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After years of turning emotion into melody, @matthewifield is decidedly less interested in writing songs people can simply throw on in the background. Instead, he’s far more invested in creating music that asks something deeper of its listener. “The world has too many simple love songs,” he says plainly. “It should be focused more on very specific concepts and ideas.”

Fresh off performing at The Great Escape during his first “proper” trip to the UK and about to embark on his Close To Your Heart Tour, Ifield speaks with the quiet thoughtfulness of someone becoming increasingly aware of what he wants his art to do emotionally as much as sonically. The shift is especially evident in his newest release ‘Thinking’, an intimate release that trades polished simplicity for emotional precision. “The night before releasing, I remember being pretty nervous,” he admits. “What the song was about was pretty difficult to listen to casually.”

Full article
LINK IN BIO

Interview & words by @rlcln

Editor in Chief @macami__
Managing Director: @ngowyn
Visual Director: @davzzzon
Content: @kimberley.jonji

Creative Direction / Production @macami__
Photography @davzzzon
Styling @yuzhenw.info
Hair @darenborthwick
Makeup @cherrycheungmakeup
Production Assist @rlcln
Digi @ashmountford
Photo Assist @vadagock @photojayb

Wearing @gentlemonster @xiwustudio @eidanceilidh_ @goldengoose @connor.lv.brown @josephcbotica manfred__wong @harlinjones

#draftmagazine #musicfeature

After years of turning emotion into melody, @matthewifield is decidedly less interested in writing songs people can simply throw on in the background. Instead, he’s far more invested in creating music that asks something deeper of its listener. “The world has too many simple love songs,” he says plainly. “It should be focused more on very specific concepts and ideas.”

Fresh off performing at The Great Escape during his first “proper” trip to the UK and about to embark on his Close To Your Heart Tour, Ifield speaks with the quiet thoughtfulness of someone becoming increasingly aware of what he wants his art to do emotionally as much as sonically. The shift is especially evident in his newest release ‘Thinking’, an intimate release that trades polished simplicity for emotional precision. “The night before releasing, I remember being pretty nervous,” he admits. “What the song was about was pretty difficult to listen to casually.”

Full article
LINK IN BIO

Interview & words by @rlcln

Editor in Chief @macami__
Managing Director: @ngowyn
Visual Director: @davzzzon
Content: @kimberley.jonji

Creative Direction / Production @macami__
Photography @davzzzon
Styling @yuzhenw.info
Hair @darenborthwick
Makeup @cherrycheungmakeup
Production Assist @rlcln
Digi @ashmountford
Photo Assist @vadagock @photojayb

Wearing @gentlemonster @xiwustudio @eidanceilidh_ @goldengoose @connor.lv.brown @josephcbotica manfred__wong @harlinjones

#draftmagazine #musicfeature

After years of turning emotion into melody, @matthewifield is decidedly less interested in writing songs people can simply throw on in the background. Instead, he’s far more invested in creating music that asks something deeper of its listener. “The world has too many simple love songs,” he says plainly. “It should be focused more on very specific concepts and ideas.”

Fresh off performing at The Great Escape during his first “proper” trip to the UK and about to embark on his Close To Your Heart Tour, Ifield speaks with the quiet thoughtfulness of someone becoming increasingly aware of what he wants his art to do emotionally as much as sonically. The shift is especially evident in his newest release ‘Thinking’, an intimate release that trades polished simplicity for emotional precision. “The night before releasing, I remember being pretty nervous,” he admits. “What the song was about was pretty difficult to listen to casually.”

Full article
LINK IN BIO

Interview & words by @rlcln

Editor in Chief @macami__
Managing Director: @ngowyn
Visual Director: @davzzzon
Content: @kimberley.jonji

Creative Direction / Production @macami__
Photography @davzzzon
Styling @yuzhenw.info
Hair @darenborthwick
Makeup @cherrycheungmakeup
Production Assist @rlcln
Digi @ashmountford
Photo Assist @vadagock @photojayb

Wearing @gentlemonster @xiwustudio @eidanceilidh_ @goldengoose @connor.lv.brown @josephcbotica manfred__wong @harlinjones

#draftmagazine #musicfeature

After years of turning emotion into melody, @matthewifield is decidedly less interested in writing songs people can simply throw on in the background. Instead, he’s far more invested in creating music that asks something deeper of its listener. “The world has too many simple love songs,” he says plainly. “It should be focused more on very specific concepts and ideas.”

Fresh off performing at The Great Escape during his first “proper” trip to the UK and about to embark on his Close To Your Heart Tour, Ifield speaks with the quiet thoughtfulness of someone becoming increasingly aware of what he wants his art to do emotionally as much as sonically. The shift is especially evident in his newest release ‘Thinking’, an intimate release that trades polished simplicity for emotional precision. “The night before releasing, I remember being pretty nervous,” he admits. “What the song was about was pretty difficult to listen to casually.”

Full article
LINK IN BIO

Interview & words by @rlcln

Editor in Chief @macami__
Managing Director: @ngowyn
Visual Director: @davzzzon
Content: @kimberley.jonji

Creative Direction / Production @macami__
Photography @davzzzon
Styling @yuzhenw.info
Hair @darenborthwick
Makeup @cherrycheungmakeup
Production Assist @rlcln
Digi @ashmountford
Photo Assist @vadagock @photojayb

Wearing @gentlemonster @xiwustudio @eidanceilidh_ @goldengoose @connor.lv.brown @josephcbotica manfred__wong @harlinjones

#draftmagazine #musicfeature

After years of turning emotion into melody, @matthewifield is decidedly less interested in writing songs people can simply throw on in the background. Instead, he’s far more invested in creating music that asks something deeper of its listener. “The world has too many simple love songs,” he says plainly. “It should be focused more on very specific concepts and ideas.”

Fresh off performing at The Great Escape during his first “proper” trip to the UK and about to embark on his Close To Your Heart Tour, Ifield speaks with the quiet thoughtfulness of someone becoming increasingly aware of what he wants his art to do emotionally as much as sonically. The shift is especially evident in his newest release ‘Thinking’, an intimate release that trades polished simplicity for emotional precision. “The night before releasing, I remember being pretty nervous,” he admits. “What the song was about was pretty difficult to listen to casually.”

Full article
LINK IN BIO

Interview & words by @rlcln

Editor in Chief @macami__
Managing Director: @ngowyn
Visual Director: @davzzzon
Content: @kimberley.jonji

Creative Direction / Production @macami__
Photography @davzzzon
Styling @yuzhenw.info
Hair @darenborthwick
Makeup @cherrycheungmakeup
Production Assist @rlcln
Digi @ashmountford
Photo Assist @vadagock @photojayb

Wearing @gentlemonster @xiwustudio @eidanceilidh_ @goldengoose @connor.lv.brown @josephcbotica manfred__wong @harlinjones

#draftmagazine #musicfeature

After years of turning emotion into melody, @matthewifield is decidedly less interested in writing songs people can simply throw on in the background. Instead, he’s far more invested in creating music that asks something deeper of its listener. “The world has too many simple love songs,” he says plainly. “It should be focused more on very specific concepts and ideas.”

Fresh off performing at The Great Escape during his first “proper” trip to the UK and about to embark on his Close To Your Heart Tour, Ifield speaks with the quiet thoughtfulness of someone becoming increasingly aware of what he wants his art to do emotionally as much as sonically. The shift is especially evident in his newest release ‘Thinking’, an intimate release that trades polished simplicity for emotional precision. “The night before releasing, I remember being pretty nervous,” he admits. “What the song was about was pretty difficult to listen to casually.”

Full article
LINK IN BIO

Interview & words by @rlcln

Editor in Chief @macami__
Managing Director: @ngowyn
Visual Director: @davzzzon
Content: @kimberley.jonji

Creative Direction / Production @macami__
Photography @davzzzon
Styling @yuzhenw.info
Hair @darenborthwick
Makeup @cherrycheungmakeup
Production Assist @rlcln
Digi @ashmountford
Photo Assist @vadagock @photojayb

Wearing @gentlemonster @xiwustudio @eidanceilidh_ @goldengoose @connor.lv.brown @josephcbotica manfred__wong @harlinjones

#draftmagazine #musicfeature

After years of turning emotion into melody, @matthewifield is decidedly less interested in writing songs people can simply throw on in the background. Instead, he’s far more invested in creating music that asks something deeper of its listener. “The world has too many simple love songs,” he says plainly. “It should be focused more on very specific concepts and ideas.”

Fresh off performing at The Great Escape during his first “proper” trip to the UK and about to embark on his Close To Your Heart Tour, Ifield speaks with the quiet thoughtfulness of someone becoming increasingly aware of what he wants his art to do emotionally as much as sonically. The shift is especially evident in his newest release ‘Thinking’, an intimate release that trades polished simplicity for emotional precision. “The night before releasing, I remember being pretty nervous,” he admits. “What the song was about was pretty difficult to listen to casually.”

Full article
LINK IN BIO

Interview & words by @rlcln

Editor in Chief @macami__
Managing Director: @ngowyn
Visual Director: @davzzzon
Content: @kimberley.jonji

Creative Direction / Production @macami__
Photography @davzzzon
Styling @yuzhenw.info
Hair @darenborthwick
Makeup @cherrycheungmakeup
Production Assist @rlcln
Digi @ashmountford
Photo Assist @vadagock @photojayb

Wearing @gentlemonster @xiwustudio @eidanceilidh_ @goldengoose @connor.lv.brown @josephcbotica manfred__wong @harlinjones

#draftmagazine #musicfeature

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After wrapping a particularly grueling (but fab!) fashion week schedule, I was convinced that nothing much else about a runway could surprise me…

Boy, was I wrong.

Enter: Doré. The fashion-turned theatre production spectacular from Sydney designer Paris Jade Burrows. Designed to transport its audience through the nine concentric layers of hell and back, it sounds almost painful to describe a show in this way. And at some points it was, as strong themes and acts sent ripples of unease through the crowd. Doré was far more than a downward spiral through limbo, lust, gluttony, greed, wrath, heresy, violence, fraud and treachery: it was a tour through the darkest parts of the human psyche shrouded in gothic beauty. @parisjadeburrows

Full Article
LINK IN BIO

Words by @rlcln
Images by @davzzzon

Designer @parisjadeburrows
Director @dionysus__________
Head of Operations @jeanswearer
Lighting Designer @1z0bel
Sound Designer @dahyomusic
Makeup Director @tatianaroseart

Design Assistants/Dressers @chiara.voigt_ @caseyjeanniev @gamzeuzunlar_ @a.licenguyen @bloodsacrif_ @clare.pooley @moderndayweezus @matt.spillane @pixie.ditchs.petri.dish @kionarei @fio_arh @emilyglascott @niinao__
Makeup Artists @yasminekeong @pammdoro @abbeyhardwickmakeup @looks_by_rosa @enhancedbypayton @tritran_makeup @sydtaeko
LX assistant @pppytwnsnd

Cast
@richardjamesallen @juliette_coleman @_maddiemoore @m.lin_05 @_caaitlingreen @keeshahhh @mikeysakinofsky @lilian.a.valverde_ @kimberley.jonjin @lachstarzz @eviekorver @franchesxkaa @strobebby @jfryerhornsby @ziggyresnick @saxon_dx @kaidyn_hovermann @fionameara @k11eraa @chloelangbein @a.m.mcqueen @cor1nxa @noah_barratt @lucylock_ @ellaking.jpg @lolas.pdf @gnimaaasags @caseyjeanniev @tulsiiprasad sam.j.martin @7udas___ @u.should.coco @leamaitena @angusdellabosca

#fashion #parisjadeburrow #draftmagazine

After wrapping a particularly grueling (but fab!) fashion week schedule, I was convinced that nothing much else about a runway could surprise me…

Boy, was I wrong.

Enter: Doré. The fashion-turned theatre production spectacular from Sydney designer Paris Jade Burrows. Designed to transport its audience through the nine concentric layers of hell and back, it sounds almost painful to describe a show in this way. And at some points it was, as strong themes and acts sent ripples of unease through the crowd. Doré was far more than a downward spiral through limbo, lust, gluttony, greed, wrath, heresy, violence, fraud and treachery: it was a tour through the darkest parts of the human psyche shrouded in gothic beauty. @parisjadeburrows

Full Article
LINK IN BIO

Words by @rlcln
Images by @davzzzon

Designer @parisjadeburrows
Director @dionysus__________
Head of Operations @jeanswearer
Lighting Designer @1z0bel
Sound Designer @dahyomusic
Makeup Director @tatianaroseart

Design Assistants/Dressers @chiara.voigt_ @caseyjeanniev @gamzeuzunlar_ @a.licenguyen @bloodsacrif_ @clare.pooley @moderndayweezus @matt.spillane @pixie.ditchs.petri.dish @kionarei @fio_arh @emilyglascott @niinao__
Makeup Artists @yasminekeong @pammdoro @abbeyhardwickmakeup @looks_by_rosa @enhancedbypayton @tritran_makeup @sydtaeko
LX assistant @pppytwnsnd

Cast
@richardjamesallen @juliette_coleman @_maddiemoore @m.lin_05 @_caaitlingreen @keeshahhh @mikeysakinofsky @lilian.a.valverde_ @kimberley.jonjin @lachstarzz @eviekorver @franchesxkaa @strobebby @jfryerhornsby @ziggyresnick @saxon_dx @kaidyn_hovermann @fionameara @k11eraa @chloelangbein @a.m.mcqueen @cor1nxa @noah_barratt @lucylock_ @ellaking.jpg @lolas.pdf @gnimaaasags @caseyjeanniev @tulsiiprasad sam.j.martin @7udas___ @u.should.coco @leamaitena @angusdellabosca

#fashion #parisjadeburrow #draftmagazine

After wrapping a particularly grueling (but fab!) fashion week schedule, I was convinced that nothing much else about a runway could surprise me…

Boy, was I wrong.

Enter: Doré. The fashion-turned theatre production spectacular from Sydney designer Paris Jade Burrows. Designed to transport its audience through the nine concentric layers of hell and back, it sounds almost painful to describe a show in this way. And at some points it was, as strong themes and acts sent ripples of unease through the crowd. Doré was far more than a downward spiral through limbo, lust, gluttony, greed, wrath, heresy, violence, fraud and treachery: it was a tour through the darkest parts of the human psyche shrouded in gothic beauty. @parisjadeburrows

Full Article
LINK IN BIO

Words by @rlcln
Images by @davzzzon

Designer @parisjadeburrows
Director @dionysus__________
Head of Operations @jeanswearer
Lighting Designer @1z0bel
Sound Designer @dahyomusic
Makeup Director @tatianaroseart

Design Assistants/Dressers @chiara.voigt_ @caseyjeanniev @gamzeuzunlar_ @a.licenguyen @bloodsacrif_ @clare.pooley @moderndayweezus @matt.spillane @pixie.ditchs.petri.dish @kionarei @fio_arh @emilyglascott @niinao__
Makeup Artists @yasminekeong @pammdoro @abbeyhardwickmakeup @looks_by_rosa @enhancedbypayton @tritran_makeup @sydtaeko
LX assistant @pppytwnsnd

Cast
@richardjamesallen @juliette_coleman @_maddiemoore @m.lin_05 @_caaitlingreen @keeshahhh @mikeysakinofsky @lilian.a.valverde_ @kimberley.jonjin @lachstarzz @eviekorver @franchesxkaa @strobebby @jfryerhornsby @ziggyresnick @saxon_dx @kaidyn_hovermann @fionameara @k11eraa @chloelangbein @a.m.mcqueen @cor1nxa @noah_barratt @lucylock_ @ellaking.jpg @lolas.pdf @gnimaaasags @caseyjeanniev @tulsiiprasad sam.j.martin @7udas___ @u.should.coco @leamaitena @angusdellabosca

#fashion #parisjadeburrow #draftmagazine

After wrapping a particularly grueling (but fab!) fashion week schedule, I was convinced that nothing much else about a runway could surprise me…

Boy, was I wrong.

Enter: Doré. The fashion-turned theatre production spectacular from Sydney designer Paris Jade Burrows. Designed to transport its audience through the nine concentric layers of hell and back, it sounds almost painful to describe a show in this way. And at some points it was, as strong themes and acts sent ripples of unease through the crowd. Doré was far more than a downward spiral through limbo, lust, gluttony, greed, wrath, heresy, violence, fraud and treachery: it was a tour through the darkest parts of the human psyche shrouded in gothic beauty. @parisjadeburrows

Full Article
LINK IN BIO

Words by @rlcln
Images by @davzzzon

Designer @parisjadeburrows
Director @dionysus__________
Head of Operations @jeanswearer
Lighting Designer @1z0bel
Sound Designer @dahyomusic
Makeup Director @tatianaroseart

Design Assistants/Dressers @chiara.voigt_ @caseyjeanniev @gamzeuzunlar_ @a.licenguyen @bloodsacrif_ @clare.pooley @moderndayweezus @matt.spillane @pixie.ditchs.petri.dish @kionarei @fio_arh @emilyglascott @niinao__
Makeup Artists @yasminekeong @pammdoro @abbeyhardwickmakeup @looks_by_rosa @enhancedbypayton @tritran_makeup @sydtaeko
LX assistant @pppytwnsnd

Cast
@richardjamesallen @juliette_coleman @_maddiemoore @m.lin_05 @_caaitlingreen @keeshahhh @mikeysakinofsky @lilian.a.valverde_ @kimberley.jonjin @lachstarzz @eviekorver @franchesxkaa @strobebby @jfryerhornsby @ziggyresnick @saxon_dx @kaidyn_hovermann @fionameara @k11eraa @chloelangbein @a.m.mcqueen @cor1nxa @noah_barratt @lucylock_ @ellaking.jpg @lolas.pdf @gnimaaasags @caseyjeanniev @tulsiiprasad sam.j.martin @7udas___ @u.should.coco @leamaitena @angusdellabosca

#fashion #parisjadeburrow #draftmagazine

After wrapping a particularly grueling (but fab!) fashion week schedule, I was convinced that nothing much else about a runway could surprise me…

Boy, was I wrong.

Enter: Doré. The fashion-turned theatre production spectacular from Sydney designer Paris Jade Burrows. Designed to transport its audience through the nine concentric layers of hell and back, it sounds almost painful to describe a show in this way. And at some points it was, as strong themes and acts sent ripples of unease through the crowd. Doré was far more than a downward spiral through limbo, lust, gluttony, greed, wrath, heresy, violence, fraud and treachery: it was a tour through the darkest parts of the human psyche shrouded in gothic beauty. @parisjadeburrows

Full Article
LINK IN BIO

Words by @rlcln
Images by @davzzzon

Designer @parisjadeburrows
Director @dionysus__________
Head of Operations @jeanswearer
Lighting Designer @1z0bel
Sound Designer @dahyomusic
Makeup Director @tatianaroseart

Design Assistants/Dressers @chiara.voigt_ @caseyjeanniev @gamzeuzunlar_ @a.licenguyen @bloodsacrif_ @clare.pooley @moderndayweezus @matt.spillane @pixie.ditchs.petri.dish @kionarei @fio_arh @emilyglascott @niinao__
Makeup Artists @yasminekeong @pammdoro @abbeyhardwickmakeup @looks_by_rosa @enhancedbypayton @tritran_makeup @sydtaeko
LX assistant @pppytwnsnd

Cast
@richardjamesallen @juliette_coleman @_maddiemoore @m.lin_05 @_caaitlingreen @keeshahhh @mikeysakinofsky @lilian.a.valverde_ @kimberley.jonjin @lachstarzz @eviekorver @franchesxkaa @strobebby @jfryerhornsby @ziggyresnick @saxon_dx @kaidyn_hovermann @fionameara @k11eraa @chloelangbein @a.m.mcqueen @cor1nxa @noah_barratt @lucylock_ @ellaking.jpg @lolas.pdf @gnimaaasags @caseyjeanniev @tulsiiprasad sam.j.martin @7udas___ @u.should.coco @leamaitena @angusdellabosca

#fashion #parisjadeburrow #draftmagazine

After wrapping a particularly grueling (but fab!) fashion week schedule, I was convinced that nothing much else about a runway could surprise me…

Boy, was I wrong.

Enter: Doré. The fashion-turned theatre production spectacular from Sydney designer Paris Jade Burrows. Designed to transport its audience through the nine concentric layers of hell and back, it sounds almost painful to describe a show in this way. And at some points it was, as strong themes and acts sent ripples of unease through the crowd. Doré was far more than a downward spiral through limbo, lust, gluttony, greed, wrath, heresy, violence, fraud and treachery: it was a tour through the darkest parts of the human psyche shrouded in gothic beauty. @parisjadeburrows

Full Article
LINK IN BIO

Words by @rlcln
Images by @davzzzon

Designer @parisjadeburrows
Director @dionysus__________
Head of Operations @jeanswearer
Lighting Designer @1z0bel
Sound Designer @dahyomusic
Makeup Director @tatianaroseart

Design Assistants/Dressers @chiara.voigt_ @caseyjeanniev @gamzeuzunlar_ @a.licenguyen @bloodsacrif_ @clare.pooley @moderndayweezus @matt.spillane @pixie.ditchs.petri.dish @kionarei @fio_arh @emilyglascott @niinao__
Makeup Artists @yasminekeong @pammdoro @abbeyhardwickmakeup @looks_by_rosa @enhancedbypayton @tritran_makeup @sydtaeko
LX assistant @pppytwnsnd

Cast
@richardjamesallen @juliette_coleman @_maddiemoore @m.lin_05 @_caaitlingreen @keeshahhh @mikeysakinofsky @lilian.a.valverde_ @kimberley.jonjin @lachstarzz @eviekorver @franchesxkaa @strobebby @jfryerhornsby @ziggyresnick @saxon_dx @kaidyn_hovermann @fionameara @k11eraa @chloelangbein @a.m.mcqueen @cor1nxa @noah_barratt @lucylock_ @ellaking.jpg @lolas.pdf @gnimaaasags @caseyjeanniev @tulsiiprasad sam.j.martin @7udas___ @u.should.coco @leamaitena @angusdellabosca

#fashion #parisjadeburrow #draftmagazine

After wrapping a particularly grueling (but fab!) fashion week schedule, I was convinced that nothing much else about a runway could surprise me…

Boy, was I wrong.

Enter: Doré. The fashion-turned theatre production spectacular from Sydney designer Paris Jade Burrows. Designed to transport its audience through the nine concentric layers of hell and back, it sounds almost painful to describe a show in this way. And at some points it was, as strong themes and acts sent ripples of unease through the crowd. Doré was far more than a downward spiral through limbo, lust, gluttony, greed, wrath, heresy, violence, fraud and treachery: it was a tour through the darkest parts of the human psyche shrouded in gothic beauty. @parisjadeburrows

Full Article
LINK IN BIO

Words by @rlcln
Images by @davzzzon

Designer @parisjadeburrows
Director @dionysus__________
Head of Operations @jeanswearer
Lighting Designer @1z0bel
Sound Designer @dahyomusic
Makeup Director @tatianaroseart

Design Assistants/Dressers @chiara.voigt_ @caseyjeanniev @gamzeuzunlar_ @a.licenguyen @bloodsacrif_ @clare.pooley @moderndayweezus @matt.spillane @pixie.ditchs.petri.dish @kionarei @fio_arh @emilyglascott @niinao__
Makeup Artists @yasminekeong @pammdoro @abbeyhardwickmakeup @looks_by_rosa @enhancedbypayton @tritran_makeup @sydtaeko
LX assistant @pppytwnsnd

Cast
@richardjamesallen @juliette_coleman @_maddiemoore @m.lin_05 @_caaitlingreen @keeshahhh @mikeysakinofsky @lilian.a.valverde_ @kimberley.jonjin @lachstarzz @eviekorver @franchesxkaa @strobebby @jfryerhornsby @ziggyresnick @saxon_dx @kaidyn_hovermann @fionameara @k11eraa @chloelangbein @a.m.mcqueen @cor1nxa @noah_barratt @lucylock_ @ellaking.jpg @lolas.pdf @gnimaaasags @caseyjeanniev @tulsiiprasad sam.j.martin @7udas___ @u.should.coco @leamaitena @angusdellabosca

#fashion #parisjadeburrow #draftmagazine

After wrapping a particularly grueling (but fab!) fashion week schedule, I was convinced that nothing much else about a runway could surprise me…

Boy, was I wrong.

Enter: Doré. The fashion-turned theatre production spectacular from Sydney designer Paris Jade Burrows. Designed to transport its audience through the nine concentric layers of hell and back, it sounds almost painful to describe a show in this way. And at some points it was, as strong themes and acts sent ripples of unease through the crowd. Doré was far more than a downward spiral through limbo, lust, gluttony, greed, wrath, heresy, violence, fraud and treachery: it was a tour through the darkest parts of the human psyche shrouded in gothic beauty. @parisjadeburrows

Full Article
LINK IN BIO

Words by @rlcln
Images by @davzzzon

Designer @parisjadeburrows
Director @dionysus__________
Head of Operations @jeanswearer
Lighting Designer @1z0bel
Sound Designer @dahyomusic
Makeup Director @tatianaroseart

Design Assistants/Dressers @chiara.voigt_ @caseyjeanniev @gamzeuzunlar_ @a.licenguyen @bloodsacrif_ @clare.pooley @moderndayweezus @matt.spillane @pixie.ditchs.petri.dish @kionarei @fio_arh @emilyglascott @niinao__
Makeup Artists @yasminekeong @pammdoro @abbeyhardwickmakeup @looks_by_rosa @enhancedbypayton @tritran_makeup @sydtaeko
LX assistant @pppytwnsnd

Cast
@richardjamesallen @juliette_coleman @_maddiemoore @m.lin_05 @_caaitlingreen @keeshahhh @mikeysakinofsky @lilian.a.valverde_ @kimberley.jonjin @lachstarzz @eviekorver @franchesxkaa @strobebby @jfryerhornsby @ziggyresnick @saxon_dx @kaidyn_hovermann @fionameara @k11eraa @chloelangbein @a.m.mcqueen @cor1nxa @noah_barratt @lucylock_ @ellaking.jpg @lolas.pdf @gnimaaasags @caseyjeanniev @tulsiiprasad sam.j.martin @7udas___ @u.should.coco @leamaitena @angusdellabosca

#fashion #parisjadeburrow #draftmagazine

After wrapping a particularly grueling (but fab!) fashion week schedule, I was convinced that nothing much else about a runway could surprise me…

Boy, was I wrong.

Enter: Doré. The fashion-turned theatre production spectacular from Sydney designer Paris Jade Burrows. Designed to transport its audience through the nine concentric layers of hell and back, it sounds almost painful to describe a show in this way. And at some points it was, as strong themes and acts sent ripples of unease through the crowd. Doré was far more than a downward spiral through limbo, lust, gluttony, greed, wrath, heresy, violence, fraud and treachery: it was a tour through the darkest parts of the human psyche shrouded in gothic beauty. @parisjadeburrows

Full Article
LINK IN BIO

Words by @rlcln
Images by @davzzzon

Designer @parisjadeburrows
Director @dionysus__________
Head of Operations @jeanswearer
Lighting Designer @1z0bel
Sound Designer @dahyomusic
Makeup Director @tatianaroseart

Design Assistants/Dressers @chiara.voigt_ @caseyjeanniev @gamzeuzunlar_ @a.licenguyen @bloodsacrif_ @clare.pooley @moderndayweezus @matt.spillane @pixie.ditchs.petri.dish @kionarei @fio_arh @emilyglascott @niinao__
Makeup Artists @yasminekeong @pammdoro @abbeyhardwickmakeup @looks_by_rosa @enhancedbypayton @tritran_makeup @sydtaeko
LX assistant @pppytwnsnd

Cast
@richardjamesallen @juliette_coleman @_maddiemoore @m.lin_05 @_caaitlingreen @keeshahhh @mikeysakinofsky @lilian.a.valverde_ @kimberley.jonjin @lachstarzz @eviekorver @franchesxkaa @strobebby @jfryerhornsby @ziggyresnick @saxon_dx @kaidyn_hovermann @fionameara @k11eraa @chloelangbein @a.m.mcqueen @cor1nxa @noah_barratt @lucylock_ @ellaking.jpg @lolas.pdf @gnimaaasags @caseyjeanniev @tulsiiprasad sam.j.martin @7udas___ @u.should.coco @leamaitena @angusdellabosca

#fashion #parisjadeburrow #draftmagazine

After wrapping a particularly grueling (but fab!) fashion week schedule, I was convinced that nothing much else about a runway could surprise me…

Boy, was I wrong.

Enter: Doré. The fashion-turned theatre production spectacular from Sydney designer Paris Jade Burrows. Designed to transport its audience through the nine concentric layers of hell and back, it sounds almost painful to describe a show in this way. And at some points it was, as strong themes and acts sent ripples of unease through the crowd. Doré was far more than a downward spiral through limbo, lust, gluttony, greed, wrath, heresy, violence, fraud and treachery: it was a tour through the darkest parts of the human psyche shrouded in gothic beauty. @parisjadeburrows

Full Article
LINK IN BIO

Words by @rlcln
Images by @davzzzon

Designer @parisjadeburrows
Director @dionysus__________
Head of Operations @jeanswearer
Lighting Designer @1z0bel
Sound Designer @dahyomusic
Makeup Director @tatianaroseart

Design Assistants/Dressers @chiara.voigt_ @caseyjeanniev @gamzeuzunlar_ @a.licenguyen @bloodsacrif_ @clare.pooley @moderndayweezus @matt.spillane @pixie.ditchs.petri.dish @kionarei @fio_arh @emilyglascott @niinao__
Makeup Artists @yasminekeong @pammdoro @abbeyhardwickmakeup @looks_by_rosa @enhancedbypayton @tritran_makeup @sydtaeko
LX assistant @pppytwnsnd

Cast
@richardjamesallen @juliette_coleman @_maddiemoore @m.lin_05 @_caaitlingreen @keeshahhh @mikeysakinofsky @lilian.a.valverde_ @kimberley.jonjin @lachstarzz @eviekorver @franchesxkaa @strobebby @jfryerhornsby @ziggyresnick @saxon_dx @kaidyn_hovermann @fionameara @k11eraa @chloelangbein @a.m.mcqueen @cor1nxa @noah_barratt @lucylock_ @ellaking.jpg @lolas.pdf @gnimaaasags @caseyjeanniev @tulsiiprasad sam.j.martin @7udas___ @u.should.coco @leamaitena @angusdellabosca

#fashion #parisjadeburrow #draftmagazine

After wrapping a particularly grueling (but fab!) fashion week schedule, I was convinced that nothing much else about a runway could surprise me…

Boy, was I wrong.

Enter: Doré. The fashion-turned theatre production spectacular from Sydney designer Paris Jade Burrows. Designed to transport its audience through the nine concentric layers of hell and back, it sounds almost painful to describe a show in this way. And at some points it was, as strong themes and acts sent ripples of unease through the crowd. Doré was far more than a downward spiral through limbo, lust, gluttony, greed, wrath, heresy, violence, fraud and treachery: it was a tour through the darkest parts of the human psyche shrouded in gothic beauty. @parisjadeburrows

Full Article
LINK IN BIO

Words by @rlcln
Images by @davzzzon

Designer @parisjadeburrows
Director @dionysus__________
Head of Operations @jeanswearer
Lighting Designer @1z0bel
Sound Designer @dahyomusic
Makeup Director @tatianaroseart

Design Assistants/Dressers @chiara.voigt_ @caseyjeanniev @gamzeuzunlar_ @a.licenguyen @bloodsacrif_ @clare.pooley @moderndayweezus @matt.spillane @pixie.ditchs.petri.dish @kionarei @fio_arh @emilyglascott @niinao__
Makeup Artists @yasminekeong @pammdoro @abbeyhardwickmakeup @looks_by_rosa @enhancedbypayton @tritran_makeup @sydtaeko
LX assistant @pppytwnsnd

Cast
@richardjamesallen @juliette_coleman @_maddiemoore @m.lin_05 @_caaitlingreen @keeshahhh @mikeysakinofsky @lilian.a.valverde_ @kimberley.jonjin @lachstarzz @eviekorver @franchesxkaa @strobebby @jfryerhornsby @ziggyresnick @saxon_dx @kaidyn_hovermann @fionameara @k11eraa @chloelangbein @a.m.mcqueen @cor1nxa @noah_barratt @lucylock_ @ellaking.jpg @lolas.pdf @gnimaaasags @caseyjeanniev @tulsiiprasad sam.j.martin @7udas___ @u.should.coco @leamaitena @angusdellabosca

#fashion #parisjadeburrow #draftmagazine

The people u meet along the way ❤️

The people u meet along the way ❤️

The people u meet along the way ❤️

The people u meet along the way ❤️

The people u meet along the way ❤️

The people u meet along the way ❤️

The people u meet along the way ❤️

The people u meet along the way ❤️

The people u meet along the way ❤️

The people u meet along the way ❤️

The people u meet along the way ❤️

The people u meet along the way ❤️

The people u meet along the way ❤️

The people u meet along the way ❤️

The people u meet along the way ❤️

The people u meet along the way ❤️

The people u meet along the way ❤️

The people u meet along the way ❤️

@first.nations.fashion.design On the eve of Australian Fashion Week 2026, members of Australia’s fashion community from all backgrounds gathered at Artspace to witness the excellence of First Nations fashion design at RECLAMATION. From a side-of-runway vantage point, the power and presence in the room was undeniable. Beyond being a triumphant display of craftsmanship and creativity, the show marked a historic continuation of the ancient Songlines that are sacred to the core of Aboriginal storytelling.

Marking a historic return (homecoming!?) to Sydney after a four year hiatus, First Nations Fashion and Design (FNFD) is an independent First Nations-lead platform created by mob for community with a mission to dismantle and rebuild the status quo to better celebrate and showcase Indigenous excellence. In the words of FNFD founder Grace Lillian Lee (the first Indigenous Australian to present a collection during Paris Couture Fashion Week!), the notion of reclamation is not simply about visibility within existing systems. “It is about dismantling those systems and rebuilding them on our terms. Our culture is not a trend, a reference point, or a resource. It is sovereign.”

Designers:

@tjarlirliart
@nungalacreative
@merrepenarts
@kingkingcreative
@mumred_the_label
@gracelillianlee

Full article
LINK IN BIO

Words by Clare Neal @rlcln

Editor in Chief @macami__
Managing Director @ngowyn
Visual Director @davzzzon

Photo by @davzzzon

#firstnationfashiondesign #runway #draftmagazine

@first.nations.fashion.design On the eve of Australian Fashion Week 2026, members of Australia’s fashion community from all backgrounds gathered at Artspace to witness the excellence of First Nations fashion design at RECLAMATION. From a side-of-runway vantage point, the power and presence in the room was undeniable. Beyond being a triumphant display of craftsmanship and creativity, the show marked a historic continuation of the ancient Songlines that are sacred to the core of Aboriginal storytelling.

Marking a historic return (homecoming!?) to Sydney after a four year hiatus, First Nations Fashion and Design (FNFD) is an independent First Nations-lead platform created by mob for community with a mission to dismantle and rebuild the status quo to better celebrate and showcase Indigenous excellence. In the words of FNFD founder Grace Lillian Lee (the first Indigenous Australian to present a collection during Paris Couture Fashion Week!), the notion of reclamation is not simply about visibility within existing systems. “It is about dismantling those systems and rebuilding them on our terms. Our culture is not a trend, a reference point, or a resource. It is sovereign.”

Designers:

@tjarlirliart
@nungalacreative
@merrepenarts
@kingkingcreative
@mumred_the_label
@gracelillianlee

Full article
LINK IN BIO

Words by Clare Neal @rlcln

Editor in Chief @macami__
Managing Director @ngowyn
Visual Director @davzzzon

Photo by @davzzzon

#firstnationfashiondesign #runway #draftmagazine

@first.nations.fashion.design On the eve of Australian Fashion Week 2026, members of Australia’s fashion community from all backgrounds gathered at Artspace to witness the excellence of First Nations fashion design at RECLAMATION. From a side-of-runway vantage point, the power and presence in the room was undeniable. Beyond being a triumphant display of craftsmanship and creativity, the show marked a historic continuation of the ancient Songlines that are sacred to the core of Aboriginal storytelling.

Marking a historic return (homecoming!?) to Sydney after a four year hiatus, First Nations Fashion and Design (FNFD) is an independent First Nations-lead platform created by mob for community with a mission to dismantle and rebuild the status quo to better celebrate and showcase Indigenous excellence. In the words of FNFD founder Grace Lillian Lee (the first Indigenous Australian to present a collection during Paris Couture Fashion Week!), the notion of reclamation is not simply about visibility within existing systems. “It is about dismantling those systems and rebuilding them on our terms. Our culture is not a trend, a reference point, or a resource. It is sovereign.”

Designers:

@tjarlirliart
@nungalacreative
@merrepenarts
@kingkingcreative
@mumred_the_label
@gracelillianlee

Full article
LINK IN BIO

Words by Clare Neal @rlcln

Editor in Chief @macami__
Managing Director @ngowyn
Visual Director @davzzzon

Photo by @davzzzon

#firstnationfashiondesign #runway #draftmagazine

@first.nations.fashion.design On the eve of Australian Fashion Week 2026, members of Australia’s fashion community from all backgrounds gathered at Artspace to witness the excellence of First Nations fashion design at RECLAMATION. From a side-of-runway vantage point, the power and presence in the room was undeniable. Beyond being a triumphant display of craftsmanship and creativity, the show marked a historic continuation of the ancient Songlines that are sacred to the core of Aboriginal storytelling.

Marking a historic return (homecoming!?) to Sydney after a four year hiatus, First Nations Fashion and Design (FNFD) is an independent First Nations-lead platform created by mob for community with a mission to dismantle and rebuild the status quo to better celebrate and showcase Indigenous excellence. In the words of FNFD founder Grace Lillian Lee (the first Indigenous Australian to present a collection during Paris Couture Fashion Week!), the notion of reclamation is not simply about visibility within existing systems. “It is about dismantling those systems and rebuilding them on our terms. Our culture is not a trend, a reference point, or a resource. It is sovereign.”

Designers:

@tjarlirliart
@nungalacreative
@merrepenarts
@kingkingcreative
@mumred_the_label
@gracelillianlee

Full article
LINK IN BIO

Words by Clare Neal @rlcln

Editor in Chief @macami__
Managing Director @ngowyn
Visual Director @davzzzon

Photo by @davzzzon

#firstnationfashiondesign #runway #draftmagazine

@first.nations.fashion.design On the eve of Australian Fashion Week 2026, members of Australia’s fashion community from all backgrounds gathered at Artspace to witness the excellence of First Nations fashion design at RECLAMATION. From a side-of-runway vantage point, the power and presence in the room was undeniable. Beyond being a triumphant display of craftsmanship and creativity, the show marked a historic continuation of the ancient Songlines that are sacred to the core of Aboriginal storytelling.

Marking a historic return (homecoming!?) to Sydney after a four year hiatus, First Nations Fashion and Design (FNFD) is an independent First Nations-lead platform created by mob for community with a mission to dismantle and rebuild the status quo to better celebrate and showcase Indigenous excellence. In the words of FNFD founder Grace Lillian Lee (the first Indigenous Australian to present a collection during Paris Couture Fashion Week!), the notion of reclamation is not simply about visibility within existing systems. “It is about dismantling those systems and rebuilding them on our terms. Our culture is not a trend, a reference point, or a resource. It is sovereign.”

Designers:

@tjarlirliart
@nungalacreative
@merrepenarts
@kingkingcreative
@mumred_the_label
@gracelillianlee

Full article
LINK IN BIO

Words by Clare Neal @rlcln

Editor in Chief @macami__
Managing Director @ngowyn
Visual Director @davzzzon

Photo by @davzzzon

#firstnationfashiondesign #runway #draftmagazine

@first.nations.fashion.design On the eve of Australian Fashion Week 2026, members of Australia’s fashion community from all backgrounds gathered at Artspace to witness the excellence of First Nations fashion design at RECLAMATION. From a side-of-runway vantage point, the power and presence in the room was undeniable. Beyond being a triumphant display of craftsmanship and creativity, the show marked a historic continuation of the ancient Songlines that are sacred to the core of Aboriginal storytelling.

Marking a historic return (homecoming!?) to Sydney after a four year hiatus, First Nations Fashion and Design (FNFD) is an independent First Nations-lead platform created by mob for community with a mission to dismantle and rebuild the status quo to better celebrate and showcase Indigenous excellence. In the words of FNFD founder Grace Lillian Lee (the first Indigenous Australian to present a collection during Paris Couture Fashion Week!), the notion of reclamation is not simply about visibility within existing systems. “It is about dismantling those systems and rebuilding them on our terms. Our culture is not a trend, a reference point, or a resource. It is sovereign.”

Designers:

@tjarlirliart
@nungalacreative
@merrepenarts
@kingkingcreative
@mumred_the_label
@gracelillianlee

Full article
LINK IN BIO

Words by Clare Neal @rlcln

Editor in Chief @macami__
Managing Director @ngowyn
Visual Director @davzzzon

Photo by @davzzzon

#firstnationfashiondesign #runway #draftmagazine

@first.nations.fashion.design On the eve of Australian Fashion Week 2026, members of Australia’s fashion community from all backgrounds gathered at Artspace to witness the excellence of First Nations fashion design at RECLAMATION. From a side-of-runway vantage point, the power and presence in the room was undeniable. Beyond being a triumphant display of craftsmanship and creativity, the show marked a historic continuation of the ancient Songlines that are sacred to the core of Aboriginal storytelling.

Marking a historic return (homecoming!?) to Sydney after a four year hiatus, First Nations Fashion and Design (FNFD) is an independent First Nations-lead platform created by mob for community with a mission to dismantle and rebuild the status quo to better celebrate and showcase Indigenous excellence. In the words of FNFD founder Grace Lillian Lee (the first Indigenous Australian to present a collection during Paris Couture Fashion Week!), the notion of reclamation is not simply about visibility within existing systems. “It is about dismantling those systems and rebuilding them on our terms. Our culture is not a trend, a reference point, or a resource. It is sovereign.”

Designers:

@tjarlirliart
@nungalacreative
@merrepenarts
@kingkingcreative
@mumred_the_label
@gracelillianlee

Full article
LINK IN BIO

Words by Clare Neal @rlcln

Editor in Chief @macami__
Managing Director @ngowyn
Visual Director @davzzzon

Photo by @davzzzon

#firstnationfashiondesign #runway #draftmagazine

@first.nations.fashion.design On the eve of Australian Fashion Week 2026, members of Australia’s fashion community from all backgrounds gathered at Artspace to witness the excellence of First Nations fashion design at RECLAMATION. From a side-of-runway vantage point, the power and presence in the room was undeniable. Beyond being a triumphant display of craftsmanship and creativity, the show marked a historic continuation of the ancient Songlines that are sacred to the core of Aboriginal storytelling.

Marking a historic return (homecoming!?) to Sydney after a four year hiatus, First Nations Fashion and Design (FNFD) is an independent First Nations-lead platform created by mob for community with a mission to dismantle and rebuild the status quo to better celebrate and showcase Indigenous excellence. In the words of FNFD founder Grace Lillian Lee (the first Indigenous Australian to present a collection during Paris Couture Fashion Week!), the notion of reclamation is not simply about visibility within existing systems. “It is about dismantling those systems and rebuilding them on our terms. Our culture is not a trend, a reference point, or a resource. It is sovereign.”

Designers:

@tjarlirliart
@nungalacreative
@merrepenarts
@kingkingcreative
@mumred_the_label
@gracelillianlee

Full article
LINK IN BIO

Words by Clare Neal @rlcln

Editor in Chief @macami__
Managing Director @ngowyn
Visual Director @davzzzon

Photo by @davzzzon

#firstnationfashiondesign #runway #draftmagazine

@first.nations.fashion.design On the eve of Australian Fashion Week 2026, members of Australia’s fashion community from all backgrounds gathered at Artspace to witness the excellence of First Nations fashion design at RECLAMATION. From a side-of-runway vantage point, the power and presence in the room was undeniable. Beyond being a triumphant display of craftsmanship and creativity, the show marked a historic continuation of the ancient Songlines that are sacred to the core of Aboriginal storytelling.

Marking a historic return (homecoming!?) to Sydney after a four year hiatus, First Nations Fashion and Design (FNFD) is an independent First Nations-lead platform created by mob for community with a mission to dismantle and rebuild the status quo to better celebrate and showcase Indigenous excellence. In the words of FNFD founder Grace Lillian Lee (the first Indigenous Australian to present a collection during Paris Couture Fashion Week!), the notion of reclamation is not simply about visibility within existing systems. “It is about dismantling those systems and rebuilding them on our terms. Our culture is not a trend, a reference point, or a resource. It is sovereign.”

Designers:

@tjarlirliart
@nungalacreative
@merrepenarts
@kingkingcreative
@mumred_the_label
@gracelillianlee

Full article
LINK IN BIO

Words by Clare Neal @rlcln

Editor in Chief @macami__
Managing Director @ngowyn
Visual Director @davzzzon

Photo by @davzzzon

#firstnationfashiondesign #runway #draftmagazine

@first.nations.fashion.design On the eve of Australian Fashion Week 2026, members of Australia’s fashion community from all backgrounds gathered at Artspace to witness the excellence of First Nations fashion design at RECLAMATION. From a side-of-runway vantage point, the power and presence in the room was undeniable. Beyond being a triumphant display of craftsmanship and creativity, the show marked a historic continuation of the ancient Songlines that are sacred to the core of Aboriginal storytelling.

Marking a historic return (homecoming!?) to Sydney after a four year hiatus, First Nations Fashion and Design (FNFD) is an independent First Nations-lead platform created by mob for community with a mission to dismantle and rebuild the status quo to better celebrate and showcase Indigenous excellence. In the words of FNFD founder Grace Lillian Lee (the first Indigenous Australian to present a collection during Paris Couture Fashion Week!), the notion of reclamation is not simply about visibility within existing systems. “It is about dismantling those systems and rebuilding them on our terms. Our culture is not a trend, a reference point, or a resource. It is sovereign.”

Designers:

@tjarlirliart
@nungalacreative
@merrepenarts
@kingkingcreative
@mumred_the_label
@gracelillianlee

Full article
LINK IN BIO

Words by Clare Neal @rlcln

Editor in Chief @macami__
Managing Director @ngowyn
Visual Director @davzzzon

Photo by @davzzzon

#firstnationfashiondesign #runway #draftmagazine

@first.nations.fashion.design On the eve of Australian Fashion Week 2026, members of Australia’s fashion community from all backgrounds gathered at Artspace to witness the excellence of First Nations fashion design at RECLAMATION. From a side-of-runway vantage point, the power and presence in the room was undeniable. Beyond being a triumphant display of craftsmanship and creativity, the show marked a historic continuation of the ancient Songlines that are sacred to the core of Aboriginal storytelling.

Marking a historic return (homecoming!?) to Sydney after a four year hiatus, First Nations Fashion and Design (FNFD) is an independent First Nations-lead platform created by mob for community with a mission to dismantle and rebuild the status quo to better celebrate and showcase Indigenous excellence. In the words of FNFD founder Grace Lillian Lee (the first Indigenous Australian to present a collection during Paris Couture Fashion Week!), the notion of reclamation is not simply about visibility within existing systems. “It is about dismantling those systems and rebuilding them on our terms. Our culture is not a trend, a reference point, or a resource. It is sovereign.”

Designers:

@tjarlirliart
@nungalacreative
@merrepenarts
@kingkingcreative
@mumred_the_label
@gracelillianlee

Full article
LINK IN BIO

Words by Clare Neal @rlcln

Editor in Chief @macami__
Managing Director @ngowyn
Visual Director @davzzzon

Photo by @davzzzon

#firstnationfashiondesign #runway #draftmagazine

@first.nations.fashion.design On the eve of Australian Fashion Week 2026, members of Australia’s fashion community from all backgrounds gathered at Artspace to witness the excellence of First Nations fashion design at RECLAMATION. From a side-of-runway vantage point, the power and presence in the room was undeniable. Beyond being a triumphant display of craftsmanship and creativity, the show marked a historic continuation of the ancient Songlines that are sacred to the core of Aboriginal storytelling.

Marking a historic return (homecoming!?) to Sydney after a four year hiatus, First Nations Fashion and Design (FNFD) is an independent First Nations-lead platform created by mob for community with a mission to dismantle and rebuild the status quo to better celebrate and showcase Indigenous excellence. In the words of FNFD founder Grace Lillian Lee (the first Indigenous Australian to present a collection during Paris Couture Fashion Week!), the notion of reclamation is not simply about visibility within existing systems. “It is about dismantling those systems and rebuilding them on our terms. Our culture is not a trend, a reference point, or a resource. It is sovereign.”

Designers:

@tjarlirliart
@nungalacreative
@merrepenarts
@kingkingcreative
@mumred_the_label
@gracelillianlee

Full article
LINK IN BIO

Words by Clare Neal @rlcln

Editor in Chief @macami__
Managing Director @ngowyn
Visual Director @davzzzon

Photo by @davzzzon

#firstnationfashiondesign #runway #draftmagazine

@first.nations.fashion.design On the eve of Australian Fashion Week 2026, members of Australia’s fashion community from all backgrounds gathered at Artspace to witness the excellence of First Nations fashion design at RECLAMATION. From a side-of-runway vantage point, the power and presence in the room was undeniable. Beyond being a triumphant display of craftsmanship and creativity, the show marked a historic continuation of the ancient Songlines that are sacred to the core of Aboriginal storytelling.

Marking a historic return (homecoming!?) to Sydney after a four year hiatus, First Nations Fashion and Design (FNFD) is an independent First Nations-lead platform created by mob for community with a mission to dismantle and rebuild the status quo to better celebrate and showcase Indigenous excellence. In the words of FNFD founder Grace Lillian Lee (the first Indigenous Australian to present a collection during Paris Couture Fashion Week!), the notion of reclamation is not simply about visibility within existing systems. “It is about dismantling those systems and rebuilding them on our terms. Our culture is not a trend, a reference point, or a resource. It is sovereign.”

Designers:

@tjarlirliart
@nungalacreative
@merrepenarts
@kingkingcreative
@mumred_the_label
@gracelillianlee

Full article
LINK IN BIO

Words by Clare Neal @rlcln

Editor in Chief @macami__
Managing Director @ngowyn
Visual Director @davzzzon

Photo by @davzzzon

#firstnationfashiondesign #runway #draftmagazine

Felt the full spectrum of human emotion these past 7 days 🐈‍⬛

Felt the full spectrum of human emotion these past 7 days 🐈‍⬛

Felt the full spectrum of human emotion these past 7 days 🐈‍⬛

Felt the full spectrum of human emotion these past 7 days 🐈‍⬛

Felt the full spectrum of human emotion these past 7 days 🐈‍⬛

Felt the full spectrum of human emotion these past 7 days 🐈‍⬛

Felt the full spectrum of human emotion these past 7 days 🐈‍⬛

Felt the full spectrum of human emotion these past 7 days 🐈‍⬛

Felt the full spectrum of human emotion these past 7 days 🐈‍⬛

Felt the full spectrum of human emotion these past 7 days 🐈‍⬛

Felt the full spectrum of human emotion these past 7 days 🐈‍⬛

The Scourge Of Allegory: Genesis Owusu Finds Home In Reality @genesisowusu

For years, Genesis Owusu has been building worlds to help make sense of this one.

Black dogs. Roaches. Characters that could carry the weight of real life without ever naming it directly. Allegory gave him distance from reality, a way to make it more surreal and, in some ways, more manageable.
But for his new album, REDSTAR WU & THE WORLDWIDE SCOURGE, that distance is gone.

Sitting down with the Ghanaian-Australian artist, the sincerity is palpable. “I honestly felt like in this time and space, I didn’t have the privilege to be ambiguous anymore”, he explains. “It felt like there was a wave washing over the world. Hatred, greed, far-right ideology becoming cool again. Washing over like a plague. A worldwide scourge. The album is about the here and now, the trials and tribulations and the chaos and the paranoia, but also about community, and regaining our ability to see the humanity in one another.”

Full interview
LINK IN BIO

Words by @rlcln

Editor in Chief @macami__
Managing Director @ngowyn
Visual Director @davzzzon

Creative Direction @ngowyn
Photography @macami__
Producer @byshaz_
Styling @stylewithsig
Makeup + Hair @mua_felicity
Makeup assistant @thatmakeupboy

Genesis Owusu wearing
Chainvest - @tobiassangkuhl
Jewellry - @dinosaur_designs @70harley

#genesisowusu #editorial #draftmagazine

The Scourge Of Allegory: Genesis Owusu Finds Home In Reality @genesisowusu

For years, Genesis Owusu has been building worlds to help make sense of this one.

Black dogs. Roaches. Characters that could carry the weight of real life without ever naming it directly. Allegory gave him distance from reality, a way to make it more surreal and, in some ways, more manageable.
But for his new album, REDSTAR WU & THE WORLDWIDE SCOURGE, that distance is gone.

Sitting down with the Ghanaian-Australian artist, the sincerity is palpable. “I honestly felt like in this time and space, I didn’t have the privilege to be ambiguous anymore”, he explains. “It felt like there was a wave washing over the world. Hatred, greed, far-right ideology becoming cool again. Washing over like a plague. A worldwide scourge. The album is about the here and now, the trials and tribulations and the chaos and the paranoia, but also about community, and regaining our ability to see the humanity in one another.”

Full interview
LINK IN BIO

Words by @rlcln

Editor in Chief @macami__
Managing Director @ngowyn
Visual Director @davzzzon

Creative Direction @ngowyn
Photography @macami__
Producer @byshaz_
Styling @stylewithsig
Makeup + Hair @mua_felicity
Makeup assistant @thatmakeupboy

Genesis Owusu wearing
Chainvest - @tobiassangkuhl
Jewellry - @dinosaur_designs @70harley

#genesisowusu #editorial #draftmagazine

The Scourge Of Allegory: Genesis Owusu Finds Home In Reality @genesisowusu

For years, Genesis Owusu has been building worlds to help make sense of this one.

Black dogs. Roaches. Characters that could carry the weight of real life without ever naming it directly. Allegory gave him distance from reality, a way to make it more surreal and, in some ways, more manageable.
But for his new album, REDSTAR WU & THE WORLDWIDE SCOURGE, that distance is gone.

Sitting down with the Ghanaian-Australian artist, the sincerity is palpable. “I honestly felt like in this time and space, I didn’t have the privilege to be ambiguous anymore”, he explains. “It felt like there was a wave washing over the world. Hatred, greed, far-right ideology becoming cool again. Washing over like a plague. A worldwide scourge. The album is about the here and now, the trials and tribulations and the chaos and the paranoia, but also about community, and regaining our ability to see the humanity in one another.”

Full interview
LINK IN BIO

Words by @rlcln

Editor in Chief @macami__
Managing Director @ngowyn
Visual Director @davzzzon

Creative Direction @ngowyn
Photography @macami__
Producer @byshaz_
Styling @stylewithsig
Makeup + Hair @mua_felicity
Makeup assistant @thatmakeupboy

Genesis Owusu wearing
Chainvest - @tobiassangkuhl
Jewellry - @dinosaur_designs @70harley

#genesisowusu #editorial #draftmagazine

The Scourge Of Allegory: Genesis Owusu Finds Home In Reality @genesisowusu

For years, Genesis Owusu has been building worlds to help make sense of this one.

Black dogs. Roaches. Characters that could carry the weight of real life without ever naming it directly. Allegory gave him distance from reality, a way to make it more surreal and, in some ways, more manageable.
But for his new album, REDSTAR WU & THE WORLDWIDE SCOURGE, that distance is gone.

Sitting down with the Ghanaian-Australian artist, the sincerity is palpable. “I honestly felt like in this time and space, I didn’t have the privilege to be ambiguous anymore”, he explains. “It felt like there was a wave washing over the world. Hatred, greed, far-right ideology becoming cool again. Washing over like a plague. A worldwide scourge. The album is about the here and now, the trials and tribulations and the chaos and the paranoia, but also about community, and regaining our ability to see the humanity in one another.”

Full interview
LINK IN BIO

Words by @rlcln

Editor in Chief @macami__
Managing Director @ngowyn
Visual Director @davzzzon

Creative Direction @ngowyn
Photography @macami__
Producer @byshaz_
Styling @stylewithsig
Makeup + Hair @mua_felicity
Makeup assistant @thatmakeupboy

Genesis Owusu wearing
Chainvest - @tobiassangkuhl
Jewellry - @dinosaur_designs @70harley

#genesisowusu #editorial #draftmagazine

The Scourge Of Allegory: Genesis Owusu Finds Home In Reality @genesisowusu

For years, Genesis Owusu has been building worlds to help make sense of this one.

Black dogs. Roaches. Characters that could carry the weight of real life without ever naming it directly. Allegory gave him distance from reality, a way to make it more surreal and, in some ways, more manageable.
But for his new album, REDSTAR WU & THE WORLDWIDE SCOURGE, that distance is gone.

Sitting down with the Ghanaian-Australian artist, the sincerity is palpable. “I honestly felt like in this time and space, I didn’t have the privilege to be ambiguous anymore”, he explains. “It felt like there was a wave washing over the world. Hatred, greed, far-right ideology becoming cool again. Washing over like a plague. A worldwide scourge. The album is about the here and now, the trials and tribulations and the chaos and the paranoia, but also about community, and regaining our ability to see the humanity in one another.”

Full interview
LINK IN BIO

Words by @rlcln

Editor in Chief @macami__
Managing Director @ngowyn
Visual Director @davzzzon

Creative Direction @ngowyn
Photography @macami__
Producer @byshaz_
Styling @stylewithsig
Makeup + Hair @mua_felicity
Makeup assistant @thatmakeupboy

Genesis Owusu wearing
Chainvest - @tobiassangkuhl
Jewellry - @dinosaur_designs @70harley

#genesisowusu #editorial #draftmagazine

The Scourge Of Allegory: Genesis Owusu Finds Home In Reality @genesisowusu

For years, Genesis Owusu has been building worlds to help make sense of this one.

Black dogs. Roaches. Characters that could carry the weight of real life without ever naming it directly. Allegory gave him distance from reality, a way to make it more surreal and, in some ways, more manageable.
But for his new album, REDSTAR WU & THE WORLDWIDE SCOURGE, that distance is gone.

Sitting down with the Ghanaian-Australian artist, the sincerity is palpable. “I honestly felt like in this time and space, I didn’t have the privilege to be ambiguous anymore”, he explains. “It felt like there was a wave washing over the world. Hatred, greed, far-right ideology becoming cool again. Washing over like a plague. A worldwide scourge. The album is about the here and now, the trials and tribulations and the chaos and the paranoia, but also about community, and regaining our ability to see the humanity in one another.”

Full interview
LINK IN BIO

Words by @rlcln

Editor in Chief @macami__
Managing Director @ngowyn
Visual Director @davzzzon

Creative Direction @ngowyn
Photography @macami__
Producer @byshaz_
Styling @stylewithsig
Makeup + Hair @mua_felicity
Makeup assistant @thatmakeupboy

Genesis Owusu wearing
Chainvest - @tobiassangkuhl
Jewellry - @dinosaur_designs @70harley

#genesisowusu #editorial #draftmagazine

The Scourge Of Allegory: Genesis Owusu Finds Home In Reality @genesisowusu

For years, Genesis Owusu has been building worlds to help make sense of this one.

Black dogs. Roaches. Characters that could carry the weight of real life without ever naming it directly. Allegory gave him distance from reality, a way to make it more surreal and, in some ways, more manageable.
But for his new album, REDSTAR WU & THE WORLDWIDE SCOURGE, that distance is gone.

Sitting down with the Ghanaian-Australian artist, the sincerity is palpable. “I honestly felt like in this time and space, I didn’t have the privilege to be ambiguous anymore”, he explains. “It felt like there was a wave washing over the world. Hatred, greed, far-right ideology becoming cool again. Washing over like a plague. A worldwide scourge. The album is about the here and now, the trials and tribulations and the chaos and the paranoia, but also about community, and regaining our ability to see the humanity in one another.”

Full interview
LINK IN BIO

Words by @rlcln

Editor in Chief @macami__
Managing Director @ngowyn
Visual Director @davzzzon

Creative Direction @ngowyn
Photography @macami__
Producer @byshaz_
Styling @stylewithsig
Makeup + Hair @mua_felicity
Makeup assistant @thatmakeupboy

Genesis Owusu wearing
Chainvest - @tobiassangkuhl
Jewellry - @dinosaur_designs @70harley

#genesisowusu #editorial #draftmagazine

Big fat q ⏳

Big fat q ⏳

Big fat q ⏳

Big fat q ⏳

Big fat q ⏳

Big fat q ⏳

Big fat q ⏳

Big fat q ⏳

Big fat q ⏳

Big fat q ⏳

Big fat q ⏳

Big fat q ⏳

Cool Stars Shine Brighter: The Public Becoming Of Cat & Calmell @catandcalmell

Cat & Calmell’s journey towards their most authentic selves is anything but a straight line.
There’s no clean befores or afters, no magical moment where everything locks into place. The story of besties and collaborators Catherine Stratton and Calmell Teagle unfolds in real time, through the music, instinct, and vision… a process that feels somewhat public and not quite resolved.

Their latest mixtape Live Laugh Cool Star captures that transformation in action. Leaning into play, persona and pop spectacle, the project also marks a subtle but significant shift in how the duo understand themselves and their art. “We really believe that the mixtape was, like, a mini manifestation,” says Calmell.

Full interview
LINK IN BIO

Words by Clare Neal @rlcln

Editor in Chief @macami__
Managing Director @ngowyn
Visual Director @davzzzon
Project Manager @tristanjcharles
Content and Fashion Producer @kimberleyjonjiin

Creative Director @ngowyn
Creative Producer @tristanjcharles
Art Director @taneeeia
Photo @minoriuedaphoto
Assistant @photojayb
Styling @stylewithsig
Stylists Assistant @stylebyallegra
Makeup @mua_felicity @jamespatmore
Hair @william_webb_hair @zara_zust

Cat Wearing
Top by Maroskee Peech @maroskepeech
Bottoms by She’s A Designer @shesadesigner_________
Shoes by Converse @converse_anz
Nails by @styledbyjuliab

Calmell Wearing
Top & Bottoms by She’s A Designer @shesadesigner_________
Shoes by NIIHAI @nii.hai
Nails by @styledbyjuliab

#catandcalmell #editorial #draftmagazine

Cool Stars Shine Brighter: The Public Becoming Of Cat & Calmell @catandcalmell

Cat & Calmell’s journey towards their most authentic selves is anything but a straight line.
There’s no clean befores or afters, no magical moment where everything locks into place. The story of besties and collaborators Catherine Stratton and Calmell Teagle unfolds in real time, through the music, instinct, and vision… a process that feels somewhat public and not quite resolved.

Their latest mixtape Live Laugh Cool Star captures that transformation in action. Leaning into play, persona and pop spectacle, the project also marks a subtle but significant shift in how the duo understand themselves and their art. “We really believe that the mixtape was, like, a mini manifestation,” says Calmell.

Full interview
LINK IN BIO

Words by Clare Neal @rlcln

Editor in Chief @macami__
Managing Director @ngowyn
Visual Director @davzzzon
Project Manager @tristanjcharles
Content and Fashion Producer @kimberleyjonjiin

Creative Director @ngowyn
Creative Producer @tristanjcharles
Art Director @taneeeia
Photo @minoriuedaphoto
Assistant @photojayb
Styling @stylewithsig
Stylists Assistant @stylebyallegra
Makeup @mua_felicity @jamespatmore
Hair @william_webb_hair @zara_zust

Cat Wearing
Top by Maroskee Peech @maroskepeech
Bottoms by She’s A Designer @shesadesigner_________
Shoes by Converse @converse_anz
Nails by @styledbyjuliab

Calmell Wearing
Top & Bottoms by She’s A Designer @shesadesigner_________
Shoes by NIIHAI @nii.hai
Nails by @styledbyjuliab

#catandcalmell #editorial #draftmagazine

Cool Stars Shine Brighter: The Public Becoming Of Cat & Calmell @catandcalmell

Cat & Calmell’s journey towards their most authentic selves is anything but a straight line.
There’s no clean befores or afters, no magical moment where everything locks into place. The story of besties and collaborators Catherine Stratton and Calmell Teagle unfolds in real time, through the music, instinct, and vision… a process that feels somewhat public and not quite resolved.

Their latest mixtape Live Laugh Cool Star captures that transformation in action. Leaning into play, persona and pop spectacle, the project also marks a subtle but significant shift in how the duo understand themselves and their art. “We really believe that the mixtape was, like, a mini manifestation,” says Calmell.

Full interview
LINK IN BIO

Words by Clare Neal @rlcln

Editor in Chief @macami__
Managing Director @ngowyn
Visual Director @davzzzon
Project Manager @tristanjcharles
Content and Fashion Producer @kimberleyjonjiin

Creative Director @ngowyn
Creative Producer @tristanjcharles
Art Director @taneeeia
Photo @minoriuedaphoto
Assistant @photojayb
Styling @stylewithsig
Stylists Assistant @stylebyallegra
Makeup @mua_felicity @jamespatmore
Hair @william_webb_hair @zara_zust

Cat Wearing
Top by Maroskee Peech @maroskepeech
Bottoms by She’s A Designer @shesadesigner_________
Shoes by Converse @converse_anz
Nails by @styledbyjuliab

Calmell Wearing
Top & Bottoms by She’s A Designer @shesadesigner_________
Shoes by NIIHAI @nii.hai
Nails by @styledbyjuliab

#catandcalmell #editorial #draftmagazine

Cool Stars Shine Brighter: The Public Becoming Of Cat & Calmell @catandcalmell

Cat & Calmell’s journey towards their most authentic selves is anything but a straight line.
There’s no clean befores or afters, no magical moment where everything locks into place. The story of besties and collaborators Catherine Stratton and Calmell Teagle unfolds in real time, through the music, instinct, and vision… a process that feels somewhat public and not quite resolved.

Their latest mixtape Live Laugh Cool Star captures that transformation in action. Leaning into play, persona and pop spectacle, the project also marks a subtle but significant shift in how the duo understand themselves and their art. “We really believe that the mixtape was, like, a mini manifestation,” says Calmell.

Full interview
LINK IN BIO

Words by Clare Neal @rlcln

Editor in Chief @macami__
Managing Director @ngowyn
Visual Director @davzzzon
Project Manager @tristanjcharles
Content and Fashion Producer @kimberleyjonjiin

Creative Director @ngowyn
Creative Producer @tristanjcharles
Art Director @taneeeia
Photo @minoriuedaphoto
Assistant @photojayb
Styling @stylewithsig
Stylists Assistant @stylebyallegra
Makeup @mua_felicity @jamespatmore
Hair @william_webb_hair @zara_zust

Cat Wearing
Top by Maroskee Peech @maroskepeech
Bottoms by She’s A Designer @shesadesigner_________
Shoes by Converse @converse_anz
Nails by @styledbyjuliab

Calmell Wearing
Top & Bottoms by She’s A Designer @shesadesigner_________
Shoes by NIIHAI @nii.hai
Nails by @styledbyjuliab

#catandcalmell #editorial #draftmagazine

Cool Stars Shine Brighter: The Public Becoming Of Cat & Calmell @catandcalmell

Cat & Calmell’s journey towards their most authentic selves is anything but a straight line.
There’s no clean befores or afters, no magical moment where everything locks into place. The story of besties and collaborators Catherine Stratton and Calmell Teagle unfolds in real time, through the music, instinct, and vision… a process that feels somewhat public and not quite resolved.

Their latest mixtape Live Laugh Cool Star captures that transformation in action. Leaning into play, persona and pop spectacle, the project also marks a subtle but significant shift in how the duo understand themselves and their art. “We really believe that the mixtape was, like, a mini manifestation,” says Calmell.

Full interview
LINK IN BIO

Words by Clare Neal @rlcln

Editor in Chief @macami__
Managing Director @ngowyn
Visual Director @davzzzon
Project Manager @tristanjcharles
Content and Fashion Producer @kimberleyjonjiin

Creative Director @ngowyn
Creative Producer @tristanjcharles
Art Director @taneeeia
Photo @minoriuedaphoto
Assistant @photojayb
Styling @stylewithsig
Stylists Assistant @stylebyallegra
Makeup @mua_felicity @jamespatmore
Hair @william_webb_hair @zara_zust

Cat Wearing
Top by Maroskee Peech @maroskepeech
Bottoms by She’s A Designer @shesadesigner_________
Shoes by Converse @converse_anz
Nails by @styledbyjuliab

Calmell Wearing
Top & Bottoms by She’s A Designer @shesadesigner_________
Shoes by NIIHAI @nii.hai
Nails by @styledbyjuliab

#catandcalmell #editorial #draftmagazine

Cool Stars Shine Brighter: The Public Becoming Of Cat & Calmell @catandcalmell

Cat & Calmell’s journey towards their most authentic selves is anything but a straight line.
There’s no clean befores or afters, no magical moment where everything locks into place. The story of besties and collaborators Catherine Stratton and Calmell Teagle unfolds in real time, through the music, instinct, and vision… a process that feels somewhat public and not quite resolved.

Their latest mixtape Live Laugh Cool Star captures that transformation in action. Leaning into play, persona and pop spectacle, the project also marks a subtle but significant shift in how the duo understand themselves and their art. “We really believe that the mixtape was, like, a mini manifestation,” says Calmell.

Full interview
LINK IN BIO

Words by Clare Neal @rlcln

Editor in Chief @macami__
Managing Director @ngowyn
Visual Director @davzzzon
Project Manager @tristanjcharles
Content and Fashion Producer @kimberleyjonjiin

Creative Director @ngowyn
Creative Producer @tristanjcharles
Art Director @taneeeia
Photo @minoriuedaphoto
Assistant @photojayb
Styling @stylewithsig
Stylists Assistant @stylebyallegra
Makeup @mua_felicity @jamespatmore
Hair @william_webb_hair @zara_zust

Cat Wearing
Top by Maroskee Peech @maroskepeech
Bottoms by She’s A Designer @shesadesigner_________
Shoes by Converse @converse_anz
Nails by @styledbyjuliab

Calmell Wearing
Top & Bottoms by She’s A Designer @shesadesigner_________
Shoes by NIIHAI @nii.hai
Nails by @styledbyjuliab

#catandcalmell #editorial #draftmagazine

Cool Stars Shine Brighter: The Public Becoming Of Cat & Calmell @catandcalmell

Cat & Calmell’s journey towards their most authentic selves is anything but a straight line.
There’s no clean befores or afters, no magical moment where everything locks into place. The story of besties and collaborators Catherine Stratton and Calmell Teagle unfolds in real time, through the music, instinct, and vision… a process that feels somewhat public and not quite resolved.

Their latest mixtape Live Laugh Cool Star captures that transformation in action. Leaning into play, persona and pop spectacle, the project also marks a subtle but significant shift in how the duo understand themselves and their art. “We really believe that the mixtape was, like, a mini manifestation,” says Calmell.

Full interview
LINK IN BIO

Words by Clare Neal @rlcln

Editor in Chief @macami__
Managing Director @ngowyn
Visual Director @davzzzon
Project Manager @tristanjcharles
Content and Fashion Producer @kimberleyjonjiin

Creative Director @ngowyn
Creative Producer @tristanjcharles
Art Director @taneeeia
Photo @minoriuedaphoto
Assistant @photojayb
Styling @stylewithsig
Stylists Assistant @stylebyallegra
Makeup @mua_felicity @jamespatmore
Hair @william_webb_hair @zara_zust

Cat Wearing
Top by Maroskee Peech @maroskepeech
Bottoms by She’s A Designer @shesadesigner_________
Shoes by Converse @converse_anz
Nails by @styledbyjuliab

Calmell Wearing
Top & Bottoms by She’s A Designer @shesadesigner_________
Shoes by NIIHAI @nii.hai
Nails by @styledbyjuliab

#catandcalmell #editorial #draftmagazine

Cool Stars Shine Brighter: The Public Becoming Of Cat & Calmell @catandcalmell

Cat & Calmell’s journey towards their most authentic selves is anything but a straight line.
There’s no clean befores or afters, no magical moment where everything locks into place. The story of besties and collaborators Catherine Stratton and Calmell Teagle unfolds in real time, through the music, instinct, and vision… a process that feels somewhat public and not quite resolved.

Their latest mixtape Live Laugh Cool Star captures that transformation in action. Leaning into play, persona and pop spectacle, the project also marks a subtle but significant shift in how the duo understand themselves and their art. “We really believe that the mixtape was, like, a mini manifestation,” says Calmell.

Full interview
LINK IN BIO

Words by Clare Neal @rlcln

Editor in Chief @macami__
Managing Director @ngowyn
Visual Director @davzzzon
Project Manager @tristanjcharles
Content and Fashion Producer @kimberleyjonjiin

Creative Director @ngowyn
Creative Producer @tristanjcharles
Art Director @taneeeia
Photo @minoriuedaphoto
Assistant @photojayb
Styling @stylewithsig
Stylists Assistant @stylebyallegra
Makeup @mua_felicity @jamespatmore
Hair @william_webb_hair @zara_zust

Cat Wearing
Top by Maroskee Peech @maroskepeech
Bottoms by She’s A Designer @shesadesigner_________
Shoes by Converse @converse_anz
Nails by @styledbyjuliab

Calmell Wearing
Top & Bottoms by She’s A Designer @shesadesigner_________
Shoes by NIIHAI @nii.hai
Nails by @styledbyjuliab

#catandcalmell #editorial #draftmagazine

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Between Instinct and Intention: FUKHED and Nerve on Timing, Trust and Sound @fukhed @nerve.mp3

At a first glance, FUKHED and Nerve might seem like unlikely collaborators.

One came up through DJing, building a reputation across club spaces before stepping into the studio, translating a deep knowledge of UKG, garage and bass-driven sounds into her own productions. The other moves between rap and production, known for his sharp, instinct-driven approach to beatmaking and a catalogue that leans into raw, high-energy hip hop.

Totally different entry points, different genres, different scenes and yet, somewhere along the way, their paths began to overlap. What makes this collab work isn’t obvious at first. It’s not just shared taste, or even shared history (considering both artists got their start in Brisbane). Instead, it’s something quieter that’s taken time to evolve.

Full interview
LINK IN BIO

Interview and words by @rlcln

Editor in Chief @macami__
Managing Director @ngowyn
Visual Director @davzzzon
Project Manager @tristanjcharles
Content and Fashion Producer @kimberleyjonjiin

Creative Direction @macami__
Photography @davzzzon
Producer @tristanjcharles
Styling @byshaz_
Makeup + Hair @mua_felicity
Makeup assistant @jamespatmore
Grading @macami__

#fukhed #nerve
#creativeheartbeat #draftmagazine

Between Instinct and Intention: FUKHED and Nerve on Timing, Trust and Sound @fukhed @nerve.mp3

At a first glance, FUKHED and Nerve might seem like unlikely collaborators.

One came up through DJing, building a reputation across club spaces before stepping into the studio, translating a deep knowledge of UKG, garage and bass-driven sounds into her own productions. The other moves between rap and production, known for his sharp, instinct-driven approach to beatmaking and a catalogue that leans into raw, high-energy hip hop.

Totally different entry points, different genres, different scenes and yet, somewhere along the way, their paths began to overlap. What makes this collab work isn’t obvious at first. It’s not just shared taste, or even shared history (considering both artists got their start in Brisbane). Instead, it’s something quieter that’s taken time to evolve.

Full interview
LINK IN BIO

Interview and words by @rlcln

Editor in Chief @macami__
Managing Director @ngowyn
Visual Director @davzzzon
Project Manager @tristanjcharles
Content and Fashion Producer @kimberleyjonjiin

Creative Direction @macami__
Photography @davzzzon
Producer @tristanjcharles
Styling @byshaz_
Makeup + Hair @mua_felicity
Makeup assistant @jamespatmore
Grading @macami__

#fukhed #nerve
#creativeheartbeat #draftmagazine