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This will be LONG.
For winning OFFIES Design 2026.
I can’t find BTS photos so I release more production shots. We were busy carrying soil.
Thank you, team Loop, for trusting me throughout the process. This award belongs to the whole team.
Thank you Theatre503 for supporting new writing and giving us space to experiment.
Special thanks to Mydd for the astonishing set. It’s my pleasure to be nominated with you. And Jamie, not only the SD of Loop but also my constant mental support.
Love to my family, friends back home and London Losers.
///
Growing up in an Asian education system and family, I never imagined I could win an award in the UK. I’ve always felt I wasn’t good enough, and I still think there’s so much more to improve.
It’s very difficult to say how hard this journey has been. Working with my second language especially theatre is all about that is a big challenge for me. Coming to a foreign country and industry without any connections is also pretty scary. How is this possible?
OFFIES celebrates off-West End and independent theatre. It is big but also small. While many of my friends are designing large-scale productions, I’ve spent years battling with scholarships, the pandemic, homesickness, and visas. Now I have finally reached a milestone in my career. NGL, it feels so so so good.
P.S. Smaller spaces don’t mean they are easier. I reckon making small spaces speak loudly is one of my strengths.
Shoutout to all my migrant friends. Keep going, you will be seen. I don’t want to represent anyone, but I’m proud to be one of the Asian names on stage. I will love to see all of you getting awards and be proud of yourselves. You know how far you have come from, and you all are amazing.
It’s hard to define what “good design” is — especially in lighting, where we don’t always see the full picture behind the scenes. But I know every designer is doing their best. I truly believe there are so many great designs are not mentioned.
Lastly, please please please hire me, AV check me, email me. That would be the best support and compliment.
Also, I’m looking for an agent! Please get in touch!!
With my heart,
Cheng💡
///
📷 Zoë Birkbeck
This will be LONG.
For winning OFFIES Design 2026.
I can’t find BTS photos so I release more production shots. We were busy carrying soil.
Thank you, team Loop, for trusting me throughout the process. This award belongs to the whole team.
Thank you Theatre503 for supporting new writing and giving us space to experiment.
Special thanks to Mydd for the astonishing set. It’s my pleasure to be nominated with you. And Jamie, not only the SD of Loop but also my constant mental support.
Love to my family, friends back home and London Losers.
///
Growing up in an Asian education system and family, I never imagined I could win an award in the UK. I’ve always felt I wasn’t good enough, and I still think there’s so much more to improve.
It’s very difficult to say how hard this journey has been. Working with my second language especially theatre is all about that is a big challenge for me. Coming to a foreign country and industry without any connections is also pretty scary. How is this possible?
OFFIES celebrates off-West End and independent theatre. It is big but also small. While many of my friends are designing large-scale productions, I’ve spent years battling with scholarships, the pandemic, homesickness, and visas. Now I have finally reached a milestone in my career. NGL, it feels so so so good.
P.S. Smaller spaces don’t mean they are easier. I reckon making small spaces speak loudly is one of my strengths.
Shoutout to all my migrant friends. Keep going, you will be seen. I don’t want to represent anyone, but I’m proud to be one of the Asian names on stage. I will love to see all of you getting awards and be proud of yourselves. You know how far you have come from, and you all are amazing.
It’s hard to define what “good design” is — especially in lighting, where we don’t always see the full picture behind the scenes. But I know every designer is doing their best. I truly believe there are so many great designs are not mentioned.
Lastly, please please please hire me, AV check me, email me. That would be the best support and compliment.
Also, I’m looking for an agent! Please get in touch!!
With my heart,
Cheng💡
///
📷 Zoë Birkbeck
This will be LONG.
For winning OFFIES Design 2026.
I can’t find BTS photos so I release more production shots. We were busy carrying soil.
Thank you, team Loop, for trusting me throughout the process. This award belongs to the whole team.
Thank you Theatre503 for supporting new writing and giving us space to experiment.
Special thanks to Mydd for the astonishing set. It’s my pleasure to be nominated with you. And Jamie, not only the SD of Loop but also my constant mental support.
Love to my family, friends back home and London Losers.
///
Growing up in an Asian education system and family, I never imagined I could win an award in the UK. I’ve always felt I wasn’t good enough, and I still think there’s so much more to improve.
It’s very difficult to say how hard this journey has been. Working with my second language especially theatre is all about that is a big challenge for me. Coming to a foreign country and industry without any connections is also pretty scary. How is this possible?
OFFIES celebrates off-West End and independent theatre. It is big but also small. While many of my friends are designing large-scale productions, I’ve spent years battling with scholarships, the pandemic, homesickness, and visas. Now I have finally reached a milestone in my career. NGL, it feels so so so good.
P.S. Smaller spaces don’t mean they are easier. I reckon making small spaces speak loudly is one of my strengths.
Shoutout to all my migrant friends. Keep going, you will be seen. I don’t want to represent anyone, but I’m proud to be one of the Asian names on stage. I will love to see all of you getting awards and be proud of yourselves. You know how far you have come from, and you all are amazing.
It’s hard to define what “good design” is — especially in lighting, where we don’t always see the full picture behind the scenes. But I know every designer is doing their best. I truly believe there are so many great designs are not mentioned.
Lastly, please please please hire me, AV check me, email me. That would be the best support and compliment.
Also, I’m looking for an agent! Please get in touch!!
With my heart,
Cheng💡
///
📷 Zoë Birkbeck
This will be LONG.
For winning OFFIES Design 2026.
I can’t find BTS photos so I release more production shots. We were busy carrying soil.
Thank you, team Loop, for trusting me throughout the process. This award belongs to the whole team.
Thank you Theatre503 for supporting new writing and giving us space to experiment.
Special thanks to Mydd for the astonishing set. It’s my pleasure to be nominated with you. And Jamie, not only the SD of Loop but also my constant mental support.
Love to my family, friends back home and London Losers.
///
Growing up in an Asian education system and family, I never imagined I could win an award in the UK. I’ve always felt I wasn’t good enough, and I still think there’s so much more to improve.
It’s very difficult to say how hard this journey has been. Working with my second language especially theatre is all about that is a big challenge for me. Coming to a foreign country and industry without any connections is also pretty scary. How is this possible?
OFFIES celebrates off-West End and independent theatre. It is big but also small. While many of my friends are designing large-scale productions, I’ve spent years battling with scholarships, the pandemic, homesickness, and visas. Now I have finally reached a milestone in my career. NGL, it feels so so so good.
P.S. Smaller spaces don’t mean they are easier. I reckon making small spaces speak loudly is one of my strengths.
Shoutout to all my migrant friends. Keep going, you will be seen. I don’t want to represent anyone, but I’m proud to be one of the Asian names on stage. I will love to see all of you getting awards and be proud of yourselves. You know how far you have come from, and you all are amazing.
It’s hard to define what “good design” is — especially in lighting, where we don’t always see the full picture behind the scenes. But I know every designer is doing their best. I truly believe there are so many great designs are not mentioned.
Lastly, please please please hire me, AV check me, email me. That would be the best support and compliment.
Also, I’m looking for an agent! Please get in touch!!
With my heart,
Cheng💡
///
📷 Zoë Birkbeck
This will be LONG.
For winning OFFIES Design 2026.
I can’t find BTS photos so I release more production shots. We were busy carrying soil.
Thank you, team Loop, for trusting me throughout the process. This award belongs to the whole team.
Thank you Theatre503 for supporting new writing and giving us space to experiment.
Special thanks to Mydd for the astonishing set. It’s my pleasure to be nominated with you. And Jamie, not only the SD of Loop but also my constant mental support.
Love to my family, friends back home and London Losers.
///
Growing up in an Asian education system and family, I never imagined I could win an award in the UK. I’ve always felt I wasn’t good enough, and I still think there’s so much more to improve.
It’s very difficult to say how hard this journey has been. Working with my second language especially theatre is all about that is a big challenge for me. Coming to a foreign country and industry without any connections is also pretty scary. How is this possible?
OFFIES celebrates off-West End and independent theatre. It is big but also small. While many of my friends are designing large-scale productions, I’ve spent years battling with scholarships, the pandemic, homesickness, and visas. Now I have finally reached a milestone in my career. NGL, it feels so so so good.
P.S. Smaller spaces don’t mean they are easier. I reckon making small spaces speak loudly is one of my strengths.
Shoutout to all my migrant friends. Keep going, you will be seen. I don’t want to represent anyone, but I’m proud to be one of the Asian names on stage. I will love to see all of you getting awards and be proud of yourselves. You know how far you have come from, and you all are amazing.
It’s hard to define what “good design” is — especially in lighting, where we don’t always see the full picture behind the scenes. But I know every designer is doing their best. I truly believe there are so many great designs are not mentioned.
Lastly, please please please hire me, AV check me, email me. That would be the best support and compliment.
Also, I’m looking for an agent! Please get in touch!!
With my heart,
Cheng💡
///
📷 Zoë Birkbeck
This will be LONG.
For winning OFFIES Design 2026.
I can’t find BTS photos so I release more production shots. We were busy carrying soil.
Thank you, team Loop, for trusting me throughout the process. This award belongs to the whole team.
Thank you Theatre503 for supporting new writing and giving us space to experiment.
Special thanks to Mydd for the astonishing set. It’s my pleasure to be nominated with you. And Jamie, not only the SD of Loop but also my constant mental support.
Love to my family, friends back home and London Losers.
///
Growing up in an Asian education system and family, I never imagined I could win an award in the UK. I’ve always felt I wasn’t good enough, and I still think there’s so much more to improve.
It’s very difficult to say how hard this journey has been. Working with my second language especially theatre is all about that is a big challenge for me. Coming to a foreign country and industry without any connections is also pretty scary. How is this possible?
OFFIES celebrates off-West End and independent theatre. It is big but also small. While many of my friends are designing large-scale productions, I’ve spent years battling with scholarships, the pandemic, homesickness, and visas. Now I have finally reached a milestone in my career. NGL, it feels so so so good.
P.S. Smaller spaces don’t mean they are easier. I reckon making small spaces speak loudly is one of my strengths.
Shoutout to all my migrant friends. Keep going, you will be seen. I don’t want to represent anyone, but I’m proud to be one of the Asian names on stage. I will love to see all of you getting awards and be proud of yourselves. You know how far you have come from, and you all are amazing.
It’s hard to define what “good design” is — especially in lighting, where we don’t always see the full picture behind the scenes. But I know every designer is doing their best. I truly believe there are so many great designs are not mentioned.
Lastly, please please please hire me, AV check me, email me. That would be the best support and compliment.
Also, I’m looking for an agent! Please get in touch!!
With my heart,
Cheng💡
///
📷 Zoë Birkbeck
This will be LONG.
For winning OFFIES Design 2026.
I can’t find BTS photos so I release more production shots. We were busy carrying soil.
Thank you, team Loop, for trusting me throughout the process. This award belongs to the whole team.
Thank you Theatre503 for supporting new writing and giving us space to experiment.
Special thanks to Mydd for the astonishing set. It’s my pleasure to be nominated with you. And Jamie, not only the SD of Loop but also my constant mental support.
Love to my family, friends back home and London Losers.
///
Growing up in an Asian education system and family, I never imagined I could win an award in the UK. I’ve always felt I wasn’t good enough, and I still think there’s so much more to improve.
It’s very difficult to say how hard this journey has been. Working with my second language especially theatre is all about that is a big challenge for me. Coming to a foreign country and industry without any connections is also pretty scary. How is this possible?
OFFIES celebrates off-West End and independent theatre. It is big but also small. While many of my friends are designing large-scale productions, I’ve spent years battling with scholarships, the pandemic, homesickness, and visas. Now I have finally reached a milestone in my career. NGL, it feels so so so good.
P.S. Smaller spaces don’t mean they are easier. I reckon making small spaces speak loudly is one of my strengths.
Shoutout to all my migrant friends. Keep going, you will be seen. I don’t want to represent anyone, but I’m proud to be one of the Asian names on stage. I will love to see all of you getting awards and be proud of yourselves. You know how far you have come from, and you all are amazing.
It’s hard to define what “good design” is — especially in lighting, where we don’t always see the full picture behind the scenes. But I know every designer is doing their best. I truly believe there are so many great designs are not mentioned.
Lastly, please please please hire me, AV check me, email me. That would be the best support and compliment.
Also, I’m looking for an agent! Please get in touch!!
With my heart,
Cheng💡
///
📷 Zoë Birkbeck
Grud
——————————————
Writer | SARAH POWER @sarahpowercollection
Director | JAZ WOODCOCK-STEWART @jazwoodstew
Stage Manager | ADRIANA PERUCCA
Set and Costume Designer | NOEMI DABOCZI @noemidaboczi
Costume Supervisor | ABBY CAYWOOD @abbycaywood
Lighting Designer | CHENG KENG @chengwork
Sound Designer | CUTTY SARK
Co-Sound Designer | JACK BAXTER @jackbaxtr
Production Manager | JAMES DAWSON @jamesdawson0
Cast | CATHERINE ASHDOWN, KADIESHA BELGRAVE, KARL THEOBALD @catherineashdown12 @diesha_b
Photo Credit | Alex Brenner @alexbrennerphotography
———————————————
#HTGrud#hampsteadtheatre#newwriting#theatre#performance#lighting#design#creative#scenography
Grud
——————————————
Writer | SARAH POWER @sarahpowercollection
Director | JAZ WOODCOCK-STEWART @jazwoodstew
Stage Manager | ADRIANA PERUCCA
Set and Costume Designer | NOEMI DABOCZI @noemidaboczi
Costume Supervisor | ABBY CAYWOOD @abbycaywood
Lighting Designer | CHENG KENG @chengwork
Sound Designer | CUTTY SARK
Co-Sound Designer | JACK BAXTER @jackbaxtr
Production Manager | JAMES DAWSON @jamesdawson0
Cast | CATHERINE ASHDOWN, KADIESHA BELGRAVE, KARL THEOBALD @catherineashdown12 @diesha_b
Photo Credit | Alex Brenner @alexbrennerphotography
———————————————
#HTGrud#hampsteadtheatre#newwriting#theatre#performance#lighting#design#creative#scenography
Grud
——————————————
Writer | SARAH POWER @sarahpowercollection
Director | JAZ WOODCOCK-STEWART @jazwoodstew
Stage Manager | ADRIANA PERUCCA
Set and Costume Designer | NOEMI DABOCZI @noemidaboczi
Costume Supervisor | ABBY CAYWOOD @abbycaywood
Lighting Designer | CHENG KENG @chengwork
Sound Designer | CUTTY SARK
Co-Sound Designer | JACK BAXTER @jackbaxtr
Production Manager | JAMES DAWSON @jamesdawson0
Cast | CATHERINE ASHDOWN, KADIESHA BELGRAVE, KARL THEOBALD @catherineashdown12 @diesha_b
Photo Credit | Alex Brenner @alexbrennerphotography
———————————————
#HTGrud#hampsteadtheatre#newwriting#theatre#performance#lighting#design#creative#scenography
Grud
——————————————
Writer | SARAH POWER @sarahpowercollection
Director | JAZ WOODCOCK-STEWART @jazwoodstew
Stage Manager | ADRIANA PERUCCA
Set and Costume Designer | NOEMI DABOCZI @noemidaboczi
Costume Supervisor | ABBY CAYWOOD @abbycaywood
Lighting Designer | CHENG KENG @chengwork
Sound Designer | CUTTY SARK
Co-Sound Designer | JACK BAXTER @jackbaxtr
Production Manager | JAMES DAWSON @jamesdawson0
Cast | CATHERINE ASHDOWN, KADIESHA BELGRAVE, KARL THEOBALD @catherineashdown12 @diesha_b
Photo Credit | Alex Brenner @alexbrennerphotography
———————————————
#HTGrud#hampsteadtheatre#newwriting#theatre#performance#lighting#design#creative#scenography
Grud
——————————————
Writer | SARAH POWER @sarahpowercollection
Director | JAZ WOODCOCK-STEWART @jazwoodstew
Stage Manager | ADRIANA PERUCCA
Set and Costume Designer | NOEMI DABOCZI @noemidaboczi
Costume Supervisor | ABBY CAYWOOD @abbycaywood
Lighting Designer | CHENG KENG @chengwork
Sound Designer | CUTTY SARK
Co-Sound Designer | JACK BAXTER @jackbaxtr
Production Manager | JAMES DAWSON @jamesdawson0
Cast | CATHERINE ASHDOWN, KADIESHA BELGRAVE, KARL THEOBALD @catherineashdown12 @diesha_b
Photo Credit | Alex Brenner @alexbrennerphotography
———————————————
#HTGrud#hampsteadtheatre#newwriting#theatre#performance#lighting#design#creative#scenography
The Vitruvian Woman
————————————
Credits:
Creative Director and Photographer | @yanghanphoto
Stylist | @ignaciodetiedra @_040100_
Model | @ruiiqijiang @thehivemodels
Makeup | @alinasamssonova
Hair | @masayoshi_n_fujita
Setting designer | @chengwork
Photography Assistant | @taoketaoke @valdezjphoto @jaassonn___Fangxin Luo
Setting assistant | @isabelle_enquist @genenyly
Space | @methodxstudio
———————————
#fashion #photography#editorial #model#body#geometry#setdesign#scenography#creative#design
The Vitruvian Woman
————————————
Credits:
Creative Director and Photographer | @yanghanphoto
Stylist | @ignaciodetiedra @_040100_
Model | @ruiiqijiang @thehivemodels
Makeup | @alinasamssonova
Hair | @masayoshi_n_fujita
Setting designer | @chengwork
Photography Assistant | @taoketaoke @valdezjphoto @jaassonn___Fangxin Luo
Setting assistant | @isabelle_enquist @genenyly
Space | @methodxstudio
———————————
#fashion #photography#editorial #model#body#geometry#setdesign#scenography#creative#design
The Vitruvian Woman
————————————
Credits:
Creative Director and Photographer | @yanghanphoto
Stylist | @ignaciodetiedra @_040100_
Model | @ruiiqijiang @thehivemodels
Makeup | @alinasamssonova
Hair | @masayoshi_n_fujita
Setting designer | @chengwork
Photography Assistant | @taoketaoke @valdezjphoto @jaassonn___Fangxin Luo
Setting assistant | @isabelle_enquist @genenyly
Space | @methodxstudio
———————————
#fashion #photography#editorial #model#body#geometry#setdesign#scenography#creative#design
The Vitruvian Woman
————————————
Credits:
Creative Director and Photographer | @yanghanphoto
Stylist | @ignaciodetiedra @_040100_
Model | @ruiiqijiang @thehivemodels
Makeup | @alinasamssonova
Hair | @masayoshi_n_fujita
Setting designer | @chengwork
Photography Assistant | @taoketaoke @valdezjphoto @jaassonn___Fangxin Luo
Setting assistant | @isabelle_enquist @genenyly
Space | @methodxstudio
———————————
#fashion #photography#editorial #model#body#geometry#setdesign#scenography#creative#design
The Rape Of Lucretia
@jacksons_lane
HGO Production
————————————
PRODUCTION
STAGE DIRECTORS | Eleanor Burke and Alex Gotch
MUSIC DIRECTOR | Oliver Cope
SET/COSTUME DESIGNER | Jennifer Gregory
LIGHTING DESIGNER | Cheng Keng
ASST. STAGE DIRECTOR | Katie Blackwell
STAGE MANAGER | Alexandra Brown
ASST. STAGE MANAGER | Charlie Tiernan
PRODUCTION MANAGER | Ida Pontopiddan
ASSISTANT CONDUCTOR | Kentaro Machida
REPETITEUR | Lucy Colquhoun
CAST |
FEMALE CHORUS | Olivia Rose Tringham
MALE CHORUS | Daniel Gray Bell
LUCRETIA | Emma Roberts
TARQUINIUS | Stephen Whitford
COLLATINUS | Oleksii Zasiadko
JUNIUS | Maximilian Catalano
BIANCA | Mia Serracino
LUCIA | Nikki Martin
ORCHESTRA
Violins | Will Clark, Calyssa Davidson
Viola | Cameron Howe
Cello | Thomas Vidal
Double-bass | Danny Cleave
Flute/Piccolo | Chris Michie
Oboe/Cor Anglais | Alex Franklin
Clarinet | George Blakesley
Bassoon | Hugh Woolley
Horn | Alice Knight
Harp | Aisha Palmer
Percussion | Max Heaton
📷 Foteini Christofilopoulou
The Rape Of Lucretia
@jacksons_lane
HGO Production
————————————
PRODUCTION
STAGE DIRECTORS | Eleanor Burke and Alex Gotch
MUSIC DIRECTOR | Oliver Cope
SET/COSTUME DESIGNER | Jennifer Gregory
LIGHTING DESIGNER | Cheng Keng
ASST. STAGE DIRECTOR | Katie Blackwell
STAGE MANAGER | Alexandra Brown
ASST. STAGE MANAGER | Charlie Tiernan
PRODUCTION MANAGER | Ida Pontopiddan
ASSISTANT CONDUCTOR | Kentaro Machida
REPETITEUR | Lucy Colquhoun
CAST |
FEMALE CHORUS | Olivia Rose Tringham
MALE CHORUS | Daniel Gray Bell
LUCRETIA | Emma Roberts
TARQUINIUS | Stephen Whitford
COLLATINUS | Oleksii Zasiadko
JUNIUS | Maximilian Catalano
BIANCA | Mia Serracino
LUCIA | Nikki Martin
ORCHESTRA
Violins | Will Clark, Calyssa Davidson
Viola | Cameron Howe
Cello | Thomas Vidal
Double-bass | Danny Cleave
Flute/Piccolo | Chris Michie
Oboe/Cor Anglais | Alex Franklin
Clarinet | George Blakesley
Bassoon | Hugh Woolley
Horn | Alice Knight
Harp | Aisha Palmer
Percussion | Max Heaton
📷 Foteini Christofilopoulou
The Rape Of Lucretia
@jacksons_lane
HGO Production
————————————
PRODUCTION
STAGE DIRECTORS | Eleanor Burke and Alex Gotch
MUSIC DIRECTOR | Oliver Cope
SET/COSTUME DESIGNER | Jennifer Gregory
LIGHTING DESIGNER | Cheng Keng
ASST. STAGE DIRECTOR | Katie Blackwell
STAGE MANAGER | Alexandra Brown
ASST. STAGE MANAGER | Charlie Tiernan
PRODUCTION MANAGER | Ida Pontopiddan
ASSISTANT CONDUCTOR | Kentaro Machida
REPETITEUR | Lucy Colquhoun
CAST |
FEMALE CHORUS | Olivia Rose Tringham
MALE CHORUS | Daniel Gray Bell
LUCRETIA | Emma Roberts
TARQUINIUS | Stephen Whitford
COLLATINUS | Oleksii Zasiadko
JUNIUS | Maximilian Catalano
BIANCA | Mia Serracino
LUCIA | Nikki Martin
ORCHESTRA
Violins | Will Clark, Calyssa Davidson
Viola | Cameron Howe
Cello | Thomas Vidal
Double-bass | Danny Cleave
Flute/Piccolo | Chris Michie
Oboe/Cor Anglais | Alex Franklin
Clarinet | George Blakesley
Bassoon | Hugh Woolley
Horn | Alice Knight
Harp | Aisha Palmer
Percussion | Max Heaton
📷 Foteini Christofilopoulou
The Rape Of Lucretia
@jacksons_lane
HGO Production
————————————
PRODUCTION
STAGE DIRECTORS | Eleanor Burke and Alex Gotch
MUSIC DIRECTOR | Oliver Cope
SET/COSTUME DESIGNER | Jennifer Gregory
LIGHTING DESIGNER | Cheng Keng
ASST. STAGE DIRECTOR | Katie Blackwell
STAGE MANAGER | Alexandra Brown
ASST. STAGE MANAGER | Charlie Tiernan
PRODUCTION MANAGER | Ida Pontopiddan
ASSISTANT CONDUCTOR | Kentaro Machida
REPETITEUR | Lucy Colquhoun
CAST |
FEMALE CHORUS | Olivia Rose Tringham
MALE CHORUS | Daniel Gray Bell
LUCRETIA | Emma Roberts
TARQUINIUS | Stephen Whitford
COLLATINUS | Oleksii Zasiadko
JUNIUS | Maximilian Catalano
BIANCA | Mia Serracino
LUCIA | Nikki Martin
ORCHESTRA
Violins | Will Clark, Calyssa Davidson
Viola | Cameron Howe
Cello | Thomas Vidal
Double-bass | Danny Cleave
Flute/Piccolo | Chris Michie
Oboe/Cor Anglais | Alex Franklin
Clarinet | George Blakesley
Bassoon | Hugh Woolley
Horn | Alice Knight
Harp | Aisha Palmer
Percussion | Max Heaton
📷 Foteini Christofilopoulou
The Rape Of Lucretia
@jacksons_lane
HGO Production
————————————
PRODUCTION
STAGE DIRECTORS | Eleanor Burke and Alex Gotch
MUSIC DIRECTOR | Oliver Cope
SET/COSTUME DESIGNER | Jennifer Gregory
LIGHTING DESIGNER | Cheng Keng
ASST. STAGE DIRECTOR | Katie Blackwell
STAGE MANAGER | Alexandra Brown
ASST. STAGE MANAGER | Charlie Tiernan
PRODUCTION MANAGER | Ida Pontopiddan
ASSISTANT CONDUCTOR | Kentaro Machida
REPETITEUR | Lucy Colquhoun
CAST |
FEMALE CHORUS | Olivia Rose Tringham
MALE CHORUS | Daniel Gray Bell
LUCRETIA | Emma Roberts
TARQUINIUS | Stephen Whitford
COLLATINUS | Oleksii Zasiadko
JUNIUS | Maximilian Catalano
BIANCA | Mia Serracino
LUCIA | Nikki Martin
ORCHESTRA
Violins | Will Clark, Calyssa Davidson
Viola | Cameron Howe
Cello | Thomas Vidal
Double-bass | Danny Cleave
Flute/Piccolo | Chris Michie
Oboe/Cor Anglais | Alex Franklin
Clarinet | George Blakesley
Bassoon | Hugh Woolley
Horn | Alice Knight
Harp | Aisha Palmer
Percussion | Max Heaton
📷 Foteini Christofilopoulou
The Rape Of Lucretia
@jacksons_lane
HGO Production
————————————
PRODUCTION
STAGE DIRECTORS | Eleanor Burke and Alex Gotch
MUSIC DIRECTOR | Oliver Cope
SET/COSTUME DESIGNER | Jennifer Gregory
LIGHTING DESIGNER | Cheng Keng
ASST. STAGE DIRECTOR | Katie Blackwell
STAGE MANAGER | Alexandra Brown
ASST. STAGE MANAGER | Charlie Tiernan
PRODUCTION MANAGER | Ida Pontopiddan
ASSISTANT CONDUCTOR | Kentaro Machida
REPETITEUR | Lucy Colquhoun
CAST |
FEMALE CHORUS | Olivia Rose Tringham
MALE CHORUS | Daniel Gray Bell
LUCRETIA | Emma Roberts
TARQUINIUS | Stephen Whitford
COLLATINUS | Oleksii Zasiadko
JUNIUS | Maximilian Catalano
BIANCA | Mia Serracino
LUCIA | Nikki Martin
ORCHESTRA
Violins | Will Clark, Calyssa Davidson
Viola | Cameron Howe
Cello | Thomas Vidal
Double-bass | Danny Cleave
Flute/Piccolo | Chris Michie
Oboe/Cor Anglais | Alex Franklin
Clarinet | George Blakesley
Bassoon | Hugh Woolley
Horn | Alice Knight
Harp | Aisha Palmer
Percussion | Max Heaton
📷 Foteini Christofilopoulou
The Rape Of Lucretia
@jacksons_lane
HGO Production
————————————
PRODUCTION
STAGE DIRECTORS | Eleanor Burke and Alex Gotch
MUSIC DIRECTOR | Oliver Cope
SET/COSTUME DESIGNER | Jennifer Gregory
LIGHTING DESIGNER | Cheng Keng
ASST. STAGE DIRECTOR | Katie Blackwell
STAGE MANAGER | Alexandra Brown
ASST. STAGE MANAGER | Charlie Tiernan
PRODUCTION MANAGER | Ida Pontopiddan
ASSISTANT CONDUCTOR | Kentaro Machida
REPETITEUR | Lucy Colquhoun
CAST |
FEMALE CHORUS | Olivia Rose Tringham
MALE CHORUS | Daniel Gray Bell
LUCRETIA | Emma Roberts
TARQUINIUS | Stephen Whitford
COLLATINUS | Oleksii Zasiadko
JUNIUS | Maximilian Catalano
BIANCA | Mia Serracino
LUCIA | Nikki Martin
ORCHESTRA
Violins | Will Clark, Calyssa Davidson
Viola | Cameron Howe
Cello | Thomas Vidal
Double-bass | Danny Cleave
Flute/Piccolo | Chris Michie
Oboe/Cor Anglais | Alex Franklin
Clarinet | George Blakesley
Bassoon | Hugh Woolley
Horn | Alice Knight
Harp | Aisha Palmer
Percussion | Max Heaton
📷 Foteini Christofilopoulou
The Rape Of Lucretia
@jacksons_lane
HGO Production
————————————
PRODUCTION
STAGE DIRECTORS | Eleanor Burke and Alex Gotch
MUSIC DIRECTOR | Oliver Cope
SET/COSTUME DESIGNER | Jennifer Gregory
LIGHTING DESIGNER | Cheng Keng
ASST. STAGE DIRECTOR | Katie Blackwell
STAGE MANAGER | Alexandra Brown
ASST. STAGE MANAGER | Charlie Tiernan
PRODUCTION MANAGER | Ida Pontopiddan
ASSISTANT CONDUCTOR | Kentaro Machida
REPETITEUR | Lucy Colquhoun
CAST |
FEMALE CHORUS | Olivia Rose Tringham
MALE CHORUS | Daniel Gray Bell
LUCRETIA | Emma Roberts
TARQUINIUS | Stephen Whitford
COLLATINUS | Oleksii Zasiadko
JUNIUS | Maximilian Catalano
BIANCA | Mia Serracino
LUCIA | Nikki Martin
ORCHESTRA
Violins | Will Clark, Calyssa Davidson
Viola | Cameron Howe
Cello | Thomas Vidal
Double-bass | Danny Cleave
Flute/Piccolo | Chris Michie
Oboe/Cor Anglais | Alex Franklin
Clarinet | George Blakesley
Bassoon | Hugh Woolley
Horn | Alice Knight
Harp | Aisha Palmer
Percussion | Max Heaton
📷 Foteini Christofilopoulou
The Rape Of Lucretia
@jacksons_lane
HGO Production
————————————
PRODUCTION
STAGE DIRECTORS | Eleanor Burke and Alex Gotch
MUSIC DIRECTOR | Oliver Cope
SET/COSTUME DESIGNER | Jennifer Gregory
LIGHTING DESIGNER | Cheng Keng
ASST. STAGE DIRECTOR | Katie Blackwell
STAGE MANAGER | Alexandra Brown
ASST. STAGE MANAGER | Charlie Tiernan
PRODUCTION MANAGER | Ida Pontopiddan
ASSISTANT CONDUCTOR | Kentaro Machida
REPETITEUR | Lucy Colquhoun
CAST |
FEMALE CHORUS | Olivia Rose Tringham
MALE CHORUS | Daniel Gray Bell
LUCRETIA | Emma Roberts
TARQUINIUS | Stephen Whitford
COLLATINUS | Oleksii Zasiadko
JUNIUS | Maximilian Catalano
BIANCA | Mia Serracino
LUCIA | Nikki Martin
ORCHESTRA
Violins | Will Clark, Calyssa Davidson
Viola | Cameron Howe
Cello | Thomas Vidal
Double-bass | Danny Cleave
Flute/Piccolo | Chris Michie
Oboe/Cor Anglais | Alex Franklin
Clarinet | George Blakesley
Bassoon | Hugh Woolley
Horn | Alice Knight
Harp | Aisha Palmer
Percussion | Max Heaton
📷 Foteini Christofilopoulou
The Rape Of Lucretia
@jacksons_lane
HGO Production
————————————
PRODUCTION
STAGE DIRECTORS | Eleanor Burke and Alex Gotch
MUSIC DIRECTOR | Oliver Cope
SET/COSTUME DESIGNER | Jennifer Gregory
LIGHTING DESIGNER | Cheng Keng
ASST. STAGE DIRECTOR | Katie Blackwell
STAGE MANAGER | Alexandra Brown
ASST. STAGE MANAGER | Charlie Tiernan
PRODUCTION MANAGER | Ida Pontopiddan
ASSISTANT CONDUCTOR | Kentaro Machida
REPETITEUR | Lucy Colquhoun
CAST |
FEMALE CHORUS | Olivia Rose Tringham
MALE CHORUS | Daniel Gray Bell
LUCRETIA | Emma Roberts
TARQUINIUS | Stephen Whitford
COLLATINUS | Oleksii Zasiadko
JUNIUS | Maximilian Catalano
BIANCA | Mia Serracino
LUCIA | Nikki Martin
ORCHESTRA
Violins | Will Clark, Calyssa Davidson
Viola | Cameron Howe
Cello | Thomas Vidal
Double-bass | Danny Cleave
Flute/Piccolo | Chris Michie
Oboe/Cor Anglais | Alex Franklin
Clarinet | George Blakesley
Bassoon | Hugh Woolley
Horn | Alice Knight
Harp | Aisha Palmer
Percussion | Max Heaton
📷 Foteini Christofilopoulou
Welcome to Pemfort
@sohotheatre main
————————————
Writer | Sarah Power
Director | Ed Madden
Set and Costume designer | Alys Whitehead
Associate Designer | Victoria Maytom
Lighting Designer | Cheng Keng
Music and Sound Designer | Max Pappenheim
Production Manager | Tom Davis-Coleman for The Production Family
Costume Supervisor | Florence McGlynn
Casting Director | Becky Paris
Intimacy Director | Georgina Makhubele
Fight Director | Enric Ortuño
Company Stage Manager | Lisa Cochrane
Deputy Stage Manager | Abi Morris
Assistant Stage Manager | Charlotte Smith-Barker
Cast | Sean Delaney, Debra Gillett, Ali Hadji-Heshmati, Lydia Larson
📷 @camilla_greenwell
Welcome to Pemfort
@sohotheatre main
————————————
Writer | Sarah Power
Director | Ed Madden
Set and Costume designer | Alys Whitehead
Associate Designer | Victoria Maytom
Lighting Designer | Cheng Keng
Music and Sound Designer | Max Pappenheim
Production Manager | Tom Davis-Coleman for The Production Family
Costume Supervisor | Florence McGlynn
Casting Director | Becky Paris
Intimacy Director | Georgina Makhubele
Fight Director | Enric Ortuño
Company Stage Manager | Lisa Cochrane
Deputy Stage Manager | Abi Morris
Assistant Stage Manager | Charlotte Smith-Barker
Cast | Sean Delaney, Debra Gillett, Ali Hadji-Heshmati, Lydia Larson
📷 @camilla_greenwell
Welcome to Pemfort
@sohotheatre main
————————————
Writer | Sarah Power
Director | Ed Madden
Set and Costume designer | Alys Whitehead
Associate Designer | Victoria Maytom
Lighting Designer | Cheng Keng
Music and Sound Designer | Max Pappenheim
Production Manager | Tom Davis-Coleman for The Production Family
Costume Supervisor | Florence McGlynn
Casting Director | Becky Paris
Intimacy Director | Georgina Makhubele
Fight Director | Enric Ortuño
Company Stage Manager | Lisa Cochrane
Deputy Stage Manager | Abi Morris
Assistant Stage Manager | Charlotte Smith-Barker
Cast | Sean Delaney, Debra Gillett, Ali Hadji-Heshmati, Lydia Larson
📷 @camilla_greenwell
Welcome to Pemfort
@sohotheatre main
————————————
Writer | Sarah Power
Director | Ed Madden
Set and Costume designer | Alys Whitehead
Associate Designer | Victoria Maytom
Lighting Designer | Cheng Keng
Music and Sound Designer | Max Pappenheim
Production Manager | Tom Davis-Coleman for The Production Family
Costume Supervisor | Florence McGlynn
Casting Director | Becky Paris
Intimacy Director | Georgina Makhubele
Fight Director | Enric Ortuño
Company Stage Manager | Lisa Cochrane
Deputy Stage Manager | Abi Morris
Assistant Stage Manager | Charlotte Smith-Barker
Cast | Sean Delaney, Debra Gillett, Ali Hadji-Heshmati, Lydia Larson
📷 @camilla_greenwell
Welcome to Pemfort
@sohotheatre main
————————————
Writer | Sarah Power
Director | Ed Madden
Set and Costume designer | Alys Whitehead
Associate Designer | Victoria Maytom
Lighting Designer | Cheng Keng
Music and Sound Designer | Max Pappenheim
Production Manager | Tom Davis-Coleman for The Production Family
Costume Supervisor | Florence McGlynn
Casting Director | Becky Paris
Intimacy Director | Georgina Makhubele
Fight Director | Enric Ortuño
Company Stage Manager | Lisa Cochrane
Deputy Stage Manager | Abi Morris
Assistant Stage Manager | Charlotte Smith-Barker
Cast | Sean Delaney, Debra Gillett, Ali Hadji-Heshmati, Lydia Larson
📷 @camilla_greenwell
Welcome to Pemfort
@sohotheatre main
————————————
Writer | Sarah Power
Director | Ed Madden
Set and Costume designer | Alys Whitehead
Associate Designer | Victoria Maytom
Lighting Designer | Cheng Keng
Music and Sound Designer | Max Pappenheim
Production Manager | Tom Davis-Coleman for The Production Family
Costume Supervisor | Florence McGlynn
Casting Director | Becky Paris
Intimacy Director | Georgina Makhubele
Fight Director | Enric Ortuño
Company Stage Manager | Lisa Cochrane
Deputy Stage Manager | Abi Morris
Assistant Stage Manager | Charlotte Smith-Barker
Cast | Sean Delaney, Debra Gillett, Ali Hadji-Heshmati, Lydia Larson
📷 @camilla_greenwell
Welcome to Pemfort
@sohotheatre main
————————————
Writer | Sarah Power
Director | Ed Madden
Set and Costume designer | Alys Whitehead
Associate Designer | Victoria Maytom
Lighting Designer | Cheng Keng
Music and Sound Designer | Max Pappenheim
Production Manager | Tom Davis-Coleman for The Production Family
Costume Supervisor | Florence McGlynn
Casting Director | Becky Paris
Intimacy Director | Georgina Makhubele
Fight Director | Enric Ortuño
Company Stage Manager | Lisa Cochrane
Deputy Stage Manager | Abi Morris
Assistant Stage Manager | Charlotte Smith-Barker
Cast | Sean Delaney, Debra Gillett, Ali Hadji-Heshmati, Lydia Larson
📷 @camilla_greenwell
Welcome to Pemfort
@sohotheatre main
————————————
Writer | Sarah Power
Director | Ed Madden
Set and Costume designer | Alys Whitehead
Associate Designer | Victoria Maytom
Lighting Designer | Cheng Keng
Music and Sound Designer | Max Pappenheim
Production Manager | Tom Davis-Coleman for The Production Family
Costume Supervisor | Florence McGlynn
Casting Director | Becky Paris
Intimacy Director | Georgina Makhubele
Fight Director | Enric Ortuño
Company Stage Manager | Lisa Cochrane
Deputy Stage Manager | Abi Morris
Assistant Stage Manager | Charlotte Smith-Barker
Cast | Sean Delaney, Debra Gillett, Ali Hadji-Heshmati, Lydia Larson
📷 @camilla_greenwell
Welcome to Pemfort
@sohotheatre main
————————————
Writer | Sarah Power
Director | Ed Madden
Set and Costume designer | Alys Whitehead
Associate Designer | Victoria Maytom
Lighting Designer | Cheng Keng
Music and Sound Designer | Max Pappenheim
Production Manager | Tom Davis-Coleman for The Production Family
Costume Supervisor | Florence McGlynn
Casting Director | Becky Paris
Intimacy Director | Georgina Makhubele
Fight Director | Enric Ortuño
Company Stage Manager | Lisa Cochrane
Deputy Stage Manager | Abi Morris
Assistant Stage Manager | Charlotte Smith-Barker
Cast | Sean Delaney, Debra Gillett, Ali Hadji-Heshmati, Lydia Larson
📷 @camilla_greenwell
Aggy
@parktheatrelondon
————————————
Writer | Paul Bradshaw
Director | Imogen Frances, Paul Bradshaw
Producer | Steph Hartland
Set & costume designer | Damien Stanton
Lighting designer | Cheng Keng
Sound designer | Eamonn O’Dwyer
Audio visual designer | Matt Powell
Production manager | Carrie Croft
Movement director | Alice O’Hanlon
Dramaturg | Georgie Rankcom
Stage manger | Anna Eagle
Production coordinator | Yas Kirkman
Cast | Matthew Jordan, Jean-Luke Worrell, Jack Gittins
Photo: @craigfullerphotography
Aggy
@parktheatrelondon
————————————
Writer | Paul Bradshaw
Director | Imogen Frances, Paul Bradshaw
Producer | Steph Hartland
Set & costume designer | Damien Stanton
Lighting designer | Cheng Keng
Sound designer | Eamonn O’Dwyer
Audio visual designer | Matt Powell
Production manager | Carrie Croft
Movement director | Alice O’Hanlon
Dramaturg | Georgie Rankcom
Stage manger | Anna Eagle
Production coordinator | Yas Kirkman
Cast | Matthew Jordan, Jean-Luke Worrell, Jack Gittins
Photo: @craigfullerphotography
Aggy
@parktheatrelondon
————————————
Writer | Paul Bradshaw
Director | Imogen Frances, Paul Bradshaw
Producer | Steph Hartland
Set & costume designer | Damien Stanton
Lighting designer | Cheng Keng
Sound designer | Eamonn O’Dwyer
Audio visual designer | Matt Powell
Production manager | Carrie Croft
Movement director | Alice O’Hanlon
Dramaturg | Georgie Rankcom
Stage manger | Anna Eagle
Production coordinator | Yas Kirkman
Cast | Matthew Jordan, Jean-Luke Worrell, Jack Gittins
Photo: @craigfullerphotography
Aggy
@parktheatrelondon
————————————
Writer | Paul Bradshaw
Director | Imogen Frances, Paul Bradshaw
Producer | Steph Hartland
Set & costume designer | Damien Stanton
Lighting designer | Cheng Keng
Sound designer | Eamonn O’Dwyer
Audio visual designer | Matt Powell
Production manager | Carrie Croft
Movement director | Alice O’Hanlon
Dramaturg | Georgie Rankcom
Stage manger | Anna Eagle
Production coordinator | Yas Kirkman
Cast | Matthew Jordan, Jean-Luke Worrell, Jack Gittins
Photo: @craigfullerphotography
Aggy
@parktheatrelondon
————————————
Writer | Paul Bradshaw
Director | Imogen Frances, Paul Bradshaw
Producer | Steph Hartland
Set & costume designer | Damien Stanton
Lighting designer | Cheng Keng
Sound designer | Eamonn O’Dwyer
Audio visual designer | Matt Powell
Production manager | Carrie Croft
Movement director | Alice O’Hanlon
Dramaturg | Georgie Rankcom
Stage manger | Anna Eagle
Production coordinator | Yas Kirkman
Cast | Matthew Jordan, Jean-Luke Worrell, Jack Gittins
Photo: @craigfullerphotography
Aggy
@parktheatrelondon
————————————
Writer | Paul Bradshaw
Director | Imogen Frances, Paul Bradshaw
Producer | Steph Hartland
Set & costume designer | Damien Stanton
Lighting designer | Cheng Keng
Sound designer | Eamonn O’Dwyer
Audio visual designer | Matt Powell
Production manager | Carrie Croft
Movement director | Alice O’Hanlon
Dramaturg | Georgie Rankcom
Stage manger | Anna Eagle
Production coordinator | Yas Kirkman
Cast | Matthew Jordan, Jean-Luke Worrell, Jack Gittins
Photo: @craigfullerphotography
Aggy
@parktheatrelondon
————————————
Writer | Paul Bradshaw
Director | Imogen Frances, Paul Bradshaw
Producer | Steph Hartland
Set & costume designer | Damien Stanton
Lighting designer | Cheng Keng
Sound designer | Eamonn O’Dwyer
Audio visual designer | Matt Powell
Production manager | Carrie Croft
Movement director | Alice O’Hanlon
Dramaturg | Georgie Rankcom
Stage manger | Anna Eagle
Production coordinator | Yas Kirkman
Cast | Matthew Jordan, Jean-Luke Worrell, Jack Gittins
Photo: @craigfullerphotography
Aggy
@parktheatrelondon
————————————
Writer | Paul Bradshaw
Director | Imogen Frances, Paul Bradshaw
Producer | Steph Hartland
Set & costume designer | Damien Stanton
Lighting designer | Cheng Keng
Sound designer | Eamonn O’Dwyer
Audio visual designer | Matt Powell
Production manager | Carrie Croft
Movement director | Alice O’Hanlon
Dramaturg | Georgie Rankcom
Stage manger | Anna Eagle
Production coordinator | Yas Kirkman
Cast | Matthew Jordan, Jean-Luke Worrell, Jack Gittins
Photo: @craigfullerphotography
近期最喜歡的照片
那天剛到台灣，因為時差睡不著。雀躍地去買期待已久的早餐，意外地路過小學側門口。要不是因為那天陽光剛好伴隨薄霧灑進，不知道有多少年沒有認真地看過這條巷子。
最近有滿強烈的感覺之於長大，開始覺得以前熟悉的人事物都變得好小。可能不是物理上的尺寸，而是一種心理上的俯視感。招牌上的水漬、沒有天花板的百貨公司、還有漸漸因為新的店家進駐而認不出來的街道。這種熟悉又陌生的感覺，讓我好像看見當時的自己也變得透明。腦中閃過很多瞬間，那些曾經讓我興奮、緊張、難受或是情緒起伏的，似乎都已趨於平淡。這些斑駁又破碎的樣子，才是屬於我自己的台灣感性。
這次海關問我，Are you still working in the UK?我淡淡地說了一句Yeah，就放行了。看著前後的朋友們拿著相關機票住宿證明，並且解釋自己要在這裡停留多久，就想起當初第一次去郵局領居留證的樣子。
我在巷子裡停留了許久，拍了幾張照片。一輛貨卡要出來，就離開了。
This year, work-wise, has been the worst so far, but there’s a lot to appreciate. Since there are way fewer jobs this year, I have more time to focus on life and the world outside of the black boxes. This is a massive and grateful change in my life.
When I review my camera roll, I know I lost a few connections, but I also realise how much I’m loved. People come, move, travel, and leave, but all the intersections are precious. Thank you for bringing the joy to my life. There might be no time to say goodbye, but we have done the best for the moment. No matter if we meet again, I will always remember and keep it at the bottom of my heart.
Some sad things happened in the world this year. I’m not that positive to say it will be better next year, but I hope there will be less pain and hurt. Can’t see the news when I’m so far away and worry alone.
Working in theatre is joyful, and we do what we love. Thank you so much to everyone I worked with this year. I really had a great time and created fun stuff with you.
Not to sugarcoat the industry, we all feel the same. I’m not sure if I should keep pursuing this path, even though everyone told me to hang in there. It’s very difficult to maintain this drowning lifestyle I’ve been talking about this for too long, and it’s time to change. I know that theatre is the way I communicate with myself and the world. It’s the cool language of my younger self. That’s why it’s so difficult to shift.
Visa rules keep changing and changing. I’m not sure how long I will be staying in the UK now. However, I will still be around in 2026 for sure. It’s very exciting that I will have two new shows(technically 3?) in March, and there will be more to come. I know I just said I might drop out from theatre, but please AV check me all the time. My inbox is always open for you. CK is still v excited to create and work in theatre!! Your support and recommendations can help a lot!
There’s a lot to say for 2025, but let’s let it die here. All the successes and mistakes are all settled. Tbh, the wishes I had in the beginning of 2025 are fulfilled. Keep the positive energy, and It’s a brand new journey in 2026. Love you all, let’s go and peace.✌️
This year, work-wise, has been the worst so far, but there’s a lot to appreciate. Since there are way fewer jobs this year, I have more time to focus on life and the world outside of the black boxes. This is a massive and grateful change in my life.
When I review my camera roll, I know I lost a few connections, but I also realise how much I’m loved. People come, move, travel, and leave, but all the intersections are precious. Thank you for bringing the joy to my life. There might be no time to say goodbye, but we have done the best for the moment. No matter if we meet again, I will always remember and keep it at the bottom of my heart.
Some sad things happened in the world this year. I’m not that positive to say it will be better next year, but I hope there will be less pain and hurt. Can’t see the news when I’m so far away and worry alone.
Working in theatre is joyful, and we do what we love. Thank you so much to everyone I worked with this year. I really had a great time and created fun stuff with you.
Not to sugarcoat the industry, we all feel the same. I’m not sure if I should keep pursuing this path, even though everyone told me to hang in there. It’s very difficult to maintain this drowning lifestyle I’ve been talking about this for too long, and it’s time to change. I know that theatre is the way I communicate with myself and the world. It’s the cool language of my younger self. That’s why it’s so difficult to shift.
Visa rules keep changing and changing. I’m not sure how long I will be staying in the UK now. However, I will still be around in 2026 for sure. It’s very exciting that I will have two new shows(technically 3?) in March, and there will be more to come. I know I just said I might drop out from theatre, but please AV check me all the time. My inbox is always open for you. CK is still v excited to create and work in theatre!! Your support and recommendations can help a lot!
There’s a lot to say for 2025, but let’s let it die here. All the successes and mistakes are all settled. Tbh, the wishes I had in the beginning of 2025 are fulfilled. Keep the positive energy, and It’s a brand new journey in 2026. Love you all, let’s go and peace.✌️
This year, work-wise, has been the worst so far, but there’s a lot to appreciate. Since there are way fewer jobs this year, I have more time to focus on life and the world outside of the black boxes. This is a massive and grateful change in my life.
When I review my camera roll, I know I lost a few connections, but I also realise how much I’m loved. People come, move, travel, and leave, but all the intersections are precious. Thank you for bringing the joy to my life. There might be no time to say goodbye, but we have done the best for the moment. No matter if we meet again, I will always remember and keep it at the bottom of my heart.
Some sad things happened in the world this year. I’m not that positive to say it will be better next year, but I hope there will be less pain and hurt. Can’t see the news when I’m so far away and worry alone.
Working in theatre is joyful, and we do what we love. Thank you so much to everyone I worked with this year. I really had a great time and created fun stuff with you.
Not to sugarcoat the industry, we all feel the same. I’m not sure if I should keep pursuing this path, even though everyone told me to hang in there. It’s very difficult to maintain this drowning lifestyle I’ve been talking about this for too long, and it’s time to change. I know that theatre is the way I communicate with myself and the world. It’s the cool language of my younger self. That’s why it’s so difficult to shift.
Visa rules keep changing and changing. I’m not sure how long I will be staying in the UK now. However, I will still be around in 2026 for sure. It’s very exciting that I will have two new shows(technically 3?) in March, and there will be more to come. I know I just said I might drop out from theatre, but please AV check me all the time. My inbox is always open for you. CK is still v excited to create and work in theatre!! Your support and recommendations can help a lot!
There’s a lot to say for 2025, but let’s let it die here. All the successes and mistakes are all settled. Tbh, the wishes I had in the beginning of 2025 are fulfilled. Keep the positive energy, and It’s a brand new journey in 2026. Love you all, let’s go and peace.✌️
This year, work-wise, has been the worst so far, but there’s a lot to appreciate. Since there are way fewer jobs this year, I have more time to focus on life and the world outside of the black boxes. This is a massive and grateful change in my life.
When I review my camera roll, I know I lost a few connections, but I also realise how much I’m loved. People come, move, travel, and leave, but all the intersections are precious. Thank you for bringing the joy to my life. There might be no time to say goodbye, but we have done the best for the moment. No matter if we meet again, I will always remember and keep it at the bottom of my heart.
Some sad things happened in the world this year. I’m not that positive to say it will be better next year, but I hope there will be less pain and hurt. Can’t see the news when I’m so far away and worry alone.
Working in theatre is joyful, and we do what we love. Thank you so much to everyone I worked with this year. I really had a great time and created fun stuff with you.
Not to sugarcoat the industry, we all feel the same. I’m not sure if I should keep pursuing this path, even though everyone told me to hang in there. It’s very difficult to maintain this drowning lifestyle I’ve been talking about this for too long, and it’s time to change. I know that theatre is the way I communicate with myself and the world. It’s the cool language of my younger self. That’s why it’s so difficult to shift.
Visa rules keep changing and changing. I’m not sure how long I will be staying in the UK now. However, I will still be around in 2026 for sure. It’s very exciting that I will have two new shows(technically 3?) in March, and there will be more to come. I know I just said I might drop out from theatre, but please AV check me all the time. My inbox is always open for you. CK is still v excited to create and work in theatre!! Your support and recommendations can help a lot!
There’s a lot to say for 2025, but let’s let it die here. All the successes and mistakes are all settled. Tbh, the wishes I had in the beginning of 2025 are fulfilled. Keep the positive energy, and It’s a brand new journey in 2026. Love you all, let’s go and peace.✌️
This year, work-wise, has been the worst so far, but there’s a lot to appreciate. Since there are way fewer jobs this year, I have more time to focus on life and the world outside of the black boxes. This is a massive and grateful change in my life.
When I review my camera roll, I know I lost a few connections, but I also realise how much I’m loved. People come, move, travel, and leave, but all the intersections are precious. Thank you for bringing the joy to my life. There might be no time to say goodbye, but we have done the best for the moment. No matter if we meet again, I will always remember and keep it at the bottom of my heart.
Some sad things happened in the world this year. I’m not that positive to say it will be better next year, but I hope there will be less pain and hurt. Can’t see the news when I’m so far away and worry alone.
Working in theatre is joyful, and we do what we love. Thank you so much to everyone I worked with this year. I really had a great time and created fun stuff with you.
Not to sugarcoat the industry, we all feel the same. I’m not sure if I should keep pursuing this path, even though everyone told me to hang in there. It’s very difficult to maintain this drowning lifestyle I’ve been talking about this for too long, and it’s time to change. I know that theatre is the way I communicate with myself and the world. It’s the cool language of my younger self. That’s why it’s so difficult to shift.
Visa rules keep changing and changing. I’m not sure how long I will be staying in the UK now. However, I will still be around in 2026 for sure. It’s very exciting that I will have two new shows(technically 3?) in March, and there will be more to come. I know I just said I might drop out from theatre, but please AV check me all the time. My inbox is always open for you. CK is still v excited to create and work in theatre!! Your support and recommendations can help a lot!
There’s a lot to say for 2025, but let’s let it die here. All the successes and mistakes are all settled. Tbh, the wishes I had in the beginning of 2025 are fulfilled. Keep the positive energy, and It’s a brand new journey in 2026. Love you all, let’s go and peace.✌️
This year, work-wise, has been the worst so far, but there’s a lot to appreciate. Since there are way fewer jobs this year, I have more time to focus on life and the world outside of the black boxes. This is a massive and grateful change in my life.
When I review my camera roll, I know I lost a few connections, but I also realise how much I’m loved. People come, move, travel, and leave, but all the intersections are precious. Thank you for bringing the joy to my life. There might be no time to say goodbye, but we have done the best for the moment. No matter if we meet again, I will always remember and keep it at the bottom of my heart.
Some sad things happened in the world this year. I’m not that positive to say it will be better next year, but I hope there will be less pain and hurt. Can’t see the news when I’m so far away and worry alone.
Working in theatre is joyful, and we do what we love. Thank you so much to everyone I worked with this year. I really had a great time and created fun stuff with you.
Not to sugarcoat the industry, we all feel the same. I’m not sure if I should keep pursuing this path, even though everyone told me to hang in there. It’s very difficult to maintain this drowning lifestyle I’ve been talking about this for too long, and it’s time to change. I know that theatre is the way I communicate with myself and the world. It’s the cool language of my younger self. That’s why it’s so difficult to shift.
Visa rules keep changing and changing. I’m not sure how long I will be staying in the UK now. However, I will still be around in 2026 for sure. It’s very exciting that I will have two new shows(technically 3?) in March, and there will be more to come. I know I just said I might drop out from theatre, but please AV check me all the time. My inbox is always open for you. CK is still v excited to create and work in theatre!! Your support and recommendations can help a lot!
There’s a lot to say for 2025, but let’s let it die here. All the successes and mistakes are all settled. Tbh, the wishes I had in the beginning of 2025 are fulfilled. Keep the positive energy, and It’s a brand new journey in 2026. Love you all, let’s go and peace.✌️
This year, work-wise, has been the worst so far, but there’s a lot to appreciate. Since there are way fewer jobs this year, I have more time to focus on life and the world outside of the black boxes. This is a massive and grateful change in my life.
When I review my camera roll, I know I lost a few connections, but I also realise how much I’m loved. People come, move, travel, and leave, but all the intersections are precious. Thank you for bringing the joy to my life. There might be no time to say goodbye, but we have done the best for the moment. No matter if we meet again, I will always remember and keep it at the bottom of my heart.
Some sad things happened in the world this year. I’m not that positive to say it will be better next year, but I hope there will be less pain and hurt. Can’t see the news when I’m so far away and worry alone.
Working in theatre is joyful, and we do what we love. Thank you so much to everyone I worked with this year. I really had a great time and created fun stuff with you.
Not to sugarcoat the industry, we all feel the same. I’m not sure if I should keep pursuing this path, even though everyone told me to hang in there. It’s very difficult to maintain this drowning lifestyle I’ve been talking about this for too long, and it’s time to change. I know that theatre is the way I communicate with myself and the world. It’s the cool language of my younger self. That’s why it’s so difficult to shift.
Visa rules keep changing and changing. I’m not sure how long I will be staying in the UK now. However, I will still be around in 2026 for sure. It’s very exciting that I will have two new shows(technically 3?) in March, and there will be more to come. I know I just said I might drop out from theatre, but please AV check me all the time. My inbox is always open for you. CK is still v excited to create and work in theatre!! Your support and recommendations can help a lot!
There’s a lot to say for 2025, but let’s let it die here. All the successes and mistakes are all settled. Tbh, the wishes I had in the beginning of 2025 are fulfilled. Keep the positive energy, and It’s a brand new journey in 2026. Love you all, let’s go and peace.✌️
This year, work-wise, has been the worst so far, but there’s a lot to appreciate. Since there are way fewer jobs this year, I have more time to focus on life and the world outside of the black boxes. This is a massive and grateful change in my life.
When I review my camera roll, I know I lost a few connections, but I also realise how much I’m loved. People come, move, travel, and leave, but all the intersections are precious. Thank you for bringing the joy to my life. There might be no time to say goodbye, but we have done the best for the moment. No matter if we meet again, I will always remember and keep it at the bottom of my heart.
Some sad things happened in the world this year. I’m not that positive to say it will be better next year, but I hope there will be less pain and hurt. Can’t see the news when I’m so far away and worry alone.
Working in theatre is joyful, and we do what we love. Thank you so much to everyone I worked with this year. I really had a great time and created fun stuff with you.
Not to sugarcoat the industry, we all feel the same. I’m not sure if I should keep pursuing this path, even though everyone told me to hang in there. It’s very difficult to maintain this drowning lifestyle I’ve been talking about this for too long, and it’s time to change. I know that theatre is the way I communicate with myself and the world. It’s the cool language of my younger self. That’s why it’s so difficult to shift.
Visa rules keep changing and changing. I’m not sure how long I will be staying in the UK now. However, I will still be around in 2026 for sure. It’s very exciting that I will have two new shows(technically 3?) in March, and there will be more to come. I know I just said I might drop out from theatre, but please AV check me all the time. My inbox is always open for you. CK is still v excited to create and work in theatre!! Your support and recommendations can help a lot!
There’s a lot to say for 2025, but let’s let it die here. All the successes and mistakes are all settled. Tbh, the wishes I had in the beginning of 2025 are fulfilled. Keep the positive energy, and It’s a brand new journey in 2026. Love you all, let’s go and peace.✌️
This year, work-wise, has been the worst so far, but there’s a lot to appreciate. Since there are way fewer jobs this year, I have more time to focus on life and the world outside of the black boxes. This is a massive and grateful change in my life.
When I review my camera roll, I know I lost a few connections, but I also realise how much I’m loved. People come, move, travel, and leave, but all the intersections are precious. Thank you for bringing the joy to my life. There might be no time to say goodbye, but we have done the best for the moment. No matter if we meet again, I will always remember and keep it at the bottom of my heart.
Some sad things happened in the world this year. I’m not that positive to say it will be better next year, but I hope there will be less pain and hurt. Can’t see the news when I’m so far away and worry alone.
Working in theatre is joyful, and we do what we love. Thank you so much to everyone I worked with this year. I really had a great time and created fun stuff with you.
Not to sugarcoat the industry, we all feel the same. I’m not sure if I should keep pursuing this path, even though everyone told me to hang in there. It’s very difficult to maintain this drowning lifestyle I’ve been talking about this for too long, and it’s time to change. I know that theatre is the way I communicate with myself and the world. It’s the cool language of my younger self. That’s why it’s so difficult to shift.
Visa rules keep changing and changing. I’m not sure how long I will be staying in the UK now. However, I will still be around in 2026 for sure. It’s very exciting that I will have two new shows(technically 3?) in March, and there will be more to come. I know I just said I might drop out from theatre, but please AV check me all the time. My inbox is always open for you. CK is still v excited to create and work in theatre!! Your support and recommendations can help a lot!
There’s a lot to say for 2025, but let’s let it die here. All the successes and mistakes are all settled. Tbh, the wishes I had in the beginning of 2025 are fulfilled. Keep the positive energy, and It’s a brand new journey in 2026. Love you all, let’s go and peace.✌️
This year, work-wise, has been the worst so far, but there’s a lot to appreciate. Since there are way fewer jobs this year, I have more time to focus on life and the world outside of the black boxes. This is a massive and grateful change in my life.
When I review my camera roll, I know I lost a few connections, but I also realise how much I’m loved. People come, move, travel, and leave, but all the intersections are precious. Thank you for bringing the joy to my life. There might be no time to say goodbye, but we have done the best for the moment. No matter if we meet again, I will always remember and keep it at the bottom of my heart.
Some sad things happened in the world this year. I’m not that positive to say it will be better next year, but I hope there will be less pain and hurt. Can’t see the news when I’m so far away and worry alone.
Working in theatre is joyful, and we do what we love. Thank you so much to everyone I worked with this year. I really had a great time and created fun stuff with you.
Not to sugarcoat the industry, we all feel the same. I’m not sure if I should keep pursuing this path, even though everyone told me to hang in there. It’s very difficult to maintain this drowning lifestyle I’ve been talking about this for too long, and it’s time to change. I know that theatre is the way I communicate with myself and the world. It’s the cool language of my younger self. That’s why it’s so difficult to shift.
Visa rules keep changing and changing. I’m not sure how long I will be staying in the UK now. However, I will still be around in 2026 for sure. It’s very exciting that I will have two new shows(technically 3?) in March, and there will be more to come. I know I just said I might drop out from theatre, but please AV check me all the time. My inbox is always open for you. CK is still v excited to create and work in theatre!! Your support and recommendations can help a lot!
There’s a lot to say for 2025, but let’s let it die here. All the successes and mistakes are all settled. Tbh, the wishes I had in the beginning of 2025 are fulfilled. Keep the positive energy, and It’s a brand new journey in 2026. Love you all, let’s go and peace.✌️
This year, work-wise, has been the worst so far, but there’s a lot to appreciate. Since there are way fewer jobs this year, I have more time to focus on life and the world outside of the black boxes. This is a massive and grateful change in my life.
When I review my camera roll, I know I lost a few connections, but I also realise how much I’m loved. People come, move, travel, and leave, but all the intersections are precious. Thank you for bringing the joy to my life. There might be no time to say goodbye, but we have done the best for the moment. No matter if we meet again, I will always remember and keep it at the bottom of my heart.
Some sad things happened in the world this year. I’m not that positive to say it will be better next year, but I hope there will be less pain and hurt. Can’t see the news when I’m so far away and worry alone.
Working in theatre is joyful, and we do what we love. Thank you so much to everyone I worked with this year. I really had a great time and created fun stuff with you.
Not to sugarcoat the industry, we all feel the same. I’m not sure if I should keep pursuing this path, even though everyone told me to hang in there. It’s very difficult to maintain this drowning lifestyle I’ve been talking about this for too long, and it’s time to change. I know that theatre is the way I communicate with myself and the world. It’s the cool language of my younger self. That’s why it’s so difficult to shift.
Visa rules keep changing and changing. I’m not sure how long I will be staying in the UK now. However, I will still be around in 2026 for sure. It’s very exciting that I will have two new shows(technically 3?) in March, and there will be more to come. I know I just said I might drop out from theatre, but please AV check me all the time. My inbox is always open for you. CK is still v excited to create and work in theatre!! Your support and recommendations can help a lot!
There’s a lot to say for 2025, but let’s let it die here. All the successes and mistakes are all settled. Tbh, the wishes I had in the beginning of 2025 are fulfilled. Keep the positive energy, and It’s a brand new journey in 2026. Love you all, let’s go and peace.✌️
This year, work-wise, has been the worst so far, but there’s a lot to appreciate. Since there are way fewer jobs this year, I have more time to focus on life and the world outside of the black boxes. This is a massive and grateful change in my life.
When I review my camera roll, I know I lost a few connections, but I also realise how much I’m loved. People come, move, travel, and leave, but all the intersections are precious. Thank you for bringing the joy to my life. There might be no time to say goodbye, but we have done the best for the moment. No matter if we meet again, I will always remember and keep it at the bottom of my heart.
Some sad things happened in the world this year. I’m not that positive to say it will be better next year, but I hope there will be less pain and hurt. Can’t see the news when I’m so far away and worry alone.
Working in theatre is joyful, and we do what we love. Thank you so much to everyone I worked with this year. I really had a great time and created fun stuff with you.
Not to sugarcoat the industry, we all feel the same. I’m not sure if I should keep pursuing this path, even though everyone told me to hang in there. It’s very difficult to maintain this drowning lifestyle I’ve been talking about this for too long, and it’s time to change. I know that theatre is the way I communicate with myself and the world. It’s the cool language of my younger self. That’s why it’s so difficult to shift.
Visa rules keep changing and changing. I’m not sure how long I will be staying in the UK now. However, I will still be around in 2026 for sure. It’s very exciting that I will have two new shows(technically 3?) in March, and there will be more to come. I know I just said I might drop out from theatre, but please AV check me all the time. My inbox is always open for you. CK is still v excited to create and work in theatre!! Your support and recommendations can help a lot!
There’s a lot to say for 2025, but let’s let it die here. All the successes and mistakes are all settled. Tbh, the wishes I had in the beginning of 2025 are fulfilled. Keep the positive energy, and It’s a brand new journey in 2026. Love you all, let’s go and peace.✌️
This year, work-wise, has been the worst so far, but there’s a lot to appreciate. Since there are way fewer jobs this year, I have more time to focus on life and the world outside of the black boxes. This is a massive and grateful change in my life.
When I review my camera roll, I know I lost a few connections, but I also realise how much I’m loved. People come, move, travel, and leave, but all the intersections are precious. Thank you for bringing the joy to my life. There might be no time to say goodbye, but we have done the best for the moment. No matter if we meet again, I will always remember and keep it at the bottom of my heart.
Some sad things happened in the world this year. I’m not that positive to say it will be better next year, but I hope there will be less pain and hurt. Can’t see the news when I’m so far away and worry alone.
Working in theatre is joyful, and we do what we love. Thank you so much to everyone I worked with this year. I really had a great time and created fun stuff with you.
Not to sugarcoat the industry, we all feel the same. I’m not sure if I should keep pursuing this path, even though everyone told me to hang in there. It’s very difficult to maintain this drowning lifestyle I’ve been talking about this for too long, and it’s time to change. I know that theatre is the way I communicate with myself and the world. It’s the cool language of my younger self. That’s why it’s so difficult to shift.
Visa rules keep changing and changing. I’m not sure how long I will be staying in the UK now. However, I will still be around in 2026 for sure. It’s very exciting that I will have two new shows(technically 3?) in March, and there will be more to come. I know I just said I might drop out from theatre, but please AV check me all the time. My inbox is always open for you. CK is still v excited to create and work in theatre!! Your support and recommendations can help a lot!
There’s a lot to say for 2025, but let’s let it die here. All the successes and mistakes are all settled. Tbh, the wishes I had in the beginning of 2025 are fulfilled. Keep the positive energy, and It’s a brand new journey in 2026. Love you all, let’s go and peace.✌️
This year, work-wise, has been the worst so far, but there’s a lot to appreciate. Since there are way fewer jobs this year, I have more time to focus on life and the world outside of the black boxes. This is a massive and grateful change in my life.
When I review my camera roll, I know I lost a few connections, but I also realise how much I’m loved. People come, move, travel, and leave, but all the intersections are precious. Thank you for bringing the joy to my life. There might be no time to say goodbye, but we have done the best for the moment. No matter if we meet again, I will always remember and keep it at the bottom of my heart.
Some sad things happened in the world this year. I’m not that positive to say it will be better next year, but I hope there will be less pain and hurt. Can’t see the news when I’m so far away and worry alone.
Working in theatre is joyful, and we do what we love. Thank you so much to everyone I worked with this year. I really had a great time and created fun stuff with you.
Not to sugarcoat the industry, we all feel the same. I’m not sure if I should keep pursuing this path, even though everyone told me to hang in there. It’s very difficult to maintain this drowning lifestyle I’ve been talking about this for too long, and it’s time to change. I know that theatre is the way I communicate with myself and the world. It’s the cool language of my younger self. That’s why it’s so difficult to shift.
Visa rules keep changing and changing. I’m not sure how long I will be staying in the UK now. However, I will still be around in 2026 for sure. It’s very exciting that I will have two new shows(technically 3?) in March, and there will be more to come. I know I just said I might drop out from theatre, but please AV check me all the time. My inbox is always open for you. CK is still v excited to create and work in theatre!! Your support and recommendations can help a lot!
There’s a lot to say for 2025, but let’s let it die here. All the successes and mistakes are all settled. Tbh, the wishes I had in the beginning of 2025 are fulfilled. Keep the positive energy, and It’s a brand new journey in 2026. Love you all, let’s go and peace.✌️
This year, work-wise, has been the worst so far, but there’s a lot to appreciate. Since there are way fewer jobs this year, I have more time to focus on life and the world outside of the black boxes. This is a massive and grateful change in my life.
When I review my camera roll, I know I lost a few connections, but I also realise how much I’m loved. People come, move, travel, and leave, but all the intersections are precious. Thank you for bringing the joy to my life. There might be no time to say goodbye, but we have done the best for the moment. No matter if we meet again, I will always remember and keep it at the bottom of my heart.
Some sad things happened in the world this year. I’m not that positive to say it will be better next year, but I hope there will be less pain and hurt. Can’t see the news when I’m so far away and worry alone.
Working in theatre is joyful, and we do what we love. Thank you so much to everyone I worked with this year. I really had a great time and created fun stuff with you.
Not to sugarcoat the industry, we all feel the same. I’m not sure if I should keep pursuing this path, even though everyone told me to hang in there. It’s very difficult to maintain this drowning lifestyle I’ve been talking about this for too long, and it’s time to change. I know that theatre is the way I communicate with myself and the world. It’s the cool language of my younger self. That’s why it’s so difficult to shift.
Visa rules keep changing and changing. I’m not sure how long I will be staying in the UK now. However, I will still be around in 2026 for sure. It’s very exciting that I will have two new shows(technically 3?) in March, and there will be more to come. I know I just said I might drop out from theatre, but please AV check me all the time. My inbox is always open for you. CK is still v excited to create and work in theatre!! Your support and recommendations can help a lot!
There’s a lot to say for 2025, but let’s let it die here. All the successes and mistakes are all settled. Tbh, the wishes I had in the beginning of 2025 are fulfilled. Keep the positive energy, and It’s a brand new journey in 2026. Love you all, let’s go and peace.✌️
This year, work-wise, has been the worst so far, but there’s a lot to appreciate. Since there are way fewer jobs this year, I have more time to focus on life and the world outside of the black boxes. This is a massive and grateful change in my life.
When I review my camera roll, I know I lost a few connections, but I also realise how much I’m loved. People come, move, travel, and leave, but all the intersections are precious. Thank you for bringing the joy to my life. There might be no time to say goodbye, but we have done the best for the moment. No matter if we meet again, I will always remember and keep it at the bottom of my heart.
Some sad things happened in the world this year. I’m not that positive to say it will be better next year, but I hope there will be less pain and hurt. Can’t see the news when I’m so far away and worry alone.
Working in theatre is joyful, and we do what we love. Thank you so much to everyone I worked with this year. I really had a great time and created fun stuff with you.
Not to sugarcoat the industry, we all feel the same. I’m not sure if I should keep pursuing this path, even though everyone told me to hang in there. It’s very difficult to maintain this drowning lifestyle I’ve been talking about this for too long, and it’s time to change. I know that theatre is the way I communicate with myself and the world. It’s the cool language of my younger self. That’s why it’s so difficult to shift.
Visa rules keep changing and changing. I’m not sure how long I will be staying in the UK now. However, I will still be around in 2026 for sure. It’s very exciting that I will have two new shows(technically 3?) in March, and there will be more to come. I know I just said I might drop out from theatre, but please AV check me all the time. My inbox is always open for you. CK is still v excited to create and work in theatre!! Your support and recommendations can help a lot!
There’s a lot to say for 2025, but let’s let it die here. All the successes and mistakes are all settled. Tbh, the wishes I had in the beginning of 2025 are fulfilled. Keep the positive energy, and It’s a brand new journey in 2026. Love you all, let’s go and peace.✌️
This year, work-wise, has been the worst so far, but there’s a lot to appreciate. Since there are way fewer jobs this year, I have more time to focus on life and the world outside of the black boxes. This is a massive and grateful change in my life.
When I review my camera roll, I know I lost a few connections, but I also realise how much I’m loved. People come, move, travel, and leave, but all the intersections are precious. Thank you for bringing the joy to my life. There might be no time to say goodbye, but we have done the best for the moment. No matter if we meet again, I will always remember and keep it at the bottom of my heart.
Some sad things happened in the world this year. I’m not that positive to say it will be better next year, but I hope there will be less pain and hurt. Can’t see the news when I’m so far away and worry alone.
Working in theatre is joyful, and we do what we love. Thank you so much to everyone I worked with this year. I really had a great time and created fun stuff with you.
Not to sugarcoat the industry, we all feel the same. I’m not sure if I should keep pursuing this path, even though everyone told me to hang in there. It’s very difficult to maintain this drowning lifestyle I’ve been talking about this for too long, and it’s time to change. I know that theatre is the way I communicate with myself and the world. It’s the cool language of my younger self. That’s why it’s so difficult to shift.
Visa rules keep changing and changing. I’m not sure how long I will be staying in the UK now. However, I will still be around in 2026 for sure. It’s very exciting that I will have two new shows(technically 3?) in March, and there will be more to come. I know I just said I might drop out from theatre, but please AV check me all the time. My inbox is always open for you. CK is still v excited to create and work in theatre!! Your support and recommendations can help a lot!
There’s a lot to say for 2025, but let’s let it die here. All the successes and mistakes are all settled. Tbh, the wishes I had in the beginning of 2025 are fulfilled. Keep the positive energy, and It’s a brand new journey in 2026. Love you all, let’s go and peace.✌️
Xem Câu Chuyện Instagram Bí Mật
Trình Xem Câu Chuyện Instagram là một công cụ dễ sử dụng giúp bạn xem và lưu câu chuyện Instagram, video, ảnh hoặc IGTV một cách bí mật. Với dịch vụ này, bạn có thể tải xuống nội dung và thưởng thức ngoại tuyến bất cứ lúc nào. Nếu bạn tìm thấy điều gì đó thú vị trên Instagram mà bạn muốn xem sau này hoặc muốn xem câu chuyện mà vẫn giữ ẩn danh, Trình Xem của chúng tôi là lựa chọn hoàn hảo. Anonstories cung cấp giải pháp tuyệt vời để giữ kín danh tính của bạn. Instagram ra mắt tính năng Câu Chuyện vào tháng 8 năm 2023, và nhanh chóng được các nền tảng khác áp dụng do định dạng hấp dẫn và nhạy cảm với thời gian. Câu Chuyện cho phép người dùng chia sẻ cập nhật nhanh, bất kể là ảnh, video, hay selfie, được bổ sung với văn bản, emoji, hoặc bộ lọc, và chỉ hiển thị trong 24 giờ. Khoảng thời gian giới hạn này tạo ra mức độ tương tác cao so với các bài đăng thường xuyên. Trong thế giới ngày nay, Câu Chuyện là một trong những cách phổ biến nhất để kết nối và giao tiếp trên mạng xã hội. Tuy nhiên, khi bạn xem một Câu Chuyện, người tạo có thể thấy tên của bạn trong danh sách người xem, điều này có thể gây lo ngại về quyền riêng tư. Nếu bạn muốn duyệt Câu Chuyện mà không bị phát hiện, Anonstories sẽ hữu ích. Nó cho phép bạn xem nội dung công khai trên Instagram mà không tiết lộ danh tính của mình. Chỉ cần nhập tên người dùng của hồ sơ mà bạn tò mò và công cụ này sẽ hiển thị Câu Chuyện mới nhất của họ. Các tính năng của Trình Xem Anonstories: - Duyệt Ẩn Danh: Xem Câu Chuyện mà không xuất hiện trong danh sách người xem. - Không Cần Tài Khoản: Xem nội dung công khai mà không cần đăng ký tài khoản Instagram. - Tải Nội Dung: Lưu bất kỳ nội dung Câu Chuyện nào trực tiếp vào thiết bị của bạn để sử dụng ngoại tuyến. - Xem Highlight: Truy cập các Highlight trên Instagram, ngay cả khi đã qua 24 giờ. - Theo Dõi Đăng Lại: Theo dõi các bài đăng lại hoặc mức độ tương tác trên Câu Chuyện của hồ sơ cá nhân. Hạn chế: - Công cụ này chỉ hoạt động với các tài khoản công khai; các tài khoản riêng tư không thể truy cập. Lợi ích: - Thân thiện với quyền riêng tư: Xem bất kỳ nội dung Instagram nào mà không bị phát hiện. - Đơn giản và dễ dàng: Không cần cài đặt ứng dụng hoặc đăng ký. - Công cụ độc quyền: Tải và quản lý nội dung theo cách mà Instagram không cung cấp.
Lợi ích của Anonstories
Khám Phá Câu Chuyện IG Một Cách Riêng Tư
Theo dõi các cập nhật Instagram một cách kín đáo trong khi bảo vệ quyền riêng tư của bạn và vẫn giữ ẩn danh.
Trình Xem Instagram Riêng Tư
Xem hồ sơ và ảnh một cách ẩn danh dễ dàng với Trình Xem Hồ Sơ Riêng Tư.
Trình Xem Câu Chuyện Miễn Phí
Công cụ miễn phí này cho phép bạn xem Câu Chuyện Instagram ẩn danh, đảm bảo hoạt động của bạn không bị phát hiện bởi người tải lên câu chuyện.
Câu hỏi thường gặp
Ẩn Danh
Anonstories cho phép người dùng xem Câu Chuyện Instagram mà không cảnh báo người tạo.
Tương Thích Thiết Bị
Hoạt động mượt mà trên iOS, Android, Windows, macOS và các trình duyệt hiện đại như Chrome và Safari.
An Toàn và Quyền Riêng Tư
Ưu tiên duyệt web an toàn, ẩn danh mà không yêu cầu thông tin đăng nhập.
Không Cần Đăng Ký
Người dùng có thể xem Câu Chuyện công khai chỉ bằng cách nhập tên người dùng—không cần tài khoản.
Định Dạng Hỗ Trợ
Tải ảnh (JPEG) và video (MP4) một cách dễ dàng.
Chi Phí
Dịch vụ này miễn phí.
Tài Khoản Riêng Tư
Nội dung từ các tài khoản riêng tư chỉ có thể truy cập bởi những người theo dõi.
Sử Dụng Tệp
Các tệp chỉ được sử dụng cho mục đích cá nhân hoặc giáo dục và phải tuân thủ quy định bản quyền.
Cách Hoạt Động
Nhập tên người dùng công khai để xem hoặc tải xuống câu chuyện. Dịch vụ tạo liên kết trực tiếp để lưu nội dung vào thiết bị của bạn.