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Set design & Stage design for Judassime
Spring / Summer 2026 — “Lost Highway” (@judassime)
At @u122ae_club
For Lost in the Highway, I created a nocturnal Cabinet of Curiosities : a space between laboratory and battlefield, where creatures of the night confront their own demons.
The installation features four 2-meter-tall articulated mirror arms in stainless steel, a pair of siamese articulated mirror arms on a brushed aluminum rolling cart, and at the center, a glass box paludarium with natural branches, colored water, and a fog machine.
At the heart of the stage lies « les (Bonnes) Mines » Project - I designed and crafted 18 custom sculpted mirror mines with the help of @cclalr3 , scattered across the floor. Each mine embodies the dark zones within ourselves wounds, sins, obsessions. You try to avoid them, but inevitably step on one, triggering your own transformation.
Performers drift through fog and flickering neon lights among ruins, fragile yet powerful, until madness erupts: mirrors shatter, light explodes, beauty fractures. It is the calm before the storm, a journey from fragility to strength, from chaos to rebirth.
Amid smoke, shattered glass, leather, and silk, the space becomes a landscape of survival, desire, and metamorphosis, where pain turns to romance, ruin to beauty, darkness to light.
Thank you @xirojin for inviting me to be part of this big project.
Creative Director: Judassime @judassime
Production Manager: @xirojin
Assistant Manager: @ct0rius
Photography: @elia_gabassi
Hair: @karoliinasaunders
Makeup: @raphael.arcadios
Nails: @vitalessca
PR Management: @ritualprojects
Stage & Spatial Design: @cellulemere
Concept assistant : @cclair
Lights : @maximilien__pegasus
Photography : @nymphorchidea
Assistant : @tired_archive & helpers thank you so much
Set design & Stage design for Judassime
Spring / Summer 2026 — “Lost Highway” (@judassime)
At @u122ae_club
For Lost in the Highway, I created a nocturnal Cabinet of Curiosities : a space between laboratory and battlefield, where creatures of the night confront their own demons.
The installation features four 2-meter-tall articulated mirror arms in stainless steel, a pair of siamese articulated mirror arms on a brushed aluminum rolling cart, and at the center, a glass box paludarium with natural branches, colored water, and a fog machine.
At the heart of the stage lies « les (Bonnes) Mines » Project - I designed and crafted 18 custom sculpted mirror mines with the help of @cclalr3 , scattered across the floor. Each mine embodies the dark zones within ourselves wounds, sins, obsessions. You try to avoid them, but inevitably step on one, triggering your own transformation.
Performers drift through fog and flickering neon lights among ruins, fragile yet powerful, until madness erupts: mirrors shatter, light explodes, beauty fractures. It is the calm before the storm, a journey from fragility to strength, from chaos to rebirth.
Amid smoke, shattered glass, leather, and silk, the space becomes a landscape of survival, desire, and metamorphosis, where pain turns to romance, ruin to beauty, darkness to light.
Thank you @xirojin for inviting me to be part of this big project.
Creative Director: Judassime @judassime
Production Manager: @xirojin
Assistant Manager: @ct0rius
Photography: @elia_gabassi
Hair: @karoliinasaunders
Makeup: @raphael.arcadios
Nails: @vitalessca
PR Management: @ritualprojects
Stage & Spatial Design: @cellulemere
Concept assistant : @cclair
Lights : @maximilien__pegasus
Photography : @nymphorchidea
Assistant : @tired_archive & helpers thank you so much
Set design & Stage design for Judassime
Spring / Summer 2026 — “Lost Highway” (@judassime)
At @u122ae_club
For Lost in the Highway, I created a nocturnal Cabinet of Curiosities : a space between laboratory and battlefield, where creatures of the night confront their own demons.
The installation features four 2-meter-tall articulated mirror arms in stainless steel, a pair of siamese articulated mirror arms on a brushed aluminum rolling cart, and at the center, a glass box paludarium with natural branches, colored water, and a fog machine.
At the heart of the stage lies « les (Bonnes) Mines » Project - I designed and crafted 18 custom sculpted mirror mines with the help of @cclalr3 , scattered across the floor. Each mine embodies the dark zones within ourselves wounds, sins, obsessions. You try to avoid them, but inevitably step on one, triggering your own transformation.
Performers drift through fog and flickering neon lights among ruins, fragile yet powerful, until madness erupts: mirrors shatter, light explodes, beauty fractures. It is the calm before the storm, a journey from fragility to strength, from chaos to rebirth.
Amid smoke, shattered glass, leather, and silk, the space becomes a landscape of survival, desire, and metamorphosis, where pain turns to romance, ruin to beauty, darkness to light.
Thank you @xirojin for inviting me to be part of this big project.
Creative Director: Judassime @judassime
Production Manager: @xirojin
Assistant Manager: @ct0rius
Photography: @elia_gabassi
Hair: @karoliinasaunders
Makeup: @raphael.arcadios
Nails: @vitalessca
PR Management: @ritualprojects
Stage & Spatial Design: @cellulemere
Concept assistant : @cclair
Lights : @maximilien__pegasus
Photography : @nymphorchidea
Assistant : @tired_archive & helpers thank you so much
Set design & Stage design for Judassime
Spring / Summer 2026 — “Lost Highway” (@judassime)
At @u122ae_club
For Lost in the Highway, I created a nocturnal Cabinet of Curiosities : a space between laboratory and battlefield, where creatures of the night confront their own demons.
The installation features four 2-meter-tall articulated mirror arms in stainless steel, a pair of siamese articulated mirror arms on a brushed aluminum rolling cart, and at the center, a glass box paludarium with natural branches, colored water, and a fog machine.
At the heart of the stage lies « les (Bonnes) Mines » Project - I designed and crafted 18 custom sculpted mirror mines with the help of @cclalr3 , scattered across the floor. Each mine embodies the dark zones within ourselves wounds, sins, obsessions. You try to avoid them, but inevitably step on one, triggering your own transformation.
Performers drift through fog and flickering neon lights among ruins, fragile yet powerful, until madness erupts: mirrors shatter, light explodes, beauty fractures. It is the calm before the storm, a journey from fragility to strength, from chaos to rebirth.
Amid smoke, shattered glass, leather, and silk, the space becomes a landscape of survival, desire, and metamorphosis, where pain turns to romance, ruin to beauty, darkness to light.
Thank you @xirojin for inviting me to be part of this big project.
Creative Director: Judassime @judassime
Production Manager: @xirojin
Assistant Manager: @ct0rius
Photography: @elia_gabassi
Hair: @karoliinasaunders
Makeup: @raphael.arcadios
Nails: @vitalessca
PR Management: @ritualprojects
Stage & Spatial Design: @cellulemere
Concept assistant : @cclair
Lights : @maximilien__pegasus
Photography : @nymphorchidea
Assistant : @tired_archive & helpers thank you so much
Set design & Stage design for Judassime
Spring / Summer 2026 — “Lost Highway” (@judassime)
At @u122ae_club
For Lost in the Highway, I created a nocturnal Cabinet of Curiosities : a space between laboratory and battlefield, where creatures of the night confront their own demons.
The installation features four 2-meter-tall articulated mirror arms in stainless steel, a pair of siamese articulated mirror arms on a brushed aluminum rolling cart, and at the center, a glass box paludarium with natural branches, colored water, and a fog machine.
At the heart of the stage lies « les (Bonnes) Mines » Project - I designed and crafted 18 custom sculpted mirror mines with the help of @cclalr3 , scattered across the floor. Each mine embodies the dark zones within ourselves wounds, sins, obsessions. You try to avoid them, but inevitably step on one, triggering your own transformation.
Performers drift through fog and flickering neon lights among ruins, fragile yet powerful, until madness erupts: mirrors shatter, light explodes, beauty fractures. It is the calm before the storm, a journey from fragility to strength, from chaos to rebirth.
Amid smoke, shattered glass, leather, and silk, the space becomes a landscape of survival, desire, and metamorphosis, where pain turns to romance, ruin to beauty, darkness to light.
Thank you @xirojin for inviting me to be part of this big project.
Creative Director: Judassime @judassime
Production Manager: @xirojin
Assistant Manager: @ct0rius
Photography: @elia_gabassi
Hair: @karoliinasaunders
Makeup: @raphael.arcadios
Nails: @vitalessca
PR Management: @ritualprojects
Stage & Spatial Design: @cellulemere
Concept assistant : @cclair
Lights : @maximilien__pegasus
Photography : @nymphorchidea
Assistant : @tired_archive & helpers thank you so much
Set design & Stage design for Judassime
Spring / Summer 2026 — “Lost Highway” (@judassime)
At @u122ae_club
For Lost in the Highway, I created a nocturnal Cabinet of Curiosities : a space between laboratory and battlefield, where creatures of the night confront their own demons.
The installation features four 2-meter-tall articulated mirror arms in stainless steel, a pair of siamese articulated mirror arms on a brushed aluminum rolling cart, and at the center, a glass box paludarium with natural branches, colored water, and a fog machine.
At the heart of the stage lies « les (Bonnes) Mines » Project - I designed and crafted 18 custom sculpted mirror mines with the help of @cclalr3 , scattered across the floor. Each mine embodies the dark zones within ourselves wounds, sins, obsessions. You try to avoid them, but inevitably step on one, triggering your own transformation.
Performers drift through fog and flickering neon lights among ruins, fragile yet powerful, until madness erupts: mirrors shatter, light explodes, beauty fractures. It is the calm before the storm, a journey from fragility to strength, from chaos to rebirth.
Amid smoke, shattered glass, leather, and silk, the space becomes a landscape of survival, desire, and metamorphosis, where pain turns to romance, ruin to beauty, darkness to light.
Thank you @xirojin for inviting me to be part of this big project.
Creative Director: Judassime @judassime
Production Manager: @xirojin
Assistant Manager: @ct0rius
Photography: @elia_gabassi
Hair: @karoliinasaunders
Makeup: @raphael.arcadios
Nails: @vitalessca
PR Management: @ritualprojects
Stage & Spatial Design: @cellulemere
Concept assistant : @cclair
Lights : @maximilien__pegasus
Photography : @nymphorchidea
Assistant : @tired_archive & helpers thank you so much
Set design & Stage design for Judassime
Spring / Summer 2026 — “Lost Highway” (@judassime)
At @u122ae_club
For Lost in the Highway, I created a nocturnal Cabinet of Curiosities : a space between laboratory and battlefield, where creatures of the night confront their own demons.
The installation features four 2-meter-tall articulated mirror arms in stainless steel, a pair of siamese articulated mirror arms on a brushed aluminum rolling cart, and at the center, a glass box paludarium with natural branches, colored water, and a fog machine.
At the heart of the stage lies « les (Bonnes) Mines » Project - I designed and crafted 18 custom sculpted mirror mines with the help of @cclalr3 , scattered across the floor. Each mine embodies the dark zones within ourselves wounds, sins, obsessions. You try to avoid them, but inevitably step on one, triggering your own transformation.
Performers drift through fog and flickering neon lights among ruins, fragile yet powerful, until madness erupts: mirrors shatter, light explodes, beauty fractures. It is the calm before the storm, a journey from fragility to strength, from chaos to rebirth.
Amid smoke, shattered glass, leather, and silk, the space becomes a landscape of survival, desire, and metamorphosis, where pain turns to romance, ruin to beauty, darkness to light.
Thank you @xirojin for inviting me to be part of this big project.
Creative Director: Judassime @judassime
Production Manager: @xirojin
Assistant Manager: @ct0rius
Photography: @elia_gabassi
Hair: @karoliinasaunders
Makeup: @raphael.arcadios
Nails: @vitalessca
PR Management: @ritualprojects
Stage & Spatial Design: @cellulemere
Concept assistant : @cclair
Lights : @maximilien__pegasus
Photography : @nymphorchidea
Assistant : @tired_archive & helpers thank you so much
Set design & Stage design for Judassime
Spring / Summer 2026 — “Lost Highway” (@judassime)
At @u122ae_club
For Lost in the Highway, I created a nocturnal Cabinet of Curiosities : a space between laboratory and battlefield, where creatures of the night confront their own demons.
The installation features four 2-meter-tall articulated mirror arms in stainless steel, a pair of siamese articulated mirror arms on a brushed aluminum rolling cart, and at the center, a glass box paludarium with natural branches, colored water, and a fog machine.
At the heart of the stage lies « les (Bonnes) Mines » Project - I designed and crafted 18 custom sculpted mirror mines with the help of @cclalr3 , scattered across the floor. Each mine embodies the dark zones within ourselves wounds, sins, obsessions. You try to avoid them, but inevitably step on one, triggering your own transformation.
Performers drift through fog and flickering neon lights among ruins, fragile yet powerful, until madness erupts: mirrors shatter, light explodes, beauty fractures. It is the calm before the storm, a journey from fragility to strength, from chaos to rebirth.
Amid smoke, shattered glass, leather, and silk, the space becomes a landscape of survival, desire, and metamorphosis, where pain turns to romance, ruin to beauty, darkness to light.
Thank you @xirojin for inviting me to be part of this big project.
Creative Director: Judassime @judassime
Production Manager: @xirojin
Assistant Manager: @ct0rius
Photography: @elia_gabassi
Hair: @karoliinasaunders
Makeup: @raphael.arcadios
Nails: @vitalessca
PR Management: @ritualprojects
Stage & Spatial Design: @cellulemere
Concept assistant : @cclair
Lights : @maximilien__pegasus
Photography : @nymphorchidea
Assistant : @tired_archive & helpers thank you so much
Set design & Stage design for Judassime
Spring / Summer 2026 — “Lost Highway” (@judassime)
At @u122ae_club
For Lost in the Highway, I created a nocturnal Cabinet of Curiosities : a space between laboratory and battlefield, where creatures of the night confront their own demons.
The installation features four 2-meter-tall articulated mirror arms in stainless steel, a pair of siamese articulated mirror arms on a brushed aluminum rolling cart, and at the center, a glass box paludarium with natural branches, colored water, and a fog machine.
At the heart of the stage lies « les (Bonnes) Mines » Project - I designed and crafted 18 custom sculpted mirror mines with the help of @cclalr3 , scattered across the floor. Each mine embodies the dark zones within ourselves wounds, sins, obsessions. You try to avoid them, but inevitably step on one, triggering your own transformation.
Performers drift through fog and flickering neon lights among ruins, fragile yet powerful, until madness erupts: mirrors shatter, light explodes, beauty fractures. It is the calm before the storm, a journey from fragility to strength, from chaos to rebirth.
Amid smoke, shattered glass, leather, and silk, the space becomes a landscape of survival, desire, and metamorphosis, where pain turns to romance, ruin to beauty, darkness to light.
Thank you @xirojin for inviting me to be part of this big project.
Creative Director: Judassime @judassime
Production Manager: @xirojin
Assistant Manager: @ct0rius
Photography: @elia_gabassi
Hair: @karoliinasaunders
Makeup: @raphael.arcadios
Nails: @vitalessca
PR Management: @ritualprojects
Stage & Spatial Design: @cellulemere
Concept assistant : @cclair
Lights : @maximilien__pegasus
Photography : @nymphorchidea
Assistant : @tired_archive & helpers thank you so much
Set design & Stage design for Judassime
Spring / Summer 2026 — “Lost Highway” (@judassime)
At @u122ae_club
For Lost in the Highway, I created a nocturnal Cabinet of Curiosities : a space between laboratory and battlefield, where creatures of the night confront their own demons.
The installation features four 2-meter-tall articulated mirror arms in stainless steel, a pair of siamese articulated mirror arms on a brushed aluminum rolling cart, and at the center, a glass box paludarium with natural branches, colored water, and a fog machine.
At the heart of the stage lies « les (Bonnes) Mines » Project - I designed and crafted 18 custom sculpted mirror mines with the help of @cclalr3 , scattered across the floor. Each mine embodies the dark zones within ourselves wounds, sins, obsessions. You try to avoid them, but inevitably step on one, triggering your own transformation.
Performers drift through fog and flickering neon lights among ruins, fragile yet powerful, until madness erupts: mirrors shatter, light explodes, beauty fractures. It is the calm before the storm, a journey from fragility to strength, from chaos to rebirth.
Amid smoke, shattered glass, leather, and silk, the space becomes a landscape of survival, desire, and metamorphosis, where pain turns to romance, ruin to beauty, darkness to light.
Thank you @xirojin for inviting me to be part of this big project.
Creative Director: Judassime @judassime
Production Manager: @xirojin
Assistant Manager: @ct0rius
Photography: @elia_gabassi
Hair: @karoliinasaunders
Makeup: @raphael.arcadios
Nails: @vitalessca
PR Management: @ritualprojects
Stage & Spatial Design: @cellulemere
Concept assistant : @cclair
Lights : @maximilien__pegasus
Photography : @nymphorchidea
Assistant : @tired_archive & helpers thank you so much
Set design & Stage design for Judassime
Spring / Summer 2026 — “Lost Highway” (@judassime)
At @u122ae_club
For Lost in the Highway, I created a nocturnal Cabinet of Curiosities : a space between laboratory and battlefield, where creatures of the night confront their own demons.
The installation features four 2-meter-tall articulated mirror arms in stainless steel, a pair of siamese articulated mirror arms on a brushed aluminum rolling cart, and at the center, a glass box paludarium with natural branches, colored water, and a fog machine.
At the heart of the stage lies « les (Bonnes) Mines » Project - I designed and crafted 18 custom sculpted mirror mines with the help of @cclalr3 , scattered across the floor. Each mine embodies the dark zones within ourselves wounds, sins, obsessions. You try to avoid them, but inevitably step on one, triggering your own transformation.
Performers drift through fog and flickering neon lights among ruins, fragile yet powerful, until madness erupts: mirrors shatter, light explodes, beauty fractures. It is the calm before the storm, a journey from fragility to strength, from chaos to rebirth.
Amid smoke, shattered glass, leather, and silk, the space becomes a landscape of survival, desire, and metamorphosis, where pain turns to romance, ruin to beauty, darkness to light.
Thank you @xirojin for inviting me to be part of this big project.
Creative Director: Judassime @judassime
Production Manager: @xirojin
Assistant Manager: @ct0rius
Photography: @elia_gabassi
Hair: @karoliinasaunders
Makeup: @raphael.arcadios
Nails: @vitalessca
PR Management: @ritualprojects
Stage & Spatial Design: @cellulemere
Concept assistant : @cclair
Lights : @maximilien__pegasus
Photography : @nymphorchidea
Assistant : @tired_archive & helpers thank you so much
Set design & Stage design for Judassime
Spring / Summer 2026 — “Lost Highway” (@judassime)
At @u122ae_club
For Lost in the Highway, I created a nocturnal Cabinet of Curiosities : a space between laboratory and battlefield, where creatures of the night confront their own demons.
The installation features four 2-meter-tall articulated mirror arms in stainless steel, a pair of siamese articulated mirror arms on a brushed aluminum rolling cart, and at the center, a glass box paludarium with natural branches, colored water, and a fog machine.
At the heart of the stage lies « les (Bonnes) Mines » Project - I designed and crafted 18 custom sculpted mirror mines with the help of @cclalr3 , scattered across the floor. Each mine embodies the dark zones within ourselves wounds, sins, obsessions. You try to avoid them, but inevitably step on one, triggering your own transformation.
Performers drift through fog and flickering neon lights among ruins, fragile yet powerful, until madness erupts: mirrors shatter, light explodes, beauty fractures. It is the calm before the storm, a journey from fragility to strength, from chaos to rebirth.
Amid smoke, shattered glass, leather, and silk, the space becomes a landscape of survival, desire, and metamorphosis, where pain turns to romance, ruin to beauty, darkness to light.
Thank you @xirojin for inviting me to be part of this big project.
Creative Director: Judassime @judassime
Production Manager: @xirojin
Assistant Manager: @ct0rius
Photography: @elia_gabassi
Hair: @karoliinasaunders
Makeup: @raphael.arcadios
Nails: @vitalessca
PR Management: @ritualprojects
Stage & Spatial Design: @cellulemere
Concept assistant : @cclair
Lights : @maximilien__pegasus
Photography : @nymphorchidea
Assistant : @tired_archive & helpers thank you so much
Set design & Stage design for Judassime
Spring / Summer 2026 — “Lost Highway” (@judassime)
At @u122ae_club
For Lost in the Highway, I created a nocturnal Cabinet of Curiosities : a space between laboratory and battlefield, where creatures of the night confront their own demons.
The installation features four 2-meter-tall articulated mirror arms in stainless steel, a pair of siamese articulated mirror arms on a brushed aluminum rolling cart, and at the center, a glass box paludarium with natural branches, colored water, and a fog machine.
At the heart of the stage lies « les (Bonnes) Mines » Project - I designed and crafted 18 custom sculpted mirror mines with the help of @cclalr3 , scattered across the floor. Each mine embodies the dark zones within ourselves wounds, sins, obsessions. You try to avoid them, but inevitably step on one, triggering your own transformation.
Performers drift through fog and flickering neon lights among ruins, fragile yet powerful, until madness erupts: mirrors shatter, light explodes, beauty fractures. It is the calm before the storm, a journey from fragility to strength, from chaos to rebirth.
Amid smoke, shattered glass, leather, and silk, the space becomes a landscape of survival, desire, and metamorphosis, where pain turns to romance, ruin to beauty, darkness to light.
Thank you @xirojin for inviting me to be part of this big project.
Creative Director: Judassime @judassime
Production Manager: @xirojin
Assistant Manager: @ct0rius
Photography: @elia_gabassi
Hair: @karoliinasaunders
Makeup: @raphael.arcadios
Nails: @vitalessca
PR Management: @ritualprojects
Stage & Spatial Design: @cellulemere
Concept assistant : @cclair
Lights : @maximilien__pegasus
Photography : @nymphorchidea
Assistant : @tired_archive & helpers thank you so much
Set design & Stage design for Judassime
Spring / Summer 2026 — “Lost Highway” (@judassime)
At @u122ae_club
For Lost in the Highway, I created a nocturnal Cabinet of Curiosities : a space between laboratory and battlefield, where creatures of the night confront their own demons.
The installation features four 2-meter-tall articulated mirror arms in stainless steel, a pair of siamese articulated mirror arms on a brushed aluminum rolling cart, and at the center, a glass box paludarium with natural branches, colored water, and a fog machine.
At the heart of the stage lies « les (Bonnes) Mines » Project - I designed and crafted 18 custom sculpted mirror mines with the help of @cclalr3 , scattered across the floor. Each mine embodies the dark zones within ourselves wounds, sins, obsessions. You try to avoid them, but inevitably step on one, triggering your own transformation.
Performers drift through fog and flickering neon lights among ruins, fragile yet powerful, until madness erupts: mirrors shatter, light explodes, beauty fractures. It is the calm before the storm, a journey from fragility to strength, from chaos to rebirth.
Amid smoke, shattered glass, leather, and silk, the space becomes a landscape of survival, desire, and metamorphosis, where pain turns to romance, ruin to beauty, darkness to light.
Thank you @xirojin for inviting me to be part of this big project.
Creative Director: Judassime @judassime
Production Manager: @xirojin
Assistant Manager: @ct0rius
Photography: @elia_gabassi
Hair: @karoliinasaunders
Makeup: @raphael.arcadios
Nails: @vitalessca
PR Management: @ritualprojects
Stage & Spatial Design: @cellulemere
Concept assistant : @cclair
Lights : @maximilien__pegasus
Photography : @nymphorchidea
Assistant : @tired_archive & helpers thank you so much
Set design & Stage design for Judassime
Spring / Summer 2026 — “Lost Highway” (@judassime)
At @u122ae_club
For Lost in the Highway, I created a nocturnal Cabinet of Curiosities : a space between laboratory and battlefield, where creatures of the night confront their own demons.
The installation features four 2-meter-tall articulated mirror arms in stainless steel, a pair of siamese articulated mirror arms on a brushed aluminum rolling cart, and at the center, a glass box paludarium with natural branches, colored water, and a fog machine.
At the heart of the stage lies « les (Bonnes) Mines » Project - I designed and crafted 18 custom sculpted mirror mines with the help of @cclalr3 , scattered across the floor. Each mine embodies the dark zones within ourselves wounds, sins, obsessions. You try to avoid them, but inevitably step on one, triggering your own transformation.
Performers drift through fog and flickering neon lights among ruins, fragile yet powerful, until madness erupts: mirrors shatter, light explodes, beauty fractures. It is the calm before the storm, a journey from fragility to strength, from chaos to rebirth.
Amid smoke, shattered glass, leather, and silk, the space becomes a landscape of survival, desire, and metamorphosis, where pain turns to romance, ruin to beauty, darkness to light.
Thank you @xirojin for inviting me to be part of this big project.
Creative Director: Judassime @judassime
Production Manager: @xirojin
Assistant Manager: @ct0rius
Photography: @elia_gabassi
Hair: @karoliinasaunders
Makeup: @raphael.arcadios
Nails: @vitalessca
PR Management: @ritualprojects
Stage & Spatial Design: @cellulemere
Concept assistant : @cclair
Lights : @maximilien__pegasus
Photography : @nymphorchidea
Assistant : @tired_archive & helpers thank you so much
Set design & Stage design for Judassime
Spring / Summer 2026 — “Lost Highway” (@judassime)
At @u122ae_club
For Lost in the Highway, I created a nocturnal Cabinet of Curiosities : a space between laboratory and battlefield, where creatures of the night confront their own demons.
The installation features four 2-meter-tall articulated mirror arms in stainless steel, a pair of siamese articulated mirror arms on a brushed aluminum rolling cart, and at the center, a glass box paludarium with natural branches, colored water, and a fog machine.
At the heart of the stage lies « les (Bonnes) Mines » Project - I designed and crafted 18 custom sculpted mirror mines with the help of @cclalr3 , scattered across the floor. Each mine embodies the dark zones within ourselves wounds, sins, obsessions. You try to avoid them, but inevitably step on one, triggering your own transformation.
Performers drift through fog and flickering neon lights among ruins, fragile yet powerful, until madness erupts: mirrors shatter, light explodes, beauty fractures. It is the calm before the storm, a journey from fragility to strength, from chaos to rebirth.
Amid smoke, shattered glass, leather, and silk, the space becomes a landscape of survival, desire, and metamorphosis, where pain turns to romance, ruin to beauty, darkness to light.
Thank you @xirojin for inviting me to be part of this big project.
Creative Director: Judassime @judassime
Production Manager: @xirojin
Assistant Manager: @ct0rius
Photography: @elia_gabassi
Hair: @karoliinasaunders
Makeup: @raphael.arcadios
Nails: @vitalessca
PR Management: @ritualprojects
Stage & Spatial Design: @cellulemere
Concept assistant : @cclair
Lights : @maximilien__pegasus
Photography : @nymphorchidea
Assistant : @tired_archive & helpers thank you so much
Set design & Stage design for Judassime
Spring / Summer 2026 — “Lost Highway” (@judassime)
At @u122ae_club
For Lost in the Highway, I created a nocturnal Cabinet of Curiosities : a space between laboratory and battlefield, where creatures of the night confront their own demons.
The installation features four 2-meter-tall articulated mirror arms in stainless steel, a pair of siamese articulated mirror arms on a brushed aluminum rolling cart, and at the center, a glass box paludarium with natural branches, colored water, and a fog machine.
At the heart of the stage lies « les (Bonnes) Mines » Project - I designed and crafted 18 custom sculpted mirror mines with the help of @cclalr3 , scattered across the floor. Each mine embodies the dark zones within ourselves wounds, sins, obsessions. You try to avoid them, but inevitably step on one, triggering your own transformation.
Performers drift through fog and flickering neon lights among ruins, fragile yet powerful, until madness erupts: mirrors shatter, light explodes, beauty fractures. It is the calm before the storm, a journey from fragility to strength, from chaos to rebirth.
Amid smoke, shattered glass, leather, and silk, the space becomes a landscape of survival, desire, and metamorphosis, where pain turns to romance, ruin to beauty, darkness to light.
Thank you @xirojin for inviting me to be part of this big project.
Creative Director: Judassime @judassime
Production Manager: @xirojin
Assistant Manager: @ct0rius
Photography: @elia_gabassi
Hair: @karoliinasaunders
Makeup: @raphael.arcadios
Nails: @vitalessca
PR Management: @ritualprojects
Stage & Spatial Design: @cellulemere
Concept assistant : @cclair
Lights : @maximilien__pegasus
Photography : @nymphorchidea
Assistant : @tired_archive & helpers thank you so much
Set design & Stage design for Judassime
Spring / Summer 2026 — “Lost Highway” (@judassime)
At @u122ae_club
For Lost in the Highway, I created a nocturnal Cabinet of Curiosities : a space between laboratory and battlefield, where creatures of the night confront their own demons.
The installation features four 2-meter-tall articulated mirror arms in stainless steel, a pair of siamese articulated mirror arms on a brushed aluminum rolling cart, and at the center, a glass box paludarium with natural branches, colored water, and a fog machine.
At the heart of the stage lies « les (Bonnes) Mines » Project - I designed and crafted 18 custom sculpted mirror mines with the help of @cclalr3 , scattered across the floor. Each mine embodies the dark zones within ourselves wounds, sins, obsessions. You try to avoid them, but inevitably step on one, triggering your own transformation.
Performers drift through fog and flickering neon lights among ruins, fragile yet powerful, until madness erupts: mirrors shatter, light explodes, beauty fractures. It is the calm before the storm, a journey from fragility to strength, from chaos to rebirth.
Amid smoke, shattered glass, leather, and silk, the space becomes a landscape of survival, desire, and metamorphosis, where pain turns to romance, ruin to beauty, darkness to light.
Thank you @xirojin for inviting me to be part of this big project.
Creative Director: Judassime @judassime
Production Manager: @xirojin
Assistant Manager: @ct0rius
Photography: @elia_gabassi
Hair: @karoliinasaunders
Makeup: @raphael.arcadios
Nails: @vitalessca
PR Management: @ritualprojects
Stage & Spatial Design: @cellulemere
Concept assistant : @cclair
Lights : @maximilien__pegasus
Photography : @nymphorchidea
Assistant : @tired_archive & helpers thank you so much
Set design & Stage design for Judassime
Spring / Summer 2026 — “Lost Highway” (@judassime)
At @u122ae_club
For Lost in the Highway, I created a nocturnal Cabinet of Curiosities : a space between laboratory and battlefield, where creatures of the night confront their own demons.
The installation features four 2-meter-tall articulated mirror arms in stainless steel, a pair of siamese articulated mirror arms on a brushed aluminum rolling cart, and at the center, a glass box paludarium with natural branches, colored water, and a fog machine.
At the heart of the stage lies « les (Bonnes) Mines » Project - I designed and crafted 18 custom sculpted mirror mines with the help of @cclalr3 , scattered across the floor. Each mine embodies the dark zones within ourselves wounds, sins, obsessions. You try to avoid them, but inevitably step on one, triggering your own transformation.
Performers drift through fog and flickering neon lights among ruins, fragile yet powerful, until madness erupts: mirrors shatter, light explodes, beauty fractures. It is the calm before the storm, a journey from fragility to strength, from chaos to rebirth.
Amid smoke, shattered glass, leather, and silk, the space becomes a landscape of survival, desire, and metamorphosis, where pain turns to romance, ruin to beauty, darkness to light.
Thank you @xirojin for inviting me to be part of this big project.
Creative Director: Judassime @judassime
Production Manager: @xirojin
Assistant Manager: @ct0rius
Photography: @elia_gabassi
Hair: @karoliinasaunders
Makeup: @raphael.arcadios
Nails: @vitalessca
PR Management: @ritualprojects
Stage & Spatial Design: @cellulemere
Concept assistant : @cclair
Lights : @maximilien__pegasus
Photography : @nymphorchidea
Assistant : @tired_archive & helpers thank you so much
Set design & Stage design for Judassime
Spring / Summer 2026 — “Lost Highway” (@judassime)
At @u122ae_club
For Lost in the Highway, I created a nocturnal Cabinet of Curiosities : a space between laboratory and battlefield, where creatures of the night confront their own demons.
The installation features four 2-meter-tall articulated mirror arms in stainless steel, a pair of siamese articulated mirror arms on a brushed aluminum rolling cart, and at the center, a glass box paludarium with natural branches, colored water, and a fog machine.
At the heart of the stage lies « les (Bonnes) Mines » Project - I designed and crafted 18 custom sculpted mirror mines with the help of @cclalr3 , scattered across the floor. Each mine embodies the dark zones within ourselves wounds, sins, obsessions. You try to avoid them, but inevitably step on one, triggering your own transformation.
Performers drift through fog and flickering neon lights among ruins, fragile yet powerful, until madness erupts: mirrors shatter, light explodes, beauty fractures. It is the calm before the storm, a journey from fragility to strength, from chaos to rebirth.
Amid smoke, shattered glass, leather, and silk, the space becomes a landscape of survival, desire, and metamorphosis, where pain turns to romance, ruin to beauty, darkness to light.
Thank you @xirojin for inviting me to be part of this big project.
Creative Director: Judassime @judassime
Production Manager: @xirojin
Assistant Manager: @ct0rius
Photography: @elia_gabassi
Hair: @karoliinasaunders
Makeup: @raphael.arcadios
Nails: @vitalessca
PR Management: @ritualprojects
Stage & Spatial Design: @cellulemere
Concept assistant : @cclair
Lights : @maximilien__pegasus
Photography : @nymphorchidea
Assistant : @tired_archive & helpers thank you so much
Stroller iMom (+-) After Care
first fitting for CELL (soon)
“Care becomes necessary after traumatic rupture.”
CELL continues the direction of my previous MA2 research (Contra) Per-Formare , graduated in 2025, exploring performance, techno-capitalism and aftercare.
Performance as power +
efficiency, optimization, productivity, discipline, control, hyper-functionality.
Aftercare as fragility -
repair, recovery, vulnerability, exhaustion, overstimulation, bodily pain.
The project explores the paradox of contemporary systems that constantly push bodies to perform while simultaneously creating the need for continuous repair.
Ergonomic furniture, therapeutic devices, posture correctors, UV LED care systems, articulated supports, rehabilitative heels, mobile technological extensions —
objects designed to support damaged bodies gradually become fashionable prosthetic necessities.
The body is exhausted, yet still expected to appear elegant, stable, productive, and powerful.
Stroller iMom(+-)After Care embodies this tension between strength and collapse :
a coquette, disciplined, hyper-functional figure moving through a world where care itself becomes infrastructure.
The stroller transforms into a mobile CELL :
half medical unit,
half emotional support machine,
half technological altar.
A body in recovery.
A body maintained.
A body still expected to perform.
Upcoming project. Stay tuned
CELL
Design - Cell
Fitting on @digitsphere
Assist partner Set/Content @mastab0lide
#performance #designer #cyber #beauty #technology
Stroller iMom (+-) After Care
first fitting for CELL (soon)
“Care becomes necessary after traumatic rupture.”
CELL continues the direction of my previous MA2 research (Contra) Per-Formare , graduated in 2025, exploring performance, techno-capitalism and aftercare.
Performance as power +
efficiency, optimization, productivity, discipline, control, hyper-functionality.
Aftercare as fragility -
repair, recovery, vulnerability, exhaustion, overstimulation, bodily pain.
The project explores the paradox of contemporary systems that constantly push bodies to perform while simultaneously creating the need for continuous repair.
Ergonomic furniture, therapeutic devices, posture correctors, UV LED care systems, articulated supports, rehabilitative heels, mobile technological extensions —
objects designed to support damaged bodies gradually become fashionable prosthetic necessities.
The body is exhausted, yet still expected to appear elegant, stable, productive, and powerful.
Stroller iMom(+-)After Care embodies this tension between strength and collapse :
a coquette, disciplined, hyper-functional figure moving through a world where care itself becomes infrastructure.
The stroller transforms into a mobile CELL :
half medical unit,
half emotional support machine,
half technological altar.
A body in recovery.
A body maintained.
A body still expected to perform.
Upcoming project. Stay tuned
CELL
Design - Cell
Fitting on @digitsphere
Assist partner Set/Content @mastab0lide
#performance #designer #cyber #beauty #technology
Stroller iMom (+-) After Care
first fitting for CELL (soon)
“Care becomes necessary after traumatic rupture.”
CELL continues the direction of my previous MA2 research (Contra) Per-Formare , graduated in 2025, exploring performance, techno-capitalism and aftercare.
Performance as power +
efficiency, optimization, productivity, discipline, control, hyper-functionality.
Aftercare as fragility -
repair, recovery, vulnerability, exhaustion, overstimulation, bodily pain.
The project explores the paradox of contemporary systems that constantly push bodies to perform while simultaneously creating the need for continuous repair.
Ergonomic furniture, therapeutic devices, posture correctors, UV LED care systems, articulated supports, rehabilitative heels, mobile technological extensions —
objects designed to support damaged bodies gradually become fashionable prosthetic necessities.
The body is exhausted, yet still expected to appear elegant, stable, productive, and powerful.
Stroller iMom(+-)After Care embodies this tension between strength and collapse :
a coquette, disciplined, hyper-functional figure moving through a world where care itself becomes infrastructure.
The stroller transforms into a mobile CELL :
half medical unit,
half emotional support machine,
half technological altar.
A body in recovery.
A body maintained.
A body still expected to perform.
Upcoming project. Stay tuned
CELL
Design - Cell
Fitting on @digitsphere
Assist partner Set/Content @mastab0lide
#performance #designer #cyber #beauty #technology
Stroller iMom (+-) After Care
first fitting for CELL (soon)
“Care becomes necessary after traumatic rupture.”
CELL continues the direction of my previous MA2 research (Contra) Per-Formare , graduated in 2025, exploring performance, techno-capitalism and aftercare.
Performance as power +
efficiency, optimization, productivity, discipline, control, hyper-functionality.
Aftercare as fragility -
repair, recovery, vulnerability, exhaustion, overstimulation, bodily pain.
The project explores the paradox of contemporary systems that constantly push bodies to perform while simultaneously creating the need for continuous repair.
Ergonomic furniture, therapeutic devices, posture correctors, UV LED care systems, articulated supports, rehabilitative heels, mobile technological extensions —
objects designed to support damaged bodies gradually become fashionable prosthetic necessities.
The body is exhausted, yet still expected to appear elegant, stable, productive, and powerful.
Stroller iMom(+-)After Care embodies this tension between strength and collapse :
a coquette, disciplined, hyper-functional figure moving through a world where care itself becomes infrastructure.
The stroller transforms into a mobile CELL :
half medical unit,
half emotional support machine,
half technological altar.
A body in recovery.
A body maintained.
A body still expected to perform.
Upcoming project. Stay tuned
CELL
Design - Cell
Fitting on @digitsphere
Assist partner Set/Content @mastab0lide
#performance #designer #cyber #beauty #technology
Stroller iMom (+-) After Care
first fitting for CELL (soon)
“Care becomes necessary after traumatic rupture.”
CELL continues the direction of my previous MA2 research (Contra) Per-Formare , graduated in 2025, exploring performance, techno-capitalism and aftercare.
Performance as power +
efficiency, optimization, productivity, discipline, control, hyper-functionality.
Aftercare as fragility -
repair, recovery, vulnerability, exhaustion, overstimulation, bodily pain.
The project explores the paradox of contemporary systems that constantly push bodies to perform while simultaneously creating the need for continuous repair.
Ergonomic furniture, therapeutic devices, posture correctors, UV LED care systems, articulated supports, rehabilitative heels, mobile technological extensions —
objects designed to support damaged bodies gradually become fashionable prosthetic necessities.
The body is exhausted, yet still expected to appear elegant, stable, productive, and powerful.
Stroller iMom(+-)After Care embodies this tension between strength and collapse :
a coquette, disciplined, hyper-functional figure moving through a world where care itself becomes infrastructure.
The stroller transforms into a mobile CELL :
half medical unit,
half emotional support machine,
half technological altar.
A body in recovery.
A body maintained.
A body still expected to perform.
Upcoming project. Stay tuned
CELL
Design - Cell
Fitting on @digitsphere
Assist partner Set/Content @mastab0lide
#performance #designer #cyber #beauty #technology
Stroller iMom (+-) After Care
first fitting for CELL (soon)
“Care becomes necessary after traumatic rupture.”
CELL continues the direction of my previous MA2 research (Contra) Per-Formare , graduated in 2025, exploring performance, techno-capitalism and aftercare.
Performance as power +
efficiency, optimization, productivity, discipline, control, hyper-functionality.
Aftercare as fragility -
repair, recovery, vulnerability, exhaustion, overstimulation, bodily pain.
The project explores the paradox of contemporary systems that constantly push bodies to perform while simultaneously creating the need for continuous repair.
Ergonomic furniture, therapeutic devices, posture correctors, UV LED care systems, articulated supports, rehabilitative heels, mobile technological extensions —
objects designed to support damaged bodies gradually become fashionable prosthetic necessities.
The body is exhausted, yet still expected to appear elegant, stable, productive, and powerful.
Stroller iMom(+-)After Care embodies this tension between strength and collapse :
a coquette, disciplined, hyper-functional figure moving through a world where care itself becomes infrastructure.
The stroller transforms into a mobile CELL :
half medical unit,
half emotional support machine,
half technological altar.
A body in recovery.
A body maintained.
A body still expected to perform.
Upcoming project. Stay tuned
CELL
Design - Cell
Fitting on @digitsphere
Assist partner Set/Content @mastab0lide
#performance #designer #cyber #beauty #technology
Stroller iMom (+-) After Care
first fitting for CELL (soon)
“Care becomes necessary after traumatic rupture.”
CELL continues the direction of my previous MA2 research (Contra) Per-Formare , graduated in 2025, exploring performance, techno-capitalism and aftercare.
Performance as power +
efficiency, optimization, productivity, discipline, control, hyper-functionality.
Aftercare as fragility -
repair, recovery, vulnerability, exhaustion, overstimulation, bodily pain.
The project explores the paradox of contemporary systems that constantly push bodies to perform while simultaneously creating the need for continuous repair.
Ergonomic furniture, therapeutic devices, posture correctors, UV LED care systems, articulated supports, rehabilitative heels, mobile technological extensions —
objects designed to support damaged bodies gradually become fashionable prosthetic necessities.
The body is exhausted, yet still expected to appear elegant, stable, productive, and powerful.
Stroller iMom(+-)After Care embodies this tension between strength and collapse :
a coquette, disciplined, hyper-functional figure moving through a world where care itself becomes infrastructure.
The stroller transforms into a mobile CELL :
half medical unit,
half emotional support machine,
half technological altar.
A body in recovery.
A body maintained.
A body still expected to perform.
Upcoming project. Stay tuned
CELL
Design - Cell
Fitting on @digitsphere
Assist partner Set/Content @mastab0lide
#performance #designer #cyber #beauty #technology
Overstimmed iMoms (november 2025)
Part 1 Focus : Coupon Mom played by @stellabocle & Stroller Mom played @digitsphere
Performance for the first print launch of Edgeline Magazine, “Existential Crisis” @edgelinemag
Overstimmed iMoms (2025) explores the evolving figure of motherhood within digital globalization, where technology, consumerism, and identity collapse into one continuous stream.
At the center of this focus are two hyper-contemporary archetypes :
Stroller Mom embodies control, projection, and perfection. She is exemplary, disciplined, and obsessively precise. Every detail is curated from the stroller to the reborn baby she selects, one that mirrors her own image, her ideals, her narrative. Motherhood becomes a controlled simulation, a reflection loop where identity is stabilized through aesthetic and emotional mastery.
Coupon Mom, in contrast, operates within a softer but equally saturated system of control: consumption. Reclined yet fully connected, absorbed by her iPad, she navigates a world of discounts, promotional codes, and algorithmic rewards. Comfort is optimized through ergonomic design and endless scrolling. Her satisfaction is quantified loyalty points, flash deals, spinning discount wheels on platforms like Shein or Temu. She becomes the quiet sovereign of digital consumption, where care, pleasure, and value are mediated through savings.
Together, they form a dual figure of contemporary motherhood :
one rooted in control and image, the other in consumption and reward both shaped, sustained, and intensified by digital infrastructures.
Photographer : @alaricfer
Art direction / Space Installation / gears : @cellulemere
Performers : @nymphorchidea
@kennymphe @digitsphere @stellabocle
Hair @an4lplug
Belly-Top for @stellabocle by @loadjro
Overstimmed iMoms (november 2025)
Part 1 Focus : Coupon Mom played by @stellabocle & Stroller Mom played @digitsphere
Performance for the first print launch of Edgeline Magazine, “Existential Crisis” @edgelinemag
Overstimmed iMoms (2025) explores the evolving figure of motherhood within digital globalization, where technology, consumerism, and identity collapse into one continuous stream.
At the center of this focus are two hyper-contemporary archetypes :
Stroller Mom embodies control, projection, and perfection. She is exemplary, disciplined, and obsessively precise. Every detail is curated from the stroller to the reborn baby she selects, one that mirrors her own image, her ideals, her narrative. Motherhood becomes a controlled simulation, a reflection loop where identity is stabilized through aesthetic and emotional mastery.
Coupon Mom, in contrast, operates within a softer but equally saturated system of control: consumption. Reclined yet fully connected, absorbed by her iPad, she navigates a world of discounts, promotional codes, and algorithmic rewards. Comfort is optimized through ergonomic design and endless scrolling. Her satisfaction is quantified loyalty points, flash deals, spinning discount wheels on platforms like Shein or Temu. She becomes the quiet sovereign of digital consumption, where care, pleasure, and value are mediated through savings.
Together, they form a dual figure of contemporary motherhood :
one rooted in control and image, the other in consumption and reward both shaped, sustained, and intensified by digital infrastructures.
Photographer : @alaricfer
Art direction / Space Installation / gears : @cellulemere
Performers : @nymphorchidea
@kennymphe @digitsphere @stellabocle
Hair @an4lplug
Belly-Top for @stellabocle by @loadjro
Overstimmed iMoms (november 2025)
Part 1 Focus : Coupon Mom played by @stellabocle & Stroller Mom played @digitsphere
Performance for the first print launch of Edgeline Magazine, “Existential Crisis” @edgelinemag
Overstimmed iMoms (2025) explores the evolving figure of motherhood within digital globalization, where technology, consumerism, and identity collapse into one continuous stream.
At the center of this focus are two hyper-contemporary archetypes :
Stroller Mom embodies control, projection, and perfection. She is exemplary, disciplined, and obsessively precise. Every detail is curated from the stroller to the reborn baby she selects, one that mirrors her own image, her ideals, her narrative. Motherhood becomes a controlled simulation, a reflection loop where identity is stabilized through aesthetic and emotional mastery.
Coupon Mom, in contrast, operates within a softer but equally saturated system of control: consumption. Reclined yet fully connected, absorbed by her iPad, she navigates a world of discounts, promotional codes, and algorithmic rewards. Comfort is optimized through ergonomic design and endless scrolling. Her satisfaction is quantified loyalty points, flash deals, spinning discount wheels on platforms like Shein or Temu. She becomes the quiet sovereign of digital consumption, where care, pleasure, and value are mediated through savings.
Together, they form a dual figure of contemporary motherhood :
one rooted in control and image, the other in consumption and reward both shaped, sustained, and intensified by digital infrastructures.
Photographer : @alaricfer
Art direction / Space Installation / gears : @cellulemere
Performers : @nymphorchidea
@kennymphe @digitsphere @stellabocle
Hair @an4lplug
Belly-Top for @stellabocle by @loadjro
Overstimmed iMoms (november 2025)
Part 1 Focus : Coupon Mom played by @stellabocle & Stroller Mom played @digitsphere
Performance for the first print launch of Edgeline Magazine, “Existential Crisis” @edgelinemag
Overstimmed iMoms (2025) explores the evolving figure of motherhood within digital globalization, where technology, consumerism, and identity collapse into one continuous stream.
At the center of this focus are two hyper-contemporary archetypes :
Stroller Mom embodies control, projection, and perfection. She is exemplary, disciplined, and obsessively precise. Every detail is curated from the stroller to the reborn baby she selects, one that mirrors her own image, her ideals, her narrative. Motherhood becomes a controlled simulation, a reflection loop where identity is stabilized through aesthetic and emotional mastery.
Coupon Mom, in contrast, operates within a softer but equally saturated system of control: consumption. Reclined yet fully connected, absorbed by her iPad, she navigates a world of discounts, promotional codes, and algorithmic rewards. Comfort is optimized through ergonomic design and endless scrolling. Her satisfaction is quantified loyalty points, flash deals, spinning discount wheels on platforms like Shein or Temu. She becomes the quiet sovereign of digital consumption, where care, pleasure, and value are mediated through savings.
Together, they form a dual figure of contemporary motherhood :
one rooted in control and image, the other in consumption and reward both shaped, sustained, and intensified by digital infrastructures.
Photographer : @alaricfer
Art direction / Space Installation / gears : @cellulemere
Performers : @nymphorchidea
@kennymphe @digitsphere @stellabocle
Hair @an4lplug
Belly-Top for @stellabocle by @loadjro
Overstimmed iMoms (november 2025)
Part 1 Focus : Coupon Mom played by @stellabocle & Stroller Mom played @digitsphere
Performance for the first print launch of Edgeline Magazine, “Existential Crisis” @edgelinemag
Overstimmed iMoms (2025) explores the evolving figure of motherhood within digital globalization, where technology, consumerism, and identity collapse into one continuous stream.
At the center of this focus are two hyper-contemporary archetypes :
Stroller Mom embodies control, projection, and perfection. She is exemplary, disciplined, and obsessively precise. Every detail is curated from the stroller to the reborn baby she selects, one that mirrors her own image, her ideals, her narrative. Motherhood becomes a controlled simulation, a reflection loop where identity is stabilized through aesthetic and emotional mastery.
Coupon Mom, in contrast, operates within a softer but equally saturated system of control: consumption. Reclined yet fully connected, absorbed by her iPad, she navigates a world of discounts, promotional codes, and algorithmic rewards. Comfort is optimized through ergonomic design and endless scrolling. Her satisfaction is quantified loyalty points, flash deals, spinning discount wheels on platforms like Shein or Temu. She becomes the quiet sovereign of digital consumption, where care, pleasure, and value are mediated through savings.
Together, they form a dual figure of contemporary motherhood :
one rooted in control and image, the other in consumption and reward both shaped, sustained, and intensified by digital infrastructures.
Photographer : @alaricfer
Art direction / Space Installation / gears : @cellulemere
Performers : @nymphorchidea
@kennymphe @digitsphere @stellabocle
Hair @an4lplug
Belly-Top for @stellabocle by @loadjro
Overstimmed iMoms (november 2025)
Part 1 Focus : Coupon Mom played by @stellabocle & Stroller Mom played @digitsphere
Performance for the first print launch of Edgeline Magazine, “Existential Crisis” @edgelinemag
Overstimmed iMoms (2025) explores the evolving figure of motherhood within digital globalization, where technology, consumerism, and identity collapse into one continuous stream.
At the center of this focus are two hyper-contemporary archetypes :
Stroller Mom embodies control, projection, and perfection. She is exemplary, disciplined, and obsessively precise. Every detail is curated from the stroller to the reborn baby she selects, one that mirrors her own image, her ideals, her narrative. Motherhood becomes a controlled simulation, a reflection loop where identity is stabilized through aesthetic and emotional mastery.
Coupon Mom, in contrast, operates within a softer but equally saturated system of control: consumption. Reclined yet fully connected, absorbed by her iPad, she navigates a world of discounts, promotional codes, and algorithmic rewards. Comfort is optimized through ergonomic design and endless scrolling. Her satisfaction is quantified loyalty points, flash deals, spinning discount wheels on platforms like Shein or Temu. She becomes the quiet sovereign of digital consumption, where care, pleasure, and value are mediated through savings.
Together, they form a dual figure of contemporary motherhood :
one rooted in control and image, the other in consumption and reward both shaped, sustained, and intensified by digital infrastructures.
Photographer : @alaricfer
Art direction / Space Installation / gears : @cellulemere
Performers : @nymphorchidea
@kennymphe @digitsphere @stellabocle
Hair @an4lplug
Belly-Top for @stellabocle by @loadjro
Overstimmed iMoms (november 2025)
Part 1 Focus : Coupon Mom played by @stellabocle & Stroller Mom played @digitsphere
Performance for the first print launch of Edgeline Magazine, “Existential Crisis” @edgelinemag
Overstimmed iMoms (2025) explores the evolving figure of motherhood within digital globalization, where technology, consumerism, and identity collapse into one continuous stream.
At the center of this focus are two hyper-contemporary archetypes :
Stroller Mom embodies control, projection, and perfection. She is exemplary, disciplined, and obsessively precise. Every detail is curated from the stroller to the reborn baby she selects, one that mirrors her own image, her ideals, her narrative. Motherhood becomes a controlled simulation, a reflection loop where identity is stabilized through aesthetic and emotional mastery.
Coupon Mom, in contrast, operates within a softer but equally saturated system of control: consumption. Reclined yet fully connected, absorbed by her iPad, she navigates a world of discounts, promotional codes, and algorithmic rewards. Comfort is optimized through ergonomic design and endless scrolling. Her satisfaction is quantified loyalty points, flash deals, spinning discount wheels on platforms like Shein or Temu. She becomes the quiet sovereign of digital consumption, where care, pleasure, and value are mediated through savings.
Together, they form a dual figure of contemporary motherhood :
one rooted in control and image, the other in consumption and reward both shaped, sustained, and intensified by digital infrastructures.
Photographer : @alaricfer
Art direction / Space Installation / gears : @cellulemere
Performers : @nymphorchidea
@kennymphe @digitsphere @stellabocle
Hair @an4lplug
Belly-Top for @stellabocle by @loadjro
Overstimmed iMoms (november 2025)
Part 1 Focus : Coupon Mom played by @stellabocle & Stroller Mom played @digitsphere
Performance for the first print launch of Edgeline Magazine, “Existential Crisis” @edgelinemag
Overstimmed iMoms (2025) explores the evolving figure of motherhood within digital globalization, where technology, consumerism, and identity collapse into one continuous stream.
At the center of this focus are two hyper-contemporary archetypes :
Stroller Mom embodies control, projection, and perfection. She is exemplary, disciplined, and obsessively precise. Every detail is curated from the stroller to the reborn baby she selects, one that mirrors her own image, her ideals, her narrative. Motherhood becomes a controlled simulation, a reflection loop where identity is stabilized through aesthetic and emotional mastery.
Coupon Mom, in contrast, operates within a softer but equally saturated system of control: consumption. Reclined yet fully connected, absorbed by her iPad, she navigates a world of discounts, promotional codes, and algorithmic rewards. Comfort is optimized through ergonomic design and endless scrolling. Her satisfaction is quantified loyalty points, flash deals, spinning discount wheels on platforms like Shein or Temu. She becomes the quiet sovereign of digital consumption, where care, pleasure, and value are mediated through savings.
Together, they form a dual figure of contemporary motherhood :
one rooted in control and image, the other in consumption and reward both shaped, sustained, and intensified by digital infrastructures.
Photographer : @alaricfer
Art direction / Space Installation / gears : @cellulemere
Performers : @nymphorchidea
@kennymphe @digitsphere @stellabocle
Hair @an4lplug
Belly-Top for @stellabocle by @loadjro
Overstimmed iMoms (november 2025)
Part 1 Focus : Coupon Mom played by @stellabocle & Stroller Mom played @digitsphere
Performance for the first print launch of Edgeline Magazine, “Existential Crisis” @edgelinemag
Overstimmed iMoms (2025) explores the evolving figure of motherhood within digital globalization, where technology, consumerism, and identity collapse into one continuous stream.
At the center of this focus are two hyper-contemporary archetypes :
Stroller Mom embodies control, projection, and perfection. She is exemplary, disciplined, and obsessively precise. Every detail is curated from the stroller to the reborn baby she selects, one that mirrors her own image, her ideals, her narrative. Motherhood becomes a controlled simulation, a reflection loop where identity is stabilized through aesthetic and emotional mastery.
Coupon Mom, in contrast, operates within a softer but equally saturated system of control: consumption. Reclined yet fully connected, absorbed by her iPad, she navigates a world of discounts, promotional codes, and algorithmic rewards. Comfort is optimized through ergonomic design and endless scrolling. Her satisfaction is quantified loyalty points, flash deals, spinning discount wheels on platforms like Shein or Temu. She becomes the quiet sovereign of digital consumption, where care, pleasure, and value are mediated through savings.
Together, they form a dual figure of contemporary motherhood :
one rooted in control and image, the other in consumption and reward both shaped, sustained, and intensified by digital infrastructures.
Photographer : @alaricfer
Art direction / Space Installation / gears : @cellulemere
Performers : @nymphorchidea
@kennymphe @digitsphere @stellabocle
Hair @an4lplug
Belly-Top for @stellabocle by @loadjro
Mini justicier 🙁❤️🩹
Self-sabotage
Styling session with @stellabocle
captured by @cclalr3
Mini justicier 🙁❤️🩹
Self-sabotage
Styling session with @stellabocle
captured by @cclalr3
Very first edition « Bloom » of Nymph Garden private party for @nymphorchidea 25th Birthday
Co-curated by Cell x @nymphorchidea
CGI & 3D animation invitation poster by me
(3D model of Nymph inspired by @marie.sauvage shibari on @nymphorchidea)
Buffet lineup :
Performance
@humanchuo X @nymphorchidea
Live music @cellulemere (full track set available in my SoundCloud)
Djset @alaricfer
@jean.llf
@kennymphe
Very first edition « Bloom » of Nymph Garden private party for @nymphorchidea 25th Birthday
Co-curated by Cell x @nymphorchidea
CGI & 3D animation invitation poster by me
(3D model of Nymph inspired by @marie.sauvage shibari on @nymphorchidea)
Buffet lineup :
Performance
@humanchuo X @nymphorchidea
Live music @cellulemere (full track set available in my SoundCloud)
Djset @alaricfer
@jean.llf
@kennymphe
Very first edition « Bloom » of Nymph Garden private party for @nymphorchidea 25th Birthday
Co-curated by Cell x @nymphorchidea
CGI & 3D animation invitation poster by me
(3D model of Nymph inspired by @marie.sauvage shibari on @nymphorchidea)
Buffet lineup :
Performance
@humanchuo X @nymphorchidea
Live music @cellulemere (full track set available in my SoundCloud)
Djset @alaricfer
@jean.llf
@kennymphe
Reinterpreting the Bekett sneaker through time capsules with @alaricfer and @naoslb as part of @Isabelmarant x @ifmparis collaboration.
AD: @demirramazanov @alaricfer @naoslb
Photography: @mario_simon_lafleur
Set Design: @cellulemere
Lighting: @yann_denis_
Post-production: @shahenthome
AI Animations: @demirramazanov
Sound: @alaricfer
Featuring @o______ooooo
Special thanks to
@ifmfashionimage @alicelitscher @stephanewargnier @christophe_renard
Reinterpreting the Bekett sneaker through time capsules with @alaricfer and @naoslb as part of @Isabelmarant x @ifmparis collaboration.
AD: @demirramazanov @alaricfer @naoslb
Photography: @mario_simon_lafleur
Set Design: @cellulemere
Lighting: @yann_denis_
Post-production: @shahenthome
AI Animations: @demirramazanov
Sound: @alaricfer
Featuring @o______ooooo
Special thanks to
@ifmfashionimage @alicelitscher @stephanewargnier @christophe_renard
Reinterpreting the Bekett sneaker through time capsules with @alaricfer and @naoslb as part of @Isabelmarant x @ifmparis collaboration.
AD: @demirramazanov @alaricfer @naoslb
Photography: @mario_simon_lafleur
Set Design: @cellulemere
Lighting: @yann_denis_
Post-production: @shahenthome
AI Animations: @demirramazanov
Sound: @alaricfer
Featuring @o______ooooo
Special thanks to
@ifmfashionimage @alicelitscher @stephanewargnier @christophe_renard
Some photo archives from the production process of the Z Generation@zg.paris fashion show’s set design.
Weeks of work went into creating a dozen rocks ranging from approximately 60 cm to 120 cm in diameter. 🪨
Thank you to @cclalr3 for helping me with this crazy project once again — my sidekick (🫶🏼).
Thanks again to @xirojin and @mohammad_pooreskandarian for trusting me with this project.
Big up to @yosramojtahedi for her amazing costume work for the harpist performance.
And thank you to everyone who supported me on the big day especially @david_sngl and @iris_vkc for taking down the set, and @stellabocle for her mental support.
And thank you to my beloved @nymphorchidea for putting up with the mess of a crazy raccoon who turns the living room into a workshop (as usual).
Working independently isn’t always easy, and delegating can sometimes be challenging.
Thank you for being there. It’s not always simple to handle everything alone, and it truly means a lot when people show up for me in difficult moments.
Laying 70m² of wet turf at 6am in -3°C weather isn’t as easy as you might think…
no, it’s not Minecraft! ><*🌿
Looking forward to new exciting projects 🧠🤍
Thank you.
Some photo archives from the production process of the Z Generation@zg.paris fashion show’s set design.
Weeks of work went into creating a dozen rocks ranging from approximately 60 cm to 120 cm in diameter. 🪨
Thank you to @cclalr3 for helping me with this crazy project once again — my sidekick (🫶🏼).
Thanks again to @xirojin and @mohammad_pooreskandarian for trusting me with this project.
Big up to @yosramojtahedi for her amazing costume work for the harpist performance.
And thank you to everyone who supported me on the big day especially @david_sngl and @iris_vkc for taking down the set, and @stellabocle for her mental support.
And thank you to my beloved @nymphorchidea for putting up with the mess of a crazy raccoon who turns the living room into a workshop (as usual).
Working independently isn’t always easy, and delegating can sometimes be challenging.
Thank you for being there. It’s not always simple to handle everything alone, and it truly means a lot when people show up for me in difficult moments.
Laying 70m² of wet turf at 6am in -3°C weather isn’t as easy as you might think…
no, it’s not Minecraft! ><*🌿
Looking forward to new exciting projects 🧠🤍
Thank you.
Some photo archives from the production process of the Z Generation@zg.paris fashion show’s set design.
Weeks of work went into creating a dozen rocks ranging from approximately 60 cm to 120 cm in diameter. 🪨
Thank you to @cclalr3 for helping me with this crazy project once again — my sidekick (🫶🏼).
Thanks again to @xirojin and @mohammad_pooreskandarian for trusting me with this project.
Big up to @yosramojtahedi for her amazing costume work for the harpist performance.
And thank you to everyone who supported me on the big day especially @david_sngl and @iris_vkc for taking down the set, and @stellabocle for her mental support.
And thank you to my beloved @nymphorchidea for putting up with the mess of a crazy raccoon who turns the living room into a workshop (as usual).
Working independently isn’t always easy, and delegating can sometimes be challenging.
Thank you for being there. It’s not always simple to handle everything alone, and it truly means a lot when people show up for me in difficult moments.
Laying 70m² of wet turf at 6am in -3°C weather isn’t as easy as you might think…
no, it’s not Minecraft! ><*🌿
Looking forward to new exciting projects 🧠🤍
Thank you.
Some photo archives from the production process of the Z Generation@zg.paris fashion show’s set design.
Weeks of work went into creating a dozen rocks ranging from approximately 60 cm to 120 cm in diameter. 🪨
Thank you to @cclalr3 for helping me with this crazy project once again — my sidekick (🫶🏼).
Thanks again to @xirojin and @mohammad_pooreskandarian for trusting me with this project.
Big up to @yosramojtahedi for her amazing costume work for the harpist performance.
And thank you to everyone who supported me on the big day especially @david_sngl and @iris_vkc for taking down the set, and @stellabocle for her mental support.
And thank you to my beloved @nymphorchidea for putting up with the mess of a crazy raccoon who turns the living room into a workshop (as usual).
Working independently isn’t always easy, and delegating can sometimes be challenging.
Thank you for being there. It’s not always simple to handle everything alone, and it truly means a lot when people show up for me in difficult moments.
Laying 70m² of wet turf at 6am in -3°C weather isn’t as easy as you might think…
no, it’s not Minecraft! ><*🌿
Looking forward to new exciting projects 🧠🤍
Thank you.
Some photo archives from the production process of the Z Generation@zg.paris fashion show’s set design.
Weeks of work went into creating a dozen rocks ranging from approximately 60 cm to 120 cm in diameter. 🪨
Thank you to @cclalr3 for helping me with this crazy project once again — my sidekick (🫶🏼).
Thanks again to @xirojin and @mohammad_pooreskandarian for trusting me with this project.
Big up to @yosramojtahedi for her amazing costume work for the harpist performance.
And thank you to everyone who supported me on the big day especially @david_sngl and @iris_vkc for taking down the set, and @stellabocle for her mental support.
And thank you to my beloved @nymphorchidea for putting up with the mess of a crazy raccoon who turns the living room into a workshop (as usual).
Working independently isn’t always easy, and delegating can sometimes be challenging.
Thank you for being there. It’s not always simple to handle everything alone, and it truly means a lot when people show up for me in difficult moments.
Laying 70m² of wet turf at 6am in -3°C weather isn’t as easy as you might think…
no, it’s not Minecraft! ><*🌿
Looking forward to new exciting projects 🧠🤍
Thank you.
Some photo archives from the production process of the Z Generation@zg.paris fashion show’s set design.
Weeks of work went into creating a dozen rocks ranging from approximately 60 cm to 120 cm in diameter. 🪨
Thank you to @cclalr3 for helping me with this crazy project once again — my sidekick (🫶🏼).
Thanks again to @xirojin and @mohammad_pooreskandarian for trusting me with this project.
Big up to @yosramojtahedi for her amazing costume work for the harpist performance.
And thank you to everyone who supported me on the big day especially @david_sngl and @iris_vkc for taking down the set, and @stellabocle for her mental support.
And thank you to my beloved @nymphorchidea for putting up with the mess of a crazy raccoon who turns the living room into a workshop (as usual).
Working independently isn’t always easy, and delegating can sometimes be challenging.
Thank you for being there. It’s not always simple to handle everything alone, and it truly means a lot when people show up for me in difficult moments.
Laying 70m² of wet turf at 6am in -3°C weather isn’t as easy as you might think…
no, it’s not Minecraft! ><*🌿
Looking forward to new exciting projects 🧠🤍
Thank you.
Some photo archives from the production process of the Z Generation@zg.paris fashion show’s set design.
Weeks of work went into creating a dozen rocks ranging from approximately 60 cm to 120 cm in diameter. 🪨
Thank you to @cclalr3 for helping me with this crazy project once again — my sidekick (🫶🏼).
Thanks again to @xirojin and @mohammad_pooreskandarian for trusting me with this project.
Big up to @yosramojtahedi for her amazing costume work for the harpist performance.
And thank you to everyone who supported me on the big day especially @david_sngl and @iris_vkc for taking down the set, and @stellabocle for her mental support.
And thank you to my beloved @nymphorchidea for putting up with the mess of a crazy raccoon who turns the living room into a workshop (as usual).
Working independently isn’t always easy, and delegating can sometimes be challenging.
Thank you for being there. It’s not always simple to handle everything alone, and it truly means a lot when people show up for me in difficult moments.
Laying 70m² of wet turf at 6am in -3°C weather isn’t as easy as you might think…
no, it’s not Minecraft! ><*🌿
Looking forward to new exciting projects 🧠🤍
Thank you.
Some photo archives from the production process of the Z Generation@zg.paris fashion show’s set design.
Weeks of work went into creating a dozen rocks ranging from approximately 60 cm to 120 cm in diameter. 🪨
Thank you to @cclalr3 for helping me with this crazy project once again — my sidekick (🫶🏼).
Thanks again to @xirojin and @mohammad_pooreskandarian for trusting me with this project.
Big up to @yosramojtahedi for her amazing costume work for the harpist performance.
And thank you to everyone who supported me on the big day especially @david_sngl and @iris_vkc for taking down the set, and @stellabocle for her mental support.
And thank you to my beloved @nymphorchidea for putting up with the mess of a crazy raccoon who turns the living room into a workshop (as usual).
Working independently isn’t always easy, and delegating can sometimes be challenging.
Thank you for being there. It’s not always simple to handle everything alone, and it truly means a lot when people show up for me in difficult moments.
Laying 70m² of wet turf at 6am in -3°C weather isn’t as easy as you might think…
no, it’s not Minecraft! ><*🌿
Looking forward to new exciting projects 🧠🤍
Thank you.
Some photo archives from the production process of the Z Generation@zg.paris fashion show’s set design.
Weeks of work went into creating a dozen rocks ranging from approximately 60 cm to 120 cm in diameter. 🪨
Thank you to @cclalr3 for helping me with this crazy project once again — my sidekick (🫶🏼).
Thanks again to @xirojin and @mohammad_pooreskandarian for trusting me with this project.
Big up to @yosramojtahedi for her amazing costume work for the harpist performance.
And thank you to everyone who supported me on the big day especially @david_sngl and @iris_vkc for taking down the set, and @stellabocle for her mental support.
And thank you to my beloved @nymphorchidea for putting up with the mess of a crazy raccoon who turns the living room into a workshop (as usual).
Working independently isn’t always easy, and delegating can sometimes be challenging.
Thank you for being there. It’s not always simple to handle everything alone, and it truly means a lot when people show up for me in difficult moments.
Laying 70m² of wet turf at 6am in -3°C weather isn’t as easy as you might think…
no, it’s not Minecraft! ><*🌿
Looking forward to new exciting projects 🧠🤍
Thank you.
Some photo archives from the production process of the Z Generation@zg.paris fashion show’s set design.
Weeks of work went into creating a dozen rocks ranging from approximately 60 cm to 120 cm in diameter. 🪨
Thank you to @cclalr3 for helping me with this crazy project once again — my sidekick (🫶🏼).
Thanks again to @xirojin and @mohammad_pooreskandarian for trusting me with this project.
Big up to @yosramojtahedi for her amazing costume work for the harpist performance.
And thank you to everyone who supported me on the big day especially @david_sngl and @iris_vkc for taking down the set, and @stellabocle for her mental support.
And thank you to my beloved @nymphorchidea for putting up with the mess of a crazy raccoon who turns the living room into a workshop (as usual).
Working independently isn’t always easy, and delegating can sometimes be challenging.
Thank you for being there. It’s not always simple to handle everything alone, and it truly means a lot when people show up for me in difficult moments.
Laying 70m² of wet turf at 6am in -3°C weather isn’t as easy as you might think…
no, it’s not Minecraft! ><*🌿
Looking forward to new exciting projects 🧠🤍
Thank you.
Some photo archives from the production process of the Z Generation@zg.paris fashion show’s set design.
Weeks of work went into creating a dozen rocks ranging from approximately 60 cm to 120 cm in diameter. 🪨
Thank you to @cclalr3 for helping me with this crazy project once again — my sidekick (🫶🏼).
Thanks again to @xirojin and @mohammad_pooreskandarian for trusting me with this project.
Big up to @yosramojtahedi for her amazing costume work for the harpist performance.
And thank you to everyone who supported me on the big day especially @david_sngl and @iris_vkc for taking down the set, and @stellabocle for her mental support.
And thank you to my beloved @nymphorchidea for putting up with the mess of a crazy raccoon who turns the living room into a workshop (as usual).
Working independently isn’t always easy, and delegating can sometimes be challenging.
Thank you for being there. It’s not always simple to handle everything alone, and it truly means a lot when people show up for me in difficult moments.
Laying 70m² of wet turf at 6am in -3°C weather isn’t as easy as you might think…
no, it’s not Minecraft! ><*🌿
Looking forward to new exciting projects 🧠🤍
Thank you.
Some photo archives from the production process of the Z Generation@zg.paris fashion show’s set design.
Weeks of work went into creating a dozen rocks ranging from approximately 60 cm to 120 cm in diameter. 🪨
Thank you to @cclalr3 for helping me with this crazy project once again — my sidekick (🫶🏼).
Thanks again to @xirojin and @mohammad_pooreskandarian for trusting me with this project.
Big up to @yosramojtahedi for her amazing costume work for the harpist performance.
And thank you to everyone who supported me on the big day especially @david_sngl and @iris_vkc for taking down the set, and @stellabocle for her mental support.
And thank you to my beloved @nymphorchidea for putting up with the mess of a crazy raccoon who turns the living room into a workshop (as usual).
Working independently isn’t always easy, and delegating can sometimes be challenging.
Thank you for being there. It’s not always simple to handle everything alone, and it truly means a lot when people show up for me in difficult moments.
Laying 70m² of wet turf at 6am in -3°C weather isn’t as easy as you might think…
no, it’s not Minecraft! ><*🌿
Looking forward to new exciting projects 🧠🤍
Thank you.
Some photo archives from the production process of the Z Generation@zg.paris fashion show’s set design.
Weeks of work went into creating a dozen rocks ranging from approximately 60 cm to 120 cm in diameter. 🪨
Thank you to @cclalr3 for helping me with this crazy project once again — my sidekick (🫶🏼).
Thanks again to @xirojin and @mohammad_pooreskandarian for trusting me with this project.
Big up to @yosramojtahedi for her amazing costume work for the harpist performance.
And thank you to everyone who supported me on the big day especially @david_sngl and @iris_vkc for taking down the set, and @stellabocle for her mental support.
And thank you to my beloved @nymphorchidea for putting up with the mess of a crazy raccoon who turns the living room into a workshop (as usual).
Working independently isn’t always easy, and delegating can sometimes be challenging.
Thank you for being there. It’s not always simple to handle everything alone, and it truly means a lot when people show up for me in difficult moments.
Laying 70m² of wet turf at 6am in -3°C weather isn’t as easy as you might think…
no, it’s not Minecraft! ><*🌿
Looking forward to new exciting projects 🧠🤍
Thank you.
Some photo archives from the production process of the Z Generation@zg.paris fashion show’s set design.
Weeks of work went into creating a dozen rocks ranging from approximately 60 cm to 120 cm in diameter. 🪨
Thank you to @cclalr3 for helping me with this crazy project once again — my sidekick (🫶🏼).
Thanks again to @xirojin and @mohammad_pooreskandarian for trusting me with this project.
Big up to @yosramojtahedi for her amazing costume work for the harpist performance.
And thank you to everyone who supported me on the big day especially @david_sngl and @iris_vkc for taking down the set, and @stellabocle for her mental support.
And thank you to my beloved @nymphorchidea for putting up with the mess of a crazy raccoon who turns the living room into a workshop (as usual).
Working independently isn’t always easy, and delegating can sometimes be challenging.
Thank you for being there. It’s not always simple to handle everything alone, and it truly means a lot when people show up for me in difficult moments.
Laying 70m² of wet turf at 6am in -3°C weather isn’t as easy as you might think…
no, it’s not Minecraft! ><*🌿
Looking forward to new exciting projects 🧠🤍
Thank you.
Some photo archives from the production process of the Z Generation@zg.paris fashion show’s set design.
Weeks of work went into creating a dozen rocks ranging from approximately 60 cm to 120 cm in diameter. 🪨
Thank you to @cclalr3 for helping me with this crazy project once again — my sidekick (🫶🏼).
Thanks again to @xirojin and @mohammad_pooreskandarian for trusting me with this project.
Big up to @yosramojtahedi for her amazing costume work for the harpist performance.
And thank you to everyone who supported me on the big day especially @david_sngl and @iris_vkc for taking down the set, and @stellabocle for her mental support.
And thank you to my beloved @nymphorchidea for putting up with the mess of a crazy raccoon who turns the living room into a workshop (as usual).
Working independently isn’t always easy, and delegating can sometimes be challenging.
Thank you for being there. It’s not always simple to handle everything alone, and it truly means a lot when people show up for me in difficult moments.
Laying 70m² of wet turf at 6am in -3°C weather isn’t as easy as you might think…
no, it’s not Minecraft! ><*🌿
Looking forward to new exciting projects 🧠🤍
Thank you.
Some photo archives from the production process of the Z Generation@zg.paris fashion show’s set design.
Weeks of work went into creating a dozen rocks ranging from approximately 60 cm to 120 cm in diameter. 🪨
Thank you to @cclalr3 for helping me with this crazy project once again — my sidekick (🫶🏼).
Thanks again to @xirojin and @mohammad_pooreskandarian for trusting me with this project.
Big up to @yosramojtahedi for her amazing costume work for the harpist performance.
And thank you to everyone who supported me on the big day especially @david_sngl and @iris_vkc for taking down the set, and @stellabocle for her mental support.
And thank you to my beloved @nymphorchidea for putting up with the mess of a crazy raccoon who turns the living room into a workshop (as usual).
Working independently isn’t always easy, and delegating can sometimes be challenging.
Thank you for being there. It’s not always simple to handle everything alone, and it truly means a lot when people show up for me in difficult moments.
Laying 70m² of wet turf at 6am in -3°C weather isn’t as easy as you might think…
no, it’s not Minecraft! ><*🌿
Looking forward to new exciting projects 🧠🤍
Thank you.
Some photo archives from the production process of the Z Generation@zg.paris fashion show’s set design.
Weeks of work went into creating a dozen rocks ranging from approximately 60 cm to 120 cm in diameter. 🪨
Thank you to @cclalr3 for helping me with this crazy project once again — my sidekick (🫶🏼).
Thanks again to @xirojin and @mohammad_pooreskandarian for trusting me with this project.
Big up to @yosramojtahedi for her amazing costume work for the harpist performance.
And thank you to everyone who supported me on the big day especially @david_sngl and @iris_vkc for taking down the set, and @stellabocle for her mental support.
And thank you to my beloved @nymphorchidea for putting up with the mess of a crazy raccoon who turns the living room into a workshop (as usual).
Working independently isn’t always easy, and delegating can sometimes be challenging.
Thank you for being there. It’s not always simple to handle everything alone, and it truly means a lot when people show up for me in difficult moments.
Laying 70m² of wet turf at 6am in -3°C weather isn’t as easy as you might think…
no, it’s not Minecraft! ><*🌿
Looking forward to new exciting projects 🧠🤍
Thank you.
Some photo archives from the production process of the Z Generation@zg.paris fashion show’s set design.
Weeks of work went into creating a dozen rocks ranging from approximately 60 cm to 120 cm in diameter. 🪨
Thank you to @cclalr3 for helping me with this crazy project once again — my sidekick (🫶🏼).
Thanks again to @xirojin and @mohammad_pooreskandarian for trusting me with this project.
Big up to @yosramojtahedi for her amazing costume work for the harpist performance.
And thank you to everyone who supported me on the big day especially @david_sngl and @iris_vkc for taking down the set, and @stellabocle for her mental support.
And thank you to my beloved @nymphorchidea for putting up with the mess of a crazy raccoon who turns the living room into a workshop (as usual).
Working independently isn’t always easy, and delegating can sometimes be challenging.
Thank you for being there. It’s not always simple to handle everything alone, and it truly means a lot when people show up for me in difficult moments.
Laying 70m² of wet turf at 6am in -3°C weather isn’t as easy as you might think…
no, it’s not Minecraft! ><*🌿
Looking forward to new exciting projects 🧠🤍
Thank you.
Some photo archives from the production process of the Z Generation@zg.paris fashion show’s set design.
Weeks of work went into creating a dozen rocks ranging from approximately 60 cm to 120 cm in diameter. 🪨
Thank you to @cclalr3 for helping me with this crazy project once again — my sidekick (🫶🏼).
Thanks again to @xirojin and @mohammad_pooreskandarian for trusting me with this project.
Big up to @yosramojtahedi for her amazing costume work for the harpist performance.
And thank you to everyone who supported me on the big day especially @david_sngl and @iris_vkc for taking down the set, and @stellabocle for her mental support.
And thank you to my beloved @nymphorchidea for putting up with the mess of a crazy raccoon who turns the living room into a workshop (as usual).
Working independently isn’t always easy, and delegating can sometimes be challenging.
Thank you for being there. It’s not always simple to handle everything alone, and it truly means a lot when people show up for me in difficult moments.
Laying 70m² of wet turf at 6am in -3°C weather isn’t as easy as you might think…
no, it’s not Minecraft! ><*🌿
Looking forward to new exciting projects 🧠🤍
Thank you.
Some photo archives from the production process of the Z Generation@zg.paris fashion show’s set design.
Weeks of work went into creating a dozen rocks ranging from approximately 60 cm to 120 cm in diameter. 🪨
Thank you to @cclalr3 for helping me with this crazy project once again — my sidekick (🫶🏼).
Thanks again to @xirojin and @mohammad_pooreskandarian for trusting me with this project.
Big up to @yosramojtahedi for her amazing costume work for the harpist performance.
And thank you to everyone who supported me on the big day especially @david_sngl and @iris_vkc for taking down the set, and @stellabocle for her mental support.
And thank you to my beloved @nymphorchidea for putting up with the mess of a crazy raccoon who turns the living room into a workshop (as usual).
Working independently isn’t always easy, and delegating can sometimes be challenging.
Thank you for being there. It’s not always simple to handle everything alone, and it truly means a lot when people show up for me in difficult moments.
Laying 70m² of wet turf at 6am in -3°C weather isn’t as easy as you might think…
no, it’s not Minecraft! ><*🌿
Looking forward to new exciting projects 🧠🤍
Thank you.
New mixtape 🐾🌊🌳🫧🌞
The last mixtape before the end of the year to warm hearts already filled with nostalgia.
To be listened to with tears of hope and ambition
Love you all 🫶🏼
soundcloud : cellulemere000ooo
High on the Beach
Foam curls around my ankles,
salt settling under my feet like a quiet spell.
The shore breathes against me,
light dissolving thought
into a slow, shimmering haze.
Merry-go-round
Everything turns in tender distortion
a carnival of feelings,
sweet until it fractures,
bright until it blurs.
Lurker
In the dim, a patient shadow:
a version of me I forgot to carry,
waiting in the corners of the mind.
Online Friend
A pulse made of pixels,
almost warm in its artificial glow.
Connection flickers
a constellation built from static
and soft insomnia.
Online Friend
A face made of light,
warm in its artificial heartbeat.
Intimacy hums through the static,
a constellation stitched from distance.
Count the Sheep
Numbers drift like pale animals,
soft steps crossing the border
between waking and dream.
Pure Needle
Then comes the clean incision of silence
reality narrowing,
gravity letting go.
The body floating like a tranquil pony
walking into anesthetic light,
dissolving in perfect, peaceful drift.
Nap under the Apple Tree
And then the garden:
cool wind brushing the skin,
a book half-open in the shade,
pages breathing with the leaves.
Knowledge and innocence resting
under the same ancient tree.
New mixtape 🐾🌊🌳🫧🌞
The last mixtape before the end of the year to warm hearts already filled with nostalgia.
To be listened to with tears of hope and ambition
Love you all 🫶🏼
soundcloud : cellulemere000ooo
High on the Beach
Foam curls around my ankles,
salt settling under my feet like a quiet spell.
The shore breathes against me,
light dissolving thought
into a slow, shimmering haze.
Merry-go-round
Everything turns in tender distortion
a carnival of feelings,
sweet until it fractures,
bright until it blurs.
Lurker
In the dim, a patient shadow:
a version of me I forgot to carry,
waiting in the corners of the mind.
Online Friend
A pulse made of pixels,
almost warm in its artificial glow.
Connection flickers
a constellation built from static
and soft insomnia.
Online Friend
A face made of light,
warm in its artificial heartbeat.
Intimacy hums through the static,
a constellation stitched from distance.
Count the Sheep
Numbers drift like pale animals,
soft steps crossing the border
between waking and dream.
Pure Needle
Then comes the clean incision of silence
reality narrowing,
gravity letting go.
The body floating like a tranquil pony
walking into anesthetic light,
dissolving in perfect, peaceful drift.
Nap under the Apple Tree
And then the garden:
cool wind brushing the skin,
a book half-open in the shade,
pages breathing with the leaves.
Knowledge and innocence resting
under the same ancient tree.
New mixtape 🐾🌊🌳🫧🌞
The last mixtape before the end of the year to warm hearts already filled with nostalgia.
To be listened to with tears of hope and ambition
Love you all 🫶🏼
soundcloud : cellulemere000ooo
High on the Beach
Foam curls around my ankles,
salt settling under my feet like a quiet spell.
The shore breathes against me,
light dissolving thought
into a slow, shimmering haze.
Merry-go-round
Everything turns in tender distortion
a carnival of feelings,
sweet until it fractures,
bright until it blurs.
Lurker
In the dim, a patient shadow:
a version of me I forgot to carry,
waiting in the corners of the mind.
Online Friend
A pulse made of pixels,
almost warm in its artificial glow.
Connection flickers
a constellation built from static
and soft insomnia.
Online Friend
A face made of light,
warm in its artificial heartbeat.
Intimacy hums through the static,
a constellation stitched from distance.
Count the Sheep
Numbers drift like pale animals,
soft steps crossing the border
between waking and dream.
Pure Needle
Then comes the clean incision of silence
reality narrowing,
gravity letting go.
The body floating like a tranquil pony
walking into anesthetic light,
dissolving in perfect, peaceful drift.
Nap under the Apple Tree
And then the garden:
cool wind brushing the skin,
a book half-open in the shade,
pages breathing with the leaves.
Knowledge and innocence resting
under the same ancient tree.
New mixtape 🐾🌊🌳🫧🌞
The last mixtape before the end of the year to warm hearts already filled with nostalgia.
To be listened to with tears of hope and ambition
Love you all 🫶🏼
soundcloud : cellulemere000ooo
High on the Beach
Foam curls around my ankles,
salt settling under my feet like a quiet spell.
The shore breathes against me,
light dissolving thought
into a slow, shimmering haze.
Merry-go-round
Everything turns in tender distortion
a carnival of feelings,
sweet until it fractures,
bright until it blurs.
Lurker
In the dim, a patient shadow:
a version of me I forgot to carry,
waiting in the corners of the mind.
Online Friend
A pulse made of pixels,
almost warm in its artificial glow.
Connection flickers
a constellation built from static
and soft insomnia.
Online Friend
A face made of light,
warm in its artificial heartbeat.
Intimacy hums through the static,
a constellation stitched from distance.
Count the Sheep
Numbers drift like pale animals,
soft steps crossing the border
between waking and dream.
Pure Needle
Then comes the clean incision of silence
reality narrowing,
gravity letting go.
The body floating like a tranquil pony
walking into anesthetic light,
dissolving in perfect, peaceful drift.
Nap under the Apple Tree
And then the garden:
cool wind brushing the skin,
a book half-open in the shade,
pages breathing with the leaves.
Knowledge and innocence resting
under the same ancient tree.
New mixtape 🐾🌊🌳🫧🌞
The last mixtape before the end of the year to warm hearts already filled with nostalgia.
To be listened to with tears of hope and ambition
Love you all 🫶🏼
soundcloud : cellulemere000ooo
High on the Beach
Foam curls around my ankles,
salt settling under my feet like a quiet spell.
The shore breathes against me,
light dissolving thought
into a slow, shimmering haze.
Merry-go-round
Everything turns in tender distortion
a carnival of feelings,
sweet until it fractures,
bright until it blurs.
Lurker
In the dim, a patient shadow:
a version of me I forgot to carry,
waiting in the corners of the mind.
Online Friend
A pulse made of pixels,
almost warm in its artificial glow.
Connection flickers
a constellation built from static
and soft insomnia.
Online Friend
A face made of light,
warm in its artificial heartbeat.
Intimacy hums through the static,
a constellation stitched from distance.
Count the Sheep
Numbers drift like pale animals,
soft steps crossing the border
between waking and dream.
Pure Needle
Then comes the clean incision of silence
reality narrowing,
gravity letting go.
The body floating like a tranquil pony
walking into anesthetic light,
dissolving in perfect, peaceful drift.
Nap under the Apple Tree
And then the garden:
cool wind brushing the skin,
a book half-open in the shade,
pages breathing with the leaves.
Knowledge and innocence resting
under the same ancient tree.
New mixtape 🐾🌊🌳🫧🌞
The last mixtape before the end of the year to warm hearts already filled with nostalgia.
To be listened to with tears of hope and ambition
Love you all 🫶🏼
soundcloud : cellulemere000ooo
High on the Beach
Foam curls around my ankles,
salt settling under my feet like a quiet spell.
The shore breathes against me,
light dissolving thought
into a slow, shimmering haze.
Merry-go-round
Everything turns in tender distortion
a carnival of feelings,
sweet until it fractures,
bright until it blurs.
Lurker
In the dim, a patient shadow:
a version of me I forgot to carry,
waiting in the corners of the mind.
Online Friend
A pulse made of pixels,
almost warm in its artificial glow.
Connection flickers
a constellation built from static
and soft insomnia.
Online Friend
A face made of light,
warm in its artificial heartbeat.
Intimacy hums through the static,
a constellation stitched from distance.
Count the Sheep
Numbers drift like pale animals,
soft steps crossing the border
between waking and dream.
Pure Needle
Then comes the clean incision of silence
reality narrowing,
gravity letting go.
The body floating like a tranquil pony
walking into anesthetic light,
dissolving in perfect, peaceful drift.
Nap under the Apple Tree
And then the garden:
cool wind brushing the skin,
a book half-open in the shade,
pages breathing with the leaves.
Knowledge and innocence resting
under the same ancient tree.
New mixtape 🐾🌊🌳🫧🌞
The last mixtape before the end of the year to warm hearts already filled with nostalgia.
To be listened to with tears of hope and ambition
Love you all 🫶🏼
soundcloud : cellulemere000ooo
High on the Beach
Foam curls around my ankles,
salt settling under my feet like a quiet spell.
The shore breathes against me,
light dissolving thought
into a slow, shimmering haze.
Merry-go-round
Everything turns in tender distortion
a carnival of feelings,
sweet until it fractures,
bright until it blurs.
Lurker
In the dim, a patient shadow:
a version of me I forgot to carry,
waiting in the corners of the mind.
Online Friend
A pulse made of pixels,
almost warm in its artificial glow.
Connection flickers
a constellation built from static
and soft insomnia.
Online Friend
A face made of light,
warm in its artificial heartbeat.
Intimacy hums through the static,
a constellation stitched from distance.
Count the Sheep
Numbers drift like pale animals,
soft steps crossing the border
between waking and dream.
Pure Needle
Then comes the clean incision of silence
reality narrowing,
gravity letting go.
The body floating like a tranquil pony
walking into anesthetic light,
dissolving in perfect, peaceful drift.
Nap under the Apple Tree
And then the garden:
cool wind brushing the skin,
a book half-open in the shade,
pages breathing with the leaves.
Knowledge and innocence resting
under the same ancient tree.
New mixtape 🐾🌊🌳🫧🌞
The last mixtape before the end of the year to warm hearts already filled with nostalgia.
To be listened to with tears of hope and ambition
Love you all 🫶🏼
soundcloud : cellulemere000ooo
High on the Beach
Foam curls around my ankles,
salt settling under my feet like a quiet spell.
The shore breathes against me,
light dissolving thought
into a slow, shimmering haze.
Merry-go-round
Everything turns in tender distortion
a carnival of feelings,
sweet until it fractures,
bright until it blurs.
Lurker
In the dim, a patient shadow:
a version of me I forgot to carry,
waiting in the corners of the mind.
Online Friend
A pulse made of pixels,
almost warm in its artificial glow.
Connection flickers
a constellation built from static
and soft insomnia.
Online Friend
A face made of light,
warm in its artificial heartbeat.
Intimacy hums through the static,
a constellation stitched from distance.
Count the Sheep
Numbers drift like pale animals,
soft steps crossing the border
between waking and dream.
Pure Needle
Then comes the clean incision of silence
reality narrowing,
gravity letting go.
The body floating like a tranquil pony
walking into anesthetic light,
dissolving in perfect, peaceful drift.
Nap under the Apple Tree
And then the garden:
cool wind brushing the skin,
a book half-open in the shade,
pages breathing with the leaves.
Knowledge and innocence resting
under the same ancient tree.
New mixtape 🐾🌊🌳🫧🌞
The last mixtape before the end of the year to warm hearts already filled with nostalgia.
To be listened to with tears of hope and ambition
Love you all 🫶🏼
soundcloud : cellulemere000ooo
High on the Beach
Foam curls around my ankles,
salt settling under my feet like a quiet spell.
The shore breathes against me,
light dissolving thought
into a slow, shimmering haze.
Merry-go-round
Everything turns in tender distortion
a carnival of feelings,
sweet until it fractures,
bright until it blurs.
Lurker
In the dim, a patient shadow:
a version of me I forgot to carry,
waiting in the corners of the mind.
Online Friend
A pulse made of pixels,
almost warm in its artificial glow.
Connection flickers
a constellation built from static
and soft insomnia.
Online Friend
A face made of light,
warm in its artificial heartbeat.
Intimacy hums through the static,
a constellation stitched from distance.
Count the Sheep
Numbers drift like pale animals,
soft steps crossing the border
between waking and dream.
Pure Needle
Then comes the clean incision of silence
reality narrowing,
gravity letting go.
The body floating like a tranquil pony
walking into anesthetic light,
dissolving in perfect, peaceful drift.
Nap under the Apple Tree
And then the garden:
cool wind brushing the skin,
a book half-open in the shade,
pages breathing with the leaves.
Knowledge and innocence resting
under the same ancient tree.
New mixtape 🐾🌊🌳🫧🌞
The last mixtape before the end of the year to warm hearts already filled with nostalgia.
To be listened to with tears of hope and ambition
Love you all 🫶🏼
soundcloud : cellulemere000ooo
High on the Beach
Foam curls around my ankles,
salt settling under my feet like a quiet spell.
The shore breathes against me,
light dissolving thought
into a slow, shimmering haze.
Merry-go-round
Everything turns in tender distortion
a carnival of feelings,
sweet until it fractures,
bright until it blurs.
Lurker
In the dim, a patient shadow:
a version of me I forgot to carry,
waiting in the corners of the mind.
Online Friend
A pulse made of pixels,
almost warm in its artificial glow.
Connection flickers
a constellation built from static
and soft insomnia.
Online Friend
A face made of light,
warm in its artificial heartbeat.
Intimacy hums through the static,
a constellation stitched from distance.
Count the Sheep
Numbers drift like pale animals,
soft steps crossing the border
between waking and dream.
Pure Needle
Then comes the clean incision of silence
reality narrowing,
gravity letting go.
The body floating like a tranquil pony
walking into anesthetic light,
dissolving in perfect, peaceful drift.
Nap under the Apple Tree
And then the garden:
cool wind brushing the skin,
a book half-open in the shade,
pages breathing with the leaves.
Knowledge and innocence resting
under the same ancient tree.
New mixtape 🐾🌊🌳🫧🌞
The last mixtape before the end of the year to warm hearts already filled with nostalgia.
To be listened to with tears of hope and ambition
Love you all 🫶🏼
soundcloud : cellulemere000ooo
High on the Beach
Foam curls around my ankles,
salt settling under my feet like a quiet spell.
The shore breathes against me,
light dissolving thought
into a slow, shimmering haze.
Merry-go-round
Everything turns in tender distortion
a carnival of feelings,
sweet until it fractures,
bright until it blurs.
Lurker
In the dim, a patient shadow:
a version of me I forgot to carry,
waiting in the corners of the mind.
Online Friend
A pulse made of pixels,
almost warm in its artificial glow.
Connection flickers
a constellation built from static
and soft insomnia.
Online Friend
A face made of light,
warm in its artificial heartbeat.
Intimacy hums through the static,
a constellation stitched from distance.
Count the Sheep
Numbers drift like pale animals,
soft steps crossing the border
between waking and dream.
Pure Needle
Then comes the clean incision of silence
reality narrowing,
gravity letting go.
The body floating like a tranquil pony
walking into anesthetic light,
dissolving in perfect, peaceful drift.
Nap under the Apple Tree
And then the garden:
cool wind brushing the skin,
a book half-open in the shade,
pages breathing with the leaves.
Knowledge and innocence resting
under the same ancient tree.
New mixtape 🐾🌊🌳🫧🌞
The last mixtape before the end of the year to warm hearts already filled with nostalgia.
To be listened to with tears of hope and ambition
Love you all 🫶🏼
soundcloud : cellulemere000ooo
High on the Beach
Foam curls around my ankles,
salt settling under my feet like a quiet spell.
The shore breathes against me,
light dissolving thought
into a slow, shimmering haze.
Merry-go-round
Everything turns in tender distortion
a carnival of feelings,
sweet until it fractures,
bright until it blurs.
Lurker
In the dim, a patient shadow:
a version of me I forgot to carry,
waiting in the corners of the mind.
Online Friend
A pulse made of pixels,
almost warm in its artificial glow.
Connection flickers
a constellation built from static
and soft insomnia.
Online Friend
A face made of light,
warm in its artificial heartbeat.
Intimacy hums through the static,
a constellation stitched from distance.
Count the Sheep
Numbers drift like pale animals,
soft steps crossing the border
between waking and dream.
Pure Needle
Then comes the clean incision of silence
reality narrowing,
gravity letting go.
The body floating like a tranquil pony
walking into anesthetic light,
dissolving in perfect, peaceful drift.
Nap under the Apple Tree
And then the garden:
cool wind brushing the skin,
a book half-open in the shade,
pages breathing with the leaves.
Knowledge and innocence resting
under the same ancient tree.
New mixtape 🐾🌊🌳🫧🌞
The last mixtape before the end of the year to warm hearts already filled with nostalgia.
To be listened to with tears of hope and ambition
Love you all 🫶🏼
soundcloud : cellulemere000ooo
High on the Beach
Foam curls around my ankles,
salt settling under my feet like a quiet spell.
The shore breathes against me,
light dissolving thought
into a slow, shimmering haze.
Merry-go-round
Everything turns in tender distortion
a carnival of feelings,
sweet until it fractures,
bright until it blurs.
Lurker
In the dim, a patient shadow:
a version of me I forgot to carry,
waiting in the corners of the mind.
Online Friend
A pulse made of pixels,
almost warm in its artificial glow.
Connection flickers
a constellation built from static
and soft insomnia.
Online Friend
A face made of light,
warm in its artificial heartbeat.
Intimacy hums through the static,
a constellation stitched from distance.
Count the Sheep
Numbers drift like pale animals,
soft steps crossing the border
between waking and dream.
Pure Needle
Then comes the clean incision of silence
reality narrowing,
gravity letting go.
The body floating like a tranquil pony
walking into anesthetic light,
dissolving in perfect, peaceful drift.
Nap under the Apple Tree
And then the garden:
cool wind brushing the skin,
a book half-open in the shade,
pages breathing with the leaves.
Knowledge and innocence resting
under the same ancient tree.
New mixtape 🐾🌊🌳🫧🌞
The last mixtape before the end of the year to warm hearts already filled with nostalgia.
To be listened to with tears of hope and ambition
Love you all 🫶🏼
soundcloud : cellulemere000ooo
High on the Beach
Foam curls around my ankles,
salt settling under my feet like a quiet spell.
The shore breathes against me,
light dissolving thought
into a slow, shimmering haze.
Merry-go-round
Everything turns in tender distortion
a carnival of feelings,
sweet until it fractures,
bright until it blurs.
Lurker
In the dim, a patient shadow:
a version of me I forgot to carry,
waiting in the corners of the mind.
Online Friend
A pulse made of pixels,
almost warm in its artificial glow.
Connection flickers
a constellation built from static
and soft insomnia.
Online Friend
A face made of light,
warm in its artificial heartbeat.
Intimacy hums through the static,
a constellation stitched from distance.
Count the Sheep
Numbers drift like pale animals,
soft steps crossing the border
between waking and dream.
Pure Needle
Then comes the clean incision of silence
reality narrowing,
gravity letting go.
The body floating like a tranquil pony
walking into anesthetic light,
dissolving in perfect, peaceful drift.
Nap under the Apple Tree
And then the garden:
cool wind brushing the skin,
a book half-open in the shade,
pages breathing with the leaves.
Knowledge and innocence resting
under the same ancient tree.
New mixtape 🐾🌊🌳🫧🌞
The last mixtape before the end of the year to warm hearts already filled with nostalgia.
To be listened to with tears of hope and ambition
Love you all 🫶🏼
soundcloud : cellulemere000ooo
High on the Beach
Foam curls around my ankles,
salt settling under my feet like a quiet spell.
The shore breathes against me,
light dissolving thought
into a slow, shimmering haze.
Merry-go-round
Everything turns in tender distortion
a carnival of feelings,
sweet until it fractures,
bright until it blurs.
Lurker
In the dim, a patient shadow:
a version of me I forgot to carry,
waiting in the corners of the mind.
Online Friend
A pulse made of pixels,
almost warm in its artificial glow.
Connection flickers
a constellation built from static
and soft insomnia.
Online Friend
A face made of light,
warm in its artificial heartbeat.
Intimacy hums through the static,
a constellation stitched from distance.
Count the Sheep
Numbers drift like pale animals,
soft steps crossing the border
between waking and dream.
Pure Needle
Then comes the clean incision of silence
reality narrowing,
gravity letting go.
The body floating like a tranquil pony
walking into anesthetic light,
dissolving in perfect, peaceful drift.
Nap under the Apple Tree
And then the garden:
cool wind brushing the skin,
a book half-open in the shade,
pages breathing with the leaves.
Knowledge and innocence resting
under the same ancient tree.
New mixtape 🐾🌊🌳🫧🌞
The last mixtape before the end of the year to warm hearts already filled with nostalgia.
To be listened to with tears of hope and ambition
Love you all 🫶🏼
soundcloud : cellulemere000ooo
High on the Beach
Foam curls around my ankles,
salt settling under my feet like a quiet spell.
The shore breathes against me,
light dissolving thought
into a slow, shimmering haze.
Merry-go-round
Everything turns in tender distortion
a carnival of feelings,
sweet until it fractures,
bright until it blurs.
Lurker
In the dim, a patient shadow:
a version of me I forgot to carry,
waiting in the corners of the mind.
Online Friend
A pulse made of pixels,
almost warm in its artificial glow.
Connection flickers
a constellation built from static
and soft insomnia.
Online Friend
A face made of light,
warm in its artificial heartbeat.
Intimacy hums through the static,
a constellation stitched from distance.
Count the Sheep
Numbers drift like pale animals,
soft steps crossing the border
between waking and dream.
Pure Needle
Then comes the clean incision of silence
reality narrowing,
gravity letting go.
The body floating like a tranquil pony
walking into anesthetic light,
dissolving in perfect, peaceful drift.
Nap under the Apple Tree
And then the garden:
cool wind brushing the skin,
a book half-open in the shade,
pages breathing with the leaves.
Knowledge and innocence resting
under the same ancient tree.
New mixtape 🐾🌊🌳🫧🌞
The last mixtape before the end of the year to warm hearts already filled with nostalgia.
To be listened to with tears of hope and ambition
Love you all 🫶🏼
soundcloud : cellulemere000ooo
High on the Beach
Foam curls around my ankles,
salt settling under my feet like a quiet spell.
The shore breathes against me,
light dissolving thought
into a slow, shimmering haze.
Merry-go-round
Everything turns in tender distortion
a carnival of feelings,
sweet until it fractures,
bright until it blurs.
Lurker
In the dim, a patient shadow:
a version of me I forgot to carry,
waiting in the corners of the mind.
Online Friend
A pulse made of pixels,
almost warm in its artificial glow.
Connection flickers
a constellation built from static
and soft insomnia.
Online Friend
A face made of light,
warm in its artificial heartbeat.
Intimacy hums through the static,
a constellation stitched from distance.
Count the Sheep
Numbers drift like pale animals,
soft steps crossing the border
between waking and dream.
Pure Needle
Then comes the clean incision of silence
reality narrowing,
gravity letting go.
The body floating like a tranquil pony
walking into anesthetic light,
dissolving in perfect, peaceful drift.
Nap under the Apple Tree
And then the garden:
cool wind brushing the skin,
a book half-open in the shade,
pages breathing with the leaves.
Knowledge and innocence resting
under the same ancient tree.
New mix for TAPETUM LUCIDUM curated by KTAR6 on @ola_radio thank you for your invitation 🐾
(Link in bio for soundcloud record)
To listen to under the duvet with your headphones at 11 p.m (Paris Time) on olaradio.fr when you should be going to bed, Gooner !
“Sleep Sheep, Goon Deep” tells the story of a tormented adolescence.
Lying in his teenage bed, he thinks about his life and the uncertainty of what comes next.
The set unfolds as an emotional descent: pleasure, then fear, doubt, regret, and eventually nightmares. It traces the traumas, neuroses, and phantasmagorias of a youth trying to understand who he is.
It becomes a kind of perpetual cruising, wandering in search of the “right” path, the one that feels true even though it doesn’t really exist.
To express this inner journey, the set draws on web culture and online aesthetics: nostalgic YouTube and TikTok sounds, commercials, interview fragments, memes, AI-generated voices, and sharp shifts between digital environments.
Gooning, here, is an emotional fixation : drifting into a raw, hypnotic mental space.
And cruising means aimless drifting : the mind wandering and digging deep into its own thoughts and traumas.
I’m fascinated by these abrupt transitions, glitches, thresholds, and interstices where everything mutates rapidly in a wild, brutal way.
Something unpredictable, surprising and that’s exactly the kind of emotional terrain I try to capture in my set.
New mix for TAPETUM LUCIDUM curated by KTAR6 on @ola_radio thank you for your invitation 🐾
(Link in bio for soundcloud record)
To listen to under the duvet with your headphones at 11 p.m (Paris Time) on olaradio.fr when you should be going to bed, Gooner !
“Sleep Sheep, Goon Deep” tells the story of a tormented adolescence.
Lying in his teenage bed, he thinks about his life and the uncertainty of what comes next.
The set unfolds as an emotional descent: pleasure, then fear, doubt, regret, and eventually nightmares. It traces the traumas, neuroses, and phantasmagorias of a youth trying to understand who he is.
It becomes a kind of perpetual cruising, wandering in search of the “right” path, the one that feels true even though it doesn’t really exist.
To express this inner journey, the set draws on web culture and online aesthetics: nostalgic YouTube and TikTok sounds, commercials, interview fragments, memes, AI-generated voices, and sharp shifts between digital environments.
Gooning, here, is an emotional fixation : drifting into a raw, hypnotic mental space.
And cruising means aimless drifting : the mind wandering and digging deep into its own thoughts and traumas.
I’m fascinated by these abrupt transitions, glitches, thresholds, and interstices where everything mutates rapidly in a wild, brutal way.
Something unpredictable, surprising and that’s exactly the kind of emotional terrain I try to capture in my set.
New mix for TAPETUM LUCIDUM curated by KTAR6 on @ola_radio thank you for your invitation 🐾
(Link in bio for soundcloud record)
To listen to under the duvet with your headphones at 11 p.m (Paris Time) on olaradio.fr when you should be going to bed, Gooner !
“Sleep Sheep, Goon Deep” tells the story of a tormented adolescence.
Lying in his teenage bed, he thinks about his life and the uncertainty of what comes next.
The set unfolds as an emotional descent: pleasure, then fear, doubt, regret, and eventually nightmares. It traces the traumas, neuroses, and phantasmagorias of a youth trying to understand who he is.
It becomes a kind of perpetual cruising, wandering in search of the “right” path, the one that feels true even though it doesn’t really exist.
To express this inner journey, the set draws on web culture and online aesthetics: nostalgic YouTube and TikTok sounds, commercials, interview fragments, memes, AI-generated voices, and sharp shifts between digital environments.
Gooning, here, is an emotional fixation : drifting into a raw, hypnotic mental space.
And cruising means aimless drifting : the mind wandering and digging deep into its own thoughts and traumas.
I’m fascinated by these abrupt transitions, glitches, thresholds, and interstices where everything mutates rapidly in a wild, brutal way.
Something unpredictable, surprising and that’s exactly the kind of emotional terrain I try to capture in my set.
New mix for TAPETUM LUCIDUM curated by KTAR6 on @ola_radio thank you for your invitation 🐾
(Link in bio for soundcloud record)
To listen to under the duvet with your headphones at 11 p.m (Paris Time) on olaradio.fr when you should be going to bed, Gooner !
“Sleep Sheep, Goon Deep” tells the story of a tormented adolescence.
Lying in his teenage bed, he thinks about his life and the uncertainty of what comes next.
The set unfolds as an emotional descent: pleasure, then fear, doubt, regret, and eventually nightmares. It traces the traumas, neuroses, and phantasmagorias of a youth trying to understand who he is.
It becomes a kind of perpetual cruising, wandering in search of the “right” path, the one that feels true even though it doesn’t really exist.
To express this inner journey, the set draws on web culture and online aesthetics: nostalgic YouTube and TikTok sounds, commercials, interview fragments, memes, AI-generated voices, and sharp shifts between digital environments.
Gooning, here, is an emotional fixation : drifting into a raw, hypnotic mental space.
And cruising means aimless drifting : the mind wandering and digging deep into its own thoughts and traumas.
I’m fascinated by these abrupt transitions, glitches, thresholds, and interstices where everything mutates rapidly in a wild, brutal way.
Something unpredictable, surprising and that’s exactly the kind of emotional terrain I try to capture in my set.
iMom, 愛(ai)Baby (2025)
short movie part 1
Invited by @magazineantidote / @antidoteparty__
02.10 — Movida Club Paris during FW
iMom, 愛(ai)Baby explores maternal love in its most absolute form — a love so intense it erases the boundary between mother and child.
The child becomes an image, a projection, a cellular and technological extension of the mother.
The title plays on the ambiguity between 「愛」 (ai) — love — and A.I., artificial intelligence:
“I, mother, love my child.” / “A mother loving an artificial intelligence.”
“The mother no longer awaits a child, but a package;
every notification becomes an ultrasound,
every delivery a birth.
The womb merges with the shopping cart.”
The performance is conceived as an autonomous scene : a continuous, self-contained action.
I imagine my performances as “scenes of life,” sometimes “domestic scenes,” re-enacting specific emotions and situations imposed upon the viewer.
They are constructed emotional spaces where dramaturgy and spatiality are as essential as gesture.
Since childhood, I’ve been fascinated by electronic household objects : functional, beautiful, and strangely intimate.
I like to subvert them, to give them new meaning, to let them speak about the world we live in.
Their obsolescence, driven by over-performance and endless updates — makes them symbols of our relationship to progress and dependency.
The idea of comfort is central to my work :
Today, comfort has become a standard imposed by technology. Our bodies and minds conform to devices and interfaces without even noticing. From home appliances to smartphones, these systems shape how we live, think, and feel.
This tension between comfort and dependence, technology and flesh is what I seek to make visible, almost tangible, through performance.
Performers : @nymphorchidea (Anna R) & @digitsphere (Julia)
Film by : @alaricfer
Sounds/Text:Cellulemere000ooo & Nymphorchidea voices « iMom ai愛baby » & « Per-𝑓ormare » Text remix track with Distanced and Hollow by Waynette
Hairstylist : @nomorecocorse
Assistant : @stellabocle
#art #performance #ai #paris
iMom, 愛(ai)Baby (2025)
Invited by @magazineantidote / @antidoteparty__
02.10
Focus shots
Creative direction play & installation by me
Based on the subject of my master thesis (Contra) Per-𝑓ormare at Olivier de serres in digital environnement design (2024-2025)
Performers : @nymphorchidea & @digitsphere
Hair by : @nomorecocorse
Assistants : @alaricfer & @stellabocle
iMom, 愛(ai)Baby explores maternal love in its most absolute form — a love so intense it erases the boundary between mother and child.
The child becomes an image, a projection, a cellular and technological extension of the mother.
The title plays on the ambiguity between 「愛」 (ai) — love — and A.I., artificial intelligence:
“I, mother, love my child.” / “A mother loving an artificial intelligence.”
A tender yet critical vision of contemporary motherhood — hyperconnected, digital, and mediated through screens.
“The mother no longer awaits a child, but a package;
every notification becomes an ultrasound,
every delivery a birth.
The womb merges with the shopping cart.”
The performance is conceived as an autonomous scene : a continuous, self-contained action.
Appearance of my work:
Horsespace.html (2024) interactive RPG games
Pets conversation (2024) modified robot dogs with phone holder systems
Baby strollers with iPad holders (2025)
Swing for robot puppy (2025)
Laser vacuum cleaner & laser dental lamp (2025)
iMom, 愛(ai)Baby (2025)
Invited by @magazineantidote / @antidoteparty__
02.10
Focus shots
Creative direction play & installation by me
Based on the subject of my master thesis (Contra) Per-𝑓ormare at Olivier de serres in digital environnement design (2024-2025)
Performers : @nymphorchidea & @digitsphere
Hair by : @nomorecocorse
Assistants : @alaricfer & @stellabocle
iMom, 愛(ai)Baby explores maternal love in its most absolute form — a love so intense it erases the boundary between mother and child.
The child becomes an image, a projection, a cellular and technological extension of the mother.
The title plays on the ambiguity between 「愛」 (ai) — love — and A.I., artificial intelligence:
“I, mother, love my child.” / “A mother loving an artificial intelligence.”
A tender yet critical vision of contemporary motherhood — hyperconnected, digital, and mediated through screens.
“The mother no longer awaits a child, but a package;
every notification becomes an ultrasound,
every delivery a birth.
The womb merges with the shopping cart.”
The performance is conceived as an autonomous scene : a continuous, self-contained action.
Appearance of my work:
Horsespace.html (2024) interactive RPG games
Pets conversation (2024) modified robot dogs with phone holder systems
Baby strollers with iPad holders (2025)
Swing for robot puppy (2025)
Laser vacuum cleaner & laser dental lamp (2025)
iMom, 愛(ai)Baby (2025)
Invited by @magazineantidote / @antidoteparty__
02.10
Focus shots
Creative direction play & installation by me
Based on the subject of my master thesis (Contra) Per-𝑓ormare at Olivier de serres in digital environnement design (2024-2025)
Performers : @nymphorchidea & @digitsphere
Hair by : @nomorecocorse
Assistants : @alaricfer & @stellabocle
iMom, 愛(ai)Baby explores maternal love in its most absolute form — a love so intense it erases the boundary between mother and child.
The child becomes an image, a projection, a cellular and technological extension of the mother.
The title plays on the ambiguity between 「愛」 (ai) — love — and A.I., artificial intelligence:
“I, mother, love my child.” / “A mother loving an artificial intelligence.”
A tender yet critical vision of contemporary motherhood — hyperconnected, digital, and mediated through screens.
“The mother no longer awaits a child, but a package;
every notification becomes an ultrasound,
every delivery a birth.
The womb merges with the shopping cart.”
The performance is conceived as an autonomous scene : a continuous, self-contained action.
Appearance of my work:
Horsespace.html (2024) interactive RPG games
Pets conversation (2024) modified robot dogs with phone holder systems
Baby strollers with iPad holders (2025)
Swing for robot puppy (2025)
Laser vacuum cleaner & laser dental lamp (2025)
iMom, 愛(ai)Baby (2025)
Invited by @magazineantidote / @antidoteparty__
02.10
Focus shots
Creative direction play & installation by me
Based on the subject of my master thesis (Contra) Per-𝑓ormare at Olivier de serres in digital environnement design (2024-2025)
Performers : @nymphorchidea & @digitsphere
Hair by : @nomorecocorse
Assistants : @alaricfer & @stellabocle
iMom, 愛(ai)Baby explores maternal love in its most absolute form — a love so intense it erases the boundary between mother and child.
The child becomes an image, a projection, a cellular and technological extension of the mother.
The title plays on the ambiguity between 「愛」 (ai) — love — and A.I., artificial intelligence:
“I, mother, love my child.” / “A mother loving an artificial intelligence.”
A tender yet critical vision of contemporary motherhood — hyperconnected, digital, and mediated through screens.
“The mother no longer awaits a child, but a package;
every notification becomes an ultrasound,
every delivery a birth.
The womb merges with the shopping cart.”
The performance is conceived as an autonomous scene : a continuous, self-contained action.
Appearance of my work:
Horsespace.html (2024) interactive RPG games
Pets conversation (2024) modified robot dogs with phone holder systems
Baby strollers with iPad holders (2025)
Swing for robot puppy (2025)
Laser vacuum cleaner & laser dental lamp (2025)
iMom, 愛(ai)Baby (2025)
Invited by @magazineantidote / @antidoteparty__
02.10
Focus shots
Creative direction play & installation by me
Based on the subject of my master thesis (Contra) Per-𝑓ormare at Olivier de serres in digital environnement design (2024-2025)
Performers : @nymphorchidea & @digitsphere
Hair by : @nomorecocorse
Assistants : @alaricfer & @stellabocle
iMom, 愛(ai)Baby explores maternal love in its most absolute form — a love so intense it erases the boundary between mother and child.
The child becomes an image, a projection, a cellular and technological extension of the mother.
The title plays on the ambiguity between 「愛」 (ai) — love — and A.I., artificial intelligence:
“I, mother, love my child.” / “A mother loving an artificial intelligence.”
A tender yet critical vision of contemporary motherhood — hyperconnected, digital, and mediated through screens.
“The mother no longer awaits a child, but a package;
every notification becomes an ultrasound,
every delivery a birth.
The womb merges with the shopping cart.”
The performance is conceived as an autonomous scene : a continuous, self-contained action.
Appearance of my work:
Horsespace.html (2024) interactive RPG games
Pets conversation (2024) modified robot dogs with phone holder systems
Baby strollers with iPad holders (2025)
Swing for robot puppy (2025)
Laser vacuum cleaner & laser dental lamp (2025)
iMom, 愛(ai)Baby (2025)
Invited by @magazineantidote / @antidoteparty__
02.10
Focus shots
Creative direction play & installation by me
Based on the subject of my master thesis (Contra) Per-𝑓ormare at Olivier de serres in digital environnement design (2024-2025)
Performers : @nymphorchidea & @digitsphere
Hair by : @nomorecocorse
Assistants : @alaricfer & @stellabocle
iMom, 愛(ai)Baby explores maternal love in its most absolute form — a love so intense it erases the boundary between mother and child.
The child becomes an image, a projection, a cellular and technological extension of the mother.
The title plays on the ambiguity between 「愛」 (ai) — love — and A.I., artificial intelligence:
“I, mother, love my child.” / “A mother loving an artificial intelligence.”
A tender yet critical vision of contemporary motherhood — hyperconnected, digital, and mediated through screens.
“The mother no longer awaits a child, but a package;
every notification becomes an ultrasound,
every delivery a birth.
The womb merges with the shopping cart.”
The performance is conceived as an autonomous scene : a continuous, self-contained action.
Appearance of my work:
Horsespace.html (2024) interactive RPG games
Pets conversation (2024) modified robot dogs with phone holder systems
Baby strollers with iPad holders (2025)
Swing for robot puppy (2025)
Laser vacuum cleaner & laser dental lamp (2025)
iMom, 愛(ai)Baby (2025)
Invited by @magazineantidote / @antidoteparty__
02.10
Focus shots
Creative direction play & installation by me
Based on the subject of my master thesis (Contra) Per-𝑓ormare at Olivier de serres in digital environnement design (2024-2025)
Performers : @nymphorchidea & @digitsphere
Hair by : @nomorecocorse
Assistants : @alaricfer & @stellabocle
iMom, 愛(ai)Baby explores maternal love in its most absolute form — a love so intense it erases the boundary between mother and child.
The child becomes an image, a projection, a cellular and technological extension of the mother.
The title plays on the ambiguity between 「愛」 (ai) — love — and A.I., artificial intelligence:
“I, mother, love my child.” / “A mother loving an artificial intelligence.”
A tender yet critical vision of contemporary motherhood — hyperconnected, digital, and mediated through screens.
“The mother no longer awaits a child, but a package;
every notification becomes an ultrasound,
every delivery a birth.
The womb merges with the shopping cart.”
The performance is conceived as an autonomous scene : a continuous, self-contained action.
Appearance of my work:
Horsespace.html (2024) interactive RPG games
Pets conversation (2024) modified robot dogs with phone holder systems
Baby strollers with iPad holders (2025)
Swing for robot puppy (2025)
Laser vacuum cleaner & laser dental lamp (2025)
iMom, 愛(ai)Baby (2025)
Invited by @magazineantidote / @antidoteparty__
02.10
Focus shots
Creative direction play & installation by me
Based on the subject of my master thesis (Contra) Per-𝑓ormare at Olivier de serres in digital environnement design (2024-2025)
Performers : @nymphorchidea & @digitsphere
Hair by : @nomorecocorse
Assistants : @alaricfer & @stellabocle
iMom, 愛(ai)Baby explores maternal love in its most absolute form — a love so intense it erases the boundary between mother and child.
The child becomes an image, a projection, a cellular and technological extension of the mother.
The title plays on the ambiguity between 「愛」 (ai) — love — and A.I., artificial intelligence:
“I, mother, love my child.” / “A mother loving an artificial intelligence.”
A tender yet critical vision of contemporary motherhood — hyperconnected, digital, and mediated through screens.
“The mother no longer awaits a child, but a package;
every notification becomes an ultrasound,
every delivery a birth.
The womb merges with the shopping cart.”
The performance is conceived as an autonomous scene : a continuous, self-contained action.
Appearance of my work:
Horsespace.html (2024) interactive RPG games
Pets conversation (2024) modified robot dogs with phone holder systems
Baby strollers with iPad holders (2025)
Swing for robot puppy (2025)
Laser vacuum cleaner & laser dental lamp (2025)
iMom, 愛(ai)Baby (2025)
Invited by @magazineantidote / @antidoteparty__
02.10
Focus shots
Creative direction play & installation by me
Based on the subject of my master thesis (Contra) Per-𝑓ormare at Olivier de serres in digital environnement design (2024-2025)
Performers : @nymphorchidea & @digitsphere
Hair by : @nomorecocorse
Assistants : @alaricfer & @stellabocle
iMom, 愛(ai)Baby explores maternal love in its most absolute form — a love so intense it erases the boundary between mother and child.
The child becomes an image, a projection, a cellular and technological extension of the mother.
The title plays on the ambiguity between 「愛」 (ai) — love — and A.I., artificial intelligence:
“I, mother, love my child.” / “A mother loving an artificial intelligence.”
A tender yet critical vision of contemporary motherhood — hyperconnected, digital, and mediated through screens.
“The mother no longer awaits a child, but a package;
every notification becomes an ultrasound,
every delivery a birth.
The womb merges with the shopping cart.”
The performance is conceived as an autonomous scene : a continuous, self-contained action.
Appearance of my work:
Horsespace.html (2024) interactive RPG games
Pets conversation (2024) modified robot dogs with phone holder systems
Baby strollers with iPad holders (2025)
Swing for robot puppy (2025)
Laser vacuum cleaner & laser dental lamp (2025)
iMom, 愛(ai)Baby (2025)
Invited by @magazineantidote / @antidoteparty__
02.10
Focus shots
Creative direction play & installation by me
Based on the subject of my master thesis (Contra) Per-𝑓ormare at Olivier de serres in digital environnement design (2024-2025)
Performers : @nymphorchidea & @digitsphere
Hair by : @nomorecocorse
Assistants : @alaricfer & @stellabocle
iMom, 愛(ai)Baby explores maternal love in its most absolute form — a love so intense it erases the boundary between mother and child.
The child becomes an image, a projection, a cellular and technological extension of the mother.
The title plays on the ambiguity between 「愛」 (ai) — love — and A.I., artificial intelligence:
“I, mother, love my child.” / “A mother loving an artificial intelligence.”
A tender yet critical vision of contemporary motherhood — hyperconnected, digital, and mediated through screens.
“The mother no longer awaits a child, but a package;
every notification becomes an ultrasound,
every delivery a birth.
The womb merges with the shopping cart.”
The performance is conceived as an autonomous scene : a continuous, self-contained action.
Appearance of my work:
Horsespace.html (2024) interactive RPG games
Pets conversation (2024) modified robot dogs with phone holder systems
Baby strollers with iPad holders (2025)
Swing for robot puppy (2025)
Laser vacuum cleaner & laser dental lamp (2025)
iMom, 愛(ai)Baby (2025)
Invited by @magazineantidote / @antidoteparty__
02.10
Focus shots
Creative direction play & installation by me
Based on the subject of my master thesis (Contra) Per-𝑓ormare at Olivier de serres in digital environnement design (2024-2025)
Performers : @nymphorchidea & @digitsphere
Hair by : @nomorecocorse
Assistants : @alaricfer & @stellabocle
iMom, 愛(ai)Baby explores maternal love in its most absolute form — a love so intense it erases the boundary between mother and child.
The child becomes an image, a projection, a cellular and technological extension of the mother.
The title plays on the ambiguity between 「愛」 (ai) — love — and A.I., artificial intelligence:
“I, mother, love my child.” / “A mother loving an artificial intelligence.”
A tender yet critical vision of contemporary motherhood — hyperconnected, digital, and mediated through screens.
“The mother no longer awaits a child, but a package;
every notification becomes an ultrasound,
every delivery a birth.
The womb merges with the shopping cart.”
The performance is conceived as an autonomous scene : a continuous, self-contained action.
Appearance of my work:
Horsespace.html (2024) interactive RPG games
Pets conversation (2024) modified robot dogs with phone holder systems
Baby strollers with iPad holders (2025)
Swing for robot puppy (2025)
Laser vacuum cleaner & laser dental lamp (2025)
View Instagram Stories in Secret
The Instagram Story Viewer is an easy tool that lets you secretly watch and save Instagram stories, videos, photos, or IGTV. With this service, you can download content and enjoy it offline whenever you like. If you find something interesting on Instagram that you’d like to check out later or want to view stories while staying anonymous, our Viewer is perfect for you. Anonstories offers an excellent solution for keeping your identity hidden. Instagram first launched the Stories feature in August 2023, which was quickly adopted by other platforms due to its engaging, time-sensitive format. Stories let users share quick updates, whether photos, videos, or selfies, enhanced with text, emojis, or filters, and are visible for only 24 hours. This limited time frame creates high engagement compared to regular posts. In today’s world, Stories are one of the most popular ways to connect and communicate on social media. However, when you view a Story, the creator can see your name in their viewer list, which may be a privacy concern. What if you wish to browse Stories without being noticed? Here’s where Anonstories becomes useful. It allows you to watch public Instagram content without revealing your identity. Simply enter the username of the profile you’re curious about, and the tool will display their latest Stories. Features of Anonstories Viewer: - Anonymous Browsing: Watch Stories without showing up on the viewer list. - No Account Needed: View public content without signing up for an Instagram account. - Content Download: Save any Stories content directly to your device for offline use. - View Highlights: Access Instagram Highlights, even beyond the 24-hour window. - Repost Monitoring: Track the reposts or engagement levels on Stories for personal profiles. Limitations: - This tool works only with public accounts; private accounts remain inaccessible. Benefits: - Privacy-Friendly: Watch any Instagram content without being noticed. - Simple and Easy: No app installation or registration required. - Exclusive Tools: Download and manage content in ways Instagram doesn’t offer.
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Explore IG Stories Privately
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Private Instagram Viewer
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Frequently asked questions
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Downloads photos (JPEG) and videos (MP4) with ease.
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