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artengine
Artengine
A space for arts, research and technology located in Ottawa, Canada
We're excited to act as producer for Canadian media artist Sylvia Grace Borda as she takes her latest work to the 61st Venice Biennale 2026 ( @labiennale )
Sylvia has been selected as one of 10 artists to exhibit at the Republic of Nauru Climate Pavilion @nauru_biennale_venezia (AIM Inundated: Imagining Life After Land), curated by Khaled Ramadan. Her exhibition responds to this year's Biennale theme, In Minor Keys.
Drawing from the intertidal shorelines of Nanaimo, BC (traditional unceded territory of the Snuneymuxw First Nation), Sylvia's works make the argument that Nanaimo and Nauru are not distant opposites but two shores of the same imperilled ocean.
Her Venice presentation includes: Blanketed by Oceans, wearable textile installations that collapse the distance between the North and South Pacific; Shoreline Debris, camera-less photograms of decaying algae and seagrass, charting what climate warming is already erasing; and Intertidal Cantos, immersive real-time films of clams, starfish, and sea anemones living at the tidal edge.
Pavilion dates: May 9 – November 22, 2026 📍 Calle Bosello 3683, Castello, Venice
And the journey doesn't end in Venice: Sylvia's work returns to ArtEngine for exhibition in Summer 2027, with a phased residency to deepen these themes.
#VeniceBiennale2026 #SylviaGraceBorda #ArtEngine #ClimateArt #MediaArt #OceanArt #NauruPavilion #InMinorKeys #CanadianArt #Intertidal #BlanketeByOceans #ContemporaryArt
We're excited to act as producer for Canadian media artist Sylvia Grace Borda as she takes her latest work to the 61st Venice Biennale 2026 ( @labiennale )
Sylvia has been selected as one of 10 artists to exhibit at the Republic of Nauru Climate Pavilion @nauru_biennale_venezia (AIM Inundated: Imagining Life After Land), curated by Khaled Ramadan. Her exhibition responds to this year's Biennale theme, In Minor Keys.
Drawing from the intertidal shorelines of Nanaimo, BC (traditional unceded territory of the Snuneymuxw First Nation), Sylvia's works make the argument that Nanaimo and Nauru are not distant opposites but two shores of the same imperilled ocean.
Her Venice presentation includes: Blanketed by Oceans, wearable textile installations that collapse the distance between the North and South Pacific; Shoreline Debris, camera-less photograms of decaying algae and seagrass, charting what climate warming is already erasing; and Intertidal Cantos, immersive real-time films of clams, starfish, and sea anemones living at the tidal edge.
Pavilion dates: May 9 – November 22, 2026 📍 Calle Bosello 3683, Castello, Venice
And the journey doesn't end in Venice: Sylvia's work returns to ArtEngine for exhibition in Summer 2027, with a phased residency to deepen these themes.
#VeniceBiennale2026 #SylviaGraceBorda #ArtEngine #ClimateArt #MediaArt #OceanArt #NauruPavilion #InMinorKeys #CanadianArt #Intertidal #BlanketeByOceans #ContemporaryArt
We're excited to act as producer for Canadian media artist Sylvia Grace Borda as she takes her latest work to the 61st Venice Biennale 2026 ( @labiennale )
Sylvia has been selected as one of 10 artists to exhibit at the Republic of Nauru Climate Pavilion @nauru_biennale_venezia (AIM Inundated: Imagining Life After Land), curated by Khaled Ramadan. Her exhibition responds to this year's Biennale theme, In Minor Keys.
Drawing from the intertidal shorelines of Nanaimo, BC (traditional unceded territory of the Snuneymuxw First Nation), Sylvia's works make the argument that Nanaimo and Nauru are not distant opposites but two shores of the same imperilled ocean.
Her Venice presentation includes: Blanketed by Oceans, wearable textile installations that collapse the distance between the North and South Pacific; Shoreline Debris, camera-less photograms of decaying algae and seagrass, charting what climate warming is already erasing; and Intertidal Cantos, immersive real-time films of clams, starfish, and sea anemones living at the tidal edge.
Pavilion dates: May 9 – November 22, 2026 📍 Calle Bosello 3683, Castello, Venice
And the journey doesn't end in Venice: Sylvia's work returns to ArtEngine for exhibition in Summer 2027, with a phased residency to deepen these themes.
#VeniceBiennale2026 #SylviaGraceBorda #ArtEngine #ClimateArt #MediaArt #OceanArt #NauruPavilion #InMinorKeys #CanadianArt #Intertidal #BlanketeByOceans #ContemporaryArt
We're excited to act as producer for Canadian media artist Sylvia Grace Borda as she takes her latest work to the 61st Venice Biennale 2026 ( @labiennale )
Sylvia has been selected as one of 10 artists to exhibit at the Republic of Nauru Climate Pavilion @nauru_biennale_venezia (AIM Inundated: Imagining Life After Land), curated by Khaled Ramadan. Her exhibition responds to this year's Biennale theme, In Minor Keys.
Drawing from the intertidal shorelines of Nanaimo, BC (traditional unceded territory of the Snuneymuxw First Nation), Sylvia's works make the argument that Nanaimo and Nauru are not distant opposites but two shores of the same imperilled ocean.
Her Venice presentation includes: Blanketed by Oceans, wearable textile installations that collapse the distance between the North and South Pacific; Shoreline Debris, camera-less photograms of decaying algae and seagrass, charting what climate warming is already erasing; and Intertidal Cantos, immersive real-time films of clams, starfish, and sea anemones living at the tidal edge.
Pavilion dates: May 9 – November 22, 2026 📍 Calle Bosello 3683, Castello, Venice
And the journey doesn't end in Venice: Sylvia's work returns to ArtEngine for exhibition in Summer 2027, with a phased residency to deepen these themes.
#VeniceBiennale2026 #SylviaGraceBorda #ArtEngine #ClimateArt #MediaArt #OceanArt #NauruPavilion #InMinorKeys #CanadianArt #Intertidal #BlanketeByOceans #ContemporaryArt
We're excited to act as producer for Canadian media artist Sylvia Grace Borda as she takes her latest work to the 61st Venice Biennale 2026 ( @labiennale )
Sylvia has been selected as one of 10 artists to exhibit at the Republic of Nauru Climate Pavilion @nauru_biennale_venezia (AIM Inundated: Imagining Life After Land), curated by Khaled Ramadan. Her exhibition responds to this year's Biennale theme, In Minor Keys.
Drawing from the intertidal shorelines of Nanaimo, BC (traditional unceded territory of the Snuneymuxw First Nation), Sylvia's works make the argument that Nanaimo and Nauru are not distant opposites but two shores of the same imperilled ocean.
Her Venice presentation includes: Blanketed by Oceans, wearable textile installations that collapse the distance between the North and South Pacific; Shoreline Debris, camera-less photograms of decaying algae and seagrass, charting what climate warming is already erasing; and Intertidal Cantos, immersive real-time films of clams, starfish, and sea anemones living at the tidal edge.
Pavilion dates: May 9 – November 22, 2026 📍 Calle Bosello 3683, Castello, Venice
And the journey doesn't end in Venice: Sylvia's work returns to ArtEngine for exhibition in Summer 2027, with a phased residency to deepen these themes.
#VeniceBiennale2026 #SylviaGraceBorda #ArtEngine #ClimateArt #MediaArt #OceanArt #NauruPavilion #InMinorKeys #CanadianArt #Intertidal #BlanketeByOceans #ContemporaryArt
🏰 Apt613 has found an apartment with the coolest roommates!
🖨️ For the first time ever, Apt613 will have an actual office space, and it’s already one of our highlights of the year. We'll be the organization in residence, with @artengineat @artscourt, and we’re incredibly grateful and excited for this opportunity!
📫This next chapter gives us space to be closer to artists and collaborators, and to root ourselves more deeply in the arts community we serve. It also opens up new ways of working together, from storytelling to shared programming.
📍Find us at Artengine!
April 2026 – March 2027
We can’t wait to see you there!
📸: @remitheriault
🏰 Apt613 has found an apartment with the coolest roommates!
🖨️ For the first time ever, Apt613 will have an actual office space, and it’s already one of our highlights of the year. We'll be the organization in residence, with @artengineat @artscourt, and we’re incredibly grateful and excited for this opportunity!
📫This next chapter gives us space to be closer to artists and collaborators, and to root ourselves more deeply in the arts community we serve. It also opens up new ways of working together, from storytelling to shared programming.
📍Find us at Artengine!
April 2026 – March 2027
We can’t wait to see you there!
📸: @remitheriault
🏰 Apt613 has found an apartment with the coolest roommates!
🖨️ For the first time ever, Apt613 will have an actual office space, and it’s already one of our highlights of the year. We'll be the organization in residence, with @artengineat @artscourt, and we’re incredibly grateful and excited for this opportunity!
📫This next chapter gives us space to be closer to artists and collaborators, and to root ourselves more deeply in the arts community we serve. It also opens up new ways of working together, from storytelling to shared programming.
📍Find us at Artengine!
April 2026 – March 2027
We can’t wait to see you there!
📸: @remitheriault
🏰 Apt613 has found an apartment with the coolest roommates!
🖨️ For the first time ever, Apt613 will have an actual office space, and it’s already one of our highlights of the year. We'll be the organization in residence, with @artengineat @artscourt, and we’re incredibly grateful and excited for this opportunity!
📫This next chapter gives us space to be closer to artists and collaborators, and to root ourselves more deeply in the arts community we serve. It also opens up new ways of working together, from storytelling to shared programming.
📍Find us at Artengine!
April 2026 – March 2027
We can’t wait to see you there!
📸: @remitheriault
🏰 Apt613 has found an apartment with the coolest roommates!
🖨️ For the first time ever, Apt613 will have an actual office space, and it’s already one of our highlights of the year. We'll be the organization in residence, with @artengineat @artscourt, and we’re incredibly grateful and excited for this opportunity!
📫This next chapter gives us space to be closer to artists and collaborators, and to root ourselves more deeply in the arts community we serve. It also opens up new ways of working together, from storytelling to shared programming.
📍Find us at Artengine!
April 2026 – March 2027
We can’t wait to see you there!
📸: @remitheriault
SHAPE OF LIGHT is opening tonight 6-8pm at Artengine and tomorrow 2-8pm. This exhibition presents a series of table lamps developed by first year industrial design students at Carleton University. Each piece explores how light is shaped through material, structure and context. Please come and enjoy the incredible work!
SHAPE OF LIGHT is opening tonight 6-8pm at Artengine and tomorrow 2-8pm. This exhibition presents a series of table lamps developed by first year industrial design students at Carleton University. Each piece explores how light is shaped through material, structure and context. Please come and enjoy the incredible work!
March’s GBStudio meetup is here! This month it will be a Saturday afternoon, I hope to see you there! Bring your laptop to ArtEngine on the 28th for an afternoon of 8 bit fun. 👾👾👾 sign up link in bio.
🎮 Ottawa GB Studio Meetup returns!
Our monthly Game Boy dev hang is back: a cozy, artist-run 8-bit community to share, learn, and make Game Boy games together.
Hosted by @mckeybigg
First one sold out — limited spots. RSVP link in bio.
The future is not something we await. It is something we remember, refigure, and build together.
Join us for a curator tour of And I Have Come Upon This Place by Lost Ways, six artists charting new maps of identity, memory, and futurity.
Sunday, February 1 | 2pm | Free
Karsh-Masson Gallery
@xonorika @komiolaf @hey_adrienne @elehrah @kitekitekitekitekite @alishabwormsley @isabella_salas @mvbcreates @publicartottawa @elisajiro
#AndIHaveComeUponThisPlace #KarshMassonGallery #SpeculativeFutures #scifiart #OttawaArt
The future is not something we await. It is something we remember, refigure, and build together.
Join us for a curator tour of And I Have Come Upon This Place by Lost Ways, six artists charting new maps of identity, memory, and futurity.
Sunday, February 1 | 2pm | Free
Karsh-Masson Gallery
@xonorika @komiolaf @hey_adrienne @elehrah @kitekitekitekitekite @alishabwormsley @isabella_salas @mvbcreates @publicartottawa @elisajiro
#AndIHaveComeUponThisPlace #KarshMassonGallery #SpeculativeFutures #scifiart #OttawaArt
The future is not something we await. It is something we remember, refigure, and build together.
Join us for a curator tour of And I Have Come Upon This Place by Lost Ways, six artists charting new maps of identity, memory, and futurity.
Sunday, February 1 | 2pm | Free
Karsh-Masson Gallery
@xonorika @komiolaf @hey_adrienne @elehrah @kitekitekitekitekite @alishabwormsley @isabella_salas @mvbcreates @publicartottawa @elisajiro
#AndIHaveComeUponThisPlace #KarshMassonGallery #SpeculativeFutures #scifiart #OttawaArt
The future is not something we await. It is something we remember, refigure, and build together.
Join us for a curator tour of And I Have Come Upon This Place by Lost Ways, six artists charting new maps of identity, memory, and futurity.
Sunday, February 1 | 2pm | Free
Karsh-Masson Gallery
@xonorika @komiolaf @hey_adrienne @elehrah @kitekitekitekitekite @alishabwormsley @isabella_salas @mvbcreates @publicartottawa @elisajiro
#AndIHaveComeUponThisPlace #KarshMassonGallery #SpeculativeFutures #scifiart #OttawaArt
The future is not something we await. It is something we remember, refigure, and build together.
Join us for a curator tour of And I Have Come Upon This Place by Lost Ways, six artists charting new maps of identity, memory, and futurity.
Sunday, February 1 | 2pm | Free
Karsh-Masson Gallery
@xonorika @komiolaf @hey_adrienne @elehrah @kitekitekitekitekite @alishabwormsley @isabella_salas @mvbcreates @publicartottawa @elisajiro
#AndIHaveComeUponThisPlace #KarshMassonGallery #SpeculativeFutures #scifiart #OttawaArt
The future is not something we await. It is something we remember, refigure, and build together.
Join us for a curator tour of And I Have Come Upon This Place by Lost Ways, six artists charting new maps of identity, memory, and futurity.
Sunday, February 1 | 2pm | Free
Karsh-Masson Gallery
@xonorika @komiolaf @hey_adrienne @elehrah @kitekitekitekitekite @alishabwormsley @isabella_salas @mvbcreates @publicartottawa @elisajiro
#AndIHaveComeUponThisPlace #KarshMassonGallery #SpeculativeFutures #scifiart #OttawaArt
The future is not something we await. It is something we remember, refigure, and build together.
Join us for a curator tour of And I Have Come Upon This Place by Lost Ways, six artists charting new maps of identity, memory, and futurity.
Sunday, February 1 | 2pm | Free
Karsh-Masson Gallery
@xonorika @komiolaf @hey_adrienne @elehrah @kitekitekitekitekite @alishabwormsley @isabella_salas @mvbcreates @publicartottawa @elisajiro
#AndIHaveComeUponThisPlace #KarshMassonGallery #SpeculativeFutures #scifiart #OttawaArt
My interactive 8-bit art piece at the UPSTAIRS gallery show in November got a lot of interest and a lot of questions about how it was made.
Creating Gameboy-style games and art is more accessible than you might think - no coding required.
I’m hosting a creative get-together at Art Engine to share what I’ve learned using GB Studio, a free drag-and-drop tool for making interactive 8bit experiences.
📅 Jan 21, 6:30pm @ Art Engine
💻 Bring a laptop with GB Studio (download from itch.io)
✨ No experience necessary - we’ll cover the basics together
#ottawaevents #ottawaartist #gameboy #8bitart #ottawaontario
Hum’s Codex by Ben Globerman
An immersive, multi-hour performance-installation exploring the meeting point of mysticism, AI, and devotional practice through generative music and spatial audio.
Drawing on his background in Religious Studies, Ben invites us to consider technology as a space for mystic focus.
Sound: @ben.globerman / @celeryman0
Visuals: @hard_science / @tapewobble
Catch it as part of @debaser__ ’s PIQUE
📅 Saturday, Dec 13
⏰ 19:30–23:00
📍 Artengine Studio
Hum’s Codex by Ben Globerman
An immersive, multi-hour performance-installation exploring the meeting point of mysticism, AI, and devotional practice through generative music and spatial audio.
Drawing on his background in Religious Studies, Ben invites us to consider technology as a space for mystic focus.
Sound: @ben.globerman / @celeryman0
Visuals: @hard_science / @tapewobble
Catch it as part of @debaser__ ’s PIQUE
📅 Saturday, Dec 13
⏰ 19:30–23:00
📍 Artengine Studio
Hum’s Codex by Ben Globerman
An immersive, multi-hour performance-installation exploring the meeting point of mysticism, AI, and devotional practice through generative music and spatial audio.
Drawing on his background in Religious Studies, Ben invites us to consider technology as a space for mystic focus.
Sound: @ben.globerman / @celeryman0
Visuals: @hard_science / @tapewobble
Catch it as part of @debaser__ ’s PIQUE
📅 Saturday, Dec 13
⏰ 19:30–23:00
📍 Artengine Studio
Dear friends, thrilled to announce TENTACULAR DIVINE, my new moving-image piece commissioned by @publicartottawa x @artengine 🇨🇦 which premieres this Thursday at the City Hall Karsh-Masson Gallery, Anishinaabe land/ Ottawa. First time showing in Canada!
"And I Have Come Upon This Place by Lost Ways" is curated by Remco Volmer and features work by Rah Eleh, Kite with Alisha B. Wormsley, Adrienne Matheuszik, Komi Olafimihan, Isabella Salas and Kira Xonorika.
On view from November 13, 2025 through February 8, 2026.
RAH ELEH, KITE & ALISHA B WORMSLEY, ADRIENNE MATHEUSZIK, KOMI OLAFIMIHAN, ISABELLA SALAS, AND KIRA XONORIKA – And I Have Come Upon This Place by Lost Ways
Curator: Remco Volmer
November 13, 2025 to February 8, 2026
Opening: Thursday, November 13, 5:30 to 7:30 pm
Joint event with Natasha Mazurka at City Hall Art Gallery.
Event access is limited to the Laurier Avenue after-hours entrance.
Curator tour: Sunday, February 1, 2 pm
Presented in English.
Event access is limited to the Laurier Avenue entrance.
KARSH-MASSON GALLERY, 110 Laurier Ave. West
🔗 link in bio
#KarshMasson
RAH ELEH, KITE & ALISHA B WORMSLEY, ADRIENNE MATHEUSZIK, KOMI OLAFIMIHAN, ISABELLA SALAS, ET KIRA XONORIKA – And I Have Come Upon This Place by Lost Ways (J’ai trouvé cet endroit par des voies perdues)
Commissaire : Remco Volmer
Du 13 novembre 2025 au 8 février 2026
Vernissage : le jeudi 13 novembre, de 17 h 30 à 19 h 30
Évènement commun avec Natasha Mazurka à la Galerie d’art de l’hôtel de ville.
Vous ne pourrez accéder à l’événement qu’en empruntant l’entrée de l’avenue Laurier utilisée en dehors des heures d’ouverture.
Visite guidée avec le commissaire : le dimanche 1er février, à 14 h
Présentation en anglais.
Vous ne pourrez accéder à l’événement qu’en empruntant l’entrée de l’avenue Laurier.
GALERIE KARSH-MASSON, 110, av. Laurier Ouest
🔗 lien dans la bio
📷 (left to right / de gauche à droite):
Rah Eleh, Celestial Throne (installation view / vue de l'installation), 2022
Kite and / et Alisha B Wormsley, The Cosmologyscape interface (website detail / renseignements d’un site Web), 2024
Adrienne Matheuszik, Deep Sleep (video still / plan fixe), 2024
Komi Olafimihan, Kainji (detail / détail), 2022
Isabella Salas and / et hexorcismos, Nelkotoni, Seed no. 97757, 2020
Kira Xonorika, Trickster (video still / plan fixe), 2025
courtesy of the artists / gracieuseté des artistes
RAH ELEH, KITE & ALISHA B WORMSLEY, ADRIENNE MATHEUSZIK, KOMI OLAFIMIHAN, ISABELLA SALAS, AND KIRA XONORIKA – And I Have Come Upon This Place by Lost Ways
Curator: Remco Volmer
November 13, 2025 to February 8, 2026
Opening: Thursday, November 13, 5:30 to 7:30 pm
Joint event with Natasha Mazurka at City Hall Art Gallery.
Event access is limited to the Laurier Avenue after-hours entrance.
Curator tour: Sunday, February 1, 2 pm
Presented in English.
Event access is limited to the Laurier Avenue entrance.
KARSH-MASSON GALLERY, 110 Laurier Ave. West
🔗 link in bio
#KarshMasson
RAH ELEH, KITE & ALISHA B WORMSLEY, ADRIENNE MATHEUSZIK, KOMI OLAFIMIHAN, ISABELLA SALAS, ET KIRA XONORIKA – And I Have Come Upon This Place by Lost Ways (J’ai trouvé cet endroit par des voies perdues)
Commissaire : Remco Volmer
Du 13 novembre 2025 au 8 février 2026
Vernissage : le jeudi 13 novembre, de 17 h 30 à 19 h 30
Évènement commun avec Natasha Mazurka à la Galerie d’art de l’hôtel de ville.
Vous ne pourrez accéder à l’événement qu’en empruntant l’entrée de l’avenue Laurier utilisée en dehors des heures d’ouverture.
Visite guidée avec le commissaire : le dimanche 1er février, à 14 h
Présentation en anglais.
Vous ne pourrez accéder à l’événement qu’en empruntant l’entrée de l’avenue Laurier.
GALERIE KARSH-MASSON, 110, av. Laurier Ouest
🔗 lien dans la bio
📷 (left to right / de gauche à droite):
Rah Eleh, Celestial Throne (installation view / vue de l'installation), 2022
Kite and / et Alisha B Wormsley, The Cosmologyscape interface (website detail / renseignements d’un site Web), 2024
Adrienne Matheuszik, Deep Sleep (video still / plan fixe), 2024
Komi Olafimihan, Kainji (detail / détail), 2022
Isabella Salas and / et hexorcismos, Nelkotoni, Seed no. 97757, 2020
Kira Xonorika, Trickster (video still / plan fixe), 2025
courtesy of the artists / gracieuseté des artistes
RAH ELEH, KITE & ALISHA B WORMSLEY, ADRIENNE MATHEUSZIK, KOMI OLAFIMIHAN, ISABELLA SALAS, AND KIRA XONORIKA – And I Have Come Upon This Place by Lost Ways
Curator: Remco Volmer
November 13, 2025 to February 8, 2026
Opening: Thursday, November 13, 5:30 to 7:30 pm
Joint event with Natasha Mazurka at City Hall Art Gallery.
Event access is limited to the Laurier Avenue after-hours entrance.
Curator tour: Sunday, February 1, 2 pm
Presented in English.
Event access is limited to the Laurier Avenue entrance.
KARSH-MASSON GALLERY, 110 Laurier Ave. West
🔗 link in bio
#KarshMasson
RAH ELEH, KITE & ALISHA B WORMSLEY, ADRIENNE MATHEUSZIK, KOMI OLAFIMIHAN, ISABELLA SALAS, ET KIRA XONORIKA – And I Have Come Upon This Place by Lost Ways (J’ai trouvé cet endroit par des voies perdues)
Commissaire : Remco Volmer
Du 13 novembre 2025 au 8 février 2026
Vernissage : le jeudi 13 novembre, de 17 h 30 à 19 h 30
Évènement commun avec Natasha Mazurka à la Galerie d’art de l’hôtel de ville.
Vous ne pourrez accéder à l’événement qu’en empruntant l’entrée de l’avenue Laurier utilisée en dehors des heures d’ouverture.
Visite guidée avec le commissaire : le dimanche 1er février, à 14 h
Présentation en anglais.
Vous ne pourrez accéder à l’événement qu’en empruntant l’entrée de l’avenue Laurier.
GALERIE KARSH-MASSON, 110, av. Laurier Ouest
🔗 lien dans la bio
📷 (left to right / de gauche à droite):
Rah Eleh, Celestial Throne (installation view / vue de l'installation), 2022
Kite and / et Alisha B Wormsley, The Cosmologyscape interface (website detail / renseignements d’un site Web), 2024
Adrienne Matheuszik, Deep Sleep (video still / plan fixe), 2024
Komi Olafimihan, Kainji (detail / détail), 2022
Isabella Salas and / et hexorcismos, Nelkotoni, Seed no. 97757, 2020
Kira Xonorika, Trickster (video still / plan fixe), 2025
courtesy of the artists / gracieuseté des artistes
RAH ELEH, KITE & ALISHA B WORMSLEY, ADRIENNE MATHEUSZIK, KOMI OLAFIMIHAN, ISABELLA SALAS, AND KIRA XONORIKA – And I Have Come Upon This Place by Lost Ways
Curator: Remco Volmer
November 13, 2025 to February 8, 2026
Opening: Thursday, November 13, 5:30 to 7:30 pm
Joint event with Natasha Mazurka at City Hall Art Gallery.
Event access is limited to the Laurier Avenue after-hours entrance.
Curator tour: Sunday, February 1, 2 pm
Presented in English.
Event access is limited to the Laurier Avenue entrance.
KARSH-MASSON GALLERY, 110 Laurier Ave. West
🔗 link in bio
#KarshMasson
RAH ELEH, KITE & ALISHA B WORMSLEY, ADRIENNE MATHEUSZIK, KOMI OLAFIMIHAN, ISABELLA SALAS, ET KIRA XONORIKA – And I Have Come Upon This Place by Lost Ways (J’ai trouvé cet endroit par des voies perdues)
Commissaire : Remco Volmer
Du 13 novembre 2025 au 8 février 2026
Vernissage : le jeudi 13 novembre, de 17 h 30 à 19 h 30
Évènement commun avec Natasha Mazurka à la Galerie d’art de l’hôtel de ville.
Vous ne pourrez accéder à l’événement qu’en empruntant l’entrée de l’avenue Laurier utilisée en dehors des heures d’ouverture.
Visite guidée avec le commissaire : le dimanche 1er février, à 14 h
Présentation en anglais.
Vous ne pourrez accéder à l’événement qu’en empruntant l’entrée de l’avenue Laurier.
GALERIE KARSH-MASSON, 110, av. Laurier Ouest
🔗 lien dans la bio
📷 (left to right / de gauche à droite):
Rah Eleh, Celestial Throne (installation view / vue de l'installation), 2022
Kite and / et Alisha B Wormsley, The Cosmologyscape interface (website detail / renseignements d’un site Web), 2024
Adrienne Matheuszik, Deep Sleep (video still / plan fixe), 2024
Komi Olafimihan, Kainji (detail / détail), 2022
Isabella Salas and / et hexorcismos, Nelkotoni, Seed no. 97757, 2020
Kira Xonorika, Trickster (video still / plan fixe), 2025
courtesy of the artists / gracieuseté des artistes
RAH ELEH, KITE & ALISHA B WORMSLEY, ADRIENNE MATHEUSZIK, KOMI OLAFIMIHAN, ISABELLA SALAS, AND KIRA XONORIKA – And I Have Come Upon This Place by Lost Ways
Curator: Remco Volmer
November 13, 2025 to February 8, 2026
Opening: Thursday, November 13, 5:30 to 7:30 pm
Joint event with Natasha Mazurka at City Hall Art Gallery.
Event access is limited to the Laurier Avenue after-hours entrance.
Curator tour: Sunday, February 1, 2 pm
Presented in English.
Event access is limited to the Laurier Avenue entrance.
KARSH-MASSON GALLERY, 110 Laurier Ave. West
🔗 link in bio
#KarshMasson
RAH ELEH, KITE & ALISHA B WORMSLEY, ADRIENNE MATHEUSZIK, KOMI OLAFIMIHAN, ISABELLA SALAS, ET KIRA XONORIKA – And I Have Come Upon This Place by Lost Ways (J’ai trouvé cet endroit par des voies perdues)
Commissaire : Remco Volmer
Du 13 novembre 2025 au 8 février 2026
Vernissage : le jeudi 13 novembre, de 17 h 30 à 19 h 30
Évènement commun avec Natasha Mazurka à la Galerie d’art de l’hôtel de ville.
Vous ne pourrez accéder à l’événement qu’en empruntant l’entrée de l’avenue Laurier utilisée en dehors des heures d’ouverture.
Visite guidée avec le commissaire : le dimanche 1er février, à 14 h
Présentation en anglais.
Vous ne pourrez accéder à l’événement qu’en empruntant l’entrée de l’avenue Laurier.
GALERIE KARSH-MASSON, 110, av. Laurier Ouest
🔗 lien dans la bio
📷 (left to right / de gauche à droite):
Rah Eleh, Celestial Throne (installation view / vue de l'installation), 2022
Kite and / et Alisha B Wormsley, The Cosmologyscape interface (website detail / renseignements d’un site Web), 2024
Adrienne Matheuszik, Deep Sleep (video still / plan fixe), 2024
Komi Olafimihan, Kainji (detail / détail), 2022
Isabella Salas and / et hexorcismos, Nelkotoni, Seed no. 97757, 2020
Kira Xonorika, Trickster (video still / plan fixe), 2025
courtesy of the artists / gracieuseté des artistes
RAH ELEH, KITE & ALISHA B WORMSLEY, ADRIENNE MATHEUSZIK, KOMI OLAFIMIHAN, ISABELLA SALAS, AND KIRA XONORIKA – And I Have Come Upon This Place by Lost Ways
Curator: Remco Volmer
November 13, 2025 to February 8, 2026
Opening: Thursday, November 13, 5:30 to 7:30 pm
Joint event with Natasha Mazurka at City Hall Art Gallery.
Event access is limited to the Laurier Avenue after-hours entrance.
Curator tour: Sunday, February 1, 2 pm
Presented in English.
Event access is limited to the Laurier Avenue entrance.
KARSH-MASSON GALLERY, 110 Laurier Ave. West
🔗 link in bio
#KarshMasson
RAH ELEH, KITE & ALISHA B WORMSLEY, ADRIENNE MATHEUSZIK, KOMI OLAFIMIHAN, ISABELLA SALAS, ET KIRA XONORIKA – And I Have Come Upon This Place by Lost Ways (J’ai trouvé cet endroit par des voies perdues)
Commissaire : Remco Volmer
Du 13 novembre 2025 au 8 février 2026
Vernissage : le jeudi 13 novembre, de 17 h 30 à 19 h 30
Évènement commun avec Natasha Mazurka à la Galerie d’art de l’hôtel de ville.
Vous ne pourrez accéder à l’événement qu’en empruntant l’entrée de l’avenue Laurier utilisée en dehors des heures d’ouverture.
Visite guidée avec le commissaire : le dimanche 1er février, à 14 h
Présentation en anglais.
Vous ne pourrez accéder à l’événement qu’en empruntant l’entrée de l’avenue Laurier.
GALERIE KARSH-MASSON, 110, av. Laurier Ouest
🔗 lien dans la bio
📷 (left to right / de gauche à droite):
Rah Eleh, Celestial Throne (installation view / vue de l'installation), 2022
Kite and / et Alisha B Wormsley, The Cosmologyscape interface (website detail / renseignements d’un site Web), 2024
Adrienne Matheuszik, Deep Sleep (video still / plan fixe), 2024
Komi Olafimihan, Kainji (detail / détail), 2022
Isabella Salas and / et hexorcismos, Nelkotoni, Seed no. 97757, 2020
Kira Xonorika, Trickster (video still / plan fixe), 2025
courtesy of the artists / gracieuseté des artistes
Link in bio to register for TouchDesigner club! this is a good one if you want to achieve your VJ dreams. See you there!! reach out to madeleine@artengine.ca for any questions:) also big thank you to @nicholaspjm for the last slide who made this Audio reactive file. PJcreations is my favourite patreon creator.
Link in bio to register for TouchDesigner club! this is a good one if you want to achieve your VJ dreams. See you there!! reach out to madeleine@artengine.ca for any questions:) also big thank you to @nicholaspjm for the last slide who made this Audio reactive file. PJcreations is my favourite patreon creator.
Link in bio to register for TouchDesigner club! this is a good one if you want to achieve your VJ dreams. See you there!! reach out to madeleine@artengine.ca for any questions:) also big thank you to @nicholaspjm for the last slide who made this Audio reactive file. PJcreations is my favourite patreon creator.
Секретный просмотр Историй Instagram
Просмотрщик Историй Instagram — это удобный инструмент, который позволяет вам тайно смотреть и сохранять Истории Instagram, видео, фотографии или IGTV. С помощью этого сервиса вы можете скачать контент и наслаждаться им в оффлайн-режиме в любое время. Если вы нашли что-то интересное в Instagram, что хотите посмотреть позже или хотите просматривать Истории, оставаясь анонимным, наш инструмент — именно то, что вам нужно. Anonstories предлагает отличное решение для скрытия вашей личности. Instagram запустил функцию Stories в августе 2023 года, и она быстро стала популярной на других платформах благодаря захватывающему формату с временными ограничениями. Истории позволяют пользователям делиться быстрыми обновлениями: фото, видео или селфи, дополненными текстом, эмодзи или фильтрами, и доступны только в течение 24 часов. Это ограниченное время создает высокий уровень вовлеченности по сравнению с обычными постами. В современном мире Истории — один из самых популярных способов общения и связи в социальных сетях. Однако, когда вы смотрите Историю, создатель видит ваше имя в списке зрителей, что может быть проблемой с точки зрения конфиденциальности. Что если вы хотите просматривать Истории, не будучи замеченным? Вот где Anonstories окажется полезным. Он позволяет вам смотреть публичный контент Instagram, не раскрывая вашу личность. Просто введите имя пользователя профиля, который вас интересует, и инструмент покажет его последние Истории. Особенности Просмотрщика Anonstories: - Анонимный просмотр: смотрите Истории без отображения в списке зрителей. - Нет необходимости в аккаунте: смотрите публичный контент без регистрации в Instagram. - Скачивание контента: сохраняйте любые Истории прямо на устройство для оффлайн-просмотра. - Просмотр Хайлайтов: получайте доступ к Хайлайтам Instagram, даже после 24 часов. - Мониторинг репостов: отслеживайте репосты или уровень вовлеченности на Историях для личных профилей. Ограничения: - Инструмент работает только с публичными аккаунтами; закрытые аккаунты остаются недоступными. Преимущества: - Защита конфиденциальности: смотрите любой контент в Instagram, не будучи замеченным. - Простой и удобный: не нужно устанавливать приложение или регистрироваться. - Эксклюзивные инструменты: скачивайте и управляйте контентом в способах, которые Instagram не предлагает.
Преимущества Anonstories
Просматривайте Истории IG анонимно
Следите за обновлениями в Instagram скрытно, защищая свою конфиденциальность и оставаясь анонимным.
Приватный просмотр Instagram
Смотрите профили и фотографии анонимно с помощью Приватного Просмотрщика профилей.
Бесплатный просмотр Историй
Этот бесплатный инструмент позволяет вам анонимно просматривать Истории в Instagram, гарантируя, что ваша активность останется скрытой от загрузившего Историю.
Часто задаваемые вопросы
Анонимность
Anonstories позволяет пользователям просматривать Истории Instagram, не уведомляя создателя.
Совместимость с устройствами
Работает без проблем на iOS, Android, Windows, macOS и современных браузерах, таких как Chrome и Safari.
Безопасность и конфиденциальность
Приоритет на безопасный, анонимный просмотр без необходимости ввода учетных данных.
Нет регистрации
Пользователи могут просматривать публичные Истории, просто вводя имя пользователя — без регистрации.
Поддерживаемые форматы
Легко скачивайте фотографии (JPEG) и видео (MP4).
Стоимость
Сервис бесплатен для использования.
Приватные аккаунты
Контент с приватных аккаунтов доступен только для подписчиков.
Использование файлов
Файлы предназначены только для личного или образовательного использования и должны соответствовать правилам авторского права.
Как это работает
Введите публичное имя пользователя для просмотра или скачивания Историй. Сервис генерирует прямые ссылки для сохранения контента на ваше устройство.