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Blender Masterclass with Marisa Müsing
27.04 - 01.05.2026

Led by Marisa Müsing, the intensive five-day masterclass explored Blender as a medium for architectural image-making and speculative spatial practice.

Structured through lectures, technical workshops, and project-based development, the programme examined workflows of modelling, texturing, lighting, animation, and compositing, while considering the render as both representational tool and narrative device.

The workshop concluded with the production of individual visual and moving-image projects developed by participants throughout the week.

#AIP #Masterclass #Paris #Architecture #Blender

An inspiring evening celebrating “Flora in Alloy” with Marisa Müsing @marisamusing and Charlotte Moore @charlotte.l.moore

The private view brought together an incredible community to experience a dialogue between material experimentation, form, and transformation.

Thank you to everyone who joined us, and to Marisa and Charlotte for sharing such thoughtful and compelling work. It was a pleasure to host this conversation and witness the connections sparked through the exhibition.

Special thanks to all who contributed to making the evening possible.

Photography by @kyle.jeff.and.su

#FloraInAlloy #PrivateView #ContemporaryArt #LondonArtScene

An inspiring evening celebrating “Flora in Alloy” with Marisa Müsing @marisamusing and Charlotte Moore @charlotte.l.moore

The private view brought together an incredible community to experience a dialogue between material experimentation, form, and transformation.

Thank you to everyone who joined us, and to Marisa and Charlotte for sharing such thoughtful and compelling work. It was a pleasure to host this conversation and witness the connections sparked through the exhibition.

Special thanks to all who contributed to making the evening possible.

Photography by @kyle.jeff.and.su

#FloraInAlloy #PrivateView #ContemporaryArt #LondonArtScene

An inspiring evening celebrating “Flora in Alloy” with Marisa Müsing @marisamusing and Charlotte Moore @charlotte.l.moore

The private view brought together an incredible community to experience a dialogue between material experimentation, form, and transformation.

Thank you to everyone who joined us, and to Marisa and Charlotte for sharing such thoughtful and compelling work. It was a pleasure to host this conversation and witness the connections sparked through the exhibition.

Special thanks to all who contributed to making the evening possible.

Photography by @kyle.jeff.and.su

#FloraInAlloy #PrivateView #ContemporaryArt #LondonArtScene

An inspiring evening celebrating “Flora in Alloy” with Marisa Müsing @marisamusing and Charlotte Moore @charlotte.l.moore

The private view brought together an incredible community to experience a dialogue between material experimentation, form, and transformation.

Thank you to everyone who joined us, and to Marisa and Charlotte for sharing such thoughtful and compelling work. It was a pleasure to host this conversation and witness the connections sparked through the exhibition.

Special thanks to all who contributed to making the evening possible.

Photography by @kyle.jeff.and.su

#FloraInAlloy #PrivateView #ContemporaryArt #LondonArtScene

An inspiring evening celebrating “Flora in Alloy” with Marisa Müsing @marisamusing and Charlotte Moore @charlotte.l.moore

The private view brought together an incredible community to experience a dialogue between material experimentation, form, and transformation.

Thank you to everyone who joined us, and to Marisa and Charlotte for sharing such thoughtful and compelling work. It was a pleasure to host this conversation and witness the connections sparked through the exhibition.

Special thanks to all who contributed to making the evening possible.

Photography by @kyle.jeff.and.su

#FloraInAlloy #PrivateView #ContemporaryArt #LondonArtScene

An inspiring evening celebrating “Flora in Alloy” with Marisa Müsing @marisamusing and Charlotte Moore @charlotte.l.moore

The private view brought together an incredible community to experience a dialogue between material experimentation, form, and transformation.

Thank you to everyone who joined us, and to Marisa and Charlotte for sharing such thoughtful and compelling work. It was a pleasure to host this conversation and witness the connections sparked through the exhibition.

Special thanks to all who contributed to making the evening possible.

Photography by @kyle.jeff.and.su

#FloraInAlloy #PrivateView #ContemporaryArt #LondonArtScene

An inspiring evening celebrating “Flora in Alloy” with Marisa Müsing @marisamusing and Charlotte Moore @charlotte.l.moore

The private view brought together an incredible community to experience a dialogue between material experimentation, form, and transformation.

Thank you to everyone who joined us, and to Marisa and Charlotte for sharing such thoughtful and compelling work. It was a pleasure to host this conversation and witness the connections sparked through the exhibition.

Special thanks to all who contributed to making the evening possible.

Photography by @kyle.jeff.and.su

#FloraInAlloy #PrivateView #ContemporaryArt #LondonArtScene

An inspiring evening celebrating “Flora in Alloy” with Marisa Müsing @marisamusing and Charlotte Moore @charlotte.l.moore

The private view brought together an incredible community to experience a dialogue between material experimentation, form, and transformation.

Thank you to everyone who joined us, and to Marisa and Charlotte for sharing such thoughtful and compelling work. It was a pleasure to host this conversation and witness the connections sparked through the exhibition.

Special thanks to all who contributed to making the evening possible.

Photography by @kyle.jeff.and.su

#FloraInAlloy #PrivateView #ContemporaryArt #LondonArtScene

hydrasite : from hydra portraits series, marisa within HYDRA Spatial Portal wearing HYDRA Sartorial artefacts

Paris 2026 📡

Photos by @__lucelee 🫧

hydrasite : from hydra portraits series, marisa within HYDRA Spatial Portal wearing HYDRA Sartorial artefacts

Paris 2026 📡

Photos by @__lucelee 🫧

hydrasite : from hydra portraits series, marisa within HYDRA Spatial Portal wearing HYDRA Sartorial artefacts

Paris 2026 📡

Photos by @__lucelee 🫧

hydrasite : from hydra portraits series, marisa within HYDRA Spatial Portal wearing HYDRA Sartorial artefacts

Paris 2026 📡

Photos by @__lucelee 🫧

ᝯׁꫀׁׅܻᥣׁׅ֪ꫀׁׅܻ꯱ׁׅ֒tׁׅꪱׁׅɑׁׅ֮ᥣׁׅ֪ ᝯׁɑׁׅ֮꯱ׁׅ֒ᝯׁɑׁׅ֮ժׁׅ݊ꫀׁׅܻ
2024

Created by @mamumifi a collaborative practice by myself and @mifi.mifi 🌷🐛💕

Presented at the show Ginger Chimes for Joys, Toronto, 2024. Translating shared experiences of AAPI (Asian American Pacific Islander) identity and diaspora through root-like sculptural forms.

Hand-carved spalted wood, hand dyed silk, silver

ᝯׁꫀׁׅܻᥣׁׅ֪ꫀׁׅܻ꯱ׁׅ֒tׁׅꪱׁׅɑׁׅ֮ᥣׁׅ֪ ᝯׁɑׁׅ֮꯱ׁׅ֒ᝯׁɑׁׅ֮ժׁׅ݊ꫀׁׅܻ
2024

Created by @mamumifi a collaborative practice by myself and @mifi.mifi 🌷🐛💕

Presented at the show Ginger Chimes for Joys, Toronto, 2024. Translating shared experiences of AAPI (Asian American Pacific Islander) identity and diaspora through root-like sculptural forms.

Hand-carved spalted wood, hand dyed silk, silver

ᝯׁꫀׁׅܻᥣׁׅ֪ꫀׁׅܻ꯱ׁׅ֒tׁׅꪱׁׅɑׁׅ֮ᥣׁׅ֪ ᝯׁɑׁׅ֮꯱ׁׅ֒ᝯׁɑׁׅ֮ժׁׅ݊ꫀׁׅܻ
2024

Created by @mamumifi a collaborative practice by myself and @mifi.mifi 🌷🐛💕

Presented at the show Ginger Chimes for Joys, Toronto, 2024. Translating shared experiences of AAPI (Asian American Pacific Islander) identity and diaspora through root-like sculptural forms.

Hand-carved spalted wood, hand dyed silk, silver

ᝯׁꫀׁׅܻᥣׁׅ֪ꫀׁׅܻ꯱ׁׅ֒tׁׅꪱׁׅɑׁׅ֮ᥣׁׅ֪ ᝯׁɑׁׅ֮꯱ׁׅ֒ᝯׁɑׁׅ֮ժׁׅ݊ꫀׁׅܻ
2024

Created by @mamumifi a collaborative practice by myself and @mifi.mifi 🌷🐛💕

Presented at the show Ginger Chimes for Joys, Toronto, 2024. Translating shared experiences of AAPI (Asian American Pacific Islander) identity and diaspora through root-like sculptural forms.

Hand-carved spalted wood, hand dyed silk, silver

𝘈𝘵 𝘸𝘢𝘵𝘦𝘳’𝘴 𝘦𝘥𝘨𝘦, 2025

Metal lily pads and hand-blown glass seed pods

Made in collaboration with Grace Wardlaw for the exhibition, I want you to see this, for Xpace Cultural Centre, Toronto, jan-march 2025. Curated by @agnesdoubleu

Photo credit @calabrees 🫧

𝘈𝘵 𝘸𝘢𝘵𝘦𝘳’𝘴 𝘦𝘥𝘨𝘦, 2025

Metal lily pads and hand-blown glass seed pods

Made in collaboration with Grace Wardlaw for the exhibition, I want you to see this, for Xpace Cultural Centre, Toronto, jan-march 2025. Curated by @agnesdoubleu

Photo credit @calabrees 🫧

𝘈𝘵 𝘸𝘢𝘵𝘦𝘳’𝘴 𝘦𝘥𝘨𝘦, 2025

Metal lily pads and hand-blown glass seed pods

Made in collaboration with Grace Wardlaw for the exhibition, I want you to see this, for Xpace Cultural Centre, Toronto, jan-march 2025. Curated by @agnesdoubleu

Photo credit @calabrees 🫧

Join us for an artist talk with Charlotte Moore and Marisa Müsing as we discuss collaboration, material experimentation, and the evolving dialogue behind Flora in Alloy🌸

Working between unglazed stoneware ceramic, brassed steel, and bronze, the artists create sculptural forms that blur the boundaries between the organic and constructed. Through collaborative processes inspired by the surrealist Exquisite Corpse Game, their works unfold through transformation, hybridity, and unexpected encounters between materials.

The conversation will explore their practices, their collaboration, and the imaginative worlds that emerge in the exhibition.

Come join us at Qloud’s very first duo exhibition!

Featured artists: @marisamusing @charlotte.l.moore

📆 19 – 23 May (12–6PM daily)
📍65A Charlotte Street, W1T 4PQ
🎙️ Artist Talk: 23 May, 2PM
🎟️ Eventbrite link in bio

Supported by @enlematcha 🍵
Poster by Amabelle Chandra

Some process work in making Hair Holds Memories 🪽🐚🎐💌

#blender #blenderart #digitalart #timelapseart

Last week, part of our Qloud team visited Charlotte Moore’s studio ahead of Flora in Alloy - getting an intimate glimpse into the material language of their works.

During the visit, Charlotte and Marisa spoke about the expansion beyond the object itself, allowing it to exist within and respond to the wider world around it. The studio became an extension of this dialogue: where material and environment continuously shape one another.

Flora in Alloy invites audiences into the extended experience of the work beyond the boundaries of the object, into a space where the work continues beyond the exhibition.

Join us tomorrow for the opening of Flora in Alloy 🌸
📍65a Charlotte Street, W1T 4PQ
🥂 Opening at 6-9PM

We look forward to welcoming you!

@charlotte.l.moore @marisamusing

Last week, part of our Qloud team visited Charlotte Moore’s studio ahead of Flora in Alloy - getting an intimate glimpse into the material language of their works.

During the visit, Charlotte and Marisa spoke about the expansion beyond the object itself, allowing it to exist within and respond to the wider world around it. The studio became an extension of this dialogue: where material and environment continuously shape one another.

Flora in Alloy invites audiences into the extended experience of the work beyond the boundaries of the object, into a space where the work continues beyond the exhibition.

Join us tomorrow for the opening of Flora in Alloy 🌸
📍65a Charlotte Street, W1T 4PQ
🥂 Opening at 6-9PM

We look forward to welcoming you!

@charlotte.l.moore @marisamusing

Last week, part of our Qloud team visited Charlotte Moore’s studio ahead of Flora in Alloy - getting an intimate glimpse into the material language of their works.

During the visit, Charlotte and Marisa spoke about the expansion beyond the object itself, allowing it to exist within and respond to the wider world around it. The studio became an extension of this dialogue: where material and environment continuously shape one another.

Flora in Alloy invites audiences into the extended experience of the work beyond the boundaries of the object, into a space where the work continues beyond the exhibition.

Join us tomorrow for the opening of Flora in Alloy 🌸
📍65a Charlotte Street, W1T 4PQ
🥂 Opening at 6-9PM

We look forward to welcoming you!

@charlotte.l.moore @marisamusing

Last week, part of our Qloud team visited Charlotte Moore’s studio ahead of Flora in Alloy - getting an intimate glimpse into the material language of their works.

During the visit, Charlotte and Marisa spoke about the expansion beyond the object itself, allowing it to exist within and respond to the wider world around it. The studio became an extension of this dialogue: where material and environment continuously shape one another.

Flora in Alloy invites audiences into the extended experience of the work beyond the boundaries of the object, into a space where the work continues beyond the exhibition.

Join us tomorrow for the opening of Flora in Alloy 🌸
📍65a Charlotte Street, W1T 4PQ
🥂 Opening at 6-9PM

We look forward to welcoming you!

@charlotte.l.moore @marisamusing

Really pleased to share that my short film GUI (Gooey) has been selected to screen at this year’s State of Fashion Biennale @stateoffashionnl in Arnhem, the Netherlands! Curated by lovely and talented friends @annezzzzzz @world_of_shanu and @vandriel_marinkovic_luo

As internet culture accelerates through AI slop, hyperproduction, and volatile visual trends, we enter an age of digital sliminess. GUI (Gooey) is a speculative film that reimagines this condition through a contemporary mythology of “office sirens” trapped within a liminal corporate landscape constructed from paper. Through choreographed movement, their bodies and environment are slowly overtaken by slime, visualising the entanglement of digital desire, labour, and ecological extraction. Referencing ASMR aesthetics and the hidden infrastructures of data centres that are coagulating our waterways, slime becomes a counter-visual language to critically reframe how digital cultures are currently produced, consumed, and embodied.

Filmed at the beginning of the year in Toronto with friends, thank you for bringing this idea to reality!
@jeffsojeffso
@lou__roses
@warehost
@andreyaklobucar
Music by more eaze @more_eaze & Kaho Matsui @babykaho1

Really pleased to share that my short film GUI (Gooey) has been selected to screen at this year’s State of Fashion Biennale @stateoffashionnl in Arnhem, the Netherlands! Curated by lovely and talented friends @annezzzzzz @world_of_shanu and @vandriel_marinkovic_luo

As internet culture accelerates through AI slop, hyperproduction, and volatile visual trends, we enter an age of digital sliminess. GUI (Gooey) is a speculative film that reimagines this condition through a contemporary mythology of “office sirens” trapped within a liminal corporate landscape constructed from paper. Through choreographed movement, their bodies and environment are slowly overtaken by slime, visualising the entanglement of digital desire, labour, and ecological extraction. Referencing ASMR aesthetics and the hidden infrastructures of data centres that are coagulating our waterways, slime becomes a counter-visual language to critically reframe how digital cultures are currently produced, consumed, and embodied.

Filmed at the beginning of the year in Toronto with friends, thank you for bringing this idea to reality!
@jeffsojeffso
@lou__roses
@warehost
@andreyaklobucar
Music by more eaze @more_eaze & Kaho Matsui @babykaho1

Really pleased to share that my short film GUI (Gooey) has been selected to screen at this year’s State of Fashion Biennale @stateoffashionnl in Arnhem, the Netherlands! Curated by lovely and talented friends @annezzzzzz @world_of_shanu and @vandriel_marinkovic_luo

As internet culture accelerates through AI slop, hyperproduction, and volatile visual trends, we enter an age of digital sliminess. GUI (Gooey) is a speculative film that reimagines this condition through a contemporary mythology of “office sirens” trapped within a liminal corporate landscape constructed from paper. Through choreographed movement, their bodies and environment are slowly overtaken by slime, visualising the entanglement of digital desire, labour, and ecological extraction. Referencing ASMR aesthetics and the hidden infrastructures of data centres that are coagulating our waterways, slime becomes a counter-visual language to critically reframe how digital cultures are currently produced, consumed, and embodied.

Filmed at the beginning of the year in Toronto with friends, thank you for bringing this idea to reality!
@jeffsojeffso
@lou__roses
@warehost
@andreyaklobucar
Music by more eaze @more_eaze & Kaho Matsui @babykaho1

Really pleased to share that my short film GUI (Gooey) has been selected to screen at this year’s State of Fashion Biennale @stateoffashionnl in Arnhem, the Netherlands! Curated by lovely and talented friends @annezzzzzz @world_of_shanu and @vandriel_marinkovic_luo

As internet culture accelerates through AI slop, hyperproduction, and volatile visual trends, we enter an age of digital sliminess. GUI (Gooey) is a speculative film that reimagines this condition through a contemporary mythology of “office sirens” trapped within a liminal corporate landscape constructed from paper. Through choreographed movement, their bodies and environment are slowly overtaken by slime, visualising the entanglement of digital desire, labour, and ecological extraction. Referencing ASMR aesthetics and the hidden infrastructures of data centres that are coagulating our waterways, slime becomes a counter-visual language to critically reframe how digital cultures are currently produced, consumed, and embodied.

Filmed at the beginning of the year in Toronto with friends, thank you for bringing this idea to reality!
@jeffsojeffso
@lou__roses
@warehost
@andreyaklobucar
Music by more eaze @more_eaze & Kaho Matsui @babykaho1

Really pleased to share that my short film GUI (Gooey) has been selected to screen at this year’s State of Fashion Biennale @stateoffashionnl in Arnhem, the Netherlands! Curated by lovely and talented friends @annezzzzzz @world_of_shanu and @vandriel_marinkovic_luo

As internet culture accelerates through AI slop, hyperproduction, and volatile visual trends, we enter an age of digital sliminess. GUI (Gooey) is a speculative film that reimagines this condition through a contemporary mythology of “office sirens” trapped within a liminal corporate landscape constructed from paper. Through choreographed movement, their bodies and environment are slowly overtaken by slime, visualising the entanglement of digital desire, labour, and ecological extraction. Referencing ASMR aesthetics and the hidden infrastructures of data centres that are coagulating our waterways, slime becomes a counter-visual language to critically reframe how digital cultures are currently produced, consumed, and embodied.

Filmed at the beginning of the year in Toronto with friends, thank you for bringing this idea to reality!
@jeffsojeffso
@lou__roses
@warehost
@andreyaklobucar
Music by more eaze @more_eaze & Kaho Matsui @babykaho1

Really pleased to share that my short film GUI (Gooey) has been selected to screen at this year’s State of Fashion Biennale @stateoffashionnl in Arnhem, the Netherlands! Curated by lovely and talented friends @annezzzzzz @world_of_shanu and @vandriel_marinkovic_luo

As internet culture accelerates through AI slop, hyperproduction, and volatile visual trends, we enter an age of digital sliminess. GUI (Gooey) is a speculative film that reimagines this condition through a contemporary mythology of “office sirens” trapped within a liminal corporate landscape constructed from paper. Through choreographed movement, their bodies and environment are slowly overtaken by slime, visualising the entanglement of digital desire, labour, and ecological extraction. Referencing ASMR aesthetics and the hidden infrastructures of data centres that are coagulating our waterways, slime becomes a counter-visual language to critically reframe how digital cultures are currently produced, consumed, and embodied.

Filmed at the beginning of the year in Toronto with friends, thank you for bringing this idea to reality!
@jeffsojeffso
@lou__roses
@warehost
@andreyaklobucar
Music by more eaze @more_eaze & Kaho Matsui @babykaho1

I see myself in her (2025)

Part of the project “meet me by the pixel stream” in collaboration with artist and glassblower Grace Wardlaw, the piece imagines a watery-digital world for dreaming and queer love. Inspired by the sapphic poem “Goblin Market” by Christina Rossetti from 1862, the work takes elements of fantasy and desire to imagine another realm for escapist play and pleasure. Here, a magnified glass dew drop is nestled atop an aluminium milkweed pod, as you peer in a wet world unfolds filled with glitching fruit and sinking bodies. A face peers back at you, inviting you in.

Exhibited at @xpacecc for the group show “i want you to see this” in 2025.

Cast aluminium, glass, iPhone, digital film looping (7 min)

I see myself in her (2025)

Part of the project “meet me by the pixel stream” in collaboration with artist and glassblower Grace Wardlaw, the piece imagines a watery-digital world for dreaming and queer love. Inspired by the sapphic poem “Goblin Market” by Christina Rossetti from 1862, the work takes elements of fantasy and desire to imagine another realm for escapist play and pleasure. Here, a magnified glass dew drop is nestled atop an aluminium milkweed pod, as you peer in a wet world unfolds filled with glitching fruit and sinking bodies. A face peers back at you, inviting you in.

Exhibited at @xpacecc for the group show “i want you to see this” in 2025.

Cast aluminium, glass, iPhone, digital film looping (7 min)

I see myself in her (2025)

Part of the project “meet me by the pixel stream” in collaboration with artist and glassblower Grace Wardlaw, the piece imagines a watery-digital world for dreaming and queer love. Inspired by the sapphic poem “Goblin Market” by Christina Rossetti from 1862, the work takes elements of fantasy and desire to imagine another realm for escapist play and pleasure. Here, a magnified glass dew drop is nestled atop an aluminium milkweed pod, as you peer in a wet world unfolds filled with glitching fruit and sinking bodies. A face peers back at you, inviting you in.

Exhibited at @xpacecc for the group show “i want you to see this” in 2025.

Cast aluminium, glass, iPhone, digital film looping (7 min)

I see myself in her (2025)

Part of the project “meet me by the pixel stream” in collaboration with artist and glassblower Grace Wardlaw, the piece imagines a watery-digital world for dreaming and queer love. Inspired by the sapphic poem “Goblin Market” by Christina Rossetti from 1862, the work takes elements of fantasy and desire to imagine another realm for escapist play and pleasure. Here, a magnified glass dew drop is nestled atop an aluminium milkweed pod, as you peer in a wet world unfolds filled with glitching fruit and sinking bodies. A face peers back at you, inviting you in.

Exhibited at @xpacecc for the group show “i want you to see this” in 2025.

Cast aluminium, glass, iPhone, digital film looping (7 min)

I see myself in her (2025)

Part of the project “meet me by the pixel stream” in collaboration with artist and glassblower Grace Wardlaw, the piece imagines a watery-digital world for dreaming and queer love. Inspired by the sapphic poem “Goblin Market” by Christina Rossetti from 1862, the work takes elements of fantasy and desire to imagine another realm for escapist play and pleasure. Here, a magnified glass dew drop is nestled atop an aluminium milkweed pod, as you peer in a wet world unfolds filled with glitching fruit and sinking bodies. A face peers back at you, inviting you in.

Exhibited at @xpacecc for the group show “i want you to see this” in 2025.

Cast aluminium, glass, iPhone, digital film looping (7 min)

Flora in Alloy positions the exhibition in a space of material and symbolic hybridisation where forms exist in a continuous process of becoming. An alloy is never a singular material but rather a merging of relational elements, altering each component while traces of their origins remain. Similarly, the works within the exhibition occupy the shifting space between organic growth and constructed form. Here, hybridised flora and metaphytic studies form new living morphologies through sculpture.

The work of Charlotte Moore and Marisa Müsing merges mediums, unsettling the boundary between two disparate materials: unglazed stoneware ceramic, and brassed steel and bronze. Employing the surrealist technique of the Exquisite Corpse Game, Müsing and Moore develop a honeyed dialogue between these mediums. The result is a narrative in which synthesised otherness shimmers and transforms between the raw earthen nature of clay and the artificial sleekness of metal.

These morphologies evoke delicate, composite networks in constant evolution, transporting us into the uncanny imaginative world in author Mercè Rodoreda’s novel Journeys and Flowers, to which the artists pay homage. Rodoreda’s writing describes resilient flowers charged with symbolic force and magical realism, imbued with fragility, memory and survival. Within her text, nature – and in particular the plant world – becomes a vivid site of intoxicating ultra-enchantment and oneiric transformation through which personal trauma is reconfigured. Müsing and Moore’s flowers inhabit this same imaginative yet darkening tension, where dreamlike forms arise from embedded narratives. By sculpting unexpected encounters, the exhibition relays not simply a fabulated image of our natural world, but an image-world that is vibrant, precariously balanced and relational.

Come join us at our very first Duo show!
Featured artists: @marisamusing @charlotte.l.moore
📆 19 - 23 May (12 - 6PM daily)
📍65A Charlotte Street, W1T 4PQ
🥂Opening: 18 May, 6 - 9PM
🎙️Artist Talk: 23 May, 2PM
Supported by: @enlematcha 🍵

Poster by Amabelle Chandra

Hair holds memories, character analysis

Made in Blender, 2023-36

Hair holds memories, character analysis

Made in Blender, 2023-36

Hair holds memories, character analysis

Made in Blender, 2023-36

Hair holds memories, character analysis

Made in Blender, 2023-36