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keslowcamera
Keslow Camera
Premier motion picture camera rental house with multiple locations:
LA | VN | CGY | SLC | ABQ | DFW | NOLA | CHI | ATL | YSB | TO | HFX
𝐓𝐇𝐄 𝐍𝐄𝐖 𝐒𝐓𝐀𝐍𝐃𝐀𝐑𝐃 𝐈𝐍 𝐋𝐈𝐕𝐄 𝐄𝐕𝐄𝐍𝐓 & 𝐌𝐔𝐋𝐓𝐈𝐂𝐀𝐌 𝐏𝐑𝐎𝐃𝐔𝐂𝐓𝐈𝐎𝐍.
We're thrilled to announce our partnership with The HELM (@thehelmtech), a global expert in cinematic live broadcast and high-end production workflows, to launch Keslow LIVE.
The partnership combines Keslow Camera’s trusted reputation, world-class inventory, and deep relationships in the film and television community with The HELM’s expertise in cinematic live production, fiber-based workflows, and turnkey execution.
The result is a single-source pathway that allows clients to access the full spectrum of cinematic equipment, services, and live production capability, all through a unified and trusted partnership.
𝐂𝐈𝐍𝐄𝐌𝐀𝐓𝐈𝐂 𝐋𝐈𝐕𝐄 𝐒𝐓𝐎𝐑𝐘𝐓𝐄𝐋𝐋𝐈𝐍𝐆.
𝐀𝐍𝐘 𝐒𝐂𝐀𝐋𝐄. 𝐀𝐍𝐘𝐖𝐇𝐄𝐑𝐄.
Hit the link in our bio to learn more!
#liveevents #multicam #broadcast #sitcom #keslowlive
#ICYMI, The ASC (@the__asc) Todd-AO 65mm primes are exclusively available for rent at Keslow Camera.
Rehoused by Zero Optik (@zerooptik), the ASC Todd-AO 65mm primes reflect years of hard work and perfectionism, resulting in one of the rarest sets of cinema lenses in existence.
Check out the November issue of American Cinematographer (@american_cinematographer) for a phenomenal look at the history of these one-of-a-kind lenses and the process to bring them back to life, from the pen of Jay Holben (@jayholben.)
We're honored to have been intimately involved in the resurrection of these iconic cinema lenses for a new generation of filmmakers. More info at the link in our bio!
#ICYMI, The ASC (@the__asc) Todd-AO 65mm primes are exclusively available for rent at Keslow Camera.
Rehoused by Zero Optik (@zerooptik), the ASC Todd-AO 65mm primes reflect years of hard work and perfectionism, resulting in one of the rarest sets of cinema lenses in existence.
Check out the November issue of American Cinematographer (@american_cinematographer) for a phenomenal look at the history of these one-of-a-kind lenses and the process to bring them back to life, from the pen of Jay Holben (@jayholben.)
We're honored to have been intimately involved in the resurrection of these iconic cinema lenses for a new generation of filmmakers. More info at the link in our bio!
#ICYMI, The ASC (@the__asc) Todd-AO 65mm primes are exclusively available for rent at Keslow Camera.
Rehoused by Zero Optik (@zerooptik), the ASC Todd-AO 65mm primes reflect years of hard work and perfectionism, resulting in one of the rarest sets of cinema lenses in existence.
Check out the November issue of American Cinematographer (@american_cinematographer) for a phenomenal look at the history of these one-of-a-kind lenses and the process to bring them back to life, from the pen of Jay Holben (@jayholben.)
We're honored to have been intimately involved in the resurrection of these iconic cinema lenses for a new generation of filmmakers. More info at the link in our bio!
#ICYMI, The ASC (@the__asc) Todd-AO 65mm primes are exclusively available for rent at Keslow Camera.
Rehoused by Zero Optik (@zerooptik), the ASC Todd-AO 65mm primes reflect years of hard work and perfectionism, resulting in one of the rarest sets of cinema lenses in existence.
Check out the November issue of American Cinematographer (@american_cinematographer) for a phenomenal look at the history of these one-of-a-kind lenses and the process to bring them back to life, from the pen of Jay Holben (@jayholben.)
We're honored to have been intimately involved in the resurrection of these iconic cinema lenses for a new generation of filmmakers. More info at the link in our bio!
The ASC has restored and relaunched a rare set of Todd-AO 65mm lenses from the ASC Museum archives, now available for modern productions through Keslow Camera @keslowcamera . Originally developed in the 1950s for Oklahoma! and other 65mm epics, the Todd-AO lenses helped define the widescreen era of Hollywood.
Rebuilt in collaboration with Zero Optik @zerooptik and fine-tuned with input from Greig Fraser, ASC, ACS @greigfraser_dp , the project preserves the lenses’ vintage character while adapting them for today’s digital workflows. The first to use them was Christian Sprenger, ASC @casprenger , for Apple TV Plus’ Widow’s Bay.
Read the full story in the November 2025 issue of American Cinematographer.
#AmericanCinematographer #ASC #Cinematography #ToddAO #ZeroOptik #KeslowCamera #GreigFraserASC #ChristianSprengerASC #VintageGlass #FilmHistory
The ASC has restored and relaunched a rare set of Todd-AO 65mm lenses from the ASC Museum archives, now available for modern productions through Keslow Camera @keslowcamera . Originally developed in the 1950s for Oklahoma! and other 65mm epics, the Todd-AO lenses helped define the widescreen era of Hollywood.
Rebuilt in collaboration with Zero Optik @zerooptik and fine-tuned with input from Greig Fraser, ASC, ACS @greigfraser_dp , the project preserves the lenses’ vintage character while adapting them for today’s digital workflows. The first to use them was Christian Sprenger, ASC @casprenger , for Apple TV Plus’ Widow’s Bay.
Read the full story in the November 2025 issue of American Cinematographer.
#AmericanCinematographer #ASC #Cinematography #ToddAO #ZeroOptik #KeslowCamera #GreigFraserASC #ChristianSprengerASC #VintageGlass #FilmHistory
The ASC has restored and relaunched a rare set of Todd-AO 65mm lenses from the ASC Museum archives, now available for modern productions through Keslow Camera @keslowcamera . Originally developed in the 1950s for Oklahoma! and other 65mm epics, the Todd-AO lenses helped define the widescreen era of Hollywood.
Rebuilt in collaboration with Zero Optik @zerooptik and fine-tuned with input from Greig Fraser, ASC, ACS @greigfraser_dp , the project preserves the lenses’ vintage character while adapting them for today’s digital workflows. The first to use them was Christian Sprenger, ASC @casprenger , for Apple TV Plus’ Widow’s Bay.
Read the full story in the November 2025 issue of American Cinematographer.
#AmericanCinematographer #ASC #Cinematography #ToddAO #ZeroOptik #KeslowCamera #GreigFraserASC #ChristianSprengerASC #VintageGlass #FilmHistory
The ASC has restored and relaunched a rare set of Todd-AO 65mm lenses from the ASC Museum archives, now available for modern productions through Keslow Camera @keslowcamera . Originally developed in the 1950s for Oklahoma! and other 65mm epics, the Todd-AO lenses helped define the widescreen era of Hollywood.
Rebuilt in collaboration with Zero Optik @zerooptik and fine-tuned with input from Greig Fraser, ASC, ACS @greigfraser_dp , the project preserves the lenses’ vintage character while adapting them for today’s digital workflows. The first to use them was Christian Sprenger, ASC @casprenger , for Apple TV Plus’ Widow’s Bay.
Read the full story in the November 2025 issue of American Cinematographer.
#AmericanCinematographer #ASC #Cinematography #ToddAO #ZeroOptik #KeslowCamera #GreigFraserASC #ChristianSprengerASC #VintageGlass #FilmHistory
The ASC has restored and relaunched a rare set of Todd-AO 65mm lenses from the ASC Museum archives, now available for modern productions through Keslow Camera @keslowcamera . Originally developed in the 1950s for Oklahoma! and other 65mm epics, the Todd-AO lenses helped define the widescreen era of Hollywood.
Rebuilt in collaboration with Zero Optik @zerooptik and fine-tuned with input from Greig Fraser, ASC, ACS @greigfraser_dp , the project preserves the lenses’ vintage character while adapting them for today’s digital workflows. The first to use them was Christian Sprenger, ASC @casprenger , for Apple TV Plus’ Widow’s Bay.
Read the full story in the November 2025 issue of American Cinematographer.
#AmericanCinematographer #ASC #Cinematography #ToddAO #ZeroOptik #KeslowCamera #GreigFraserASC #ChristianSprengerASC #VintageGlass #FilmHistory
The ASC has restored and relaunched a rare set of Todd-AO 65mm lenses from the ASC Museum archives, now available for modern productions through Keslow Camera @keslowcamera . Originally developed in the 1950s for Oklahoma! and other 65mm epics, the Todd-AO lenses helped define the widescreen era of Hollywood.
Rebuilt in collaboration with Zero Optik @zerooptik and fine-tuned with input from Greig Fraser, ASC, ACS @greigfraser_dp , the project preserves the lenses’ vintage character while adapting them for today’s digital workflows. The first to use them was Christian Sprenger, ASC @casprenger , for Apple TV Plus’ Widow’s Bay.
Read the full story in the November 2025 issue of American Cinematographer.
#AmericanCinematographer #ASC #Cinematography #ToddAO #ZeroOptik #KeslowCamera #GreigFraserASC #ChristianSprengerASC #VintageGlass #FilmHistory
The ASC has restored and relaunched a rare set of Todd-AO 65mm lenses from the ASC Museum archives, now available for modern productions through Keslow Camera @keslowcamera . Originally developed in the 1950s for Oklahoma! and other 65mm epics, the Todd-AO lenses helped define the widescreen era of Hollywood.
Rebuilt in collaboration with Zero Optik @zerooptik and fine-tuned with input from Greig Fraser, ASC, ACS @greigfraser_dp , the project preserves the lenses’ vintage character while adapting them for today’s digital workflows. The first to use them was Christian Sprenger, ASC @casprenger , for Apple TV Plus’ Widow’s Bay.
Read the full story in the November 2025 issue of American Cinematographer.
#AmericanCinematographer #ASC #Cinematography #ToddAO #ZeroOptik #KeslowCamera #GreigFraserASC #ChristianSprengerASC #VintageGlass #FilmHistory
It was incredibly inspiring to host the @southkamtitans Film Club at our Vancouver office for a special cinematography workshop! 🎬
These students traveled all the way to Vancouver to dive into the local film industry. We loved getting to show them the ropes with an intensive workshop covering the basics of filmmaking. The students got hands-on time building and operating premier cinema cameras and lenses, and even got to step into the rig for some Steadicam training!
The future of filmmaking is incredibly bright. ✨ Keep creating, SKSS!
It was incredibly inspiring to host the @southkamtitans Film Club at our Vancouver office for a special cinematography workshop! 🎬
These students traveled all the way to Vancouver to dive into the local film industry. We loved getting to show them the ropes with an intensive workshop covering the basics of filmmaking. The students got hands-on time building and operating premier cinema cameras and lenses, and even got to step into the rig for some Steadicam training!
The future of filmmaking is incredibly bright. ✨ Keep creating, SKSS!
It was incredibly inspiring to host the @southkamtitans Film Club at our Vancouver office for a special cinematography workshop! 🎬
These students traveled all the way to Vancouver to dive into the local film industry. We loved getting to show them the ropes with an intensive workshop covering the basics of filmmaking. The students got hands-on time building and operating premier cinema cameras and lenses, and even got to step into the rig for some Steadicam training!
The future of filmmaking is incredibly bright. ✨ Keep creating, SKSS!
It was incredibly inspiring to host the @southkamtitans Film Club at our Vancouver office for a special cinematography workshop! 🎬
These students traveled all the way to Vancouver to dive into the local film industry. We loved getting to show them the ropes with an intensive workshop covering the basics of filmmaking. The students got hands-on time building and operating premier cinema cameras and lenses, and even got to step into the rig for some Steadicam training!
The future of filmmaking is incredibly bright. ✨ Keep creating, SKSS!
It was incredibly inspiring to host the @southkamtitans Film Club at our Vancouver office for a special cinematography workshop! 🎬
These students traveled all the way to Vancouver to dive into the local film industry. We loved getting to show them the ropes with an intensive workshop covering the basics of filmmaking. The students got hands-on time building and operating premier cinema cameras and lenses, and even got to step into the rig for some Steadicam training!
The future of filmmaking is incredibly bright. ✨ Keep creating, SKSS!
prep day at @keslowcamera ♡
dp: @germano.assuncao
1st ac: @raquelwajner
2nd ac: @weinsteinjudy
alexa 35 xtreme x blackwing7’s
We had an amazing time this past weekend at the @jlfisher_inc Industry Mixer & BBQ! 🍔🎬
It is always so special getting to connect with this incredible community, talk gear, and catch up with old friends and new.
A huge thank you to everyone who stopped by the booth we shared with our friends at @old_fast_glass! Those who were able to make it out got hands-on time with a massive lineup of glass, spinning on and off the @sonycine VENICE 2 and @arri ALEXA 35 all day:
✨ @ancientoptics TAMASHII Primes
✨ @ancientoptics STATERA Anamorphic Primes
✨ @ancientoptics PETZVALUX Primes
✨ @old_fast_glass Long Shot
We also had a blast pairing up some of our large-format glass - the @ancientoptics SERIES 65s and our exclusive @the__asc Todd AO 65mm Primes - with the incredible ARRI ALEXA 65!
We can't wait for next year! To learn more about the entire Ancient Optics lineup, hit the link in our bio! 🔗
We had an amazing time this past weekend at the @jlfisher_inc Industry Mixer & BBQ! 🍔🎬
It is always so special getting to connect with this incredible community, talk gear, and catch up with old friends and new.
A huge thank you to everyone who stopped by the booth we shared with our friends at @old_fast_glass! Those who were able to make it out got hands-on time with a massive lineup of glass, spinning on and off the @sonycine VENICE 2 and @arri ALEXA 35 all day:
✨ @ancientoptics TAMASHII Primes
✨ @ancientoptics STATERA Anamorphic Primes
✨ @ancientoptics PETZVALUX Primes
✨ @old_fast_glass Long Shot
We also had a blast pairing up some of our large-format glass - the @ancientoptics SERIES 65s and our exclusive @the__asc Todd AO 65mm Primes - with the incredible ARRI ALEXA 65!
We can't wait for next year! To learn more about the entire Ancient Optics lineup, hit the link in our bio! 🔗
We had an amazing time this past weekend at the @jlfisher_inc Industry Mixer & BBQ! 🍔🎬
It is always so special getting to connect with this incredible community, talk gear, and catch up with old friends and new.
A huge thank you to everyone who stopped by the booth we shared with our friends at @old_fast_glass! Those who were able to make it out got hands-on time with a massive lineup of glass, spinning on and off the @sonycine VENICE 2 and @arri ALEXA 35 all day:
✨ @ancientoptics TAMASHII Primes
✨ @ancientoptics STATERA Anamorphic Primes
✨ @ancientoptics PETZVALUX Primes
✨ @old_fast_glass Long Shot
We also had a blast pairing up some of our large-format glass - the @ancientoptics SERIES 65s and our exclusive @the__asc Todd AO 65mm Primes - with the incredible ARRI ALEXA 65!
We can't wait for next year! To learn more about the entire Ancient Optics lineup, hit the link in our bio! 🔗
We had an amazing time this past weekend at the @jlfisher_inc Industry Mixer & BBQ! 🍔🎬
It is always so special getting to connect with this incredible community, talk gear, and catch up with old friends and new.
A huge thank you to everyone who stopped by the booth we shared with our friends at @old_fast_glass! Those who were able to make it out got hands-on time with a massive lineup of glass, spinning on and off the @sonycine VENICE 2 and @arri ALEXA 35 all day:
✨ @ancientoptics TAMASHII Primes
✨ @ancientoptics STATERA Anamorphic Primes
✨ @ancientoptics PETZVALUX Primes
✨ @old_fast_glass Long Shot
We also had a blast pairing up some of our large-format glass - the @ancientoptics SERIES 65s and our exclusive @the__asc Todd AO 65mm Primes - with the incredible ARRI ALEXA 65!
We can't wait for next year! To learn more about the entire Ancient Optics lineup, hit the link in our bio! 🔗
We had an amazing time this past weekend at the @jlfisher_inc Industry Mixer & BBQ! 🍔🎬
It is always so special getting to connect with this incredible community, talk gear, and catch up with old friends and new.
A huge thank you to everyone who stopped by the booth we shared with our friends at @old_fast_glass! Those who were able to make it out got hands-on time with a massive lineup of glass, spinning on and off the @sonycine VENICE 2 and @arri ALEXA 35 all day:
✨ @ancientoptics TAMASHII Primes
✨ @ancientoptics STATERA Anamorphic Primes
✨ @ancientoptics PETZVALUX Primes
✨ @old_fast_glass Long Shot
We also had a blast pairing up some of our large-format glass - the @ancientoptics SERIES 65s and our exclusive @the__asc Todd AO 65mm Primes - with the incredible ARRI ALEXA 65!
We can't wait for next year! To learn more about the entire Ancient Optics lineup, hit the link in our bio! 🔗
We had an amazing time this past weekend at the @jlfisher_inc Industry Mixer & BBQ! 🍔🎬
It is always so special getting to connect with this incredible community, talk gear, and catch up with old friends and new.
A huge thank you to everyone who stopped by the booth we shared with our friends at @old_fast_glass! Those who were able to make it out got hands-on time with a massive lineup of glass, spinning on and off the @sonycine VENICE 2 and @arri ALEXA 35 all day:
✨ @ancientoptics TAMASHII Primes
✨ @ancientoptics STATERA Anamorphic Primes
✨ @ancientoptics PETZVALUX Primes
✨ @old_fast_glass Long Shot
We also had a blast pairing up some of our large-format glass - the @ancientoptics SERIES 65s and our exclusive @the__asc Todd AO 65mm Primes - with the incredible ARRI ALEXA 65!
We can't wait for next year! To learn more about the entire Ancient Optics lineup, hit the link in our bio! 🔗
We had an amazing time this past weekend at the @jlfisher_inc Industry Mixer & BBQ! 🍔🎬
It is always so special getting to connect with this incredible community, talk gear, and catch up with old friends and new.
A huge thank you to everyone who stopped by the booth we shared with our friends at @old_fast_glass! Those who were able to make it out got hands-on time with a massive lineup of glass, spinning on and off the @sonycine VENICE 2 and @arri ALEXA 35 all day:
✨ @ancientoptics TAMASHII Primes
✨ @ancientoptics STATERA Anamorphic Primes
✨ @ancientoptics PETZVALUX Primes
✨ @old_fast_glass Long Shot
We also had a blast pairing up some of our large-format glass - the @ancientoptics SERIES 65s and our exclusive @the__asc Todd AO 65mm Primes - with the incredible ARRI ALEXA 65!
We can't wait for next year! To learn more about the entire Ancient Optics lineup, hit the link in our bio! 🔗
Stills from episode 905 “Dia De Los Muertos” Directed by my friend, the incredibly talented @keithtripler
Yes we terrorized DTLA with a gigantic pumpkin captained by @fxr_coffey
@911onabc @keslowcamera
A Op: @brice.reid.528
A 1st AC: @jrydings
B Op: @millerphilm
B 1st: @losdoerr
Gaffer: @daveghegan
Key Grip: @gripmonkeyal
Programmer: @deadmegapixel
Stills from episode 905 “Dia De Los Muertos” Directed by my friend, the incredibly talented @keithtripler
Yes we terrorized DTLA with a gigantic pumpkin captained by @fxr_coffey
@911onabc @keslowcamera
A Op: @brice.reid.528
A 1st AC: @jrydings
B Op: @millerphilm
B 1st: @losdoerr
Gaffer: @daveghegan
Key Grip: @gripmonkeyal
Programmer: @deadmegapixel
Stills from episode 905 “Dia De Los Muertos” Directed by my friend, the incredibly talented @keithtripler
Yes we terrorized DTLA with a gigantic pumpkin captained by @fxr_coffey
@911onabc @keslowcamera
A Op: @brice.reid.528
A 1st AC: @jrydings
B Op: @millerphilm
B 1st: @losdoerr
Gaffer: @daveghegan
Key Grip: @gripmonkeyal
Programmer: @deadmegapixel
Stills from episode 905 “Dia De Los Muertos” Directed by my friend, the incredibly talented @keithtripler
Yes we terrorized DTLA with a gigantic pumpkin captained by @fxr_coffey
@911onabc @keslowcamera
A Op: @brice.reid.528
A 1st AC: @jrydings
B Op: @millerphilm
B 1st: @losdoerr
Gaffer: @daveghegan
Key Grip: @gripmonkeyal
Programmer: @deadmegapixel
Stills from episode 905 “Dia De Los Muertos” Directed by my friend, the incredibly talented @keithtripler
Yes we terrorized DTLA with a gigantic pumpkin captained by @fxr_coffey
@911onabc @keslowcamera
A Op: @brice.reid.528
A 1st AC: @jrydings
B Op: @millerphilm
B 1st: @losdoerr
Gaffer: @daveghegan
Key Grip: @gripmonkeyal
Programmer: @deadmegapixel
Stills from episode 905 “Dia De Los Muertos” Directed by my friend, the incredibly talented @keithtripler
Yes we terrorized DTLA with a gigantic pumpkin captained by @fxr_coffey
@911onabc @keslowcamera
A Op: @brice.reid.528
A 1st AC: @jrydings
B Op: @millerphilm
B 1st: @losdoerr
Gaffer: @daveghegan
Key Grip: @gripmonkeyal
Programmer: @deadmegapixel
Grateful for this team and the work we do! Thank you @keslowcamera and @sunbeltrentals!
DOP: @emily.jzhang
Operator: @nicolas_twc
1st AC: @tiana_moretti
2nd AC: @thomas____more
Key Grip: @caleb_vanslingerland
Gaffer: @_rafaelzoto
Dolly Grip: @thenameistravis
Swing: @ryanmendoozaa
DMT: @abidabbas.k
Thank you @sandaminiii @alysonrichards411 @lee.marsh.all for all of us! Can’t wait to share this one.
🎥 From the 2025 #PierreAngenieuxTribute to one of the most anticipated biopics of the year, Dion Beebe ACS, ASC @ddbeebe continues his exploration of movement, light, music, and emotion with Michael.
🎞️ Directed by Antoine Fuqua and starring Jaafar Jackson, the film brings one of the world’s most iconic performers to the screen through a visual language shaped by performance, intimacy, and scale.
🔗 Link in bio to read more about Beebe’s work on Michael and the Angénieux lenses that joined his selection for the film.
#DionBeebe #MichaelMovie #cinematography
Keslow Camera is excited to exhibit at the J.L. Fisher Industry Mixer & BBQ!
Join us on Saturday, May 16th for a day celebrating the motion picture and television community. Come by our booth for a day of networking, inspiration, and collaboration with industry leaders, creators, and innovators.
Don't miss the day's special programming:
- "REFLECTIONS on Cinematography" [10:00A - 11:30A]
A discussion with Team Deakins, with a book signing to follow.
- J.L. Fisher Facility Tour [12:00P]
Conducted by Jim Fisher.
- ASC Panel Discussion [1:30P - 3:00P]
RSVP at the link in bio! Parking is limited, so ridesharing or carpooling is strongly encouraged. We recommend bringing sun protection to stay safe from the elements.
We look forward to seeing you there!
@jlfisher_inc
@old_fast_glass
#keslowcamera #jlfisher #cinematography #filmmaking #cameradepartment
“The Embrace” Canadian Blood Services
Director: @ballztopia
Production: @opcproduction
Producer: @kino_usvit
Executive Producer: @harlandweiss
Service Company: @filmgroup.tv
DoP: @davidfoulkes_
Production Designer: @jocarkner
Choreographer: @scruffyjester
1st AD: @nathan.valente
Casting Director US: @ryanlagod
Casting Director Canada: @jigsawcasting
Production Manager: @okun.powe
DIT: @kellyfennig
1st AC: @soupy74
Gaffer: @chrisrumak
Key Grip: @idryden
Wardrobe Stylist: Tanus Lewis
Hair & Makeup: @shanniereynolds
Editor: @instagrahamchisholm @nimiopere
Colour: @simone_grattarola_colour @timebasedarts
VFX: @untold_studios
Sound Design & Mix: @starecrazy
.
Mini LF & ASC Todd-AO @keslowcamera @the__asc
@artistry.agency
“The Embrace” Canadian Blood Services
Director: @ballztopia
Production: @opcproduction
Producer: @kino_usvit
Executive Producer: @harlandweiss
Service Company: @filmgroup.tv
DoP: @davidfoulkes_
Production Designer: @jocarkner
Choreographer: @scruffyjester
1st AD: @nathan.valente
Casting Director US: @ryanlagod
Casting Director Canada: @jigsawcasting
Production Manager: @okun.powe
DIT: @kellyfennig
1st AC: @soupy74
Gaffer: @chrisrumak
Key Grip: @idryden
Wardrobe Stylist: Tanus Lewis
Hair & Makeup: @shanniereynolds
Editor: @instagrahamchisholm @nimiopere
Colour: @simone_grattarola_colour @timebasedarts
VFX: @untold_studios
Sound Design & Mix: @starecrazy
.
Mini LF & ASC Todd-AO @keslowcamera @the__asc
@artistry.agency
“The Embrace” Canadian Blood Services
Director: @ballztopia
Production: @opcproduction
Producer: @kino_usvit
Executive Producer: @harlandweiss
Service Company: @filmgroup.tv
DoP: @davidfoulkes_
Production Designer: @jocarkner
Choreographer: @scruffyjester
1st AD: @nathan.valente
Casting Director US: @ryanlagod
Casting Director Canada: @jigsawcasting
Production Manager: @okun.powe
DIT: @kellyfennig
1st AC: @soupy74
Gaffer: @chrisrumak
Key Grip: @idryden
Wardrobe Stylist: Tanus Lewis
Hair & Makeup: @shanniereynolds
Editor: @instagrahamchisholm @nimiopere
Colour: @simone_grattarola_colour @timebasedarts
VFX: @untold_studios
Sound Design & Mix: @starecrazy
.
Mini LF & ASC Todd-AO @keslowcamera @the__asc
@artistry.agency
“The Embrace” Canadian Blood Services
Director: @ballztopia
Production: @opcproduction
Producer: @kino_usvit
Executive Producer: @harlandweiss
Service Company: @filmgroup.tv
DoP: @davidfoulkes_
Production Designer: @jocarkner
Choreographer: @scruffyjester
1st AD: @nathan.valente
Casting Director US: @ryanlagod
Casting Director Canada: @jigsawcasting
Production Manager: @okun.powe
DIT: @kellyfennig
1st AC: @soupy74
Gaffer: @chrisrumak
Key Grip: @idryden
Wardrobe Stylist: Tanus Lewis
Hair & Makeup: @shanniereynolds
Editor: @instagrahamchisholm @nimiopere
Colour: @simone_grattarola_colour @timebasedarts
VFX: @untold_studios
Sound Design & Mix: @starecrazy
.
Mini LF & ASC Todd-AO @keslowcamera @the__asc
@artistry.agency
“The Embrace” Canadian Blood Services
Director: @ballztopia
Production: @opcproduction
Producer: @kino_usvit
Executive Producer: @harlandweiss
Service Company: @filmgroup.tv
DoP: @davidfoulkes_
Production Designer: @jocarkner
Choreographer: @scruffyjester
1st AD: @nathan.valente
Casting Director US: @ryanlagod
Casting Director Canada: @jigsawcasting
Production Manager: @okun.powe
DIT: @kellyfennig
1st AC: @soupy74
Gaffer: @chrisrumak
Key Grip: @idryden
Wardrobe Stylist: Tanus Lewis
Hair & Makeup: @shanniereynolds
Editor: @instagrahamchisholm @nimiopere
Colour: @simone_grattarola_colour @timebasedarts
VFX: @untold_studios
Sound Design & Mix: @starecrazy
.
Mini LF & ASC Todd-AO @keslowcamera @the__asc
@artistry.agency
“The Embrace” Canadian Blood Services
Director: @ballztopia
Production: @opcproduction
Producer: @kino_usvit
Executive Producer: @harlandweiss
Service Company: @filmgroup.tv
DoP: @davidfoulkes_
Production Designer: @jocarkner
Choreographer: @scruffyjester
1st AD: @nathan.valente
Casting Director US: @ryanlagod
Casting Director Canada: @jigsawcasting
Production Manager: @okun.powe
DIT: @kellyfennig
1st AC: @soupy74
Gaffer: @chrisrumak
Key Grip: @idryden
Wardrobe Stylist: Tanus Lewis
Hair & Makeup: @shanniereynolds
Editor: @instagrahamchisholm @nimiopere
Colour: @simone_grattarola_colour @timebasedarts
VFX: @untold_studios
Sound Design & Mix: @starecrazy
.
Mini LF & ASC Todd-AO @keslowcamera @the__asc
@artistry.agency
“The Embrace” Canadian Blood Services
Director: @ballztopia
Production: @opcproduction
Producer: @kino_usvit
Executive Producer: @harlandweiss
Service Company: @filmgroup.tv
DoP: @davidfoulkes_
Production Designer: @jocarkner
Choreographer: @scruffyjester
1st AD: @nathan.valente
Casting Director US: @ryanlagod
Casting Director Canada: @jigsawcasting
Production Manager: @okun.powe
DIT: @kellyfennig
1st AC: @soupy74
Gaffer: @chrisrumak
Key Grip: @idryden
Wardrobe Stylist: Tanus Lewis
Hair & Makeup: @shanniereynolds
Editor: @instagrahamchisholm @nimiopere
Colour: @simone_grattarola_colour @timebasedarts
VFX: @untold_studios
Sound Design & Mix: @starecrazy
.
Mini LF & ASC Todd-AO @keslowcamera @the__asc
@artistry.agency
“The Embrace” Canadian Blood Services
Director: @ballztopia
Production: @opcproduction
Producer: @kino_usvit
Executive Producer: @harlandweiss
Service Company: @filmgroup.tv
DoP: @davidfoulkes_
Production Designer: @jocarkner
Choreographer: @scruffyjester
1st AD: @nathan.valente
Casting Director US: @ryanlagod
Casting Director Canada: @jigsawcasting
Production Manager: @okun.powe
DIT: @kellyfennig
1st AC: @soupy74
Gaffer: @chrisrumak
Key Grip: @idryden
Wardrobe Stylist: Tanus Lewis
Hair & Makeup: @shanniereynolds
Editor: @instagrahamchisholm @nimiopere
Colour: @simone_grattarola_colour @timebasedarts
VFX: @untold_studios
Sound Design & Mix: @starecrazy
.
Mini LF & ASC Todd-AO @keslowcamera @the__asc
@artistry.agency
“The Embrace” Canadian Blood Services
Director: @ballztopia
Production: @opcproduction
Producer: @kino_usvit
Executive Producer: @harlandweiss
Service Company: @filmgroup.tv
DoP: @davidfoulkes_
Production Designer: @jocarkner
Choreographer: @scruffyjester
1st AD: @nathan.valente
Casting Director US: @ryanlagod
Casting Director Canada: @jigsawcasting
Production Manager: @okun.powe
DIT: @kellyfennig
1st AC: @soupy74
Gaffer: @chrisrumak
Key Grip: @idryden
Wardrobe Stylist: Tanus Lewis
Hair & Makeup: @shanniereynolds
Editor: @instagrahamchisholm @nimiopere
Colour: @simone_grattarola_colour @timebasedarts
VFX: @untold_studios
Sound Design & Mix: @starecrazy
.
Mini LF & ASC Todd-AO @keslowcamera @the__asc
@artistry.agency
“The Embrace” Canadian Blood Services
Director: @ballztopia
Production: @opcproduction
Producer: @kino_usvit
Executive Producer: @harlandweiss
Service Company: @filmgroup.tv
DoP: @davidfoulkes_
Production Designer: @jocarkner
Choreographer: @scruffyjester
1st AD: @nathan.valente
Casting Director US: @ryanlagod
Casting Director Canada: @jigsawcasting
Production Manager: @okun.powe
DIT: @kellyfennig
1st AC: @soupy74
Gaffer: @chrisrumak
Key Grip: @idryden
Wardrobe Stylist: Tanus Lewis
Hair & Makeup: @shanniereynolds
Editor: @instagrahamchisholm @nimiopere
Colour: @simone_grattarola_colour @timebasedarts
VFX: @untold_studios
Sound Design & Mix: @starecrazy
.
Mini LF & ASC Todd-AO @keslowcamera @the__asc
@artistry.agency
“The Embrace” Canadian Blood Services
Director: @ballztopia
Production: @opcproduction
Producer: @kino_usvit
Executive Producer: @harlandweiss
Service Company: @filmgroup.tv
DoP: @davidfoulkes_
Production Designer: @jocarkner
Choreographer: @scruffyjester
1st AD: @nathan.valente
Casting Director US: @ryanlagod
Casting Director Canada: @jigsawcasting
Production Manager: @okun.powe
DIT: @kellyfennig
1st AC: @soupy74
Gaffer: @chrisrumak
Key Grip: @idryden
Wardrobe Stylist: Tanus Lewis
Hair & Makeup: @shanniereynolds
Editor: @instagrahamchisholm @nimiopere
Colour: @simone_grattarola_colour @timebasedarts
VFX: @untold_studios
Sound Design & Mix: @starecrazy
.
Mini LF & ASC Todd-AO @keslowcamera @the__asc
@artistry.agency
“The Embrace” Canadian Blood Services
Director: @ballztopia
Production: @opcproduction
Producer: @kino_usvit
Executive Producer: @harlandweiss
Service Company: @filmgroup.tv
DoP: @davidfoulkes_
Production Designer: @jocarkner
Choreographer: @scruffyjester
1st AD: @nathan.valente
Casting Director US: @ryanlagod
Casting Director Canada: @jigsawcasting
Production Manager: @okun.powe
DIT: @kellyfennig
1st AC: @soupy74
Gaffer: @chrisrumak
Key Grip: @idryden
Wardrobe Stylist: Tanus Lewis
Hair & Makeup: @shanniereynolds
Editor: @instagrahamchisholm @nimiopere
Colour: @simone_grattarola_colour @timebasedarts
VFX: @untold_studios
Sound Design & Mix: @starecrazy
.
Mini LF & ASC Todd-AO @keslowcamera @the__asc
@artistry.agency
“The Embrace” Canadian Blood Services
Director: @ballztopia
Production: @opcproduction
Producer: @kino_usvit
Executive Producer: @harlandweiss
Service Company: @filmgroup.tv
DoP: @davidfoulkes_
Production Designer: @jocarkner
Choreographer: @scruffyjester
1st AD: @nathan.valente
Casting Director US: @ryanlagod
Casting Director Canada: @jigsawcasting
Production Manager: @okun.powe
DIT: @kellyfennig
1st AC: @soupy74
Gaffer: @chrisrumak
Key Grip: @idryden
Wardrobe Stylist: Tanus Lewis
Hair & Makeup: @shanniereynolds
Editor: @instagrahamchisholm @nimiopere
Colour: @simone_grattarola_colour @timebasedarts
VFX: @untold_studios
Sound Design & Mix: @starecrazy
.
Mini LF & ASC Todd-AO @keslowcamera @the__asc
@artistry.agency
“The Embrace” Canadian Blood Services
Director: @ballztopia
Production: @opcproduction
Producer: @kino_usvit
Executive Producer: @harlandweiss
Service Company: @filmgroup.tv
DoP: @davidfoulkes_
Production Designer: @jocarkner
Choreographer: @scruffyjester
1st AD: @nathan.valente
Casting Director US: @ryanlagod
Casting Director Canada: @jigsawcasting
Production Manager: @okun.powe
DIT: @kellyfennig
1st AC: @soupy74
Gaffer: @chrisrumak
Key Grip: @idryden
Wardrobe Stylist: Tanus Lewis
Hair & Makeup: @shanniereynolds
Editor: @instagrahamchisholm @nimiopere
Colour: @simone_grattarola_colour @timebasedarts
VFX: @untold_studios
Sound Design & Mix: @starecrazy
.
Mini LF & ASC Todd-AO @keslowcamera @the__asc
@artistry.agency
“The Embrace” Canadian Blood Services
Director: @ballztopia
Production: @opcproduction
Producer: @kino_usvit
Executive Producer: @harlandweiss
Service Company: @filmgroup.tv
DoP: @davidfoulkes_
Production Designer: @jocarkner
Choreographer: @scruffyjester
1st AD: @nathan.valente
Casting Director US: @ryanlagod
Casting Director Canada: @jigsawcasting
Production Manager: @okun.powe
DIT: @kellyfennig
1st AC: @soupy74
Gaffer: @chrisrumak
Key Grip: @idryden
Wardrobe Stylist: Tanus Lewis
Hair & Makeup: @shanniereynolds
Editor: @instagrahamchisholm @nimiopere
Colour: @simone_grattarola_colour @timebasedarts
VFX: @untold_studios
Sound Design & Mix: @starecrazy
.
Mini LF & ASC Todd-AO @keslowcamera @the__asc
@artistry.agency
“The Embrace” Canadian Blood Services
Director: @ballztopia
Production: @opcproduction
Producer: @kino_usvit
Executive Producer: @harlandweiss
Service Company: @filmgroup.tv
DoP: @davidfoulkes_
Production Designer: @jocarkner
Choreographer: @scruffyjester
1st AD: @nathan.valente
Casting Director US: @ryanlagod
Casting Director Canada: @jigsawcasting
Production Manager: @okun.powe
DIT: @kellyfennig
1st AC: @soupy74
Gaffer: @chrisrumak
Key Grip: @idryden
Wardrobe Stylist: Tanus Lewis
Hair & Makeup: @shanniereynolds
Editor: @instagrahamchisholm @nimiopere
Colour: @simone_grattarola_colour @timebasedarts
VFX: @untold_studios
Sound Design & Mix: @starecrazy
.
Mini LF & ASC Todd-AO @keslowcamera @the__asc
@artistry.agency
“The Embrace” Canadian Blood Services
Director: @ballztopia
Production: @opcproduction
Producer: @kino_usvit
Executive Producer: @harlandweiss
Service Company: @filmgroup.tv
DoP: @davidfoulkes_
Production Designer: @jocarkner
Choreographer: @scruffyjester
1st AD: @nathan.valente
Casting Director US: @ryanlagod
Casting Director Canada: @jigsawcasting
Production Manager: @okun.powe
DIT: @kellyfennig
1st AC: @soupy74
Gaffer: @chrisrumak
Key Grip: @idryden
Wardrobe Stylist: Tanus Lewis
Hair & Makeup: @shanniereynolds
Editor: @instagrahamchisholm @nimiopere
Colour: @simone_grattarola_colour @timebasedarts
VFX: @untold_studios
Sound Design & Mix: @starecrazy
.
Mini LF & ASC Todd-AO @keslowcamera @the__asc
@artistry.agency
“The Embrace” Canadian Blood Services
Director: @ballztopia
Production: @opcproduction
Producer: @kino_usvit
Executive Producer: @harlandweiss
Service Company: @filmgroup.tv
DoP: @davidfoulkes_
Production Designer: @jocarkner
Choreographer: @scruffyjester
1st AD: @nathan.valente
Casting Director US: @ryanlagod
Casting Director Canada: @jigsawcasting
Production Manager: @okun.powe
DIT: @kellyfennig
1st AC: @soupy74
Gaffer: @chrisrumak
Key Grip: @idryden
Wardrobe Stylist: Tanus Lewis
Hair & Makeup: @shanniereynolds
Editor: @instagrahamchisholm @nimiopere
Colour: @simone_grattarola_colour @timebasedarts
VFX: @untold_studios
Sound Design & Mix: @starecrazy
.
Mini LF & ASC Todd-AO @keslowcamera @the__asc
@artistry.agency
“The Embrace” Canadian Blood Services
Director: @ballztopia
Production: @opcproduction
Producer: @kino_usvit
Executive Producer: @harlandweiss
Service Company: @filmgroup.tv
DoP: @davidfoulkes_
Production Designer: @jocarkner
Choreographer: @scruffyjester
1st AD: @nathan.valente
Casting Director US: @ryanlagod
Casting Director Canada: @jigsawcasting
Production Manager: @okun.powe
DIT: @kellyfennig
1st AC: @soupy74
Gaffer: @chrisrumak
Key Grip: @idryden
Wardrobe Stylist: Tanus Lewis
Hair & Makeup: @shanniereynolds
Editor: @instagrahamchisholm @nimiopere
Colour: @simone_grattarola_colour @timebasedarts
VFX: @untold_studios
Sound Design & Mix: @starecrazy
.
Mini LF & ASC Todd-AO @keslowcamera @the__asc
@artistry.agency
“The Embrace” Canadian Blood Services
Director: @ballztopia
Production: @opcproduction
Producer: @kino_usvit
Executive Producer: @harlandweiss
Service Company: @filmgroup.tv
DoP: @davidfoulkes_
Production Designer: @jocarkner
Choreographer: @scruffyjester
1st AD: @nathan.valente
Casting Director US: @ryanlagod
Casting Director Canada: @jigsawcasting
Production Manager: @okun.powe
DIT: @kellyfennig
1st AC: @soupy74
Gaffer: @chrisrumak
Key Grip: @idryden
Wardrobe Stylist: Tanus Lewis
Hair & Makeup: @shanniereynolds
Editor: @instagrahamchisholm @nimiopere
Colour: @simone_grattarola_colour @timebasedarts
VFX: @untold_studios
Sound Design & Mix: @starecrazy
.
Mini LF & ASC Todd-AO @keslowcamera @the__asc
@artistry.agency
Voir les histoires Instagram en secret
Le visionneur d’histoires Instagram est un outil simple qui vous permet de regarder et de sauvegarder secrètement les histoires Instagram, vidéos, photos ou IGTV. Avec ce service, vous pouvez télécharger du contenu et l’apprécier hors ligne quand vous voulez. Si vous trouvez quelque chose d’intéressant sur Instagram que vous souhaitez vérifier plus tard ou si vous voulez voir des histoires tout en restant anonyme, notre Visionneur est parfait pour vous. Anonstories offre une excellente solution pour garder votre identité cachée. Instagram a lancé la fonctionnalité Stories en août 2023, rapidement adoptée par d’autres plateformes en raison de son format engageant et temporaire. Les histoires permettent aux utilisateurs de partager des mises à jour rapides, qu’il s’agisse de photos, vidéos ou selfies, agrémentés de texte, emojis ou filtres, visibles pendant 24 heures seulement. Cette fenêtre de temps limitée crée un fort engagement par rapport aux publications régulières. Aujourd’hui, les histoires sont l’un des moyens les plus populaires de se connecter et de communiquer sur les réseaux sociaux. Cependant, lorsque vous regardez une histoire, le créateur peut voir votre nom dans leur liste de visionneurs, ce qui peut poser un problème de confidentialité. Et si vous souhaitez naviguer dans les histoires sans être repéré ? C’est là qu’Anonstories devient utile. Il vous permet de regarder du contenu public sur Instagram sans révéler votre identité. Il vous suffit d’entrer le nom d’utilisateur du profil qui vous intéresse, et l’outil affichera ses dernières histoires. Fonctionnalités du visionneur Anonstories : - Navigation anonyme : Regardez des histoires sans apparaître dans la liste des visionneurs. - Aucun compte requis : Regardez du contenu public sans vous inscrire à un compte Instagram. - Téléchargement de contenu : Sauvegardez directement du contenu d’histoires sur votre appareil pour une utilisation hors ligne. - Voir les highlights : Accédez aux Highlights Instagram, même après la période de 24 heures. - Suivi des reposts : Suivez les reposts ou l’engagement sur les histoires des profils personnels. Limitations : - Cet outil fonctionne uniquement avec les comptes publics ; les comptes privés restent inaccessibles. Avantages : - Respect de la vie privée : Regardez n’importe quel contenu Instagram sans être repéré. - Simple et facile : Aucune installation d’application ni inscription requise. - Outils exclusifs : Téléchargez et gérez du contenu de manière que Instagram ne permet pas.
Avantages d’Anonstories
Explorer les histoires IG discrètement
Suivez les mises à jour Instagram en toute discrétion tout en protégeant votre vie privée et en restant anonyme.
Visionneur privé Instagram
Consultez les profils et photos anonymement avec aisance grâce au visionneur de profil privé.
Visionneur d’histoires gratuit
Ce service gratuit vous permet de voir les histoires Instagram anonymement, garantissant que votre activité reste cachée de l’uploader.
Questions fréquemment posées
Anonymat
Anonstories permet aux utilisateurs de voir les histoires Instagram sans alerter le créateur.
Compatibilité des appareils
Fonctionne parfaitement sur iOS, Android, Windows, macOS et les navigateurs modernes comme Chrome et Safari.
Sécurité et confidentialité
Privilégie la navigation sécurisée et anonyme sans nécessiter de coordonnées de connexion.
Pas d’inscription
Les utilisateurs peuvent voir des histoires publiques en entrant simplement un nom d’utilisateur — sans compte requis.
Formats pris en charge
Télécharge les photos (JPEG) et les vidéos (MP4) facilement.
Coût
Le service est gratuit.
Comptes privés
Le contenu des comptes privés n’est accessible qu’aux abonnés.
Utilisation des fichiers
Les fichiers sont destinés à un usage personnel ou éducatif uniquement et doivent respecter les règles de droit d’auteur.
Comment ça marche
Entrez un nom d’utilisateur public pour voir ou télécharger des histoires. Le service génère des liens directs pour sauvegarder le contenu localement.