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The Scourge Of Allegory: Genesis Owusu Finds Home In Reality @genesisowusu

For years, Genesis Owusu has been building worlds to help make sense of this one.

Black dogs. Roaches. Characters that could carry the weight of real life without ever naming it directly. Allegory gave him distance from reality, a way to make it more surreal and, in some ways, more manageable.
But for his new album, REDSTAR WU & THE WORLDWIDE SCOURGE, that distance is gone.

Sitting down with the Ghanaian-Australian artist, the sincerity is palpable. “I honestly felt like in this time and space, I didn’t have the privilege to be ambiguous anymore”, he explains. “It felt like there was a wave washing over the world. Hatred, greed, far-right ideology becoming cool again. Washing over like a plague. A worldwide scourge. The album is about the here and now, the trials and tribulations and the chaos and the paranoia, but also about community, and regaining our ability to see the humanity in one another.”

Full interview
LINK IN BIO

Words by @rlcln

Editor in Chief @macami__
Managing Director @ngowyn
Visual Director @davzzzon

Creative Direction @ngowyn
Photography @macami__
Producer @byshaz_
Styling @stylewithsig
Makeup + Hair @mua_felicity
Makeup assistant @thatmakeupboy

Genesis Owusu wearing
Chainvest - @tobiassangkuhl
Jewellry - @dinosaur_designs @70harley

#genesisowusu #editorial #draftmagazine

The Scourge Of Allegory: Genesis Owusu Finds Home In Reality @genesisowusu

For years, Genesis Owusu has been building worlds to help make sense of this one.

Black dogs. Roaches. Characters that could carry the weight of real life without ever naming it directly. Allegory gave him distance from reality, a way to make it more surreal and, in some ways, more manageable.
But for his new album, REDSTAR WU & THE WORLDWIDE SCOURGE, that distance is gone.

Sitting down with the Ghanaian-Australian artist, the sincerity is palpable. “I honestly felt like in this time and space, I didn’t have the privilege to be ambiguous anymore”, he explains. “It felt like there was a wave washing over the world. Hatred, greed, far-right ideology becoming cool again. Washing over like a plague. A worldwide scourge. The album is about the here and now, the trials and tribulations and the chaos and the paranoia, but also about community, and regaining our ability to see the humanity in one another.”

Full interview
LINK IN BIO

Words by @rlcln

Editor in Chief @macami__
Managing Director @ngowyn
Visual Director @davzzzon

Creative Direction @ngowyn
Photography @macami__
Producer @byshaz_
Styling @stylewithsig
Makeup + Hair @mua_felicity
Makeup assistant @thatmakeupboy

Genesis Owusu wearing
Chainvest - @tobiassangkuhl
Jewellry - @dinosaur_designs @70harley

#genesisowusu #editorial #draftmagazine

The Scourge Of Allegory: Genesis Owusu Finds Home In Reality @genesisowusu

For years, Genesis Owusu has been building worlds to help make sense of this one.

Black dogs. Roaches. Characters that could carry the weight of real life without ever naming it directly. Allegory gave him distance from reality, a way to make it more surreal and, in some ways, more manageable.
But for his new album, REDSTAR WU & THE WORLDWIDE SCOURGE, that distance is gone.

Sitting down with the Ghanaian-Australian artist, the sincerity is palpable. “I honestly felt like in this time and space, I didn’t have the privilege to be ambiguous anymore”, he explains. “It felt like there was a wave washing over the world. Hatred, greed, far-right ideology becoming cool again. Washing over like a plague. A worldwide scourge. The album is about the here and now, the trials and tribulations and the chaos and the paranoia, but also about community, and regaining our ability to see the humanity in one another.”

Full interview
LINK IN BIO

Words by @rlcln

Editor in Chief @macami__
Managing Director @ngowyn
Visual Director @davzzzon

Creative Direction @ngowyn
Photography @macami__
Producer @byshaz_
Styling @stylewithsig
Makeup + Hair @mua_felicity
Makeup assistant @thatmakeupboy

Genesis Owusu wearing
Chainvest - @tobiassangkuhl
Jewellry - @dinosaur_designs @70harley

#genesisowusu #editorial #draftmagazine

The Scourge Of Allegory: Genesis Owusu Finds Home In Reality @genesisowusu

For years, Genesis Owusu has been building worlds to help make sense of this one.

Black dogs. Roaches. Characters that could carry the weight of real life without ever naming it directly. Allegory gave him distance from reality, a way to make it more surreal and, in some ways, more manageable.
But for his new album, REDSTAR WU & THE WORLDWIDE SCOURGE, that distance is gone.

Sitting down with the Ghanaian-Australian artist, the sincerity is palpable. “I honestly felt like in this time and space, I didn’t have the privilege to be ambiguous anymore”, he explains. “It felt like there was a wave washing over the world. Hatred, greed, far-right ideology becoming cool again. Washing over like a plague. A worldwide scourge. The album is about the here and now, the trials and tribulations and the chaos and the paranoia, but also about community, and regaining our ability to see the humanity in one another.”

Full interview
LINK IN BIO

Words by @rlcln

Editor in Chief @macami__
Managing Director @ngowyn
Visual Director @davzzzon

Creative Direction @ngowyn
Photography @macami__
Producer @byshaz_
Styling @stylewithsig
Makeup + Hair @mua_felicity
Makeup assistant @thatmakeupboy

Genesis Owusu wearing
Chainvest - @tobiassangkuhl
Jewellry - @dinosaur_designs @70harley

#genesisowusu #editorial #draftmagazine

The Scourge Of Allegory: Genesis Owusu Finds Home In Reality @genesisowusu

For years, Genesis Owusu has been building worlds to help make sense of this one.

Black dogs. Roaches. Characters that could carry the weight of real life without ever naming it directly. Allegory gave him distance from reality, a way to make it more surreal and, in some ways, more manageable.
But for his new album, REDSTAR WU & THE WORLDWIDE SCOURGE, that distance is gone.

Sitting down with the Ghanaian-Australian artist, the sincerity is palpable. “I honestly felt like in this time and space, I didn’t have the privilege to be ambiguous anymore”, he explains. “It felt like there was a wave washing over the world. Hatred, greed, far-right ideology becoming cool again. Washing over like a plague. A worldwide scourge. The album is about the here and now, the trials and tribulations and the chaos and the paranoia, but also about community, and regaining our ability to see the humanity in one another.”

Full interview
LINK IN BIO

Words by @rlcln

Editor in Chief @macami__
Managing Director @ngowyn
Visual Director @davzzzon

Creative Direction @ngowyn
Photography @macami__
Producer @byshaz_
Styling @stylewithsig
Makeup + Hair @mua_felicity
Makeup assistant @thatmakeupboy

Genesis Owusu wearing
Chainvest - @tobiassangkuhl
Jewellry - @dinosaur_designs @70harley

#genesisowusu #editorial #draftmagazine

The Scourge Of Allegory: Genesis Owusu Finds Home In Reality @genesisowusu

For years, Genesis Owusu has been building worlds to help make sense of this one.

Black dogs. Roaches. Characters that could carry the weight of real life without ever naming it directly. Allegory gave him distance from reality, a way to make it more surreal and, in some ways, more manageable.
But for his new album, REDSTAR WU & THE WORLDWIDE SCOURGE, that distance is gone.

Sitting down with the Ghanaian-Australian artist, the sincerity is palpable. “I honestly felt like in this time and space, I didn’t have the privilege to be ambiguous anymore”, he explains. “It felt like there was a wave washing over the world. Hatred, greed, far-right ideology becoming cool again. Washing over like a plague. A worldwide scourge. The album is about the here and now, the trials and tribulations and the chaos and the paranoia, but also about community, and regaining our ability to see the humanity in one another.”

Full interview
LINK IN BIO

Words by @rlcln

Editor in Chief @macami__
Managing Director @ngowyn
Visual Director @davzzzon

Creative Direction @ngowyn
Photography @macami__
Producer @byshaz_
Styling @stylewithsig
Makeup + Hair @mua_felicity
Makeup assistant @thatmakeupboy

Genesis Owusu wearing
Chainvest - @tobiassangkuhl
Jewellry - @dinosaur_designs @70harley

#genesisowusu #editorial #draftmagazine

The Scourge Of Allegory: Genesis Owusu Finds Home In Reality @genesisowusu

For years, Genesis Owusu has been building worlds to help make sense of this one.

Black dogs. Roaches. Characters that could carry the weight of real life without ever naming it directly. Allegory gave him distance from reality, a way to make it more surreal and, in some ways, more manageable.
But for his new album, REDSTAR WU & THE WORLDWIDE SCOURGE, that distance is gone.

Sitting down with the Ghanaian-Australian artist, the sincerity is palpable. “I honestly felt like in this time and space, I didn’t have the privilege to be ambiguous anymore”, he explains. “It felt like there was a wave washing over the world. Hatred, greed, far-right ideology becoming cool again. Washing over like a plague. A worldwide scourge. The album is about the here and now, the trials and tribulations and the chaos and the paranoia, but also about community, and regaining our ability to see the humanity in one another.”

Full interview
LINK IN BIO

Words by @rlcln

Editor in Chief @macami__
Managing Director @ngowyn
Visual Director @davzzzon

Creative Direction @ngowyn
Photography @macami__
Producer @byshaz_
Styling @stylewithsig
Makeup + Hair @mua_felicity
Makeup assistant @thatmakeupboy

Genesis Owusu wearing
Chainvest - @tobiassangkuhl
Jewellry - @dinosaur_designs @70harley

#genesisowusu #editorial #draftmagazine

Big fat q ⏳

Big fat q ⏳

Big fat q ⏳

Big fat q ⏳

Big fat q ⏳

Big fat q ⏳

Big fat q ⏳

Big fat q ⏳

Big fat q ⏳

Big fat q ⏳

Big fat q ⏳

Big fat q ⏳

Cool Stars Shine Brighter: The Public Becoming Of Cat & Calmell @catandcalmell

Cat & Calmell’s journey towards their most authentic selves is anything but a straight line.
There’s no clean befores or afters, no magical moment where everything locks into place. The story of besties and collaborators Catherine Stratton and Calmell Teagle unfolds in real time, through the music, instinct, and vision… a process that feels somewhat public and not quite resolved.

Their latest mixtape Live Laugh Cool Star captures that transformation in action. Leaning into play, persona and pop spectacle, the project also marks a subtle but significant shift in how the duo understand themselves and their art. “We really believe that the mixtape was, like, a mini manifestation,” says Calmell.

Full interview
LINK IN BIO

Words by Clare Neal @rlcln

Editor in Chief @macami__
Managing Director @ngowyn
Visual Director @davzzzon
Project Manager @tristanjcharles
Content and Fashion Producer @kimberleyjonjiin

Creative Director @ngowyn
Creative Producer @tristanjcharles
Art Director @taneeeia
Photo @minoriuedaphoto
Assistant @photojayb
Styling @stylewithsig
Stylists Assistant @stylebyallegra
Makeup @mua_felicity @jamespatmore
Hair @william_webb_hair @zara_zust

Cat Wearing
Top by Maroskee Peech @maroskepeech
Bottoms by She’s A Designer @shesadesigner_________
Shoes by Converse @converse_anz
Nails by @styledbyjuliab

Calmell Wearing
Top & Bottoms by She’s A Designer @shesadesigner_________
Shoes by NIIHAI @nii.hai
Nails by @styledbyjuliab

#catandcalmell #editorial #draftmagazine

Cool Stars Shine Brighter: The Public Becoming Of Cat & Calmell @catandcalmell

Cat & Calmell’s journey towards their most authentic selves is anything but a straight line.
There’s no clean befores or afters, no magical moment where everything locks into place. The story of besties and collaborators Catherine Stratton and Calmell Teagle unfolds in real time, through the music, instinct, and vision… a process that feels somewhat public and not quite resolved.

Their latest mixtape Live Laugh Cool Star captures that transformation in action. Leaning into play, persona and pop spectacle, the project also marks a subtle but significant shift in how the duo understand themselves and their art. “We really believe that the mixtape was, like, a mini manifestation,” says Calmell.

Full interview
LINK IN BIO

Words by Clare Neal @rlcln

Editor in Chief @macami__
Managing Director @ngowyn
Visual Director @davzzzon
Project Manager @tristanjcharles
Content and Fashion Producer @kimberleyjonjiin

Creative Director @ngowyn
Creative Producer @tristanjcharles
Art Director @taneeeia
Photo @minoriuedaphoto
Assistant @photojayb
Styling @stylewithsig
Stylists Assistant @stylebyallegra
Makeup @mua_felicity @jamespatmore
Hair @william_webb_hair @zara_zust

Cat Wearing
Top by Maroskee Peech @maroskepeech
Bottoms by She’s A Designer @shesadesigner_________
Shoes by Converse @converse_anz
Nails by @styledbyjuliab

Calmell Wearing
Top & Bottoms by She’s A Designer @shesadesigner_________
Shoes by NIIHAI @nii.hai
Nails by @styledbyjuliab

#catandcalmell #editorial #draftmagazine

Cool Stars Shine Brighter: The Public Becoming Of Cat & Calmell @catandcalmell

Cat & Calmell’s journey towards their most authentic selves is anything but a straight line.
There’s no clean befores or afters, no magical moment where everything locks into place. The story of besties and collaborators Catherine Stratton and Calmell Teagle unfolds in real time, through the music, instinct, and vision… a process that feels somewhat public and not quite resolved.

Their latest mixtape Live Laugh Cool Star captures that transformation in action. Leaning into play, persona and pop spectacle, the project also marks a subtle but significant shift in how the duo understand themselves and their art. “We really believe that the mixtape was, like, a mini manifestation,” says Calmell.

Full interview
LINK IN BIO

Words by Clare Neal @rlcln

Editor in Chief @macami__
Managing Director @ngowyn
Visual Director @davzzzon
Project Manager @tristanjcharles
Content and Fashion Producer @kimberleyjonjiin

Creative Director @ngowyn
Creative Producer @tristanjcharles
Art Director @taneeeia
Photo @minoriuedaphoto
Assistant @photojayb
Styling @stylewithsig
Stylists Assistant @stylebyallegra
Makeup @mua_felicity @jamespatmore
Hair @william_webb_hair @zara_zust

Cat Wearing
Top by Maroskee Peech @maroskepeech
Bottoms by She’s A Designer @shesadesigner_________
Shoes by Converse @converse_anz
Nails by @styledbyjuliab

Calmell Wearing
Top & Bottoms by She’s A Designer @shesadesigner_________
Shoes by NIIHAI @nii.hai
Nails by @styledbyjuliab

#catandcalmell #editorial #draftmagazine

Cool Stars Shine Brighter: The Public Becoming Of Cat & Calmell @catandcalmell

Cat & Calmell’s journey towards their most authentic selves is anything but a straight line.
There’s no clean befores or afters, no magical moment where everything locks into place. The story of besties and collaborators Catherine Stratton and Calmell Teagle unfolds in real time, through the music, instinct, and vision… a process that feels somewhat public and not quite resolved.

Their latest mixtape Live Laugh Cool Star captures that transformation in action. Leaning into play, persona and pop spectacle, the project also marks a subtle but significant shift in how the duo understand themselves and their art. “We really believe that the mixtape was, like, a mini manifestation,” says Calmell.

Full interview
LINK IN BIO

Words by Clare Neal @rlcln

Editor in Chief @macami__
Managing Director @ngowyn
Visual Director @davzzzon
Project Manager @tristanjcharles
Content and Fashion Producer @kimberleyjonjiin

Creative Director @ngowyn
Creative Producer @tristanjcharles
Art Director @taneeeia
Photo @minoriuedaphoto
Assistant @photojayb
Styling @stylewithsig
Stylists Assistant @stylebyallegra
Makeup @mua_felicity @jamespatmore
Hair @william_webb_hair @zara_zust

Cat Wearing
Top by Maroskee Peech @maroskepeech
Bottoms by She’s A Designer @shesadesigner_________
Shoes by Converse @converse_anz
Nails by @styledbyjuliab

Calmell Wearing
Top & Bottoms by She’s A Designer @shesadesigner_________
Shoes by NIIHAI @nii.hai
Nails by @styledbyjuliab

#catandcalmell #editorial #draftmagazine

Cool Stars Shine Brighter: The Public Becoming Of Cat & Calmell @catandcalmell

Cat & Calmell’s journey towards their most authentic selves is anything but a straight line.
There’s no clean befores or afters, no magical moment where everything locks into place. The story of besties and collaborators Catherine Stratton and Calmell Teagle unfolds in real time, through the music, instinct, and vision… a process that feels somewhat public and not quite resolved.

Their latest mixtape Live Laugh Cool Star captures that transformation in action. Leaning into play, persona and pop spectacle, the project also marks a subtle but significant shift in how the duo understand themselves and their art. “We really believe that the mixtape was, like, a mini manifestation,” says Calmell.

Full interview
LINK IN BIO

Words by Clare Neal @rlcln

Editor in Chief @macami__
Managing Director @ngowyn
Visual Director @davzzzon
Project Manager @tristanjcharles
Content and Fashion Producer @kimberleyjonjiin

Creative Director @ngowyn
Creative Producer @tristanjcharles
Art Director @taneeeia
Photo @minoriuedaphoto
Assistant @photojayb
Styling @stylewithsig
Stylists Assistant @stylebyallegra
Makeup @mua_felicity @jamespatmore
Hair @william_webb_hair @zara_zust

Cat Wearing
Top by Maroskee Peech @maroskepeech
Bottoms by She’s A Designer @shesadesigner_________
Shoes by Converse @converse_anz
Nails by @styledbyjuliab

Calmell Wearing
Top & Bottoms by She’s A Designer @shesadesigner_________
Shoes by NIIHAI @nii.hai
Nails by @styledbyjuliab

#catandcalmell #editorial #draftmagazine

Cool Stars Shine Brighter: The Public Becoming Of Cat & Calmell @catandcalmell

Cat & Calmell’s journey towards their most authentic selves is anything but a straight line.
There’s no clean befores or afters, no magical moment where everything locks into place. The story of besties and collaborators Catherine Stratton and Calmell Teagle unfolds in real time, through the music, instinct, and vision… a process that feels somewhat public and not quite resolved.

Their latest mixtape Live Laugh Cool Star captures that transformation in action. Leaning into play, persona and pop spectacle, the project also marks a subtle but significant shift in how the duo understand themselves and their art. “We really believe that the mixtape was, like, a mini manifestation,” says Calmell.

Full interview
LINK IN BIO

Words by Clare Neal @rlcln

Editor in Chief @macami__
Managing Director @ngowyn
Visual Director @davzzzon
Project Manager @tristanjcharles
Content and Fashion Producer @kimberleyjonjiin

Creative Director @ngowyn
Creative Producer @tristanjcharles
Art Director @taneeeia
Photo @minoriuedaphoto
Assistant @photojayb
Styling @stylewithsig
Stylists Assistant @stylebyallegra
Makeup @mua_felicity @jamespatmore
Hair @william_webb_hair @zara_zust

Cat Wearing
Top by Maroskee Peech @maroskepeech
Bottoms by She’s A Designer @shesadesigner_________
Shoes by Converse @converse_anz
Nails by @styledbyjuliab

Calmell Wearing
Top & Bottoms by She’s A Designer @shesadesigner_________
Shoes by NIIHAI @nii.hai
Nails by @styledbyjuliab

#catandcalmell #editorial #draftmagazine

Cool Stars Shine Brighter: The Public Becoming Of Cat & Calmell @catandcalmell

Cat & Calmell’s journey towards their most authentic selves is anything but a straight line.
There’s no clean befores or afters, no magical moment where everything locks into place. The story of besties and collaborators Catherine Stratton and Calmell Teagle unfolds in real time, through the music, instinct, and vision… a process that feels somewhat public and not quite resolved.

Their latest mixtape Live Laugh Cool Star captures that transformation in action. Leaning into play, persona and pop spectacle, the project also marks a subtle but significant shift in how the duo understand themselves and their art. “We really believe that the mixtape was, like, a mini manifestation,” says Calmell.

Full interview
LINK IN BIO

Words by Clare Neal @rlcln

Editor in Chief @macami__
Managing Director @ngowyn
Visual Director @davzzzon
Project Manager @tristanjcharles
Content and Fashion Producer @kimberleyjonjiin

Creative Director @ngowyn
Creative Producer @tristanjcharles
Art Director @taneeeia
Photo @minoriuedaphoto
Assistant @photojayb
Styling @stylewithsig
Stylists Assistant @stylebyallegra
Makeup @mua_felicity @jamespatmore
Hair @william_webb_hair @zara_zust

Cat Wearing
Top by Maroskee Peech @maroskepeech
Bottoms by She’s A Designer @shesadesigner_________
Shoes by Converse @converse_anz
Nails by @styledbyjuliab

Calmell Wearing
Top & Bottoms by She’s A Designer @shesadesigner_________
Shoes by NIIHAI @nii.hai
Nails by @styledbyjuliab

#catandcalmell #editorial #draftmagazine

Cool Stars Shine Brighter: The Public Becoming Of Cat & Calmell @catandcalmell

Cat & Calmell’s journey towards their most authentic selves is anything but a straight line.
There’s no clean befores or afters, no magical moment where everything locks into place. The story of besties and collaborators Catherine Stratton and Calmell Teagle unfolds in real time, through the music, instinct, and vision… a process that feels somewhat public and not quite resolved.

Their latest mixtape Live Laugh Cool Star captures that transformation in action. Leaning into play, persona and pop spectacle, the project also marks a subtle but significant shift in how the duo understand themselves and their art. “We really believe that the mixtape was, like, a mini manifestation,” says Calmell.

Full interview
LINK IN BIO

Words by Clare Neal @rlcln

Editor in Chief @macami__
Managing Director @ngowyn
Visual Director @davzzzon
Project Manager @tristanjcharles
Content and Fashion Producer @kimberleyjonjiin

Creative Director @ngowyn
Creative Producer @tristanjcharles
Art Director @taneeeia
Photo @minoriuedaphoto
Assistant @photojayb
Styling @stylewithsig
Stylists Assistant @stylebyallegra
Makeup @mua_felicity @jamespatmore
Hair @william_webb_hair @zara_zust

Cat Wearing
Top by Maroskee Peech @maroskepeech
Bottoms by She’s A Designer @shesadesigner_________
Shoes by Converse @converse_anz
Nails by @styledbyjuliab

Calmell Wearing
Top & Bottoms by She’s A Designer @shesadesigner_________
Shoes by NIIHAI @nii.hai
Nails by @styledbyjuliab

#catandcalmell #editorial #draftmagazine

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Between Instinct and Intention: FUKHED and Nerve on Timing, Trust and Sound @fukhed @nerve.mp3

At a first glance, FUKHED and Nerve might seem like unlikely collaborators.

One came up through DJing, building a reputation across club spaces before stepping into the studio, translating a deep knowledge of UKG, garage and bass-driven sounds into her own productions. The other moves between rap and production, known for his sharp, instinct-driven approach to beatmaking and a catalogue that leans into raw, high-energy hip hop.

Totally different entry points, different genres, different scenes and yet, somewhere along the way, their paths began to overlap. What makes this collab work isn’t obvious at first. It’s not just shared taste, or even shared history (considering both artists got their start in Brisbane). Instead, it’s something quieter that’s taken time to evolve.

Full interview
LINK IN BIO

Interview and words by @rlcln

Editor in Chief @macami__
Managing Director @ngowyn
Visual Director @davzzzon
Project Manager @tristanjcharles
Content and Fashion Producer @kimberleyjonjiin

Creative Direction @macami__
Photography @davzzzon
Producer @tristanjcharles
Styling @byshaz_
Makeup + Hair @mua_felicity
Makeup assistant @jamespatmore
Grading @macami__

#fukhed #nerve
#creativeheartbeat #draftmagazine

Between Instinct and Intention: FUKHED and Nerve on Timing, Trust and Sound @fukhed @nerve.mp3

At a first glance, FUKHED and Nerve might seem like unlikely collaborators.

One came up through DJing, building a reputation across club spaces before stepping into the studio, translating a deep knowledge of UKG, garage and bass-driven sounds into her own productions. The other moves between rap and production, known for his sharp, instinct-driven approach to beatmaking and a catalogue that leans into raw, high-energy hip hop.

Totally different entry points, different genres, different scenes and yet, somewhere along the way, their paths began to overlap. What makes this collab work isn’t obvious at first. It’s not just shared taste, or even shared history (considering both artists got their start in Brisbane). Instead, it’s something quieter that’s taken time to evolve.

Full interview
LINK IN BIO

Interview and words by @rlcln

Editor in Chief @macami__
Managing Director @ngowyn
Visual Director @davzzzon
Project Manager @tristanjcharles
Content and Fashion Producer @kimberleyjonjiin

Creative Direction @macami__
Photography @davzzzon
Producer @tristanjcharles
Styling @byshaz_
Makeup + Hair @mua_felicity
Makeup assistant @jamespatmore
Grading @macami__

#fukhed #nerve
#creativeheartbeat #draftmagazine

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🍟 & 🥗

🍟 & 🥗

🍟 & 🥗

🍟 & 🥗

🍟 & 🥗

🍟 & 🥗

🍟 & 🥗

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"Don't get in the way of the groove."

@obongjayar spoke with @rlcln about growth and refinement in practice and life ahead of his upcoming AU/NZ tour. Online now on DRAFT. ⚡️

"Don't get in the way of the groove."

@obongjayar spoke with @rlcln about growth and refinement in practice and life ahead of his upcoming AU/NZ tour. Online now on DRAFT. ⚡️

"Don't get in the way of the groove."

@obongjayar spoke with @rlcln about growth and refinement in practice and life ahead of his upcoming AU/NZ tour. Online now on DRAFT. ⚡️

"Don't get in the way of the groove."

@obongjayar spoke with @rlcln about growth and refinement in practice and life ahead of his upcoming AU/NZ tour. Online now on DRAFT. ⚡️

I wrote a book!

Just kidding. But as of last week I’ve written over 250 pages of reviews, music notes and lovingly obsessive copy for @rageabc*

That’s basically a short novel.

Except instead of a central protagonist, it’s Charli, Amyl, PPC, an indie band from Footscray, and a Norwegian hyperpop producer all sharing rage's silver screen universe at 2am.

Writing for rage is a very particular exercise. It requires:

• the stamina of someone who knows what time 3:47am ~feels~ like

• the diplomacy of explaining shoegaze to someone who just tuned in for Barnsey

• the emotional intelligence to describe a music video involving claymation cyborg strippers with guns for breasts

• and a deep belief that context matters

What I love most is that rage isn’t just a tv show. It’s a public record of taste. Of eras. Of scenes rising and dissolving and rising again within so many dimensions of the creative industries. I wholeheartedly believe music videos (despite any public rhetoric stating otherwise) remain to be an invaluable part of any artists body of work and a great connector for emerging cross-disciplinary talent. Getting to work on this show has been, and continues to be, one of the great privileges of my career.

Long live rage!

Coupla bi-lines old and new in the ➡️➡️➡️

*that's 11pt on A4 for any haterz in the room

I wrote a book!

Just kidding. But as of last week I’ve written over 250 pages of reviews, music notes and lovingly obsessive copy for @rageabc*

That’s basically a short novel.

Except instead of a central protagonist, it’s Charli, Amyl, PPC, an indie band from Footscray, and a Norwegian hyperpop producer all sharing rage's silver screen universe at 2am.

Writing for rage is a very particular exercise. It requires:

• the stamina of someone who knows what time 3:47am ~feels~ like

• the diplomacy of explaining shoegaze to someone who just tuned in for Barnsey

• the emotional intelligence to describe a music video involving claymation cyborg strippers with guns for breasts

• and a deep belief that context matters

What I love most is that rage isn’t just a tv show. It’s a public record of taste. Of eras. Of scenes rising and dissolving and rising again within so many dimensions of the creative industries. I wholeheartedly believe music videos (despite any public rhetoric stating otherwise) remain to be an invaluable part of any artists body of work and a great connector for emerging cross-disciplinary talent. Getting to work on this show has been, and continues to be, one of the great privileges of my career.

Long live rage!

Coupla bi-lines old and new in the ➡️➡️➡️

*that's 11pt on A4 for any haterz in the room

I wrote a book!

Just kidding. But as of last week I’ve written over 250 pages of reviews, music notes and lovingly obsessive copy for @rageabc*

That’s basically a short novel.

Except instead of a central protagonist, it’s Charli, Amyl, PPC, an indie band from Footscray, and a Norwegian hyperpop producer all sharing rage's silver screen universe at 2am.

Writing for rage is a very particular exercise. It requires:

• the stamina of someone who knows what time 3:47am ~feels~ like

• the diplomacy of explaining shoegaze to someone who just tuned in for Barnsey

• the emotional intelligence to describe a music video involving claymation cyborg strippers with guns for breasts

• and a deep belief that context matters

What I love most is that rage isn’t just a tv show. It’s a public record of taste. Of eras. Of scenes rising and dissolving and rising again within so many dimensions of the creative industries. I wholeheartedly believe music videos (despite any public rhetoric stating otherwise) remain to be an invaluable part of any artists body of work and a great connector for emerging cross-disciplinary talent. Getting to work on this show has been, and continues to be, one of the great privileges of my career.

Long live rage!

Coupla bi-lines old and new in the ➡️➡️➡️

*that's 11pt on A4 for any haterz in the room

I wrote a book!

Just kidding. But as of last week I’ve written over 250 pages of reviews, music notes and lovingly obsessive copy for @rageabc*

That’s basically a short novel.

Except instead of a central protagonist, it’s Charli, Amyl, PPC, an indie band from Footscray, and a Norwegian hyperpop producer all sharing rage's silver screen universe at 2am.

Writing for rage is a very particular exercise. It requires:

• the stamina of someone who knows what time 3:47am ~feels~ like

• the diplomacy of explaining shoegaze to someone who just tuned in for Barnsey

• the emotional intelligence to describe a music video involving claymation cyborg strippers with guns for breasts

• and a deep belief that context matters

What I love most is that rage isn’t just a tv show. It’s a public record of taste. Of eras. Of scenes rising and dissolving and rising again within so many dimensions of the creative industries. I wholeheartedly believe music videos (despite any public rhetoric stating otherwise) remain to be an invaluable part of any artists body of work and a great connector for emerging cross-disciplinary talent. Getting to work on this show has been, and continues to be, one of the great privileges of my career.

Long live rage!

Coupla bi-lines old and new in the ➡️➡️➡️

*that's 11pt on A4 for any haterz in the room

I wrote a book!

Just kidding. But as of last week I’ve written over 250 pages of reviews, music notes and lovingly obsessive copy for @rageabc*

That’s basically a short novel.

Except instead of a central protagonist, it’s Charli, Amyl, PPC, an indie band from Footscray, and a Norwegian hyperpop producer all sharing rage's silver screen universe at 2am.

Writing for rage is a very particular exercise. It requires:

• the stamina of someone who knows what time 3:47am ~feels~ like

• the diplomacy of explaining shoegaze to someone who just tuned in for Barnsey

• the emotional intelligence to describe a music video involving claymation cyborg strippers with guns for breasts

• and a deep belief that context matters

What I love most is that rage isn’t just a tv show. It’s a public record of taste. Of eras. Of scenes rising and dissolving and rising again within so many dimensions of the creative industries. I wholeheartedly believe music videos (despite any public rhetoric stating otherwise) remain to be an invaluable part of any artists body of work and a great connector for emerging cross-disciplinary talent. Getting to work on this show has been, and continues to be, one of the great privileges of my career.

Long live rage!

Coupla bi-lines old and new in the ➡️➡️➡️

*that's 11pt on A4 for any haterz in the room

I wrote a book!

Just kidding. But as of last week I’ve written over 250 pages of reviews, music notes and lovingly obsessive copy for @rageabc*

That’s basically a short novel.

Except instead of a central protagonist, it’s Charli, Amyl, PPC, an indie band from Footscray, and a Norwegian hyperpop producer all sharing rage's silver screen universe at 2am.

Writing for rage is a very particular exercise. It requires:

• the stamina of someone who knows what time 3:47am ~feels~ like

• the diplomacy of explaining shoegaze to someone who just tuned in for Barnsey

• the emotional intelligence to describe a music video involving claymation cyborg strippers with guns for breasts

• and a deep belief that context matters

What I love most is that rage isn’t just a tv show. It’s a public record of taste. Of eras. Of scenes rising and dissolving and rising again within so many dimensions of the creative industries. I wholeheartedly believe music videos (despite any public rhetoric stating otherwise) remain to be an invaluable part of any artists body of work and a great connector for emerging cross-disciplinary talent. Getting to work on this show has been, and continues to be, one of the great privileges of my career.

Long live rage!

Coupla bi-lines old and new in the ➡️➡️➡️

*that's 11pt on A4 for any haterz in the room

I wrote a book!

Just kidding. But as of last week I’ve written over 250 pages of reviews, music notes and lovingly obsessive copy for @rageabc*

That’s basically a short novel.

Except instead of a central protagonist, it’s Charli, Amyl, PPC, an indie band from Footscray, and a Norwegian hyperpop producer all sharing rage's silver screen universe at 2am.

Writing for rage is a very particular exercise. It requires:

• the stamina of someone who knows what time 3:47am ~feels~ like

• the diplomacy of explaining shoegaze to someone who just tuned in for Barnsey

• the emotional intelligence to describe a music video involving claymation cyborg strippers with guns for breasts

• and a deep belief that context matters

What I love most is that rage isn’t just a tv show. It’s a public record of taste. Of eras. Of scenes rising and dissolving and rising again within so many dimensions of the creative industries. I wholeheartedly believe music videos (despite any public rhetoric stating otherwise) remain to be an invaluable part of any artists body of work and a great connector for emerging cross-disciplinary talent. Getting to work on this show has been, and continues to be, one of the great privileges of my career.

Long live rage!

Coupla bi-lines old and new in the ➡️➡️➡️

*that's 11pt on A4 for any haterz in the room

Feeling it

Feeling it

Feeling it

Feeling it

Feeling it

Feeling it

Feeling it

Feeling it

Feeling it

Feeling it

Feeling it

Feeling it

Feeling it

Feeling it

Feeling it

Feeling it

Feeling it

Feeling it

Feeling it

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(: \m/

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Soft girl summer 🪶🦋🩷

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Soft girl summer 🪶🦋🩷

Soft girl summer 🪶🦋🩷

Soft girl summer 🪶🦋🩷

Soft girl summer 🪶🦋🩷

Soft girl summer 🪶🦋🩷

Soft girl summer 🪶🦋🩷

Soft girl summer 🪶🦋🩷

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