b. 1989) is based in Brooklyn, NY. He received his MFA in Sculpture from Hunter College in 2022 and his BFA in Sculpture from Pratt Institute in 2012. His sculptural practice combines humble materials, collections, and iteration to emphasize the effects of memory on lived experience. Fusaro also studied at the Gerrit Rietveld Academie in 2011 and is the founder of Three Four Three Four, an artist-run gallery in New York. He has shown at Gordon Robichaux (Manhattan, NY ), Parent Company Gallery (Brooklyn, NY), Marwan (Amsterdam, Netherlands), Jupiter Woods (London, UK), Fisher Parrish (Brooklyn, NY), Strobe Gallery (New York, NY) and Long Story Short (New York, NY).

—

Please DM or email bladestudy@bladestudy.net for information and previews.

—

@ellsworthjelly

Nick Fusaro
Foreman
March 5 — April 12, 2026

Installation shots are available and online now at the Blade Study website, link in bio. Foreman is open today and all this weekend.

—

"Both panel pieces, "Foreman" and, "Whose Ghost?", are intentionally reminiscent of blueprints, strategic drawings traditionally used to lay out floor plans for homes and buildings. Blueprints shed the market value and maker’s hand associated with fine art prints, but still maintain a sense of mark-making and organization of space traditionally associated with composition. With this as his starting point, Fusaro layers collaged sheets of paper around his panels as an architect might lay out a bedroom, foyer, or hallway. The negative plywood spaces in the panels serve as interstices on an imagined plane, a site that is neither finished nor in progress. The same can be said of the sculptural houses that dot the walls and perch on a pedestal. They are not true structures. Cozy but inhospitable, offering no way in or out, they are proposals for impossibly modest buildings."

—

WORKS PICTURED

Whose Ghost?, 2026
48" x 48" ( 122cm x 122cm )
Aluminum Roofing Paint, Graphite on paper, on panel

Nodules (N_1), 2026
24" x 6" x 6" ( 71cm x 15cm x 15cm )
Polyester Resin, Epoxy Resin, Insulation Foam

Nodules (N_2), 2026
14" x 8" x 8" ( 35cm x 20cm x 20cm )
Polyester Resin, Epoxy Resin, Insulation Foam

—

NICK FUSARO (b. 1989) is based in Brooklyn, NY. He received his MFA in Sculpture from Hunter College in 2022 and his BFA in Sculpture from Pratt Institute in 2012. His sculptural practice combines humble materials, collections, and iteration to emphasize the effects of memory on lived experience. Fusaro also studied at the Gerrit Rietveld Academie in 2011 and is the founder of Three Four Three Four, an artist-run gallery in New York. He has shown at Gordon Robichaux (Manhattan, NY ), Parent Company Gallery (Brooklyn, NY), Marwan (Amsterdam, Netherlands), Jupiter Woods (London, UK), Fisher Parrish (Brooklyn, NY), Strobe Gallery (New York, NY) and Long Story Short (New York, NY).

—

Please DM or email bladestudy@bladestudy.net for information and previews.

—

@ellsworthjelly

THE NIGHT SHIFT: AN INTERVIEW WITH JIWOONG IN WHITEHOT MAGAZINE

Colleen Dalusong interviews jiwoong for Whitehot Magazine, please find the link in our bio.

—

"Most of us do not choose what we remember of our childhood, but sometimes a trick of the light or a whiff of a familiar fragrance unexpectedly jolts us back into a nearly-forgotten memory. I may not remember my first day or school nor the majority of my birthdays; but I do remember the faint rumbling of the garage door signaling that my mom has come home from work, and I remember my dad's deep sighs whenever my little brother would make a mess in the kitchen. These are the kinds of everyday observations that form the foundation of jiwoong's practice, in which he transmutes evanescent yet seemingly-banal moments into unforgettable artworks."

Colleen Dalusong

—

JIWOONG (b. 1985, Seoul) is a visual artist who works with photographic processes and installation to create sculptural works tied to embodied memory. He is based in New York City. His way of looking is informed by what he learned from failures and being ignored. Studio Art BFA School of Visual Art Photography and Video 2018. Hunter MFA Studio Art 2023.

—

Please DM or email bladestudy@bladestudy.net for additional information and previews.

—

@jiwoong_
@whitehotmagazine

OPENING TONIGHT MARCH 5

Nick Fusaro
Foreman
March 5 — April 12, 2026

—

Blade Study is proud to present Foreman, Nick Fusaro's second solo exhibition with the gallery. Fusaro has made a habit of drafting new artworks behind a character or archetype when ideating. In this instance, as the exhibition's title suggests, he has poised himself as The Foreman. The Foreman is an overseer. He doesn't design or create plans, he simply executes them. He is the figure at the helm of process, navigating projects from renderings to realities. Imagined in the shape of a clown, the character of The Foreman is featured prominently in a panel at the gallery's back wall, overseeing the exhibition like a construction site. His authority is subtly undercut by his choice of dress, and the delicate safety pin that tethers him to the wooden panel. His intention, ability, and capacity are in question, but nevertheless, for better or for worse, it's The Foreman who is in charge. Diligent and repeat visitors will notice a handful of references to his first show in 2024, Stretch Under Strain, where the conceptual artist explored the difficulty of ideation and historical baggage inherent to the creative process. In, Foreman, Fusaro has seemingly shed this anxiety while maintaining a sense of humor, this time proposing the process of making as a final product worthy of exhibition.

—

NICK FUSARO (b. 1989) is based in Brooklyn, NY. He received his MFA in Sculpture from Hunter College in 2022 and his BFA in Sculpture from Pratt Institute in 2012. His sculptural practice combines humble materials, collections, and iteration to emphasize the effects of memory on lived experience. Fusaro also studied at the Gerrit Rietveld Academie in 2011 and is the founder of Three Four Three Four, an artist-run gallery in New York. He has shown at Gordon Robichaux (New York, NY), Parent Company Gallery (Brooklyn, NY), Marwan (Amsterdam, Netherlands), Jupiter Woods (London, UK), Fisher Parrish (Brooklyn, NY), Strobe Gallery (New York, NY) and Long Story Short (New York, NY).

—

Please DM or email bladestudy@bladestudy.net for additional information and previews.

—

@ellsworthjelly
📷 @iain_emaline

OPENING TONIGHT MARCH 5

Nick Fusaro
Foreman
March 5 — April 12, 2026

—

Blade Study is proud to present Foreman, Nick Fusaro's second solo exhibition with the gallery. Fusaro has made a habit of drafting new artworks behind a character or archetype when ideating. In this instance, as the exhibition's title suggests, he has poised himself as The Foreman. The Foreman is an overseer. He doesn't design or create plans, he simply executes them. He is the figure at the helm of process, navigating projects from renderings to realities. Imagined in the shape of a clown, the character of The Foreman is featured prominently in a panel at the gallery's back wall, overseeing the exhibition like a construction site. His authority is subtly undercut by his choice of dress, and the delicate safety pin that tethers him to the wooden panel. His intention, ability, and capacity are in question, but nevertheless, for better or for worse, it's The Foreman who is in charge. Diligent and repeat visitors will notice a handful of references to his first show in 2024, Stretch Under Strain, where the conceptual artist explored the difficulty of ideation and historical baggage inherent to the creative process. In, Foreman, Fusaro has seemingly shed this anxiety while maintaining a sense of humor, this time proposing the process of making as a final product worthy of exhibition.

—

NICK FUSARO (b. 1989) is based in Brooklyn, NY. He received his MFA in Sculpture from Hunter College in 2022 and his BFA in Sculpture from Pratt Institute in 2012. His sculptural practice combines humble materials, collections, and iteration to emphasize the effects of memory on lived experience. Fusaro also studied at the Gerrit Rietveld Academie in 2011 and is the founder of Three Four Three Four, an artist-run gallery in New York. He has shown at Gordon Robichaux (New York, NY), Parent Company Gallery (Brooklyn, NY), Marwan (Amsterdam, Netherlands), Jupiter Woods (London, UK), Fisher Parrish (Brooklyn, NY), Strobe Gallery (New York, NY) and Long Story Short (New York, NY).

—

Please DM or email bladestudy@bladestudy.net for additional information and previews.

—

@ellsworthjelly
📷 @iain_emaline

Nick Fusaro
Foreman
March 5 — April 12, 2026

Opening Thursday, March 5, 6–8PM
17 Pike Street
New York NY
10002

—

Blade Study is proud to present "Foreman," Nick Fusaro's second solo exhibition at the gallery, having previously exhibited "Stretch Under Strain" in 2024.

NICK FUSARO (b. 1989) is based in Brooklyn, NY. He received his MFA in Sculpture from Hunter College in 2022 and his BFA in Sculpture from Pratt Institute in 2012. His sculptural practice combines humble materials, collections, and iteration to emphasize the effects of memory on lived experience. Fusaro also studied at the Gerrit Rietveld Academie in 2011 and is the founder of Three Four Three Four, an artist-run gallery in New York. He has shown at Gordon Robichaux (Manhattan, NY ), Parent Company Gallery (Brooklyn, NY), Marwan (Amsterdam, Netherlands), Jupiter Woods (London, UK), Fisher Parrish (Brooklyn, NY), Strobe Gallery (New York, NY) and Long Story Short (New York, NY).

—

Please DM or email bladestudy@bladestudy.net for additional information and previews.

—

@ellsworthjelly

EXHIBITION EXTENDED UNTIL FEBRUARY 15

Adrienne Greenblatt's 'I wept at the tomb of my mother's tongue' has been extended an additional week and will now be closing closing this Sunday, February 15.

—

Adrienne Greenblatt
"Extractivism, or, The Legacy of Empire," 2025
37" x 48" x 20"

Antique Oak Pew, Aluminum, Coyote Teeth, Mermaid’s Purse, Ground Single Origin Coffee from Sonsonate, El Salvador

—

"The pew houses broken bars from the largest maximum-security prison in Latin America, CECOT, a Terrorism Confinement Center based in Tecoluca, El Salvador. It is also adorned with a horse jawbone, coyote femur, and molars. The back panel is an impression of part of a wrought iron gate, single-origin coffee grounds from Sonsonate, El Salvador, embedded coyote teeth, and mermaid purses. Also included are aluminum charms such as a chain-link fence, razor wire, impressions of a gate, coyote bones, and the spirits El Cadejo, El Cipitío, and La Siguanaba. Greenblatt considers the brutality of border politics, escape, the hunting of persons attempting to find shelter, La Matanza, and safety."

—

ADRIENNE GREENBLATT (b. 1995, Reading, UK) is a multidisciplinary artist, curator, and poet based in Brooklyn, NY. They hold a Bachelor’s degree in Theatre and Dance with a concentration in Costumes from the University of Texas at Austin (2017) and recently completed specialized training in various glass mediums at UrbanGlass in Brooklyn.

Adrienne Greenblatt has performed in spaces such as M. Leblanc in Chicago, KAJE in Brooklyn, Printed Matter St. Marks, Slip House, and Sara’s @ Dunkunsthalle in NYC. Their glasswork has been shown at Weatherproof’s The Hole in Chicago, IL; Espace Maurice in Montréal; Snow Gallery and The Sue Tear in Brooklyn; and Blade Study in NYC. Adrienne has also organized and curated off-site projects and exhibitions at spaces such as No Gallery and GernEnRegalia in NYC, as well as at the beach at Fort Tilden, NY.
icon

—

Please DM or email bladestudy@bladestudy.net for additional information and previews.

—

@deathinmidwinter

EXHIBITION EXTENDED UNTIL FEBRUARY 15

Adrienne Greenblatt's 'I wept at the tomb of my mother's tongue' has been extended an additional week and will now be closing closing this Sunday, February 15.

—

Adrienne Greenblatt
"Extractivism, or, The Legacy of Empire," 2025
37" x 48" x 20"

Antique Oak Pew, Aluminum, Coyote Teeth, Mermaid’s Purse, Ground Single Origin Coffee from Sonsonate, El Salvador

—

"The pew houses broken bars from the largest maximum-security prison in Latin America, CECOT, a Terrorism Confinement Center based in Tecoluca, El Salvador. It is also adorned with a horse jawbone, coyote femur, and molars. The back panel is an impression of part of a wrought iron gate, single-origin coffee grounds from Sonsonate, El Salvador, embedded coyote teeth, and mermaid purses. Also included are aluminum charms such as a chain-link fence, razor wire, impressions of a gate, coyote bones, and the spirits El Cadejo, El Cipitío, and La Siguanaba. Greenblatt considers the brutality of border politics, escape, the hunting of persons attempting to find shelter, La Matanza, and safety."

—

ADRIENNE GREENBLATT (b. 1995, Reading, UK) is a multidisciplinary artist, curator, and poet based in Brooklyn, NY. They hold a Bachelor’s degree in Theatre and Dance with a concentration in Costumes from the University of Texas at Austin (2017) and recently completed specialized training in various glass mediums at UrbanGlass in Brooklyn.

Adrienne Greenblatt has performed in spaces such as M. Leblanc in Chicago, KAJE in Brooklyn, Printed Matter St. Marks, Slip House, and Sara’s @ Dunkunsthalle in NYC. Their glasswork has been shown at Weatherproof’s The Hole in Chicago, IL; Espace Maurice in Montréal; Snow Gallery and The Sue Tear in Brooklyn; and Blade Study in NYC. Adrienne has also organized and curated off-site projects and exhibitions at spaces such as No Gallery and GernEnRegalia in NYC, as well as at the beach at Fort Tilden, NY.
icon

—

Please DM or email bladestudy@bladestudy.net for additional information and previews.

—

@deathinmidwinter