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Set design & Stage design for Judassime
Spring / Summer 2026 — “Lost Highway” (@judassime)
At @u122ae_club
For Lost in the Highway, I created a nocturnal Cabinet of Curiosities : a space between laboratory and battlefield, where creatures of the night confront their own demons.
The installation features four 2-meter-tall articulated mirror arms in stainless steel, a pair of siamese articulated mirror arms on a brushed aluminum rolling cart, and at the center, a glass box paludarium with natural branches, colored water, and a fog machine.
At the heart of the stage lies « les (Bonnes) Mines » Project - I designed and crafted 18 custom sculpted mirror mines with the help of @cclalr3 , scattered across the floor. Each mine embodies the dark zones within ourselves wounds, sins, obsessions. You try to avoid them, but inevitably step on one, triggering your own transformation.
Performers drift through fog and flickering neon lights among ruins, fragile yet powerful, until madness erupts: mirrors shatter, light explodes, beauty fractures. It is the calm before the storm, a journey from fragility to strength, from chaos to rebirth.
Amid smoke, shattered glass, leather, and silk, the space becomes a landscape of survival, desire, and metamorphosis, where pain turns to romance, ruin to beauty, darkness to light.
Thank you @xirojin for inviting me to be part of this big project.
Creative Director: Judassime @judassime
Production Manager: @xirojin
Assistant Manager: @ct0rius
Photography: @elia_gabassi
Hair: @karoliinasaunders
Makeup: @raphael.arcadios
Nails: @vitalessca
PR Management: @ritualprojects
Stage & Spatial Design: @cellulemere
Concept assistant : @cclair
Lights : @maximilien__pegasus
Photography : @nymphorchidea
Assistant : @tired_archive & helpers thank you so much
Set design & Stage design for Judassime
Spring / Summer 2026 — “Lost Highway” (@judassime)
At @u122ae_club
For Lost in the Highway, I created a nocturnal Cabinet of Curiosities : a space between laboratory and battlefield, where creatures of the night confront their own demons.
The installation features four 2-meter-tall articulated mirror arms in stainless steel, a pair of siamese articulated mirror arms on a brushed aluminum rolling cart, and at the center, a glass box paludarium with natural branches, colored water, and a fog machine.
At the heart of the stage lies « les (Bonnes) Mines » Project - I designed and crafted 18 custom sculpted mirror mines with the help of @cclalr3 , scattered across the floor. Each mine embodies the dark zones within ourselves wounds, sins, obsessions. You try to avoid them, but inevitably step on one, triggering your own transformation.
Performers drift through fog and flickering neon lights among ruins, fragile yet powerful, until madness erupts: mirrors shatter, light explodes, beauty fractures. It is the calm before the storm, a journey from fragility to strength, from chaos to rebirth.
Amid smoke, shattered glass, leather, and silk, the space becomes a landscape of survival, desire, and metamorphosis, where pain turns to romance, ruin to beauty, darkness to light.
Thank you @xirojin for inviting me to be part of this big project.
Creative Director: Judassime @judassime
Production Manager: @xirojin
Assistant Manager: @ct0rius
Photography: @elia_gabassi
Hair: @karoliinasaunders
Makeup: @raphael.arcadios
Nails: @vitalessca
PR Management: @ritualprojects
Stage & Spatial Design: @cellulemere
Concept assistant : @cclair
Lights : @maximilien__pegasus
Photography : @nymphorchidea
Assistant : @tired_archive & helpers thank you so much
Set design & Stage design for Judassime
Spring / Summer 2026 — “Lost Highway” (@judassime)
At @u122ae_club
For Lost in the Highway, I created a nocturnal Cabinet of Curiosities : a space between laboratory and battlefield, where creatures of the night confront their own demons.
The installation features four 2-meter-tall articulated mirror arms in stainless steel, a pair of siamese articulated mirror arms on a brushed aluminum rolling cart, and at the center, a glass box paludarium with natural branches, colored water, and a fog machine.
At the heart of the stage lies « les (Bonnes) Mines » Project - I designed and crafted 18 custom sculpted mirror mines with the help of @cclalr3 , scattered across the floor. Each mine embodies the dark zones within ourselves wounds, sins, obsessions. You try to avoid them, but inevitably step on one, triggering your own transformation.
Performers drift through fog and flickering neon lights among ruins, fragile yet powerful, until madness erupts: mirrors shatter, light explodes, beauty fractures. It is the calm before the storm, a journey from fragility to strength, from chaos to rebirth.
Amid smoke, shattered glass, leather, and silk, the space becomes a landscape of survival, desire, and metamorphosis, where pain turns to romance, ruin to beauty, darkness to light.
Thank you @xirojin for inviting me to be part of this big project.
Creative Director: Judassime @judassime
Production Manager: @xirojin
Assistant Manager: @ct0rius
Photography: @elia_gabassi
Hair: @karoliinasaunders
Makeup: @raphael.arcadios
Nails: @vitalessca
PR Management: @ritualprojects
Stage & Spatial Design: @cellulemere
Concept assistant : @cclair
Lights : @maximilien__pegasus
Photography : @nymphorchidea
Assistant : @tired_archive & helpers thank you so much
Set design & Stage design for Judassime
Spring / Summer 2026 — “Lost Highway” (@judassime)
At @u122ae_club
For Lost in the Highway, I created a nocturnal Cabinet of Curiosities : a space between laboratory and battlefield, where creatures of the night confront their own demons.
The installation features four 2-meter-tall articulated mirror arms in stainless steel, a pair of siamese articulated mirror arms on a brushed aluminum rolling cart, and at the center, a glass box paludarium with natural branches, colored water, and a fog machine.
At the heart of the stage lies « les (Bonnes) Mines » Project - I designed and crafted 18 custom sculpted mirror mines with the help of @cclalr3 , scattered across the floor. Each mine embodies the dark zones within ourselves wounds, sins, obsessions. You try to avoid them, but inevitably step on one, triggering your own transformation.
Performers drift through fog and flickering neon lights among ruins, fragile yet powerful, until madness erupts: mirrors shatter, light explodes, beauty fractures. It is the calm before the storm, a journey from fragility to strength, from chaos to rebirth.
Amid smoke, shattered glass, leather, and silk, the space becomes a landscape of survival, desire, and metamorphosis, where pain turns to romance, ruin to beauty, darkness to light.
Thank you @xirojin for inviting me to be part of this big project.
Creative Director: Judassime @judassime
Production Manager: @xirojin
Assistant Manager: @ct0rius
Photography: @elia_gabassi
Hair: @karoliinasaunders
Makeup: @raphael.arcadios
Nails: @vitalessca
PR Management: @ritualprojects
Stage & Spatial Design: @cellulemere
Concept assistant : @cclair
Lights : @maximilien__pegasus
Photography : @nymphorchidea
Assistant : @tired_archive & helpers thank you so much
Set design & Stage design for Judassime
Spring / Summer 2026 — “Lost Highway” (@judassime)
At @u122ae_club
For Lost in the Highway, I created a nocturnal Cabinet of Curiosities : a space between laboratory and battlefield, where creatures of the night confront their own demons.
The installation features four 2-meter-tall articulated mirror arms in stainless steel, a pair of siamese articulated mirror arms on a brushed aluminum rolling cart, and at the center, a glass box paludarium with natural branches, colored water, and a fog machine.
At the heart of the stage lies « les (Bonnes) Mines » Project - I designed and crafted 18 custom sculpted mirror mines with the help of @cclalr3 , scattered across the floor. Each mine embodies the dark zones within ourselves wounds, sins, obsessions. You try to avoid them, but inevitably step on one, triggering your own transformation.
Performers drift through fog and flickering neon lights among ruins, fragile yet powerful, until madness erupts: mirrors shatter, light explodes, beauty fractures. It is the calm before the storm, a journey from fragility to strength, from chaos to rebirth.
Amid smoke, shattered glass, leather, and silk, the space becomes a landscape of survival, desire, and metamorphosis, where pain turns to romance, ruin to beauty, darkness to light.
Thank you @xirojin for inviting me to be part of this big project.
Creative Director: Judassime @judassime
Production Manager: @xirojin
Assistant Manager: @ct0rius
Photography: @elia_gabassi
Hair: @karoliinasaunders
Makeup: @raphael.arcadios
Nails: @vitalessca
PR Management: @ritualprojects
Stage & Spatial Design: @cellulemere
Concept assistant : @cclair
Lights : @maximilien__pegasus
Photography : @nymphorchidea
Assistant : @tired_archive & helpers thank you so much
Set design & Stage design for Judassime
Spring / Summer 2026 — “Lost Highway” (@judassime)
At @u122ae_club
For Lost in the Highway, I created a nocturnal Cabinet of Curiosities : a space between laboratory and battlefield, where creatures of the night confront their own demons.
The installation features four 2-meter-tall articulated mirror arms in stainless steel, a pair of siamese articulated mirror arms on a brushed aluminum rolling cart, and at the center, a glass box paludarium with natural branches, colored water, and a fog machine.
At the heart of the stage lies « les (Bonnes) Mines » Project - I designed and crafted 18 custom sculpted mirror mines with the help of @cclalr3 , scattered across the floor. Each mine embodies the dark zones within ourselves wounds, sins, obsessions. You try to avoid them, but inevitably step on one, triggering your own transformation.
Performers drift through fog and flickering neon lights among ruins, fragile yet powerful, until madness erupts: mirrors shatter, light explodes, beauty fractures. It is the calm before the storm, a journey from fragility to strength, from chaos to rebirth.
Amid smoke, shattered glass, leather, and silk, the space becomes a landscape of survival, desire, and metamorphosis, where pain turns to romance, ruin to beauty, darkness to light.
Thank you @xirojin for inviting me to be part of this big project.
Creative Director: Judassime @judassime
Production Manager: @xirojin
Assistant Manager: @ct0rius
Photography: @elia_gabassi
Hair: @karoliinasaunders
Makeup: @raphael.arcadios
Nails: @vitalessca
PR Management: @ritualprojects
Stage & Spatial Design: @cellulemere
Concept assistant : @cclair
Lights : @maximilien__pegasus
Photography : @nymphorchidea
Assistant : @tired_archive & helpers thank you so much
Set design & Stage design for Judassime
Spring / Summer 2026 — “Lost Highway” (@judassime)
At @u122ae_club
For Lost in the Highway, I created a nocturnal Cabinet of Curiosities : a space between laboratory and battlefield, where creatures of the night confront their own demons.
The installation features four 2-meter-tall articulated mirror arms in stainless steel, a pair of siamese articulated mirror arms on a brushed aluminum rolling cart, and at the center, a glass box paludarium with natural branches, colored water, and a fog machine.
At the heart of the stage lies « les (Bonnes) Mines » Project - I designed and crafted 18 custom sculpted mirror mines with the help of @cclalr3 , scattered across the floor. Each mine embodies the dark zones within ourselves wounds, sins, obsessions. You try to avoid them, but inevitably step on one, triggering your own transformation.
Performers drift through fog and flickering neon lights among ruins, fragile yet powerful, until madness erupts: mirrors shatter, light explodes, beauty fractures. It is the calm before the storm, a journey from fragility to strength, from chaos to rebirth.
Amid smoke, shattered glass, leather, and silk, the space becomes a landscape of survival, desire, and metamorphosis, where pain turns to romance, ruin to beauty, darkness to light.
Thank you @xirojin for inviting me to be part of this big project.
Creative Director: Judassime @judassime
Production Manager: @xirojin
Assistant Manager: @ct0rius
Photography: @elia_gabassi
Hair: @karoliinasaunders
Makeup: @raphael.arcadios
Nails: @vitalessca
PR Management: @ritualprojects
Stage & Spatial Design: @cellulemere
Concept assistant : @cclair
Lights : @maximilien__pegasus
Photography : @nymphorchidea
Assistant : @tired_archive & helpers thank you so much
Set design & Stage design for Judassime
Spring / Summer 2026 — “Lost Highway” (@judassime)
At @u122ae_club
For Lost in the Highway, I created a nocturnal Cabinet of Curiosities : a space between laboratory and battlefield, where creatures of the night confront their own demons.
The installation features four 2-meter-tall articulated mirror arms in stainless steel, a pair of siamese articulated mirror arms on a brushed aluminum rolling cart, and at the center, a glass box paludarium with natural branches, colored water, and a fog machine.
At the heart of the stage lies « les (Bonnes) Mines » Project - I designed and crafted 18 custom sculpted mirror mines with the help of @cclalr3 , scattered across the floor. Each mine embodies the dark zones within ourselves wounds, sins, obsessions. You try to avoid them, but inevitably step on one, triggering your own transformation.
Performers drift through fog and flickering neon lights among ruins, fragile yet powerful, until madness erupts: mirrors shatter, light explodes, beauty fractures. It is the calm before the storm, a journey from fragility to strength, from chaos to rebirth.
Amid smoke, shattered glass, leather, and silk, the space becomes a landscape of survival, desire, and metamorphosis, where pain turns to romance, ruin to beauty, darkness to light.
Thank you @xirojin for inviting me to be part of this big project.
Creative Director: Judassime @judassime
Production Manager: @xirojin
Assistant Manager: @ct0rius
Photography: @elia_gabassi
Hair: @karoliinasaunders
Makeup: @raphael.arcadios
Nails: @vitalessca
PR Management: @ritualprojects
Stage & Spatial Design: @cellulemere
Concept assistant : @cclair
Lights : @maximilien__pegasus
Photography : @nymphorchidea
Assistant : @tired_archive & helpers thank you so much
Set design & Stage design for Judassime
Spring / Summer 2026 — “Lost Highway” (@judassime)
At @u122ae_club
For Lost in the Highway, I created a nocturnal Cabinet of Curiosities : a space between laboratory and battlefield, where creatures of the night confront their own demons.
The installation features four 2-meter-tall articulated mirror arms in stainless steel, a pair of siamese articulated mirror arms on a brushed aluminum rolling cart, and at the center, a glass box paludarium with natural branches, colored water, and a fog machine.
At the heart of the stage lies « les (Bonnes) Mines » Project - I designed and crafted 18 custom sculpted mirror mines with the help of @cclalr3 , scattered across the floor. Each mine embodies the dark zones within ourselves wounds, sins, obsessions. You try to avoid them, but inevitably step on one, triggering your own transformation.
Performers drift through fog and flickering neon lights among ruins, fragile yet powerful, until madness erupts: mirrors shatter, light explodes, beauty fractures. It is the calm before the storm, a journey from fragility to strength, from chaos to rebirth.
Amid smoke, shattered glass, leather, and silk, the space becomes a landscape of survival, desire, and metamorphosis, where pain turns to romance, ruin to beauty, darkness to light.
Thank you @xirojin for inviting me to be part of this big project.
Creative Director: Judassime @judassime
Production Manager: @xirojin
Assistant Manager: @ct0rius
Photography: @elia_gabassi
Hair: @karoliinasaunders
Makeup: @raphael.arcadios
Nails: @vitalessca
PR Management: @ritualprojects
Stage & Spatial Design: @cellulemere
Concept assistant : @cclair
Lights : @maximilien__pegasus
Photography : @nymphorchidea
Assistant : @tired_archive & helpers thank you so much
Set design & Stage design for Judassime
Spring / Summer 2026 — “Lost Highway” (@judassime)
At @u122ae_club
For Lost in the Highway, I created a nocturnal Cabinet of Curiosities : a space between laboratory and battlefield, where creatures of the night confront their own demons.
The installation features four 2-meter-tall articulated mirror arms in stainless steel, a pair of siamese articulated mirror arms on a brushed aluminum rolling cart, and at the center, a glass box paludarium with natural branches, colored water, and a fog machine.
At the heart of the stage lies « les (Bonnes) Mines » Project - I designed and crafted 18 custom sculpted mirror mines with the help of @cclalr3 , scattered across the floor. Each mine embodies the dark zones within ourselves wounds, sins, obsessions. You try to avoid them, but inevitably step on one, triggering your own transformation.
Performers drift through fog and flickering neon lights among ruins, fragile yet powerful, until madness erupts: mirrors shatter, light explodes, beauty fractures. It is the calm before the storm, a journey from fragility to strength, from chaos to rebirth.
Amid smoke, shattered glass, leather, and silk, the space becomes a landscape of survival, desire, and metamorphosis, where pain turns to romance, ruin to beauty, darkness to light.
Thank you @xirojin for inviting me to be part of this big project.
Creative Director: Judassime @judassime
Production Manager: @xirojin
Assistant Manager: @ct0rius
Photography: @elia_gabassi
Hair: @karoliinasaunders
Makeup: @raphael.arcadios
Nails: @vitalessca
PR Management: @ritualprojects
Stage & Spatial Design: @cellulemere
Concept assistant : @cclair
Lights : @maximilien__pegasus
Photography : @nymphorchidea
Assistant : @tired_archive & helpers thank you so much
Set design & Stage design for Judassime
Spring / Summer 2026 — “Lost Highway” (@judassime)
At @u122ae_club
For Lost in the Highway, I created a nocturnal Cabinet of Curiosities : a space between laboratory and battlefield, where creatures of the night confront their own demons.
The installation features four 2-meter-tall articulated mirror arms in stainless steel, a pair of siamese articulated mirror arms on a brushed aluminum rolling cart, and at the center, a glass box paludarium with natural branches, colored water, and a fog machine.
At the heart of the stage lies « les (Bonnes) Mines » Project - I designed and crafted 18 custom sculpted mirror mines with the help of @cclalr3 , scattered across the floor. Each mine embodies the dark zones within ourselves wounds, sins, obsessions. You try to avoid them, but inevitably step on one, triggering your own transformation.
Performers drift through fog and flickering neon lights among ruins, fragile yet powerful, until madness erupts: mirrors shatter, light explodes, beauty fractures. It is the calm before the storm, a journey from fragility to strength, from chaos to rebirth.
Amid smoke, shattered glass, leather, and silk, the space becomes a landscape of survival, desire, and metamorphosis, where pain turns to romance, ruin to beauty, darkness to light.
Thank you @xirojin for inviting me to be part of this big project.
Creative Director: Judassime @judassime
Production Manager: @xirojin
Assistant Manager: @ct0rius
Photography: @elia_gabassi
Hair: @karoliinasaunders
Makeup: @raphael.arcadios
Nails: @vitalessca
PR Management: @ritualprojects
Stage & Spatial Design: @cellulemere
Concept assistant : @cclair
Lights : @maximilien__pegasus
Photography : @nymphorchidea
Assistant : @tired_archive & helpers thank you so much
Set design & Stage design for Judassime
Spring / Summer 2026 — “Lost Highway” (@judassime)
At @u122ae_club
For Lost in the Highway, I created a nocturnal Cabinet of Curiosities : a space between laboratory and battlefield, where creatures of the night confront their own demons.
The installation features four 2-meter-tall articulated mirror arms in stainless steel, a pair of siamese articulated mirror arms on a brushed aluminum rolling cart, and at the center, a glass box paludarium with natural branches, colored water, and a fog machine.
At the heart of the stage lies « les (Bonnes) Mines » Project - I designed and crafted 18 custom sculpted mirror mines with the help of @cclalr3 , scattered across the floor. Each mine embodies the dark zones within ourselves wounds, sins, obsessions. You try to avoid them, but inevitably step on one, triggering your own transformation.
Performers drift through fog and flickering neon lights among ruins, fragile yet powerful, until madness erupts: mirrors shatter, light explodes, beauty fractures. It is the calm before the storm, a journey from fragility to strength, from chaos to rebirth.
Amid smoke, shattered glass, leather, and silk, the space becomes a landscape of survival, desire, and metamorphosis, where pain turns to romance, ruin to beauty, darkness to light.
Thank you @xirojin for inviting me to be part of this big project.
Creative Director: Judassime @judassime
Production Manager: @xirojin
Assistant Manager: @ct0rius
Photography: @elia_gabassi
Hair: @karoliinasaunders
Makeup: @raphael.arcadios
Nails: @vitalessca
PR Management: @ritualprojects
Stage & Spatial Design: @cellulemere
Concept assistant : @cclair
Lights : @maximilien__pegasus
Photography : @nymphorchidea
Assistant : @tired_archive & helpers thank you so much
Set design & Stage design for Judassime
Spring / Summer 2026 — “Lost Highway” (@judassime)
At @u122ae_club
For Lost in the Highway, I created a nocturnal Cabinet of Curiosities : a space between laboratory and battlefield, where creatures of the night confront their own demons.
The installation features four 2-meter-tall articulated mirror arms in stainless steel, a pair of siamese articulated mirror arms on a brushed aluminum rolling cart, and at the center, a glass box paludarium with natural branches, colored water, and a fog machine.
At the heart of the stage lies « les (Bonnes) Mines » Project - I designed and crafted 18 custom sculpted mirror mines with the help of @cclalr3 , scattered across the floor. Each mine embodies the dark zones within ourselves wounds, sins, obsessions. You try to avoid them, but inevitably step on one, triggering your own transformation.
Performers drift through fog and flickering neon lights among ruins, fragile yet powerful, until madness erupts: mirrors shatter, light explodes, beauty fractures. It is the calm before the storm, a journey from fragility to strength, from chaos to rebirth.
Amid smoke, shattered glass, leather, and silk, the space becomes a landscape of survival, desire, and metamorphosis, where pain turns to romance, ruin to beauty, darkness to light.
Thank you @xirojin for inviting me to be part of this big project.
Creative Director: Judassime @judassime
Production Manager: @xirojin
Assistant Manager: @ct0rius
Photography: @elia_gabassi
Hair: @karoliinasaunders
Makeup: @raphael.arcadios
Nails: @vitalessca
PR Management: @ritualprojects
Stage & Spatial Design: @cellulemere
Concept assistant : @cclair
Lights : @maximilien__pegasus
Photography : @nymphorchidea
Assistant : @tired_archive & helpers thank you so much
Set design & Stage design for Judassime
Spring / Summer 2026 — “Lost Highway” (@judassime)
At @u122ae_club
For Lost in the Highway, I created a nocturnal Cabinet of Curiosities : a space between laboratory and battlefield, where creatures of the night confront their own demons.
The installation features four 2-meter-tall articulated mirror arms in stainless steel, a pair of siamese articulated mirror arms on a brushed aluminum rolling cart, and at the center, a glass box paludarium with natural branches, colored water, and a fog machine.
At the heart of the stage lies « les (Bonnes) Mines » Project - I designed and crafted 18 custom sculpted mirror mines with the help of @cclalr3 , scattered across the floor. Each mine embodies the dark zones within ourselves wounds, sins, obsessions. You try to avoid them, but inevitably step on one, triggering your own transformation.
Performers drift through fog and flickering neon lights among ruins, fragile yet powerful, until madness erupts: mirrors shatter, light explodes, beauty fractures. It is the calm before the storm, a journey from fragility to strength, from chaos to rebirth.
Amid smoke, shattered glass, leather, and silk, the space becomes a landscape of survival, desire, and metamorphosis, where pain turns to romance, ruin to beauty, darkness to light.
Thank you @xirojin for inviting me to be part of this big project.
Creative Director: Judassime @judassime
Production Manager: @xirojin
Assistant Manager: @ct0rius
Photography: @elia_gabassi
Hair: @karoliinasaunders
Makeup: @raphael.arcadios
Nails: @vitalessca
PR Management: @ritualprojects
Stage & Spatial Design: @cellulemere
Concept assistant : @cclair
Lights : @maximilien__pegasus
Photography : @nymphorchidea
Assistant : @tired_archive & helpers thank you so much
Set design & Stage design for Judassime
Spring / Summer 2026 — “Lost Highway” (@judassime)
At @u122ae_club
For Lost in the Highway, I created a nocturnal Cabinet of Curiosities : a space between laboratory and battlefield, where creatures of the night confront their own demons.
The installation features four 2-meter-tall articulated mirror arms in stainless steel, a pair of siamese articulated mirror arms on a brushed aluminum rolling cart, and at the center, a glass box paludarium with natural branches, colored water, and a fog machine.
At the heart of the stage lies « les (Bonnes) Mines » Project - I designed and crafted 18 custom sculpted mirror mines with the help of @cclalr3 , scattered across the floor. Each mine embodies the dark zones within ourselves wounds, sins, obsessions. You try to avoid them, but inevitably step on one, triggering your own transformation.
Performers drift through fog and flickering neon lights among ruins, fragile yet powerful, until madness erupts: mirrors shatter, light explodes, beauty fractures. It is the calm before the storm, a journey from fragility to strength, from chaos to rebirth.
Amid smoke, shattered glass, leather, and silk, the space becomes a landscape of survival, desire, and metamorphosis, where pain turns to romance, ruin to beauty, darkness to light.
Thank you @xirojin for inviting me to be part of this big project.
Creative Director: Judassime @judassime
Production Manager: @xirojin
Assistant Manager: @ct0rius
Photography: @elia_gabassi
Hair: @karoliinasaunders
Makeup: @raphael.arcadios
Nails: @vitalessca
PR Management: @ritualprojects
Stage & Spatial Design: @cellulemere
Concept assistant : @cclair
Lights : @maximilien__pegasus
Photography : @nymphorchidea
Assistant : @tired_archive & helpers thank you so much
Set design & Stage design for Judassime
Spring / Summer 2026 — “Lost Highway” (@judassime)
At @u122ae_club
For Lost in the Highway, I created a nocturnal Cabinet of Curiosities : a space between laboratory and battlefield, where creatures of the night confront their own demons.
The installation features four 2-meter-tall articulated mirror arms in stainless steel, a pair of siamese articulated mirror arms on a brushed aluminum rolling cart, and at the center, a glass box paludarium with natural branches, colored water, and a fog machine.
At the heart of the stage lies « les (Bonnes) Mines » Project - I designed and crafted 18 custom sculpted mirror mines with the help of @cclalr3 , scattered across the floor. Each mine embodies the dark zones within ourselves wounds, sins, obsessions. You try to avoid them, but inevitably step on one, triggering your own transformation.
Performers drift through fog and flickering neon lights among ruins, fragile yet powerful, until madness erupts: mirrors shatter, light explodes, beauty fractures. It is the calm before the storm, a journey from fragility to strength, from chaos to rebirth.
Amid smoke, shattered glass, leather, and silk, the space becomes a landscape of survival, desire, and metamorphosis, where pain turns to romance, ruin to beauty, darkness to light.
Thank you @xirojin for inviting me to be part of this big project.
Creative Director: Judassime @judassime
Production Manager: @xirojin
Assistant Manager: @ct0rius
Photography: @elia_gabassi
Hair: @karoliinasaunders
Makeup: @raphael.arcadios
Nails: @vitalessca
PR Management: @ritualprojects
Stage & Spatial Design: @cellulemere
Concept assistant : @cclair
Lights : @maximilien__pegasus
Photography : @nymphorchidea
Assistant : @tired_archive & helpers thank you so much
Set design & Stage design for Judassime
Spring / Summer 2026 — “Lost Highway” (@judassime)
At @u122ae_club
For Lost in the Highway, I created a nocturnal Cabinet of Curiosities : a space between laboratory and battlefield, where creatures of the night confront their own demons.
The installation features four 2-meter-tall articulated mirror arms in stainless steel, a pair of siamese articulated mirror arms on a brushed aluminum rolling cart, and at the center, a glass box paludarium with natural branches, colored water, and a fog machine.
At the heart of the stage lies « les (Bonnes) Mines » Project - I designed and crafted 18 custom sculpted mirror mines with the help of @cclalr3 , scattered across the floor. Each mine embodies the dark zones within ourselves wounds, sins, obsessions. You try to avoid them, but inevitably step on one, triggering your own transformation.
Performers drift through fog and flickering neon lights among ruins, fragile yet powerful, until madness erupts: mirrors shatter, light explodes, beauty fractures. It is the calm before the storm, a journey from fragility to strength, from chaos to rebirth.
Amid smoke, shattered glass, leather, and silk, the space becomes a landscape of survival, desire, and metamorphosis, where pain turns to romance, ruin to beauty, darkness to light.
Thank you @xirojin for inviting me to be part of this big project.
Creative Director: Judassime @judassime
Production Manager: @xirojin
Assistant Manager: @ct0rius
Photography: @elia_gabassi
Hair: @karoliinasaunders
Makeup: @raphael.arcadios
Nails: @vitalessca
PR Management: @ritualprojects
Stage & Spatial Design: @cellulemere
Concept assistant : @cclair
Lights : @maximilien__pegasus
Photography : @nymphorchidea
Assistant : @tired_archive & helpers thank you so much
Set design & Stage design for Judassime
Spring / Summer 2026 — “Lost Highway” (@judassime)
At @u122ae_club
For Lost in the Highway, I created a nocturnal Cabinet of Curiosities : a space between laboratory and battlefield, where creatures of the night confront their own demons.
The installation features four 2-meter-tall articulated mirror arms in stainless steel, a pair of siamese articulated mirror arms on a brushed aluminum rolling cart, and at the center, a glass box paludarium with natural branches, colored water, and a fog machine.
At the heart of the stage lies « les (Bonnes) Mines » Project - I designed and crafted 18 custom sculpted mirror mines with the help of @cclalr3 , scattered across the floor. Each mine embodies the dark zones within ourselves wounds, sins, obsessions. You try to avoid them, but inevitably step on one, triggering your own transformation.
Performers drift through fog and flickering neon lights among ruins, fragile yet powerful, until madness erupts: mirrors shatter, light explodes, beauty fractures. It is the calm before the storm, a journey from fragility to strength, from chaos to rebirth.
Amid smoke, shattered glass, leather, and silk, the space becomes a landscape of survival, desire, and metamorphosis, where pain turns to romance, ruin to beauty, darkness to light.
Thank you @xirojin for inviting me to be part of this big project.
Creative Director: Judassime @judassime
Production Manager: @xirojin
Assistant Manager: @ct0rius
Photography: @elia_gabassi
Hair: @karoliinasaunders
Makeup: @raphael.arcadios
Nails: @vitalessca
PR Management: @ritualprojects
Stage & Spatial Design: @cellulemere
Concept assistant : @cclair
Lights : @maximilien__pegasus
Photography : @nymphorchidea
Assistant : @tired_archive & helpers thank you so much
Set design & Stage design for Judassime
Spring / Summer 2026 — “Lost Highway” (@judassime)
At @u122ae_club
For Lost in the Highway, I created a nocturnal Cabinet of Curiosities : a space between laboratory and battlefield, where creatures of the night confront their own demons.
The installation features four 2-meter-tall articulated mirror arms in stainless steel, a pair of siamese articulated mirror arms on a brushed aluminum rolling cart, and at the center, a glass box paludarium with natural branches, colored water, and a fog machine.
At the heart of the stage lies « les (Bonnes) Mines » Project - I designed and crafted 18 custom sculpted mirror mines with the help of @cclalr3 , scattered across the floor. Each mine embodies the dark zones within ourselves wounds, sins, obsessions. You try to avoid them, but inevitably step on one, triggering your own transformation.
Performers drift through fog and flickering neon lights among ruins, fragile yet powerful, until madness erupts: mirrors shatter, light explodes, beauty fractures. It is the calm before the storm, a journey from fragility to strength, from chaos to rebirth.
Amid smoke, shattered glass, leather, and silk, the space becomes a landscape of survival, desire, and metamorphosis, where pain turns to romance, ruin to beauty, darkness to light.
Thank you @xirojin for inviting me to be part of this big project.
Creative Director: Judassime @judassime
Production Manager: @xirojin
Assistant Manager: @ct0rius
Photography: @elia_gabassi
Hair: @karoliinasaunders
Makeup: @raphael.arcadios
Nails: @vitalessca
PR Management: @ritualprojects
Stage & Spatial Design: @cellulemere
Concept assistant : @cclair
Lights : @maximilien__pegasus
Photography : @nymphorchidea
Assistant : @tired_archive & helpers thank you so much
Set design & Stage design for Judassime
Spring / Summer 2026 — “Lost Highway” (@judassime)
At @u122ae_club
For Lost in the Highway, I created a nocturnal Cabinet of Curiosities : a space between laboratory and battlefield, where creatures of the night confront their own demons.
The installation features four 2-meter-tall articulated mirror arms in stainless steel, a pair of siamese articulated mirror arms on a brushed aluminum rolling cart, and at the center, a glass box paludarium with natural branches, colored water, and a fog machine.
At the heart of the stage lies « les (Bonnes) Mines » Project - I designed and crafted 18 custom sculpted mirror mines with the help of @cclalr3 , scattered across the floor. Each mine embodies the dark zones within ourselves wounds, sins, obsessions. You try to avoid them, but inevitably step on one, triggering your own transformation.
Performers drift through fog and flickering neon lights among ruins, fragile yet powerful, until madness erupts: mirrors shatter, light explodes, beauty fractures. It is the calm before the storm, a journey from fragility to strength, from chaos to rebirth.
Amid smoke, shattered glass, leather, and silk, the space becomes a landscape of survival, desire, and metamorphosis, where pain turns to romance, ruin to beauty, darkness to light.
Thank you @xirojin for inviting me to be part of this big project.
Creative Director: Judassime @judassime
Production Manager: @xirojin
Assistant Manager: @ct0rius
Photography: @elia_gabassi
Hair: @karoliinasaunders
Makeup: @raphael.arcadios
Nails: @vitalessca
PR Management: @ritualprojects
Stage & Spatial Design: @cellulemere
Concept assistant : @cclair
Lights : @maximilien__pegasus
Photography : @nymphorchidea
Assistant : @tired_archive & helpers thank you so much
Stroller iMom (+-) After Care
first fitting for CELL (soon)
“Care becomes necessary after traumatic rupture.”
CELL continues the direction of my previous MA2 research (Contra) Per-Formare , graduated in 2025, exploring performance, techno-capitalism and aftercare.
Performance as power +
efficiency, optimization, productivity, discipline, control, hyper-functionality.
Aftercare as fragility -
repair, recovery, vulnerability, exhaustion, overstimulation, bodily pain.
The project explores the paradox of contemporary systems that constantly push bodies to perform while simultaneously creating the need for continuous repair.
Ergonomic furniture, therapeutic devices, posture correctors, UV LED care systems, articulated supports, rehabilitative heels, mobile technological extensions —
objects designed to support damaged bodies gradually become fashionable prosthetic necessities.
The body is exhausted, yet still expected to appear elegant, stable, productive, and powerful.
Stroller iMom(+-)After Care embodies this tension between strength and collapse :
a coquette, disciplined, hyper-functional figure moving through a world where care itself becomes infrastructure.
The stroller transforms into a mobile CELL :
half medical unit,
half emotional support machine,
half technological altar.
A body in recovery.
A body maintained.
A body still expected to perform.
Upcoming project. Stay tuned
CELL
Design - Cell
Fitting on @digitsphere
Assist partner Set/Content @mastab0lide
#performance #designer #cyber #beauty #technology
Stroller iMom (+-) After Care
first fitting for CELL (soon)
“Care becomes necessary after traumatic rupture.”
CELL continues the direction of my previous MA2 research (Contra) Per-Formare , graduated in 2025, exploring performance, techno-capitalism and aftercare.
Performance as power +
efficiency, optimization, productivity, discipline, control, hyper-functionality.
Aftercare as fragility -
repair, recovery, vulnerability, exhaustion, overstimulation, bodily pain.
The project explores the paradox of contemporary systems that constantly push bodies to perform while simultaneously creating the need for continuous repair.
Ergonomic furniture, therapeutic devices, posture correctors, UV LED care systems, articulated supports, rehabilitative heels, mobile technological extensions —
objects designed to support damaged bodies gradually become fashionable prosthetic necessities.
The body is exhausted, yet still expected to appear elegant, stable, productive, and powerful.
Stroller iMom(+-)After Care embodies this tension between strength and collapse :
a coquette, disciplined, hyper-functional figure moving through a world where care itself becomes infrastructure.
The stroller transforms into a mobile CELL :
half medical unit,
half emotional support machine,
half technological altar.
A body in recovery.
A body maintained.
A body still expected to perform.
Upcoming project. Stay tuned
CELL
Design - Cell
Fitting on @digitsphere
Assist partner Set/Content @mastab0lide
#performance #designer #cyber #beauty #technology
Stroller iMom (+-) After Care
first fitting for CELL (soon)
“Care becomes necessary after traumatic rupture.”
CELL continues the direction of my previous MA2 research (Contra) Per-Formare , graduated in 2025, exploring performance, techno-capitalism and aftercare.
Performance as power +
efficiency, optimization, productivity, discipline, control, hyper-functionality.
Aftercare as fragility -
repair, recovery, vulnerability, exhaustion, overstimulation, bodily pain.
The project explores the paradox of contemporary systems that constantly push bodies to perform while simultaneously creating the need for continuous repair.
Ergonomic furniture, therapeutic devices, posture correctors, UV LED care systems, articulated supports, rehabilitative heels, mobile technological extensions —
objects designed to support damaged bodies gradually become fashionable prosthetic necessities.
The body is exhausted, yet still expected to appear elegant, stable, productive, and powerful.
Stroller iMom(+-)After Care embodies this tension between strength and collapse :
a coquette, disciplined, hyper-functional figure moving through a world where care itself becomes infrastructure.
The stroller transforms into a mobile CELL :
half medical unit,
half emotional support machine,
half technological altar.
A body in recovery.
A body maintained.
A body still expected to perform.
Upcoming project. Stay tuned
CELL
Design - Cell
Fitting on @digitsphere
Assist partner Set/Content @mastab0lide
#performance #designer #cyber #beauty #technology
Stroller iMom (+-) After Care
first fitting for CELL (soon)
“Care becomes necessary after traumatic rupture.”
CELL continues the direction of my previous MA2 research (Contra) Per-Formare , graduated in 2025, exploring performance, techno-capitalism and aftercare.
Performance as power +
efficiency, optimization, productivity, discipline, control, hyper-functionality.
Aftercare as fragility -
repair, recovery, vulnerability, exhaustion, overstimulation, bodily pain.
The project explores the paradox of contemporary systems that constantly push bodies to perform while simultaneously creating the need for continuous repair.
Ergonomic furniture, therapeutic devices, posture correctors, UV LED care systems, articulated supports, rehabilitative heels, mobile technological extensions —
objects designed to support damaged bodies gradually become fashionable prosthetic necessities.
The body is exhausted, yet still expected to appear elegant, stable, productive, and powerful.
Stroller iMom(+-)After Care embodies this tension between strength and collapse :
a coquette, disciplined, hyper-functional figure moving through a world where care itself becomes infrastructure.
The stroller transforms into a mobile CELL :
half medical unit,
half emotional support machine,
half technological altar.
A body in recovery.
A body maintained.
A body still expected to perform.
Upcoming project. Stay tuned
CELL
Design - Cell
Fitting on @digitsphere
Assist partner Set/Content @mastab0lide
#performance #designer #cyber #beauty #technology
Stroller iMom (+-) After Care
first fitting for CELL (soon)
“Care becomes necessary after traumatic rupture.”
CELL continues the direction of my previous MA2 research (Contra) Per-Formare , graduated in 2025, exploring performance, techno-capitalism and aftercare.
Performance as power +
efficiency, optimization, productivity, discipline, control, hyper-functionality.
Aftercare as fragility -
repair, recovery, vulnerability, exhaustion, overstimulation, bodily pain.
The project explores the paradox of contemporary systems that constantly push bodies to perform while simultaneously creating the need for continuous repair.
Ergonomic furniture, therapeutic devices, posture correctors, UV LED care systems, articulated supports, rehabilitative heels, mobile technological extensions —
objects designed to support damaged bodies gradually become fashionable prosthetic necessities.
The body is exhausted, yet still expected to appear elegant, stable, productive, and powerful.
Stroller iMom(+-)After Care embodies this tension between strength and collapse :
a coquette, disciplined, hyper-functional figure moving through a world where care itself becomes infrastructure.
The stroller transforms into a mobile CELL :
half medical unit,
half emotional support machine,
half technological altar.
A body in recovery.
A body maintained.
A body still expected to perform.
Upcoming project. Stay tuned
CELL
Design - Cell
Fitting on @digitsphere
Assist partner Set/Content @mastab0lide
#performance #designer #cyber #beauty #technology
Stroller iMom (+-) After Care
first fitting for CELL (soon)
“Care becomes necessary after traumatic rupture.”
CELL continues the direction of my previous MA2 research (Contra) Per-Formare , graduated in 2025, exploring performance, techno-capitalism and aftercare.
Performance as power +
efficiency, optimization, productivity, discipline, control, hyper-functionality.
Aftercare as fragility -
repair, recovery, vulnerability, exhaustion, overstimulation, bodily pain.
The project explores the paradox of contemporary systems that constantly push bodies to perform while simultaneously creating the need for continuous repair.
Ergonomic furniture, therapeutic devices, posture correctors, UV LED care systems, articulated supports, rehabilitative heels, mobile technological extensions —
objects designed to support damaged bodies gradually become fashionable prosthetic necessities.
The body is exhausted, yet still expected to appear elegant, stable, productive, and powerful.
Stroller iMom(+-)After Care embodies this tension between strength and collapse :
a coquette, disciplined, hyper-functional figure moving through a world where care itself becomes infrastructure.
The stroller transforms into a mobile CELL :
half medical unit,
half emotional support machine,
half technological altar.
A body in recovery.
A body maintained.
A body still expected to perform.
Upcoming project. Stay tuned
CELL
Design - Cell
Fitting on @digitsphere
Assist partner Set/Content @mastab0lide
#performance #designer #cyber #beauty #technology
Stroller iMom (+-) After Care
first fitting for CELL (soon)
“Care becomes necessary after traumatic rupture.”
CELL continues the direction of my previous MA2 research (Contra) Per-Formare , graduated in 2025, exploring performance, techno-capitalism and aftercare.
Performance as power +
efficiency, optimization, productivity, discipline, control, hyper-functionality.
Aftercare as fragility -
repair, recovery, vulnerability, exhaustion, overstimulation, bodily pain.
The project explores the paradox of contemporary systems that constantly push bodies to perform while simultaneously creating the need for continuous repair.
Ergonomic furniture, therapeutic devices, posture correctors, UV LED care systems, articulated supports, rehabilitative heels, mobile technological extensions —
objects designed to support damaged bodies gradually become fashionable prosthetic necessities.
The body is exhausted, yet still expected to appear elegant, stable, productive, and powerful.
Stroller iMom(+-)After Care embodies this tension between strength and collapse :
a coquette, disciplined, hyper-functional figure moving through a world where care itself becomes infrastructure.
The stroller transforms into a mobile CELL :
half medical unit,
half emotional support machine,
half technological altar.
A body in recovery.
A body maintained.
A body still expected to perform.
Upcoming project. Stay tuned
CELL
Design - Cell
Fitting on @digitsphere
Assist partner Set/Content @mastab0lide
#performance #designer #cyber #beauty #technology
Overstimmed iMoms (november 2025)
Part 1 Focus : Coupon Mom played by @stellabocle & Stroller Mom played @digitsphere
Performance for the first print launch of Edgeline Magazine, “Existential Crisis” @edgelinemag
Overstimmed iMoms (2025) explores the evolving figure of motherhood within digital globalization, where technology, consumerism, and identity collapse into one continuous stream.
At the center of this focus are two hyper-contemporary archetypes :
Stroller Mom embodies control, projection, and perfection. She is exemplary, disciplined, and obsessively precise. Every detail is curated from the stroller to the reborn baby she selects, one that mirrors her own image, her ideals, her narrative. Motherhood becomes a controlled simulation, a reflection loop where identity is stabilized through aesthetic and emotional mastery.
Coupon Mom, in contrast, operates within a softer but equally saturated system of control: consumption. Reclined yet fully connected, absorbed by her iPad, she navigates a world of discounts, promotional codes, and algorithmic rewards. Comfort is optimized through ergonomic design and endless scrolling. Her satisfaction is quantified loyalty points, flash deals, spinning discount wheels on platforms like Shein or Temu. She becomes the quiet sovereign of digital consumption, where care, pleasure, and value are mediated through savings.
Together, they form a dual figure of contemporary motherhood :
one rooted in control and image, the other in consumption and reward both shaped, sustained, and intensified by digital infrastructures.
Photographer : @alaricfer
Art direction / Space Installation / gears : @cellulemere
Performers : @nymphorchidea
@kennymphe @digitsphere @stellabocle
Hair @an4lplug
Belly-Top for @stellabocle by @loadjro
Overstimmed iMoms (november 2025)
Part 1 Focus : Coupon Mom played by @stellabocle & Stroller Mom played @digitsphere
Performance for the first print launch of Edgeline Magazine, “Existential Crisis” @edgelinemag
Overstimmed iMoms (2025) explores the evolving figure of motherhood within digital globalization, where technology, consumerism, and identity collapse into one continuous stream.
At the center of this focus are two hyper-contemporary archetypes :
Stroller Mom embodies control, projection, and perfection. She is exemplary, disciplined, and obsessively precise. Every detail is curated from the stroller to the reborn baby she selects, one that mirrors her own image, her ideals, her narrative. Motherhood becomes a controlled simulation, a reflection loop where identity is stabilized through aesthetic and emotional mastery.
Coupon Mom, in contrast, operates within a softer but equally saturated system of control: consumption. Reclined yet fully connected, absorbed by her iPad, she navigates a world of discounts, promotional codes, and algorithmic rewards. Comfort is optimized through ergonomic design and endless scrolling. Her satisfaction is quantified loyalty points, flash deals, spinning discount wheels on platforms like Shein or Temu. She becomes the quiet sovereign of digital consumption, where care, pleasure, and value are mediated through savings.
Together, they form a dual figure of contemporary motherhood :
one rooted in control and image, the other in consumption and reward both shaped, sustained, and intensified by digital infrastructures.
Photographer : @alaricfer
Art direction / Space Installation / gears : @cellulemere
Performers : @nymphorchidea
@kennymphe @digitsphere @stellabocle
Hair @an4lplug
Belly-Top for @stellabocle by @loadjro
Overstimmed iMoms (november 2025)
Part 1 Focus : Coupon Mom played by @stellabocle & Stroller Mom played @digitsphere
Performance for the first print launch of Edgeline Magazine, “Existential Crisis” @edgelinemag
Overstimmed iMoms (2025) explores the evolving figure of motherhood within digital globalization, where technology, consumerism, and identity collapse into one continuous stream.
At the center of this focus are two hyper-contemporary archetypes :
Stroller Mom embodies control, projection, and perfection. She is exemplary, disciplined, and obsessively precise. Every detail is curated from the stroller to the reborn baby she selects, one that mirrors her own image, her ideals, her narrative. Motherhood becomes a controlled simulation, a reflection loop where identity is stabilized through aesthetic and emotional mastery.
Coupon Mom, in contrast, operates within a softer but equally saturated system of control: consumption. Reclined yet fully connected, absorbed by her iPad, she navigates a world of discounts, promotional codes, and algorithmic rewards. Comfort is optimized through ergonomic design and endless scrolling. Her satisfaction is quantified loyalty points, flash deals, spinning discount wheels on platforms like Shein or Temu. She becomes the quiet sovereign of digital consumption, where care, pleasure, and value are mediated through savings.
Together, they form a dual figure of contemporary motherhood :
one rooted in control and image, the other in consumption and reward both shaped, sustained, and intensified by digital infrastructures.
Photographer : @alaricfer
Art direction / Space Installation / gears : @cellulemere
Performers : @nymphorchidea
@kennymphe @digitsphere @stellabocle
Hair @an4lplug
Belly-Top for @stellabocle by @loadjro
Overstimmed iMoms (november 2025)
Part 1 Focus : Coupon Mom played by @stellabocle & Stroller Mom played @digitsphere
Performance for the first print launch of Edgeline Magazine, “Existential Crisis” @edgelinemag
Overstimmed iMoms (2025) explores the evolving figure of motherhood within digital globalization, where technology, consumerism, and identity collapse into one continuous stream.
At the center of this focus are two hyper-contemporary archetypes :
Stroller Mom embodies control, projection, and perfection. She is exemplary, disciplined, and obsessively precise. Every detail is curated from the stroller to the reborn baby she selects, one that mirrors her own image, her ideals, her narrative. Motherhood becomes a controlled simulation, a reflection loop where identity is stabilized through aesthetic and emotional mastery.
Coupon Mom, in contrast, operates within a softer but equally saturated system of control: consumption. Reclined yet fully connected, absorbed by her iPad, she navigates a world of discounts, promotional codes, and algorithmic rewards. Comfort is optimized through ergonomic design and endless scrolling. Her satisfaction is quantified loyalty points, flash deals, spinning discount wheels on platforms like Shein or Temu. She becomes the quiet sovereign of digital consumption, where care, pleasure, and value are mediated through savings.
Together, they form a dual figure of contemporary motherhood :
one rooted in control and image, the other in consumption and reward both shaped, sustained, and intensified by digital infrastructures.
Photographer : @alaricfer
Art direction / Space Installation / gears : @cellulemere
Performers : @nymphorchidea
@kennymphe @digitsphere @stellabocle
Hair @an4lplug
Belly-Top for @stellabocle by @loadjro
Overstimmed iMoms (november 2025)
Part 1 Focus : Coupon Mom played by @stellabocle & Stroller Mom played @digitsphere
Performance for the first print launch of Edgeline Magazine, “Existential Crisis” @edgelinemag
Overstimmed iMoms (2025) explores the evolving figure of motherhood within digital globalization, where technology, consumerism, and identity collapse into one continuous stream.
At the center of this focus are two hyper-contemporary archetypes :
Stroller Mom embodies control, projection, and perfection. She is exemplary, disciplined, and obsessively precise. Every detail is curated from the stroller to the reborn baby she selects, one that mirrors her own image, her ideals, her narrative. Motherhood becomes a controlled simulation, a reflection loop where identity is stabilized through aesthetic and emotional mastery.
Coupon Mom, in contrast, operates within a softer but equally saturated system of control: consumption. Reclined yet fully connected, absorbed by her iPad, she navigates a world of discounts, promotional codes, and algorithmic rewards. Comfort is optimized through ergonomic design and endless scrolling. Her satisfaction is quantified loyalty points, flash deals, spinning discount wheels on platforms like Shein or Temu. She becomes the quiet sovereign of digital consumption, where care, pleasure, and value are mediated through savings.
Together, they form a dual figure of contemporary motherhood :
one rooted in control and image, the other in consumption and reward both shaped, sustained, and intensified by digital infrastructures.
Photographer : @alaricfer
Art direction / Space Installation / gears : @cellulemere
Performers : @nymphorchidea
@kennymphe @digitsphere @stellabocle
Hair @an4lplug
Belly-Top for @stellabocle by @loadjro
Overstimmed iMoms (november 2025)
Part 1 Focus : Coupon Mom played by @stellabocle & Stroller Mom played @digitsphere
Performance for the first print launch of Edgeline Magazine, “Existential Crisis” @edgelinemag
Overstimmed iMoms (2025) explores the evolving figure of motherhood within digital globalization, where technology, consumerism, and identity collapse into one continuous stream.
At the center of this focus are two hyper-contemporary archetypes :
Stroller Mom embodies control, projection, and perfection. She is exemplary, disciplined, and obsessively precise. Every detail is curated from the stroller to the reborn baby she selects, one that mirrors her own image, her ideals, her narrative. Motherhood becomes a controlled simulation, a reflection loop where identity is stabilized through aesthetic and emotional mastery.
Coupon Mom, in contrast, operates within a softer but equally saturated system of control: consumption. Reclined yet fully connected, absorbed by her iPad, she navigates a world of discounts, promotional codes, and algorithmic rewards. Comfort is optimized through ergonomic design and endless scrolling. Her satisfaction is quantified loyalty points, flash deals, spinning discount wheels on platforms like Shein or Temu. She becomes the quiet sovereign of digital consumption, where care, pleasure, and value are mediated through savings.
Together, they form a dual figure of contemporary motherhood :
one rooted in control and image, the other in consumption and reward both shaped, sustained, and intensified by digital infrastructures.
Photographer : @alaricfer
Art direction / Space Installation / gears : @cellulemere
Performers : @nymphorchidea
@kennymphe @digitsphere @stellabocle
Hair @an4lplug
Belly-Top for @stellabocle by @loadjro
Overstimmed iMoms (november 2025)
Part 1 Focus : Coupon Mom played by @stellabocle & Stroller Mom played @digitsphere
Performance for the first print launch of Edgeline Magazine, “Existential Crisis” @edgelinemag
Overstimmed iMoms (2025) explores the evolving figure of motherhood within digital globalization, where technology, consumerism, and identity collapse into one continuous stream.
At the center of this focus are two hyper-contemporary archetypes :
Stroller Mom embodies control, projection, and perfection. She is exemplary, disciplined, and obsessively precise. Every detail is curated from the stroller to the reborn baby she selects, one that mirrors her own image, her ideals, her narrative. Motherhood becomes a controlled simulation, a reflection loop where identity is stabilized through aesthetic and emotional mastery.
Coupon Mom, in contrast, operates within a softer but equally saturated system of control: consumption. Reclined yet fully connected, absorbed by her iPad, she navigates a world of discounts, promotional codes, and algorithmic rewards. Comfort is optimized through ergonomic design and endless scrolling. Her satisfaction is quantified loyalty points, flash deals, spinning discount wheels on platforms like Shein or Temu. She becomes the quiet sovereign of digital consumption, where care, pleasure, and value are mediated through savings.
Together, they form a dual figure of contemporary motherhood :
one rooted in control and image, the other in consumption and reward both shaped, sustained, and intensified by digital infrastructures.
Photographer : @alaricfer
Art direction / Space Installation / gears : @cellulemere
Performers : @nymphorchidea
@kennymphe @digitsphere @stellabocle
Hair @an4lplug
Belly-Top for @stellabocle by @loadjro
Overstimmed iMoms (november 2025)
Part 1 Focus : Coupon Mom played by @stellabocle & Stroller Mom played @digitsphere
Performance for the first print launch of Edgeline Magazine, “Existential Crisis” @edgelinemag
Overstimmed iMoms (2025) explores the evolving figure of motherhood within digital globalization, where technology, consumerism, and identity collapse into one continuous stream.
At the center of this focus are two hyper-contemporary archetypes :
Stroller Mom embodies control, projection, and perfection. She is exemplary, disciplined, and obsessively precise. Every detail is curated from the stroller to the reborn baby she selects, one that mirrors her own image, her ideals, her narrative. Motherhood becomes a controlled simulation, a reflection loop where identity is stabilized through aesthetic and emotional mastery.
Coupon Mom, in contrast, operates within a softer but equally saturated system of control: consumption. Reclined yet fully connected, absorbed by her iPad, she navigates a world of discounts, promotional codes, and algorithmic rewards. Comfort is optimized through ergonomic design and endless scrolling. Her satisfaction is quantified loyalty points, flash deals, spinning discount wheels on platforms like Shein or Temu. She becomes the quiet sovereign of digital consumption, where care, pleasure, and value are mediated through savings.
Together, they form a dual figure of contemporary motherhood :
one rooted in control and image, the other in consumption and reward both shaped, sustained, and intensified by digital infrastructures.
Photographer : @alaricfer
Art direction / Space Installation / gears : @cellulemere
Performers : @nymphorchidea
@kennymphe @digitsphere @stellabocle
Hair @an4lplug
Belly-Top for @stellabocle by @loadjro
Overstimmed iMoms (november 2025)
Part 1 Focus : Coupon Mom played by @stellabocle & Stroller Mom played @digitsphere
Performance for the first print launch of Edgeline Magazine, “Existential Crisis” @edgelinemag
Overstimmed iMoms (2025) explores the evolving figure of motherhood within digital globalization, where technology, consumerism, and identity collapse into one continuous stream.
At the center of this focus are two hyper-contemporary archetypes :
Stroller Mom embodies control, projection, and perfection. She is exemplary, disciplined, and obsessively precise. Every detail is curated from the stroller to the reborn baby she selects, one that mirrors her own image, her ideals, her narrative. Motherhood becomes a controlled simulation, a reflection loop where identity is stabilized through aesthetic and emotional mastery.
Coupon Mom, in contrast, operates within a softer but equally saturated system of control: consumption. Reclined yet fully connected, absorbed by her iPad, she navigates a world of discounts, promotional codes, and algorithmic rewards. Comfort is optimized through ergonomic design and endless scrolling. Her satisfaction is quantified loyalty points, flash deals, spinning discount wheels on platforms like Shein or Temu. She becomes the quiet sovereign of digital consumption, where care, pleasure, and value are mediated through savings.
Together, they form a dual figure of contemporary motherhood :
one rooted in control and image, the other in consumption and reward both shaped, sustained, and intensified by digital infrastructures.
Photographer : @alaricfer
Art direction / Space Installation / gears : @cellulemere
Performers : @nymphorchidea
@kennymphe @digitsphere @stellabocle
Hair @an4lplug
Belly-Top for @stellabocle by @loadjro
Mini justicier 🙁❤️🩹
Self-sabotage
Styling session with @stellabocle
captured by @cclalr3
Mini justicier 🙁❤️🩹
Self-sabotage
Styling session with @stellabocle
captured by @cclalr3
Very first edition « Bloom » of Nymph Garden private party for @nymphorchidea 25th Birthday
Co-curated by Cell x @nymphorchidea
CGI & 3D animation invitation poster by me
(3D model of Nymph inspired by @marie.sauvage shibari on @nymphorchidea)
Buffet lineup :
Performance
@humanchuo X @nymphorchidea
Live music @cellulemere (full track set available in my SoundCloud)
Djset @alaricfer
@jean.llf
@kennymphe
Very first edition « Bloom » of Nymph Garden private party for @nymphorchidea 25th Birthday
Co-curated by Cell x @nymphorchidea
CGI & 3D animation invitation poster by me
(3D model of Nymph inspired by @marie.sauvage shibari on @nymphorchidea)
Buffet lineup :
Performance
@humanchuo X @nymphorchidea
Live music @cellulemere (full track set available in my SoundCloud)
Djset @alaricfer
@jean.llf
@kennymphe
Very first edition « Bloom » of Nymph Garden private party for @nymphorchidea 25th Birthday
Co-curated by Cell x @nymphorchidea
CGI & 3D animation invitation poster by me
(3D model of Nymph inspired by @marie.sauvage shibari on @nymphorchidea)
Buffet lineup :
Performance
@humanchuo X @nymphorchidea
Live music @cellulemere (full track set available in my SoundCloud)
Djset @alaricfer
@jean.llf
@kennymphe
Reinterpreting the Bekett sneaker through time capsules with @alaricfer and @naoslb as part of @Isabelmarant x @ifmparis collaboration.
AD: @demirramazanov @alaricfer @naoslb
Photography: @mario_simon_lafleur
Set Design: @cellulemere
Lighting: @yann_denis_
Post-production: @shahenthome
AI Animations: @demirramazanov
Sound: @alaricfer
Featuring @o______ooooo
Special thanks to
@ifmfashionimage @alicelitscher @stephanewargnier @christophe_renard
Reinterpreting the Bekett sneaker through time capsules with @alaricfer and @naoslb as part of @Isabelmarant x @ifmparis collaboration.
AD: @demirramazanov @alaricfer @naoslb
Photography: @mario_simon_lafleur
Set Design: @cellulemere
Lighting: @yann_denis_
Post-production: @shahenthome
AI Animations: @demirramazanov
Sound: @alaricfer
Featuring @o______ooooo
Special thanks to
@ifmfashionimage @alicelitscher @stephanewargnier @christophe_renard
Reinterpreting the Bekett sneaker through time capsules with @alaricfer and @naoslb as part of @Isabelmarant x @ifmparis collaboration.
AD: @demirramazanov @alaricfer @naoslb
Photography: @mario_simon_lafleur
Set Design: @cellulemere
Lighting: @yann_denis_
Post-production: @shahenthome
AI Animations: @demirramazanov
Sound: @alaricfer
Featuring @o______ooooo
Special thanks to
@ifmfashionimage @alicelitscher @stephanewargnier @christophe_renard
Some photo archives from the production process of the Z Generation@zg.paris fashion show’s set design.
Weeks of work went into creating a dozen rocks ranging from approximately 60 cm to 120 cm in diameter. 🪨
Thank you to @cclalr3 for helping me with this crazy project once again — my sidekick (🫶🏼).
Thanks again to @xirojin and @mohammad_pooreskandarian for trusting me with this project.
Big up to @yosramojtahedi for her amazing costume work for the harpist performance.
And thank you to everyone who supported me on the big day especially @david_sngl and @iris_vkc for taking down the set, and @stellabocle for her mental support.
And thank you to my beloved @nymphorchidea for putting up with the mess of a crazy raccoon who turns the living room into a workshop (as usual).
Working independently isn’t always easy, and delegating can sometimes be challenging.
Thank you for being there. It’s not always simple to handle everything alone, and it truly means a lot when people show up for me in difficult moments.
Laying 70m² of wet turf at 6am in -3°C weather isn’t as easy as you might think…
no, it’s not Minecraft! ><*🌿
Looking forward to new exciting projects 🧠🤍
Thank you.
Some photo archives from the production process of the Z Generation@zg.paris fashion show’s set design.
Weeks of work went into creating a dozen rocks ranging from approximately 60 cm to 120 cm in diameter. 🪨
Thank you to @cclalr3 for helping me with this crazy project once again — my sidekick (🫶🏼).
Thanks again to @xirojin and @mohammad_pooreskandarian for trusting me with this project.
Big up to @yosramojtahedi for her amazing costume work for the harpist performance.
And thank you to everyone who supported me on the big day especially @david_sngl and @iris_vkc for taking down the set, and @stellabocle for her mental support.
And thank you to my beloved @nymphorchidea for putting up with the mess of a crazy raccoon who turns the living room into a workshop (as usual).
Working independently isn’t always easy, and delegating can sometimes be challenging.
Thank you for being there. It’s not always simple to handle everything alone, and it truly means a lot when people show up for me in difficult moments.
Laying 70m² of wet turf at 6am in -3°C weather isn’t as easy as you might think…
no, it’s not Minecraft! ><*🌿
Looking forward to new exciting projects 🧠🤍
Thank you.
Some photo archives from the production process of the Z Generation@zg.paris fashion show’s set design.
Weeks of work went into creating a dozen rocks ranging from approximately 60 cm to 120 cm in diameter. 🪨
Thank you to @cclalr3 for helping me with this crazy project once again — my sidekick (🫶🏼).
Thanks again to @xirojin and @mohammad_pooreskandarian for trusting me with this project.
Big up to @yosramojtahedi for her amazing costume work for the harpist performance.
And thank you to everyone who supported me on the big day especially @david_sngl and @iris_vkc for taking down the set, and @stellabocle for her mental support.
And thank you to my beloved @nymphorchidea for putting up with the mess of a crazy raccoon who turns the living room into a workshop (as usual).
Working independently isn’t always easy, and delegating can sometimes be challenging.
Thank you for being there. It’s not always simple to handle everything alone, and it truly means a lot when people show up for me in difficult moments.
Laying 70m² of wet turf at 6am in -3°C weather isn’t as easy as you might think…
no, it’s not Minecraft! ><*🌿
Looking forward to new exciting projects 🧠🤍
Thank you.
Some photo archives from the production process of the Z Generation@zg.paris fashion show’s set design.
Weeks of work went into creating a dozen rocks ranging from approximately 60 cm to 120 cm in diameter. 🪨
Thank you to @cclalr3 for helping me with this crazy project once again — my sidekick (🫶🏼).
Thanks again to @xirojin and @mohammad_pooreskandarian for trusting me with this project.
Big up to @yosramojtahedi for her amazing costume work for the harpist performance.
And thank you to everyone who supported me on the big day especially @david_sngl and @iris_vkc for taking down the set, and @stellabocle for her mental support.
And thank you to my beloved @nymphorchidea for putting up with the mess of a crazy raccoon who turns the living room into a workshop (as usual).
Working independently isn’t always easy, and delegating can sometimes be challenging.
Thank you for being there. It’s not always simple to handle everything alone, and it truly means a lot when people show up for me in difficult moments.
Laying 70m² of wet turf at 6am in -3°C weather isn’t as easy as you might think…
no, it’s not Minecraft! ><*🌿
Looking forward to new exciting projects 🧠🤍
Thank you.
Some photo archives from the production process of the Z Generation@zg.paris fashion show’s set design.
Weeks of work went into creating a dozen rocks ranging from approximately 60 cm to 120 cm in diameter. 🪨
Thank you to @cclalr3 for helping me with this crazy project once again — my sidekick (🫶🏼).
Thanks again to @xirojin and @mohammad_pooreskandarian for trusting me with this project.
Big up to @yosramojtahedi for her amazing costume work for the harpist performance.
And thank you to everyone who supported me on the big day especially @david_sngl and @iris_vkc for taking down the set, and @stellabocle for her mental support.
And thank you to my beloved @nymphorchidea for putting up with the mess of a crazy raccoon who turns the living room into a workshop (as usual).
Working independently isn’t always easy, and delegating can sometimes be challenging.
Thank you for being there. It’s not always simple to handle everything alone, and it truly means a lot when people show up for me in difficult moments.
Laying 70m² of wet turf at 6am in -3°C weather isn’t as easy as you might think…
no, it’s not Minecraft! ><*🌿
Looking forward to new exciting projects 🧠🤍
Thank you.
Some photo archives from the production process of the Z Generation@zg.paris fashion show’s set design.
Weeks of work went into creating a dozen rocks ranging from approximately 60 cm to 120 cm in diameter. 🪨
Thank you to @cclalr3 for helping me with this crazy project once again — my sidekick (🫶🏼).
Thanks again to @xirojin and @mohammad_pooreskandarian for trusting me with this project.
Big up to @yosramojtahedi for her amazing costume work for the harpist performance.
And thank you to everyone who supported me on the big day especially @david_sngl and @iris_vkc for taking down the set, and @stellabocle for her mental support.
And thank you to my beloved @nymphorchidea for putting up with the mess of a crazy raccoon who turns the living room into a workshop (as usual).
Working independently isn’t always easy, and delegating can sometimes be challenging.
Thank you for being there. It’s not always simple to handle everything alone, and it truly means a lot when people show up for me in difficult moments.
Laying 70m² of wet turf at 6am in -3°C weather isn’t as easy as you might think…
no, it’s not Minecraft! ><*🌿
Looking forward to new exciting projects 🧠🤍
Thank you.
Some photo archives from the production process of the Z Generation@zg.paris fashion show’s set design.
Weeks of work went into creating a dozen rocks ranging from approximately 60 cm to 120 cm in diameter. 🪨
Thank you to @cclalr3 for helping me with this crazy project once again — my sidekick (🫶🏼).
Thanks again to @xirojin and @mohammad_pooreskandarian for trusting me with this project.
Big up to @yosramojtahedi for her amazing costume work for the harpist performance.
And thank you to everyone who supported me on the big day especially @david_sngl and @iris_vkc for taking down the set, and @stellabocle for her mental support.
And thank you to my beloved @nymphorchidea for putting up with the mess of a crazy raccoon who turns the living room into a workshop (as usual).
Working independently isn’t always easy, and delegating can sometimes be challenging.
Thank you for being there. It’s not always simple to handle everything alone, and it truly means a lot when people show up for me in difficult moments.
Laying 70m² of wet turf at 6am in -3°C weather isn’t as easy as you might think…
no, it’s not Minecraft! ><*🌿
Looking forward to new exciting projects 🧠🤍
Thank you.
Some photo archives from the production process of the Z Generation@zg.paris fashion show’s set design.
Weeks of work went into creating a dozen rocks ranging from approximately 60 cm to 120 cm in diameter. 🪨
Thank you to @cclalr3 for helping me with this crazy project once again — my sidekick (🫶🏼).
Thanks again to @xirojin and @mohammad_pooreskandarian for trusting me with this project.
Big up to @yosramojtahedi for her amazing costume work for the harpist performance.
And thank you to everyone who supported me on the big day especially @david_sngl and @iris_vkc for taking down the set, and @stellabocle for her mental support.
And thank you to my beloved @nymphorchidea for putting up with the mess of a crazy raccoon who turns the living room into a workshop (as usual).
Working independently isn’t always easy, and delegating can sometimes be challenging.
Thank you for being there. It’s not always simple to handle everything alone, and it truly means a lot when people show up for me in difficult moments.
Laying 70m² of wet turf at 6am in -3°C weather isn’t as easy as you might think…
no, it’s not Minecraft! ><*🌿
Looking forward to new exciting projects 🧠🤍
Thank you.
Some photo archives from the production process of the Z Generation@zg.paris fashion show’s set design.
Weeks of work went into creating a dozen rocks ranging from approximately 60 cm to 120 cm in diameter. 🪨
Thank you to @cclalr3 for helping me with this crazy project once again — my sidekick (🫶🏼).
Thanks again to @xirojin and @mohammad_pooreskandarian for trusting me with this project.
Big up to @yosramojtahedi for her amazing costume work for the harpist performance.
And thank you to everyone who supported me on the big day especially @david_sngl and @iris_vkc for taking down the set, and @stellabocle for her mental support.
And thank you to my beloved @nymphorchidea for putting up with the mess of a crazy raccoon who turns the living room into a workshop (as usual).
Working independently isn’t always easy, and delegating can sometimes be challenging.
Thank you for being there. It’s not always simple to handle everything alone, and it truly means a lot when people show up for me in difficult moments.
Laying 70m² of wet turf at 6am in -3°C weather isn’t as easy as you might think…
no, it’s not Minecraft! ><*🌿
Looking forward to new exciting projects 🧠🤍
Thank you.
Some photo archives from the production process of the Z Generation@zg.paris fashion show’s set design.
Weeks of work went into creating a dozen rocks ranging from approximately 60 cm to 120 cm in diameter. 🪨
Thank you to @cclalr3 for helping me with this crazy project once again — my sidekick (🫶🏼).
Thanks again to @xirojin and @mohammad_pooreskandarian for trusting me with this project.
Big up to @yosramojtahedi for her amazing costume work for the harpist performance.
And thank you to everyone who supported me on the big day especially @david_sngl and @iris_vkc for taking down the set, and @stellabocle for her mental support.
And thank you to my beloved @nymphorchidea for putting up with the mess of a crazy raccoon who turns the living room into a workshop (as usual).
Working independently isn’t always easy, and delegating can sometimes be challenging.
Thank you for being there. It’s not always simple to handle everything alone, and it truly means a lot when people show up for me in difficult moments.
Laying 70m² of wet turf at 6am in -3°C weather isn’t as easy as you might think…
no, it’s not Minecraft! ><*🌿
Looking forward to new exciting projects 🧠🤍
Thank you.
Some photo archives from the production process of the Z Generation@zg.paris fashion show’s set design.
Weeks of work went into creating a dozen rocks ranging from approximately 60 cm to 120 cm in diameter. 🪨
Thank you to @cclalr3 for helping me with this crazy project once again — my sidekick (🫶🏼).
Thanks again to @xirojin and @mohammad_pooreskandarian for trusting me with this project.
Big up to @yosramojtahedi for her amazing costume work for the harpist performance.
And thank you to everyone who supported me on the big day especially @david_sngl and @iris_vkc for taking down the set, and @stellabocle for her mental support.
And thank you to my beloved @nymphorchidea for putting up with the mess of a crazy raccoon who turns the living room into a workshop (as usual).
Working independently isn’t always easy, and delegating can sometimes be challenging.
Thank you for being there. It’s not always simple to handle everything alone, and it truly means a lot when people show up for me in difficult moments.
Laying 70m² of wet turf at 6am in -3°C weather isn’t as easy as you might think…
no, it’s not Minecraft! ><*🌿
Looking forward to new exciting projects 🧠🤍
Thank you.
Some photo archives from the production process of the Z Generation@zg.paris fashion show’s set design.
Weeks of work went into creating a dozen rocks ranging from approximately 60 cm to 120 cm in diameter. 🪨
Thank you to @cclalr3 for helping me with this crazy project once again — my sidekick (🫶🏼).
Thanks again to @xirojin and @mohammad_pooreskandarian for trusting me with this project.
Big up to @yosramojtahedi for her amazing costume work for the harpist performance.
And thank you to everyone who supported me on the big day especially @david_sngl and @iris_vkc for taking down the set, and @stellabocle for her mental support.
And thank you to my beloved @nymphorchidea for putting up with the mess of a crazy raccoon who turns the living room into a workshop (as usual).
Working independently isn’t always easy, and delegating can sometimes be challenging.
Thank you for being there. It’s not always simple to handle everything alone, and it truly means a lot when people show up for me in difficult moments.
Laying 70m² of wet turf at 6am in -3°C weather isn’t as easy as you might think…
no, it’s not Minecraft! ><*🌿
Looking forward to new exciting projects 🧠🤍
Thank you.
Some photo archives from the production process of the Z Generation@zg.paris fashion show’s set design.
Weeks of work went into creating a dozen rocks ranging from approximately 60 cm to 120 cm in diameter. 🪨
Thank you to @cclalr3 for helping me with this crazy project once again — my sidekick (🫶🏼).
Thanks again to @xirojin and @mohammad_pooreskandarian for trusting me with this project.
Big up to @yosramojtahedi for her amazing costume work for the harpist performance.
And thank you to everyone who supported me on the big day especially @david_sngl and @iris_vkc for taking down the set, and @stellabocle for her mental support.
And thank you to my beloved @nymphorchidea for putting up with the mess of a crazy raccoon who turns the living room into a workshop (as usual).
Working independently isn’t always easy, and delegating can sometimes be challenging.
Thank you for being there. It’s not always simple to handle everything alone, and it truly means a lot when people show up for me in difficult moments.
Laying 70m² of wet turf at 6am in -3°C weather isn’t as easy as you might think…
no, it’s not Minecraft! ><*🌿
Looking forward to new exciting projects 🧠🤍
Thank you.
Some photo archives from the production process of the Z Generation@zg.paris fashion show’s set design.
Weeks of work went into creating a dozen rocks ranging from approximately 60 cm to 120 cm in diameter. 🪨
Thank you to @cclalr3 for helping me with this crazy project once again — my sidekick (🫶🏼).
Thanks again to @xirojin and @mohammad_pooreskandarian for trusting me with this project.
Big up to @yosramojtahedi for her amazing costume work for the harpist performance.
And thank you to everyone who supported me on the big day especially @david_sngl and @iris_vkc for taking down the set, and @stellabocle for her mental support.
And thank you to my beloved @nymphorchidea for putting up with the mess of a crazy raccoon who turns the living room into a workshop (as usual).
Working independently isn’t always easy, and delegating can sometimes be challenging.
Thank you for being there. It’s not always simple to handle everything alone, and it truly means a lot when people show up for me in difficult moments.
Laying 70m² of wet turf at 6am in -3°C weather isn’t as easy as you might think…
no, it’s not Minecraft! ><*🌿
Looking forward to new exciting projects 🧠🤍
Thank you.
Some photo archives from the production process of the Z Generation@zg.paris fashion show’s set design.
Weeks of work went into creating a dozen rocks ranging from approximately 60 cm to 120 cm in diameter. 🪨
Thank you to @cclalr3 for helping me with this crazy project once again — my sidekick (🫶🏼).
Thanks again to @xirojin and @mohammad_pooreskandarian for trusting me with this project.
Big up to @yosramojtahedi for her amazing costume work for the harpist performance.
And thank you to everyone who supported me on the big day especially @david_sngl and @iris_vkc for taking down the set, and @stellabocle for her mental support.
And thank you to my beloved @nymphorchidea for putting up with the mess of a crazy raccoon who turns the living room into a workshop (as usual).
Working independently isn’t always easy, and delegating can sometimes be challenging.
Thank you for being there. It’s not always simple to handle everything alone, and it truly means a lot when people show up for me in difficult moments.
Laying 70m² of wet turf at 6am in -3°C weather isn’t as easy as you might think…
no, it’s not Minecraft! ><*🌿
Looking forward to new exciting projects 🧠🤍
Thank you.
Some photo archives from the production process of the Z Generation@zg.paris fashion show’s set design.
Weeks of work went into creating a dozen rocks ranging from approximately 60 cm to 120 cm in diameter. 🪨
Thank you to @cclalr3 for helping me with this crazy project once again — my sidekick (🫶🏼).
Thanks again to @xirojin and @mohammad_pooreskandarian for trusting me with this project.
Big up to @yosramojtahedi for her amazing costume work for the harpist performance.
And thank you to everyone who supported me on the big day especially @david_sngl and @iris_vkc for taking down the set, and @stellabocle for her mental support.
And thank you to my beloved @nymphorchidea for putting up with the mess of a crazy raccoon who turns the living room into a workshop (as usual).
Working independently isn’t always easy, and delegating can sometimes be challenging.
Thank you for being there. It’s not always simple to handle everything alone, and it truly means a lot when people show up for me in difficult moments.
Laying 70m² of wet turf at 6am in -3°C weather isn’t as easy as you might think…
no, it’s not Minecraft! ><*🌿
Looking forward to new exciting projects 🧠🤍
Thank you.
Some photo archives from the production process of the Z Generation@zg.paris fashion show’s set design.
Weeks of work went into creating a dozen rocks ranging from approximately 60 cm to 120 cm in diameter. 🪨
Thank you to @cclalr3 for helping me with this crazy project once again — my sidekick (🫶🏼).
Thanks again to @xirojin and @mohammad_pooreskandarian for trusting me with this project.
Big up to @yosramojtahedi for her amazing costume work for the harpist performance.
And thank you to everyone who supported me on the big day especially @david_sngl and @iris_vkc for taking down the set, and @stellabocle for her mental support.
And thank you to my beloved @nymphorchidea for putting up with the mess of a crazy raccoon who turns the living room into a workshop (as usual).
Working independently isn’t always easy, and delegating can sometimes be challenging.
Thank you for being there. It’s not always simple to handle everything alone, and it truly means a lot when people show up for me in difficult moments.
Laying 70m² of wet turf at 6am in -3°C weather isn’t as easy as you might think…
no, it’s not Minecraft! ><*🌿
Looking forward to new exciting projects 🧠🤍
Thank you.
Some photo archives from the production process of the Z Generation@zg.paris fashion show’s set design.
Weeks of work went into creating a dozen rocks ranging from approximately 60 cm to 120 cm in diameter. 🪨
Thank you to @cclalr3 for helping me with this crazy project once again — my sidekick (🫶🏼).
Thanks again to @xirojin and @mohammad_pooreskandarian for trusting me with this project.
Big up to @yosramojtahedi for her amazing costume work for the harpist performance.
And thank you to everyone who supported me on the big day especially @david_sngl and @iris_vkc for taking down the set, and @stellabocle for her mental support.
And thank you to my beloved @nymphorchidea for putting up with the mess of a crazy raccoon who turns the living room into a workshop (as usual).
Working independently isn’t always easy, and delegating can sometimes be challenging.
Thank you for being there. It’s not always simple to handle everything alone, and it truly means a lot when people show up for me in difficult moments.
Laying 70m² of wet turf at 6am in -3°C weather isn’t as easy as you might think…
no, it’s not Minecraft! ><*🌿
Looking forward to new exciting projects 🧠🤍
Thank you.
Some photo archives from the production process of the Z Generation@zg.paris fashion show’s set design.
Weeks of work went into creating a dozen rocks ranging from approximately 60 cm to 120 cm in diameter. 🪨
Thank you to @cclalr3 for helping me with this crazy project once again — my sidekick (🫶🏼).
Thanks again to @xirojin and @mohammad_pooreskandarian for trusting me with this project.
Big up to @yosramojtahedi for her amazing costume work for the harpist performance.
And thank you to everyone who supported me on the big day especially @david_sngl and @iris_vkc for taking down the set, and @stellabocle for her mental support.
And thank you to my beloved @nymphorchidea for putting up with the mess of a crazy raccoon who turns the living room into a workshop (as usual).
Working independently isn’t always easy, and delegating can sometimes be challenging.
Thank you for being there. It’s not always simple to handle everything alone, and it truly means a lot when people show up for me in difficult moments.
Laying 70m² of wet turf at 6am in -3°C weather isn’t as easy as you might think…
no, it’s not Minecraft! ><*🌿
Looking forward to new exciting projects 🧠🤍
Thank you.
Some photo archives from the production process of the Z Generation@zg.paris fashion show’s set design.
Weeks of work went into creating a dozen rocks ranging from approximately 60 cm to 120 cm in diameter. 🪨
Thank you to @cclalr3 for helping me with this crazy project once again — my sidekick (🫶🏼).
Thanks again to @xirojin and @mohammad_pooreskandarian for trusting me with this project.
Big up to @yosramojtahedi for her amazing costume work for the harpist performance.
And thank you to everyone who supported me on the big day especially @david_sngl and @iris_vkc for taking down the set, and @stellabocle for her mental support.
And thank you to my beloved @nymphorchidea for putting up with the mess of a crazy raccoon who turns the living room into a workshop (as usual).
Working independently isn’t always easy, and delegating can sometimes be challenging.
Thank you for being there. It’s not always simple to handle everything alone, and it truly means a lot when people show up for me in difficult moments.
Laying 70m² of wet turf at 6am in -3°C weather isn’t as easy as you might think…
no, it’s not Minecraft! ><*🌿
Looking forward to new exciting projects 🧠🤍
Thank you.
New mixtape 🐾🌊🌳🫧🌞
The last mixtape before the end of the year to warm hearts already filled with nostalgia.
To be listened to with tears of hope and ambition
Love you all 🫶🏼
soundcloud : cellulemere000ooo
High on the Beach
Foam curls around my ankles,
salt settling under my feet like a quiet spell.
The shore breathes against me,
light dissolving thought
into a slow, shimmering haze.
Merry-go-round
Everything turns in tender distortion
a carnival of feelings,
sweet until it fractures,
bright until it blurs.
Lurker
In the dim, a patient shadow:
a version of me I forgot to carry,
waiting in the corners of the mind.
Online Friend
A pulse made of pixels,
almost warm in its artificial glow.
Connection flickers
a constellation built from static
and soft insomnia.
Online Friend
A face made of light,
warm in its artificial heartbeat.
Intimacy hums through the static,
a constellation stitched from distance.
Count the Sheep
Numbers drift like pale animals,
soft steps crossing the border
between waking and dream.
Pure Needle
Then comes the clean incision of silence
reality narrowing,
gravity letting go.
The body floating like a tranquil pony
walking into anesthetic light,
dissolving in perfect, peaceful drift.
Nap under the Apple Tree
And then the garden:
cool wind brushing the skin,
a book half-open in the shade,
pages breathing with the leaves.
Knowledge and innocence resting
under the same ancient tree.
New mixtape 🐾🌊🌳🫧🌞
The last mixtape before the end of the year to warm hearts already filled with nostalgia.
To be listened to with tears of hope and ambition
Love you all 🫶🏼
soundcloud : cellulemere000ooo
High on the Beach
Foam curls around my ankles,
salt settling under my feet like a quiet spell.
The shore breathes against me,
light dissolving thought
into a slow, shimmering haze.
Merry-go-round
Everything turns in tender distortion
a carnival of feelings,
sweet until it fractures,
bright until it blurs.
Lurker
In the dim, a patient shadow:
a version of me I forgot to carry,
waiting in the corners of the mind.
Online Friend
A pulse made of pixels,
almost warm in its artificial glow.
Connection flickers
a constellation built from static
and soft insomnia.
Online Friend
A face made of light,
warm in its artificial heartbeat.
Intimacy hums through the static,
a constellation stitched from distance.
Count the Sheep
Numbers drift like pale animals,
soft steps crossing the border
between waking and dream.
Pure Needle
Then comes the clean incision of silence
reality narrowing,
gravity letting go.
The body floating like a tranquil pony
walking into anesthetic light,
dissolving in perfect, peaceful drift.
Nap under the Apple Tree
And then the garden:
cool wind brushing the skin,
a book half-open in the shade,
pages breathing with the leaves.
Knowledge and innocence resting
under the same ancient tree.
New mixtape 🐾🌊🌳🫧🌞
The last mixtape before the end of the year to warm hearts already filled with nostalgia.
To be listened to with tears of hope and ambition
Love you all 🫶🏼
soundcloud : cellulemere000ooo
High on the Beach
Foam curls around my ankles,
salt settling under my feet like a quiet spell.
The shore breathes against me,
light dissolving thought
into a slow, shimmering haze.
Merry-go-round
Everything turns in tender distortion
a carnival of feelings,
sweet until it fractures,
bright until it blurs.
Lurker
In the dim, a patient shadow:
a version of me I forgot to carry,
waiting in the corners of the mind.
Online Friend
A pulse made of pixels,
almost warm in its artificial glow.
Connection flickers
a constellation built from static
and soft insomnia.
Online Friend
A face made of light,
warm in its artificial heartbeat.
Intimacy hums through the static,
a constellation stitched from distance.
Count the Sheep
Numbers drift like pale animals,
soft steps crossing the border
between waking and dream.
Pure Needle
Then comes the clean incision of silence
reality narrowing,
gravity letting go.
The body floating like a tranquil pony
walking into anesthetic light,
dissolving in perfect, peaceful drift.
Nap under the Apple Tree
And then the garden:
cool wind brushing the skin,
a book half-open in the shade,
pages breathing with the leaves.
Knowledge and innocence resting
under the same ancient tree.
New mixtape 🐾🌊🌳🫧🌞
The last mixtape before the end of the year to warm hearts already filled with nostalgia.
To be listened to with tears of hope and ambition
Love you all 🫶🏼
soundcloud : cellulemere000ooo
High on the Beach
Foam curls around my ankles,
salt settling under my feet like a quiet spell.
The shore breathes against me,
light dissolving thought
into a slow, shimmering haze.
Merry-go-round
Everything turns in tender distortion
a carnival of feelings,
sweet until it fractures,
bright until it blurs.
Lurker
In the dim, a patient shadow:
a version of me I forgot to carry,
waiting in the corners of the mind.
Online Friend
A pulse made of pixels,
almost warm in its artificial glow.
Connection flickers
a constellation built from static
and soft insomnia.
Online Friend
A face made of light,
warm in its artificial heartbeat.
Intimacy hums through the static,
a constellation stitched from distance.
Count the Sheep
Numbers drift like pale animals,
soft steps crossing the border
between waking and dream.
Pure Needle
Then comes the clean incision of silence
reality narrowing,
gravity letting go.
The body floating like a tranquil pony
walking into anesthetic light,
dissolving in perfect, peaceful drift.
Nap under the Apple Tree
And then the garden:
cool wind brushing the skin,
a book half-open in the shade,
pages breathing with the leaves.
Knowledge and innocence resting
under the same ancient tree.
New mixtape 🐾🌊🌳🫧🌞
The last mixtape before the end of the year to warm hearts already filled with nostalgia.
To be listened to with tears of hope and ambition
Love you all 🫶🏼
soundcloud : cellulemere000ooo
High on the Beach
Foam curls around my ankles,
salt settling under my feet like a quiet spell.
The shore breathes against me,
light dissolving thought
into a slow, shimmering haze.
Merry-go-round
Everything turns in tender distortion
a carnival of feelings,
sweet until it fractures,
bright until it blurs.
Lurker
In the dim, a patient shadow:
a version of me I forgot to carry,
waiting in the corners of the mind.
Online Friend
A pulse made of pixels,
almost warm in its artificial glow.
Connection flickers
a constellation built from static
and soft insomnia.
Online Friend
A face made of light,
warm in its artificial heartbeat.
Intimacy hums through the static,
a constellation stitched from distance.
Count the Sheep
Numbers drift like pale animals,
soft steps crossing the border
between waking and dream.
Pure Needle
Then comes the clean incision of silence
reality narrowing,
gravity letting go.
The body floating like a tranquil pony
walking into anesthetic light,
dissolving in perfect, peaceful drift.
Nap under the Apple Tree
And then the garden:
cool wind brushing the skin,
a book half-open in the shade,
pages breathing with the leaves.
Knowledge and innocence resting
under the same ancient tree.
New mixtape 🐾🌊🌳🫧🌞
The last mixtape before the end of the year to warm hearts already filled with nostalgia.
To be listened to with tears of hope and ambition
Love you all 🫶🏼
soundcloud : cellulemere000ooo
High on the Beach
Foam curls around my ankles,
salt settling under my feet like a quiet spell.
The shore breathes against me,
light dissolving thought
into a slow, shimmering haze.
Merry-go-round
Everything turns in tender distortion
a carnival of feelings,
sweet until it fractures,
bright until it blurs.
Lurker
In the dim, a patient shadow:
a version of me I forgot to carry,
waiting in the corners of the mind.
Online Friend
A pulse made of pixels,
almost warm in its artificial glow.
Connection flickers
a constellation built from static
and soft insomnia.
Online Friend
A face made of light,
warm in its artificial heartbeat.
Intimacy hums through the static,
a constellation stitched from distance.
Count the Sheep
Numbers drift like pale animals,
soft steps crossing the border
between waking and dream.
Pure Needle
Then comes the clean incision of silence
reality narrowing,
gravity letting go.
The body floating like a tranquil pony
walking into anesthetic light,
dissolving in perfect, peaceful drift.
Nap under the Apple Tree
And then the garden:
cool wind brushing the skin,
a book half-open in the shade,
pages breathing with the leaves.
Knowledge and innocence resting
under the same ancient tree.
New mixtape 🐾🌊🌳🫧🌞
The last mixtape before the end of the year to warm hearts already filled with nostalgia.
To be listened to with tears of hope and ambition
Love you all 🫶🏼
soundcloud : cellulemere000ooo
High on the Beach
Foam curls around my ankles,
salt settling under my feet like a quiet spell.
The shore breathes against me,
light dissolving thought
into a slow, shimmering haze.
Merry-go-round
Everything turns in tender distortion
a carnival of feelings,
sweet until it fractures,
bright until it blurs.
Lurker
In the dim, a patient shadow:
a version of me I forgot to carry,
waiting in the corners of the mind.
Online Friend
A pulse made of pixels,
almost warm in its artificial glow.
Connection flickers
a constellation built from static
and soft insomnia.
Online Friend
A face made of light,
warm in its artificial heartbeat.
Intimacy hums through the static,
a constellation stitched from distance.
Count the Sheep
Numbers drift like pale animals,
soft steps crossing the border
between waking and dream.
Pure Needle
Then comes the clean incision of silence
reality narrowing,
gravity letting go.
The body floating like a tranquil pony
walking into anesthetic light,
dissolving in perfect, peaceful drift.
Nap under the Apple Tree
And then the garden:
cool wind brushing the skin,
a book half-open in the shade,
pages breathing with the leaves.
Knowledge and innocence resting
under the same ancient tree.
New mixtape 🐾🌊🌳🫧🌞
The last mixtape before the end of the year to warm hearts already filled with nostalgia.
To be listened to with tears of hope and ambition
Love you all 🫶🏼
soundcloud : cellulemere000ooo
High on the Beach
Foam curls around my ankles,
salt settling under my feet like a quiet spell.
The shore breathes against me,
light dissolving thought
into a slow, shimmering haze.
Merry-go-round
Everything turns in tender distortion
a carnival of feelings,
sweet until it fractures,
bright until it blurs.
Lurker
In the dim, a patient shadow:
a version of me I forgot to carry,
waiting in the corners of the mind.
Online Friend
A pulse made of pixels,
almost warm in its artificial glow.
Connection flickers
a constellation built from static
and soft insomnia.
Online Friend
A face made of light,
warm in its artificial heartbeat.
Intimacy hums through the static,
a constellation stitched from distance.
Count the Sheep
Numbers drift like pale animals,
soft steps crossing the border
between waking and dream.
Pure Needle
Then comes the clean incision of silence
reality narrowing,
gravity letting go.
The body floating like a tranquil pony
walking into anesthetic light,
dissolving in perfect, peaceful drift.
Nap under the Apple Tree
And then the garden:
cool wind brushing the skin,
a book half-open in the shade,
pages breathing with the leaves.
Knowledge and innocence resting
under the same ancient tree.
New mixtape 🐾🌊🌳🫧🌞
The last mixtape before the end of the year to warm hearts already filled with nostalgia.
To be listened to with tears of hope and ambition
Love you all 🫶🏼
soundcloud : cellulemere000ooo
High on the Beach
Foam curls around my ankles,
salt settling under my feet like a quiet spell.
The shore breathes against me,
light dissolving thought
into a slow, shimmering haze.
Merry-go-round
Everything turns in tender distortion
a carnival of feelings,
sweet until it fractures,
bright until it blurs.
Lurker
In the dim, a patient shadow:
a version of me I forgot to carry,
waiting in the corners of the mind.
Online Friend
A pulse made of pixels,
almost warm in its artificial glow.
Connection flickers
a constellation built from static
and soft insomnia.
Online Friend
A face made of light,
warm in its artificial heartbeat.
Intimacy hums through the static,
a constellation stitched from distance.
Count the Sheep
Numbers drift like pale animals,
soft steps crossing the border
between waking and dream.
Pure Needle
Then comes the clean incision of silence
reality narrowing,
gravity letting go.
The body floating like a tranquil pony
walking into anesthetic light,
dissolving in perfect, peaceful drift.
Nap under the Apple Tree
And then the garden:
cool wind brushing the skin,
a book half-open in the shade,
pages breathing with the leaves.
Knowledge and innocence resting
under the same ancient tree.
New mixtape 🐾🌊🌳🫧🌞
The last mixtape before the end of the year to warm hearts already filled with nostalgia.
To be listened to with tears of hope and ambition
Love you all 🫶🏼
soundcloud : cellulemere000ooo
High on the Beach
Foam curls around my ankles,
salt settling under my feet like a quiet spell.
The shore breathes against me,
light dissolving thought
into a slow, shimmering haze.
Merry-go-round
Everything turns in tender distortion
a carnival of feelings,
sweet until it fractures,
bright until it blurs.
Lurker
In the dim, a patient shadow:
a version of me I forgot to carry,
waiting in the corners of the mind.
Online Friend
A pulse made of pixels,
almost warm in its artificial glow.
Connection flickers
a constellation built from static
and soft insomnia.
Online Friend
A face made of light,
warm in its artificial heartbeat.
Intimacy hums through the static,
a constellation stitched from distance.
Count the Sheep
Numbers drift like pale animals,
soft steps crossing the border
between waking and dream.
Pure Needle
Then comes the clean incision of silence
reality narrowing,
gravity letting go.
The body floating like a tranquil pony
walking into anesthetic light,
dissolving in perfect, peaceful drift.
Nap under the Apple Tree
And then the garden:
cool wind brushing the skin,
a book half-open in the shade,
pages breathing with the leaves.
Knowledge and innocence resting
under the same ancient tree.
New mixtape 🐾🌊🌳🫧🌞
The last mixtape before the end of the year to warm hearts already filled with nostalgia.
To be listened to with tears of hope and ambition
Love you all 🫶🏼
soundcloud : cellulemere000ooo
High on the Beach
Foam curls around my ankles,
salt settling under my feet like a quiet spell.
The shore breathes against me,
light dissolving thought
into a slow, shimmering haze.
Merry-go-round
Everything turns in tender distortion
a carnival of feelings,
sweet until it fractures,
bright until it blurs.
Lurker
In the dim, a patient shadow:
a version of me I forgot to carry,
waiting in the corners of the mind.
Online Friend
A pulse made of pixels,
almost warm in its artificial glow.
Connection flickers
a constellation built from static
and soft insomnia.
Online Friend
A face made of light,
warm in its artificial heartbeat.
Intimacy hums through the static,
a constellation stitched from distance.
Count the Sheep
Numbers drift like pale animals,
soft steps crossing the border
between waking and dream.
Pure Needle
Then comes the clean incision of silence
reality narrowing,
gravity letting go.
The body floating like a tranquil pony
walking into anesthetic light,
dissolving in perfect, peaceful drift.
Nap under the Apple Tree
And then the garden:
cool wind brushing the skin,
a book half-open in the shade,
pages breathing with the leaves.
Knowledge and innocence resting
under the same ancient tree.
New mixtape 🐾🌊🌳🫧🌞
The last mixtape before the end of the year to warm hearts already filled with nostalgia.
To be listened to with tears of hope and ambition
Love you all 🫶🏼
soundcloud : cellulemere000ooo
High on the Beach
Foam curls around my ankles,
salt settling under my feet like a quiet spell.
The shore breathes against me,
light dissolving thought
into a slow, shimmering haze.
Merry-go-round
Everything turns in tender distortion
a carnival of feelings,
sweet until it fractures,
bright until it blurs.
Lurker
In the dim, a patient shadow:
a version of me I forgot to carry,
waiting in the corners of the mind.
Online Friend
A pulse made of pixels,
almost warm in its artificial glow.
Connection flickers
a constellation built from static
and soft insomnia.
Online Friend
A face made of light,
warm in its artificial heartbeat.
Intimacy hums through the static,
a constellation stitched from distance.
Count the Sheep
Numbers drift like pale animals,
soft steps crossing the border
between waking and dream.
Pure Needle
Then comes the clean incision of silence
reality narrowing,
gravity letting go.
The body floating like a tranquil pony
walking into anesthetic light,
dissolving in perfect, peaceful drift.
Nap under the Apple Tree
And then the garden:
cool wind brushing the skin,
a book half-open in the shade,
pages breathing with the leaves.
Knowledge and innocence resting
under the same ancient tree.
New mixtape 🐾🌊🌳🫧🌞
The last mixtape before the end of the year to warm hearts already filled with nostalgia.
To be listened to with tears of hope and ambition
Love you all 🫶🏼
soundcloud : cellulemere000ooo
High on the Beach
Foam curls around my ankles,
salt settling under my feet like a quiet spell.
The shore breathes against me,
light dissolving thought
into a slow, shimmering haze.
Merry-go-round
Everything turns in tender distortion
a carnival of feelings,
sweet until it fractures,
bright until it blurs.
Lurker
In the dim, a patient shadow:
a version of me I forgot to carry,
waiting in the corners of the mind.
Online Friend
A pulse made of pixels,
almost warm in its artificial glow.
Connection flickers
a constellation built from static
and soft insomnia.
Online Friend
A face made of light,
warm in its artificial heartbeat.
Intimacy hums through the static,
a constellation stitched from distance.
Count the Sheep
Numbers drift like pale animals,
soft steps crossing the border
between waking and dream.
Pure Needle
Then comes the clean incision of silence
reality narrowing,
gravity letting go.
The body floating like a tranquil pony
walking into anesthetic light,
dissolving in perfect, peaceful drift.
Nap under the Apple Tree
And then the garden:
cool wind brushing the skin,
a book half-open in the shade,
pages breathing with the leaves.
Knowledge and innocence resting
under the same ancient tree.
New mixtape 🐾🌊🌳🫧🌞
The last mixtape before the end of the year to warm hearts already filled with nostalgia.
To be listened to with tears of hope and ambition
Love you all 🫶🏼
soundcloud : cellulemere000ooo
High on the Beach
Foam curls around my ankles,
salt settling under my feet like a quiet spell.
The shore breathes against me,
light dissolving thought
into a slow, shimmering haze.
Merry-go-round
Everything turns in tender distortion
a carnival of feelings,
sweet until it fractures,
bright until it blurs.
Lurker
In the dim, a patient shadow:
a version of me I forgot to carry,
waiting in the corners of the mind.
Online Friend
A pulse made of pixels,
almost warm in its artificial glow.
Connection flickers
a constellation built from static
and soft insomnia.
Online Friend
A face made of light,
warm in its artificial heartbeat.
Intimacy hums through the static,
a constellation stitched from distance.
Count the Sheep
Numbers drift like pale animals,
soft steps crossing the border
between waking and dream.
Pure Needle
Then comes the clean incision of silence
reality narrowing,
gravity letting go.
The body floating like a tranquil pony
walking into anesthetic light,
dissolving in perfect, peaceful drift.
Nap under the Apple Tree
And then the garden:
cool wind brushing the skin,
a book half-open in the shade,
pages breathing with the leaves.
Knowledge and innocence resting
under the same ancient tree.
New mixtape 🐾🌊🌳🫧🌞
The last mixtape before the end of the year to warm hearts already filled with nostalgia.
To be listened to with tears of hope and ambition
Love you all 🫶🏼
soundcloud : cellulemere000ooo
High on the Beach
Foam curls around my ankles,
salt settling under my feet like a quiet spell.
The shore breathes against me,
light dissolving thought
into a slow, shimmering haze.
Merry-go-round
Everything turns in tender distortion
a carnival of feelings,
sweet until it fractures,
bright until it blurs.
Lurker
In the dim, a patient shadow:
a version of me I forgot to carry,
waiting in the corners of the mind.
Online Friend
A pulse made of pixels,
almost warm in its artificial glow.
Connection flickers
a constellation built from static
and soft insomnia.
Online Friend
A face made of light,
warm in its artificial heartbeat.
Intimacy hums through the static,
a constellation stitched from distance.
Count the Sheep
Numbers drift like pale animals,
soft steps crossing the border
between waking and dream.
Pure Needle
Then comes the clean incision of silence
reality narrowing,
gravity letting go.
The body floating like a tranquil pony
walking into anesthetic light,
dissolving in perfect, peaceful drift.
Nap under the Apple Tree
And then the garden:
cool wind brushing the skin,
a book half-open in the shade,
pages breathing with the leaves.
Knowledge and innocence resting
under the same ancient tree.
New mixtape 🐾🌊🌳🫧🌞
The last mixtape before the end of the year to warm hearts already filled with nostalgia.
To be listened to with tears of hope and ambition
Love you all 🫶🏼
soundcloud : cellulemere000ooo
High on the Beach
Foam curls around my ankles,
salt settling under my feet like a quiet spell.
The shore breathes against me,
light dissolving thought
into a slow, shimmering haze.
Merry-go-round
Everything turns in tender distortion
a carnival of feelings,
sweet until it fractures,
bright until it blurs.
Lurker
In the dim, a patient shadow:
a version of me I forgot to carry,
waiting in the corners of the mind.
Online Friend
A pulse made of pixels,
almost warm in its artificial glow.
Connection flickers
a constellation built from static
and soft insomnia.
Online Friend
A face made of light,
warm in its artificial heartbeat.
Intimacy hums through the static,
a constellation stitched from distance.
Count the Sheep
Numbers drift like pale animals,
soft steps crossing the border
between waking and dream.
Pure Needle
Then comes the clean incision of silence
reality narrowing,
gravity letting go.
The body floating like a tranquil pony
walking into anesthetic light,
dissolving in perfect, peaceful drift.
Nap under the Apple Tree
And then the garden:
cool wind brushing the skin,
a book half-open in the shade,
pages breathing with the leaves.
Knowledge and innocence resting
under the same ancient tree.
New mixtape 🐾🌊🌳🫧🌞
The last mixtape before the end of the year to warm hearts already filled with nostalgia.
To be listened to with tears of hope and ambition
Love you all 🫶🏼
soundcloud : cellulemere000ooo
High on the Beach
Foam curls around my ankles,
salt settling under my feet like a quiet spell.
The shore breathes against me,
light dissolving thought
into a slow, shimmering haze.
Merry-go-round
Everything turns in tender distortion
a carnival of feelings,
sweet until it fractures,
bright until it blurs.
Lurker
In the dim, a patient shadow:
a version of me I forgot to carry,
waiting in the corners of the mind.
Online Friend
A pulse made of pixels,
almost warm in its artificial glow.
Connection flickers
a constellation built from static
and soft insomnia.
Online Friend
A face made of light,
warm in its artificial heartbeat.
Intimacy hums through the static,
a constellation stitched from distance.
Count the Sheep
Numbers drift like pale animals,
soft steps crossing the border
between waking and dream.
Pure Needle
Then comes the clean incision of silence
reality narrowing,
gravity letting go.
The body floating like a tranquil pony
walking into anesthetic light,
dissolving in perfect, peaceful drift.
Nap under the Apple Tree
And then the garden:
cool wind brushing the skin,
a book half-open in the shade,
pages breathing with the leaves.
Knowledge and innocence resting
under the same ancient tree.
New mix for TAPETUM LUCIDUM curated by KTAR6 on @ola_radio thank you for your invitation 🐾
(Link in bio for soundcloud record)
To listen to under the duvet with your headphones at 11 p.m (Paris Time) on olaradio.fr when you should be going to bed, Gooner !
“Sleep Sheep, Goon Deep” tells the story of a tormented adolescence.
Lying in his teenage bed, he thinks about his life and the uncertainty of what comes next.
The set unfolds as an emotional descent: pleasure, then fear, doubt, regret, and eventually nightmares. It traces the traumas, neuroses, and phantasmagorias of a youth trying to understand who he is.
It becomes a kind of perpetual cruising, wandering in search of the “right” path, the one that feels true even though it doesn’t really exist.
To express this inner journey, the set draws on web culture and online aesthetics: nostalgic YouTube and TikTok sounds, commercials, interview fragments, memes, AI-generated voices, and sharp shifts between digital environments.
Gooning, here, is an emotional fixation : drifting into a raw, hypnotic mental space.
And cruising means aimless drifting : the mind wandering and digging deep into its own thoughts and traumas.
I’m fascinated by these abrupt transitions, glitches, thresholds, and interstices where everything mutates rapidly in a wild, brutal way.
Something unpredictable, surprising and that’s exactly the kind of emotional terrain I try to capture in my set.
New mix for TAPETUM LUCIDUM curated by KTAR6 on @ola_radio thank you for your invitation 🐾
(Link in bio for soundcloud record)
To listen to under the duvet with your headphones at 11 p.m (Paris Time) on olaradio.fr when you should be going to bed, Gooner !
“Sleep Sheep, Goon Deep” tells the story of a tormented adolescence.
Lying in his teenage bed, he thinks about his life and the uncertainty of what comes next.
The set unfolds as an emotional descent: pleasure, then fear, doubt, regret, and eventually nightmares. It traces the traumas, neuroses, and phantasmagorias of a youth trying to understand who he is.
It becomes a kind of perpetual cruising, wandering in search of the “right” path, the one that feels true even though it doesn’t really exist.
To express this inner journey, the set draws on web culture and online aesthetics: nostalgic YouTube and TikTok sounds, commercials, interview fragments, memes, AI-generated voices, and sharp shifts between digital environments.
Gooning, here, is an emotional fixation : drifting into a raw, hypnotic mental space.
And cruising means aimless drifting : the mind wandering and digging deep into its own thoughts and traumas.
I’m fascinated by these abrupt transitions, glitches, thresholds, and interstices where everything mutates rapidly in a wild, brutal way.
Something unpredictable, surprising and that’s exactly the kind of emotional terrain I try to capture in my set.
New mix for TAPETUM LUCIDUM curated by KTAR6 on @ola_radio thank you for your invitation 🐾
(Link in bio for soundcloud record)
To listen to under the duvet with your headphones at 11 p.m (Paris Time) on olaradio.fr when you should be going to bed, Gooner !
“Sleep Sheep, Goon Deep” tells the story of a tormented adolescence.
Lying in his teenage bed, he thinks about his life and the uncertainty of what comes next.
The set unfolds as an emotional descent: pleasure, then fear, doubt, regret, and eventually nightmares. It traces the traumas, neuroses, and phantasmagorias of a youth trying to understand who he is.
It becomes a kind of perpetual cruising, wandering in search of the “right” path, the one that feels true even though it doesn’t really exist.
To express this inner journey, the set draws on web culture and online aesthetics: nostalgic YouTube and TikTok sounds, commercials, interview fragments, memes, AI-generated voices, and sharp shifts between digital environments.
Gooning, here, is an emotional fixation : drifting into a raw, hypnotic mental space.
And cruising means aimless drifting : the mind wandering and digging deep into its own thoughts and traumas.
I’m fascinated by these abrupt transitions, glitches, thresholds, and interstices where everything mutates rapidly in a wild, brutal way.
Something unpredictable, surprising and that’s exactly the kind of emotional terrain I try to capture in my set.
New mix for TAPETUM LUCIDUM curated by KTAR6 on @ola_radio thank you for your invitation 🐾
(Link in bio for soundcloud record)
To listen to under the duvet with your headphones at 11 p.m (Paris Time) on olaradio.fr when you should be going to bed, Gooner !
“Sleep Sheep, Goon Deep” tells the story of a tormented adolescence.
Lying in his teenage bed, he thinks about his life and the uncertainty of what comes next.
The set unfolds as an emotional descent: pleasure, then fear, doubt, regret, and eventually nightmares. It traces the traumas, neuroses, and phantasmagorias of a youth trying to understand who he is.
It becomes a kind of perpetual cruising, wandering in search of the “right” path, the one that feels true even though it doesn’t really exist.
To express this inner journey, the set draws on web culture and online aesthetics: nostalgic YouTube and TikTok sounds, commercials, interview fragments, memes, AI-generated voices, and sharp shifts between digital environments.
Gooning, here, is an emotional fixation : drifting into a raw, hypnotic mental space.
And cruising means aimless drifting : the mind wandering and digging deep into its own thoughts and traumas.
I’m fascinated by these abrupt transitions, glitches, thresholds, and interstices where everything mutates rapidly in a wild, brutal way.
Something unpredictable, surprising and that’s exactly the kind of emotional terrain I try to capture in my set.
iMom, 愛(ai)Baby (2025)
short movie part 1
Invited by @magazineantidote / @antidoteparty__
02.10 — Movida Club Paris during FW
iMom, 愛(ai)Baby explores maternal love in its most absolute form — a love so intense it erases the boundary between mother and child.
The child becomes an image, a projection, a cellular and technological extension of the mother.
The title plays on the ambiguity between 「愛」 (ai) — love — and A.I., artificial intelligence:
“I, mother, love my child.” / “A mother loving an artificial intelligence.”
“The mother no longer awaits a child, but a package;
every notification becomes an ultrasound,
every delivery a birth.
The womb merges with the shopping cart.”
The performance is conceived as an autonomous scene : a continuous, self-contained action.
I imagine my performances as “scenes of life,” sometimes “domestic scenes,” re-enacting specific emotions and situations imposed upon the viewer.
They are constructed emotional spaces where dramaturgy and spatiality are as essential as gesture.
Since childhood, I’ve been fascinated by electronic household objects : functional, beautiful, and strangely intimate.
I like to subvert them, to give them new meaning, to let them speak about the world we live in.
Their obsolescence, driven by over-performance and endless updates — makes them symbols of our relationship to progress and dependency.
The idea of comfort is central to my work :
Today, comfort has become a standard imposed by technology. Our bodies and minds conform to devices and interfaces without even noticing. From home appliances to smartphones, these systems shape how we live, think, and feel.
This tension between comfort and dependence, technology and flesh is what I seek to make visible, almost tangible, through performance.
Performers : @nymphorchidea (Anna R) & @digitsphere (Julia)
Film by : @alaricfer
Sounds/Text:Cellulemere000ooo & Nymphorchidea voices « iMom ai愛baby » & « Per-𝑓ormare » Text remix track with Distanced and Hollow by Waynette
Hairstylist : @nomorecocorse
Assistant : @stellabocle
#art #performance #ai #paris
iMom, 愛(ai)Baby (2025)
Invited by @magazineantidote / @antidoteparty__
02.10
Focus shots
Creative direction play & installation by me
Based on the subject of my master thesis (Contra) Per-𝑓ormare at Olivier de serres in digital environnement design (2024-2025)
Performers : @nymphorchidea & @digitsphere
Hair by : @nomorecocorse
Assistants : @alaricfer & @stellabocle
iMom, 愛(ai)Baby explores maternal love in its most absolute form — a love so intense it erases the boundary between mother and child.
The child becomes an image, a projection, a cellular and technological extension of the mother.
The title plays on the ambiguity between 「愛」 (ai) — love — and A.I., artificial intelligence:
“I, mother, love my child.” / “A mother loving an artificial intelligence.”
A tender yet critical vision of contemporary motherhood — hyperconnected, digital, and mediated through screens.
“The mother no longer awaits a child, but a package;
every notification becomes an ultrasound,
every delivery a birth.
The womb merges with the shopping cart.”
The performance is conceived as an autonomous scene : a continuous, self-contained action.
Appearance of my work:
Horsespace.html (2024) interactive RPG games
Pets conversation (2024) modified robot dogs with phone holder systems
Baby strollers with iPad holders (2025)
Swing for robot puppy (2025)
Laser vacuum cleaner & laser dental lamp (2025)
iMom, 愛(ai)Baby (2025)
Invited by @magazineantidote / @antidoteparty__
02.10
Focus shots
Creative direction play & installation by me
Based on the subject of my master thesis (Contra) Per-𝑓ormare at Olivier de serres in digital environnement design (2024-2025)
Performers : @nymphorchidea & @digitsphere
Hair by : @nomorecocorse
Assistants : @alaricfer & @stellabocle
iMom, 愛(ai)Baby explores maternal love in its most absolute form — a love so intense it erases the boundary between mother and child.
The child becomes an image, a projection, a cellular and technological extension of the mother.
The title plays on the ambiguity between 「愛」 (ai) — love — and A.I., artificial intelligence:
“I, mother, love my child.” / “A mother loving an artificial intelligence.”
A tender yet critical vision of contemporary motherhood — hyperconnected, digital, and mediated through screens.
“The mother no longer awaits a child, but a package;
every notification becomes an ultrasound,
every delivery a birth.
The womb merges with the shopping cart.”
The performance is conceived as an autonomous scene : a continuous, self-contained action.
Appearance of my work:
Horsespace.html (2024) interactive RPG games
Pets conversation (2024) modified robot dogs with phone holder systems
Baby strollers with iPad holders (2025)
Swing for robot puppy (2025)
Laser vacuum cleaner & laser dental lamp (2025)
iMom, 愛(ai)Baby (2025)
Invited by @magazineantidote / @antidoteparty__
02.10
Focus shots
Creative direction play & installation by me
Based on the subject of my master thesis (Contra) Per-𝑓ormare at Olivier de serres in digital environnement design (2024-2025)
Performers : @nymphorchidea & @digitsphere
Hair by : @nomorecocorse
Assistants : @alaricfer & @stellabocle
iMom, 愛(ai)Baby explores maternal love in its most absolute form — a love so intense it erases the boundary between mother and child.
The child becomes an image, a projection, a cellular and technological extension of the mother.
The title plays on the ambiguity between 「愛」 (ai) — love — and A.I., artificial intelligence:
“I, mother, love my child.” / “A mother loving an artificial intelligence.”
A tender yet critical vision of contemporary motherhood — hyperconnected, digital, and mediated through screens.
“The mother no longer awaits a child, but a package;
every notification becomes an ultrasound,
every delivery a birth.
The womb merges with the shopping cart.”
The performance is conceived as an autonomous scene : a continuous, self-contained action.
Appearance of my work:
Horsespace.html (2024) interactive RPG games
Pets conversation (2024) modified robot dogs with phone holder systems
Baby strollers with iPad holders (2025)
Swing for robot puppy (2025)
Laser vacuum cleaner & laser dental lamp (2025)
iMom, 愛(ai)Baby (2025)
Invited by @magazineantidote / @antidoteparty__
02.10
Focus shots
Creative direction play & installation by me
Based on the subject of my master thesis (Contra) Per-𝑓ormare at Olivier de serres in digital environnement design (2024-2025)
Performers : @nymphorchidea & @digitsphere
Hair by : @nomorecocorse
Assistants : @alaricfer & @stellabocle
iMom, 愛(ai)Baby explores maternal love in its most absolute form — a love so intense it erases the boundary between mother and child.
The child becomes an image, a projection, a cellular and technological extension of the mother.
The title plays on the ambiguity between 「愛」 (ai) — love — and A.I., artificial intelligence:
“I, mother, love my child.” / “A mother loving an artificial intelligence.”
A tender yet critical vision of contemporary motherhood — hyperconnected, digital, and mediated through screens.
“The mother no longer awaits a child, but a package;
every notification becomes an ultrasound,
every delivery a birth.
The womb merges with the shopping cart.”
The performance is conceived as an autonomous scene : a continuous, self-contained action.
Appearance of my work:
Horsespace.html (2024) interactive RPG games
Pets conversation (2024) modified robot dogs with phone holder systems
Baby strollers with iPad holders (2025)
Swing for robot puppy (2025)
Laser vacuum cleaner & laser dental lamp (2025)
iMom, 愛(ai)Baby (2025)
Invited by @magazineantidote / @antidoteparty__
02.10
Focus shots
Creative direction play & installation by me
Based on the subject of my master thesis (Contra) Per-𝑓ormare at Olivier de serres in digital environnement design (2024-2025)
Performers : @nymphorchidea & @digitsphere
Hair by : @nomorecocorse
Assistants : @alaricfer & @stellabocle
iMom, 愛(ai)Baby explores maternal love in its most absolute form — a love so intense it erases the boundary between mother and child.
The child becomes an image, a projection, a cellular and technological extension of the mother.
The title plays on the ambiguity between 「愛」 (ai) — love — and A.I., artificial intelligence:
“I, mother, love my child.” / “A mother loving an artificial intelligence.”
A tender yet critical vision of contemporary motherhood — hyperconnected, digital, and mediated through screens.
“The mother no longer awaits a child, but a package;
every notification becomes an ultrasound,
every delivery a birth.
The womb merges with the shopping cart.”
The performance is conceived as an autonomous scene : a continuous, self-contained action.
Appearance of my work:
Horsespace.html (2024) interactive RPG games
Pets conversation (2024) modified robot dogs with phone holder systems
Baby strollers with iPad holders (2025)
Swing for robot puppy (2025)
Laser vacuum cleaner & laser dental lamp (2025)
iMom, 愛(ai)Baby (2025)
Invited by @magazineantidote / @antidoteparty__
02.10
Focus shots
Creative direction play & installation by me
Based on the subject of my master thesis (Contra) Per-𝑓ormare at Olivier de serres in digital environnement design (2024-2025)
Performers : @nymphorchidea & @digitsphere
Hair by : @nomorecocorse
Assistants : @alaricfer & @stellabocle
iMom, 愛(ai)Baby explores maternal love in its most absolute form — a love so intense it erases the boundary between mother and child.
The child becomes an image, a projection, a cellular and technological extension of the mother.
The title plays on the ambiguity between 「愛」 (ai) — love — and A.I., artificial intelligence:
“I, mother, love my child.” / “A mother loving an artificial intelligence.”
A tender yet critical vision of contemporary motherhood — hyperconnected, digital, and mediated through screens.
“The mother no longer awaits a child, but a package;
every notification becomes an ultrasound,
every delivery a birth.
The womb merges with the shopping cart.”
The performance is conceived as an autonomous scene : a continuous, self-contained action.
Appearance of my work:
Horsespace.html (2024) interactive RPG games
Pets conversation (2024) modified robot dogs with phone holder systems
Baby strollers with iPad holders (2025)
Swing for robot puppy (2025)
Laser vacuum cleaner & laser dental lamp (2025)
iMom, 愛(ai)Baby (2025)
Invited by @magazineantidote / @antidoteparty__
02.10
Focus shots
Creative direction play & installation by me
Based on the subject of my master thesis (Contra) Per-𝑓ormare at Olivier de serres in digital environnement design (2024-2025)
Performers : @nymphorchidea & @digitsphere
Hair by : @nomorecocorse
Assistants : @alaricfer & @stellabocle
iMom, 愛(ai)Baby explores maternal love in its most absolute form — a love so intense it erases the boundary between mother and child.
The child becomes an image, a projection, a cellular and technological extension of the mother.
The title plays on the ambiguity between 「愛」 (ai) — love — and A.I., artificial intelligence:
“I, mother, love my child.” / “A mother loving an artificial intelligence.”
A tender yet critical vision of contemporary motherhood — hyperconnected, digital, and mediated through screens.
“The mother no longer awaits a child, but a package;
every notification becomes an ultrasound,
every delivery a birth.
The womb merges with the shopping cart.”
The performance is conceived as an autonomous scene : a continuous, self-contained action.
Appearance of my work:
Horsespace.html (2024) interactive RPG games
Pets conversation (2024) modified robot dogs with phone holder systems
Baby strollers with iPad holders (2025)
Swing for robot puppy (2025)
Laser vacuum cleaner & laser dental lamp (2025)
iMom, 愛(ai)Baby (2025)
Invited by @magazineantidote / @antidoteparty__
02.10
Focus shots
Creative direction play & installation by me
Based on the subject of my master thesis (Contra) Per-𝑓ormare at Olivier de serres in digital environnement design (2024-2025)
Performers : @nymphorchidea & @digitsphere
Hair by : @nomorecocorse
Assistants : @alaricfer & @stellabocle
iMom, 愛(ai)Baby explores maternal love in its most absolute form — a love so intense it erases the boundary between mother and child.
The child becomes an image, a projection, a cellular and technological extension of the mother.
The title plays on the ambiguity between 「愛」 (ai) — love — and A.I., artificial intelligence:
“I, mother, love my child.” / “A mother loving an artificial intelligence.”
A tender yet critical vision of contemporary motherhood — hyperconnected, digital, and mediated through screens.
“The mother no longer awaits a child, but a package;
every notification becomes an ultrasound,
every delivery a birth.
The womb merges with the shopping cart.”
The performance is conceived as an autonomous scene : a continuous, self-contained action.
Appearance of my work:
Horsespace.html (2024) interactive RPG games
Pets conversation (2024) modified robot dogs with phone holder systems
Baby strollers with iPad holders (2025)
Swing for robot puppy (2025)
Laser vacuum cleaner & laser dental lamp (2025)
iMom, 愛(ai)Baby (2025)
Invited by @magazineantidote / @antidoteparty__
02.10
Focus shots
Creative direction play & installation by me
Based on the subject of my master thesis (Contra) Per-𝑓ormare at Olivier de serres in digital environnement design (2024-2025)
Performers : @nymphorchidea & @digitsphere
Hair by : @nomorecocorse
Assistants : @alaricfer & @stellabocle
iMom, 愛(ai)Baby explores maternal love in its most absolute form — a love so intense it erases the boundary between mother and child.
The child becomes an image, a projection, a cellular and technological extension of the mother.
The title plays on the ambiguity between 「愛」 (ai) — love — and A.I., artificial intelligence:
“I, mother, love my child.” / “A mother loving an artificial intelligence.”
A tender yet critical vision of contemporary motherhood — hyperconnected, digital, and mediated through screens.
“The mother no longer awaits a child, but a package;
every notification becomes an ultrasound,
every delivery a birth.
The womb merges with the shopping cart.”
The performance is conceived as an autonomous scene : a continuous, self-contained action.
Appearance of my work:
Horsespace.html (2024) interactive RPG games
Pets conversation (2024) modified robot dogs with phone holder systems
Baby strollers with iPad holders (2025)
Swing for robot puppy (2025)
Laser vacuum cleaner & laser dental lamp (2025)
iMom, 愛(ai)Baby (2025)
Invited by @magazineantidote / @antidoteparty__
02.10
Focus shots
Creative direction play & installation by me
Based on the subject of my master thesis (Contra) Per-𝑓ormare at Olivier de serres in digital environnement design (2024-2025)
Performers : @nymphorchidea & @digitsphere
Hair by : @nomorecocorse
Assistants : @alaricfer & @stellabocle
iMom, 愛(ai)Baby explores maternal love in its most absolute form — a love so intense it erases the boundary between mother and child.
The child becomes an image, a projection, a cellular and technological extension of the mother.
The title plays on the ambiguity between 「愛」 (ai) — love — and A.I., artificial intelligence:
“I, mother, love my child.” / “A mother loving an artificial intelligence.”
A tender yet critical vision of contemporary motherhood — hyperconnected, digital, and mediated through screens.
“The mother no longer awaits a child, but a package;
every notification becomes an ultrasound,
every delivery a birth.
The womb merges with the shopping cart.”
The performance is conceived as an autonomous scene : a continuous, self-contained action.
Appearance of my work:
Horsespace.html (2024) interactive RPG games
Pets conversation (2024) modified robot dogs with phone holder systems
Baby strollers with iPad holders (2025)
Swing for robot puppy (2025)
Laser vacuum cleaner & laser dental lamp (2025)
iMom, 愛(ai)Baby (2025)
Invited by @magazineantidote / @antidoteparty__
02.10
Focus shots
Creative direction play & installation by me
Based on the subject of my master thesis (Contra) Per-𝑓ormare at Olivier de serres in digital environnement design (2024-2025)
Performers : @nymphorchidea & @digitsphere
Hair by : @nomorecocorse
Assistants : @alaricfer & @stellabocle
iMom, 愛(ai)Baby explores maternal love in its most absolute form — a love so intense it erases the boundary between mother and child.
The child becomes an image, a projection, a cellular and technological extension of the mother.
The title plays on the ambiguity between 「愛」 (ai) — love — and A.I., artificial intelligence:
“I, mother, love my child.” / “A mother loving an artificial intelligence.”
A tender yet critical vision of contemporary motherhood — hyperconnected, digital, and mediated through screens.
“The mother no longer awaits a child, but a package;
every notification becomes an ultrasound,
every delivery a birth.
The womb merges with the shopping cart.”
The performance is conceived as an autonomous scene : a continuous, self-contained action.
Appearance of my work:
Horsespace.html (2024) interactive RPG games
Pets conversation (2024) modified robot dogs with phone holder systems
Baby strollers with iPad holders (2025)
Swing for robot puppy (2025)
Laser vacuum cleaner & laser dental lamp (2025)
Instagram Stories geheim ansehen
Der Instagram Story Viewer ist ein einfaches Tool, mit dem Sie Instagram Stories, Videos, Fotos oder IGTV heimlich ansehen und speichern können. Mit diesem Service können Sie Inhalte herunterladen und offline genießen, wann immer Sie möchten. Wenn Sie etwas Interessantes auf Instagram finden, das Sie später überprüfen möchten, oder Stories anonym ansehen möchten, ist unser Viewer ideal für Sie. Anonstories bietet eine ausgezeichnete Lösung, um Ihre Identität zu schützen. Instagram hat die Stories-Funktion erstmals im August 2023 eingeführt, die schnell auch von anderen Plattformen übernommen wurde, dank ihres fesselnden, zeitlich begrenzten Formats. Stories ermöglichen es Nutzern, schnelle Updates zu teilen, sei es Fotos, Videos oder Selfies, ergänzt durch Text, Emojis oder Filter, und sind nur 24 Stunden lang sichtbar. Dieser begrenzte Zeitrahmen sorgt für eine hohe Interaktion im Vergleich zu regulären Posts. Heutzutage sind Stories eine der beliebtesten Methoden, um sich in sozialen Medien zu verbinden und zu kommunizieren. Wenn Sie jedoch eine Story ansehen, kann der Ersteller Ihren Namen in seiner Viewer-Liste sehen, was ein Problem für die Privatsphäre sein kann. Was ist, wenn Sie Stories durchsuchen möchten, ohne bemerkt zu werden? Hier wird Anonstories nützlich. Es ermöglicht Ihnen, öffentliche Instagram-Inhalte anzusehen, ohne Ihre Identität preiszugeben. Geben Sie einfach den Benutzernamen des Profils ein, das Sie interessiert, und das Tool zeigt dessen neueste Stories an. Funktionen des Anonstories Viewers: - Anonymes Browsen: Sehen Sie Stories, ohne in der Viewer-Liste zu erscheinen. - Kein Konto erforderlich: Sehen Sie öffentliche Inhalte, ohne ein Instagram-Konto zu erstellen. - Inhalte herunterladen: Speichern Sie beliebige Story-Inhalte direkt auf Ihrem Gerät für die Offline-Nutzung. - Highlights anzeigen: Greifen Sie auf Instagram-Highlights zu, auch über das 24-Stunden-Fenster hinaus. - Repost-Überwachung: Verfolgen Sie Reposts oder Interaktionen bei Stories für persönliche Profile. Einschränkungen: - Dieses Tool funktioniert nur mit öffentlichen Accounts; private Accounts bleiben unzugänglich. Vorteile: - Datenschutzfreundlich: Sehen Sie sich beliebige Instagram-Inhalte an, ohne bemerkt zu werden. - Einfach und unkompliziert: Keine App-Installation oder Registrierung erforderlich. - Exklusive Tools: Laden Sie Inhalte herunter und verwalten Sie sie auf eine Weise, die Instagram nicht bietet.
Vorteile von Anonstories
IG Stories privat entdecken
Behalten Sie Instagram-Updates diskret im Blick, schützen Sie Ihre Privatsphäre und bleiben Sie anonym.
Privater Instagram Viewer
Sehen Sie Profile und Fotos anonym an, ganz einfach mit dem Private Profile Viewer.
Kostenloser Story Viewer
Dieses kostenlose Tool ermöglicht es Ihnen, Instagram Stories anonym anzusehen und dabei Ihre Aktivität vor dem Story-Ersteller zu verbergen.
Häufig gestellte Fragen
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Anonstories ermöglicht es Nutzern, Instagram-Stories anzusehen, ohne den Ersteller zu benachrichtigen.
Gerätekompatibilität
Funktioniert nahtlos auf iOS, Android, Windows, macOS und modernen Browsern wie Chrome und Safari.
Sicherheit und Datenschutz
Priorisiert sicheres, anonymes Browsen, ohne Login-Daten zu benötigen.
Keine Registrierung
Nutzer können öffentliche Stories ansehen, indem sie einfach einen Benutzernamen eingeben – kein Konto erforderlich.
Unterstützte Formate
Lädt Fotos (JPEG) und Videos (MP4) mühelos herunter.
Kosten
Der Dienst ist kostenlos nutzbar.
Private Accounts
Inhalte von privaten Accounts sind nur für Follower zugänglich.
Dateiverwendung
Dateien sind nur für persönliche oder Bildungszwecke und müssen Urheberrechtsregeln entsprechen.
Wie es funktioniert
Geben Sie einen öffentlichen Benutzernamen ein, um Stories anzusehen oder herunterzuladen. Der Dienst generiert direkte Links, um Inhalte lokal zu speichern.