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content warning ⚠️ colonialism, violence, slavery
100/100 a storybook zine i made for my graduate thesis titled “dark matter objects: technologies of capture and things that can’t be held.” dark matter objects is a storybook for children and adults about computational history and technology.
the zine is a 2-color red and black risograph printed (with @hollyms6) handbound booklet. made with red and black paper of various stocks, grey craft paper, lotka paper, newsprint, transparency, cotton from North Carolina, copper tape, coin cell battery, and wire cable.
i'll be presenting my graduate thesis storybook publicly on ***tuesday, may 11 at 4:58pm est via nyu zoom!*** more information coming soon!!!
in addition to making a zine everyday for 100 days, i've also been slowly putting together this book zine for my thesis! i've incorporated everything i've learned and more throughout these 100 days into the book form.
i’d like to express my deepest gratitude to the following people whose support and collaboration made my thesis possible:
Tara Vancil (@taravancil), Simone Browne (@wewatchwatchers), American Artist (@ivorytower_headass), Galen Macdonald (@ghmac10), Fred Moten, Bomani Oseni McClendon (@bxmani), Ashley Jane Lewis (@ashleyjanelewis), Dan Shiffman (@dshiffman), Cy X (@cyberwitch666), Taylor Levy (@charliewhiskeytango), Holly Meadows-Smith (@hollyms6 @irrelevantpress), Adder Chu, Christelle Bofale (@christellebofale), Khari Lucas (@ccontourr), Sam Lavigne (@samlavigne), Matt Jacobson, Alexander Fefegha (@lexmakesthings.fun), Gabrielle Octavia Rucker (@teeny_secret), Kameelah Janan Rasheed (@kameelahr), Laolu Numa, Lina Chang (@linaeunji), Mollie Underwood (@molliekatrinaunderwood), Marilyn Nance (@marilyn.nance), Melanie Hoff (@melanieh0ff), Sadé Powell, Sol Cabrini de la Ciudad (@solcabrini), Stephanie Dinkins (@stephanie.dinkins), Sydney Spann (@ssspann), Natalie Freed, Jie Qi (@qijies), Ayo Okunseinde (@ayo.io), Steve Daniels, Zisiga Mukulu, Mariame Kaba, Elizabeth Perez (@elizabethslash), Chang Yuchen (@yuchenyuchen), Allison Parrish (@allison.parrish), Cezar Mocan (@cezarmocan), Ben Denzer (@bdenzer), and Katherine Dillon (@dillonkatherine)
content warning ⚠️ colonialism, violence, slavery
100/100 a storybook zine i made for my graduate thesis titled “dark matter objects: technologies of capture and things that can’t be held.” dark matter objects is a storybook for children and adults about computational history and technology.
the zine is a 2-color red and black risograph printed (with @hollyms6) handbound booklet. made with red and black paper of various stocks, grey craft paper, lotka paper, newsprint, transparency, cotton from North Carolina, copper tape, coin cell battery, and wire cable.
i'll be presenting my graduate thesis storybook publicly on ***tuesday, may 11 at 4:58pm est via nyu zoom!*** more information coming soon!!!
in addition to making a zine everyday for 100 days, i've also been slowly putting together this book zine for my thesis! i've incorporated everything i've learned and more throughout these 100 days into the book form.
i’d like to express my deepest gratitude to the following people whose support and collaboration made my thesis possible:
Tara Vancil (@taravancil), Simone Browne (@wewatchwatchers), American Artist (@ivorytower_headass), Galen Macdonald (@ghmac10), Fred Moten, Bomani Oseni McClendon (@bxmani), Ashley Jane Lewis (@ashleyjanelewis), Dan Shiffman (@dshiffman), Cy X (@cyberwitch666), Taylor Levy (@charliewhiskeytango), Holly Meadows-Smith (@hollyms6 @irrelevantpress), Adder Chu, Christelle Bofale (@christellebofale), Khari Lucas (@ccontourr), Sam Lavigne (@samlavigne), Matt Jacobson, Alexander Fefegha (@lexmakesthings.fun), Gabrielle Octavia Rucker (@teeny_secret), Kameelah Janan Rasheed (@kameelahr), Laolu Numa, Lina Chang (@linaeunji), Mollie Underwood (@molliekatrinaunderwood), Marilyn Nance (@marilyn.nance), Melanie Hoff (@melanieh0ff), Sadé Powell, Sol Cabrini de la Ciudad (@solcabrini), Stephanie Dinkins (@stephanie.dinkins), Sydney Spann (@ssspann), Natalie Freed, Jie Qi (@qijies), Ayo Okunseinde (@ayo.io), Steve Daniels, Zisiga Mukulu, Mariame Kaba, Elizabeth Perez (@elizabethslash), Chang Yuchen (@yuchenyuchen), Allison Parrish (@allison.parrish), Cezar Mocan (@cezarmocan), Ben Denzer (@bdenzer), and Katherine Dillon (@dillonkatherine)
content warning ⚠️ colonialism, violence, slavery
100/100 a storybook zine i made for my graduate thesis titled “dark matter objects: technologies of capture and things that can’t be held.” dark matter objects is a storybook for children and adults about computational history and technology.
the zine is a 2-color red and black risograph printed (with @hollyms6) handbound booklet. made with red and black paper of various stocks, grey craft paper, lotka paper, newsprint, transparency, cotton from North Carolina, copper tape, coin cell battery, and wire cable.
i'll be presenting my graduate thesis storybook publicly on ***tuesday, may 11 at 4:58pm est via nyu zoom!*** more information coming soon!!!
in addition to making a zine everyday for 100 days, i've also been slowly putting together this book zine for my thesis! i've incorporated everything i've learned and more throughout these 100 days into the book form.
i’d like to express my deepest gratitude to the following people whose support and collaboration made my thesis possible:
Tara Vancil (@taravancil), Simone Browne (@wewatchwatchers), American Artist (@ivorytower_headass), Galen Macdonald (@ghmac10), Fred Moten, Bomani Oseni McClendon (@bxmani), Ashley Jane Lewis (@ashleyjanelewis), Dan Shiffman (@dshiffman), Cy X (@cyberwitch666), Taylor Levy (@charliewhiskeytango), Holly Meadows-Smith (@hollyms6 @irrelevantpress), Adder Chu, Christelle Bofale (@christellebofale), Khari Lucas (@ccontourr), Sam Lavigne (@samlavigne), Matt Jacobson, Alexander Fefegha (@lexmakesthings.fun), Gabrielle Octavia Rucker (@teeny_secret), Kameelah Janan Rasheed (@kameelahr), Laolu Numa, Lina Chang (@linaeunji), Mollie Underwood (@molliekatrinaunderwood), Marilyn Nance (@marilyn.nance), Melanie Hoff (@melanieh0ff), Sadé Powell, Sol Cabrini de la Ciudad (@solcabrini), Stephanie Dinkins (@stephanie.dinkins), Sydney Spann (@ssspann), Natalie Freed, Jie Qi (@qijies), Ayo Okunseinde (@ayo.io), Steve Daniels, Zisiga Mukulu, Mariame Kaba, Elizabeth Perez (@elizabethslash), Chang Yuchen (@yuchenyuchen), Allison Parrish (@allison.parrish), Cezar Mocan (@cezarmocan), Ben Denzer (@bdenzer), and Katherine Dillon (@dillonkatherine)
content warning ⚠️ colonialism, violence, slavery
100/100 a storybook zine i made for my graduate thesis titled “dark matter objects: technologies of capture and things that can’t be held.” dark matter objects is a storybook for children and adults about computational history and technology.
the zine is a 2-color red and black risograph printed (with @hollyms6) handbound booklet. made with red and black paper of various stocks, grey craft paper, lotka paper, newsprint, transparency, cotton from North Carolina, copper tape, coin cell battery, and wire cable.
i'll be presenting my graduate thesis storybook publicly on ***tuesday, may 11 at 4:58pm est via nyu zoom!*** more information coming soon!!!
in addition to making a zine everyday for 100 days, i've also been slowly putting together this book zine for my thesis! i've incorporated everything i've learned and more throughout these 100 days into the book form.
i’d like to express my deepest gratitude to the following people whose support and collaboration made my thesis possible:
Tara Vancil (@taravancil), Simone Browne (@wewatchwatchers), American Artist (@ivorytower_headass), Galen Macdonald (@ghmac10), Fred Moten, Bomani Oseni McClendon (@bxmani), Ashley Jane Lewis (@ashleyjanelewis), Dan Shiffman (@dshiffman), Cy X (@cyberwitch666), Taylor Levy (@charliewhiskeytango), Holly Meadows-Smith (@hollyms6 @irrelevantpress), Adder Chu, Christelle Bofale (@christellebofale), Khari Lucas (@ccontourr), Sam Lavigne (@samlavigne), Matt Jacobson, Alexander Fefegha (@lexmakesthings.fun), Gabrielle Octavia Rucker (@teeny_secret), Kameelah Janan Rasheed (@kameelahr), Laolu Numa, Lina Chang (@linaeunji), Mollie Underwood (@molliekatrinaunderwood), Marilyn Nance (@marilyn.nance), Melanie Hoff (@melanieh0ff), Sadé Powell, Sol Cabrini de la Ciudad (@solcabrini), Stephanie Dinkins (@stephanie.dinkins), Sydney Spann (@ssspann), Natalie Freed, Jie Qi (@qijies), Ayo Okunseinde (@ayo.io), Steve Daniels, Zisiga Mukulu, Mariame Kaba, Elizabeth Perez (@elizabethslash), Chang Yuchen (@yuchenyuchen), Allison Parrish (@allison.parrish), Cezar Mocan (@cezarmocan), Ben Denzer (@bdenzer), and Katherine Dillon (@dillonkatherine)
content warning ⚠️ colonialism, violence, slavery
100/100 a storybook zine i made for my graduate thesis titled “dark matter objects: technologies of capture and things that can’t be held.” dark matter objects is a storybook for children and adults about computational history and technology.
the zine is a 2-color red and black risograph printed (with @hollyms6) handbound booklet. made with red and black paper of various stocks, grey craft paper, lotka paper, newsprint, transparency, cotton from North Carolina, copper tape, coin cell battery, and wire cable.
i'll be presenting my graduate thesis storybook publicly on ***tuesday, may 11 at 4:58pm est via nyu zoom!*** more information coming soon!!!
in addition to making a zine everyday for 100 days, i've also been slowly putting together this book zine for my thesis! i've incorporated everything i've learned and more throughout these 100 days into the book form.
i’d like to express my deepest gratitude to the following people whose support and collaboration made my thesis possible:
Tara Vancil (@taravancil), Simone Browne (@wewatchwatchers), American Artist (@ivorytower_headass), Galen Macdonald (@ghmac10), Fred Moten, Bomani Oseni McClendon (@bxmani), Ashley Jane Lewis (@ashleyjanelewis), Dan Shiffman (@dshiffman), Cy X (@cyberwitch666), Taylor Levy (@charliewhiskeytango), Holly Meadows-Smith (@hollyms6 @irrelevantpress), Adder Chu, Christelle Bofale (@christellebofale), Khari Lucas (@ccontourr), Sam Lavigne (@samlavigne), Matt Jacobson, Alexander Fefegha (@lexmakesthings.fun), Gabrielle Octavia Rucker (@teeny_secret), Kameelah Janan Rasheed (@kameelahr), Laolu Numa, Lina Chang (@linaeunji), Mollie Underwood (@molliekatrinaunderwood), Marilyn Nance (@marilyn.nance), Melanie Hoff (@melanieh0ff), Sadé Powell, Sol Cabrini de la Ciudad (@solcabrini), Stephanie Dinkins (@stephanie.dinkins), Sydney Spann (@ssspann), Natalie Freed, Jie Qi (@qijies), Ayo Okunseinde (@ayo.io), Steve Daniels, Zisiga Mukulu, Mariame Kaba, Elizabeth Perez (@elizabethslash), Chang Yuchen (@yuchenyuchen), Allison Parrish (@allison.parrish), Cezar Mocan (@cezarmocan), Ben Denzer (@bdenzer), and Katherine Dillon (@dillonkatherine)
content warning ⚠️ colonialism, violence, slavery
100/100 a storybook zine i made for my graduate thesis titled “dark matter objects: technologies of capture and things that can’t be held.” dark matter objects is a storybook for children and adults about computational history and technology.
the zine is a 2-color red and black risograph printed (with @hollyms6) handbound booklet. made with red and black paper of various stocks, grey craft paper, lotka paper, newsprint, transparency, cotton from North Carolina, copper tape, coin cell battery, and wire cable.
i'll be presenting my graduate thesis storybook publicly on ***tuesday, may 11 at 4:58pm est via nyu zoom!*** more information coming soon!!!
in addition to making a zine everyday for 100 days, i've also been slowly putting together this book zine for my thesis! i've incorporated everything i've learned and more throughout these 100 days into the book form.
i’d like to express my deepest gratitude to the following people whose support and collaboration made my thesis possible:
Tara Vancil (@taravancil), Simone Browne (@wewatchwatchers), American Artist (@ivorytower_headass), Galen Macdonald (@ghmac10), Fred Moten, Bomani Oseni McClendon (@bxmani), Ashley Jane Lewis (@ashleyjanelewis), Dan Shiffman (@dshiffman), Cy X (@cyberwitch666), Taylor Levy (@charliewhiskeytango), Holly Meadows-Smith (@hollyms6 @irrelevantpress), Adder Chu, Christelle Bofale (@christellebofale), Khari Lucas (@ccontourr), Sam Lavigne (@samlavigne), Matt Jacobson, Alexander Fefegha (@lexmakesthings.fun), Gabrielle Octavia Rucker (@teeny_secret), Kameelah Janan Rasheed (@kameelahr), Laolu Numa, Lina Chang (@linaeunji), Mollie Underwood (@molliekatrinaunderwood), Marilyn Nance (@marilyn.nance), Melanie Hoff (@melanieh0ff), Sadé Powell, Sol Cabrini de la Ciudad (@solcabrini), Stephanie Dinkins (@stephanie.dinkins), Sydney Spann (@ssspann), Natalie Freed, Jie Qi (@qijies), Ayo Okunseinde (@ayo.io), Steve Daniels, Zisiga Mukulu, Mariame Kaba, Elizabeth Perez (@elizabethslash), Chang Yuchen (@yuchenyuchen), Allison Parrish (@allison.parrish), Cezar Mocan (@cezarmocan), Ben Denzer (@bdenzer), and Katherine Dillon (@dillonkatherine)
content warning ⚠️ colonialism, violence, slavery
100/100 a storybook zine i made for my graduate thesis titled “dark matter objects: technologies of capture and things that can’t be held.” dark matter objects is a storybook for children and adults about computational history and technology.
the zine is a 2-color red and black risograph printed (with @hollyms6) handbound booklet. made with red and black paper of various stocks, grey craft paper, lotka paper, newsprint, transparency, cotton from North Carolina, copper tape, coin cell battery, and wire cable.
i'll be presenting my graduate thesis storybook publicly on ***tuesday, may 11 at 4:58pm est via nyu zoom!*** more information coming soon!!!
in addition to making a zine everyday for 100 days, i've also been slowly putting together this book zine for my thesis! i've incorporated everything i've learned and more throughout these 100 days into the book form.
i’d like to express my deepest gratitude to the following people whose support and collaboration made my thesis possible:
Tara Vancil (@taravancil), Simone Browne (@wewatchwatchers), American Artist (@ivorytower_headass), Galen Macdonald (@ghmac10), Fred Moten, Bomani Oseni McClendon (@bxmani), Ashley Jane Lewis (@ashleyjanelewis), Dan Shiffman (@dshiffman), Cy X (@cyberwitch666), Taylor Levy (@charliewhiskeytango), Holly Meadows-Smith (@hollyms6 @irrelevantpress), Adder Chu, Christelle Bofale (@christellebofale), Khari Lucas (@ccontourr), Sam Lavigne (@samlavigne), Matt Jacobson, Alexander Fefegha (@lexmakesthings.fun), Gabrielle Octavia Rucker (@teeny_secret), Kameelah Janan Rasheed (@kameelahr), Laolu Numa, Lina Chang (@linaeunji), Mollie Underwood (@molliekatrinaunderwood), Marilyn Nance (@marilyn.nance), Melanie Hoff (@melanieh0ff), Sadé Powell, Sol Cabrini de la Ciudad (@solcabrini), Stephanie Dinkins (@stephanie.dinkins), Sydney Spann (@ssspann), Natalie Freed, Jie Qi (@qijies), Ayo Okunseinde (@ayo.io), Steve Daniels, Zisiga Mukulu, Mariame Kaba, Elizabeth Perez (@elizabethslash), Chang Yuchen (@yuchenyuchen), Allison Parrish (@allison.parrish), Cezar Mocan (@cezarmocan), Ben Denzer (@bdenzer), and Katherine Dillon (@dillonkatherine)
content warning ⚠️ colonialism, violence, slavery
100/100 a storybook zine i made for my graduate thesis titled “dark matter objects: technologies of capture and things that can’t be held.” dark matter objects is a storybook for children and adults about computational history and technology.
the zine is a 2-color red and black risograph printed (with @hollyms6) handbound booklet. made with red and black paper of various stocks, grey craft paper, lotka paper, newsprint, transparency, cotton from North Carolina, copper tape, coin cell battery, and wire cable.
i'll be presenting my graduate thesis storybook publicly on ***tuesday, may 11 at 4:58pm est via nyu zoom!*** more information coming soon!!!
in addition to making a zine everyday for 100 days, i've also been slowly putting together this book zine for my thesis! i've incorporated everything i've learned and more throughout these 100 days into the book form.
i’d like to express my deepest gratitude to the following people whose support and collaboration made my thesis possible:
Tara Vancil (@taravancil), Simone Browne (@wewatchwatchers), American Artist (@ivorytower_headass), Galen Macdonald (@ghmac10), Fred Moten, Bomani Oseni McClendon (@bxmani), Ashley Jane Lewis (@ashleyjanelewis), Dan Shiffman (@dshiffman), Cy X (@cyberwitch666), Taylor Levy (@charliewhiskeytango), Holly Meadows-Smith (@hollyms6 @irrelevantpress), Adder Chu, Christelle Bofale (@christellebofale), Khari Lucas (@ccontourr), Sam Lavigne (@samlavigne), Matt Jacobson, Alexander Fefegha (@lexmakesthings.fun), Gabrielle Octavia Rucker (@teeny_secret), Kameelah Janan Rasheed (@kameelahr), Laolu Numa, Lina Chang (@linaeunji), Mollie Underwood (@molliekatrinaunderwood), Marilyn Nance (@marilyn.nance), Melanie Hoff (@melanieh0ff), Sadé Powell, Sol Cabrini de la Ciudad (@solcabrini), Stephanie Dinkins (@stephanie.dinkins), Sydney Spann (@ssspann), Natalie Freed, Jie Qi (@qijies), Ayo Okunseinde (@ayo.io), Steve Daniels, Zisiga Mukulu, Mariame Kaba, Elizabeth Perez (@elizabethslash), Chang Yuchen (@yuchenyuchen), Allison Parrish (@allison.parrish), Cezar Mocan (@cezarmocan), Ben Denzer (@bdenzer), and Katherine Dillon (@dillonkatherine)
“This is a story about the language of things. This is a story about the fabric of our lives. This is a story about masters and slaves” 📖
Now on view via The Kitchen’s online Video Viewing Room, “Dark matter objects: Technologies of capture and things that can’t be held” is a one-of-a-kind handmade storybook for children and adults about technology that studies computational history and terminology as it defines social, political, economic, racialized, gendered and other relations that emerge from the systemic structures that undergird the specifications of the technology used by people and in turn, choreograph the social behaviors and rituals of daily life.
Watch the full short film via our link in bio 🕳
Compiler: Neta Bomani @mchapoarchive
Sound engineer: Khari Lucas @ccontourr
Theme song composer: Christelle Bofale @christellebofale
Printmaker: Holly Meadows-Smith @hollyms6
Video engineer: Adder Chu
Circuit board engineer: Taylor Levy @cwandt
Narrator: Alexander Fefegha @lexmakesthings, American Artist @ivorytower_headass, Ashley Jane Lewis @ashleyjanelewis, Bomani Oseni McClendon @bxmani, Gabrielle Octavia Rucker @teeny_secret, Galen Macdonald @ghmac10, Fred Moten, Kameelah Janan Rasheed @kameelahr, Laolu Numa, Lina Chang @linaeunji, Marilyn Nance @marilyn.nance, Melanie Hoff @melanieh0ff, Sadé Powell, Simone Browne @wewatchwatchers, Sol Cabrini de la Ciudad @solcabrini, Stephanie Dinkins @stephanie.dinkins, Sydney Spann @ssspann, Zisiga Mukulu
Full credits & acknowledgements at netabomani.com/darkmatter 🕳
Our new article “The City In Our Hands” is out now via @urbanomnibus.
The City In Our Hands is a window into the significance of Black independent publishing in NYC as a vehicle for movement building, education, creativity, and survival. The article also reveals our thinking behind the Black Reading Room and the broader legacy of radical Black publishing.
Grab a physical copy @blackzinefair on May 9 from 11am to 6pm!
-
Written by Neta Bomani @netazines & Mariame Kaba
Published in @urbanomnibus on April 29, 2026; edited by Ingrid Burrington and Olivia Schwob.
Illustrations by Malachi Lily @themagickartist
Graphics by Erin Robinson @rinmdesign
Our new article “The City In Our Hands” is out now via @urbanomnibus.
The City In Our Hands is a window into the significance of Black independent publishing in NYC as a vehicle for movement building, education, creativity, and survival. The article also reveals our thinking behind the Black Reading Room and the broader legacy of radical Black publishing.
Grab a physical copy @blackzinefair on May 9 from 11am to 6pm!
-
Written by Neta Bomani @netazines & Mariame Kaba
Published in @urbanomnibus on April 29, 2026; edited by Ingrid Burrington and Olivia Schwob.
Illustrations by Malachi Lily @themagickartist
Graphics by Erin Robinson @rinmdesign
Our new article “The City In Our Hands” is out now via @urbanomnibus.
The City In Our Hands is a window into the significance of Black independent publishing in NYC as a vehicle for movement building, education, creativity, and survival. The article also reveals our thinking behind the Black Reading Room and the broader legacy of radical Black publishing.
Grab a physical copy @blackzinefair on May 9 from 11am to 6pm!
-
Written by Neta Bomani @netazines & Mariame Kaba
Published in @urbanomnibus on April 29, 2026; edited by Ingrid Burrington and Olivia Schwob.
Illustrations by Malachi Lily @themagickartist
Graphics by Erin Robinson @rinmdesign
Our new article “The City In Our Hands” is out now via @urbanomnibus.
The City In Our Hands is a window into the significance of Black independent publishing in NYC as a vehicle for movement building, education, creativity, and survival. The article also reveals our thinking behind the Black Reading Room and the broader legacy of radical Black publishing.
Grab a physical copy @blackzinefair on May 9 from 11am to 6pm!
-
Written by Neta Bomani @netazines & Mariame Kaba
Published in @urbanomnibus on April 29, 2026; edited by Ingrid Burrington and Olivia Schwob.
Illustrations by Malachi Lily @themagickartist
Graphics by Erin Robinson @rinmdesign
Black Study: The Influence of David Walker’s Appeal ✷ $15 ✷ A special limited-edition risograph print version will be available exclusively @blackzinefair on May 9th.
✷
Black Study situates study as an act of remembrance and revolt.
In 1829, David Walker published An Appeal to the Coloured Citizens of the World, a subversive pamphlet calling for enslaved Black people to revolt. His words inspired Nat Turner’s Rebellion and shaped future abolitionist movements.
Through archival images—including from Mariame Kaba’s personal newswire collection—Black Study traces this history and reflects on how Black reading, writing, and study have always been forms of political action.
✷
Written by Mariame Kaba
Designed by Neta Bomani @netazines
Illustrated by Ezekiel Robinson @ezekielrobinson123
Black Study: The Influence of David Walker’s Appeal ✷ $15 ✷ A special limited-edition risograph print version will be available exclusively @blackzinefair on May 9th.
✷
Black Study situates study as an act of remembrance and revolt.
In 1829, David Walker published An Appeal to the Coloured Citizens of the World, a subversive pamphlet calling for enslaved Black people to revolt. His words inspired Nat Turner’s Rebellion and shaped future abolitionist movements.
Through archival images—including from Mariame Kaba’s personal newswire collection—Black Study traces this history and reflects on how Black reading, writing, and study have always been forms of political action.
✷
Written by Mariame Kaba
Designed by Neta Bomani @netazines
Illustrated by Ezekiel Robinson @ezekielrobinson123
Black Study: The Influence of David Walker’s Appeal ✷ $15 ✷ A special limited-edition risograph print version will be available exclusively @blackzinefair on May 9th.
✷
Black Study situates study as an act of remembrance and revolt.
In 1829, David Walker published An Appeal to the Coloured Citizens of the World, a subversive pamphlet calling for enslaved Black people to revolt. His words inspired Nat Turner’s Rebellion and shaped future abolitionist movements.
Through archival images—including from Mariame Kaba’s personal newswire collection—Black Study traces this history and reflects on how Black reading, writing, and study have always been forms of political action.
✷
Written by Mariame Kaba
Designed by Neta Bomani @netazines
Illustrated by Ezekiel Robinson @ezekielrobinson123
Black Study: The Influence of David Walker’s Appeal ✷ $15 ✷ A special limited-edition risograph print version will be available exclusively @blackzinefair on May 9th.
✷
Black Study situates study as an act of remembrance and revolt.
In 1829, David Walker published An Appeal to the Coloured Citizens of the World, a subversive pamphlet calling for enslaved Black people to revolt. His words inspired Nat Turner’s Rebellion and shaped future abolitionist movements.
Through archival images—including from Mariame Kaba’s personal newswire collection—Black Study traces this history and reflects on how Black reading, writing, and study have always been forms of political action.
✷
Written by Mariame Kaba
Designed by Neta Bomani @netazines
Illustrated by Ezekiel Robinson @ezekielrobinson123
zine for @thebcrw’s 50th anniversary of the scholar & feminist conference on feb 27–28, 2026. printed on aqua blue paper in black ink by @luckyrisograph.
this zine is an attempt to honor not only the content of the conference but the unseen labor of those who plan it—the typewritten letters, memos, and marginalia that make such gatherings possible.
its cover features art type of a group of people encircled in conversation based on illustrations by Miriam Klein Stahl—a small study in gathering, touch, and attention.
made in collaboration with bcrw’s archives & archivist Margot Kotler, in dialogue with the work of Black feminist predecessors Hortense Spillers, June Jordan, and Quandra Prettyman.
a small artifact of “fifty years of meeting the moment,” with a keynote by Judith Butler + performance by Toshi Reagon—carrying knowledge across past, present, and future generations.
zine for @thebcrw’s 50th anniversary of the scholar & feminist conference on feb 27–28, 2026. printed on aqua blue paper in black ink by @luckyrisograph.
this zine is an attempt to honor not only the content of the conference but the unseen labor of those who plan it—the typewritten letters, memos, and marginalia that make such gatherings possible.
its cover features art type of a group of people encircled in conversation based on illustrations by Miriam Klein Stahl—a small study in gathering, touch, and attention.
made in collaboration with bcrw’s archives & archivist Margot Kotler, in dialogue with the work of Black feminist predecessors Hortense Spillers, June Jordan, and Quandra Prettyman.
a small artifact of “fifty years of meeting the moment,” with a keynote by Judith Butler + performance by Toshi Reagon—carrying knowledge across past, present, and future generations.
zine for @thebcrw’s 50th anniversary of the scholar & feminist conference on feb 27–28, 2026. printed on aqua blue paper in black ink by @luckyrisograph.
this zine is an attempt to honor not only the content of the conference but the unseen labor of those who plan it—the typewritten letters, memos, and marginalia that make such gatherings possible.
its cover features art type of a group of people encircled in conversation based on illustrations by Miriam Klein Stahl—a small study in gathering, touch, and attention.
made in collaboration with bcrw’s archives & archivist Margot Kotler, in dialogue with the work of Black feminist predecessors Hortense Spillers, June Jordan, and Quandra Prettyman.
a small artifact of “fifty years of meeting the moment,” with a keynote by Judith Butler + performance by Toshi Reagon—carrying knowledge across past, present, and future generations.
zine for @thebcrw’s 50th anniversary of the scholar & feminist conference on feb 27–28, 2026. printed on aqua blue paper in black ink by @luckyrisograph.
this zine is an attempt to honor not only the content of the conference but the unseen labor of those who plan it—the typewritten letters, memos, and marginalia that make such gatherings possible.
its cover features art type of a group of people encircled in conversation based on illustrations by Miriam Klein Stahl—a small study in gathering, touch, and attention.
made in collaboration with bcrw’s archives & archivist Margot Kotler, in dialogue with the work of Black feminist predecessors Hortense Spillers, June Jordan, and Quandra Prettyman.
a small artifact of “fifty years of meeting the moment,” with a keynote by Judith Butler + performance by Toshi Reagon—carrying knowledge across past, present, and future generations.
zine for @thebcrw’s 50th anniversary of the scholar & feminist conference on feb 27–28, 2026. printed on aqua blue paper in black ink by @luckyrisograph.
this zine is an attempt to honor not only the content of the conference but the unseen labor of those who plan it—the typewritten letters, memos, and marginalia that make such gatherings possible.
its cover features art type of a group of people encircled in conversation based on illustrations by Miriam Klein Stahl—a small study in gathering, touch, and attention.
made in collaboration with bcrw’s archives & archivist Margot Kotler, in dialogue with the work of Black feminist predecessors Hortense Spillers, June Jordan, and Quandra Prettyman.
a small artifact of “fifty years of meeting the moment,” with a keynote by Judith Butler + performance by Toshi Reagon—carrying knowledge across past, present, and future generations.
zine for @thebcrw’s 50th anniversary of the scholar & feminist conference on feb 27–28, 2026. printed on aqua blue paper in black ink by @luckyrisograph.
this zine is an attempt to honor not only the content of the conference but the unseen labor of those who plan it—the typewritten letters, memos, and marginalia that make such gatherings possible.
its cover features art type of a group of people encircled in conversation based on illustrations by Miriam Klein Stahl—a small study in gathering, touch, and attention.
made in collaboration with bcrw’s archives & archivist Margot Kotler, in dialogue with the work of Black feminist predecessors Hortense Spillers, June Jordan, and Quandra Prettyman.
a small artifact of “fifty years of meeting the moment,” with a keynote by Judith Butler + performance by Toshi Reagon—carrying knowledge across past, present, and future generations.
zine for @thebcrw’s 50th anniversary of the scholar & feminist conference on feb 27–28, 2026. printed on aqua blue paper in black ink by @luckyrisograph.
this zine is an attempt to honor not only the content of the conference but the unseen labor of those who plan it—the typewritten letters, memos, and marginalia that make such gatherings possible.
its cover features art type of a group of people encircled in conversation based on illustrations by Miriam Klein Stahl—a small study in gathering, touch, and attention.
made in collaboration with bcrw’s archives & archivist Margot Kotler, in dialogue with the work of Black feminist predecessors Hortense Spillers, June Jordan, and Quandra Prettyman.
a small artifact of “fifty years of meeting the moment,” with a keynote by Judith Butler + performance by Toshi Reagon—carrying knowledge across past, present, and future generations.
🔍 Searching for Joan Bird
🔍 $20 ✷ limited edition available in person at events or @secret_riso_club bookstore
Joan Bird was a revolutionary member of the New York Black Panther Party, known for her work in Harlem community healthcare and her role in the Panther 21 trial alongside Afeni Shakur. After her 1970 acquittal, she stepped back from public activism. Mariame Kaba investigates her disappearance in this zine.
🔍 Photo on the first slide by @kedrickwalker
🔍 Searching for Joan Bird
🔍 $20 ✷ limited edition available in person at events or @secret_riso_club bookstore
Joan Bird was a revolutionary member of the New York Black Panther Party, known for her work in Harlem community healthcare and her role in the Panther 21 trial alongside Afeni Shakur. After her 1970 acquittal, she stepped back from public activism. Mariame Kaba investigates her disappearance in this zine.
🔍 Photo on the first slide by @kedrickwalker
🔍 Searching for Joan Bird
🔍 $20 ✷ limited edition available in person at events or @secret_riso_club bookstore
Joan Bird was a revolutionary member of the New York Black Panther Party, known for her work in Harlem community healthcare and her role in the Panther 21 trial alongside Afeni Shakur. After her 1970 acquittal, she stepped back from public activism. Mariame Kaba investigates her disappearance in this zine.
🔍 Photo on the first slide by @kedrickwalker
📮 Red Channels
📮 $12 ✷ link on profile
During the Red Scare, Black women performers like Hazel Scott, Fredi Washington, Lena Horne, and Shirley Graham were especially vulnerable to the Hollywood blacklist, which targeted artists on the left and deepened existing racial exclusions in the industry. Mariame Kaba traces the effects of the blacklist in this zine.
📮Photos by @kedrickwalker
📮 Red Channels
📮 $12 ✷ link on profile
During the Red Scare, Black women performers like Hazel Scott, Fredi Washington, Lena Horne, and Shirley Graham were especially vulnerable to the Hollywood blacklist, which targeted artists on the left and deepened existing racial exclusions in the industry. Mariame Kaba traces the effects of the blacklist in this zine.
📮Photos by @kedrickwalker
📮 Red Channels
📮 $12 ✷ link on profile
During the Red Scare, Black women performers like Hazel Scott, Fredi Washington, Lena Horne, and Shirley Graham were especially vulnerable to the Hollywood blacklist, which targeted artists on the left and deepened existing racial exclusions in the industry. Mariame Kaba traces the effects of the blacklist in this zine.
📮Photos by @kedrickwalker
📮 Red Channels
📮 $12 ✷ link on profile
During the Red Scare, Black women performers like Hazel Scott, Fredi Washington, Lena Horne, and Shirley Graham were especially vulnerable to the Hollywood blacklist, which targeted artists on the left and deepened existing racial exclusions in the industry. Mariame Kaba traces the effects of the blacklist in this zine.
📮Photos by @kedrickwalker
📮 Red Channels
📮 $12 ✷ link on profile
During the Red Scare, Black women performers like Hazel Scott, Fredi Washington, Lena Horne, and Shirley Graham were especially vulnerable to the Hollywood blacklist, which targeted artists on the left and deepened existing racial exclusions in the industry. Mariame Kaba traces the effects of the blacklist in this zine.
📮Photos by @kedrickwalker
📮 Red Channels
📮 $12 ✷ link on profile
During the Red Scare, Black women performers like Hazel Scott, Fredi Washington, Lena Horne, and Shirley Graham were especially vulnerable to the Hollywood blacklist, which targeted artists on the left and deepened existing racial exclusions in the industry. Mariame Kaba traces the effects of the blacklist in this zine.
📮Photos by @kedrickwalker
📮 Red Channels
📮 $12 ✷ link on profile
During the Red Scare, Black women performers like Hazel Scott, Fredi Washington, Lena Horne, and Shirley Graham were especially vulnerable to the Hollywood blacklist, which targeted artists on the left and deepened existing racial exclusions in the industry. Mariame Kaba traces the effects of the blacklist in this zine.
📮Photos by @kedrickwalker
📮 Red Channels
📮 $12 ✷ link on profile
During the Red Scare, Black women performers like Hazel Scott, Fredi Washington, Lena Horne, and Shirley Graham were especially vulnerable to the Hollywood blacklist, which targeted artists on the left and deepened existing racial exclusions in the industry. Mariame Kaba traces the effects of the blacklist in this zine.
📮Photos by @kedrickwalker
i’ve been teaching about zines @sfpc_nyc for the past 10 weeks! come see what we’ve been up to this sunday 😊💭 read more below ⤵️
The participants of the Reading, Writing & Compiling Zines class at the School for Poetic Computation for a Mini Zine Fair and presentations to showcase the work created by the class on Sunday, November 19 from 1:30-4pm @creativetime. Masks required 😷 RSVP at bit.ly/MiniZineFair (link on profile)!
📚 Participants:
Alex Beige @virtually.alex.beige
Ariana Faye Allensworth @arianafaye
Danialie Fertile @boldlydanialie
Ender Minyard @enderversing
Jahyeon Kwon @jxhyxxn.kwxn
Mamou François @paysdenullepart
Mariam Bazeed @putteraholic @cultofbazeed
Maya Wagoner @mayamakesluckypeach
Michelle Turgeon @michelleorama
Nico Perey @luckygolava
Okiki Famutimi
Priya Dadlani @priya.florence
sadé powell
Shelly Xiong @shellylynnx
Tiané Goines @mumb0sauc3f33n
Wairimu Muriithi @nd00ta_reads
Yuxi Liu @chinesebrekkie
📚 Organizers:
Neta Bomani @netazines
Aliyah Blackmore @aliyahblkmre
📚 Showcase flyer by K.L. Ricks @kl_ricks
📚 Photos by Minu Han @minu.media
📚 About Reading, Writing & Compiling Zines:
Reading, Writing & Compiling Zines is a class to learn about the historical ways of reading, writing, compiling, and learning, both with and without computers. Students explore various forms of printed and digital matter such as zines and posters, and how they are published as mediums for creative and political expression. Read more at: sfpc.study/sessions/fall-23/rwc-zines
COVID-19 safety & accessibility: The Reading, Writing & Compiling Zines Mini Zine Fair is a mask-on space. All event attendees, workshop participants, teachers and staff are expected to be masked inside the classroom. Please bring a mask.
i’ve been teaching about zines @sfpc_nyc for the past 10 weeks! come see what we’ve been up to this sunday 😊💭 read more below ⤵️
The participants of the Reading, Writing & Compiling Zines class at the School for Poetic Computation for a Mini Zine Fair and presentations to showcase the work created by the class on Sunday, November 19 from 1:30-4pm @creativetime. Masks required 😷 RSVP at bit.ly/MiniZineFair (link on profile)!
📚 Participants:
Alex Beige @virtually.alex.beige
Ariana Faye Allensworth @arianafaye
Danialie Fertile @boldlydanialie
Ender Minyard @enderversing
Jahyeon Kwon @jxhyxxn.kwxn
Mamou François @paysdenullepart
Mariam Bazeed @putteraholic @cultofbazeed
Maya Wagoner @mayamakesluckypeach
Michelle Turgeon @michelleorama
Nico Perey @luckygolava
Okiki Famutimi
Priya Dadlani @priya.florence
sadé powell
Shelly Xiong @shellylynnx
Tiané Goines @mumb0sauc3f33n
Wairimu Muriithi @nd00ta_reads
Yuxi Liu @chinesebrekkie
📚 Organizers:
Neta Bomani @netazines
Aliyah Blackmore @aliyahblkmre
📚 Showcase flyer by K.L. Ricks @kl_ricks
📚 Photos by Minu Han @minu.media
📚 About Reading, Writing & Compiling Zines:
Reading, Writing & Compiling Zines is a class to learn about the historical ways of reading, writing, compiling, and learning, both with and without computers. Students explore various forms of printed and digital matter such as zines and posters, and how they are published as mediums for creative and political expression. Read more at: sfpc.study/sessions/fall-23/rwc-zines
COVID-19 safety & accessibility: The Reading, Writing & Compiling Zines Mini Zine Fair is a mask-on space. All event attendees, workshop participants, teachers and staff are expected to be masked inside the classroom. Please bring a mask.
i’ve been teaching about zines @sfpc_nyc for the past 10 weeks! come see what we’ve been up to this sunday 😊💭 read more below ⤵️
The participants of the Reading, Writing & Compiling Zines class at the School for Poetic Computation for a Mini Zine Fair and presentations to showcase the work created by the class on Sunday, November 19 from 1:30-4pm @creativetime. Masks required 😷 RSVP at bit.ly/MiniZineFair (link on profile)!
📚 Participants:
Alex Beige @virtually.alex.beige
Ariana Faye Allensworth @arianafaye
Danialie Fertile @boldlydanialie
Ender Minyard @enderversing
Jahyeon Kwon @jxhyxxn.kwxn
Mamou François @paysdenullepart
Mariam Bazeed @putteraholic @cultofbazeed
Maya Wagoner @mayamakesluckypeach
Michelle Turgeon @michelleorama
Nico Perey @luckygolava
Okiki Famutimi
Priya Dadlani @priya.florence
sadé powell
Shelly Xiong @shellylynnx
Tiané Goines @mumb0sauc3f33n
Wairimu Muriithi @nd00ta_reads
Yuxi Liu @chinesebrekkie
📚 Organizers:
Neta Bomani @netazines
Aliyah Blackmore @aliyahblkmre
📚 Showcase flyer by K.L. Ricks @kl_ricks
📚 Photos by Minu Han @minu.media
📚 About Reading, Writing & Compiling Zines:
Reading, Writing & Compiling Zines is a class to learn about the historical ways of reading, writing, compiling, and learning, both with and without computers. Students explore various forms of printed and digital matter such as zines and posters, and how they are published as mediums for creative and political expression. Read more at: sfpc.study/sessions/fall-23/rwc-zines
COVID-19 safety & accessibility: The Reading, Writing & Compiling Zines Mini Zine Fair is a mask-on space. All event attendees, workshop participants, teachers and staff are expected to be masked inside the classroom. Please bring a mask.
i’ve been teaching about zines @sfpc_nyc for the past 10 weeks! come see what we’ve been up to this sunday 😊💭 read more below ⤵️
The participants of the Reading, Writing & Compiling Zines class at the School for Poetic Computation for a Mini Zine Fair and presentations to showcase the work created by the class on Sunday, November 19 from 1:30-4pm @creativetime. Masks required 😷 RSVP at bit.ly/MiniZineFair (link on profile)!
📚 Participants:
Alex Beige @virtually.alex.beige
Ariana Faye Allensworth @arianafaye
Danialie Fertile @boldlydanialie
Ender Minyard @enderversing
Jahyeon Kwon @jxhyxxn.kwxn
Mamou François @paysdenullepart
Mariam Bazeed @putteraholic @cultofbazeed
Maya Wagoner @mayamakesluckypeach
Michelle Turgeon @michelleorama
Nico Perey @luckygolava
Okiki Famutimi
Priya Dadlani @priya.florence
sadé powell
Shelly Xiong @shellylynnx
Tiané Goines @mumb0sauc3f33n
Wairimu Muriithi @nd00ta_reads
Yuxi Liu @chinesebrekkie
📚 Organizers:
Neta Bomani @netazines
Aliyah Blackmore @aliyahblkmre
📚 Showcase flyer by K.L. Ricks @kl_ricks
📚 Photos by Minu Han @minu.media
📚 About Reading, Writing & Compiling Zines:
Reading, Writing & Compiling Zines is a class to learn about the historical ways of reading, writing, compiling, and learning, both with and without computers. Students explore various forms of printed and digital matter such as zines and posters, and how they are published as mediums for creative and political expression. Read more at: sfpc.study/sessions/fall-23/rwc-zines
COVID-19 safety & accessibility: The Reading, Writing & Compiling Zines Mini Zine Fair is a mask-on space. All event attendees, workshop participants, teachers and staff are expected to be masked inside the classroom. Please bring a mask.
i’ve been teaching about zines @sfpc_nyc for the past 10 weeks! come see what we’ve been up to this sunday 😊💭 read more below ⤵️
The participants of the Reading, Writing & Compiling Zines class at the School for Poetic Computation for a Mini Zine Fair and presentations to showcase the work created by the class on Sunday, November 19 from 1:30-4pm @creativetime. Masks required 😷 RSVP at bit.ly/MiniZineFair (link on profile)!
📚 Participants:
Alex Beige @virtually.alex.beige
Ariana Faye Allensworth @arianafaye
Danialie Fertile @boldlydanialie
Ender Minyard @enderversing
Jahyeon Kwon @jxhyxxn.kwxn
Mamou François @paysdenullepart
Mariam Bazeed @putteraholic @cultofbazeed
Maya Wagoner @mayamakesluckypeach
Michelle Turgeon @michelleorama
Nico Perey @luckygolava
Okiki Famutimi
Priya Dadlani @priya.florence
sadé powell
Shelly Xiong @shellylynnx
Tiané Goines @mumb0sauc3f33n
Wairimu Muriithi @nd00ta_reads
Yuxi Liu @chinesebrekkie
📚 Organizers:
Neta Bomani @netazines
Aliyah Blackmore @aliyahblkmre
📚 Showcase flyer by K.L. Ricks @kl_ricks
📚 Photos by Minu Han @minu.media
📚 About Reading, Writing & Compiling Zines:
Reading, Writing & Compiling Zines is a class to learn about the historical ways of reading, writing, compiling, and learning, both with and without computers. Students explore various forms of printed and digital matter such as zines and posters, and how they are published as mediums for creative and political expression. Read more at: sfpc.study/sessions/fall-23/rwc-zines
COVID-19 safety & accessibility: The Reading, Writing & Compiling Zines Mini Zine Fair is a mask-on space. All event attendees, workshop participants, teachers and staff are expected to be masked inside the classroom. Please bring a mask.
i’ve been teaching about zines @sfpc_nyc for the past 10 weeks! come see what we’ve been up to this sunday 😊💭 read more below ⤵️
The participants of the Reading, Writing & Compiling Zines class at the School for Poetic Computation for a Mini Zine Fair and presentations to showcase the work created by the class on Sunday, November 19 from 1:30-4pm @creativetime. Masks required 😷 RSVP at bit.ly/MiniZineFair (link on profile)!
📚 Participants:
Alex Beige @virtually.alex.beige
Ariana Faye Allensworth @arianafaye
Danialie Fertile @boldlydanialie
Ender Minyard @enderversing
Jahyeon Kwon @jxhyxxn.kwxn
Mamou François @paysdenullepart
Mariam Bazeed @putteraholic @cultofbazeed
Maya Wagoner @mayamakesluckypeach
Michelle Turgeon @michelleorama
Nico Perey @luckygolava
Okiki Famutimi
Priya Dadlani @priya.florence
sadé powell
Shelly Xiong @shellylynnx
Tiané Goines @mumb0sauc3f33n
Wairimu Muriithi @nd00ta_reads
Yuxi Liu @chinesebrekkie
📚 Organizers:
Neta Bomani @netazines
Aliyah Blackmore @aliyahblkmre
📚 Showcase flyer by K.L. Ricks @kl_ricks
📚 Photos by Minu Han @minu.media
📚 About Reading, Writing & Compiling Zines:
Reading, Writing & Compiling Zines is a class to learn about the historical ways of reading, writing, compiling, and learning, both with and without computers. Students explore various forms of printed and digital matter such as zines and posters, and how they are published as mediums for creative and political expression. Read more at: sfpc.study/sessions/fall-23/rwc-zines
COVID-19 safety & accessibility: The Reading, Writing & Compiling Zines Mini Zine Fair is a mask-on space. All event attendees, workshop participants, teachers and staff are expected to be masked inside the classroom. Please bring a mask.
in spring 2022, i taught my first full 14-week semester of a class i developed from scratch titled Reading, Writing & Compiling Zines to an amazing class of 16 students!
i'm so proud of our study and the amazing zines we made! check out the slides for someone highlights of work by the students in my class! thank you to all the students: Charlie C., Cortney C., Divya N., Jason D., Jordan R., Lia E., Mercury M., Milenka B., Natalie R., Natasha T., Noelle H., Sapphrodite, Sophia N., Sully W., Zoe T., and Zoe V. 💞
Reading, Writing, & Compiling is a class to learn about the historical ways of reading, writing, compiling, and learning, both with and without computers informed by critical counter histories of radical publishers and do-it-yourself cultures. i guide students in deep study of various forms of printed and digital matter such as zines and posters, and how they are published as mediums for creative and political expression.
i will be teaching a free iteration of this class in a forthcoming season at @sfpc_nyc (where i first developed the class as a 5-week workshop series!) with @aliyahblkmre ~ more soon later! 😇
📚 📚 📚 📚 📚
in spring 2022, i taught my first full 14-week semester of a class i developed from scratch titled Reading, Writing & Compiling Zines to an amazing class of 16 students!
i'm so proud of our study and the amazing zines we made! check out the slides for someone highlights of work by the students in my class! thank you to all the students: Charlie C., Cortney C., Divya N., Jason D., Jordan R., Lia E., Mercury M., Milenka B., Natalie R., Natasha T., Noelle H., Sapphrodite, Sophia N., Sully W., Zoe T., and Zoe V. 💞
Reading, Writing, & Compiling is a class to learn about the historical ways of reading, writing, compiling, and learning, both with and without computers informed by critical counter histories of radical publishers and do-it-yourself cultures. i guide students in deep study of various forms of printed and digital matter such as zines and posters, and how they are published as mediums for creative and political expression.
i will be teaching a free iteration of this class in a forthcoming season at @sfpc_nyc (where i first developed the class as a 5-week workshop series!) with @aliyahblkmre ~ more soon later! 😇
📚 📚 📚 📚 📚
in spring 2022, i taught my first full 14-week semester of a class i developed from scratch titled Reading, Writing & Compiling Zines to an amazing class of 16 students!
i'm so proud of our study and the amazing zines we made! check out the slides for someone highlights of work by the students in my class! thank you to all the students: Charlie C., Cortney C., Divya N., Jason D., Jordan R., Lia E., Mercury M., Milenka B., Natalie R., Natasha T., Noelle H., Sapphrodite, Sophia N., Sully W., Zoe T., and Zoe V. 💞
Reading, Writing, & Compiling is a class to learn about the historical ways of reading, writing, compiling, and learning, both with and without computers informed by critical counter histories of radical publishers and do-it-yourself cultures. i guide students in deep study of various forms of printed and digital matter such as zines and posters, and how they are published as mediums for creative and political expression.
i will be teaching a free iteration of this class in a forthcoming season at @sfpc_nyc (where i first developed the class as a 5-week workshop series!) with @aliyahblkmre ~ more soon later! 😇
📚 📚 📚 📚 📚
in spring 2022, i taught my first full 14-week semester of a class i developed from scratch titled Reading, Writing & Compiling Zines to an amazing class of 16 students!
i'm so proud of our study and the amazing zines we made! check out the slides for someone highlights of work by the students in my class! thank you to all the students: Charlie C., Cortney C., Divya N., Jason D., Jordan R., Lia E., Mercury M., Milenka B., Natalie R., Natasha T., Noelle H., Sapphrodite, Sophia N., Sully W., Zoe T., and Zoe V. 💞
Reading, Writing, & Compiling is a class to learn about the historical ways of reading, writing, compiling, and learning, both with and without computers informed by critical counter histories of radical publishers and do-it-yourself cultures. i guide students in deep study of various forms of printed and digital matter such as zines and posters, and how they are published as mediums for creative and political expression.
i will be teaching a free iteration of this class in a forthcoming season at @sfpc_nyc (where i first developed the class as a 5-week workshop series!) with @aliyahblkmre ~ more soon later! 😇
📚 📚 📚 📚 📚
in spring 2022, i taught my first full 14-week semester of a class i developed from scratch titled Reading, Writing & Compiling Zines to an amazing class of 16 students!
i'm so proud of our study and the amazing zines we made! check out the slides for someone highlights of work by the students in my class! thank you to all the students: Charlie C., Cortney C., Divya N., Jason D., Jordan R., Lia E., Mercury M., Milenka B., Natalie R., Natasha T., Noelle H., Sapphrodite, Sophia N., Sully W., Zoe T., and Zoe V. 💞
Reading, Writing, & Compiling is a class to learn about the historical ways of reading, writing, compiling, and learning, both with and without computers informed by critical counter histories of radical publishers and do-it-yourself cultures. i guide students in deep study of various forms of printed and digital matter such as zines and posters, and how they are published as mediums for creative and political expression.
i will be teaching a free iteration of this class in a forthcoming season at @sfpc_nyc (where i first developed the class as a 5-week workshop series!) with @aliyahblkmre ~ more soon later! 😇
📚 📚 📚 📚 📚
in spring 2022, i taught my first full 14-week semester of a class i developed from scratch titled Reading, Writing & Compiling Zines to an amazing class of 16 students!
i'm so proud of our study and the amazing zines we made! check out the slides for someone highlights of work by the students in my class! thank you to all the students: Charlie C., Cortney C., Divya N., Jason D., Jordan R., Lia E., Mercury M., Milenka B., Natalie R., Natasha T., Noelle H., Sapphrodite, Sophia N., Sully W., Zoe T., and Zoe V. 💞
Reading, Writing, & Compiling is a class to learn about the historical ways of reading, writing, compiling, and learning, both with and without computers informed by critical counter histories of radical publishers and do-it-yourself cultures. i guide students in deep study of various forms of printed and digital matter such as zines and posters, and how they are published as mediums for creative and political expression.
i will be teaching a free iteration of this class in a forthcoming season at @sfpc_nyc (where i first developed the class as a 5-week workshop series!) with @aliyahblkmre ~ more soon later! 😇
📚 📚 📚 📚 📚
in spring 2022, i taught my first full 14-week semester of a class i developed from scratch titled Reading, Writing & Compiling Zines to an amazing class of 16 students!
i'm so proud of our study and the amazing zines we made! check out the slides for someone highlights of work by the students in my class! thank you to all the students: Charlie C., Cortney C., Divya N., Jason D., Jordan R., Lia E., Mercury M., Milenka B., Natalie R., Natasha T., Noelle H., Sapphrodite, Sophia N., Sully W., Zoe T., and Zoe V. 💞
Reading, Writing, & Compiling is a class to learn about the historical ways of reading, writing, compiling, and learning, both with and without computers informed by critical counter histories of radical publishers and do-it-yourself cultures. i guide students in deep study of various forms of printed and digital matter such as zines and posters, and how they are published as mediums for creative and political expression.
i will be teaching a free iteration of this class in a forthcoming season at @sfpc_nyc (where i first developed the class as a 5-week workshop series!) with @aliyahblkmre ~ more soon later! 😇
📚 📚 📚 📚 📚
in spring 2022, i taught my first full 14-week semester of a class i developed from scratch titled Reading, Writing & Compiling Zines to an amazing class of 16 students!
i'm so proud of our study and the amazing zines we made! check out the slides for someone highlights of work by the students in my class! thank you to all the students: Charlie C., Cortney C., Divya N., Jason D., Jordan R., Lia E., Mercury M., Milenka B., Natalie R., Natasha T., Noelle H., Sapphrodite, Sophia N., Sully W., Zoe T., and Zoe V. 💞
Reading, Writing, & Compiling is a class to learn about the historical ways of reading, writing, compiling, and learning, both with and without computers informed by critical counter histories of radical publishers and do-it-yourself cultures. i guide students in deep study of various forms of printed and digital matter such as zines and posters, and how they are published as mediums for creative and political expression.
i will be teaching a free iteration of this class in a forthcoming season at @sfpc_nyc (where i first developed the class as a 5-week workshop series!) with @aliyahblkmre ~ more soon later! 😇
📚 📚 📚 📚 📚
in spring 2022, i taught my first full 14-week semester of a class i developed from scratch titled Reading, Writing & Compiling Zines to an amazing class of 16 students!
i'm so proud of our study and the amazing zines we made! check out the slides for someone highlights of work by the students in my class! thank you to all the students: Charlie C., Cortney C., Divya N., Jason D., Jordan R., Lia E., Mercury M., Milenka B., Natalie R., Natasha T., Noelle H., Sapphrodite, Sophia N., Sully W., Zoe T., and Zoe V. 💞
Reading, Writing, & Compiling is a class to learn about the historical ways of reading, writing, compiling, and learning, both with and without computers informed by critical counter histories of radical publishers and do-it-yourself cultures. i guide students in deep study of various forms of printed and digital matter such as zines and posters, and how they are published as mediums for creative and political expression.
i will be teaching a free iteration of this class in a forthcoming season at @sfpc_nyc (where i first developed the class as a 5-week workshop series!) with @aliyahblkmre ~ more soon later! 😇
📚 📚 📚 📚 📚
in spring 2022, i taught my first full 14-week semester of a class i developed from scratch titled Reading, Writing & Compiling Zines to an amazing class of 16 students!
i'm so proud of our study and the amazing zines we made! check out the slides for someone highlights of work by the students in my class! thank you to all the students: Charlie C., Cortney C., Divya N., Jason D., Jordan R., Lia E., Mercury M., Milenka B., Natalie R., Natasha T., Noelle H., Sapphrodite, Sophia N., Sully W., Zoe T., and Zoe V. 💞
Reading, Writing, & Compiling is a class to learn about the historical ways of reading, writing, compiling, and learning, both with and without computers informed by critical counter histories of radical publishers and do-it-yourself cultures. i guide students in deep study of various forms of printed and digital matter such as zines and posters, and how they are published as mediums for creative and political expression.
i will be teaching a free iteration of this class in a forthcoming season at @sfpc_nyc (where i first developed the class as a 5-week workshop series!) with @aliyahblkmre ~ more soon later! 😇
📚 📚 📚 📚 📚
i started a press with my friend and collaborator Mariame Kaba called Sojourners for Justice Press (@sojourners4justice)!
“Sojourners for Justice Press is a micro press that opens its platform to people working experimentally with print based media. We publish short form and ephemeral zines, pamphlets, and booklets that engage do-it-yourself, black feminist, and abolitionist philosophies. SJP is an imprint of @haymarketbooks and we operate independently in terms of our editorial content and decisions.
We welcome and encourage work from currently and formerly criminalized people; Black people; queer, trans, and gender non-conforming people; disabled people; people from low-income backgrounds; people from non-traditional educational backgrounds; and people who have been historically excluded in their respective crafts and industries.”
U can get limited edition copies of our latest publication by @ashoncrawley titled "Meditation on Abolition" designed by @kathryn_kayy printed on risograph by @luckyrisograph through our website or directly at @haymarketbooks
read more about us at: https://sojourners4justice.press
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alt text ~ an animated gif of all the following SJP publications:
🖤 Groundhog Day: The Killing of Bonita Carter and Black Photo Booth by Mariame Kaba
🖤 Our Girl Tuesday: An Unfurling for Dr. Margaret T.G. Burroughs by Tara Betts, Tempestt Hazel, Skyla Hearn, Mariame Kaba, Sarah Ross
🖤 Resurrecting Ruby: A Modern Retelling by Victoria Law
🖤 Meditation on Abolition by Ashon Crawley
find in depth alt text descriptions of each publication @sojourners4justice 🔎
in july 2022, i was invited to participate in my favorite residency of all time, EUREKA! i extended my invitation to my friends and collaborators Sam Griffith (@sam_seurynck) and Gabrielle Octavia Rucker (@gogogogogab) who spent a week lounging, cooking, eating well, sculpting, plotting, silk screening, photo documenting, zine making, chatting, reminiscing, being present, looking forward, sims playing!
i learned new things, i experimented with different mediums, played with the cutest black lab ever, met the funniest farm animals, participated in the women's studio workshop upstate art book fair @wsworkshop @upstateartweekend, and most importantly went to bed early and slept in often!!! i’ll never forget the beauty and joy i experienced in the sun room.
thank you to Sam, Eden, and Lucy of @eureka_mindspace for being political accomplices and radical publishers who make aesthetic inquiry, rest and creation even more of a possibility for the people who find it increasingly inaccessible to do so. special thank you to my dear comrade and collaborator @woolandbrick for recommending me <3
in july 2022, i was invited to participate in my favorite residency of all time, EUREKA! i extended my invitation to my friends and collaborators Sam Griffith (@sam_seurynck) and Gabrielle Octavia Rucker (@gogogogogab) who spent a week lounging, cooking, eating well, sculpting, plotting, silk screening, photo documenting, zine making, chatting, reminiscing, being present, looking forward, sims playing!
i learned new things, i experimented with different mediums, played with the cutest black lab ever, met the funniest farm animals, participated in the women's studio workshop upstate art book fair @wsworkshop @upstateartweekend, and most importantly went to bed early and slept in often!!! i’ll never forget the beauty and joy i experienced in the sun room.
thank you to Sam, Eden, and Lucy of @eureka_mindspace for being political accomplices and radical publishers who make aesthetic inquiry, rest and creation even more of a possibility for the people who find it increasingly inaccessible to do so. special thank you to my dear comrade and collaborator @woolandbrick for recommending me <3
in july 2022, i was invited to participate in my favorite residency of all time, EUREKA! i extended my invitation to my friends and collaborators Sam Griffith (@sam_seurynck) and Gabrielle Octavia Rucker (@gogogogogab) who spent a week lounging, cooking, eating well, sculpting, plotting, silk screening, photo documenting, zine making, chatting, reminiscing, being present, looking forward, sims playing!
i learned new things, i experimented with different mediums, played with the cutest black lab ever, met the funniest farm animals, participated in the women's studio workshop upstate art book fair @wsworkshop @upstateartweekend, and most importantly went to bed early and slept in often!!! i’ll never forget the beauty and joy i experienced in the sun room.
thank you to Sam, Eden, and Lucy of @eureka_mindspace for being political accomplices and radical publishers who make aesthetic inquiry, rest and creation even more of a possibility for the people who find it increasingly inaccessible to do so. special thank you to my dear comrade and collaborator @woolandbrick for recommending me <3
in july 2022, i was invited to participate in my favorite residency of all time, EUREKA! i extended my invitation to my friends and collaborators Sam Griffith (@sam_seurynck) and Gabrielle Octavia Rucker (@gogogogogab) who spent a week lounging, cooking, eating well, sculpting, plotting, silk screening, photo documenting, zine making, chatting, reminiscing, being present, looking forward, sims playing!
i learned new things, i experimented with different mediums, played with the cutest black lab ever, met the funniest farm animals, participated in the women's studio workshop upstate art book fair @wsworkshop @upstateartweekend, and most importantly went to bed early and slept in often!!! i’ll never forget the beauty and joy i experienced in the sun room.
thank you to Sam, Eden, and Lucy of @eureka_mindspace for being political accomplices and radical publishers who make aesthetic inquiry, rest and creation even more of a possibility for the people who find it increasingly inaccessible to do so. special thank you to my dear comrade and collaborator @woolandbrick for recommending me <3
in july 2022, i was invited to participate in my favorite residency of all time, EUREKA! i extended my invitation to my friends and collaborators Sam Griffith (@sam_seurynck) and Gabrielle Octavia Rucker (@gogogogogab) who spent a week lounging, cooking, eating well, sculpting, plotting, silk screening, photo documenting, zine making, chatting, reminiscing, being present, looking forward, sims playing!
i learned new things, i experimented with different mediums, played with the cutest black lab ever, met the funniest farm animals, participated in the women's studio workshop upstate art book fair @wsworkshop @upstateartweekend, and most importantly went to bed early and slept in often!!! i’ll never forget the beauty and joy i experienced in the sun room.
thank you to Sam, Eden, and Lucy of @eureka_mindspace for being political accomplices and radical publishers who make aesthetic inquiry, rest and creation even more of a possibility for the people who find it increasingly inaccessible to do so. special thank you to my dear comrade and collaborator @woolandbrick for recommending me <3
in july 2022, i was invited to participate in my favorite residency of all time, EUREKA! i extended my invitation to my friends and collaborators Sam Griffith (@sam_seurynck) and Gabrielle Octavia Rucker (@gogogogogab) who spent a week lounging, cooking, eating well, sculpting, plotting, silk screening, photo documenting, zine making, chatting, reminiscing, being present, looking forward, sims playing!
i learned new things, i experimented with different mediums, played with the cutest black lab ever, met the funniest farm animals, participated in the women's studio workshop upstate art book fair @wsworkshop @upstateartweekend, and most importantly went to bed early and slept in often!!! i’ll never forget the beauty and joy i experienced in the sun room.
thank you to Sam, Eden, and Lucy of @eureka_mindspace for being political accomplices and radical publishers who make aesthetic inquiry, rest and creation even more of a possibility for the people who find it increasingly inaccessible to do so. special thank you to my dear comrade and collaborator @woolandbrick for recommending me <3
in july 2022, i was invited to participate in my favorite residency of all time, EUREKA! i extended my invitation to my friends and collaborators Sam Griffith (@sam_seurynck) and Gabrielle Octavia Rucker (@gogogogogab) who spent a week lounging, cooking, eating well, sculpting, plotting, silk screening, photo documenting, zine making, chatting, reminiscing, being present, looking forward, sims playing!
i learned new things, i experimented with different mediums, played with the cutest black lab ever, met the funniest farm animals, participated in the women's studio workshop upstate art book fair @wsworkshop @upstateartweekend, and most importantly went to bed early and slept in often!!! i’ll never forget the beauty and joy i experienced in the sun room.
thank you to Sam, Eden, and Lucy of @eureka_mindspace for being political accomplices and radical publishers who make aesthetic inquiry, rest and creation even more of a possibility for the people who find it increasingly inaccessible to do so. special thank you to my dear comrade and collaborator @woolandbrick for recommending me <3
in july 2022, i was invited to participate in my favorite residency of all time, EUREKA! i extended my invitation to my friends and collaborators Sam Griffith (@sam_seurynck) and Gabrielle Octavia Rucker (@gogogogogab) who spent a week lounging, cooking, eating well, sculpting, plotting, silk screening, photo documenting, zine making, chatting, reminiscing, being present, looking forward, sims playing!
i learned new things, i experimented with different mediums, played with the cutest black lab ever, met the funniest farm animals, participated in the women's studio workshop upstate art book fair @wsworkshop @upstateartweekend, and most importantly went to bed early and slept in often!!! i’ll never forget the beauty and joy i experienced in the sun room.
thank you to Sam, Eden, and Lucy of @eureka_mindspace for being political accomplices and radical publishers who make aesthetic inquiry, rest and creation even more of a possibility for the people who find it increasingly inaccessible to do so. special thank you to my dear comrade and collaborator @woolandbrick for recommending me <3
in july 2022, i was invited to participate in my favorite residency of all time, EUREKA! i extended my invitation to my friends and collaborators Sam Griffith (@sam_seurynck) and Gabrielle Octavia Rucker (@gogogogogab) who spent a week lounging, cooking, eating well, sculpting, plotting, silk screening, photo documenting, zine making, chatting, reminiscing, being present, looking forward, sims playing!
i learned new things, i experimented with different mediums, played with the cutest black lab ever, met the funniest farm animals, participated in the women's studio workshop upstate art book fair @wsworkshop @upstateartweekend, and most importantly went to bed early and slept in often!!! i’ll never forget the beauty and joy i experienced in the sun room.
thank you to Sam, Eden, and Lucy of @eureka_mindspace for being political accomplices and radical publishers who make aesthetic inquiry, rest and creation even more of a possibility for the people who find it increasingly inaccessible to do so. special thank you to my dear comrade and collaborator @woolandbrick for recommending me <3
in july 2022, i was invited to participate in my favorite residency of all time, EUREKA! i extended my invitation to my friends and collaborators Sam Griffith (@sam_seurynck) and Gabrielle Octavia Rucker (@gogogogogab) who spent a week lounging, cooking, eating well, sculpting, plotting, silk screening, photo documenting, zine making, chatting, reminiscing, being present, looking forward, sims playing!
i learned new things, i experimented with different mediums, played with the cutest black lab ever, met the funniest farm animals, participated in the women's studio workshop upstate art book fair @wsworkshop @upstateartweekend, and most importantly went to bed early and slept in often!!! i’ll never forget the beauty and joy i experienced in the sun room.
thank you to Sam, Eden, and Lucy of @eureka_mindspace for being political accomplices and radical publishers who make aesthetic inquiry, rest and creation even more of a possibility for the people who find it increasingly inaccessible to do so. special thank you to my dear comrade and collaborator @woolandbrick for recommending me <3
Sul Sul! description written by Gabrielle, with minor additions by me ~
“Inspired by the scenic parallels of the Sims 4 (@thesims) gameplay and the Eureka Artist Residency, Sul Sul is a collaborative zine created by Neta Bomani, Gabrielle Rucker (@gogogogogab), and Samantha Seurynck Griffith (@sam_seurynck).
Sul Sul was created over a two-week period (2022 July 11-24th) in which the creators were in residence at the Eureka Artist Residency (@eureka_mindpsace) in Kingston, NY. Restorative and slow in its content, Sul Sul is about rest, relaxation, (game)play, silliness, experimentation and general nerding out. It was made in the spirit of fun and will hopefully encourage some quiet (or not so quiet) laughter to those who happen upon it.
**This zine is not for sale nor is it intended to be kept in any private collections of institutions and/or individuals without the direct written consent of its creators. Failure to respect this boundary will result in no penalty aside from the clear and unconscionable moral capacity of the violator(s).**
Limited edition of 30, cream sprial bound quarter sized, 3-color risograph (cornflower blue, green, fluorescent pink) zines printed on text weight paper in Kingston, New York.”
Sul Sul! description written by Gabrielle, with minor additions by me ~
“Inspired by the scenic parallels of the Sims 4 (@thesims) gameplay and the Eureka Artist Residency, Sul Sul is a collaborative zine created by Neta Bomani, Gabrielle Rucker (@gogogogogab), and Samantha Seurynck Griffith (@sam_seurynck).
Sul Sul was created over a two-week period (2022 July 11-24th) in which the creators were in residence at the Eureka Artist Residency (@eureka_mindpsace) in Kingston, NY. Restorative and slow in its content, Sul Sul is about rest, relaxation, (game)play, silliness, experimentation and general nerding out. It was made in the spirit of fun and will hopefully encourage some quiet (or not so quiet) laughter to those who happen upon it.
**This zine is not for sale nor is it intended to be kept in any private collections of institutions and/or individuals without the direct written consent of its creators. Failure to respect this boundary will result in no penalty aside from the clear and unconscionable moral capacity of the violator(s).**
Limited edition of 30, cream sprial bound quarter sized, 3-color risograph (cornflower blue, green, fluorescent pink) zines printed on text weight paper in Kingston, New York.”
Sul Sul! description written by Gabrielle, with minor additions by me ~
“Inspired by the scenic parallels of the Sims 4 (@thesims) gameplay and the Eureka Artist Residency, Sul Sul is a collaborative zine created by Neta Bomani, Gabrielle Rucker (@gogogogogab), and Samantha Seurynck Griffith (@sam_seurynck).
Sul Sul was created over a two-week period (2022 July 11-24th) in which the creators were in residence at the Eureka Artist Residency (@eureka_mindpsace) in Kingston, NY. Restorative and slow in its content, Sul Sul is about rest, relaxation, (game)play, silliness, experimentation and general nerding out. It was made in the spirit of fun and will hopefully encourage some quiet (or not so quiet) laughter to those who happen upon it.
**This zine is not for sale nor is it intended to be kept in any private collections of institutions and/or individuals without the direct written consent of its creators. Failure to respect this boundary will result in no penalty aside from the clear and unconscionable moral capacity of the violator(s).**
Limited edition of 30, cream sprial bound quarter sized, 3-color risograph (cornflower blue, green, fluorescent pink) zines printed on text weight paper in Kingston, New York.”
Sul Sul! description written by Gabrielle, with minor additions by me ~
“Inspired by the scenic parallels of the Sims 4 (@thesims) gameplay and the Eureka Artist Residency, Sul Sul is a collaborative zine created by Neta Bomani, Gabrielle Rucker (@gogogogogab), and Samantha Seurynck Griffith (@sam_seurynck).
Sul Sul was created over a two-week period (2022 July 11-24th) in which the creators were in residence at the Eureka Artist Residency (@eureka_mindpsace) in Kingston, NY. Restorative and slow in its content, Sul Sul is about rest, relaxation, (game)play, silliness, experimentation and general nerding out. It was made in the spirit of fun and will hopefully encourage some quiet (or not so quiet) laughter to those who happen upon it.
**This zine is not for sale nor is it intended to be kept in any private collections of institutions and/or individuals without the direct written consent of its creators. Failure to respect this boundary will result in no penalty aside from the clear and unconscionable moral capacity of the violator(s).**
Limited edition of 30, cream sprial bound quarter sized, 3-color risograph (cornflower blue, green, fluorescent pink) zines printed on text weight paper in Kingston, New York.”
Sul Sul! description written by Gabrielle, with minor additions by me ~
“Inspired by the scenic parallels of the Sims 4 (@thesims) gameplay and the Eureka Artist Residency, Sul Sul is a collaborative zine created by Neta Bomani, Gabrielle Rucker (@gogogogogab), and Samantha Seurynck Griffith (@sam_seurynck).
Sul Sul was created over a two-week period (2022 July 11-24th) in which the creators were in residence at the Eureka Artist Residency (@eureka_mindpsace) in Kingston, NY. Restorative and slow in its content, Sul Sul is about rest, relaxation, (game)play, silliness, experimentation and general nerding out. It was made in the spirit of fun and will hopefully encourage some quiet (or not so quiet) laughter to those who happen upon it.
**This zine is not for sale nor is it intended to be kept in any private collections of institutions and/or individuals without the direct written consent of its creators. Failure to respect this boundary will result in no penalty aside from the clear and unconscionable moral capacity of the violator(s).**
Limited edition of 30, cream sprial bound quarter sized, 3-color risograph (cornflower blue, green, fluorescent pink) zines printed on text weight paper in Kingston, New York.”
Sul Sul! description written by Gabrielle, with minor additions by me ~
“Inspired by the scenic parallels of the Sims 4 (@thesims) gameplay and the Eureka Artist Residency, Sul Sul is a collaborative zine created by Neta Bomani, Gabrielle Rucker (@gogogogogab), and Samantha Seurynck Griffith (@sam_seurynck).
Sul Sul was created over a two-week period (2022 July 11-24th) in which the creators were in residence at the Eureka Artist Residency (@eureka_mindpsace) in Kingston, NY. Restorative and slow in its content, Sul Sul is about rest, relaxation, (game)play, silliness, experimentation and general nerding out. It was made in the spirit of fun and will hopefully encourage some quiet (or not so quiet) laughter to those who happen upon it.
**This zine is not for sale nor is it intended to be kept in any private collections of institutions and/or individuals without the direct written consent of its creators. Failure to respect this boundary will result in no penalty aside from the clear and unconscionable moral capacity of the violator(s).**
Limited edition of 30, cream sprial bound quarter sized, 3-color risograph (cornflower blue, green, fluorescent pink) zines printed on text weight paper in Kingston, New York.”
Sul Sul! description written by Gabrielle, with minor additions by me ~
“Inspired by the scenic parallels of the Sims 4 (@thesims) gameplay and the Eureka Artist Residency, Sul Sul is a collaborative zine created by Neta Bomani, Gabrielle Rucker (@gogogogogab), and Samantha Seurynck Griffith (@sam_seurynck).
Sul Sul was created over a two-week period (2022 July 11-24th) in which the creators were in residence at the Eureka Artist Residency (@eureka_mindpsace) in Kingston, NY. Restorative and slow in its content, Sul Sul is about rest, relaxation, (game)play, silliness, experimentation and general nerding out. It was made in the spirit of fun and will hopefully encourage some quiet (or not so quiet) laughter to those who happen upon it.
**This zine is not for sale nor is it intended to be kept in any private collections of institutions and/or individuals without the direct written consent of its creators. Failure to respect this boundary will result in no penalty aside from the clear and unconscionable moral capacity of the violator(s).**
Limited edition of 30, cream sprial bound quarter sized, 3-color risograph (cornflower blue, green, fluorescent pink) zines printed on text weight paper in Kingston, New York.”
Sul Sul! description written by Gabrielle, with minor additions by me ~
“Inspired by the scenic parallels of the Sims 4 (@thesims) gameplay and the Eureka Artist Residency, Sul Sul is a collaborative zine created by Neta Bomani, Gabrielle Rucker (@gogogogogab), and Samantha Seurynck Griffith (@sam_seurynck).
Sul Sul was created over a two-week period (2022 July 11-24th) in which the creators were in residence at the Eureka Artist Residency (@eureka_mindpsace) in Kingston, NY. Restorative and slow in its content, Sul Sul is about rest, relaxation, (game)play, silliness, experimentation and general nerding out. It was made in the spirit of fun and will hopefully encourage some quiet (or not so quiet) laughter to those who happen upon it.
**This zine is not for sale nor is it intended to be kept in any private collections of institutions and/or individuals without the direct written consent of its creators. Failure to respect this boundary will result in no penalty aside from the clear and unconscionable moral capacity of the violator(s).**
Limited edition of 30, cream sprial bound quarter sized, 3-color risograph (cornflower blue, green, fluorescent pink) zines printed on text weight paper in Kingston, New York.”
Sul Sul! description written by Gabrielle, with minor additions by me ~
“Inspired by the scenic parallels of the Sims 4 (@thesims) gameplay and the Eureka Artist Residency, Sul Sul is a collaborative zine created by Neta Bomani, Gabrielle Rucker (@gogogogogab), and Samantha Seurynck Griffith (@sam_seurynck).
Sul Sul was created over a two-week period (2022 July 11-24th) in which the creators were in residence at the Eureka Artist Residency (@eureka_mindpsace) in Kingston, NY. Restorative and slow in its content, Sul Sul is about rest, relaxation, (game)play, silliness, experimentation and general nerding out. It was made in the spirit of fun and will hopefully encourage some quiet (or not so quiet) laughter to those who happen upon it.
**This zine is not for sale nor is it intended to be kept in any private collections of institutions and/or individuals without the direct written consent of its creators. Failure to respect this boundary will result in no penalty aside from the clear and unconscionable moral capacity of the violator(s).**
Limited edition of 30, cream sprial bound quarter sized, 3-color risograph (cornflower blue, green, fluorescent pink) zines printed on text weight paper in Kingston, New York.”
Sul Sul! description written by Gabrielle, with minor additions by me ~
“Inspired by the scenic parallels of the Sims 4 (@thesims) gameplay and the Eureka Artist Residency, Sul Sul is a collaborative zine created by Neta Bomani, Gabrielle Rucker (@gogogogogab), and Samantha Seurynck Griffith (@sam_seurynck).
Sul Sul was created over a two-week period (2022 July 11-24th) in which the creators were in residence at the Eureka Artist Residency (@eureka_mindpsace) in Kingston, NY. Restorative and slow in its content, Sul Sul is about rest, relaxation, (game)play, silliness, experimentation and general nerding out. It was made in the spirit of fun and will hopefully encourage some quiet (or not so quiet) laughter to those who happen upon it.
**This zine is not for sale nor is it intended to be kept in any private collections of institutions and/or individuals without the direct written consent of its creators. Failure to respect this boundary will result in no penalty aside from the clear and unconscionable moral capacity of the violator(s).**
Limited edition of 30, cream sprial bound quarter sized, 3-color risograph (cornflower blue, green, fluorescent pink) zines printed on text weight paper in Kingston, New York.”
Xem Câu Chuyện Instagram Bí Mật
Trình Xem Câu Chuyện Instagram là một công cụ dễ sử dụng giúp bạn xem và lưu câu chuyện Instagram, video, ảnh hoặc IGTV một cách bí mật. Với dịch vụ này, bạn có thể tải xuống nội dung và thưởng thức ngoại tuyến bất cứ lúc nào. Nếu bạn tìm thấy điều gì đó thú vị trên Instagram mà bạn muốn xem sau này hoặc muốn xem câu chuyện mà vẫn giữ ẩn danh, Trình Xem của chúng tôi là lựa chọn hoàn hảo. Anonstories cung cấp giải pháp tuyệt vời để giữ kín danh tính của bạn. Instagram ra mắt tính năng Câu Chuyện vào tháng 8 năm 2023, và nhanh chóng được các nền tảng khác áp dụng do định dạng hấp dẫn và nhạy cảm với thời gian. Câu Chuyện cho phép người dùng chia sẻ cập nhật nhanh, bất kể là ảnh, video, hay selfie, được bổ sung với văn bản, emoji, hoặc bộ lọc, và chỉ hiển thị trong 24 giờ. Khoảng thời gian giới hạn này tạo ra mức độ tương tác cao so với các bài đăng thường xuyên. Trong thế giới ngày nay, Câu Chuyện là một trong những cách phổ biến nhất để kết nối và giao tiếp trên mạng xã hội. Tuy nhiên, khi bạn xem một Câu Chuyện, người tạo có thể thấy tên của bạn trong danh sách người xem, điều này có thể gây lo ngại về quyền riêng tư. Nếu bạn muốn duyệt Câu Chuyện mà không bị phát hiện, Anonstories sẽ hữu ích. Nó cho phép bạn xem nội dung công khai trên Instagram mà không tiết lộ danh tính của mình. Chỉ cần nhập tên người dùng của hồ sơ mà bạn tò mò và công cụ này sẽ hiển thị Câu Chuyện mới nhất của họ. Các tính năng của Trình Xem Anonstories: - Duyệt Ẩn Danh: Xem Câu Chuyện mà không xuất hiện trong danh sách người xem. - Không Cần Tài Khoản: Xem nội dung công khai mà không cần đăng ký tài khoản Instagram. - Tải Nội Dung: Lưu bất kỳ nội dung Câu Chuyện nào trực tiếp vào thiết bị của bạn để sử dụng ngoại tuyến. - Xem Highlight: Truy cập các Highlight trên Instagram, ngay cả khi đã qua 24 giờ. - Theo Dõi Đăng Lại: Theo dõi các bài đăng lại hoặc mức độ tương tác trên Câu Chuyện của hồ sơ cá nhân. Hạn chế: - Công cụ này chỉ hoạt động với các tài khoản công khai; các tài khoản riêng tư không thể truy cập. Lợi ích: - Thân thiện với quyền riêng tư: Xem bất kỳ nội dung Instagram nào mà không bị phát hiện. - Đơn giản và dễ dàng: Không cần cài đặt ứng dụng hoặc đăng ký. - Công cụ độc quyền: Tải và quản lý nội dung theo cách mà Instagram không cung cấp.
Lợi ích của Anonstories
Khám Phá Câu Chuyện IG Một Cách Riêng Tư
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Trình Xem Instagram Riêng Tư
Xem hồ sơ và ảnh một cách ẩn danh dễ dàng với Trình Xem Hồ Sơ Riêng Tư.
Trình Xem Câu Chuyện Miễn Phí
Công cụ miễn phí này cho phép bạn xem Câu Chuyện Instagram ẩn danh, đảm bảo hoạt động của bạn không bị phát hiện bởi người tải lên câu chuyện.
Câu hỏi thường gặp
Ẩn Danh
Anonstories cho phép người dùng xem Câu Chuyện Instagram mà không cảnh báo người tạo.
Tương Thích Thiết Bị
Hoạt động mượt mà trên iOS, Android, Windows, macOS và các trình duyệt hiện đại như Chrome và Safari.
An Toàn và Quyền Riêng Tư
Ưu tiên duyệt web an toàn, ẩn danh mà không yêu cầu thông tin đăng nhập.
Không Cần Đăng Ký
Người dùng có thể xem Câu Chuyện công khai chỉ bằng cách nhập tên người dùng—không cần tài khoản.
Định Dạng Hỗ Trợ
Tải ảnh (JPEG) và video (MP4) một cách dễ dàng.
Chi Phí
Dịch vụ này miễn phí.
Tài Khoản Riêng Tư
Nội dung từ các tài khoản riêng tư chỉ có thể truy cập bởi những người theo dõi.
Sử Dụng Tệp
Các tệp chỉ được sử dụng cho mục đích cá nhân hoặc giáo dục và phải tuân thủ quy định bản quyền.
Cách Hoạt Động
Nhập tên người dùng công khai để xem hoặc tải xuống câu chuyện. Dịch vụ tạo liên kết trực tiếp để lưu nội dung vào thiết bị của bạn.