Instagram Hikaye Görüntüleyici

•\A Small Slice Of BadBoi/•

A massive thank you to everybody that visited my Final Degree Show.

A Small Slice of BadBoi looks at the relationship between the Individual, the Community and the Establishment through rule making and breaking.

Thank you @rio.rayy for bringing the work alive on the night of the PV, and for the shared conversations/experiences that allowed the creation of this piece.

More details and footage will be available over the coming days on @jigglypull ( and upcoming website which will be available in my Bio)

•\A Small Slice Of BadBoi/•

A massive thank you to everybody that visited my Final Degree Show.

A Small Slice of BadBoi looks at the relationship between the Individual, the Community and the Establishment through rule making and breaking.

Thank you @rio.rayy for bringing the work alive on the night of the PV, and for the shared conversations/experiences that allowed the creation of this piece.

More details and footage will be available over the coming days on @jigglypull ( and upcoming website which will be available in my Bio)

•\A Small Slice Of BadBoi/•

A massive thank you to everybody that visited my Final Degree Show.

A Small Slice of BadBoi looks at the relationship between the Individual, the Community and the Establishment through rule making and breaking.

Thank you @rio.rayy for bringing the work alive on the night of the PV, and for the shared conversations/experiences that allowed the creation of this piece.

More details and footage will be available over the coming days on @jigglypull ( and upcoming website which will be available in my Bio)

•\A Small Slice Of BadBoi/•

A massive thank you to everybody that visited my Final Degree Show.

A Small Slice of BadBoi looks at the relationship between the Individual, the Community and the Establishment through rule making and breaking.

Thank you @rio.rayy for bringing the work alive on the night of the PV, and for the shared conversations/experiences that allowed the creation of this piece.

More details and footage will be available over the coming days on @jigglypull ( and upcoming website which will be available in my Bio)

•\A Small Slice Of BadBoi/•

A massive thank you to everybody that visited my Final Degree Show.

A Small Slice of BadBoi looks at the relationship between the Individual, the Community and the Establishment through rule making and breaking.

Thank you @rio.rayy for bringing the work alive on the night of the PV, and for the shared conversations/experiences that allowed the creation of this piece.

More details and footage will be available over the coming days on @jigglypull ( and upcoming website which will be available in my Bio)

•\A Small Slice Of BadBoi/•

A massive thank you to everybody that visited my Final Degree Show.

A Small Slice of BadBoi looks at the relationship between the Individual, the Community and the Establishment through rule making and breaking.

Thank you @rio.rayy for bringing the work alive on the night of the PV, and for the shared conversations/experiences that allowed the creation of this piece.

More details and footage will be available over the coming days on @jigglypull ( and upcoming website which will be available in my Bio)

•\A Small Slice Of BadBoi/•

A massive thank you to everybody that visited my Final Degree Show.

A Small Slice of BadBoi looks at the relationship between the Individual, the Community and the Establishment through rule making and breaking.

Thank you @rio.rayy for bringing the work alive on the night of the PV, and for the shared conversations/experiences that allowed the creation of this piece.

More details and footage will be available over the coming days on @jigglypull ( and upcoming website which will be available in my Bio)

‘Mapping Place, Mapping Self’
18.00 – 21.30
Manton Studio, Tate Britain
@tatecollective @tate

I’m hosting a workshop tomorrow inspired by the work of @hurvinanderson

Come and make your mark on a collective map of London and create postcards as a souvenir of your Late at Tate Britain Experience.

Trace your journeys across the city, mapping movement, routine, migration, and emotional geographies. Take part in transforming the Map and Postcards into a collective, living archive of personal geographies.

Come say hey 💌 👋

‘Mapping Place, Mapping Self’
18.00 – 21.30
Manton Studio, Tate Britain
@tatecollective @tate

I’m hosting a workshop tomorrow inspired by the work of @hurvinanderson

Come and make your mark on a collective map of London and create postcards as a souvenir of your Late at Tate Britain Experience.

Trace your journeys across the city, mapping movement, routine, migration, and emotional geographies. Take part in transforming the Map and Postcards into a collective, living archive of personal geographies.

Come say hey 💌 👋

‘Mapping Place, Mapping Self’
18.00 – 21.30
Manton Studio, Tate Britain
@tatecollective @tate

I’m hosting a workshop tomorrow inspired by the work of @hurvinanderson

Come and make your mark on a collective map of London and create postcards as a souvenir of your Late at Tate Britain Experience.

Trace your journeys across the city, mapping movement, routine, migration, and emotional geographies. Take part in transforming the Map and Postcards into a collective, living archive of personal geographies.

Come say hey 💌 👋

‘Mapping Place, Mapping Self’
18.00 – 21.30
Manton Studio, Tate Britain
@tatecollective @tate

I’m hosting a workshop tomorrow inspired by the work of @hurvinanderson

Come and make your mark on a collective map of London and create postcards as a souvenir of your Late at Tate Britain Experience.

Trace your journeys across the city, mapping movement, routine, migration, and emotional geographies. Take part in transforming the Map and Postcards into a collective, living archive of personal geographies.

Come say hey 💌 👋

‘Mapping Place, Mapping Self’
18.00 – 21.30
Manton Studio, Tate Britain
@tatecollective @tate

I’m hosting a workshop tomorrow inspired by the work of @hurvinanderson

Come and make your mark on a collective map of London and create postcards as a souvenir of your Late at Tate Britain Experience.

Trace your journeys across the city, mapping movement, routine, migration, and emotional geographies. Take part in transforming the Map and Postcards into a collective, living archive of personal geographies.

Come say hey 💌 👋

‘Mapping Place, Mapping Self’
18.00 – 21.30
Manton Studio, Tate Britain
@tatecollective @tate

I’m hosting a workshop tomorrow inspired by the work of @hurvinanderson

Come and make your mark on a collective map of London and create postcards as a souvenir of your Late at Tate Britain Experience.

Trace your journeys across the city, mapping movement, routine, migration, and emotional geographies. Take part in transforming the Map and Postcards into a collective, living archive of personal geographies.

Come say hey 💌 👋

‘Mapping Place, Mapping Self’
18.00 – 21.30
Manton Studio, Tate Britain
@tatecollective @tate

I’m hosting a workshop tomorrow inspired by the work of @hurvinanderson

Come and make your mark on a collective map of London and create postcards as a souvenir of your Late at Tate Britain Experience.

Trace your journeys across the city, mapping movement, routine, migration, and emotional geographies. Take part in transforming the Map and Postcards into a collective, living archive of personal geographies.

Come say hey 💌 👋

‘Mapping Place, Mapping Self’
18.00 – 21.30
Manton Studio, Tate Britain
@tatecollective @tate

I’m hosting a workshop tomorrow inspired by the work of @hurvinanderson

Come and make your mark on a collective map of London and create postcards as a souvenir of your Late at Tate Britain Experience.

Trace your journeys across the city, mapping movement, routine, migration, and emotional geographies. Take part in transforming the Map and Postcards into a collective, living archive of personal geographies.

Come say hey 💌 👋

‘What do you know because you’ve lived it?’

‘What inherited beliefs do you question?’

‘How can empathy teach us?’

‘What histories remain untold?’

These prompts and more were explored at ‘Other Ways of Knowing’, a workshop I facilitated at @britishmuseum @bmyoungpeople

We explored how other forms of knowledge exists from daily experience through collage and text in handmade zines and art books.

Thank you @karljmurphy and @patrice_parker1

‘What do you know because you’ve lived it?’

‘What inherited beliefs do you question?’

‘How can empathy teach us?’

‘What histories remain untold?’

These prompts and more were explored at ‘Other Ways of Knowing’, a workshop I facilitated at @britishmuseum @bmyoungpeople

We explored how other forms of knowledge exists from daily experience through collage and text in handmade zines and art books.

Thank you @karljmurphy and @patrice_parker1

‘What do you know because you’ve lived it?’

‘What inherited beliefs do you question?’

‘How can empathy teach us?’

‘What histories remain untold?’

These prompts and more were explored at ‘Other Ways of Knowing’, a workshop I facilitated at @britishmuseum @bmyoungpeople

We explored how other forms of knowledge exists from daily experience through collage and text in handmade zines and art books.

Thank you @karljmurphy and @patrice_parker1

‘What do you know because you’ve lived it?’

‘What inherited beliefs do you question?’

‘How can empathy teach us?’

‘What histories remain untold?’

These prompts and more were explored at ‘Other Ways of Knowing’, a workshop I facilitated at @britishmuseum @bmyoungpeople

We explored how other forms of knowledge exists from daily experience through collage and text in handmade zines and art books.

Thank you @karljmurphy and @patrice_parker1

‘What do you know because you’ve lived it?’

‘What inherited beliefs do you question?’

‘How can empathy teach us?’

‘What histories remain untold?’

These prompts and more were explored at ‘Other Ways of Knowing’, a workshop I facilitated at @britishmuseum @bmyoungpeople

We explored how other forms of knowledge exists from daily experience through collage and text in handmade zines and art books.

Thank you @karljmurphy and @patrice_parker1

‘What do you know because you’ve lived it?’

‘What inherited beliefs do you question?’

‘How can empathy teach us?’

‘What histories remain untold?’

These prompts and more were explored at ‘Other Ways of Knowing’, a workshop I facilitated at @britishmuseum @bmyoungpeople

We explored how other forms of knowledge exists from daily experience through collage and text in handmade zines and art books.

Thank you @karljmurphy and @patrice_parker1

‘What do you know because you’ve lived it?’

‘What inherited beliefs do you question?’

‘How can empathy teach us?’

‘What histories remain untold?’

These prompts and more were explored at ‘Other Ways of Knowing’, a workshop I facilitated at @britishmuseum @bmyoungpeople

We explored how other forms of knowledge exists from daily experience through collage and text in handmade zines and art books.

Thank you @karljmurphy and @patrice_parker1

‘What do you know because you’ve lived it?’

‘What inherited beliefs do you question?’

‘How can empathy teach us?’

‘What histories remain untold?’

These prompts and more were explored at ‘Other Ways of Knowing’, a workshop I facilitated at @britishmuseum @bmyoungpeople

We explored how other forms of knowledge exists from daily experience through collage and text in handmade zines and art books.

Thank you @karljmurphy and @patrice_parker1

‘What do you know because you’ve lived it?’

‘What inherited beliefs do you question?’

‘How can empathy teach us?’

‘What histories remain untold?’

These prompts and more were explored at ‘Other Ways of Knowing’, a workshop I facilitated at @britishmuseum @bmyoungpeople

We explored how other forms of knowledge exists from daily experience through collage and text in handmade zines and art books.

Thank you @karljmurphy and @patrice_parker1

‘What do you know because you’ve lived it?’

‘What inherited beliefs do you question?’

‘How can empathy teach us?’

‘What histories remain untold?’

These prompts and more were explored at ‘Other Ways of Knowing’, a workshop I facilitated at @britishmuseum @bmyoungpeople

We explored how other forms of knowledge exists from daily experience through collage and text in handmade zines and art books.

Thank you @karljmurphy and @patrice_parker1

‘What do you know because you’ve lived it?’

‘What inherited beliefs do you question?’

‘How can empathy teach us?’

‘What histories remain untold?’

These prompts and more were explored at ‘Other Ways of Knowing’, a workshop I facilitated at @britishmuseum @bmyoungpeople

We explored how other forms of knowledge exists from daily experience through collage and text in handmade zines and art books.

Thank you @karljmurphy and @patrice_parker1

‘What do you know because you’ve lived it?’

‘What inherited beliefs do you question?’

‘How can empathy teach us?’

‘What histories remain untold?’

These prompts and more were explored at ‘Other Ways of Knowing’, a workshop I facilitated at @britishmuseum @bmyoungpeople

We explored how other forms of knowledge exists from daily experience through collage and text in handmade zines and art books.

Thank you @karljmurphy and @patrice_parker1

‘What do you know because you’ve lived it?’

‘What inherited beliefs do you question?’

‘How can empathy teach us?’

‘What histories remain untold?’

These prompts and more were explored at ‘Other Ways of Knowing’, a workshop I facilitated at @britishmuseum @bmyoungpeople

We explored how other forms of knowledge exists from daily experience through collage and text in handmade zines and art books.

Thank you @karljmurphy and @patrice_parker1

In just over a weeks time I will be facilitating ’Other Ways of Knowing’, a zine making workshop as part of the ‘Young People’s Lates’ programme at the @britishmuseum

In this workshop, participants explore how knowledge can be formed beyond formal academic structures. We’ll consider how everyday experiences such as conversations and environments are valuable forms of research.

Guided prompts and zine-making will support reflections on memory, place, situations and truths to form what we unknowingly know.

I hope to see you on Friday 8th May 2026 from 5:30pm-8:30pm for ‘Make, mend and do it yourself’ -https://www.britishmuseum.org/events/make-mend-and-do-it-yourself

In just over a weeks time I will be facilitating ’Other Ways of Knowing’, a zine making workshop as part of the ‘Young People’s Lates’ programme at the @britishmuseum

In this workshop, participants explore how knowledge can be formed beyond formal academic structures. We’ll consider how everyday experiences such as conversations and environments are valuable forms of research.

Guided prompts and zine-making will support reflections on memory, place, situations and truths to form what we unknowingly know.

I hope to see you on Friday 8th May 2026 from 5:30pm-8:30pm for ‘Make, mend and do it yourself’ -https://www.britishmuseum.org/events/make-mend-and-do-it-yourself

In just over a weeks time I will be facilitating ’Other Ways of Knowing’, a zine making workshop as part of the ‘Young People’s Lates’ programme at the @britishmuseum

In this workshop, participants explore how knowledge can be formed beyond formal academic structures. We’ll consider how everyday experiences such as conversations and environments are valuable forms of research.

Guided prompts and zine-making will support reflections on memory, place, situations and truths to form what we unknowingly know.

I hope to see you on Friday 8th May 2026 from 5:30pm-8:30pm for ‘Make, mend and do it yourself’ -https://www.britishmuseum.org/events/make-mend-and-do-it-yourself

‘Horizon’ is currently on show at ‘Second Pressing’, a wonderful show exhibiting 8 artists exploring 8 vinyls across 8 decades.

Curated by @karimbitar1 @meetinthemidi, presented by @bleur_art, supported by @harlesdenhighstreet with music facilitated by @audiotechnicaemea alongside all the amazing artists who have come together to showcase 80 years of music.

Second Pressing is open until the 23rd of March 2026 at 62-64 Baker Street, 10am-7pm

‘Horizon’ is currently on show at ‘Second Pressing’, a wonderful show exhibiting 8 artists exploring 8 vinyls across 8 decades.

Curated by @karimbitar1 @meetinthemidi, presented by @bleur_art, supported by @harlesdenhighstreet with music facilitated by @audiotechnicaemea alongside all the amazing artists who have come together to showcase 80 years of music.

Second Pressing is open until the 23rd of March 2026 at 62-64 Baker Street, 10am-7pm

‘Horizon’ is currently on show at ‘Second Pressing’, a wonderful show exhibiting 8 artists exploring 8 vinyls across 8 decades.

Curated by @karimbitar1 @meetinthemidi, presented by @bleur_art, supported by @harlesdenhighstreet with music facilitated by @audiotechnicaemea alongside all the amazing artists who have come together to showcase 80 years of music.

Second Pressing is open until the 23rd of March 2026 at 62-64 Baker Street, 10am-7pm

‘Horizon’ is currently on show at ‘Second Pressing’, a wonderful show exhibiting 8 artists exploring 8 vinyls across 8 decades.

Curated by @karimbitar1 @meetinthemidi, presented by @bleur_art, supported by @harlesdenhighstreet with music facilitated by @audiotechnicaemea alongside all the amazing artists who have come together to showcase 80 years of music.

Second Pressing is open until the 23rd of March 2026 at 62-64 Baker Street, 10am-7pm

‘Horizon’ is currently on show at ‘Second Pressing’, a wonderful show exhibiting 8 artists exploring 8 vinyls across 8 decades.

Curated by @karimbitar1 @meetinthemidi, presented by @bleur_art, supported by @harlesdenhighstreet with music facilitated by @audiotechnicaemea alongside all the amazing artists who have come together to showcase 80 years of music.

Second Pressing is open until the 23rd of March 2026 at 62-64 Baker Street, 10am-7pm

‘Horizon’ is currently on show at ‘Second Pressing’, a wonderful show exhibiting 8 artists exploring 8 vinyls across 8 decades.

Curated by @karimbitar1 @meetinthemidi, presented by @bleur_art, supported by @harlesdenhighstreet with music facilitated by @audiotechnicaemea alongside all the amazing artists who have come together to showcase 80 years of music.

Second Pressing is open until the 23rd of March 2026 at 62-64 Baker Street, 10am-7pm

Melissa Newbery Welcome | Second Pressing
 
“I think it captures a whimsical escapism that I’ve always yearned to experience. Whether that’s through gaming or dreaming of warmer weather, that worldbuilding experience is one that nostalgia paints through rose-tinted memories yet to be had.”
 
We’re getting excited as it’s less than a week to go before BLEUR opens its doors for the final time in Baker Street for BLEUR presents Second Pressing, an art exhibition curated by Meet In The MIDI where 8 talented artists have reimagined 8 LPs from 8 decades!
 
We had the privilege of shooting the artists in their creative spaces and getting a glimpse of what their approach and process has been like for the exhibition. Melissa’s passion shone through as they gave us a unique insight into their Phototransfer technique used for the exhibition with the inspiration hanging proudly in their studio.
 
Melissa is representing the 1970s and chose to reimagine Masayoshi Takanaka’s Brasilian Skies.   
 
Read about how Melissa has injected a dose of escapism into their work from a proud South Londoner’s lens alongside @nahwandjaff photography and make sure you come to the opening night to see their work ‘Horizon’ on Wednesday 11th March.

Melissa Newbery Welcome | Second Pressing
 
“I think it captures a whimsical escapism that I’ve always yearned to experience. Whether that’s through gaming or dreaming of warmer weather, that worldbuilding experience is one that nostalgia paints through rose-tinted memories yet to be had.”
 
We’re getting excited as it’s less than a week to go before BLEUR opens its doors for the final time in Baker Street for BLEUR presents Second Pressing, an art exhibition curated by Meet In The MIDI where 8 talented artists have reimagined 8 LPs from 8 decades!
 
We had the privilege of shooting the artists in their creative spaces and getting a glimpse of what their approach and process has been like for the exhibition. Melissa’s passion shone through as they gave us a unique insight into their Phototransfer technique used for the exhibition with the inspiration hanging proudly in their studio.
 
Melissa is representing the 1970s and chose to reimagine Masayoshi Takanaka’s Brasilian Skies.   
 
Read about how Melissa has injected a dose of escapism into their work from a proud South Londoner’s lens alongside @nahwandjaff photography and make sure you come to the opening night to see their work ‘Horizon’ on Wednesday 11th March.

Melissa Newbery Welcome | Second Pressing
 
“I think it captures a whimsical escapism that I’ve always yearned to experience. Whether that’s through gaming or dreaming of warmer weather, that worldbuilding experience is one that nostalgia paints through rose-tinted memories yet to be had.”
 
We’re getting excited as it’s less than a week to go before BLEUR opens its doors for the final time in Baker Street for BLEUR presents Second Pressing, an art exhibition curated by Meet In The MIDI where 8 talented artists have reimagined 8 LPs from 8 decades!
 
We had the privilege of shooting the artists in their creative spaces and getting a glimpse of what their approach and process has been like for the exhibition. Melissa’s passion shone through as they gave us a unique insight into their Phototransfer technique used for the exhibition with the inspiration hanging proudly in their studio.
 
Melissa is representing the 1970s and chose to reimagine Masayoshi Takanaka’s Brasilian Skies.   
 
Read about how Melissa has injected a dose of escapism into their work from a proud South Londoner’s lens alongside @nahwandjaff photography and make sure you come to the opening night to see their work ‘Horizon’ on Wednesday 11th March.

Melissa Newbery Welcome | Second Pressing
 
“I think it captures a whimsical escapism that I’ve always yearned to experience. Whether that’s through gaming or dreaming of warmer weather, that worldbuilding experience is one that nostalgia paints through rose-tinted memories yet to be had.”
 
We’re getting excited as it’s less than a week to go before BLEUR opens its doors for the final time in Baker Street for BLEUR presents Second Pressing, an art exhibition curated by Meet In The MIDI where 8 talented artists have reimagined 8 LPs from 8 decades!
 
We had the privilege of shooting the artists in their creative spaces and getting a glimpse of what their approach and process has been like for the exhibition. Melissa’s passion shone through as they gave us a unique insight into their Phototransfer technique used for the exhibition with the inspiration hanging proudly in their studio.
 
Melissa is representing the 1970s and chose to reimagine Masayoshi Takanaka’s Brasilian Skies.   
 
Read about how Melissa has injected a dose of escapism into their work from a proud South Londoner’s lens alongside @nahwandjaff photography and make sure you come to the opening night to see their work ‘Horizon’ on Wednesday 11th March.

Melissa Newbery Welcome | Second Pressing
 
“I think it captures a whimsical escapism that I’ve always yearned to experience. Whether that’s through gaming or dreaming of warmer weather, that worldbuilding experience is one that nostalgia paints through rose-tinted memories yet to be had.”
 
We’re getting excited as it’s less than a week to go before BLEUR opens its doors for the final time in Baker Street for BLEUR presents Second Pressing, an art exhibition curated by Meet In The MIDI where 8 talented artists have reimagined 8 LPs from 8 decades!
 
We had the privilege of shooting the artists in their creative spaces and getting a glimpse of what their approach and process has been like for the exhibition. Melissa’s passion shone through as they gave us a unique insight into their Phototransfer technique used for the exhibition with the inspiration hanging proudly in their studio.
 
Melissa is representing the 1970s and chose to reimagine Masayoshi Takanaka’s Brasilian Skies.   
 
Read about how Melissa has injected a dose of escapism into their work from a proud South Londoner’s lens alongside @nahwandjaff photography and make sure you come to the opening night to see their work ‘Horizon’ on Wednesday 11th March.

Melissa Newbery Welcome | Second Pressing
 
“I think it captures a whimsical escapism that I’ve always yearned to experience. Whether that’s through gaming or dreaming of warmer weather, that worldbuilding experience is one that nostalgia paints through rose-tinted memories yet to be had.”
 
We’re getting excited as it’s less than a week to go before BLEUR opens its doors for the final time in Baker Street for BLEUR presents Second Pressing, an art exhibition curated by Meet In The MIDI where 8 talented artists have reimagined 8 LPs from 8 decades!
 
We had the privilege of shooting the artists in their creative spaces and getting a glimpse of what their approach and process has been like for the exhibition. Melissa’s passion shone through as they gave us a unique insight into their Phototransfer technique used for the exhibition with the inspiration hanging proudly in their studio.
 
Melissa is representing the 1970s and chose to reimagine Masayoshi Takanaka’s Brasilian Skies.   
 
Read about how Melissa has injected a dose of escapism into their work from a proud South Londoner’s lens alongside @nahwandjaff photography and make sure you come to the opening night to see their work ‘Horizon’ on Wednesday 11th March.

Ayo,Bruv!
9” x 7” (x2)

This series of cement block sculptures pay homage to the everyday language spoken in local spaces. By casting these familiar phrases in concrete, the work literally solidifies overlooked expressions that define community identity and relations.

Currently on show at Touchpoint @agbi_1814

Happy New Year! To kick off 2026, I’m delighted to announce that my work ‘Euro21’ has been shortlisted for the John Ruskin Prize.

The John Ruskin Prize 2026 exhibition will take place at Trinity Buoy Wharf from Thursday 29 January to Saturday 21 February 2026. This years selection will showcase interdisciplinary works responding to this year’s theme, Patience in Looking, Truth in Making.

Many thanks to the judges:
Julian Wild
Mary Evans
Victoria Pomery
Neal Shasore OBE FRIBA
Nicola Johnson OBE FSA

@ParkerHarrisCo @TrinityBuoyWharf @TheBigDraw

The ‘Walking as Resource’ workshop with @south2roots & @grafters_collective took place last Friday in the surrounding area of @acme.art Billet Road Studio.

Through this session, we let our intuition guide our journey & documented our discoveries though moments of stillness.

Swipe though snaps of the land we discovered and spent time with.

(Workshop hosted and snapped by @jigglypull)

The ‘Walking as Resource’ workshop with @south2roots & @grafters_collective took place last Friday in the surrounding area of @acme.art Billet Road Studio.

Through this session, we let our intuition guide our journey & documented our discoveries though moments of stillness.

Swipe though snaps of the land we discovered and spent time with.

(Workshop hosted and snapped by @jigglypull)

The ‘Walking as Resource’ workshop with @south2roots & @grafters_collective took place last Friday in the surrounding area of @acme.art Billet Road Studio.

Through this session, we let our intuition guide our journey & documented our discoveries though moments of stillness.

Swipe though snaps of the land we discovered and spent time with.

(Workshop hosted and snapped by @jigglypull)

The ‘Walking as Resource’ workshop with @south2roots & @grafters_collective took place last Friday in the surrounding area of @acme.art Billet Road Studio.

Through this session, we let our intuition guide our journey & documented our discoveries though moments of stillness.

Swipe though snaps of the land we discovered and spent time with.

(Workshop hosted and snapped by @jigglypull)

The ‘Walking as Resource’ workshop with @south2roots & @grafters_collective took place last Friday in the surrounding area of @acme.art Billet Road Studio.

Through this session, we let our intuition guide our journey & documented our discoveries though moments of stillness.

Swipe though snaps of the land we discovered and spent time with.

(Workshop hosted and snapped by @jigglypull)

The ‘Walking as Resource’ workshop with @south2roots & @grafters_collective took place last Friday in the surrounding area of @acme.art Billet Road Studio.

Through this session, we let our intuition guide our journey & documented our discoveries though moments of stillness.

Swipe though snaps of the land we discovered and spent time with.

(Workshop hosted and snapped by @jigglypull)

Walking as Resource – Workshop with @South2Roots & @grafters_collective

Join us for an afternoon of observation and collective mapping through walking and making. Together we’ll explore the area surrounding @acme.art new studio building as starting point for practice. Open to artists, writers, performers, locals, and anyone curious about creative walking and collective documentation.

Acme Studios, 158–160 Billet Road, Walthamstow, E17 5DT
Friday 19 Dec | 1–4 PM
RSVP via Eventbrite in bio (£1.79)

Paper and crayons are provided, if you prefer specific materials, feel free to bring them. (Don’t forget something to lean on for moments of documentation).

This is a phone free workshop, but digtal/analogue cameras are allowed.

#WalkingAsResource #South2Roots #GraftersCollective #WalthamstowArt

I’ve started Substack… well 4 Substacks ago.

And lucky for you all, this time is my first voiceover Substack. In this edition I discuss community imposter syndrome, discretionary time poverty and unlearning bias to runners?

Swipe through and click the link in the bio to read what you may have missed.

I’ve started Substack… well 4 Substacks ago.

And lucky for you all, this time is my first voiceover Substack. In this edition I discuss community imposter syndrome, discretionary time poverty and unlearning bias to runners?

Swipe through and click the link in the bio to read what you may have missed.

I’ve started Substack… well 4 Substacks ago.

And lucky for you all, this time is my first voiceover Substack. In this edition I discuss community imposter syndrome, discretionary time poverty and unlearning bias to runners?

Swipe through and click the link in the bio to read what you may have missed.

I’ve started Substack… well 4 Substacks ago.

And lucky for you all, this time is my first voiceover Substack. In this edition I discuss community imposter syndrome, discretionary time poverty and unlearning bias to runners?

Swipe through and click the link in the bio to read what you may have missed.

Todays the final day of ‘Over and Out’

Catch it whilst you can at 10 Steedman Street, SE17 3AF 2-7pm

I will be hosting the first of many workshops with @south2roots today from 6-7:30pm!

In the meantime, enjoy these lovely pics from the PV!

Image 1: @kit.lovelock

Todays the final day of ‘Over and Out’

Catch it whilst you can at 10 Steedman Street, SE17 3AF 2-7pm

I will be hosting the first of many workshops with @south2roots today from 6-7:30pm!

In the meantime, enjoy these lovely pics from the PV!

Image 1: @kit.lovelock

Todays the final day of ‘Over and Out’

Catch it whilst you can at 10 Steedman Street, SE17 3AF 2-7pm

I will be hosting the first of many workshops with @south2roots today from 6-7:30pm!

In the meantime, enjoy these lovely pics from the PV!

Image 1: @kit.lovelock

Todays the final day of ‘Over and Out’

Catch it whilst you can at 10 Steedman Street, SE17 3AF 2-7pm

I will be hosting the first of many workshops with @south2roots today from 6-7:30pm!

In the meantime, enjoy these lovely pics from the PV!

Image 1: @kit.lovelock

Todays the final day of ‘Over and Out’

Catch it whilst you can at 10 Steedman Street, SE17 3AF 2-7pm

I will be hosting the first of many workshops with @south2roots today from 6-7:30pm!

In the meantime, enjoy these lovely pics from the PV!

Image 1: @kit.lovelock