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Step into the programme shaping this year’s Offprint London!

📚 Talks & book signings:

This year, the fair presents an inspiring series of artist talks at Reference Point (@referencepoint180), bringing together a dynamic range of contemporary voices.

Throughout the three days of Offprint, a dedicated programme of book signings will offer unique opportunities for meaningful exchanges and engaging encounters between artists and visitors.

[NEW!]

🖨️ Live printing installation:

The fair will also feature ‘Relic’, a project by RRose Editions (@rroseeditions) and artist Lucy Helton (@lucyhelton), a multi-analogue fax machine installation that prints book pages live.

Fax machines can be seen as relics—potential technofossils, or human-made objects that may eventually become embedded in the Earth’s geological record.

The thermal prints generated during the event will be compiled into a collective artist book, published in a limited edition by RRose Editions and made available to Offprint visitors.

🔊Sound Programme:

New Dimension’s Ben Goulder (@newdimensionhq) will curate a sound programme for Offprint London, bringing together international friends and collaborators, including BOOT MAG and VieImprint.

Moving between aural pleasure and pain, the programme will extend the fair’s atmosphere beyond the page through a resonant selection of sound, interference and low-level seduction.

🖍️ Colouring Art Book Workshop:

On Sunday, 17 May at noon, join us for a colouring art book workshop on the occasion of the launch of 'Spot 100 Difference Colouring Art Book', a colouring book with no beginning or end by Masanao Hirayama (@masanaohirayama), edited by Hato Press (@hatopress).

(Please note that the programme is still being updated.)

👉 Discover the full programme schedule on offprint.org
📍Offprint London, @180.studios, 15-17 May 2026

@luma_arles
#offprint #offprintlondon #offprintlondon2026 #180studios

Step into the programme shaping this year’s Offprint London!

📚 Talks & book signings:

This year, the fair presents an inspiring series of artist talks at Reference Point (@referencepoint180), bringing together a dynamic range of contemporary voices.

Throughout the three days of Offprint, a dedicated programme of book signings will offer unique opportunities for meaningful exchanges and engaging encounters between artists and visitors.

[NEW!]

🖨️ Live printing installation:

The fair will also feature ‘Relic’, a project by RRose Editions (@rroseeditions) and artist Lucy Helton (@lucyhelton), a multi-analogue fax machine installation that prints book pages live.

Fax machines can be seen as relics—potential technofossils, or human-made objects that may eventually become embedded in the Earth’s geological record.

The thermal prints generated during the event will be compiled into a collective artist book, published in a limited edition by RRose Editions and made available to Offprint visitors.

🔊Sound Programme:

New Dimension’s Ben Goulder (@newdimensionhq) will curate a sound programme for Offprint London, bringing together international friends and collaborators, including BOOT MAG and VieImprint.

Moving between aural pleasure and pain, the programme will extend the fair’s atmosphere beyond the page through a resonant selection of sound, interference and low-level seduction.

🖍️ Colouring Art Book Workshop:

On Sunday, 17 May at noon, join us for a colouring art book workshop on the occasion of the launch of 'Spot 100 Difference Colouring Art Book', a colouring book with no beginning or end by Masanao Hirayama (@masanaohirayama), edited by Hato Press (@hatopress).

(Please note that the programme is still being updated.)

👉 Discover the full programme schedule on offprint.org
📍Offprint London, @180.studios, 15-17 May 2026

@luma_arles
#offprint #offprintlondon #offprintlondon2026 #180studios

Step into the programme shaping this year’s Offprint London!

📚 Talks & book signings:

This year, the fair presents an inspiring series of artist talks at Reference Point (@referencepoint180), bringing together a dynamic range of contemporary voices.

Throughout the three days of Offprint, a dedicated programme of book signings will offer unique opportunities for meaningful exchanges and engaging encounters between artists and visitors.

[NEW!]

🖨️ Live printing installation:

The fair will also feature ‘Relic’, a project by RRose Editions (@rroseeditions) and artist Lucy Helton (@lucyhelton), a multi-analogue fax machine installation that prints book pages live.

Fax machines can be seen as relics—potential technofossils, or human-made objects that may eventually become embedded in the Earth’s geological record.

The thermal prints generated during the event will be compiled into a collective artist book, published in a limited edition by RRose Editions and made available to Offprint visitors.

🔊Sound Programme:

New Dimension’s Ben Goulder (@newdimensionhq) will curate a sound programme for Offprint London, bringing together international friends and collaborators, including BOOT MAG and VieImprint.

Moving between aural pleasure and pain, the programme will extend the fair’s atmosphere beyond the page through a resonant selection of sound, interference and low-level seduction.

🖍️ Colouring Art Book Workshop:

On Sunday, 17 May at noon, join us for a colouring art book workshop on the occasion of the launch of 'Spot 100 Difference Colouring Art Book', a colouring book with no beginning or end by Masanao Hirayama (@masanaohirayama), edited by Hato Press (@hatopress).

(Please note that the programme is still being updated.)

👉 Discover the full programme schedule on offprint.org
📍Offprint London, @180.studios, 15-17 May 2026

@luma_arles
#offprint #offprintlondon #offprintlondon2026 #180studios

Step into the programme shaping this year’s Offprint London!

📚 Talks & book signings:

This year, the fair presents an inspiring series of artist talks at Reference Point (@referencepoint180), bringing together a dynamic range of contemporary voices.

Throughout the three days of Offprint, a dedicated programme of book signings will offer unique opportunities for meaningful exchanges and engaging encounters between artists and visitors.

[NEW!]

🖨️ Live printing installation:

The fair will also feature ‘Relic’, a project by RRose Editions (@rroseeditions) and artist Lucy Helton (@lucyhelton), a multi-analogue fax machine installation that prints book pages live.

Fax machines can be seen as relics—potential technofossils, or human-made objects that may eventually become embedded in the Earth’s geological record.

The thermal prints generated during the event will be compiled into a collective artist book, published in a limited edition by RRose Editions and made available to Offprint visitors.

🔊Sound Programme:

New Dimension’s Ben Goulder (@newdimensionhq) will curate a sound programme for Offprint London, bringing together international friends and collaborators, including BOOT MAG and VieImprint.

Moving between aural pleasure and pain, the programme will extend the fair’s atmosphere beyond the page through a resonant selection of sound, interference and low-level seduction.

🖍️ Colouring Art Book Workshop:

On Sunday, 17 May at noon, join us for a colouring art book workshop on the occasion of the launch of 'Spot 100 Difference Colouring Art Book', a colouring book with no beginning or end by Masanao Hirayama (@masanaohirayama), edited by Hato Press (@hatopress).

(Please note that the programme is still being updated.)

👉 Discover the full programme schedule on offprint.org
📍Offprint London, @180.studios, 15-17 May 2026

@luma_arles
#offprint #offprintlondon #offprintlondon2026 #180studios

Step into the programme shaping this year’s Offprint London!

📚 Talks & book signings:

This year, the fair presents an inspiring series of artist talks at Reference Point (@referencepoint180), bringing together a dynamic range of contemporary voices.

Throughout the three days of Offprint, a dedicated programme of book signings will offer unique opportunities for meaningful exchanges and engaging encounters between artists and visitors.

[NEW!]

🖨️ Live printing installation:

The fair will also feature ‘Relic’, a project by RRose Editions (@rroseeditions) and artist Lucy Helton (@lucyhelton), a multi-analogue fax machine installation that prints book pages live.

Fax machines can be seen as relics—potential technofossils, or human-made objects that may eventually become embedded in the Earth’s geological record.

The thermal prints generated during the event will be compiled into a collective artist book, published in a limited edition by RRose Editions and made available to Offprint visitors.

🔊Sound Programme:

New Dimension’s Ben Goulder (@newdimensionhq) will curate a sound programme for Offprint London, bringing together international friends and collaborators, including BOOT MAG and VieImprint.

Moving between aural pleasure and pain, the programme will extend the fair’s atmosphere beyond the page through a resonant selection of sound, interference and low-level seduction.

🖍️ Colouring Art Book Workshop:

On Sunday, 17 May at noon, join us for a colouring art book workshop on the occasion of the launch of 'Spot 100 Difference Colouring Art Book', a colouring book with no beginning or end by Masanao Hirayama (@masanaohirayama), edited by Hato Press (@hatopress).

(Please note that the programme is still being updated.)

👉 Discover the full programme schedule on offprint.org
📍Offprint London, @180.studios, 15-17 May 2026

@luma_arles
#offprint #offprintlondon #offprintlondon2026 #180studios

Step into the programme shaping this year’s Offprint London!

📚 Talks & book signings:

This year, the fair presents an inspiring series of artist talks at Reference Point (@referencepoint180), bringing together a dynamic range of contemporary voices.

Throughout the three days of Offprint, a dedicated programme of book signings will offer unique opportunities for meaningful exchanges and engaging encounters between artists and visitors.

[NEW!]

🖨️ Live printing installation:

The fair will also feature ‘Relic’, a project by RRose Editions (@rroseeditions) and artist Lucy Helton (@lucyhelton), a multi-analogue fax machine installation that prints book pages live.

Fax machines can be seen as relics—potential technofossils, or human-made objects that may eventually become embedded in the Earth’s geological record.

The thermal prints generated during the event will be compiled into a collective artist book, published in a limited edition by RRose Editions and made available to Offprint visitors.

🔊Sound Programme:

New Dimension’s Ben Goulder (@newdimensionhq) will curate a sound programme for Offprint London, bringing together international friends and collaborators, including BOOT MAG and VieImprint.

Moving between aural pleasure and pain, the programme will extend the fair’s atmosphere beyond the page through a resonant selection of sound, interference and low-level seduction.

🖍️ Colouring Art Book Workshop:

On Sunday, 17 May at noon, join us for a colouring art book workshop on the occasion of the launch of 'Spot 100 Difference Colouring Art Book', a colouring book with no beginning or end by Masanao Hirayama (@masanaohirayama), edited by Hato Press (@hatopress).

(Please note that the programme is still being updated.)

👉 Discover the full programme schedule on offprint.org
📍Offprint London, @180.studios, 15-17 May 2026

@luma_arles
#offprint #offprintlondon #offprintlondon2026 #180studios

Step into the programme shaping this year’s Offprint London!

📚 Talks & book signings:

This year, the fair presents an inspiring series of artist talks at Reference Point (@referencepoint180), bringing together a dynamic range of contemporary voices.

Throughout the three days of Offprint, a dedicated programme of book signings will offer unique opportunities for meaningful exchanges and engaging encounters between artists and visitors.

[NEW!]

🖨️ Live printing installation:

The fair will also feature ‘Relic’, a project by RRose Editions (@rroseeditions) and artist Lucy Helton (@lucyhelton), a multi-analogue fax machine installation that prints book pages live.

Fax machines can be seen as relics—potential technofossils, or human-made objects that may eventually become embedded in the Earth’s geological record.

The thermal prints generated during the event will be compiled into a collective artist book, published in a limited edition by RRose Editions and made available to Offprint visitors.

🔊Sound Programme:

New Dimension’s Ben Goulder (@newdimensionhq) will curate a sound programme for Offprint London, bringing together international friends and collaborators, including BOOT MAG and VieImprint.

Moving between aural pleasure and pain, the programme will extend the fair’s atmosphere beyond the page through a resonant selection of sound, interference and low-level seduction.

🖍️ Colouring Art Book Workshop:

On Sunday, 17 May at noon, join us for a colouring art book workshop on the occasion of the launch of 'Spot 100 Difference Colouring Art Book', a colouring book with no beginning or end by Masanao Hirayama (@masanaohirayama), edited by Hato Press (@hatopress).

(Please note that the programme is still being updated.)

👉 Discover the full programme schedule on offprint.org
📍Offprint London, @180.studios, 15-17 May 2026

@luma_arles
#offprint #offprintlondon #offprintlondon2026 #180studios

Step into the programme shaping this year’s Offprint London!

📚 Talks & book signings:

This year, the fair presents an inspiring series of artist talks at Reference Point (@referencepoint180), bringing together a dynamic range of contemporary voices.

Throughout the three days of Offprint, a dedicated programme of book signings will offer unique opportunities for meaningful exchanges and engaging encounters between artists and visitors.

[NEW!]

🖨️ Live printing installation:

The fair will also feature ‘Relic’, a project by RRose Editions (@rroseeditions) and artist Lucy Helton (@lucyhelton), a multi-analogue fax machine installation that prints book pages live.

Fax machines can be seen as relics—potential technofossils, or human-made objects that may eventually become embedded in the Earth’s geological record.

The thermal prints generated during the event will be compiled into a collective artist book, published in a limited edition by RRose Editions and made available to Offprint visitors.

🔊Sound Programme:

New Dimension’s Ben Goulder (@newdimensionhq) will curate a sound programme for Offprint London, bringing together international friends and collaborators, including BOOT MAG and VieImprint.

Moving between aural pleasure and pain, the programme will extend the fair’s atmosphere beyond the page through a resonant selection of sound, interference and low-level seduction.

🖍️ Colouring Art Book Workshop:

On Sunday, 17 May at noon, join us for a colouring art book workshop on the occasion of the launch of 'Spot 100 Difference Colouring Art Book', a colouring book with no beginning or end by Masanao Hirayama (@masanaohirayama), edited by Hato Press (@hatopress).

(Please note that the programme is still being updated.)

👉 Discover the full programme schedule on offprint.org
📍Offprint London, @180.studios, 15-17 May 2026

@luma_arles
#offprint #offprintlondon #offprintlondon2026 #180studios

Step into the programme shaping this year’s Offprint London!

📚 Talks & book signings:

This year, the fair presents an inspiring series of artist talks at Reference Point (@referencepoint180), bringing together a dynamic range of contemporary voices.

Throughout the three days of Offprint, a dedicated programme of book signings will offer unique opportunities for meaningful exchanges and engaging encounters between artists and visitors.

[NEW!]

🖨️ Live printing installation:

The fair will also feature ‘Relic’, a project by RRose Editions (@rroseeditions) and artist Lucy Helton (@lucyhelton), a multi-analogue fax machine installation that prints book pages live.

Fax machines can be seen as relics—potential technofossils, or human-made objects that may eventually become embedded in the Earth’s geological record.

The thermal prints generated during the event will be compiled into a collective artist book, published in a limited edition by RRose Editions and made available to Offprint visitors.

🔊Sound Programme:

New Dimension’s Ben Goulder (@newdimensionhq) will curate a sound programme for Offprint London, bringing together international friends and collaborators, including BOOT MAG and VieImprint.

Moving between aural pleasure and pain, the programme will extend the fair’s atmosphere beyond the page through a resonant selection of sound, interference and low-level seduction.

🖍️ Colouring Art Book Workshop:

On Sunday, 17 May at noon, join us for a colouring art book workshop on the occasion of the launch of 'Spot 100 Difference Colouring Art Book', a colouring book with no beginning or end by Masanao Hirayama (@masanaohirayama), edited by Hato Press (@hatopress).

(Please note that the programme is still being updated.)

👉 Discover the full programme schedule on offprint.org
📍Offprint London, @180.studios, 15-17 May 2026

@luma_arles
#offprint #offprintlondon #offprintlondon2026 #180studios

This year at Offprint London: Mousse Magazine and Publishing

📌 "John Giorno: The Performative Word"

#repost

“John Giorno: The Performative Word” is the first monograph dedicated to the American artist, poet, and activist John Giorno (1936–2019) and accompanies a retrospective exhibition presented at @mambobologna (February 5–May 3, 2026), curated by Lorenzo Balbi (@balbi_lorenzo) during ART CITY Bologna 2026 (@artcitybologna).

Emerging from the New York downtown scene of the 1960s, Giorno developed a singular artistic voice at the crossroads of poetry, performance, painting, and political activism over the course of more than six decades. By bringing the written word off the page and into performance, technology, and visual art, Giorno consistently challenged disciplinary boundaries and advanced a radical vision of language as central to human expression. Though often positioned at the margins of multiple downtown scenes—the Beats, Andy Warhol’s Factory, punk music, queer counterculture, anti-war activism—he was in fact an influential presence within all of them, operating as a conduit between coexisting cultural communities. His collaborators included Robert Rauschenberg, William Burroughs, Laurie Anderson, Anne Waldman, Allen Ginsberg, and Ugo Rondinone, among many others.

This publication introduces some of the many ways Giorno wove poetry into all aspects of daily life—by putting words on the wall, on the performance stage, on LP vinyl records, or on the telephone, in the context of the iconic “Dial-A-Poem,” one of his most celebrated works. A wide range of archival documents, images, and ephemera also form an intimate portrait of Giorno as an activist, performer, Buddhist practitioner, collaborator, and friend.

The volume is edited by @balbi_lorenzo, @anthonyhhhhhhh, and @bonnie_maybe_, and includes texts by @balbi_lorenzo, @kyle_decoy, Nicola Ricciardi, @ugorondinone0, @lhoptman, and @drewmsawyer.

👉 Come and meet @moussemagazine at #OffprintLondon2026!

🗓️ May 15-17
📍180 Studios (@180.studios), 180 The Strand, London

#offprint #offprintlondon #offprintlondon2026 #180studios
📸 © @moussemagazine

This year at Offprint London: Mousse Magazine and Publishing

📌 "John Giorno: The Performative Word"

#repost

“John Giorno: The Performative Word” is the first monograph dedicated to the American artist, poet, and activist John Giorno (1936–2019) and accompanies a retrospective exhibition presented at @mambobologna (February 5–May 3, 2026), curated by Lorenzo Balbi (@balbi_lorenzo) during ART CITY Bologna 2026 (@artcitybologna).

Emerging from the New York downtown scene of the 1960s, Giorno developed a singular artistic voice at the crossroads of poetry, performance, painting, and political activism over the course of more than six decades. By bringing the written word off the page and into performance, technology, and visual art, Giorno consistently challenged disciplinary boundaries and advanced a radical vision of language as central to human expression. Though often positioned at the margins of multiple downtown scenes—the Beats, Andy Warhol’s Factory, punk music, queer counterculture, anti-war activism—he was in fact an influential presence within all of them, operating as a conduit between coexisting cultural communities. His collaborators included Robert Rauschenberg, William Burroughs, Laurie Anderson, Anne Waldman, Allen Ginsberg, and Ugo Rondinone, among many others.

This publication introduces some of the many ways Giorno wove poetry into all aspects of daily life—by putting words on the wall, on the performance stage, on LP vinyl records, or on the telephone, in the context of the iconic “Dial-A-Poem,” one of his most celebrated works. A wide range of archival documents, images, and ephemera also form an intimate portrait of Giorno as an activist, performer, Buddhist practitioner, collaborator, and friend.

The volume is edited by @balbi_lorenzo, @anthonyhhhhhhh, and @bonnie_maybe_, and includes texts by @balbi_lorenzo, @kyle_decoy, Nicola Ricciardi, @ugorondinone0, @lhoptman, and @drewmsawyer.

👉 Come and meet @moussemagazine at #OffprintLondon2026!

🗓️ May 15-17
📍180 Studios (@180.studios), 180 The Strand, London

#offprint #offprintlondon #offprintlondon2026 #180studios
📸 © @moussemagazine

This year at Offprint London: Mousse Magazine and Publishing

📌 "John Giorno: The Performative Word"

#repost

“John Giorno: The Performative Word” is the first monograph dedicated to the American artist, poet, and activist John Giorno (1936–2019) and accompanies a retrospective exhibition presented at @mambobologna (February 5–May 3, 2026), curated by Lorenzo Balbi (@balbi_lorenzo) during ART CITY Bologna 2026 (@artcitybologna).

Emerging from the New York downtown scene of the 1960s, Giorno developed a singular artistic voice at the crossroads of poetry, performance, painting, and political activism over the course of more than six decades. By bringing the written word off the page and into performance, technology, and visual art, Giorno consistently challenged disciplinary boundaries and advanced a radical vision of language as central to human expression. Though often positioned at the margins of multiple downtown scenes—the Beats, Andy Warhol’s Factory, punk music, queer counterculture, anti-war activism—he was in fact an influential presence within all of them, operating as a conduit between coexisting cultural communities. His collaborators included Robert Rauschenberg, William Burroughs, Laurie Anderson, Anne Waldman, Allen Ginsberg, and Ugo Rondinone, among many others.

This publication introduces some of the many ways Giorno wove poetry into all aspects of daily life—by putting words on the wall, on the performance stage, on LP vinyl records, or on the telephone, in the context of the iconic “Dial-A-Poem,” one of his most celebrated works. A wide range of archival documents, images, and ephemera also form an intimate portrait of Giorno as an activist, performer, Buddhist practitioner, collaborator, and friend.

The volume is edited by @balbi_lorenzo, @anthonyhhhhhhh, and @bonnie_maybe_, and includes texts by @balbi_lorenzo, @kyle_decoy, Nicola Ricciardi, @ugorondinone0, @lhoptman, and @drewmsawyer.

👉 Come and meet @moussemagazine at #OffprintLondon2026!

🗓️ May 15-17
📍180 Studios (@180.studios), 180 The Strand, London

#offprint #offprintlondon #offprintlondon2026 #180studios
📸 © @moussemagazine

This year at Offprint London: Mousse Magazine and Publishing

📌 "John Giorno: The Performative Word"

#repost

“John Giorno: The Performative Word” is the first monograph dedicated to the American artist, poet, and activist John Giorno (1936–2019) and accompanies a retrospective exhibition presented at @mambobologna (February 5–May 3, 2026), curated by Lorenzo Balbi (@balbi_lorenzo) during ART CITY Bologna 2026 (@artcitybologna).

Emerging from the New York downtown scene of the 1960s, Giorno developed a singular artistic voice at the crossroads of poetry, performance, painting, and political activism over the course of more than six decades. By bringing the written word off the page and into performance, technology, and visual art, Giorno consistently challenged disciplinary boundaries and advanced a radical vision of language as central to human expression. Though often positioned at the margins of multiple downtown scenes—the Beats, Andy Warhol’s Factory, punk music, queer counterculture, anti-war activism—he was in fact an influential presence within all of them, operating as a conduit between coexisting cultural communities. His collaborators included Robert Rauschenberg, William Burroughs, Laurie Anderson, Anne Waldman, Allen Ginsberg, and Ugo Rondinone, among many others.

This publication introduces some of the many ways Giorno wove poetry into all aspects of daily life—by putting words on the wall, on the performance stage, on LP vinyl records, or on the telephone, in the context of the iconic “Dial-A-Poem,” one of his most celebrated works. A wide range of archival documents, images, and ephemera also form an intimate portrait of Giorno as an activist, performer, Buddhist practitioner, collaborator, and friend.

The volume is edited by @balbi_lorenzo, @anthonyhhhhhhh, and @bonnie_maybe_, and includes texts by @balbi_lorenzo, @kyle_decoy, Nicola Ricciardi, @ugorondinone0, @lhoptman, and @drewmsawyer.

👉 Come and meet @moussemagazine at #OffprintLondon2026!

🗓️ May 15-17
📍180 Studios (@180.studios), 180 The Strand, London

#offprint #offprintlondon #offprintlondon2026 #180studios
📸 © @moussemagazine

This year at Offprint London: Mousse Magazine and Publishing

📌 "John Giorno: The Performative Word"

#repost

“John Giorno: The Performative Word” is the first monograph dedicated to the American artist, poet, and activist John Giorno (1936–2019) and accompanies a retrospective exhibition presented at @mambobologna (February 5–May 3, 2026), curated by Lorenzo Balbi (@balbi_lorenzo) during ART CITY Bologna 2026 (@artcitybologna).

Emerging from the New York downtown scene of the 1960s, Giorno developed a singular artistic voice at the crossroads of poetry, performance, painting, and political activism over the course of more than six decades. By bringing the written word off the page and into performance, technology, and visual art, Giorno consistently challenged disciplinary boundaries and advanced a radical vision of language as central to human expression. Though often positioned at the margins of multiple downtown scenes—the Beats, Andy Warhol’s Factory, punk music, queer counterculture, anti-war activism—he was in fact an influential presence within all of them, operating as a conduit between coexisting cultural communities. His collaborators included Robert Rauschenberg, William Burroughs, Laurie Anderson, Anne Waldman, Allen Ginsberg, and Ugo Rondinone, among many others.

This publication introduces some of the many ways Giorno wove poetry into all aspects of daily life—by putting words on the wall, on the performance stage, on LP vinyl records, or on the telephone, in the context of the iconic “Dial-A-Poem,” one of his most celebrated works. A wide range of archival documents, images, and ephemera also form an intimate portrait of Giorno as an activist, performer, Buddhist practitioner, collaborator, and friend.

The volume is edited by @balbi_lorenzo, @anthonyhhhhhhh, and @bonnie_maybe_, and includes texts by @balbi_lorenzo, @kyle_decoy, Nicola Ricciardi, @ugorondinone0, @lhoptman, and @drewmsawyer.

👉 Come and meet @moussemagazine at #OffprintLondon2026!

🗓️ May 15-17
📍180 Studios (@180.studios), 180 The Strand, London

#offprint #offprintlondon #offprintlondon2026 #180studios
📸 © @moussemagazine

This year at Offprint London: Mousse Magazine and Publishing

📌 "John Giorno: The Performative Word"

#repost

“John Giorno: The Performative Word” is the first monograph dedicated to the American artist, poet, and activist John Giorno (1936–2019) and accompanies a retrospective exhibition presented at @mambobologna (February 5–May 3, 2026), curated by Lorenzo Balbi (@balbi_lorenzo) during ART CITY Bologna 2026 (@artcitybologna).

Emerging from the New York downtown scene of the 1960s, Giorno developed a singular artistic voice at the crossroads of poetry, performance, painting, and political activism over the course of more than six decades. By bringing the written word off the page and into performance, technology, and visual art, Giorno consistently challenged disciplinary boundaries and advanced a radical vision of language as central to human expression. Though often positioned at the margins of multiple downtown scenes—the Beats, Andy Warhol’s Factory, punk music, queer counterculture, anti-war activism—he was in fact an influential presence within all of them, operating as a conduit between coexisting cultural communities. His collaborators included Robert Rauschenberg, William Burroughs, Laurie Anderson, Anne Waldman, Allen Ginsberg, and Ugo Rondinone, among many others.

This publication introduces some of the many ways Giorno wove poetry into all aspects of daily life—by putting words on the wall, on the performance stage, on LP vinyl records, or on the telephone, in the context of the iconic “Dial-A-Poem,” one of his most celebrated works. A wide range of archival documents, images, and ephemera also form an intimate portrait of Giorno as an activist, performer, Buddhist practitioner, collaborator, and friend.

The volume is edited by @balbi_lorenzo, @anthonyhhhhhhh, and @bonnie_maybe_, and includes texts by @balbi_lorenzo, @kyle_decoy, Nicola Ricciardi, @ugorondinone0, @lhoptman, and @drewmsawyer.

👉 Come and meet @moussemagazine at #OffprintLondon2026!

🗓️ May 15-17
📍180 Studios (@180.studios), 180 The Strand, London

#offprint #offprintlondon #offprintlondon2026 #180studios
📸 © @moussemagazine

This year at Offprint London: Mousse Magazine and Publishing

📌 "John Giorno: The Performative Word"

#repost

“John Giorno: The Performative Word” is the first monograph dedicated to the American artist, poet, and activist John Giorno (1936–2019) and accompanies a retrospective exhibition presented at @mambobologna (February 5–May 3, 2026), curated by Lorenzo Balbi (@balbi_lorenzo) during ART CITY Bologna 2026 (@artcitybologna).

Emerging from the New York downtown scene of the 1960s, Giorno developed a singular artistic voice at the crossroads of poetry, performance, painting, and political activism over the course of more than six decades. By bringing the written word off the page and into performance, technology, and visual art, Giorno consistently challenged disciplinary boundaries and advanced a radical vision of language as central to human expression. Though often positioned at the margins of multiple downtown scenes—the Beats, Andy Warhol’s Factory, punk music, queer counterculture, anti-war activism—he was in fact an influential presence within all of them, operating as a conduit between coexisting cultural communities. His collaborators included Robert Rauschenberg, William Burroughs, Laurie Anderson, Anne Waldman, Allen Ginsberg, and Ugo Rondinone, among many others.

This publication introduces some of the many ways Giorno wove poetry into all aspects of daily life—by putting words on the wall, on the performance stage, on LP vinyl records, or on the telephone, in the context of the iconic “Dial-A-Poem,” one of his most celebrated works. A wide range of archival documents, images, and ephemera also form an intimate portrait of Giorno as an activist, performer, Buddhist practitioner, collaborator, and friend.

The volume is edited by @balbi_lorenzo, @anthonyhhhhhhh, and @bonnie_maybe_, and includes texts by @balbi_lorenzo, @kyle_decoy, Nicola Ricciardi, @ugorondinone0, @lhoptman, and @drewmsawyer.

👉 Come and meet @moussemagazine at #OffprintLondon2026!

🗓️ May 15-17
📍180 Studios (@180.studios), 180 The Strand, London

#offprint #offprintlondon #offprintlondon2026 #180studios
📸 © @moussemagazine

This year at Offprint London: Mousse Magazine and Publishing

📌 "John Giorno: The Performative Word"

#repost

“John Giorno: The Performative Word” is the first monograph dedicated to the American artist, poet, and activist John Giorno (1936–2019) and accompanies a retrospective exhibition presented at @mambobologna (February 5–May 3, 2026), curated by Lorenzo Balbi (@balbi_lorenzo) during ART CITY Bologna 2026 (@artcitybologna).

Emerging from the New York downtown scene of the 1960s, Giorno developed a singular artistic voice at the crossroads of poetry, performance, painting, and political activism over the course of more than six decades. By bringing the written word off the page and into performance, technology, and visual art, Giorno consistently challenged disciplinary boundaries and advanced a radical vision of language as central to human expression. Though often positioned at the margins of multiple downtown scenes—the Beats, Andy Warhol’s Factory, punk music, queer counterculture, anti-war activism—he was in fact an influential presence within all of them, operating as a conduit between coexisting cultural communities. His collaborators included Robert Rauschenberg, William Burroughs, Laurie Anderson, Anne Waldman, Allen Ginsberg, and Ugo Rondinone, among many others.

This publication introduces some of the many ways Giorno wove poetry into all aspects of daily life—by putting words on the wall, on the performance stage, on LP vinyl records, or on the telephone, in the context of the iconic “Dial-A-Poem,” one of his most celebrated works. A wide range of archival documents, images, and ephemera also form an intimate portrait of Giorno as an activist, performer, Buddhist practitioner, collaborator, and friend.

The volume is edited by @balbi_lorenzo, @anthonyhhhhhhh, and @bonnie_maybe_, and includes texts by @balbi_lorenzo, @kyle_decoy, Nicola Ricciardi, @ugorondinone0, @lhoptman, and @drewmsawyer.

👉 Come and meet @moussemagazine at #OffprintLondon2026!

🗓️ May 15-17
📍180 Studios (@180.studios), 180 The Strand, London

#offprint #offprintlondon #offprintlondon2026 #180studios
📸 © @moussemagazine

This year at Offprint London: Mousse Magazine and Publishing

📌 "John Giorno: The Performative Word"

#repost

“John Giorno: The Performative Word” is the first monograph dedicated to the American artist, poet, and activist John Giorno (1936–2019) and accompanies a retrospective exhibition presented at @mambobologna (February 5–May 3, 2026), curated by Lorenzo Balbi (@balbi_lorenzo) during ART CITY Bologna 2026 (@artcitybologna).

Emerging from the New York downtown scene of the 1960s, Giorno developed a singular artistic voice at the crossroads of poetry, performance, painting, and political activism over the course of more than six decades. By bringing the written word off the page and into performance, technology, and visual art, Giorno consistently challenged disciplinary boundaries and advanced a radical vision of language as central to human expression. Though often positioned at the margins of multiple downtown scenes—the Beats, Andy Warhol’s Factory, punk music, queer counterculture, anti-war activism—he was in fact an influential presence within all of them, operating as a conduit between coexisting cultural communities. His collaborators included Robert Rauschenberg, William Burroughs, Laurie Anderson, Anne Waldman, Allen Ginsberg, and Ugo Rondinone, among many others.

This publication introduces some of the many ways Giorno wove poetry into all aspects of daily life—by putting words on the wall, on the performance stage, on LP vinyl records, or on the telephone, in the context of the iconic “Dial-A-Poem,” one of his most celebrated works. A wide range of archival documents, images, and ephemera also form an intimate portrait of Giorno as an activist, performer, Buddhist practitioner, collaborator, and friend.

The volume is edited by @balbi_lorenzo, @anthonyhhhhhhh, and @bonnie_maybe_, and includes texts by @balbi_lorenzo, @kyle_decoy, Nicola Ricciardi, @ugorondinone0, @lhoptman, and @drewmsawyer.

👉 Come and meet @moussemagazine at #OffprintLondon2026!

🗓️ May 15-17
📍180 Studios (@180.studios), 180 The Strand, London

#offprint #offprintlondon #offprintlondon2026 #180studios
📸 © @moussemagazine

This year at Offprint London: Mousse Magazine and Publishing

📌 "John Giorno: The Performative Word"

#repost

“John Giorno: The Performative Word” is the first monograph dedicated to the American artist, poet, and activist John Giorno (1936–2019) and accompanies a retrospective exhibition presented at @mambobologna (February 5–May 3, 2026), curated by Lorenzo Balbi (@balbi_lorenzo) during ART CITY Bologna 2026 (@artcitybologna).

Emerging from the New York downtown scene of the 1960s, Giorno developed a singular artistic voice at the crossroads of poetry, performance, painting, and political activism over the course of more than six decades. By bringing the written word off the page and into performance, technology, and visual art, Giorno consistently challenged disciplinary boundaries and advanced a radical vision of language as central to human expression. Though often positioned at the margins of multiple downtown scenes—the Beats, Andy Warhol’s Factory, punk music, queer counterculture, anti-war activism—he was in fact an influential presence within all of them, operating as a conduit between coexisting cultural communities. His collaborators included Robert Rauschenberg, William Burroughs, Laurie Anderson, Anne Waldman, Allen Ginsberg, and Ugo Rondinone, among many others.

This publication introduces some of the many ways Giorno wove poetry into all aspects of daily life—by putting words on the wall, on the performance stage, on LP vinyl records, or on the telephone, in the context of the iconic “Dial-A-Poem,” one of his most celebrated works. A wide range of archival documents, images, and ephemera also form an intimate portrait of Giorno as an activist, performer, Buddhist practitioner, collaborator, and friend.

The volume is edited by @balbi_lorenzo, @anthonyhhhhhhh, and @bonnie_maybe_, and includes texts by @balbi_lorenzo, @kyle_decoy, Nicola Ricciardi, @ugorondinone0, @lhoptman, and @drewmsawyer.

👉 Come and meet @moussemagazine at #OffprintLondon2026!

🗓️ May 15-17
📍180 Studios (@180.studios), 180 The Strand, London

#offprint #offprintlondon #offprintlondon2026 #180studios
📸 © @moussemagazine

This year at Offprint London: Public Knowledge Books

📌 Extra Extra Issue no. 24 "One hundred and six erotic short stories"

#repost

Anticipation looks good on you, but we won’t tease much longer… the insatiable Extra Extra Issue no. 24 is coming in hot and steamy, in stores and online April 29! Get ready for its desire-filled pages to pull you into an embrace of heated encounters, whispered confessions, and sultry strolls through the tempting corners of our cities.

With Max Kisman’s bold new series Coastline, Barbora Baronová’s sensuous URBEX feature, and Gabriel Fontana in touch with Nadine Botha, you’ll breathlessly find the most creative minds playfully exploring intimacy and seductive connection. Nabil Ayouch and Paola Raiman turn up the heat in a cinematic love affair, while iconic Czech photographer Libuše Jarcovjáková captures raw rebellion and tender confession in the brutal, beautiful pulse of everyday moments.

👉 Come and meet @public_knowledge_books at #OffprintLondon2026!

🗓️ May 15-17
📍180 Studios (@180.studios), 180 The Strand, London

#offprint #offprintlondon #offprintlondon2026 #180studios
📸 © @public_knowledge_books

This year at Offprint London: Public Knowledge Books

📌 Extra Extra Issue no. 24 "One hundred and six erotic short stories"

#repost

Anticipation looks good on you, but we won’t tease much longer… the insatiable Extra Extra Issue no. 24 is coming in hot and steamy, in stores and online April 29! Get ready for its desire-filled pages to pull you into an embrace of heated encounters, whispered confessions, and sultry strolls through the tempting corners of our cities.

With Max Kisman’s bold new series Coastline, Barbora Baronová’s sensuous URBEX feature, and Gabriel Fontana in touch with Nadine Botha, you’ll breathlessly find the most creative minds playfully exploring intimacy and seductive connection. Nabil Ayouch and Paola Raiman turn up the heat in a cinematic love affair, while iconic Czech photographer Libuše Jarcovjáková captures raw rebellion and tender confession in the brutal, beautiful pulse of everyday moments.

👉 Come and meet @public_knowledge_books at #OffprintLondon2026!

🗓️ May 15-17
📍180 Studios (@180.studios), 180 The Strand, London

#offprint #offprintlondon #offprintlondon2026 #180studios
📸 © @public_knowledge_books

This year at Offprint London: Public Knowledge Books

📌 Extra Extra Issue no. 24 "One hundred and six erotic short stories"

#repost

Anticipation looks good on you, but we won’t tease much longer… the insatiable Extra Extra Issue no. 24 is coming in hot and steamy, in stores and online April 29! Get ready for its desire-filled pages to pull you into an embrace of heated encounters, whispered confessions, and sultry strolls through the tempting corners of our cities.

With Max Kisman’s bold new series Coastline, Barbora Baronová’s sensuous URBEX feature, and Gabriel Fontana in touch with Nadine Botha, you’ll breathlessly find the most creative minds playfully exploring intimacy and seductive connection. Nabil Ayouch and Paola Raiman turn up the heat in a cinematic love affair, while iconic Czech photographer Libuše Jarcovjáková captures raw rebellion and tender confession in the brutal, beautiful pulse of everyday moments.

👉 Come and meet @public_knowledge_books at #OffprintLondon2026!

🗓️ May 15-17
📍180 Studios (@180.studios), 180 The Strand, London

#offprint #offprintlondon #offprintlondon2026 #180studios
📸 © @public_knowledge_books

This year at Offprint London: Public Knowledge Books

📌 Extra Extra Issue no. 24 "One hundred and six erotic short stories"

#repost

Anticipation looks good on you, but we won’t tease much longer… the insatiable Extra Extra Issue no. 24 is coming in hot and steamy, in stores and online April 29! Get ready for its desire-filled pages to pull you into an embrace of heated encounters, whispered confessions, and sultry strolls through the tempting corners of our cities.

With Max Kisman’s bold new series Coastline, Barbora Baronová’s sensuous URBEX feature, and Gabriel Fontana in touch with Nadine Botha, you’ll breathlessly find the most creative minds playfully exploring intimacy and seductive connection. Nabil Ayouch and Paola Raiman turn up the heat in a cinematic love affair, while iconic Czech photographer Libuše Jarcovjáková captures raw rebellion and tender confession in the brutal, beautiful pulse of everyday moments.

👉 Come and meet @public_knowledge_books at #OffprintLondon2026!

🗓️ May 15-17
📍180 Studios (@180.studios), 180 The Strand, London

#offprint #offprintlondon #offprintlondon2026 #180studios
📸 © @public_knowledge_books

This year at Offprint London: MÖREL

#repost

ONE BATTLE AFTER ANOTHER - BTS of the Paul Thomas Anderson film by Merrick Morton

👉 Come and meet @morelbooks at #OffprintLondon2026!

🗓️ May 15-17
📍180 Studios (@180.studios), 180 The Strand, London

#offprint #offprintlondon #offprintlondon2026 #180studios
📸 © @morelbooks

This year at Offprint London: MÖREL

#repost

ONE BATTLE AFTER ANOTHER - BTS of the Paul Thomas Anderson film by Merrick Morton

👉 Come and meet @morelbooks at #OffprintLondon2026!

🗓️ May 15-17
📍180 Studios (@180.studios), 180 The Strand, London

#offprint #offprintlondon #offprintlondon2026 #180studios
📸 © @morelbooks

This year at Offprint London: MÖREL

#repost

ONE BATTLE AFTER ANOTHER - BTS of the Paul Thomas Anderson film by Merrick Morton

👉 Come and meet @morelbooks at #OffprintLondon2026!

🗓️ May 15-17
📍180 Studios (@180.studios), 180 The Strand, London

#offprint #offprintlondon #offprintlondon2026 #180studios
📸 © @morelbooks

This year at Offprint London: MÖREL

#repost

ONE BATTLE AFTER ANOTHER - BTS of the Paul Thomas Anderson film by Merrick Morton

👉 Come and meet @morelbooks at #OffprintLondon2026!

🗓️ May 15-17
📍180 Studios (@180.studios), 180 The Strand, London

#offprint #offprintlondon #offprintlondon2026 #180studios
📸 © @morelbooks

This year at Offprint London: MÖREL

#repost

ONE BATTLE AFTER ANOTHER - BTS of the Paul Thomas Anderson film by Merrick Morton

👉 Come and meet @morelbooks at #OffprintLondon2026!

🗓️ May 15-17
📍180 Studios (@180.studios), 180 The Strand, London

#offprint #offprintlondon #offprintlondon2026 #180studios
📸 © @morelbooks

This year at Offprint London: MÖREL

#repost

ONE BATTLE AFTER ANOTHER - BTS of the Paul Thomas Anderson film by Merrick Morton

👉 Come and meet @morelbooks at #OffprintLondon2026!

🗓️ May 15-17
📍180 Studios (@180.studios), 180 The Strand, London

#offprint #offprintlondon #offprintlondon2026 #180studios
📸 © @morelbooks

This year at Offprint London: MÖREL

#repost

ONE BATTLE AFTER ANOTHER - BTS of the Paul Thomas Anderson film by Merrick Morton

👉 Come and meet @morelbooks at #OffprintLondon2026!

🗓️ May 15-17
📍180 Studios (@180.studios), 180 The Strand, London

#offprint #offprintlondon #offprintlondon2026 #180studios
📸 © @morelbooks

This year at Offprint London: MÖREL

#repost

ONE BATTLE AFTER ANOTHER - BTS of the Paul Thomas Anderson film by Merrick Morton

👉 Come and meet @morelbooks at #OffprintLondon2026!

🗓️ May 15-17
📍180 Studios (@180.studios), 180 The Strand, London

#offprint #offprintlondon #offprintlondon2026 #180studios
📸 © @morelbooks

This year at Offprint London: MÖREL

#repost

ONE BATTLE AFTER ANOTHER - BTS of the Paul Thomas Anderson film by Merrick Morton

👉 Come and meet @morelbooks at #OffprintLondon2026!

🗓️ May 15-17
📍180 Studios (@180.studios), 180 The Strand, London

#offprint #offprintlondon #offprintlondon2026 #180studios
📸 © @morelbooks

This year at Offprint London: Tenderbooks

📌 "Philosophy of the Home. Domestic Space and Happiness" by Emanuele Coccia

#repost

A bedroom, a kitchen, a bathroom - are these rooms all that make a home? Not at all, argues Emanuele Coccia. The buildings we inhabit are of immense psychological and cultural significance. They play a decisive role in human flourishing and, for hundreds of years, their walls and walkways, windows and doorways have guided our relationships with others and with ourselves. They reflect and reinforce social inequalities; they allow us to celebrate and cherish those we love. They are the places of return that allow us to venture out into the world.

In this intimate, elegantly argued account, Coccia shows how the architecture of home has shaped, and continues to shape, our psyches and our societies, before then masterfully leading us towards a more creative, ecological way of dwelling in the world.

👉 Come and meet @tenderbooks at #OffprintLondon2026!

🗓️ May 15-17
📍180 Studios (@180.studios), 180 The Strand, London

#offprint #offprintlondon #offprintlondon2026 #180studios
📸 © @tenderbooks

This year at Offprint London: Empire Books

📌 "Revue Faire"

#repost

💖📖 Revue Faire 54! 🇸🇪
The Director, the Graphic Designer, and the Printer: Pontus Hultén and the Making of the Catalog, 1960–1973.
Author: Malou Messien, @malou__mess__
Photography: Aurélien Mole
-
Centered on the emblematic figure of Pontus Hultén (1924–2006), this issue of Revue Faire explores the director’s publishing work during his time at the head of the Moderna Museet in Stockholm, from 1960 to 1973. Director and founder of a number of institutions, including the Moderna Museet and the Centre Pompidou, Pontus Hultén published books throughout his career. Beginning in the 1960s when he was appointed director of Sweden’s first museum of modern art, he fully embraced the challenge of the exhibition catalog, even becoming involved in its design.
——-

Le numéro cinquante quatre est disponible!
Le directeur, le graphiste et l’imprimeur : Pontus Hultén et la fabrique du catalogue, 1960-1973. Autrice : Malou Messien
—

Centré sur la figure emblématique de Pontus Hultén (1924–2006), ce numéro de la revue Faires’intéresse à la production éditoriale du directeur lors de son mandat au Moderna Museet de Stockholm, de 1960 à 1973.
Directeur et fondateur de multiples institutions, dont le Moderna Museet et le Centre Pompidou, Pontus Hultén a édité des livres tout au long de sa carrière. Dès les années 60, alors qu’il devient directeur du premier musée d’art moderne de Suède, il s’empare pleinement de la question du catalogue d’exposition, allant jusqu’à s’investir dans sa mise en forme.
—
Monthly publication published by @empire.b.o.o.k.s
designed by @s.y.n.d.i.c.a.t
64 pages
21 × 29,7 cm
CMYK + 1 PMS
14 €

👉 Come and meet @empire.b.o.o.k.s at #OffprintLondon2026!

🗓️ May 15-17
📍180 Studios (@180.studios), 180 The Strand, London

#offprint #offprintlondon #offprintlondon2026 #180studios
📸 © @revuefaire

This year at Offprint London: Elastic Magazine

#repost

Elastic, the print magazine of psychedelic art and literature, is here. Our first issue, on the theme of dying, is available for order now—and it’s stacked, to put it mildly. Fifty contributors. 176 lush pages filled with work that bends time and space and perspective. Original cover art—yes, that is a painting of a tooth plant—by the brilliant @palladingdong.

The magazine we’ve assembled is not about psychedelic substances. It’s not even about psychedelic art. It *is* psychedelic art, in all of its tremendous breadth and vitality. Visit us at elasticmag.com (link in bio) to nab a copy. We hope you’ll love this weird, beautiful volume as much as we do.

Edited by @hbrenhouse and designed by @chloescheffe and @natmshields.

Featuring: @hala.n.alyan, @m0henjodaro, @sdenizakant, @v_is_for, @realmelissabroder, @ritabullwinkel, @dsparis, @kmingchang, @ediefake, @firpal, @sasha_fletcher, @lolagil, @bighedva, @ennuiperkins, @sammiejhunt, @sawako_kabuki, @_miki__kim, @rae_klein, @leebecca_studio, @just_islemcelroy, @wardell_milan, @benoit_paille, @hello.samanito, @samsax1, @stumpyduong, @devanshimoyama, @dadushin, @jiazilla, @armandoveve, @nadiakwd, @stevencdunn, and many more.

👉 Come and meet @elastic.mag at #OffprintLondon2026!

🗓️ May 15-17
📍180 Studios (@180.studios), 180 The Strand, London

#offprint #offprintlondon #offprintlondon2026
📸 © @elastic.mag

This year at Offprint London: Lubok Verlag

📌 BranD 2025 Issue 03 NO.81 [Exhalation and Inhalation in Design: Rationality and Sensibility] by BranD Editorial Department

#repost

Thanks @brandmagazine.hk for featuring artist and publisher @christophruckhaeberle_studio in your latest edition “Exhalation and inhalation in design: rationality and sensitivity”

@biggerartfair @galeriekleindienst @thaleroriginalgrafik @nicolaiwallner

👉 Come and meet @lubokverlag at #OffprintLondon2026!

🗓️ May 15-17
📍180 Studios (@180.studios), 180 The Strand, London

#offprint #offprintlondon #offprintlondon2026 #180studios
📸 © @lubokverlag

This year at Offprint London: Lubok Verlag

📌 BranD 2025 Issue 03 NO.81 [Exhalation and Inhalation in Design: Rationality and Sensibility] by BranD Editorial Department

#repost

Thanks @brandmagazine.hk for featuring artist and publisher @christophruckhaeberle_studio in your latest edition “Exhalation and inhalation in design: rationality and sensitivity”

@biggerartfair @galeriekleindienst @thaleroriginalgrafik @nicolaiwallner

👉 Come and meet @lubokverlag at #OffprintLondon2026!

🗓️ May 15-17
📍180 Studios (@180.studios), 180 The Strand, London

#offprint #offprintlondon #offprintlondon2026 #180studios
📸 © @lubokverlag

This year at Offprint London: Lubok Verlag

📌 BranD 2025 Issue 03 NO.81 [Exhalation and Inhalation in Design: Rationality and Sensibility] by BranD Editorial Department

#repost

Thanks @brandmagazine.hk for featuring artist and publisher @christophruckhaeberle_studio in your latest edition “Exhalation and inhalation in design: rationality and sensitivity”

@biggerartfair @galeriekleindienst @thaleroriginalgrafik @nicolaiwallner

👉 Come and meet @lubokverlag at #OffprintLondon2026!

🗓️ May 15-17
📍180 Studios (@180.studios), 180 The Strand, London

#offprint #offprintlondon #offprintlondon2026 #180studios
📸 © @lubokverlag

This year at Offprint London: Lubok Verlag

📌 BranD 2025 Issue 03 NO.81 [Exhalation and Inhalation in Design: Rationality and Sensibility] by BranD Editorial Department

#repost

Thanks @brandmagazine.hk for featuring artist and publisher @christophruckhaeberle_studio in your latest edition “Exhalation and inhalation in design: rationality and sensitivity”

@biggerartfair @galeriekleindienst @thaleroriginalgrafik @nicolaiwallner

👉 Come and meet @lubokverlag at #OffprintLondon2026!

🗓️ May 15-17
📍180 Studios (@180.studios), 180 The Strand, London

#offprint #offprintlondon #offprintlondon2026 #180studios
📸 © @lubokverlag

This year at Offprint London: Lubok Verlag

📌 BranD 2025 Issue 03 NO.81 [Exhalation and Inhalation in Design: Rationality and Sensibility] by BranD Editorial Department

#repost

Thanks @brandmagazine.hk for featuring artist and publisher @christophruckhaeberle_studio in your latest edition “Exhalation and inhalation in design: rationality and sensitivity”

@biggerartfair @galeriekleindienst @thaleroriginalgrafik @nicolaiwallner

👉 Come and meet @lubokverlag at #OffprintLondon2026!

🗓️ May 15-17
📍180 Studios (@180.studios), 180 The Strand, London

#offprint #offprintlondon #offprintlondon2026 #180studios
📸 © @lubokverlag

This year at Offprint London: Lubok Verlag

📌 BranD 2025 Issue 03 NO.81 [Exhalation and Inhalation in Design: Rationality and Sensibility] by BranD Editorial Department

#repost

Thanks @brandmagazine.hk for featuring artist and publisher @christophruckhaeberle_studio in your latest edition “Exhalation and inhalation in design: rationality and sensitivity”

@biggerartfair @galeriekleindienst @thaleroriginalgrafik @nicolaiwallner

👉 Come and meet @lubokverlag at #OffprintLondon2026!

🗓️ May 15-17
📍180 Studios (@180.studios), 180 The Strand, London

#offprint #offprintlondon #offprintlondon2026 #180studios
📸 © @lubokverlag

This year at Offprint London: Antenne Books

📌 "Cancelled Confessions" by Claude Cahun
Edited by Thin Man Press (@thinmanpress5)

#repost

"Cancelled Confessions" reveals Claude Cahun to be a major surrealist writer and pioneering queer theorist almost a century ahead of her time.
‘The re-appearance of this glittering and dissenting semi-lost epic is a gift… Cahun’s writing is stylish, playful and prescient, peopled with angel slang, flowering disavowals, God’s lipstick and an infinite layering of masks.’ Daisy Lafarge, author.

In 1930, Claude Cahun (born Lucy Schwob) and her partner, artist Marcel Moore (born Suzanne Malherbe) published their surrealist masterpiece, Aveux non Avenus, translated here as "Cancelled Confessions" and available in English for the first time in twenty years. Susan de Muth’s revised translation of "Cancelled Confessions" has a new introduction by art historian Amelia Groom which contextualizes it within contemporary queer discourse.

‘It’s a surrealist, trans, queer, autofiction, (anti)memoir, and also none of those things. It’s a text, and a life, felt as connection and at the same time completely singular.’ McKenzie Wark, author.

‘The kaleidoscopic text is pieced together from diverse fragments… there are philosophical and subversive theological musings, aphorisms and fables, letters and dialogues, dreams and hymns, nightmares and jokes,’ writes Groom.

The book’s nine sections are prefaced by dreamlike photomontages (reproduced in high definition here) which reflect, illuminate and converse with the verbal content.

Upon publication, "Aveux non Avenus" simply baffled all but a few of Cahun’s friends and admirers, leading Cahun to describe herself as, ‘An unwanted Cassandra’.

Now, however, is the time of the remarkably prescient Cahun and Moore. [...]

👉 Come and meet @antennebooks at #OffprintLondon2026!

🗓️ May 15-17
📍180 Studios (@180.studios), 180 The Strand, London

#offprint #offprintlondon #offprintlondon2026 #180studios
📸 © @antennebooks

This year at Offprint London: Antenne Books

📌 "Cancelled Confessions" by Claude Cahun
Edited by Thin Man Press (@thinmanpress5)

#repost

"Cancelled Confessions" reveals Claude Cahun to be a major surrealist writer and pioneering queer theorist almost a century ahead of her time.
‘The re-appearance of this glittering and dissenting semi-lost epic is a gift… Cahun’s writing is stylish, playful and prescient, peopled with angel slang, flowering disavowals, God’s lipstick and an infinite layering of masks.’ Daisy Lafarge, author.

In 1930, Claude Cahun (born Lucy Schwob) and her partner, artist Marcel Moore (born Suzanne Malherbe) published their surrealist masterpiece, Aveux non Avenus, translated here as "Cancelled Confessions" and available in English for the first time in twenty years. Susan de Muth’s revised translation of "Cancelled Confessions" has a new introduction by art historian Amelia Groom which contextualizes it within contemporary queer discourse.

‘It’s a surrealist, trans, queer, autofiction, (anti)memoir, and also none of those things. It’s a text, and a life, felt as connection and at the same time completely singular.’ McKenzie Wark, author.

‘The kaleidoscopic text is pieced together from diverse fragments… there are philosophical and subversive theological musings, aphorisms and fables, letters and dialogues, dreams and hymns, nightmares and jokes,’ writes Groom.

The book’s nine sections are prefaced by dreamlike photomontages (reproduced in high definition here) which reflect, illuminate and converse with the verbal content.

Upon publication, "Aveux non Avenus" simply baffled all but a few of Cahun’s friends and admirers, leading Cahun to describe herself as, ‘An unwanted Cassandra’.

Now, however, is the time of the remarkably prescient Cahun and Moore. [...]

👉 Come and meet @antennebooks at #OffprintLondon2026!

🗓️ May 15-17
📍180 Studios (@180.studios), 180 The Strand, London

#offprint #offprintlondon #offprintlondon2026 #180studios
📸 © @antennebooks

This year at Offprint London: Antenne Books

📌 "Cancelled Confessions" by Claude Cahun
Edited by Thin Man Press (@thinmanpress5)

#repost

"Cancelled Confessions" reveals Claude Cahun to be a major surrealist writer and pioneering queer theorist almost a century ahead of her time.
‘The re-appearance of this glittering and dissenting semi-lost epic is a gift… Cahun’s writing is stylish, playful and prescient, peopled with angel slang, flowering disavowals, God’s lipstick and an infinite layering of masks.’ Daisy Lafarge, author.

In 1930, Claude Cahun (born Lucy Schwob) and her partner, artist Marcel Moore (born Suzanne Malherbe) published their surrealist masterpiece, Aveux non Avenus, translated here as "Cancelled Confessions" and available in English for the first time in twenty years. Susan de Muth’s revised translation of "Cancelled Confessions" has a new introduction by art historian Amelia Groom which contextualizes it within contemporary queer discourse.

‘It’s a surrealist, trans, queer, autofiction, (anti)memoir, and also none of those things. It’s a text, and a life, felt as connection and at the same time completely singular.’ McKenzie Wark, author.

‘The kaleidoscopic text is pieced together from diverse fragments… there are philosophical and subversive theological musings, aphorisms and fables, letters and dialogues, dreams and hymns, nightmares and jokes,’ writes Groom.

The book’s nine sections are prefaced by dreamlike photomontages (reproduced in high definition here) which reflect, illuminate and converse with the verbal content.

Upon publication, "Aveux non Avenus" simply baffled all but a few of Cahun’s friends and admirers, leading Cahun to describe herself as, ‘An unwanted Cassandra’.

Now, however, is the time of the remarkably prescient Cahun and Moore. [...]

👉 Come and meet @antennebooks at #OffprintLondon2026!

🗓️ May 15-17
📍180 Studios (@180.studios), 180 The Strand, London

#offprint #offprintlondon #offprintlondon2026 #180studios
📸 © @antennebooks

This year at Offprint London: Antenne Books

📌 "Cancelled Confessions" by Claude Cahun
Edited by Thin Man Press (@thinmanpress5)

#repost

"Cancelled Confessions" reveals Claude Cahun to be a major surrealist writer and pioneering queer theorist almost a century ahead of her time.
‘The re-appearance of this glittering and dissenting semi-lost epic is a gift… Cahun’s writing is stylish, playful and prescient, peopled with angel slang, flowering disavowals, God’s lipstick and an infinite layering of masks.’ Daisy Lafarge, author.

In 1930, Claude Cahun (born Lucy Schwob) and her partner, artist Marcel Moore (born Suzanne Malherbe) published their surrealist masterpiece, Aveux non Avenus, translated here as "Cancelled Confessions" and available in English for the first time in twenty years. Susan de Muth’s revised translation of "Cancelled Confessions" has a new introduction by art historian Amelia Groom which contextualizes it within contemporary queer discourse.

‘It’s a surrealist, trans, queer, autofiction, (anti)memoir, and also none of those things. It’s a text, and a life, felt as connection and at the same time completely singular.’ McKenzie Wark, author.

‘The kaleidoscopic text is pieced together from diverse fragments… there are philosophical and subversive theological musings, aphorisms and fables, letters and dialogues, dreams and hymns, nightmares and jokes,’ writes Groom.

The book’s nine sections are prefaced by dreamlike photomontages (reproduced in high definition here) which reflect, illuminate and converse with the verbal content.

Upon publication, "Aveux non Avenus" simply baffled all but a few of Cahun’s friends and admirers, leading Cahun to describe herself as, ‘An unwanted Cassandra’.

Now, however, is the time of the remarkably prescient Cahun and Moore. [...]

👉 Come and meet @antennebooks at #OffprintLondon2026!

🗓️ May 15-17
📍180 Studios (@180.studios), 180 The Strand, London

#offprint #offprintlondon #offprintlondon2026 #180studios
📸 © @antennebooks

This year at Offprint London: Antenne Books

📌 "Cancelled Confessions" by Claude Cahun
Edited by Thin Man Press (@thinmanpress5)

#repost

"Cancelled Confessions" reveals Claude Cahun to be a major surrealist writer and pioneering queer theorist almost a century ahead of her time.
‘The re-appearance of this glittering and dissenting semi-lost epic is a gift… Cahun’s writing is stylish, playful and prescient, peopled with angel slang, flowering disavowals, God’s lipstick and an infinite layering of masks.’ Daisy Lafarge, author.

In 1930, Claude Cahun (born Lucy Schwob) and her partner, artist Marcel Moore (born Suzanne Malherbe) published their surrealist masterpiece, Aveux non Avenus, translated here as "Cancelled Confessions" and available in English for the first time in twenty years. Susan de Muth’s revised translation of "Cancelled Confessions" has a new introduction by art historian Amelia Groom which contextualizes it within contemporary queer discourse.

‘It’s a surrealist, trans, queer, autofiction, (anti)memoir, and also none of those things. It’s a text, and a life, felt as connection and at the same time completely singular.’ McKenzie Wark, author.

‘The kaleidoscopic text is pieced together from diverse fragments… there are philosophical and subversive theological musings, aphorisms and fables, letters and dialogues, dreams and hymns, nightmares and jokes,’ writes Groom.

The book’s nine sections are prefaced by dreamlike photomontages (reproduced in high definition here) which reflect, illuminate and converse with the verbal content.

Upon publication, "Aveux non Avenus" simply baffled all but a few of Cahun’s friends and admirers, leading Cahun to describe herself as, ‘An unwanted Cassandra’.

Now, however, is the time of the remarkably prescient Cahun and Moore. [...]

👉 Come and meet @antennebooks at #OffprintLondon2026!

🗓️ May 15-17
📍180 Studios (@180.studios), 180 The Strand, London

#offprint #offprintlondon #offprintlondon2026 #180studios
📸 © @antennebooks

This year at Offprint London: Antenne Books

📌 "Cancelled Confessions" by Claude Cahun
Edited by Thin Man Press (@thinmanpress5)

#repost

"Cancelled Confessions" reveals Claude Cahun to be a major surrealist writer and pioneering queer theorist almost a century ahead of her time.
‘The re-appearance of this glittering and dissenting semi-lost epic is a gift… Cahun’s writing is stylish, playful and prescient, peopled with angel slang, flowering disavowals, God’s lipstick and an infinite layering of masks.’ Daisy Lafarge, author.

In 1930, Claude Cahun (born Lucy Schwob) and her partner, artist Marcel Moore (born Suzanne Malherbe) published their surrealist masterpiece, Aveux non Avenus, translated here as "Cancelled Confessions" and available in English for the first time in twenty years. Susan de Muth’s revised translation of "Cancelled Confessions" has a new introduction by art historian Amelia Groom which contextualizes it within contemporary queer discourse.

‘It’s a surrealist, trans, queer, autofiction, (anti)memoir, and also none of those things. It’s a text, and a life, felt as connection and at the same time completely singular.’ McKenzie Wark, author.

‘The kaleidoscopic text is pieced together from diverse fragments… there are philosophical and subversive theological musings, aphorisms and fables, letters and dialogues, dreams and hymns, nightmares and jokes,’ writes Groom.

The book’s nine sections are prefaced by dreamlike photomontages (reproduced in high definition here) which reflect, illuminate and converse with the verbal content.

Upon publication, "Aveux non Avenus" simply baffled all but a few of Cahun’s friends and admirers, leading Cahun to describe herself as, ‘An unwanted Cassandra’.

Now, however, is the time of the remarkably prescient Cahun and Moore. [...]

👉 Come and meet @antennebooks at #OffprintLondon2026!

🗓️ May 15-17
📍180 Studios (@180.studios), 180 The Strand, London

#offprint #offprintlondon #offprintlondon2026 #180studios
📸 © @antennebooks

This year at Offprint London: Antenne Books

📌 "Cancelled Confessions" by Claude Cahun
Edited by Thin Man Press (@thinmanpress5)

#repost

"Cancelled Confessions" reveals Claude Cahun to be a major surrealist writer and pioneering queer theorist almost a century ahead of her time.
‘The re-appearance of this glittering and dissenting semi-lost epic is a gift… Cahun’s writing is stylish, playful and prescient, peopled with angel slang, flowering disavowals, God’s lipstick and an infinite layering of masks.’ Daisy Lafarge, author.

In 1930, Claude Cahun (born Lucy Schwob) and her partner, artist Marcel Moore (born Suzanne Malherbe) published their surrealist masterpiece, Aveux non Avenus, translated here as "Cancelled Confessions" and available in English for the first time in twenty years. Susan de Muth’s revised translation of "Cancelled Confessions" has a new introduction by art historian Amelia Groom which contextualizes it within contemporary queer discourse.

‘It’s a surrealist, trans, queer, autofiction, (anti)memoir, and also none of those things. It’s a text, and a life, felt as connection and at the same time completely singular.’ McKenzie Wark, author.

‘The kaleidoscopic text is pieced together from diverse fragments… there are philosophical and subversive theological musings, aphorisms and fables, letters and dialogues, dreams and hymns, nightmares and jokes,’ writes Groom.

The book’s nine sections are prefaced by dreamlike photomontages (reproduced in high definition here) which reflect, illuminate and converse with the verbal content.

Upon publication, "Aveux non Avenus" simply baffled all but a few of Cahun’s friends and admirers, leading Cahun to describe herself as, ‘An unwanted Cassandra’.

Now, however, is the time of the remarkably prescient Cahun and Moore. [...]

👉 Come and meet @antennebooks at #OffprintLondon2026!

🗓️ May 15-17
📍180 Studios (@180.studios), 180 The Strand, London

#offprint #offprintlondon #offprintlondon2026 #180studios
📸 © @antennebooks

This year at Offprint London: ZOLO PRESS

📌 "OREN PINHASSI"

#repost

OREN PINHASSI—THE ARTIST’S EPONYMOUS FIRST MONOGRAPH—IS AVAILABLE FOR PRE-ORDER!

The publication was produced on the occasion of:
Oren Pinhassi: Into Your Arm’s Length
March 31–August 8, 2026
The Arts Club of Chicago
Curated by Janine Mileaf

Special thanks to Alyce Mahon for her beautiful essay and to Janine Mileaf for her great exhibition text ❣️

#OrenPinhassi
@oren_pinhassi
@alycemahon
@artsclubchicago
@jmileaf
@commonwealthandcouncil
@edelassanti
@lehmannmaupin

👉 Come and meet @zolo.press at #OffprintLondon2026!

🗓️ May 15-17
📍180 Studios (@180.studios), 180 The Strand, London

#offprint #offprintlondon #offprintlondon2026 #180studios
📸 © @oren_pinhassi

This year at Offprint London: ZOLO PRESS

📌 "OREN PINHASSI"

#repost

OREN PINHASSI—THE ARTIST’S EPONYMOUS FIRST MONOGRAPH—IS AVAILABLE FOR PRE-ORDER!

The publication was produced on the occasion of:
Oren Pinhassi: Into Your Arm’s Length
March 31–August 8, 2026
The Arts Club of Chicago
Curated by Janine Mileaf

Special thanks to Alyce Mahon for her beautiful essay and to Janine Mileaf for her great exhibition text ❣️

#OrenPinhassi
@oren_pinhassi
@alycemahon
@artsclubchicago
@jmileaf
@commonwealthandcouncil
@edelassanti
@lehmannmaupin

👉 Come and meet @zolo.press at #OffprintLondon2026!

🗓️ May 15-17
📍180 Studios (@180.studios), 180 The Strand, London

#offprint #offprintlondon #offprintlondon2026 #180studios
📸 © @oren_pinhassi

This year at Offprint London: ZOLO PRESS

📌 "OREN PINHASSI"

#repost

OREN PINHASSI—THE ARTIST’S EPONYMOUS FIRST MONOGRAPH—IS AVAILABLE FOR PRE-ORDER!

The publication was produced on the occasion of:
Oren Pinhassi: Into Your Arm’s Length
March 31–August 8, 2026
The Arts Club of Chicago
Curated by Janine Mileaf

Special thanks to Alyce Mahon for her beautiful essay and to Janine Mileaf for her great exhibition text ❣️

#OrenPinhassi
@oren_pinhassi
@alycemahon
@artsclubchicago
@jmileaf
@commonwealthandcouncil
@edelassanti
@lehmannmaupin

👉 Come and meet @zolo.press at #OffprintLondon2026!

🗓️ May 15-17
📍180 Studios (@180.studios), 180 The Strand, London

#offprint #offprintlondon #offprintlondon2026 #180studios
📸 © @oren_pinhassi

This year at Offprint London: ZOLO PRESS

📌 "OREN PINHASSI"

#repost

OREN PINHASSI—THE ARTIST’S EPONYMOUS FIRST MONOGRAPH—IS AVAILABLE FOR PRE-ORDER!

The publication was produced on the occasion of:
Oren Pinhassi: Into Your Arm’s Length
March 31–August 8, 2026
The Arts Club of Chicago
Curated by Janine Mileaf

Special thanks to Alyce Mahon for her beautiful essay and to Janine Mileaf for her great exhibition text ❣️

#OrenPinhassi
@oren_pinhassi
@alycemahon
@artsclubchicago
@jmileaf
@commonwealthandcouncil
@edelassanti
@lehmannmaupin

👉 Come and meet @zolo.press at #OffprintLondon2026!

🗓️ May 15-17
📍180 Studios (@180.studios), 180 The Strand, London

#offprint #offprintlondon #offprintlondon2026 #180studios
📸 © @oren_pinhassi

This year at Offprint London: ZOLO PRESS

📌 "OREN PINHASSI"

#repost

OREN PINHASSI—THE ARTIST’S EPONYMOUS FIRST MONOGRAPH—IS AVAILABLE FOR PRE-ORDER!

The publication was produced on the occasion of:
Oren Pinhassi: Into Your Arm’s Length
March 31–August 8, 2026
The Arts Club of Chicago
Curated by Janine Mileaf

Special thanks to Alyce Mahon for her beautiful essay and to Janine Mileaf for her great exhibition text ❣️

#OrenPinhassi
@oren_pinhassi
@alycemahon
@artsclubchicago
@jmileaf
@commonwealthandcouncil
@edelassanti
@lehmannmaupin

👉 Come and meet @zolo.press at #OffprintLondon2026!

🗓️ May 15-17
📍180 Studios (@180.studios), 180 The Strand, London

#offprint #offprintlondon #offprintlondon2026 #180studios
📸 © @oren_pinhassi

This year at Offprint London: ZOLO PRESS

📌 "OREN PINHASSI"

#repost

OREN PINHASSI—THE ARTIST’S EPONYMOUS FIRST MONOGRAPH—IS AVAILABLE FOR PRE-ORDER!

The publication was produced on the occasion of:
Oren Pinhassi: Into Your Arm’s Length
March 31–August 8, 2026
The Arts Club of Chicago
Curated by Janine Mileaf

Special thanks to Alyce Mahon for her beautiful essay and to Janine Mileaf for her great exhibition text ❣️

#OrenPinhassi
@oren_pinhassi
@alycemahon
@artsclubchicago
@jmileaf
@commonwealthandcouncil
@edelassanti
@lehmannmaupin

👉 Come and meet @zolo.press at #OffprintLondon2026!

🗓️ May 15-17
📍180 Studios (@180.studios), 180 The Strand, London

#offprint #offprintlondon #offprintlondon2026 #180studios
📸 © @oren_pinhassi

This year at Offprint London: ZOLO PRESS

📌 "OREN PINHASSI"

#repost

OREN PINHASSI—THE ARTIST’S EPONYMOUS FIRST MONOGRAPH—IS AVAILABLE FOR PRE-ORDER!

The publication was produced on the occasion of:
Oren Pinhassi: Into Your Arm’s Length
March 31–August 8, 2026
The Arts Club of Chicago
Curated by Janine Mileaf

Special thanks to Alyce Mahon for her beautiful essay and to Janine Mileaf for her great exhibition text ❣️

#OrenPinhassi
@oren_pinhassi
@alycemahon
@artsclubchicago
@jmileaf
@commonwealthandcouncil
@edelassanti
@lehmannmaupin

👉 Come and meet @zolo.press at #OffprintLondon2026!

🗓️ May 15-17
📍180 Studios (@180.studios), 180 The Strand, London

#offprint #offprintlondon #offprintlondon2026 #180studios
📸 © @oren_pinhassi

This year at Offprint London: The Slow Grind

📌 "Storms aren't Sexy"

#repost

An A6 Risograph zine printed in Green, Aqua and Black.

Created in a collaboration between PageMasters and @theslowgrind.world, Storms is full of gorgeous illustrations and important facts and findings that draw attention to the ongoing climate crisis that is impacting Caribbean Nations and SIDS (Small Island Developing States) right now.

These islands are on the frontline of environmental degradation, extreme weather patterns and are in a tireless cycle of economic dependency with the West. IT AIN’T ON!!!!!!

This will be reprinted this Summer, but there are five copies left in the shop.

👉 Come and meet @theslowgrind.world at #OffprintLondon2026!

🗓️ May 15-17
📍180 Studios (@180.studios), 180 The Strand, London

#offprint #offprintlondon #offprintlondon2026 #180studios
📸 © @pagemasters.co

This year at Offprint London: Isolarii

📌 "AH!MERICA" by Allen Ginsberg

#repost

Psyched to announce a very cool new posthumous Allen Ginsberg book!

AH!MERICA gathers Allen's Naropa lectures on William Blake, edited from the original audio archives. The hope is it's a guide for not losing your mind, or attention, in contemporary America.

The core of it is about what 'attention' meant to him: the line as breath, "minute particulars," the practice of noticing what you've trained yourself to pass over.

From the editors @_isolarii_ and team: "We started with a close line edit to make Allen's spoken cadence readable on the page—without cleaning him up. Blake is the spine, especially 'double vision': the material world and its deeper, spiritual dimension at once. We also kept in view the writers Allen returns to as touchstones—Williams, Whitman, Reznikoff—because you can hear him thinking through them. One sentence of his kept surfacing: 'You don't have to be right. All you have to do is be candid.'"

Available from @_isolarii_

👉 Come and meet @_isolarii_ at #OffprintLondon2026!

🗓️ May 15-17
📍180 Studios (@180.studios), 180 The Strand, London

#offprint #offprintlondon #offprintlondon2026 #180studios
📸 © @allenginsbergofficial