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Feeling incredibly honored and grateful to see D142 featured on @dezeen radar as one of seven new design galleries worldwide worth visiting.

A big thank you to @amyfrearson for including D142 in the @dezeen radar and for writing such a beautiful article.
It truly means a lot to be recognised in this context and alongside so many inspiring galleries internationally.

We are beyond grateful for this. 🙏🏽🧡

Thank you to everyone who has supported us and been part of the D142 journey so far.

Merci merci merci 🧡🧡🧡

Feeling incredibly honored and grateful to see D142 featured on @dezeen radar as one of seven new design galleries worldwide worth visiting.

A big thank you to @amyfrearson for including D142 in the @dezeen radar and for writing such a beautiful article.
It truly means a lot to be recognised in this context and alongside so many inspiring galleries internationally.

We are beyond grateful for this. 🙏🏽🧡

Thank you to everyone who has supported us and been part of the D142 journey so far.

Merci merci merci 🧡🧡🧡

Feeling incredibly honored and grateful to see D142 featured on @dezeen radar as one of seven new design galleries worldwide worth visiting.

A big thank you to @amyfrearson for including D142 in the @dezeen radar and for writing such a beautiful article.
It truly means a lot to be recognised in this context and alongside so many inspiring galleries internationally.

We are beyond grateful for this. 🙏🏽🧡

Thank you to everyone who has supported us and been part of the D142 journey so far.

Merci merci merci 🧡🧡🧡

Feeling incredibly honored and grateful to see D142 featured on @dezeen radar as one of seven new design galleries worldwide worth visiting.

A big thank you to @amyfrearson for including D142 in the @dezeen radar and for writing such a beautiful article.
It truly means a lot to be recognised in this context and alongside so many inspiring galleries internationally.

We are beyond grateful for this. 🙏🏽🧡

Thank you to everyone who has supported us and been part of the D142 journey so far.

Merci merci merci 🧡🧡🧡

Feeling incredibly honored and grateful to see D142 featured on @dezeen radar as one of seven new design galleries worldwide worth visiting.

A big thank you to @amyfrearson for including D142 in the @dezeen radar and for writing such a beautiful article.
It truly means a lot to be recognised in this context and alongside so many inspiring galleries internationally.

We are beyond grateful for this. 🙏🏽🧡

Thank you to everyone who has supported us and been part of the D142 journey so far.

Merci merci merci 🧡🧡🧡

Feeling incredibly honored and grateful to see D142 featured on @dezeen radar as one of seven new design galleries worldwide worth visiting.

A big thank you to @amyfrearson for including D142 in the @dezeen radar and for writing such a beautiful article.
It truly means a lot to be recognised in this context and alongside so many inspiring galleries internationally.

We are beyond grateful for this. 🙏🏽🧡

Thank you to everyone who has supported us and been part of the D142 journey so far.

Merci merci merci 🧡🧡🧡

Feeling incredibly honored and grateful to see D142 featured on @dezeen radar as one of seven new design galleries worldwide worth visiting.

A big thank you to @amyfrearson for including D142 in the @dezeen radar and for writing such a beautiful article.
It truly means a lot to be recognised in this context and alongside so many inspiring galleries internationally.

We are beyond grateful for this. 🙏🏽🧡

Thank you to everyone who has supported us and been part of the D142 journey so far.

Merci merci merci 🧡🧡🧡

Siri Pettersson constructs surfaces that seem to hover somewhere between textile and painting.

Working with thousands of linen threads, she transforms the strict geometry of weaving into something fluid, shifting, and deeply alive.
Colors dissolve into one another, forms emerge and disappear, and the woven surface begins to feel almost like light itself.

There is a quiet tension in her work between control and freedom, between the discipline of craft and the instinct of gesture.

For Praesentia, Pettersson’s works become meditations on presence, on slowness, repetition, touch, and the time embedded within material.

@pettersson.siri is currently completing her MFA at KHiO in Oslo

••

Part of the exhibition Praesentia
On display until 30.June
For inquiries send dm or mail
hello@d142-d142.com

Siri Pettersson constructs surfaces that seem to hover somewhere between textile and painting.

Working with thousands of linen threads, she transforms the strict geometry of weaving into something fluid, shifting, and deeply alive.
Colors dissolve into one another, forms emerge and disappear, and the woven surface begins to feel almost like light itself.

There is a quiet tension in her work between control and freedom, between the discipline of craft and the instinct of gesture.

For Praesentia, Pettersson’s works become meditations on presence, on slowness, repetition, touch, and the time embedded within material.

@pettersson.siri is currently completing her MFA at KHiO in Oslo

••

Part of the exhibition Praesentia
On display until 30.June
For inquiries send dm or mail
hello@d142-d142.com

Siri Pettersson constructs surfaces that seem to hover somewhere between textile and painting.

Working with thousands of linen threads, she transforms the strict geometry of weaving into something fluid, shifting, and deeply alive.
Colors dissolve into one another, forms emerge and disappear, and the woven surface begins to feel almost like light itself.

There is a quiet tension in her work between control and freedom, between the discipline of craft and the instinct of gesture.

For Praesentia, Pettersson’s works become meditations on presence, on slowness, repetition, touch, and the time embedded within material.

@pettersson.siri is currently completing her MFA at KHiO in Oslo

••

Part of the exhibition Praesentia
On display until 30.June
For inquiries send dm or mail
hello@d142-d142.com

Siri Pettersson constructs surfaces that seem to hover somewhere between textile and painting.

Working with thousands of linen threads, she transforms the strict geometry of weaving into something fluid, shifting, and deeply alive.
Colors dissolve into one another, forms emerge and disappear, and the woven surface begins to feel almost like light itself.

There is a quiet tension in her work between control and freedom, between the discipline of craft and the instinct of gesture.

For Praesentia, Pettersson’s works become meditations on presence, on slowness, repetition, touch, and the time embedded within material.

@pettersson.siri is currently completing her MFA at KHiO in Oslo

••

Part of the exhibition Praesentia
On display until 30.June
For inquiries send dm or mail
hello@d142-d142.com

Siri Pettersson constructs surfaces that seem to hover somewhere between textile and painting.

Working with thousands of linen threads, she transforms the strict geometry of weaving into something fluid, shifting, and deeply alive.
Colors dissolve into one another, forms emerge and disappear, and the woven surface begins to feel almost like light itself.

There is a quiet tension in her work between control and freedom, between the discipline of craft and the instinct of gesture.

For Praesentia, Pettersson’s works become meditations on presence, on slowness, repetition, touch, and the time embedded within material.

@pettersson.siri is currently completing her MFA at KHiO in Oslo

••

Part of the exhibition Praesentia
On display until 30.June
For inquiries send dm or mail
hello@d142-d142.com

Siri Pettersson constructs surfaces that seem to hover somewhere between textile and painting.

Working with thousands of linen threads, she transforms the strict geometry of weaving into something fluid, shifting, and deeply alive.
Colors dissolve into one another, forms emerge and disappear, and the woven surface begins to feel almost like light itself.

There is a quiet tension in her work between control and freedom, between the discipline of craft and the instinct of gesture.

For Praesentia, Pettersson’s works become meditations on presence, on slowness, repetition, touch, and the time embedded within material.

@pettersson.siri is currently completing her MFA at KHiO in Oslo

••

Part of the exhibition Praesentia
On display until 30.June
For inquiries send dm or mail
hello@d142-d142.com

Thank you to everyone who joined us for the opening of Praesentia 🧡

The gallery was filled with such a beautiful mix of people, all coming together to share the evening with us.

Nights like these remind us of the incredible community surrounding D142 and why creating spaces for connection and culture feels so important.

A special thank you to @villbrygg for the delicious alcohol-free drinks that everyone enjoyed throughout the evening 💚

We’re deeply grateful to everyone who came and made the opening so special.
🧡🧡🧡

For Kari Håkonsen, glass is never static.
It bends light, distorts perception, holds tension, and captures time.

Working exclusively with glass since 1992, her practice moves between the massive and the delicate, balancing on the very threshold of the material’s endurance.

In these cast glass works, rough exterior textures meet clean geometric forms, creating objects that feel simultaneously architectural and deeply personal.

Inspired by reflections on memory, origin, and what we leave behind.
The two works shown in Praesentia feel almost like suspended frames or portals , geometric forms carrying traces of pressure and human touch.

Hovering between sculpture and architecture, permanence and disappearance, they invite the viewer into a quiet contemplation of presence itself.

@klart_glass

••
Part of the exhibition Praesentia
On display until 30.June
For inquiries send dm or mail
hello@d142-d142.com

For Kari Håkonsen, glass is never static.
It bends light, distorts perception, holds tension, and captures time.

Working exclusively with glass since 1992, her practice moves between the massive and the delicate, balancing on the very threshold of the material’s endurance.

In these cast glass works, rough exterior textures meet clean geometric forms, creating objects that feel simultaneously architectural and deeply personal.

Inspired by reflections on memory, origin, and what we leave behind.
The two works shown in Praesentia feel almost like suspended frames or portals , geometric forms carrying traces of pressure and human touch.

Hovering between sculpture and architecture, permanence and disappearance, they invite the viewer into a quiet contemplation of presence itself.

@klart_glass

••
Part of the exhibition Praesentia
On display until 30.June
For inquiries send dm or mail
hello@d142-d142.com

For Kari Håkonsen, glass is never static.
It bends light, distorts perception, holds tension, and captures time.

Working exclusively with glass since 1992, her practice moves between the massive and the delicate, balancing on the very threshold of the material’s endurance.

In these cast glass works, rough exterior textures meet clean geometric forms, creating objects that feel simultaneously architectural and deeply personal.

Inspired by reflections on memory, origin, and what we leave behind.
The two works shown in Praesentia feel almost like suspended frames or portals , geometric forms carrying traces of pressure and human touch.

Hovering between sculpture and architecture, permanence and disappearance, they invite the viewer into a quiet contemplation of presence itself.

@klart_glass

••
Part of the exhibition Praesentia
On display until 30.June
For inquiries send dm or mail
hello@d142-d142.com

For Kari Håkonsen, glass is never static.
It bends light, distorts perception, holds tension, and captures time.

Working exclusively with glass since 1992, her practice moves between the massive and the delicate, balancing on the very threshold of the material’s endurance.

In these cast glass works, rough exterior textures meet clean geometric forms, creating objects that feel simultaneously architectural and deeply personal.

Inspired by reflections on memory, origin, and what we leave behind.
The two works shown in Praesentia feel almost like suspended frames or portals , geometric forms carrying traces of pressure and human touch.

Hovering between sculpture and architecture, permanence and disappearance, they invite the viewer into a quiet contemplation of presence itself.

@klart_glass

••
Part of the exhibition Praesentia
On display until 30.June
For inquiries send dm or mail
hello@d142-d142.com

For Kari Håkonsen, glass is never static.
It bends light, distorts perception, holds tension, and captures time.

Working exclusively with glass since 1992, her practice moves between the massive and the delicate, balancing on the very threshold of the material’s endurance.

In these cast glass works, rough exterior textures meet clean geometric forms, creating objects that feel simultaneously architectural and deeply personal.

Inspired by reflections on memory, origin, and what we leave behind.
The two works shown in Praesentia feel almost like suspended frames or portals , geometric forms carrying traces of pressure and human touch.

Hovering between sculpture and architecture, permanence and disappearance, they invite the viewer into a quiet contemplation of presence itself.

@klart_glass

••
Part of the exhibition Praesentia
On display until 30.June
For inquiries send dm or mail
hello@d142-d142.com

For Kari Håkonsen, glass is never static.
It bends light, distorts perception, holds tension, and captures time.

Working exclusively with glass since 1992, her practice moves between the massive and the delicate, balancing on the very threshold of the material’s endurance.

In these cast glass works, rough exterior textures meet clean geometric forms, creating objects that feel simultaneously architectural and deeply personal.

Inspired by reflections on memory, origin, and what we leave behind.
The two works shown in Praesentia feel almost like suspended frames or portals , geometric forms carrying traces of pressure and human touch.

Hovering between sculpture and architecture, permanence and disappearance, they invite the viewer into a quiet contemplation of presence itself.

@klart_glass

••
Part of the exhibition Praesentia
On display until 30.June
For inquiries send dm or mail
hello@d142-d142.com

For Kari Håkonsen, glass is never static.
It bends light, distorts perception, holds tension, and captures time.

Working exclusively with glass since 1992, her practice moves between the massive and the delicate, balancing on the very threshold of the material’s endurance.

In these cast glass works, rough exterior textures meet clean geometric forms, creating objects that feel simultaneously architectural and deeply personal.

Inspired by reflections on memory, origin, and what we leave behind.
The two works shown in Praesentia feel almost like suspended frames or portals , geometric forms carrying traces of pressure and human touch.

Hovering between sculpture and architecture, permanence and disappearance, they invite the viewer into a quiet contemplation of presence itself.

@klart_glass

••
Part of the exhibition Praesentia
On display until 30.June
For inquiries send dm or mail
hello@d142-d142.com

Unlikely Connection explores the tension between opposites, and how contrast itself can become a form of connection.

Created as an invitation to gather, converse, observe, and simply exist together in space, the monumental sculptural seating piece challenges the traditional idea of furniture as something static or individual.
Instead, it proposes something fluid, collective, and alive.

Inspired by the universal principle of entropy, the work investigates how friction, tension, softness, structure, and difference can coexist in balance.

Twelve vertical plates of galvanized steel create a precise architectural foundation, interrupted by a cloud-like upholstered volume that introduces softness, tactility, and atmosphere.

The result exists somewhere between sculpture, furniture, and social space.
No defined beginning or end.
Only interaction.

Designed by @vincent.laine in close collaboration with @vestre_furniture , the work reflects a shared vision of public space as something open and inclusive, where differences do not compete, but coexist.

The piece reflects Vestre’s long-standing philosophy that design should create inclusive social spaces where people feel welcome, connected, and part of a larger collective experience.

Here, that philosophy is carried into a more sculptural and experimental language, where design becomes both social infrastructure and art object.

Not by demanding sameness, but by making space for differences.

Presented during Milan Design Week 2026 and now shown in Norway as part of the exhibition Praesentia at D142.

Design: @vincent.laine
Project & production partner: @vestre_furniture
Upholstery: @reidarsvendsendesign

•••
Part of the exhibition Praesentia
on display until 30.june
For inquiries send dm or mail: hello@d142-d142.com

Unlikely Connection explores the tension between opposites, and how contrast itself can become a form of connection.

Created as an invitation to gather, converse, observe, and simply exist together in space, the monumental sculptural seating piece challenges the traditional idea of furniture as something static or individual.
Instead, it proposes something fluid, collective, and alive.

Inspired by the universal principle of entropy, the work investigates how friction, tension, softness, structure, and difference can coexist in balance.

Twelve vertical plates of galvanized steel create a precise architectural foundation, interrupted by a cloud-like upholstered volume that introduces softness, tactility, and atmosphere.

The result exists somewhere between sculpture, furniture, and social space.
No defined beginning or end.
Only interaction.

Designed by @vincent.laine in close collaboration with @vestre_furniture , the work reflects a shared vision of public space as something open and inclusive, where differences do not compete, but coexist.

The piece reflects Vestre’s long-standing philosophy that design should create inclusive social spaces where people feel welcome, connected, and part of a larger collective experience.

Here, that philosophy is carried into a more sculptural and experimental language, where design becomes both social infrastructure and art object.

Not by demanding sameness, but by making space for differences.

Presented during Milan Design Week 2026 and now shown in Norway as part of the exhibition Praesentia at D142.

Design: @vincent.laine
Project & production partner: @vestre_furniture
Upholstery: @reidarsvendsendesign

•••
Part of the exhibition Praesentia
on display until 30.june
For inquiries send dm or mail: hello@d142-d142.com

Unlikely Connection explores the tension between opposites, and how contrast itself can become a form of connection.

Created as an invitation to gather, converse, observe, and simply exist together in space, the monumental sculptural seating piece challenges the traditional idea of furniture as something static or individual.
Instead, it proposes something fluid, collective, and alive.

Inspired by the universal principle of entropy, the work investigates how friction, tension, softness, structure, and difference can coexist in balance.

Twelve vertical plates of galvanized steel create a precise architectural foundation, interrupted by a cloud-like upholstered volume that introduces softness, tactility, and atmosphere.

The result exists somewhere between sculpture, furniture, and social space.
No defined beginning or end.
Only interaction.

Designed by @vincent.laine in close collaboration with @vestre_furniture , the work reflects a shared vision of public space as something open and inclusive, where differences do not compete, but coexist.

The piece reflects Vestre’s long-standing philosophy that design should create inclusive social spaces where people feel welcome, connected, and part of a larger collective experience.

Here, that philosophy is carried into a more sculptural and experimental language, where design becomes both social infrastructure and art object.

Not by demanding sameness, but by making space for differences.

Presented during Milan Design Week 2026 and now shown in Norway as part of the exhibition Praesentia at D142.

Design: @vincent.laine
Project & production partner: @vestre_furniture
Upholstery: @reidarsvendsendesign

•••
Part of the exhibition Praesentia
on display until 30.june
For inquiries send dm or mail: hello@d142-d142.com

Unlikely Connection explores the tension between opposites, and how contrast itself can become a form of connection.

Created as an invitation to gather, converse, observe, and simply exist together in space, the monumental sculptural seating piece challenges the traditional idea of furniture as something static or individual.
Instead, it proposes something fluid, collective, and alive.

Inspired by the universal principle of entropy, the work investigates how friction, tension, softness, structure, and difference can coexist in balance.

Twelve vertical plates of galvanized steel create a precise architectural foundation, interrupted by a cloud-like upholstered volume that introduces softness, tactility, and atmosphere.

The result exists somewhere between sculpture, furniture, and social space.
No defined beginning or end.
Only interaction.

Designed by @vincent.laine in close collaboration with @vestre_furniture , the work reflects a shared vision of public space as something open and inclusive, where differences do not compete, but coexist.

The piece reflects Vestre’s long-standing philosophy that design should create inclusive social spaces where people feel welcome, connected, and part of a larger collective experience.

Here, that philosophy is carried into a more sculptural and experimental language, where design becomes both social infrastructure and art object.

Not by demanding sameness, but by making space for differences.

Presented during Milan Design Week 2026 and now shown in Norway as part of the exhibition Praesentia at D142.

Design: @vincent.laine
Project & production partner: @vestre_furniture
Upholstery: @reidarsvendsendesign

•••
Part of the exhibition Praesentia
on display until 30.june
For inquiries send dm or mail: hello@d142-d142.com

Unlikely Connection explores the tension between opposites, and how contrast itself can become a form of connection.

Created as an invitation to gather, converse, observe, and simply exist together in space, the monumental sculptural seating piece challenges the traditional idea of furniture as something static or individual.
Instead, it proposes something fluid, collective, and alive.

Inspired by the universal principle of entropy, the work investigates how friction, tension, softness, structure, and difference can coexist in balance.

Twelve vertical plates of galvanized steel create a precise architectural foundation, interrupted by a cloud-like upholstered volume that introduces softness, tactility, and atmosphere.

The result exists somewhere between sculpture, furniture, and social space.
No defined beginning or end.
Only interaction.

Designed by @vincent.laine in close collaboration with @vestre_furniture , the work reflects a shared vision of public space as something open and inclusive, where differences do not compete, but coexist.

The piece reflects Vestre’s long-standing philosophy that design should create inclusive social spaces where people feel welcome, connected, and part of a larger collective experience.

Here, that philosophy is carried into a more sculptural and experimental language, where design becomes both social infrastructure and art object.

Not by demanding sameness, but by making space for differences.

Presented during Milan Design Week 2026 and now shown in Norway as part of the exhibition Praesentia at D142.

Design: @vincent.laine
Project & production partner: @vestre_furniture
Upholstery: @reidarsvendsendesign

•••
Part of the exhibition Praesentia
on display until 30.june
For inquiries send dm or mail: hello@d142-d142.com

Unlikely Connection explores the tension between opposites, and how contrast itself can become a form of connection.

Created as an invitation to gather, converse, observe, and simply exist together in space, the monumental sculptural seating piece challenges the traditional idea of furniture as something static or individual.
Instead, it proposes something fluid, collective, and alive.

Inspired by the universal principle of entropy, the work investigates how friction, tension, softness, structure, and difference can coexist in balance.

Twelve vertical plates of galvanized steel create a precise architectural foundation, interrupted by a cloud-like upholstered volume that introduces softness, tactility, and atmosphere.

The result exists somewhere between sculpture, furniture, and social space.
No defined beginning or end.
Only interaction.

Designed by @vincent.laine in close collaboration with @vestre_furniture , the work reflects a shared vision of public space as something open and inclusive, where differences do not compete, but coexist.

The piece reflects Vestre’s long-standing philosophy that design should create inclusive social spaces where people feel welcome, connected, and part of a larger collective experience.

Here, that philosophy is carried into a more sculptural and experimental language, where design becomes both social infrastructure and art object.

Not by demanding sameness, but by making space for differences.

Presented during Milan Design Week 2026 and now shown in Norway as part of the exhibition Praesentia at D142.

Design: @vincent.laine
Project & production partner: @vestre_furniture
Upholstery: @reidarsvendsendesign

•••
Part of the exhibition Praesentia
on display until 30.june
For inquiries send dm or mail: hello@d142-d142.com

Unlikely Connection explores the tension between opposites, and how contrast itself can become a form of connection.

Created as an invitation to gather, converse, observe, and simply exist together in space, the monumental sculptural seating piece challenges the traditional idea of furniture as something static or individual.
Instead, it proposes something fluid, collective, and alive.

Inspired by the universal principle of entropy, the work investigates how friction, tension, softness, structure, and difference can coexist in balance.

Twelve vertical plates of galvanized steel create a precise architectural foundation, interrupted by a cloud-like upholstered volume that introduces softness, tactility, and atmosphere.

The result exists somewhere between sculpture, furniture, and social space.
No defined beginning or end.
Only interaction.

Designed by @vincent.laine in close collaboration with @vestre_furniture , the work reflects a shared vision of public space as something open and inclusive, where differences do not compete, but coexist.

The piece reflects Vestre’s long-standing philosophy that design should create inclusive social spaces where people feel welcome, connected, and part of a larger collective experience.

Here, that philosophy is carried into a more sculptural and experimental language, where design becomes both social infrastructure and art object.

Not by demanding sameness, but by making space for differences.

Presented during Milan Design Week 2026 and now shown in Norway as part of the exhibition Praesentia at D142.

Design: @vincent.laine
Project & production partner: @vestre_furniture
Upholstery: @reidarsvendsendesign

•••
Part of the exhibition Praesentia
on display until 30.june
For inquiries send dm or mail: hello@d142-d142.com

Unlikely Connection explores the tension between opposites, and how contrast itself can become a form of connection.

Created as an invitation to gather, converse, observe, and simply exist together in space, the monumental sculptural seating piece challenges the traditional idea of furniture as something static or individual.
Instead, it proposes something fluid, collective, and alive.

Inspired by the universal principle of entropy, the work investigates how friction, tension, softness, structure, and difference can coexist in balance.

Twelve vertical plates of galvanized steel create a precise architectural foundation, interrupted by a cloud-like upholstered volume that introduces softness, tactility, and atmosphere.

The result exists somewhere between sculpture, furniture, and social space.
No defined beginning or end.
Only interaction.

Designed by @vincent.laine in close collaboration with @vestre_furniture , the work reflects a shared vision of public space as something open and inclusive, where differences do not compete, but coexist.

The piece reflects Vestre’s long-standing philosophy that design should create inclusive social spaces where people feel welcome, connected, and part of a larger collective experience.

Here, that philosophy is carried into a more sculptural and experimental language, where design becomes both social infrastructure and art object.

Not by demanding sameness, but by making space for differences.

Presented during Milan Design Week 2026 and now shown in Norway as part of the exhibition Praesentia at D142.

Design: @vincent.laine
Project & production partner: @vestre_furniture
Upholstery: @reidarsvendsendesign

•••
Part of the exhibition Praesentia
on display until 30.june
For inquiries send dm or mail: hello@d142-d142.com

Praesentia / prae̯ˈsɛn.ti.a /
From Latin “prae” (before) and “esse” (to be), praesentia suggests not only being there, but being fully before something, encountering it, attentively.

An group exhibition about presence
in materials, shapes, and in how we choose to pay attention.

Exhibitors: 

Pearla Piago • @pearlapigao 
Kari Håkonsen • @klart_glass 
Ida Siebke • @ida.siebke.glass
Mia Van Veen • @miavan.vee
Stian Korntved Ruud • @stkoru
Signe Luksengard • @signeluksengard 
Siri Pettersson • @pettersson.siri 
Tora Frogner • @tora.frogner
Sofia Eliasson • @sofia__eliasson
Familien Kvistad • @kvistad.co
Vincent Laine • @vincent.laine
Vestre • @vestre_furniture

Curated by @neshat__________
Exhibition photos by @saraangelica

••
On display until 30.June
For inquiries send dm or mail hello@d142-d142.com

Praesentia / prae̯ˈsɛn.ti.a /
From Latin “prae” (before) and “esse” (to be), praesentia suggests not only being there, but being fully before something, encountering it, attentively.

An group exhibition about presence
in materials, shapes, and in how we choose to pay attention.

Exhibitors: 

Pearla Piago • @pearlapigao 
Kari Håkonsen • @klart_glass 
Ida Siebke • @ida.siebke.glass
Mia Van Veen • @miavan.vee
Stian Korntved Ruud • @stkoru
Signe Luksengard • @signeluksengard 
Siri Pettersson • @pettersson.siri 
Tora Frogner • @tora.frogner
Sofia Eliasson • @sofia__eliasson
Familien Kvistad • @kvistad.co
Vincent Laine • @vincent.laine
Vestre • @vestre_furniture

Curated by @neshat__________
Exhibition photos by @saraangelica

••
On display until 30.June
For inquiries send dm or mail hello@d142-d142.com

Praesentia / prae̯ˈsɛn.ti.a /
From Latin “prae” (before) and “esse” (to be), praesentia suggests not only being there, but being fully before something, encountering it, attentively.

An group exhibition about presence
in materials, shapes, and in how we choose to pay attention.

Exhibitors: 

Pearla Piago • @pearlapigao 
Kari Håkonsen • @klart_glass 
Ida Siebke • @ida.siebke.glass
Mia Van Veen • @miavan.vee
Stian Korntved Ruud • @stkoru
Signe Luksengard • @signeluksengard 
Siri Pettersson • @pettersson.siri 
Tora Frogner • @tora.frogner
Sofia Eliasson • @sofia__eliasson
Familien Kvistad • @kvistad.co
Vincent Laine • @vincent.laine
Vestre • @vestre_furniture

Curated by @neshat__________
Exhibition photos by @saraangelica

••
On display until 30.June
For inquiries send dm or mail hello@d142-d142.com

Praesentia / prae̯ˈsɛn.ti.a /
From Latin “prae” (before) and “esse” (to be), praesentia suggests not only being there, but being fully before something, encountering it, attentively.

An group exhibition about presence
in materials, shapes, and in how we choose to pay attention.

Exhibitors: 

Pearla Piago • @pearlapigao 
Kari Håkonsen • @klart_glass 
Ida Siebke • @ida.siebke.glass
Mia Van Veen • @miavan.vee
Stian Korntved Ruud • @stkoru
Signe Luksengard • @signeluksengard 
Siri Pettersson • @pettersson.siri 
Tora Frogner • @tora.frogner
Sofia Eliasson • @sofia__eliasson
Familien Kvistad • @kvistad.co
Vincent Laine • @vincent.laine
Vestre • @vestre_furniture

Curated by @neshat__________
Exhibition photos by @saraangelica

••
On display until 30.June
For inquiries send dm or mail hello@d142-d142.com

Praesentia / prae̯ˈsɛn.ti.a /
From Latin “prae” (before) and “esse” (to be), praesentia suggests not only being there, but being fully before something, encountering it, attentively.

An group exhibition about presence
in materials, shapes, and in how we choose to pay attention.

Exhibitors: 

Pearla Piago • @pearlapigao 
Kari Håkonsen • @klart_glass 
Ida Siebke • @ida.siebke.glass
Mia Van Veen • @miavan.vee
Stian Korntved Ruud • @stkoru
Signe Luksengard • @signeluksengard 
Siri Pettersson • @pettersson.siri 
Tora Frogner • @tora.frogner
Sofia Eliasson • @sofia__eliasson
Familien Kvistad • @kvistad.co
Vincent Laine • @vincent.laine
Vestre • @vestre_furniture

Curated by @neshat__________
Exhibition photos by @saraangelica

••
On display until 30.June
For inquiries send dm or mail hello@d142-d142.com

Praesentia / prae̯ˈsɛn.ti.a /
From Latin “prae” (before) and “esse” (to be), praesentia suggests not only being there, but being fully before something, encountering it, attentively.

An group exhibition about presence
in materials, shapes, and in how we choose to pay attention.

Exhibitors: 

Pearla Piago • @pearlapigao 
Kari Håkonsen • @klart_glass 
Ida Siebke • @ida.siebke.glass
Mia Van Veen • @miavan.vee
Stian Korntved Ruud • @stkoru
Signe Luksengard • @signeluksengard 
Siri Pettersson • @pettersson.siri 
Tora Frogner • @tora.frogner
Sofia Eliasson • @sofia__eliasson
Familien Kvistad • @kvistad.co
Vincent Laine • @vincent.laine
Vestre • @vestre_furniture

Curated by @neshat__________
Exhibition photos by @saraangelica

••
On display until 30.June
For inquiries send dm or mail hello@d142-d142.com

Praesentia / prae̯ˈsɛn.ti.a /
From Latin “prae” (before) and “esse” (to be), praesentia suggests not only being there, but being fully before something, encountering it, attentively.

An group exhibition about presence
in materials, shapes, and in how we choose to pay attention.

Exhibitors: 

Pearla Piago • @pearlapigao 
Kari Håkonsen • @klart_glass 
Ida Siebke • @ida.siebke.glass
Mia Van Veen • @miavan.vee
Stian Korntved Ruud • @stkoru
Signe Luksengard • @signeluksengard 
Siri Pettersson • @pettersson.siri 
Tora Frogner • @tora.frogner
Sofia Eliasson • @sofia__eliasson
Familien Kvistad • @kvistad.co
Vincent Laine • @vincent.laine
Vestre • @vestre_furniture

Curated by @neshat__________
Exhibition photos by @saraangelica

••
On display until 30.June
For inquiries send dm or mail hello@d142-d142.com

Praesentia / prae̯ˈsɛn.ti.a /
From Latin “prae” (before) and “esse” (to be), praesentia suggests not only being there, but being fully before something, encountering it, attentively.

An group exhibition about presence
in materials, shapes, and in how we choose to pay attention.

Exhibitors: 

Pearla Piago • @pearlapigao 
Kari Håkonsen • @klart_glass 
Ida Siebke • @ida.siebke.glass
Mia Van Veen • @miavan.vee
Stian Korntved Ruud • @stkoru
Signe Luksengard • @signeluksengard 
Siri Pettersson • @pettersson.siri 
Tora Frogner • @tora.frogner
Sofia Eliasson • @sofia__eliasson
Familien Kvistad • @kvistad.co
Vincent Laine • @vincent.laine
Vestre • @vestre_furniture

Curated by @neshat__________
Exhibition photos by @saraangelica

••
On display until 30.June
For inquiries send dm or mail hello@d142-d142.com

Praesentia / prae̯ˈsɛn.ti.a /
From Latin “prae” (before) and “esse” (to be), praesentia suggests not only being there, but being fully before something, encountering it, attentively.

An group exhibition about presence
in materials, shapes, and in how we choose to pay attention.

Exhibitors: 

Pearla Piago • @pearlapigao 
Kari Håkonsen • @klart_glass 
Ida Siebke • @ida.siebke.glass
Mia Van Veen • @miavan.vee
Stian Korntved Ruud • @stkoru
Signe Luksengard • @signeluksengard 
Siri Pettersson • @pettersson.siri 
Tora Frogner • @tora.frogner
Sofia Eliasson • @sofia__eliasson
Familien Kvistad • @kvistad.co
Vincent Laine • @vincent.laine
Vestre • @vestre_furniture

Curated by @neshat__________
Exhibition photos by @saraangelica

••
On display until 30.June
For inquiries send dm or mail hello@d142-d142.com

Praesentia / prae̯ˈsɛn.ti.a /
From Latin “prae” (before) and “esse” (to be), praesentia suggests not only being there, but being fully before something, encountering it, attentively.

An group exhibition about presence
in materials, shapes, and in how we choose to pay attention.

Exhibitors: 

Pearla Piago • @pearlapigao 
Kari Håkonsen • @klart_glass 
Ida Siebke • @ida.siebke.glass
Mia Van Veen • @miavan.vee
Stian Korntved Ruud • @stkoru
Signe Luksengard • @signeluksengard 
Siri Pettersson • @pettersson.siri 
Tora Frogner • @tora.frogner
Sofia Eliasson • @sofia__eliasson
Familien Kvistad • @kvistad.co
Vincent Laine • @vincent.laine
Vestre • @vestre_furniture

Curated by @neshat__________
Exhibition photos by @saraangelica

••
On display until 30.June
For inquiries send dm or mail hello@d142-d142.com

⋮ Welcome to the opening of the exhibition Praesentia ⋮
a group exhibition about presence in materials, shapes, and in how we choose to pay attention.

Exhibitors: 

Pearla Piago • @pearlapigao 
Kari Håkonsen • @klart_glass 
Ida Siebke • @ida.siebke.glass
Mia Van Veen • @miavan.vee
Stian Korntved Ruud • @stkoru
Signe Luksengard • @signeluksengard 
Siri Pettersson • @pettersson.siri 
Tora Frogner • @tora.frogner
Sofia Eliasson • @sofia__eliasson
Familien Kvistad • @kvistad.co
Vincent Laine • @vincent.laine
Vestre • @vestre_furniture
• •
Curated by @neshat__________
Photo by @saraangelica
••
Praesentia 12.5 - 30.6

~ Praesentia ~
A group exhibition about presence in materials, shapes, and in how we choose to pay attention.
•Opening 12.5

Exhibitors: 

Pearla Piago • @pearlapigao 
Kari Håkonsen • @klart_glass 
Ida Siebke • @ida.siebke.glass
Mia Van Veen • @miavan.vee
Stian Korntved Ruud • @stkoru
Signe Luksengard • @signeluksengard 
Siri Pettersson • @pettersson.siri 
Tora Frogner • @tora.frogner
Sofia Eliasson • @sofia__eliasson
Familien Kvistad • @kvistad.co
Vincent Laine • @vincent.laine
Vestre • @vestre_furniture

••

Vernissage:

Opening 12.May
Kl. 17-20
Markveien 32

A selection of works available to collect and bring home the same day.
••
For inquiries send dm

1. Blue tubes - @ming_shu_li
2. Swix - @sindre.braathen
3. La petite cordeé 046 - @estellebourdet
4. Murky - #jenniebringaker
5. Arch - @nebilzaman
6. Lagom - @daliakarg
7. Ildhane Bronze edition - @nedrefoss
8. Stòr & lìtill stenn - @saraangelica
9. When clouds move - @weareyouaretheyare
10. Loop - @ofstedaleng

A selection of works available to collect and bring home the same day.
••
For inquiries send dm

1. Blue tubes - @ming_shu_li
2. Swix - @sindre.braathen
3. La petite cordeé 046 - @estellebourdet
4. Murky - #jenniebringaker
5. Arch - @nebilzaman
6. Lagom - @daliakarg
7. Ildhane Bronze edition - @nedrefoss
8. Stòr & lìtill stenn - @saraangelica
9. When clouds move - @weareyouaretheyare
10. Loop - @ofstedaleng

A selection of works available to collect and bring home the same day.
••
For inquiries send dm

1. Blue tubes - @ming_shu_li
2. Swix - @sindre.braathen
3. La petite cordeé 046 - @estellebourdet
4. Murky - #jenniebringaker
5. Arch - @nebilzaman
6. Lagom - @daliakarg
7. Ildhane Bronze edition - @nedrefoss
8. Stòr & lìtill stenn - @saraangelica
9. When clouds move - @weareyouaretheyare
10. Loop - @ofstedaleng

A selection of works available to collect and bring home the same day.
••
For inquiries send dm

1. Blue tubes - @ming_shu_li
2. Swix - @sindre.braathen
3. La petite cordeé 046 - @estellebourdet
4. Murky - #jenniebringaker
5. Arch - @nebilzaman
6. Lagom - @daliakarg
7. Ildhane Bronze edition - @nedrefoss
8. Stòr & lìtill stenn - @saraangelica
9. When clouds move - @weareyouaretheyare
10. Loop - @ofstedaleng

A selection of works available to collect and bring home the same day.
••
For inquiries send dm

1. Blue tubes - @ming_shu_li
2. Swix - @sindre.braathen
3. La petite cordeé 046 - @estellebourdet
4. Murky - #jenniebringaker
5. Arch - @nebilzaman
6. Lagom - @daliakarg
7. Ildhane Bronze edition - @nedrefoss
8. Stòr & lìtill stenn - @saraangelica
9. When clouds move - @weareyouaretheyare
10. Loop - @ofstedaleng

A selection of works available to collect and bring home the same day.
••
For inquiries send dm

1. Blue tubes - @ming_shu_li
2. Swix - @sindre.braathen
3. La petite cordeé 046 - @estellebourdet
4. Murky - #jenniebringaker
5. Arch - @nebilzaman
6. Lagom - @daliakarg
7. Ildhane Bronze edition - @nedrefoss
8. Stòr & lìtill stenn - @saraangelica
9. When clouds move - @weareyouaretheyare
10. Loop - @ofstedaleng

A selection of works available to collect and bring home the same day.
••
For inquiries send dm

1. Blue tubes - @ming_shu_li
2. Swix - @sindre.braathen
3. La petite cordeé 046 - @estellebourdet
4. Murky - #jenniebringaker
5. Arch - @nebilzaman
6. Lagom - @daliakarg
7. Ildhane Bronze edition - @nedrefoss
8. Stòr & lìtill stenn - @saraangelica
9. When clouds move - @weareyouaretheyare
10. Loop - @ofstedaleng

A selection of works available to collect and bring home the same day.
••
For inquiries send dm

1. Blue tubes - @ming_shu_li
2. Swix - @sindre.braathen
3. La petite cordeé 046 - @estellebourdet
4. Murky - #jenniebringaker
5. Arch - @nebilzaman
6. Lagom - @daliakarg
7. Ildhane Bronze edition - @nedrefoss
8. Stòr & lìtill stenn - @saraangelica
9. When clouds move - @weareyouaretheyare
10. Loop - @ofstedaleng

A selection of works available to collect and bring home the same day.
••
For inquiries send dm

1. Blue tubes - @ming_shu_li
2. Swix - @sindre.braathen
3. La petite cordeé 046 - @estellebourdet
4. Murky - #jenniebringaker
5. Arch - @nebilzaman
6. Lagom - @daliakarg
7. Ildhane Bronze edition - @nedrefoss
8. Stòr & lìtill stenn - @saraangelica
9. When clouds move - @weareyouaretheyare
10. Loop - @ofstedaleng

A selection of works available to collect and bring home the same day.
••
For inquiries send dm

1. Blue tubes - @ming_shu_li
2. Swix - @sindre.braathen
3. La petite cordeé 046 - @estellebourdet
4. Murky - #jenniebringaker
5. Arch - @nebilzaman
6. Lagom - @daliakarg
7. Ildhane Bronze edition - @nedrefoss
8. Stòr & lìtill stenn - @saraangelica
9. When clouds move - @weareyouaretheyare
10. Loop - @ofstedaleng

@tonjeplur AW23 series showcases her signature use of ribbed knit structures, showing her ability to transform textile techniques into sculptural form.

Recently, these curved knitted shapes have reappeared in a new context, as Plur designed the costumes for the dancers in Tungrodd Rahčamuš Raataminen at
The Norwegian National Ballett @operaen_
where the forms inspired the tops worn on stage.

Plur moves effortlessly between art, fashion and performance, allowing materials to shift between object, garment and movement.

A truly exceptional textile artist whose practice continues to evolve in inspiring ways.
••
For inquiries send DM or mail

••
Tungrodd was choreographed by @simonecharete

Process photo: Tonje Plur
Dance photo: Erik Berg

@tonjeplur AW23 series showcases her signature use of ribbed knit structures, showing her ability to transform textile techniques into sculptural form.

Recently, these curved knitted shapes have reappeared in a new context, as Plur designed the costumes for the dancers in Tungrodd Rahčamuš Raataminen at
The Norwegian National Ballett @operaen_
where the forms inspired the tops worn on stage.

Plur moves effortlessly between art, fashion and performance, allowing materials to shift between object, garment and movement.

A truly exceptional textile artist whose practice continues to evolve in inspiring ways.
••
For inquiries send DM or mail

••
Tungrodd was choreographed by @simonecharete

Process photo: Tonje Plur
Dance photo: Erik Berg

@tonjeplur AW23 series showcases her signature use of ribbed knit structures, showing her ability to transform textile techniques into sculptural form.

Recently, these curved knitted shapes have reappeared in a new context, as Plur designed the costumes for the dancers in Tungrodd Rahčamuš Raataminen at
The Norwegian National Ballett @operaen_
where the forms inspired the tops worn on stage.

Plur moves effortlessly between art, fashion and performance, allowing materials to shift between object, garment and movement.

A truly exceptional textile artist whose practice continues to evolve in inspiring ways.
••
For inquiries send DM or mail

••
Tungrodd was choreographed by @simonecharete

Process photo: Tonje Plur
Dance photo: Erik Berg

@tonjeplur AW23 series showcases her signature use of ribbed knit structures, showing her ability to transform textile techniques into sculptural form.

Recently, these curved knitted shapes have reappeared in a new context, as Plur designed the costumes for the dancers in Tungrodd Rahčamuš Raataminen at
The Norwegian National Ballett @operaen_
where the forms inspired the tops worn on stage.

Plur moves effortlessly between art, fashion and performance, allowing materials to shift between object, garment and movement.

A truly exceptional textile artist whose practice continues to evolve in inspiring ways.
••
For inquiries send DM or mail

••
Tungrodd was choreographed by @simonecharete

Process photo: Tonje Plur
Dance photo: Erik Berg

@tonjeplur AW23 series showcases her signature use of ribbed knit structures, showing her ability to transform textile techniques into sculptural form.

Recently, these curved knitted shapes have reappeared in a new context, as Plur designed the costumes for the dancers in Tungrodd Rahčamuš Raataminen at
The Norwegian National Ballett @operaen_
where the forms inspired the tops worn on stage.

Plur moves effortlessly between art, fashion and performance, allowing materials to shift between object, garment and movement.

A truly exceptional textile artist whose practice continues to evolve in inspiring ways.
••
For inquiries send DM or mail

••
Tungrodd was choreographed by @simonecharete

Process photo: Tonje Plur
Dance photo: Erik Berg

Bak ordene / Behind the Words
A documentary music project about migration and belonging.

Thank you to everyone who joined us on 13.4 and shared this special evening with us.

A heartfelt thank you to the incredible people who generously shared their stories, experiences and reflections.

And a huge thank you to the talented musicians who brought the stories to life through music:

• Einar Stefánsson @einar.stefansson – voice
• Helen Lacey@helenlaceysop – voice
• James Girling @james.girling – guitar

Thank you for being part of this beautiful gathering.
🧡

Bak ordene / Behind the Words
A documentary music project about migration and belonging.

Thank you to everyone who joined us on 13.4 and shared this special evening with us.

A heartfelt thank you to the incredible people who generously shared their stories, experiences and reflections.

And a huge thank you to the talented musicians who brought the stories to life through music:

• Einar Stefánsson @einar.stefansson – voice
• Helen Lacey@helenlaceysop – voice
• James Girling @james.girling – guitar

Thank you for being part of this beautiful gathering.
🧡

Bak ordene / Behind the Words
A documentary music project about migration and belonging.

Thank you to everyone who joined us on 13.4 and shared this special evening with us.

A heartfelt thank you to the incredible people who generously shared their stories, experiences and reflections.

And a huge thank you to the talented musicians who brought the stories to life through music:

• Einar Stefánsson @einar.stefansson – voice
• Helen Lacey@helenlaceysop – voice
• James Girling @james.girling – guitar

Thank you for being part of this beautiful gathering.
🧡

Bak ordene / Behind the Words
A documentary music project about migration and belonging.

Thank you to everyone who joined us on 13.4 and shared this special evening with us.

A heartfelt thank you to the incredible people who generously shared their stories, experiences and reflections.

And a huge thank you to the talented musicians who brought the stories to life through music:

• Einar Stefánsson @einar.stefansson – voice
• Helen Lacey@helenlaceysop – voice
• James Girling @james.girling – guitar

Thank you for being part of this beautiful gathering.
🧡

Bak ordene / Behind the Words
A documentary music project about migration and belonging.

Thank you to everyone who joined us on 13.4 and shared this special evening with us.

A heartfelt thank you to the incredible people who generously shared their stories, experiences and reflections.

And a huge thank you to the talented musicians who brought the stories to life through music:

• Einar Stefánsson @einar.stefansson – voice
• Helen Lacey@helenlaceysop – voice
• James Girling @james.girling – guitar

Thank you for being part of this beautiful gathering.
🧡

Bak ordene / Behind the Words
A documentary music project about migration and belonging.

Thank you to everyone who joined us on 13.4 and shared this special evening with us.

A heartfelt thank you to the incredible people who generously shared their stories, experiences and reflections.

And a huge thank you to the talented musicians who brought the stories to life through music:

• Einar Stefánsson @einar.stefansson – voice
• Helen Lacey@helenlaceysop – voice
• James Girling @james.girling – guitar

Thank you for being part of this beautiful gathering.
🧡

Bak ordene / Behind the Words
A documentary music project about migration and belonging.

Thank you to everyone who joined us on 13.4 and shared this special evening with us.

A heartfelt thank you to the incredible people who generously shared their stories, experiences and reflections.

And a huge thank you to the talented musicians who brought the stories to life through music:

• Einar Stefánsson @einar.stefansson – voice
• Helen Lacey@helenlaceysop – voice
• James Girling @james.girling – guitar

Thank you for being part of this beautiful gathering.
🧡

Bak ordene / Behind the Words
A documentary music project about migration and belonging.

Thank you to everyone who joined us on 13.4 and shared this special evening with us.

A heartfelt thank you to the incredible people who generously shared their stories, experiences and reflections.

And a huge thank you to the talented musicians who brought the stories to life through music:

• Einar Stefánsson @einar.stefansson – voice
• Helen Lacey@helenlaceysop – voice
• James Girling @james.girling – guitar

Thank you for being part of this beautiful gathering.
🧡

Bak ordene / Behind the Words
A documentary music project about migration and belonging.

Thank you to everyone who joined us on 13.4 and shared this special evening with us.

A heartfelt thank you to the incredible people who generously shared their stories, experiences and reflections.

And a huge thank you to the talented musicians who brought the stories to life through music:

• Einar Stefánsson @einar.stefansson – voice
• Helen Lacey@helenlaceysop – voice
• James Girling @james.girling – guitar

Thank you for being part of this beautiful gathering.
🧡

Bak ordene / Behind the Words
A documentary music project about migration and belonging.

Thank you to everyone who joined us on 13.4 and shared this special evening with us.

A heartfelt thank you to the incredible people who generously shared their stories, experiences and reflections.

And a huge thank you to the talented musicians who brought the stories to life through music:

• Einar Stefánsson @einar.stefansson – voice
• Helen Lacey@helenlaceysop – voice
• James Girling @james.girling – guitar

Thank you for being part of this beautiful gathering.
🧡

In Amphiphile Chamomile, Lin Xue • @lin_sotto_voce presents photographs that oscillate between micro-scale visions and camera-less intuition.

From observation to sensation, these material-based practices bring light, heat, time, and memory into collaboration.

Each work resonates as both a trace of precarious experience and a quiet, persistent lullaby.
••
On display until 6.may,in the D142 [solo] space
For inquiries send dm or mail

In Amphiphile Chamomile, Lin Xue • @lin_sotto_voce presents photographs that oscillate between micro-scale visions and camera-less intuition.

From observation to sensation, these material-based practices bring light, heat, time, and memory into collaboration.

Each work resonates as both a trace of precarious experience and a quiet, persistent lullaby.
••
On display until 6.may,in the D142 [solo] space
For inquiries send dm or mail

In Amphiphile Chamomile, Lin Xue • @lin_sotto_voce presents photographs that oscillate between micro-scale visions and camera-less intuition.

From observation to sensation, these material-based practices bring light, heat, time, and memory into collaboration.

Each work resonates as both a trace of precarious experience and a quiet, persistent lullaby.
••
On display until 6.may,in the D142 [solo] space
For inquiries send dm or mail

In Amphiphile Chamomile, Lin Xue • @lin_sotto_voce presents photographs that oscillate between micro-scale visions and camera-less intuition.

From observation to sensation, these material-based practices bring light, heat, time, and memory into collaboration.

Each work resonates as both a trace of precarious experience and a quiet, persistent lullaby.
••
On display until 6.may,in the D142 [solo] space
For inquiries send dm or mail

In Amphiphile Chamomile, Lin Xue • @lin_sotto_voce presents photographs that oscillate between micro-scale visions and camera-less intuition.

From observation to sensation, these material-based practices bring light, heat, time, and memory into collaboration.

Each work resonates as both a trace of precarious experience and a quiet, persistent lullaby.
••
On display until 6.may,in the D142 [solo] space
For inquiries send dm or mail

In Amphiphile Chamomile, Lin Xue • @lin_sotto_voce presents photographs that oscillate between micro-scale visions and camera-less intuition.

From observation to sensation, these material-based practices bring light, heat, time, and memory into collaboration.

Each work resonates as both a trace of precarious experience and a quiet, persistent lullaby.
••
On display until 6.may,in the D142 [solo] space
For inquiries send dm or mail