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@scabs_research look book, styled by @aftermaat, when summer was cool
Thanks to @difunjuhnz
@scabs_research look book, styled by @aftermaat, when summer was cool
Thanks to @difunjuhnz
@scabs_research look book, styled by @aftermaat, when summer was cool
Thanks to @difunjuhnz
@scabs_research look book, styled by @aftermaat, when summer was cool
Thanks to @difunjuhnz
Overstimmed iMoms (november 2025)
Part 1 Focus : Coupon Mom played by @stellabocle & Stroller Mom played @digitsphere
Performance for the first print launch of Edgeline Magazine, “Existential Crisis” @edgelinemag
Overstimmed iMoms (2025) explores the evolving figure of motherhood within digital globalization, where technology, consumerism, and identity collapse into one continuous stream.
At the center of this focus are two hyper-contemporary archetypes :
Stroller Mom embodies control, projection, and perfection. She is exemplary, disciplined, and obsessively precise. Every detail is curated from the stroller to the reborn baby she selects, one that mirrors her own image, her ideals, her narrative. Motherhood becomes a controlled simulation, a reflection loop where identity is stabilized through aesthetic and emotional mastery.
Coupon Mom, in contrast, operates within a softer but equally saturated system of control: consumption. Reclined yet fully connected, absorbed by her iPad, she navigates a world of discounts, promotional codes, and algorithmic rewards. Comfort is optimized through ergonomic design and endless scrolling. Her satisfaction is quantified loyalty points, flash deals, spinning discount wheels on platforms like Shein or Temu. She becomes the quiet sovereign of digital consumption, where care, pleasure, and value are mediated through savings.
Together, they form a dual figure of contemporary motherhood :
one rooted in control and image, the other in consumption and reward both shaped, sustained, and intensified by digital infrastructures.
Photographer : @alaricfer
Art direction / Space Installation / gears : @cellulemere
Performers : @nymphorchidea
@kennymphe @digitsphere @stellabocle
Hair @an4lplug
Belly-Top for @stellabocle by @loadjro
Overstimmed iMoms (november 2025)
Part 1 Focus : Coupon Mom played by @stellabocle & Stroller Mom played @digitsphere
Performance for the first print launch of Edgeline Magazine, “Existential Crisis” @edgelinemag
Overstimmed iMoms (2025) explores the evolving figure of motherhood within digital globalization, where technology, consumerism, and identity collapse into one continuous stream.
At the center of this focus are two hyper-contemporary archetypes :
Stroller Mom embodies control, projection, and perfection. She is exemplary, disciplined, and obsessively precise. Every detail is curated from the stroller to the reborn baby she selects, one that mirrors her own image, her ideals, her narrative. Motherhood becomes a controlled simulation, a reflection loop where identity is stabilized through aesthetic and emotional mastery.
Coupon Mom, in contrast, operates within a softer but equally saturated system of control: consumption. Reclined yet fully connected, absorbed by her iPad, she navigates a world of discounts, promotional codes, and algorithmic rewards. Comfort is optimized through ergonomic design and endless scrolling. Her satisfaction is quantified loyalty points, flash deals, spinning discount wheels on platforms like Shein or Temu. She becomes the quiet sovereign of digital consumption, where care, pleasure, and value are mediated through savings.
Together, they form a dual figure of contemporary motherhood :
one rooted in control and image, the other in consumption and reward both shaped, sustained, and intensified by digital infrastructures.
Photographer : @alaricfer
Art direction / Space Installation / gears : @cellulemere
Performers : @nymphorchidea
@kennymphe @digitsphere @stellabocle
Hair @an4lplug
Belly-Top for @stellabocle by @loadjro
Overstimmed iMoms (november 2025)
Part 1 Focus : Coupon Mom played by @stellabocle & Stroller Mom played @digitsphere
Performance for the first print launch of Edgeline Magazine, “Existential Crisis” @edgelinemag
Overstimmed iMoms (2025) explores the evolving figure of motherhood within digital globalization, where technology, consumerism, and identity collapse into one continuous stream.
At the center of this focus are two hyper-contemporary archetypes :
Stroller Mom embodies control, projection, and perfection. She is exemplary, disciplined, and obsessively precise. Every detail is curated from the stroller to the reborn baby she selects, one that mirrors her own image, her ideals, her narrative. Motherhood becomes a controlled simulation, a reflection loop where identity is stabilized through aesthetic and emotional mastery.
Coupon Mom, in contrast, operates within a softer but equally saturated system of control: consumption. Reclined yet fully connected, absorbed by her iPad, she navigates a world of discounts, promotional codes, and algorithmic rewards. Comfort is optimized through ergonomic design and endless scrolling. Her satisfaction is quantified loyalty points, flash deals, spinning discount wheels on platforms like Shein or Temu. She becomes the quiet sovereign of digital consumption, where care, pleasure, and value are mediated through savings.
Together, they form a dual figure of contemporary motherhood :
one rooted in control and image, the other in consumption and reward both shaped, sustained, and intensified by digital infrastructures.
Photographer : @alaricfer
Art direction / Space Installation / gears : @cellulemere
Performers : @nymphorchidea
@kennymphe @digitsphere @stellabocle
Hair @an4lplug
Belly-Top for @stellabocle by @loadjro
Overstimmed iMoms (november 2025)
Part 1 Focus : Coupon Mom played by @stellabocle & Stroller Mom played @digitsphere
Performance for the first print launch of Edgeline Magazine, “Existential Crisis” @edgelinemag
Overstimmed iMoms (2025) explores the evolving figure of motherhood within digital globalization, where technology, consumerism, and identity collapse into one continuous stream.
At the center of this focus are two hyper-contemporary archetypes :
Stroller Mom embodies control, projection, and perfection. She is exemplary, disciplined, and obsessively precise. Every detail is curated from the stroller to the reborn baby she selects, one that mirrors her own image, her ideals, her narrative. Motherhood becomes a controlled simulation, a reflection loop where identity is stabilized through aesthetic and emotional mastery.
Coupon Mom, in contrast, operates within a softer but equally saturated system of control: consumption. Reclined yet fully connected, absorbed by her iPad, she navigates a world of discounts, promotional codes, and algorithmic rewards. Comfort is optimized through ergonomic design and endless scrolling. Her satisfaction is quantified loyalty points, flash deals, spinning discount wheels on platforms like Shein or Temu. She becomes the quiet sovereign of digital consumption, where care, pleasure, and value are mediated through savings.
Together, they form a dual figure of contemporary motherhood :
one rooted in control and image, the other in consumption and reward both shaped, sustained, and intensified by digital infrastructures.
Photographer : @alaricfer
Art direction / Space Installation / gears : @cellulemere
Performers : @nymphorchidea
@kennymphe @digitsphere @stellabocle
Hair @an4lplug
Belly-Top for @stellabocle by @loadjro
Overstimmed iMoms (november 2025)
Part 1 Focus : Coupon Mom played by @stellabocle & Stroller Mom played @digitsphere
Performance for the first print launch of Edgeline Magazine, “Existential Crisis” @edgelinemag
Overstimmed iMoms (2025) explores the evolving figure of motherhood within digital globalization, where technology, consumerism, and identity collapse into one continuous stream.
At the center of this focus are two hyper-contemporary archetypes :
Stroller Mom embodies control, projection, and perfection. She is exemplary, disciplined, and obsessively precise. Every detail is curated from the stroller to the reborn baby she selects, one that mirrors her own image, her ideals, her narrative. Motherhood becomes a controlled simulation, a reflection loop where identity is stabilized through aesthetic and emotional mastery.
Coupon Mom, in contrast, operates within a softer but equally saturated system of control: consumption. Reclined yet fully connected, absorbed by her iPad, she navigates a world of discounts, promotional codes, and algorithmic rewards. Comfort is optimized through ergonomic design and endless scrolling. Her satisfaction is quantified loyalty points, flash deals, spinning discount wheels on platforms like Shein or Temu. She becomes the quiet sovereign of digital consumption, where care, pleasure, and value are mediated through savings.
Together, they form a dual figure of contemporary motherhood :
one rooted in control and image, the other in consumption and reward both shaped, sustained, and intensified by digital infrastructures.
Photographer : @alaricfer
Art direction / Space Installation / gears : @cellulemere
Performers : @nymphorchidea
@kennymphe @digitsphere @stellabocle
Hair @an4lplug
Belly-Top for @stellabocle by @loadjro
Overstimmed iMoms (november 2025)
Part 1 Focus : Coupon Mom played by @stellabocle & Stroller Mom played @digitsphere
Performance for the first print launch of Edgeline Magazine, “Existential Crisis” @edgelinemag
Overstimmed iMoms (2025) explores the evolving figure of motherhood within digital globalization, where technology, consumerism, and identity collapse into one continuous stream.
At the center of this focus are two hyper-contemporary archetypes :
Stroller Mom embodies control, projection, and perfection. She is exemplary, disciplined, and obsessively precise. Every detail is curated from the stroller to the reborn baby she selects, one that mirrors her own image, her ideals, her narrative. Motherhood becomes a controlled simulation, a reflection loop where identity is stabilized through aesthetic and emotional mastery.
Coupon Mom, in contrast, operates within a softer but equally saturated system of control: consumption. Reclined yet fully connected, absorbed by her iPad, she navigates a world of discounts, promotional codes, and algorithmic rewards. Comfort is optimized through ergonomic design and endless scrolling. Her satisfaction is quantified loyalty points, flash deals, spinning discount wheels on platforms like Shein or Temu. She becomes the quiet sovereign of digital consumption, where care, pleasure, and value are mediated through savings.
Together, they form a dual figure of contemporary motherhood :
one rooted in control and image, the other in consumption and reward both shaped, sustained, and intensified by digital infrastructures.
Photographer : @alaricfer
Art direction / Space Installation / gears : @cellulemere
Performers : @nymphorchidea
@kennymphe @digitsphere @stellabocle
Hair @an4lplug
Belly-Top for @stellabocle by @loadjro
Overstimmed iMoms (november 2025)
Part 1 Focus : Coupon Mom played by @stellabocle & Stroller Mom played @digitsphere
Performance for the first print launch of Edgeline Magazine, “Existential Crisis” @edgelinemag
Overstimmed iMoms (2025) explores the evolving figure of motherhood within digital globalization, where technology, consumerism, and identity collapse into one continuous stream.
At the center of this focus are two hyper-contemporary archetypes :
Stroller Mom embodies control, projection, and perfection. She is exemplary, disciplined, and obsessively precise. Every detail is curated from the stroller to the reborn baby she selects, one that mirrors her own image, her ideals, her narrative. Motherhood becomes a controlled simulation, a reflection loop where identity is stabilized through aesthetic and emotional mastery.
Coupon Mom, in contrast, operates within a softer but equally saturated system of control: consumption. Reclined yet fully connected, absorbed by her iPad, she navigates a world of discounts, promotional codes, and algorithmic rewards. Comfort is optimized through ergonomic design and endless scrolling. Her satisfaction is quantified loyalty points, flash deals, spinning discount wheels on platforms like Shein or Temu. She becomes the quiet sovereign of digital consumption, where care, pleasure, and value are mediated through savings.
Together, they form a dual figure of contemporary motherhood :
one rooted in control and image, the other in consumption and reward both shaped, sustained, and intensified by digital infrastructures.
Photographer : @alaricfer
Art direction / Space Installation / gears : @cellulemere
Performers : @nymphorchidea
@kennymphe @digitsphere @stellabocle
Hair @an4lplug
Belly-Top for @stellabocle by @loadjro
Overstimmed iMoms (november 2025)
Part 1 Focus : Coupon Mom played by @stellabocle & Stroller Mom played @digitsphere
Performance for the first print launch of Edgeline Magazine, “Existential Crisis” @edgelinemag
Overstimmed iMoms (2025) explores the evolving figure of motherhood within digital globalization, where technology, consumerism, and identity collapse into one continuous stream.
At the center of this focus are two hyper-contemporary archetypes :
Stroller Mom embodies control, projection, and perfection. She is exemplary, disciplined, and obsessively precise. Every detail is curated from the stroller to the reborn baby she selects, one that mirrors her own image, her ideals, her narrative. Motherhood becomes a controlled simulation, a reflection loop where identity is stabilized through aesthetic and emotional mastery.
Coupon Mom, in contrast, operates within a softer but equally saturated system of control: consumption. Reclined yet fully connected, absorbed by her iPad, she navigates a world of discounts, promotional codes, and algorithmic rewards. Comfort is optimized through ergonomic design and endless scrolling. Her satisfaction is quantified loyalty points, flash deals, spinning discount wheels on platforms like Shein or Temu. She becomes the quiet sovereign of digital consumption, where care, pleasure, and value are mediated through savings.
Together, they form a dual figure of contemporary motherhood :
one rooted in control and image, the other in consumption and reward both shaped, sustained, and intensified by digital infrastructures.
Photographer : @alaricfer
Art direction / Space Installation / gears : @cellulemere
Performers : @nymphorchidea
@kennymphe @digitsphere @stellabocle
Hair @an4lplug
Belly-Top for @stellabocle by @loadjro
Overstimmed iMoms (november 2025)
Part 1 Focus : Coupon Mom played by @stellabocle & Stroller Mom played @digitsphere
Performance for the first print launch of Edgeline Magazine, “Existential Crisis” @edgelinemag
Overstimmed iMoms (2025) explores the evolving figure of motherhood within digital globalization, where technology, consumerism, and identity collapse into one continuous stream.
At the center of this focus are two hyper-contemporary archetypes :
Stroller Mom embodies control, projection, and perfection. She is exemplary, disciplined, and obsessively precise. Every detail is curated from the stroller to the reborn baby she selects, one that mirrors her own image, her ideals, her narrative. Motherhood becomes a controlled simulation, a reflection loop where identity is stabilized through aesthetic and emotional mastery.
Coupon Mom, in contrast, operates within a softer but equally saturated system of control: consumption. Reclined yet fully connected, absorbed by her iPad, she navigates a world of discounts, promotional codes, and algorithmic rewards. Comfort is optimized through ergonomic design and endless scrolling. Her satisfaction is quantified loyalty points, flash deals, spinning discount wheels on platforms like Shein or Temu. She becomes the quiet sovereign of digital consumption, where care, pleasure, and value are mediated through savings.
Together, they form a dual figure of contemporary motherhood :
one rooted in control and image, the other in consumption and reward both shaped, sustained, and intensified by digital infrastructures.
Photographer : @alaricfer
Art direction / Space Installation / gears : @cellulemere
Performers : @nymphorchidea
@kennymphe @digitsphere @stellabocle
Hair @an4lplug
Belly-Top for @stellabocle by @loadjro
Overstimmed iMoms (2025)
Performance for the very first print launch of Edgeline Magazine, @edgelinemag « Existential crisis »
Overstimmed iMoms (2025) focuses on the shifting figure of motherhood in the age of digital globalization, where technology, consumerism and identity constantly merge.
The work expands on the archetype of the newmodel, version of a mother today : efficient, performative, hyper-connected, a woman who measures her love and value through control, productivity and consumption.
Alongside the Stroller Mom, exemplary and control-obsessed, meticulously selecting the perfect reborn baby that mirrors her own image, and the Pro-Active Mom, the working girl-boss for whom performance is not optional but vital—as if stopping meant disappearance—She doesn’t even stop when she puts on her mask; she scrolls, notifications and ringtones are like a sound beat.
This new iteration introduces two additional, short-circuited figures: Coupon Mom and Play-Mom.
Coupon Mom, embodies a form of domestic consumerist devotion. Reclined, connected, absorbed by her iPad, she finds comfort in ergonomic cushions, online shopping and promotional codes. Her pleasure is measured in discounts and loyalty points. She wins on digital “wheels of fortune” on Shein and Temu, the queen of algorithmic comfort.
Play-Mom, represents mobility and impulsive pleasure. She smokes her puff, watches corn, goes live on TikTok. She consumes, performs and enjoys herself in a constant stream. Connection becomes play; the screen becomes her stage. She is reborn in the loop, every “live” a new youth, every post a pulse of freedom.
Art direction / Space Installation : @cellulemere
Performers : @nymphorchidea
@kennymphe @digitsphere @stellabocle
Hair @nomorecocorse
Video/Photos (soon) @alaricfer
Assistant @tired_archive @aftermaat
Belly-Top for @stellabocle by @loadjro
Thank you for your contents contributions to those who were there at the performance.
Content @_sluts_will_die_ , @alinaalamorean13 , @st__camilla
#shein #temu #digital #digitalization #global #globalization #robot
Overstimmed iMoms (2025)
Performance for the very first print launch of Edgeline Magazine, @edgelinemag « Existential crisis »
Overstimmed iMoms (2025) focuses on the shifting figure of motherhood in the age of digital globalization, where technology, consumerism and identity constantly merge.
The work expands on the archetype of the newmodel, version of a mother today : efficient, performative, hyper-connected, a woman who measures her love and value through control, productivity and consumption.
Alongside the Stroller Mom, exemplary and control-obsessed, meticulously selecting the perfect reborn baby that mirrors her own image, and the Pro-Active Mom, the working girl-boss for whom performance is not optional but vital—as if stopping meant disappearance—She doesn’t even stop when she puts on her mask; she scrolls, notifications and ringtones are like a sound beat.
This new iteration introduces two additional, short-circuited figures: Coupon Mom and Play-Mom.
Coupon Mom, embodies a form of domestic consumerist devotion. Reclined, connected, absorbed by her iPad, she finds comfort in ergonomic cushions, online shopping and promotional codes. Her pleasure is measured in discounts and loyalty points. She wins on digital “wheels of fortune” on Shein and Temu, the queen of algorithmic comfort.
Play-Mom, represents mobility and impulsive pleasure. She smokes her puff, watches corn, goes live on TikTok. She consumes, performs and enjoys herself in a constant stream. Connection becomes play; the screen becomes her stage. She is reborn in the loop, every “live” a new youth, every post a pulse of freedom.
Art direction / Space Installation : @cellulemere
Performers : @nymphorchidea
@kennymphe @digitsphere @stellabocle
Hair @nomorecocorse
Video/Photos (soon) @alaricfer
Assistant @tired_archive @aftermaat
Belly-Top for @stellabocle by @loadjro
Thank you for your contents contributions to those who were there at the performance.
Content @_sluts_will_die_ , @alinaalamorean13 , @st__camilla
#shein #temu #digital #digitalization #global #globalization #robot
Overstimmed iMoms (2025)
Performance for the very first print launch of Edgeline Magazine, @edgelinemag « Existential crisis »
Overstimmed iMoms (2025) focuses on the shifting figure of motherhood in the age of digital globalization, where technology, consumerism and identity constantly merge.
The work expands on the archetype of the newmodel, version of a mother today : efficient, performative, hyper-connected, a woman who measures her love and value through control, productivity and consumption.
Alongside the Stroller Mom, exemplary and control-obsessed, meticulously selecting the perfect reborn baby that mirrors her own image, and the Pro-Active Mom, the working girl-boss for whom performance is not optional but vital—as if stopping meant disappearance—She doesn’t even stop when she puts on her mask; she scrolls, notifications and ringtones are like a sound beat.
This new iteration introduces two additional, short-circuited figures: Coupon Mom and Play-Mom.
Coupon Mom, embodies a form of domestic consumerist devotion. Reclined, connected, absorbed by her iPad, she finds comfort in ergonomic cushions, online shopping and promotional codes. Her pleasure is measured in discounts and loyalty points. She wins on digital “wheels of fortune” on Shein and Temu, the queen of algorithmic comfort.
Play-Mom, represents mobility and impulsive pleasure. She smokes her puff, watches corn, goes live on TikTok. She consumes, performs and enjoys herself in a constant stream. Connection becomes play; the screen becomes her stage. She is reborn in the loop, every “live” a new youth, every post a pulse of freedom.
Art direction / Space Installation : @cellulemere
Performers : @nymphorchidea
@kennymphe @digitsphere @stellabocle
Hair @nomorecocorse
Video/Photos (soon) @alaricfer
Assistant @tired_archive @aftermaat
Belly-Top for @stellabocle by @loadjro
Thank you for your contents contributions to those who were there at the performance.
Content @_sluts_will_die_ , @alinaalamorean13 , @st__camilla
#shein #temu #digital #digitalization #global #globalization #robot
Overstimmed iMoms (2025)
Performance for the very first print launch of Edgeline Magazine, @edgelinemag « Existential crisis »
Overstimmed iMoms (2025) focuses on the shifting figure of motherhood in the age of digital globalization, where technology, consumerism and identity constantly merge.
The work expands on the archetype of the newmodel, version of a mother today : efficient, performative, hyper-connected, a woman who measures her love and value through control, productivity and consumption.
Alongside the Stroller Mom, exemplary and control-obsessed, meticulously selecting the perfect reborn baby that mirrors her own image, and the Pro-Active Mom, the working girl-boss for whom performance is not optional but vital—as if stopping meant disappearance—She doesn’t even stop when she puts on her mask; she scrolls, notifications and ringtones are like a sound beat.
This new iteration introduces two additional, short-circuited figures: Coupon Mom and Play-Mom.
Coupon Mom, embodies a form of domestic consumerist devotion. Reclined, connected, absorbed by her iPad, she finds comfort in ergonomic cushions, online shopping and promotional codes. Her pleasure is measured in discounts and loyalty points. She wins on digital “wheels of fortune” on Shein and Temu, the queen of algorithmic comfort.
Play-Mom, represents mobility and impulsive pleasure. She smokes her puff, watches corn, goes live on TikTok. She consumes, performs and enjoys herself in a constant stream. Connection becomes play; the screen becomes her stage. She is reborn in the loop, every “live” a new youth, every post a pulse of freedom.
Art direction / Space Installation : @cellulemere
Performers : @nymphorchidea
@kennymphe @digitsphere @stellabocle
Hair @nomorecocorse
Video/Photos (soon) @alaricfer
Assistant @tired_archive @aftermaat
Belly-Top for @stellabocle by @loadjro
Thank you for your contents contributions to those who were there at the performance.
Content @_sluts_will_die_ , @alinaalamorean13 , @st__camilla
#shein #temu #digital #digitalization #global #globalization #robot
Overstimmed iMoms (2025)
Performance for the very first print launch of Edgeline Magazine, @edgelinemag « Existential crisis »
Overstimmed iMoms (2025) focuses on the shifting figure of motherhood in the age of digital globalization, where technology, consumerism and identity constantly merge.
The work expands on the archetype of the newmodel, version of a mother today : efficient, performative, hyper-connected, a woman who measures her love and value through control, productivity and consumption.
Alongside the Stroller Mom, exemplary and control-obsessed, meticulously selecting the perfect reborn baby that mirrors her own image, and the Pro-Active Mom, the working girl-boss for whom performance is not optional but vital—as if stopping meant disappearance—She doesn’t even stop when she puts on her mask; she scrolls, notifications and ringtones are like a sound beat.
This new iteration introduces two additional, short-circuited figures: Coupon Mom and Play-Mom.
Coupon Mom, embodies a form of domestic consumerist devotion. Reclined, connected, absorbed by her iPad, she finds comfort in ergonomic cushions, online shopping and promotional codes. Her pleasure is measured in discounts and loyalty points. She wins on digital “wheels of fortune” on Shein and Temu, the queen of algorithmic comfort.
Play-Mom, represents mobility and impulsive pleasure. She smokes her puff, watches corn, goes live on TikTok. She consumes, performs and enjoys herself in a constant stream. Connection becomes play; the screen becomes her stage. She is reborn in the loop, every “live” a new youth, every post a pulse of freedom.
Art direction / Space Installation : @cellulemere
Performers : @nymphorchidea
@kennymphe @digitsphere @stellabocle
Hair @nomorecocorse
Video/Photos (soon) @alaricfer
Assistant @tired_archive @aftermaat
Belly-Top for @stellabocle by @loadjro
Thank you for your contents contributions to those who were there at the performance.
Content @_sluts_will_die_ , @alinaalamorean13 , @st__camilla
#shein #temu #digital #digitalization #global #globalization #robot
Overstimmed iMoms (2025)
Performance for the very first print launch of Edgeline Magazine, @edgelinemag « Existential crisis »
Overstimmed iMoms (2025) focuses on the shifting figure of motherhood in the age of digital globalization, where technology, consumerism and identity constantly merge.
The work expands on the archetype of the newmodel, version of a mother today : efficient, performative, hyper-connected, a woman who measures her love and value through control, productivity and consumption.
Alongside the Stroller Mom, exemplary and control-obsessed, meticulously selecting the perfect reborn baby that mirrors her own image, and the Pro-Active Mom, the working girl-boss for whom performance is not optional but vital—as if stopping meant disappearance—She doesn’t even stop when she puts on her mask; she scrolls, notifications and ringtones are like a sound beat.
This new iteration introduces two additional, short-circuited figures: Coupon Mom and Play-Mom.
Coupon Mom, embodies a form of domestic consumerist devotion. Reclined, connected, absorbed by her iPad, she finds comfort in ergonomic cushions, online shopping and promotional codes. Her pleasure is measured in discounts and loyalty points. She wins on digital “wheels of fortune” on Shein and Temu, the queen of algorithmic comfort.
Play-Mom, represents mobility and impulsive pleasure. She smokes her puff, watches corn, goes live on TikTok. She consumes, performs and enjoys herself in a constant stream. Connection becomes play; the screen becomes her stage. She is reborn in the loop, every “live” a new youth, every post a pulse of freedom.
Art direction / Space Installation : @cellulemere
Performers : @nymphorchidea
@kennymphe @digitsphere @stellabocle
Hair @nomorecocorse
Video/Photos (soon) @alaricfer
Assistant @tired_archive @aftermaat
Belly-Top for @stellabocle by @loadjro
Thank you for your contents contributions to those who were there at the performance.
Content @_sluts_will_die_ , @alinaalamorean13 , @st__camilla
#shein #temu #digital #digitalization #global #globalization #robot
Overstimmed iMoms (2025)
Performance for the very first print launch of Edgeline Magazine, @edgelinemag « Existential crisis »
Overstimmed iMoms (2025) focuses on the shifting figure of motherhood in the age of digital globalization, where technology, consumerism and identity constantly merge.
The work expands on the archetype of the newmodel, version of a mother today : efficient, performative, hyper-connected, a woman who measures her love and value through control, productivity and consumption.
Alongside the Stroller Mom, exemplary and control-obsessed, meticulously selecting the perfect reborn baby that mirrors her own image, and the Pro-Active Mom, the working girl-boss for whom performance is not optional but vital—as if stopping meant disappearance—She doesn’t even stop when she puts on her mask; she scrolls, notifications and ringtones are like a sound beat.
This new iteration introduces two additional, short-circuited figures: Coupon Mom and Play-Mom.
Coupon Mom, embodies a form of domestic consumerist devotion. Reclined, connected, absorbed by her iPad, she finds comfort in ergonomic cushions, online shopping and promotional codes. Her pleasure is measured in discounts and loyalty points. She wins on digital “wheels of fortune” on Shein and Temu, the queen of algorithmic comfort.
Play-Mom, represents mobility and impulsive pleasure. She smokes her puff, watches corn, goes live on TikTok. She consumes, performs and enjoys herself in a constant stream. Connection becomes play; the screen becomes her stage. She is reborn in the loop, every “live” a new youth, every post a pulse of freedom.
Art direction / Space Installation : @cellulemere
Performers : @nymphorchidea
@kennymphe @digitsphere @stellabocle
Hair @nomorecocorse
Video/Photos (soon) @alaricfer
Assistant @tired_archive @aftermaat
Belly-Top for @stellabocle by @loadjro
Thank you for your contents contributions to those who were there at the performance.
Content @_sluts_will_die_ , @alinaalamorean13 , @st__camilla
#shein #temu #digital #digitalization #global #globalization #robot
Overstimmed iMoms (2025)
Performance for the very first print launch of Edgeline Magazine, @edgelinemag « Existential crisis »
Overstimmed iMoms (2025) focuses on the shifting figure of motherhood in the age of digital globalization, where technology, consumerism and identity constantly merge.
The work expands on the archetype of the newmodel, version of a mother today : efficient, performative, hyper-connected, a woman who measures her love and value through control, productivity and consumption.
Alongside the Stroller Mom, exemplary and control-obsessed, meticulously selecting the perfect reborn baby that mirrors her own image, and the Pro-Active Mom, the working girl-boss for whom performance is not optional but vital—as if stopping meant disappearance—She doesn’t even stop when she puts on her mask; she scrolls, notifications and ringtones are like a sound beat.
This new iteration introduces two additional, short-circuited figures: Coupon Mom and Play-Mom.
Coupon Mom, embodies a form of domestic consumerist devotion. Reclined, connected, absorbed by her iPad, she finds comfort in ergonomic cushions, online shopping and promotional codes. Her pleasure is measured in discounts and loyalty points. She wins on digital “wheels of fortune” on Shein and Temu, the queen of algorithmic comfort.
Play-Mom, represents mobility and impulsive pleasure. She smokes her puff, watches corn, goes live on TikTok. She consumes, performs and enjoys herself in a constant stream. Connection becomes play; the screen becomes her stage. She is reborn in the loop, every “live” a new youth, every post a pulse of freedom.
Art direction / Space Installation : @cellulemere
Performers : @nymphorchidea
@kennymphe @digitsphere @stellabocle
Hair @nomorecocorse
Video/Photos (soon) @alaricfer
Assistant @tired_archive @aftermaat
Belly-Top for @stellabocle by @loadjro
Thank you for your contents contributions to those who were there at the performance.
Content @_sluts_will_die_ , @alinaalamorean13 , @st__camilla
#shein #temu #digital #digitalization #global #globalization #robot
Overstimmed iMoms (2025)
Performance for the very first print launch of Edgeline Magazine, @edgelinemag « Existential crisis »
Overstimmed iMoms (2025) focuses on the shifting figure of motherhood in the age of digital globalization, where technology, consumerism and identity constantly merge.
The work expands on the archetype of the newmodel, version of a mother today : efficient, performative, hyper-connected, a woman who measures her love and value through control, productivity and consumption.
Alongside the Stroller Mom, exemplary and control-obsessed, meticulously selecting the perfect reborn baby that mirrors her own image, and the Pro-Active Mom, the working girl-boss for whom performance is not optional but vital—as if stopping meant disappearance—She doesn’t even stop when she puts on her mask; she scrolls, notifications and ringtones are like a sound beat.
This new iteration introduces two additional, short-circuited figures: Coupon Mom and Play-Mom.
Coupon Mom, embodies a form of domestic consumerist devotion. Reclined, connected, absorbed by her iPad, she finds comfort in ergonomic cushions, online shopping and promotional codes. Her pleasure is measured in discounts and loyalty points. She wins on digital “wheels of fortune” on Shein and Temu, the queen of algorithmic comfort.
Play-Mom, represents mobility and impulsive pleasure. She smokes her puff, watches corn, goes live on TikTok. She consumes, performs and enjoys herself in a constant stream. Connection becomes play; the screen becomes her stage. She is reborn in the loop, every “live” a new youth, every post a pulse of freedom.
Art direction / Space Installation : @cellulemere
Performers : @nymphorchidea
@kennymphe @digitsphere @stellabocle
Hair @nomorecocorse
Video/Photos (soon) @alaricfer
Assistant @tired_archive @aftermaat
Belly-Top for @stellabocle by @loadjro
Thank you for your contents contributions to those who were there at the performance.
Content @_sluts_will_die_ , @alinaalamorean13 , @st__camilla
#shein #temu #digital #digitalization #global #globalization #robot
Overstimmed iMoms (2025)
Performance for the very first print launch of Edgeline Magazine, @edgelinemag « Existential crisis »
Overstimmed iMoms (2025) focuses on the shifting figure of motherhood in the age of digital globalization, where technology, consumerism and identity constantly merge.
The work expands on the archetype of the newmodel, version of a mother today : efficient, performative, hyper-connected, a woman who measures her love and value through control, productivity and consumption.
Alongside the Stroller Mom, exemplary and control-obsessed, meticulously selecting the perfect reborn baby that mirrors her own image, and the Pro-Active Mom, the working girl-boss for whom performance is not optional but vital—as if stopping meant disappearance—She doesn’t even stop when she puts on her mask; she scrolls, notifications and ringtones are like a sound beat.
This new iteration introduces two additional, short-circuited figures: Coupon Mom and Play-Mom.
Coupon Mom, embodies a form of domestic consumerist devotion. Reclined, connected, absorbed by her iPad, she finds comfort in ergonomic cushions, online shopping and promotional codes. Her pleasure is measured in discounts and loyalty points. She wins on digital “wheels of fortune” on Shein and Temu, the queen of algorithmic comfort.
Play-Mom, represents mobility and impulsive pleasure. She smokes her puff, watches corn, goes live on TikTok. She consumes, performs and enjoys herself in a constant stream. Connection becomes play; the screen becomes her stage. She is reborn in the loop, every “live” a new youth, every post a pulse of freedom.
Art direction / Space Installation : @cellulemere
Performers : @nymphorchidea
@kennymphe @digitsphere @stellabocle
Hair @nomorecocorse
Video/Photos (soon) @alaricfer
Assistant @tired_archive @aftermaat
Belly-Top for @stellabocle by @loadjro
Thank you for your contents contributions to those who were there at the performance.
Content @_sluts_will_die_ , @alinaalamorean13 , @st__camilla
#shein #temu #digital #digitalization #global #globalization #robot
Overstimmed iMoms (2025)
Performance for the very first print launch of Edgeline Magazine, @edgelinemag « Existential crisis »
Overstimmed iMoms (2025) focuses on the shifting figure of motherhood in the age of digital globalization, where technology, consumerism and identity constantly merge.
The work expands on the archetype of the newmodel, version of a mother today : efficient, performative, hyper-connected, a woman who measures her love and value through control, productivity and consumption.
Alongside the Stroller Mom, exemplary and control-obsessed, meticulously selecting the perfect reborn baby that mirrors her own image, and the Pro-Active Mom, the working girl-boss for whom performance is not optional but vital—as if stopping meant disappearance—She doesn’t even stop when she puts on her mask; she scrolls, notifications and ringtones are like a sound beat.
This new iteration introduces two additional, short-circuited figures: Coupon Mom and Play-Mom.
Coupon Mom, embodies a form of domestic consumerist devotion. Reclined, connected, absorbed by her iPad, she finds comfort in ergonomic cushions, online shopping and promotional codes. Her pleasure is measured in discounts and loyalty points. She wins on digital “wheels of fortune” on Shein and Temu, the queen of algorithmic comfort.
Play-Mom, represents mobility and impulsive pleasure. She smokes her puff, watches corn, goes live on TikTok. She consumes, performs and enjoys herself in a constant stream. Connection becomes play; the screen becomes her stage. She is reborn in the loop, every “live” a new youth, every post a pulse of freedom.
Art direction / Space Installation : @cellulemere
Performers : @nymphorchidea
@kennymphe @digitsphere @stellabocle
Hair @nomorecocorse
Video/Photos (soon) @alaricfer
Assistant @tired_archive @aftermaat
Belly-Top for @stellabocle by @loadjro
Thank you for your contents contributions to those who were there at the performance.
Content @_sluts_will_die_ , @alinaalamorean13 , @st__camilla
#shein #temu #digital #digitalization #global #globalization #robot
Overstimmed iMoms (2025)
Performance for the very first print launch of Edgeline Magazine, @edgelinemag « Existential crisis »
Overstimmed iMoms (2025) focuses on the shifting figure of motherhood in the age of digital globalization, where technology, consumerism and identity constantly merge.
The work expands on the archetype of the newmodel, version of a mother today : efficient, performative, hyper-connected, a woman who measures her love and value through control, productivity and consumption.
Alongside the Stroller Mom, exemplary and control-obsessed, meticulously selecting the perfect reborn baby that mirrors her own image, and the Pro-Active Mom, the working girl-boss for whom performance is not optional but vital—as if stopping meant disappearance—She doesn’t even stop when she puts on her mask; she scrolls, notifications and ringtones are like a sound beat.
This new iteration introduces two additional, short-circuited figures: Coupon Mom and Play-Mom.
Coupon Mom, embodies a form of domestic consumerist devotion. Reclined, connected, absorbed by her iPad, she finds comfort in ergonomic cushions, online shopping and promotional codes. Her pleasure is measured in discounts and loyalty points. She wins on digital “wheels of fortune” on Shein and Temu, the queen of algorithmic comfort.
Play-Mom, represents mobility and impulsive pleasure. She smokes her puff, watches corn, goes live on TikTok. She consumes, performs and enjoys herself in a constant stream. Connection becomes play; the screen becomes her stage. She is reborn in the loop, every “live” a new youth, every post a pulse of freedom.
Art direction / Space Installation : @cellulemere
Performers : @nymphorchidea
@kennymphe @digitsphere @stellabocle
Hair @nomorecocorse
Video/Photos (soon) @alaricfer
Assistant @tired_archive @aftermaat
Belly-Top for @stellabocle by @loadjro
Thank you for your contents contributions to those who were there at the performance.
Content @_sluts_will_die_ , @alinaalamorean13 , @st__camilla
#shein #temu #digital #digitalization #global #globalization #robot
Overstimmed iMoms (2025)
Performance for the very first print launch of Edgeline Magazine, @edgelinemag « Existential crisis »
Overstimmed iMoms (2025) focuses on the shifting figure of motherhood in the age of digital globalization, where technology, consumerism and identity constantly merge.
The work expands on the archetype of the newmodel, version of a mother today : efficient, performative, hyper-connected, a woman who measures her love and value through control, productivity and consumption.
Alongside the Stroller Mom, exemplary and control-obsessed, meticulously selecting the perfect reborn baby that mirrors her own image, and the Pro-Active Mom, the working girl-boss for whom performance is not optional but vital—as if stopping meant disappearance—She doesn’t even stop when she puts on her mask; she scrolls, notifications and ringtones are like a sound beat.
This new iteration introduces two additional, short-circuited figures: Coupon Mom and Play-Mom.
Coupon Mom, embodies a form of domestic consumerist devotion. Reclined, connected, absorbed by her iPad, she finds comfort in ergonomic cushions, online shopping and promotional codes. Her pleasure is measured in discounts and loyalty points. She wins on digital “wheels of fortune” on Shein and Temu, the queen of algorithmic comfort.
Play-Mom, represents mobility and impulsive pleasure. She smokes her puff, watches corn, goes live on TikTok. She consumes, performs and enjoys herself in a constant stream. Connection becomes play; the screen becomes her stage. She is reborn in the loop, every “live” a new youth, every post a pulse of freedom.
Art direction / Space Installation : @cellulemere
Performers : @nymphorchidea
@kennymphe @digitsphere @stellabocle
Hair @nomorecocorse
Video/Photos (soon) @alaricfer
Assistant @tired_archive @aftermaat
Belly-Top for @stellabocle by @loadjro
Thank you for your contents contributions to those who were there at the performance.
Content @_sluts_will_die_ , @alinaalamorean13 , @st__camilla
#shein #temu #digital #digitalization #global #globalization #robot
Overstimmed iMoms (2025)
Performance for the very first print launch of Edgeline Magazine, @edgelinemag « Existential crisis »
Overstimmed iMoms (2025) focuses on the shifting figure of motherhood in the age of digital globalization, where technology, consumerism and identity constantly merge.
The work expands on the archetype of the newmodel, version of a mother today : efficient, performative, hyper-connected, a woman who measures her love and value through control, productivity and consumption.
Alongside the Stroller Mom, exemplary and control-obsessed, meticulously selecting the perfect reborn baby that mirrors her own image, and the Pro-Active Mom, the working girl-boss for whom performance is not optional but vital—as if stopping meant disappearance—She doesn’t even stop when she puts on her mask; she scrolls, notifications and ringtones are like a sound beat.
This new iteration introduces two additional, short-circuited figures: Coupon Mom and Play-Mom.
Coupon Mom, embodies a form of domestic consumerist devotion. Reclined, connected, absorbed by her iPad, she finds comfort in ergonomic cushions, online shopping and promotional codes. Her pleasure is measured in discounts and loyalty points. She wins on digital “wheels of fortune” on Shein and Temu, the queen of algorithmic comfort.
Play-Mom, represents mobility and impulsive pleasure. She smokes her puff, watches corn, goes live on TikTok. She consumes, performs and enjoys herself in a constant stream. Connection becomes play; the screen becomes her stage. She is reborn in the loop, every “live” a new youth, every post a pulse of freedom.
Art direction / Space Installation : @cellulemere
Performers : @nymphorchidea
@kennymphe @digitsphere @stellabocle
Hair @nomorecocorse
Video/Photos (soon) @alaricfer
Assistant @tired_archive @aftermaat
Belly-Top for @stellabocle by @loadjro
Thank you for your contents contributions to those who were there at the performance.
Content @_sluts_will_die_ , @alinaalamorean13 , @st__camilla
#shein #temu #digital #digitalization #global #globalization #robot
Overstimmed iMoms (2025)
Performance for the very first print launch of Edgeline Magazine, @edgelinemag « Existential crisis »
Overstimmed iMoms (2025) focuses on the shifting figure of motherhood in the age of digital globalization, where technology, consumerism and identity constantly merge.
The work expands on the archetype of the newmodel, version of a mother today : efficient, performative, hyper-connected, a woman who measures her love and value through control, productivity and consumption.
Alongside the Stroller Mom, exemplary and control-obsessed, meticulously selecting the perfect reborn baby that mirrors her own image, and the Pro-Active Mom, the working girl-boss for whom performance is not optional but vital—as if stopping meant disappearance—She doesn’t even stop when she puts on her mask; she scrolls, notifications and ringtones are like a sound beat.
This new iteration introduces two additional, short-circuited figures: Coupon Mom and Play-Mom.
Coupon Mom, embodies a form of domestic consumerist devotion. Reclined, connected, absorbed by her iPad, she finds comfort in ergonomic cushions, online shopping and promotional codes. Her pleasure is measured in discounts and loyalty points. She wins on digital “wheels of fortune” on Shein and Temu, the queen of algorithmic comfort.
Play-Mom, represents mobility and impulsive pleasure. She smokes her puff, watches corn, goes live on TikTok. She consumes, performs and enjoys herself in a constant stream. Connection becomes play; the screen becomes her stage. She is reborn in the loop, every “live” a new youth, every post a pulse of freedom.
Art direction / Space Installation : @cellulemere
Performers : @nymphorchidea
@kennymphe @digitsphere @stellabocle
Hair @nomorecocorse
Video/Photos (soon) @alaricfer
Assistant @tired_archive @aftermaat
Belly-Top for @stellabocle by @loadjro
Thank you for your contents contributions to those who were there at the performance.
Content @_sluts_will_die_ , @alinaalamorean13 , @st__camilla
#shein #temu #digital #digitalization #global #globalization #robot
Overstimmed iMoms (2025)
Performance for the very first print launch of Edgeline Magazine, @edgelinemag « Existential crisis »
Overstimmed iMoms (2025) focuses on the shifting figure of motherhood in the age of digital globalization, where technology, consumerism and identity constantly merge.
The work expands on the archetype of the newmodel, version of a mother today : efficient, performative, hyper-connected, a woman who measures her love and value through control, productivity and consumption.
Alongside the Stroller Mom, exemplary and control-obsessed, meticulously selecting the perfect reborn baby that mirrors her own image, and the Pro-Active Mom, the working girl-boss for whom performance is not optional but vital—as if stopping meant disappearance—She doesn’t even stop when she puts on her mask; she scrolls, notifications and ringtones are like a sound beat.
This new iteration introduces two additional, short-circuited figures: Coupon Mom and Play-Mom.
Coupon Mom, embodies a form of domestic consumerist devotion. Reclined, connected, absorbed by her iPad, she finds comfort in ergonomic cushions, online shopping and promotional codes. Her pleasure is measured in discounts and loyalty points. She wins on digital “wheels of fortune” on Shein and Temu, the queen of algorithmic comfort.
Play-Mom, represents mobility and impulsive pleasure. She smokes her puff, watches corn, goes live on TikTok. She consumes, performs and enjoys herself in a constant stream. Connection becomes play; the screen becomes her stage. She is reborn in the loop, every “live” a new youth, every post a pulse of freedom.
Art direction / Space Installation : @cellulemere
Performers : @nymphorchidea
@kennymphe @digitsphere @stellabocle
Hair @nomorecocorse
Video/Photos (soon) @alaricfer
Assistant @tired_archive @aftermaat
Belly-Top for @stellabocle by @loadjro
Thank you for your contents contributions to those who were there at the performance.
Content @_sluts_will_die_ , @alinaalamorean13 , @st__camilla
#shein #temu #digital #digitalization #global #globalization #robot
Overstimmed iMoms (2025)
Performance for the very first print launch of Edgeline Magazine, @edgelinemag « Existential crisis »
Overstimmed iMoms (2025) focuses on the shifting figure of motherhood in the age of digital globalization, where technology, consumerism and identity constantly merge.
The work expands on the archetype of the newmodel, version of a mother today : efficient, performative, hyper-connected, a woman who measures her love and value through control, productivity and consumption.
Alongside the Stroller Mom, exemplary and control-obsessed, meticulously selecting the perfect reborn baby that mirrors her own image, and the Pro-Active Mom, the working girl-boss for whom performance is not optional but vital—as if stopping meant disappearance—She doesn’t even stop when she puts on her mask; she scrolls, notifications and ringtones are like a sound beat.
This new iteration introduces two additional, short-circuited figures: Coupon Mom and Play-Mom.
Coupon Mom, embodies a form of domestic consumerist devotion. Reclined, connected, absorbed by her iPad, she finds comfort in ergonomic cushions, online shopping and promotional codes. Her pleasure is measured in discounts and loyalty points. She wins on digital “wheels of fortune” on Shein and Temu, the queen of algorithmic comfort.
Play-Mom, represents mobility and impulsive pleasure. She smokes her puff, watches corn, goes live on TikTok. She consumes, performs and enjoys herself in a constant stream. Connection becomes play; the screen becomes her stage. She is reborn in the loop, every “live” a new youth, every post a pulse of freedom.
Art direction / Space Installation : @cellulemere
Performers : @nymphorchidea
@kennymphe @digitsphere @stellabocle
Hair @nomorecocorse
Video/Photos (soon) @alaricfer
Assistant @tired_archive @aftermaat
Belly-Top for @stellabocle by @loadjro
Thank you for your contents contributions to those who were there at the performance.
Content @_sluts_will_die_ , @alinaalamorean13 , @st__camilla
#shein #temu #digital #digitalization #global #globalization #robot
Overstimmed iMoms (2025)
Performance for the very first print launch of Edgeline Magazine, @edgelinemag « Existential crisis »
Overstimmed iMoms (2025) focuses on the shifting figure of motherhood in the age of digital globalization, where technology, consumerism and identity constantly merge.
The work expands on the archetype of the newmodel, version of a mother today : efficient, performative, hyper-connected, a woman who measures her love and value through control, productivity and consumption.
Alongside the Stroller Mom, exemplary and control-obsessed, meticulously selecting the perfect reborn baby that mirrors her own image, and the Pro-Active Mom, the working girl-boss for whom performance is not optional but vital—as if stopping meant disappearance—She doesn’t even stop when she puts on her mask; she scrolls, notifications and ringtones are like a sound beat.
This new iteration introduces two additional, short-circuited figures: Coupon Mom and Play-Mom.
Coupon Mom, embodies a form of domestic consumerist devotion. Reclined, connected, absorbed by her iPad, she finds comfort in ergonomic cushions, online shopping and promotional codes. Her pleasure is measured in discounts and loyalty points. She wins on digital “wheels of fortune” on Shein and Temu, the queen of algorithmic comfort.
Play-Mom, represents mobility and impulsive pleasure. She smokes her puff, watches corn, goes live on TikTok. She consumes, performs and enjoys herself in a constant stream. Connection becomes play; the screen becomes her stage. She is reborn in the loop, every “live” a new youth, every post a pulse of freedom.
Art direction / Space Installation : @cellulemere
Performers : @nymphorchidea
@kennymphe @digitsphere @stellabocle
Hair @nomorecocorse
Video/Photos (soon) @alaricfer
Assistant @tired_archive @aftermaat
Belly-Top for @stellabocle by @loadjro
Thank you for your contents contributions to those who were there at the performance.
Content @_sluts_will_die_ , @alinaalamorean13 , @st__camilla
#shein #temu #digital #digitalization #global #globalization #robot
Overstimmed iMoms (2025)
Performance for the very first print launch of Edgeline Magazine, @edgelinemag « Existential crisis »
Overstimmed iMoms (2025) focuses on the shifting figure of motherhood in the age of digital globalization, where technology, consumerism and identity constantly merge.
The work expands on the archetype of the newmodel, version of a mother today : efficient, performative, hyper-connected, a woman who measures her love and value through control, productivity and consumption.
Alongside the Stroller Mom, exemplary and control-obsessed, meticulously selecting the perfect reborn baby that mirrors her own image, and the Pro-Active Mom, the working girl-boss for whom performance is not optional but vital—as if stopping meant disappearance—She doesn’t even stop when she puts on her mask; she scrolls, notifications and ringtones are like a sound beat.
This new iteration introduces two additional, short-circuited figures: Coupon Mom and Play-Mom.
Coupon Mom, embodies a form of domestic consumerist devotion. Reclined, connected, absorbed by her iPad, she finds comfort in ergonomic cushions, online shopping and promotional codes. Her pleasure is measured in discounts and loyalty points. She wins on digital “wheels of fortune” on Shein and Temu, the queen of algorithmic comfort.
Play-Mom, represents mobility and impulsive pleasure. She smokes her puff, watches corn, goes live on TikTok. She consumes, performs and enjoys herself in a constant stream. Connection becomes play; the screen becomes her stage. She is reborn in the loop, every “live” a new youth, every post a pulse of freedom.
Art direction / Space Installation : @cellulemere
Performers : @nymphorchidea
@kennymphe @digitsphere @stellabocle
Hair @nomorecocorse
Video/Photos (soon) @alaricfer
Assistant @tired_archive @aftermaat
Belly-Top for @stellabocle by @loadjro
Thank you for your contents contributions to those who were there at the performance.
Content @_sluts_will_die_ , @alinaalamorean13 , @st__camilla
#shein #temu #digital #digitalization #global #globalization #robot
Overstimmed iMoms (2025)
Performance for the very first print launch of Edgeline Magazine, @edgelinemag « Existential crisis »
Overstimmed iMoms (2025) focuses on the shifting figure of motherhood in the age of digital globalization, where technology, consumerism and identity constantly merge.
The work expands on the archetype of the newmodel, version of a mother today : efficient, performative, hyper-connected, a woman who measures her love and value through control, productivity and consumption.
Alongside the Stroller Mom, exemplary and control-obsessed, meticulously selecting the perfect reborn baby that mirrors her own image, and the Pro-Active Mom, the working girl-boss for whom performance is not optional but vital—as if stopping meant disappearance—She doesn’t even stop when she puts on her mask; she scrolls, notifications and ringtones are like a sound beat.
This new iteration introduces two additional, short-circuited figures: Coupon Mom and Play-Mom.
Coupon Mom, embodies a form of domestic consumerist devotion. Reclined, connected, absorbed by her iPad, she finds comfort in ergonomic cushions, online shopping and promotional codes. Her pleasure is measured in discounts and loyalty points. She wins on digital “wheels of fortune” on Shein and Temu, the queen of algorithmic comfort.
Play-Mom, represents mobility and impulsive pleasure. She smokes her puff, watches corn, goes live on TikTok. She consumes, performs and enjoys herself in a constant stream. Connection becomes play; the screen becomes her stage. She is reborn in the loop, every “live” a new youth, every post a pulse of freedom.
Art direction / Space Installation : @cellulemere
Performers : @nymphorchidea
@kennymphe @digitsphere @stellabocle
Hair @nomorecocorse
Video/Photos (soon) @alaricfer
Assistant @tired_archive @aftermaat
Belly-Top for @stellabocle by @loadjro
Thank you for your contents contributions to those who were there at the performance.
Content @_sluts_will_die_ , @alinaalamorean13 , @st__camilla
#shein #temu #digital #digitalization #global #globalization #robot
iMom, 愛(ai)Baby (2025)
Invited by @magazineantidote / @antidoteparty__
02.10 — Movida Club Paris during FW
Director: @cellulemere
Performers: @nymphorchidea (Anna R) & @digitsphere (Julia)
Photographer: @alaricfer
Sounds/Text: Cellulemere000ooo & Nymphorchidea voices « iMom ai愛baby » & « Per-𝑓ormare » Text remix track with Distanced and Hollow by Waynette
Hairstylist: @nomorecocorse
Assistant: @stellabocle
iMom, 愛(ai)Baby explores maternal love in its most absolute form — a love so intense it erases the boundary between mother and child.
The child becomes an image, a projection, a cellular and technological extension of the mother.
The title plays on the ambiguity between 「愛」 (ai) — love — and A.I., artificial intelligence:
“I, mother, love my child.” / “A mother loving an artificial intelligence.”
“The mother no longer awaits a child, but a package;
every notification becomes an ultrasound,
every delivery a birth.
The womb merges with the shopping cart.”
The performance is conceived as an autonomous scene : a continuous, self-contained action.
I imagine my performances as “scenes of life,” sometimes “domestic scenes,” re-enacting specific emotions and situations imposed upon the viewer.
They are constructed emotional spaces where dramaturgy and spatiality are as essential as gesture.
Since childhood, I’ve been fascinated by electronic household objects : functional, beautiful, and strangely intimate.
I like to subvert them, to give them new meaning, to let them speak about the world we live in.
Their obsolescence, driven by over-performance and endless updates — makes them symbols of our relationship to progress and dependency.
The idea of comfort is central to my work :
Today, comfort has become a standard imposed by technology. Our bodies and minds conform to devices and interfaces without even noticing. From home appliances to smartphones, these systems shape how we live, think, and feel.
This tension between comfort and dependence, technology and flesh is what I seek to make visible, almost tangible, through performance.
iMom, 愛(ai)Baby (2025)
Invited by @magazineantidote / @antidoteparty__
02.10 — Movida Club Paris during FW
Director: @cellulemere
Performers: @nymphorchidea (Anna R) & @digitsphere (Julia)
Photographer: @alaricfer
Sounds/Text: Cellulemere000ooo & Nymphorchidea voices « iMom ai愛baby » & « Per-𝑓ormare » Text remix track with Distanced and Hollow by Waynette
Hairstylist: @nomorecocorse
Assistant: @stellabocle
iMom, 愛(ai)Baby explores maternal love in its most absolute form — a love so intense it erases the boundary between mother and child.
The child becomes an image, a projection, a cellular and technological extension of the mother.
The title plays on the ambiguity between 「愛」 (ai) — love — and A.I., artificial intelligence:
“I, mother, love my child.” / “A mother loving an artificial intelligence.”
“The mother no longer awaits a child, but a package;
every notification becomes an ultrasound,
every delivery a birth.
The womb merges with the shopping cart.”
The performance is conceived as an autonomous scene : a continuous, self-contained action.
I imagine my performances as “scenes of life,” sometimes “domestic scenes,” re-enacting specific emotions and situations imposed upon the viewer.
They are constructed emotional spaces where dramaturgy and spatiality are as essential as gesture.
Since childhood, I’ve been fascinated by electronic household objects : functional, beautiful, and strangely intimate.
I like to subvert them, to give them new meaning, to let them speak about the world we live in.
Their obsolescence, driven by over-performance and endless updates — makes them symbols of our relationship to progress and dependency.
The idea of comfort is central to my work :
Today, comfort has become a standard imposed by technology. Our bodies and minds conform to devices and interfaces without even noticing. From home appliances to smartphones, these systems shape how we live, think, and feel.
This tension between comfort and dependence, technology and flesh is what I seek to make visible, almost tangible, through performance.
iMom, 愛(ai)Baby (2025)
Invited by @magazineantidote / @antidoteparty__
02.10 — Movida Club Paris during FW
Director: @cellulemere
Performers: @nymphorchidea (Anna R) & @digitsphere (Julia)
Photographer: @alaricfer
Sounds/Text: Cellulemere000ooo & Nymphorchidea voices « iMom ai愛baby » & « Per-𝑓ormare » Text remix track with Distanced and Hollow by Waynette
Hairstylist: @nomorecocorse
Assistant: @stellabocle
iMom, 愛(ai)Baby explores maternal love in its most absolute form — a love so intense it erases the boundary between mother and child.
The child becomes an image, a projection, a cellular and technological extension of the mother.
The title plays on the ambiguity between 「愛」 (ai) — love — and A.I., artificial intelligence:
“I, mother, love my child.” / “A mother loving an artificial intelligence.”
“The mother no longer awaits a child, but a package;
every notification becomes an ultrasound,
every delivery a birth.
The womb merges with the shopping cart.”
The performance is conceived as an autonomous scene : a continuous, self-contained action.
I imagine my performances as “scenes of life,” sometimes “domestic scenes,” re-enacting specific emotions and situations imposed upon the viewer.
They are constructed emotional spaces where dramaturgy and spatiality are as essential as gesture.
Since childhood, I’ve been fascinated by electronic household objects : functional, beautiful, and strangely intimate.
I like to subvert them, to give them new meaning, to let them speak about the world we live in.
Their obsolescence, driven by over-performance and endless updates — makes them symbols of our relationship to progress and dependency.
The idea of comfort is central to my work :
Today, comfort has become a standard imposed by technology. Our bodies and minds conform to devices and interfaces without even noticing. From home appliances to smartphones, these systems shape how we live, think, and feel.
This tension between comfort and dependence, technology and flesh is what I seek to make visible, almost tangible, through performance.
iMom, 愛(ai)Baby (2025)
Invited by @magazineantidote / @antidoteparty__
02.10 — Movida Club Paris during FW
Director: @cellulemere
Performers: @nymphorchidea (Anna R) & @digitsphere (Julia)
Photographer: @alaricfer
Sounds/Text: Cellulemere000ooo & Nymphorchidea voices « iMom ai愛baby » & « Per-𝑓ormare » Text remix track with Distanced and Hollow by Waynette
Hairstylist: @nomorecocorse
Assistant: @stellabocle
iMom, 愛(ai)Baby explores maternal love in its most absolute form — a love so intense it erases the boundary between mother and child.
The child becomes an image, a projection, a cellular and technological extension of the mother.
The title plays on the ambiguity between 「愛」 (ai) — love — and A.I., artificial intelligence:
“I, mother, love my child.” / “A mother loving an artificial intelligence.”
“The mother no longer awaits a child, but a package;
every notification becomes an ultrasound,
every delivery a birth.
The womb merges with the shopping cart.”
The performance is conceived as an autonomous scene : a continuous, self-contained action.
I imagine my performances as “scenes of life,” sometimes “domestic scenes,” re-enacting specific emotions and situations imposed upon the viewer.
They are constructed emotional spaces where dramaturgy and spatiality are as essential as gesture.
Since childhood, I’ve been fascinated by electronic household objects : functional, beautiful, and strangely intimate.
I like to subvert them, to give them new meaning, to let them speak about the world we live in.
Their obsolescence, driven by over-performance and endless updates — makes them symbols of our relationship to progress and dependency.
The idea of comfort is central to my work :
Today, comfort has become a standard imposed by technology. Our bodies and minds conform to devices and interfaces without even noticing. From home appliances to smartphones, these systems shape how we live, think, and feel.
This tension between comfort and dependence, technology and flesh is what I seek to make visible, almost tangible, through performance.
iMom, 愛(ai)Baby (2025)
Invited by @magazineantidote / @antidoteparty__
02.10 — Movida Club Paris during FW
Director: @cellulemere
Performers: @nymphorchidea (Anna R) & @digitsphere (Julia)
Photographer: @alaricfer
Sounds/Text: Cellulemere000ooo & Nymphorchidea voices « iMom ai愛baby » & « Per-𝑓ormare » Text remix track with Distanced and Hollow by Waynette
Hairstylist: @nomorecocorse
Assistant: @stellabocle
iMom, 愛(ai)Baby explores maternal love in its most absolute form — a love so intense it erases the boundary between mother and child.
The child becomes an image, a projection, a cellular and technological extension of the mother.
The title plays on the ambiguity between 「愛」 (ai) — love — and A.I., artificial intelligence:
“I, mother, love my child.” / “A mother loving an artificial intelligence.”
“The mother no longer awaits a child, but a package;
every notification becomes an ultrasound,
every delivery a birth.
The womb merges with the shopping cart.”
The performance is conceived as an autonomous scene : a continuous, self-contained action.
I imagine my performances as “scenes of life,” sometimes “domestic scenes,” re-enacting specific emotions and situations imposed upon the viewer.
They are constructed emotional spaces where dramaturgy and spatiality are as essential as gesture.
Since childhood, I’ve been fascinated by electronic household objects : functional, beautiful, and strangely intimate.
I like to subvert them, to give them new meaning, to let them speak about the world we live in.
Their obsolescence, driven by over-performance and endless updates — makes them symbols of our relationship to progress and dependency.
The idea of comfort is central to my work :
Today, comfort has become a standard imposed by technology. Our bodies and minds conform to devices and interfaces without even noticing. From home appliances to smartphones, these systems shape how we live, think, and feel.
This tension between comfort and dependence, technology and flesh is what I seek to make visible, almost tangible, through performance.
iMom, 愛(ai)Baby (2025)
Invited by @magazineantidote / @antidoteparty__
02.10 — Movida Club Paris during FW
Director: @cellulemere
Performers: @nymphorchidea (Anna R) & @digitsphere (Julia)
Photographer: @alaricfer
Sounds/Text: Cellulemere000ooo & Nymphorchidea voices « iMom ai愛baby » & « Per-𝑓ormare » Text remix track with Distanced and Hollow by Waynette
Hairstylist: @nomorecocorse
Assistant: @stellabocle
iMom, 愛(ai)Baby explores maternal love in its most absolute form — a love so intense it erases the boundary between mother and child.
The child becomes an image, a projection, a cellular and technological extension of the mother.
The title plays on the ambiguity between 「愛」 (ai) — love — and A.I., artificial intelligence:
“I, mother, love my child.” / “A mother loving an artificial intelligence.”
“The mother no longer awaits a child, but a package;
every notification becomes an ultrasound,
every delivery a birth.
The womb merges with the shopping cart.”
The performance is conceived as an autonomous scene : a continuous, self-contained action.
I imagine my performances as “scenes of life,” sometimes “domestic scenes,” re-enacting specific emotions and situations imposed upon the viewer.
They are constructed emotional spaces where dramaturgy and spatiality are as essential as gesture.
Since childhood, I’ve been fascinated by electronic household objects : functional, beautiful, and strangely intimate.
I like to subvert them, to give them new meaning, to let them speak about the world we live in.
Their obsolescence, driven by over-performance and endless updates — makes them symbols of our relationship to progress and dependency.
The idea of comfort is central to my work :
Today, comfort has become a standard imposed by technology. Our bodies and minds conform to devices and interfaces without even noticing. From home appliances to smartphones, these systems shape how we live, think, and feel.
This tension between comfort and dependence, technology and flesh is what I seek to make visible, almost tangible, through performance.
iMom, 愛(ai)Baby (2025)
Invited by @magazineantidote / @antidoteparty__
02.10 — Movida Club Paris during FW
Director: @cellulemere
Performers: @nymphorchidea (Anna R) & @digitsphere (Julia)
Photographer: @alaricfer
Sounds/Text: Cellulemere000ooo & Nymphorchidea voices « iMom ai愛baby » & « Per-𝑓ormare » Text remix track with Distanced and Hollow by Waynette
Hairstylist: @nomorecocorse
Assistant: @stellabocle
iMom, 愛(ai)Baby explores maternal love in its most absolute form — a love so intense it erases the boundary between mother and child.
The child becomes an image, a projection, a cellular and technological extension of the mother.
The title plays on the ambiguity between 「愛」 (ai) — love — and A.I., artificial intelligence:
“I, mother, love my child.” / “A mother loving an artificial intelligence.”
“The mother no longer awaits a child, but a package;
every notification becomes an ultrasound,
every delivery a birth.
The womb merges with the shopping cart.”
The performance is conceived as an autonomous scene : a continuous, self-contained action.
I imagine my performances as “scenes of life,” sometimes “domestic scenes,” re-enacting specific emotions and situations imposed upon the viewer.
They are constructed emotional spaces where dramaturgy and spatiality are as essential as gesture.
Since childhood, I’ve been fascinated by electronic household objects : functional, beautiful, and strangely intimate.
I like to subvert them, to give them new meaning, to let them speak about the world we live in.
Their obsolescence, driven by over-performance and endless updates — makes them symbols of our relationship to progress and dependency.
The idea of comfort is central to my work :
Today, comfort has become a standard imposed by technology. Our bodies and minds conform to devices and interfaces without even noticing. From home appliances to smartphones, these systems shape how we live, think, and feel.
This tension between comfort and dependence, technology and flesh is what I seek to make visible, almost tangible, through performance.
iMom, 愛(ai)Baby (2025)
Invited by @magazineantidote / @antidoteparty__
02.10 — Movida Club Paris during FW
Director: @cellulemere
Performers: @nymphorchidea (Anna R) & @digitsphere (Julia)
Photographer: @alaricfer
Sounds/Text: Cellulemere000ooo & Nymphorchidea voices « iMom ai愛baby » & « Per-𝑓ormare » Text remix track with Distanced and Hollow by Waynette
Hairstylist: @nomorecocorse
Assistant: @stellabocle
iMom, 愛(ai)Baby explores maternal love in its most absolute form — a love so intense it erases the boundary between mother and child.
The child becomes an image, a projection, a cellular and technological extension of the mother.
The title plays on the ambiguity between 「愛」 (ai) — love — and A.I., artificial intelligence:
“I, mother, love my child.” / “A mother loving an artificial intelligence.”
“The mother no longer awaits a child, but a package;
every notification becomes an ultrasound,
every delivery a birth.
The womb merges with the shopping cart.”
The performance is conceived as an autonomous scene : a continuous, self-contained action.
I imagine my performances as “scenes of life,” sometimes “domestic scenes,” re-enacting specific emotions and situations imposed upon the viewer.
They are constructed emotional spaces where dramaturgy and spatiality are as essential as gesture.
Since childhood, I’ve been fascinated by electronic household objects : functional, beautiful, and strangely intimate.
I like to subvert them, to give them new meaning, to let them speak about the world we live in.
Their obsolescence, driven by over-performance and endless updates — makes them symbols of our relationship to progress and dependency.
The idea of comfort is central to my work :
Today, comfort has become a standard imposed by technology. Our bodies and minds conform to devices and interfaces without even noticing. From home appliances to smartphones, these systems shape how we live, think, and feel.
This tension between comfort and dependence, technology and flesh is what I seek to make visible, almost tangible, through performance.
iMom, 愛(ai)Baby (2025)
Invited by @magazineantidote / @antidoteparty__
02.10 — Movida Club Paris during FW
Director: @cellulemere
Performers: @nymphorchidea (Anna R) & @digitsphere (Julia)
Photographer: @alaricfer
Sounds/Text: Cellulemere000ooo & Nymphorchidea voices « iMom ai愛baby » & « Per-𝑓ormare » Text remix track with Distanced and Hollow by Waynette
Hairstylist: @nomorecocorse
Assistant: @stellabocle
iMom, 愛(ai)Baby explores maternal love in its most absolute form — a love so intense it erases the boundary between mother and child.
The child becomes an image, a projection, a cellular and technological extension of the mother.
The title plays on the ambiguity between 「愛」 (ai) — love — and A.I., artificial intelligence:
“I, mother, love my child.” / “A mother loving an artificial intelligence.”
“The mother no longer awaits a child, but a package;
every notification becomes an ultrasound,
every delivery a birth.
The womb merges with the shopping cart.”
The performance is conceived as an autonomous scene : a continuous, self-contained action.
I imagine my performances as “scenes of life,” sometimes “domestic scenes,” re-enacting specific emotions and situations imposed upon the viewer.
They are constructed emotional spaces where dramaturgy and spatiality are as essential as gesture.
Since childhood, I’ve been fascinated by electronic household objects : functional, beautiful, and strangely intimate.
I like to subvert them, to give them new meaning, to let them speak about the world we live in.
Their obsolescence, driven by over-performance and endless updates — makes them symbols of our relationship to progress and dependency.
The idea of comfort is central to my work :
Today, comfort has become a standard imposed by technology. Our bodies and minds conform to devices and interfaces without even noticing. From home appliances to smartphones, these systems shape how we live, think, and feel.
This tension between comfort and dependence, technology and flesh is what I seek to make visible, almost tangible, through performance.
iMom, 愛(ai)Baby (2025)
Invited by @magazineantidote / @antidoteparty__
02.10 — Movida Club Paris during FW
Director: @cellulemere
Performers: @nymphorchidea (Anna R) & @digitsphere (Julia)
Photographer: @alaricfer
Sounds/Text: Cellulemere000ooo & Nymphorchidea voices « iMom ai愛baby » & « Per-𝑓ormare » Text remix track with Distanced and Hollow by Waynette
Hairstylist: @nomorecocorse
Assistant: @stellabocle
iMom, 愛(ai)Baby explores maternal love in its most absolute form — a love so intense it erases the boundary between mother and child.
The child becomes an image, a projection, a cellular and technological extension of the mother.
The title plays on the ambiguity between 「愛」 (ai) — love — and A.I., artificial intelligence:
“I, mother, love my child.” / “A mother loving an artificial intelligence.”
“The mother no longer awaits a child, but a package;
every notification becomes an ultrasound,
every delivery a birth.
The womb merges with the shopping cart.”
The performance is conceived as an autonomous scene : a continuous, self-contained action.
I imagine my performances as “scenes of life,” sometimes “domestic scenes,” re-enacting specific emotions and situations imposed upon the viewer.
They are constructed emotional spaces where dramaturgy and spatiality are as essential as gesture.
Since childhood, I’ve been fascinated by electronic household objects : functional, beautiful, and strangely intimate.
I like to subvert them, to give them new meaning, to let them speak about the world we live in.
Their obsolescence, driven by over-performance and endless updates — makes them symbols of our relationship to progress and dependency.
The idea of comfort is central to my work :
Today, comfort has become a standard imposed by technology. Our bodies and minds conform to devices and interfaces without even noticing. From home appliances to smartphones, these systems shape how we live, think, and feel.
This tension between comfort and dependence, technology and flesh is what I seek to make visible, almost tangible, through performance.
iMom, 愛(ai)Baby (2025)
Invited by @magazineantidote / @antidoteparty__
02.10 — Movida Club Paris during FW
Director: @cellulemere
Performers: @nymphorchidea (Anna R) & @digitsphere (Julia)
Photographer: @alaricfer
Sounds/Text: Cellulemere000ooo & Nymphorchidea voices « iMom ai愛baby » & « Per-𝑓ormare » Text remix track with Distanced and Hollow by Waynette
Hairstylist: @nomorecocorse
Assistant: @stellabocle
iMom, 愛(ai)Baby explores maternal love in its most absolute form — a love so intense it erases the boundary between mother and child.
The child becomes an image, a projection, a cellular and technological extension of the mother.
The title plays on the ambiguity between 「愛」 (ai) — love — and A.I., artificial intelligence:
“I, mother, love my child.” / “A mother loving an artificial intelligence.”
“The mother no longer awaits a child, but a package;
every notification becomes an ultrasound,
every delivery a birth.
The womb merges with the shopping cart.”
The performance is conceived as an autonomous scene : a continuous, self-contained action.
I imagine my performances as “scenes of life,” sometimes “domestic scenes,” re-enacting specific emotions and situations imposed upon the viewer.
They are constructed emotional spaces where dramaturgy and spatiality are as essential as gesture.
Since childhood, I’ve been fascinated by electronic household objects : functional, beautiful, and strangely intimate.
I like to subvert them, to give them new meaning, to let them speak about the world we live in.
Their obsolescence, driven by over-performance and endless updates — makes them symbols of our relationship to progress and dependency.
The idea of comfort is central to my work :
Today, comfort has become a standard imposed by technology. Our bodies and minds conform to devices and interfaces without even noticing. From home appliances to smartphones, these systems shape how we live, think, and feel.
This tension between comfort and dependence, technology and flesh is what I seek to make visible, almost tangible, through performance.
iMom, 愛(ai)Baby (2025)
Invited by @magazineantidote / @antidoteparty__
02.10 — Movida Club Paris during FW
Director: @cellulemere
Performers: @nymphorchidea (Anna R) & @digitsphere (Julia)
Photographer: @alaricfer
Sounds/Text: Cellulemere000ooo & Nymphorchidea voices « iMom ai愛baby » & « Per-𝑓ormare » Text remix track with Distanced and Hollow by Waynette
Hairstylist: @nomorecocorse
Assistant: @stellabocle
iMom, 愛(ai)Baby explores maternal love in its most absolute form — a love so intense it erases the boundary between mother and child.
The child becomes an image, a projection, a cellular and technological extension of the mother.
The title plays on the ambiguity between 「愛」 (ai) — love — and A.I., artificial intelligence:
“I, mother, love my child.” / “A mother loving an artificial intelligence.”
“The mother no longer awaits a child, but a package;
every notification becomes an ultrasound,
every delivery a birth.
The womb merges with the shopping cart.”
The performance is conceived as an autonomous scene : a continuous, self-contained action.
I imagine my performances as “scenes of life,” sometimes “domestic scenes,” re-enacting specific emotions and situations imposed upon the viewer.
They are constructed emotional spaces where dramaturgy and spatiality are as essential as gesture.
Since childhood, I’ve been fascinated by electronic household objects : functional, beautiful, and strangely intimate.
I like to subvert them, to give them new meaning, to let them speak about the world we live in.
Their obsolescence, driven by over-performance and endless updates — makes them symbols of our relationship to progress and dependency.
The idea of comfort is central to my work :
Today, comfort has become a standard imposed by technology. Our bodies and minds conform to devices and interfaces without even noticing. From home appliances to smartphones, these systems shape how we live, think, and feel.
This tension between comfort and dependence, technology and flesh is what I seek to make visible, almost tangible, through performance.
iMom, 愛(ai)Baby (2025)
Invited by @magazineantidote / @antidoteparty__
02.10 — Movida Club Paris during FW
Director: @cellulemere
Performers: @nymphorchidea (Anna R) & @digitsphere (Julia)
Photographer: @alaricfer
Sounds/Text: Cellulemere000ooo & Nymphorchidea voices « iMom ai愛baby » & « Per-𝑓ormare » Text remix track with Distanced and Hollow by Waynette
Hairstylist: @nomorecocorse
Assistant: @stellabocle
iMom, 愛(ai)Baby explores maternal love in its most absolute form — a love so intense it erases the boundary between mother and child.
The child becomes an image, a projection, a cellular and technological extension of the mother.
The title plays on the ambiguity between 「愛」 (ai) — love — and A.I., artificial intelligence:
“I, mother, love my child.” / “A mother loving an artificial intelligence.”
“The mother no longer awaits a child, but a package;
every notification becomes an ultrasound,
every delivery a birth.
The womb merges with the shopping cart.”
The performance is conceived as an autonomous scene : a continuous, self-contained action.
I imagine my performances as “scenes of life,” sometimes “domestic scenes,” re-enacting specific emotions and situations imposed upon the viewer.
They are constructed emotional spaces where dramaturgy and spatiality are as essential as gesture.
Since childhood, I’ve been fascinated by electronic household objects : functional, beautiful, and strangely intimate.
I like to subvert them, to give them new meaning, to let them speak about the world we live in.
Their obsolescence, driven by over-performance and endless updates — makes them symbols of our relationship to progress and dependency.
The idea of comfort is central to my work :
Today, comfort has become a standard imposed by technology. Our bodies and minds conform to devices and interfaces without even noticing. From home appliances to smartphones, these systems shape how we live, think, and feel.
This tension between comfort and dependence, technology and flesh is what I seek to make visible, almost tangible, through performance.
iMom, 愛(ai)Baby (2025)
Invited by @magazineantidote / @antidoteparty__
02.10 — Movida Club Paris during FW
Director: @cellulemere
Performers: @nymphorchidea (Anna R) & @digitsphere (Julia)
Photographer: @alaricfer
Sounds/Text: Cellulemere000ooo & Nymphorchidea voices « iMom ai愛baby » & « Per-𝑓ormare » Text remix track with Distanced and Hollow by Waynette
Hairstylist: @nomorecocorse
Assistant: @stellabocle
iMom, 愛(ai)Baby explores maternal love in its most absolute form — a love so intense it erases the boundary between mother and child.
The child becomes an image, a projection, a cellular and technological extension of the mother.
The title plays on the ambiguity between 「愛」 (ai) — love — and A.I., artificial intelligence:
“I, mother, love my child.” / “A mother loving an artificial intelligence.”
“The mother no longer awaits a child, but a package;
every notification becomes an ultrasound,
every delivery a birth.
The womb merges with the shopping cart.”
The performance is conceived as an autonomous scene : a continuous, self-contained action.
I imagine my performances as “scenes of life,” sometimes “domestic scenes,” re-enacting specific emotions and situations imposed upon the viewer.
They are constructed emotional spaces where dramaturgy and spatiality are as essential as gesture.
Since childhood, I’ve been fascinated by electronic household objects : functional, beautiful, and strangely intimate.
I like to subvert them, to give them new meaning, to let them speak about the world we live in.
Their obsolescence, driven by over-performance and endless updates — makes them symbols of our relationship to progress and dependency.
The idea of comfort is central to my work :
Today, comfort has become a standard imposed by technology. Our bodies and minds conform to devices and interfaces without even noticing. From home appliances to smartphones, these systems shape how we live, think, and feel.
This tension between comfort and dependence, technology and flesh is what I seek to make visible, almost tangible, through performance.
iMom, 愛(ai)Baby (2025)
Invited by @magazineantidote / @antidoteparty__
02.10 — Movida Club Paris during FW
Director: @cellulemere
Performers: @nymphorchidea (Anna R) & @digitsphere (Julia)
Photographer: @alaricfer
Sounds/Text: Cellulemere000ooo & Nymphorchidea voices « iMom ai愛baby » & « Per-𝑓ormare » Text remix track with Distanced and Hollow by Waynette
Hairstylist: @nomorecocorse
Assistant: @stellabocle
iMom, 愛(ai)Baby explores maternal love in its most absolute form — a love so intense it erases the boundary between mother and child.
The child becomes an image, a projection, a cellular and technological extension of the mother.
The title plays on the ambiguity between 「愛」 (ai) — love — and A.I., artificial intelligence:
“I, mother, love my child.” / “A mother loving an artificial intelligence.”
“The mother no longer awaits a child, but a package;
every notification becomes an ultrasound,
every delivery a birth.
The womb merges with the shopping cart.”
The performance is conceived as an autonomous scene : a continuous, self-contained action.
I imagine my performances as “scenes of life,” sometimes “domestic scenes,” re-enacting specific emotions and situations imposed upon the viewer.
They are constructed emotional spaces where dramaturgy and spatiality are as essential as gesture.
Since childhood, I’ve been fascinated by electronic household objects : functional, beautiful, and strangely intimate.
I like to subvert them, to give them new meaning, to let them speak about the world we live in.
Their obsolescence, driven by over-performance and endless updates — makes them symbols of our relationship to progress and dependency.
The idea of comfort is central to my work :
Today, comfort has become a standard imposed by technology. Our bodies and minds conform to devices and interfaces without even noticing. From home appliances to smartphones, these systems shape how we live, think, and feel.
This tension between comfort and dependence, technology and flesh is what I seek to make visible, almost tangible, through performance.
iMom, 愛(ai)Baby (2025)
Invited by @magazineantidote / @antidoteparty__
02.10 — Movida Club Paris during FW
Director: @cellulemere
Performers: @nymphorchidea (Anna R) & @digitsphere (Julia)
Photographer: @alaricfer
Sounds/Text: Cellulemere000ooo & Nymphorchidea voices « iMom ai愛baby » & « Per-𝑓ormare » Text remix track with Distanced and Hollow by Waynette
Hairstylist: @nomorecocorse
Assistant: @stellabocle
iMom, 愛(ai)Baby explores maternal love in its most absolute form — a love so intense it erases the boundary between mother and child.
The child becomes an image, a projection, a cellular and technological extension of the mother.
The title plays on the ambiguity between 「愛」 (ai) — love — and A.I., artificial intelligence:
“I, mother, love my child.” / “A mother loving an artificial intelligence.”
“The mother no longer awaits a child, but a package;
every notification becomes an ultrasound,
every delivery a birth.
The womb merges with the shopping cart.”
The performance is conceived as an autonomous scene : a continuous, self-contained action.
I imagine my performances as “scenes of life,” sometimes “domestic scenes,” re-enacting specific emotions and situations imposed upon the viewer.
They are constructed emotional spaces where dramaturgy and spatiality are as essential as gesture.
Since childhood, I’ve been fascinated by electronic household objects : functional, beautiful, and strangely intimate.
I like to subvert them, to give them new meaning, to let them speak about the world we live in.
Their obsolescence, driven by over-performance and endless updates — makes them symbols of our relationship to progress and dependency.
The idea of comfort is central to my work :
Today, comfort has become a standard imposed by technology. Our bodies and minds conform to devices and interfaces without even noticing. From home appliances to smartphones, these systems shape how we live, think, and feel.
This tension between comfort and dependence, technology and flesh is what I seek to make visible, almost tangible, through performance.
Some more pictures about the Paris Salon,
All credits to the photographer, @felkor.fitz
Some more pictures about the Paris Salon,
All credits to the photographer, @felkor.fitz
Some more pictures about the Paris Salon,
All credits to the photographer, @felkor.fitz
Some more pictures about the Paris Salon,
All credits to the photographer, @felkor.fitz
Some more pictures about the Paris Salon,
All credits to the photographer, @felkor.fitz
Summup of the @ssense x @viviennewestwood shooting
Thanks a lot,
Photo : @studioroche
Stylist : @laetitiagimenez
Hair : @natsumiebiko
Makeup : @gianluca.venerdini
Summup of the @ssense x @viviennewestwood shooting
Thanks a lot,
Photo : @studioroche
Stylist : @laetitiagimenez
Hair : @natsumiebiko
Makeup : @gianluca.venerdini
Summup of the @ssense x @viviennewestwood shooting
Thanks a lot,
Photo : @studioroche
Stylist : @laetitiagimenez
Hair : @natsumiebiko
Makeup : @gianluca.venerdini
Summup of the @ssense x @viviennewestwood shooting
Thanks a lot,
Photo : @studioroche
Stylist : @laetitiagimenez
Hair : @natsumiebiko
Makeup : @gianluca.venerdini
Summup of the @ssense x @viviennewestwood shooting
Thanks a lot,
Photo : @studioroche
Stylist : @laetitiagimenez
Hair : @natsumiebiko
Makeup : @gianluca.venerdini
Summup of the @ssense x @viviennewestwood shooting
Thanks a lot,
Photo : @studioroche
Stylist : @laetitiagimenez
Hair : @natsumiebiko
Makeup : @gianluca.venerdini
View Instagram Stories in Secret
The Instagram Story Viewer is an easy tool that lets you secretly watch and save Instagram stories, videos, photos, or IGTV. With this service, you can download content and enjoy it offline whenever you like. If you find something interesting on Instagram that you’d like to check out later or want to view stories while staying anonymous, our Viewer is perfect for you. Anonstories offers an excellent solution for keeping your identity hidden. Instagram first launched the Stories feature in August 2023, which was quickly adopted by other platforms due to its engaging, time-sensitive format. Stories let users share quick updates, whether photos, videos, or selfies, enhanced with text, emojis, or filters, and are visible for only 24 hours. This limited time frame creates high engagement compared to regular posts. In today’s world, Stories are one of the most popular ways to connect and communicate on social media. However, when you view a Story, the creator can see your name in their viewer list, which may be a privacy concern. What if you wish to browse Stories without being noticed? Here’s where Anonstories becomes useful. It allows you to watch public Instagram content without revealing your identity. Simply enter the username of the profile you’re curious about, and the tool will display their latest Stories. Features of Anonstories Viewer: - Anonymous Browsing: Watch Stories without showing up on the viewer list. - No Account Needed: View public content without signing up for an Instagram account. - Content Download: Save any Stories content directly to your device for offline use. - View Highlights: Access Instagram Highlights, even beyond the 24-hour window. - Repost Monitoring: Track the reposts or engagement levels on Stories for personal profiles. Limitations: - This tool works only with public accounts; private accounts remain inaccessible. Benefits: - Privacy-Friendly: Watch any Instagram content without being noticed. - Simple and Easy: No app installation or registration required. - Exclusive Tools: Download and manage content in ways Instagram doesn’t offer.
Advantages of Anonstories
Explore IG Stories Privately
Keep track of Instagram updates discreetly while protecting your privacy and staying anonymous.
Private Instagram Viewer
View profiles and photos anonymously with ease using the Private Profile Viewer.
Story Viewer for Free
This free tool allows you to view Instagram Stories anonymously, ensuring your activity remains hidden from the story uploader.
Frequently asked questions
Anonymity
Anonstories lets users view Instagram stories without alerting the creator.
Device Compatibility
Works seamlessly on iOS, Android, Windows, macOS, and modern browsers like Chrome and Safari.
Safety and Privacy
Prioritizes secure, anonymous browsing without requiring login credentials.
No Registration
Users can view public stories by simply entering a username—no account needed.
Supported Formats
Downloads photos (JPEG) and videos (MP4) with ease.
Cost
The service is free to use.
Private Accounts
Content from private accounts can only be accessed by followers.
File Usage
Files are for personal or educational use only and must comply with copyright rules.
How It Works
Enter a public username to view or download stories. The service generates direct links for saving content locally.