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𝐓𝐇𝐄 𝐍𝐄𝐖 𝐒𝐓𝐀𝐍𝐃𝐀𝐑𝐃 𝐈𝐍 𝐋𝐈𝐕𝐄 𝐄𝐕𝐄𝐍𝐓 & 𝐌𝐔𝐋𝐓𝐈𝐂𝐀𝐌 𝐏𝐑𝐎𝐃𝐔𝐂𝐓𝐈𝐎𝐍.

We're thrilled to announce our partnership with The HELM (@thehelmtech), a global expert in cinematic live broadcast and high-end production workflows, to launch Keslow LIVE.

The partnership combines Keslow Camera’s trusted reputation, world-class inventory, and deep relationships in the film and television community with The HELM’s expertise in cinematic live production, fiber-based workflows, and turnkey execution.

The result is a single-source pathway that allows clients to access the full spectrum of cinematic equipment, services, and live production capability, all through a unified and trusted partnership.

𝐂𝐈𝐍𝐄𝐌𝐀𝐓𝐈𝐂 𝐋𝐈𝐕𝐄 𝐒𝐓𝐎𝐑𝐘𝐓𝐄𝐋𝐋𝐈𝐍𝐆.
𝐀𝐍𝐘 𝐒𝐂𝐀𝐋𝐄. 𝐀𝐍𝐘𝐖𝐇𝐄𝐑𝐄.

Hit the link in our bio to learn more!

#liveevents #multicam #broadcast #sitcom #keslowlive

#ICYMI, The ASC (@the__asc) Todd-AO 65mm primes are exclusively available for rent at Keslow Camera.

Rehoused by Zero Optik (@zerooptik), the ASC Todd-AO 65mm primes reflect years of hard work and perfectionism, resulting in one of the rarest sets of cinema lenses in existence.

Check out the November issue of American Cinematographer (@american_cinematographer) for a phenomenal look at the history of these one-of-a-kind lenses and the process to bring them back to life, from the pen of Jay Holben (@jayholben.)

We're honored to have been intimately involved in the resurrection of these iconic cinema lenses for a new generation of filmmakers. More info at the link in our bio!

#ICYMI, The ASC (@the__asc) Todd-AO 65mm primes are exclusively available for rent at Keslow Camera.

Rehoused by Zero Optik (@zerooptik), the ASC Todd-AO 65mm primes reflect years of hard work and perfectionism, resulting in one of the rarest sets of cinema lenses in existence.

Check out the November issue of American Cinematographer (@american_cinematographer) for a phenomenal look at the history of these one-of-a-kind lenses and the process to bring them back to life, from the pen of Jay Holben (@jayholben.)

We're honored to have been intimately involved in the resurrection of these iconic cinema lenses for a new generation of filmmakers. More info at the link in our bio!

#ICYMI, The ASC (@the__asc) Todd-AO 65mm primes are exclusively available for rent at Keslow Camera.

Rehoused by Zero Optik (@zerooptik), the ASC Todd-AO 65mm primes reflect years of hard work and perfectionism, resulting in one of the rarest sets of cinema lenses in existence.

Check out the November issue of American Cinematographer (@american_cinematographer) for a phenomenal look at the history of these one-of-a-kind lenses and the process to bring them back to life, from the pen of Jay Holben (@jayholben.)

We're honored to have been intimately involved in the resurrection of these iconic cinema lenses for a new generation of filmmakers. More info at the link in our bio!

#ICYMI, The ASC (@the__asc) Todd-AO 65mm primes are exclusively available for rent at Keslow Camera.

Rehoused by Zero Optik (@zerooptik), the ASC Todd-AO 65mm primes reflect years of hard work and perfectionism, resulting in one of the rarest sets of cinema lenses in existence.

Check out the November issue of American Cinematographer (@american_cinematographer) for a phenomenal look at the history of these one-of-a-kind lenses and the process to bring them back to life, from the pen of Jay Holben (@jayholben.)

We're honored to have been intimately involved in the resurrection of these iconic cinema lenses for a new generation of filmmakers. More info at the link in our bio!

The ASC has restored and relaunched a rare set of Todd-AO 65mm lenses from the ASC Museum archives, now available for modern productions through Keslow Camera @keslowcamera . Originally developed in the 1950s for Oklahoma! and other 65mm epics, the Todd-AO lenses helped define the widescreen era of Hollywood.

Rebuilt in collaboration with Zero Optik @zerooptik and fine-tuned with input from Greig Fraser, ASC, ACS @greigfraser_dp , the project preserves the lenses’ vintage character while adapting them for today’s digital workflows. The first to use them was Christian Sprenger, ASC @casprenger , for Apple TV Plus’ Widow’s Bay.

Read the full story in the November 2025 issue of American Cinematographer.
#AmericanCinematographer #ASC #Cinematography #ToddAO #ZeroOptik #KeslowCamera #GreigFraserASC #ChristianSprengerASC #VintageGlass #FilmHistory

The ASC has restored and relaunched a rare set of Todd-AO 65mm lenses from the ASC Museum archives, now available for modern productions through Keslow Camera @keslowcamera . Originally developed in the 1950s for Oklahoma! and other 65mm epics, the Todd-AO lenses helped define the widescreen era of Hollywood.

Rebuilt in collaboration with Zero Optik @zerooptik and fine-tuned with input from Greig Fraser, ASC, ACS @greigfraser_dp , the project preserves the lenses’ vintage character while adapting them for today’s digital workflows. The first to use them was Christian Sprenger, ASC @casprenger , for Apple TV Plus’ Widow’s Bay.

Read the full story in the November 2025 issue of American Cinematographer.
#AmericanCinematographer #ASC #Cinematography #ToddAO #ZeroOptik #KeslowCamera #GreigFraserASC #ChristianSprengerASC #VintageGlass #FilmHistory

The ASC has restored and relaunched a rare set of Todd-AO 65mm lenses from the ASC Museum archives, now available for modern productions through Keslow Camera @keslowcamera . Originally developed in the 1950s for Oklahoma! and other 65mm epics, the Todd-AO lenses helped define the widescreen era of Hollywood.

Rebuilt in collaboration with Zero Optik @zerooptik and fine-tuned with input from Greig Fraser, ASC, ACS @greigfraser_dp , the project preserves the lenses’ vintage character while adapting them for today’s digital workflows. The first to use them was Christian Sprenger, ASC @casprenger , for Apple TV Plus’ Widow’s Bay.

Read the full story in the November 2025 issue of American Cinematographer.
#AmericanCinematographer #ASC #Cinematography #ToddAO #ZeroOptik #KeslowCamera #GreigFraserASC #ChristianSprengerASC #VintageGlass #FilmHistory

The ASC has restored and relaunched a rare set of Todd-AO 65mm lenses from the ASC Museum archives, now available for modern productions through Keslow Camera @keslowcamera . Originally developed in the 1950s for Oklahoma! and other 65mm epics, the Todd-AO lenses helped define the widescreen era of Hollywood.

Rebuilt in collaboration with Zero Optik @zerooptik and fine-tuned with input from Greig Fraser, ASC, ACS @greigfraser_dp , the project preserves the lenses’ vintage character while adapting them for today’s digital workflows. The first to use them was Christian Sprenger, ASC @casprenger , for Apple TV Plus’ Widow’s Bay.

Read the full story in the November 2025 issue of American Cinematographer.
#AmericanCinematographer #ASC #Cinematography #ToddAO #ZeroOptik #KeslowCamera #GreigFraserASC #ChristianSprengerASC #VintageGlass #FilmHistory

The ASC has restored and relaunched a rare set of Todd-AO 65mm lenses from the ASC Museum archives, now available for modern productions through Keslow Camera @keslowcamera . Originally developed in the 1950s for Oklahoma! and other 65mm epics, the Todd-AO lenses helped define the widescreen era of Hollywood.

Rebuilt in collaboration with Zero Optik @zerooptik and fine-tuned with input from Greig Fraser, ASC, ACS @greigfraser_dp , the project preserves the lenses’ vintage character while adapting them for today’s digital workflows. The first to use them was Christian Sprenger, ASC @casprenger , for Apple TV Plus’ Widow’s Bay.

Read the full story in the November 2025 issue of American Cinematographer.
#AmericanCinematographer #ASC #Cinematography #ToddAO #ZeroOptik #KeslowCamera #GreigFraserASC #ChristianSprengerASC #VintageGlass #FilmHistory

The ASC has restored and relaunched a rare set of Todd-AO 65mm lenses from the ASC Museum archives, now available for modern productions through Keslow Camera @keslowcamera . Originally developed in the 1950s for Oklahoma! and other 65mm epics, the Todd-AO lenses helped define the widescreen era of Hollywood.

Rebuilt in collaboration with Zero Optik @zerooptik and fine-tuned with input from Greig Fraser, ASC, ACS @greigfraser_dp , the project preserves the lenses’ vintage character while adapting them for today’s digital workflows. The first to use them was Christian Sprenger, ASC @casprenger , for Apple TV Plus’ Widow’s Bay.

Read the full story in the November 2025 issue of American Cinematographer.
#AmericanCinematographer #ASC #Cinematography #ToddAO #ZeroOptik #KeslowCamera #GreigFraserASC #ChristianSprengerASC #VintageGlass #FilmHistory

The ASC has restored and relaunched a rare set of Todd-AO 65mm lenses from the ASC Museum archives, now available for modern productions through Keslow Camera @keslowcamera . Originally developed in the 1950s for Oklahoma! and other 65mm epics, the Todd-AO lenses helped define the widescreen era of Hollywood.

Rebuilt in collaboration with Zero Optik @zerooptik and fine-tuned with input from Greig Fraser, ASC, ACS @greigfraser_dp , the project preserves the lenses’ vintage character while adapting them for today’s digital workflows. The first to use them was Christian Sprenger, ASC @casprenger , for Apple TV Plus’ Widow’s Bay.

Read the full story in the November 2025 issue of American Cinematographer.
#AmericanCinematographer #ASC #Cinematography #ToddAO #ZeroOptik #KeslowCamera #GreigFraserASC #ChristianSprengerASC #VintageGlass #FilmHistory

It was incredibly inspiring to host the @southkamtitans Film Club at our Vancouver office for a special cinematography workshop! 🎬

These students traveled all the way to Vancouver to dive into the local film industry. We loved getting to show them the ropes with an intensive workshop covering the basics of filmmaking. The students got hands-on time building and operating premier cinema cameras and lenses, and even got to step into the rig for some Steadicam training!

The future of filmmaking is incredibly bright. ✨ Keep creating, SKSS!

It was incredibly inspiring to host the @southkamtitans Film Club at our Vancouver office for a special cinematography workshop! 🎬

These students traveled all the way to Vancouver to dive into the local film industry. We loved getting to show them the ropes with an intensive workshop covering the basics of filmmaking. The students got hands-on time building and operating premier cinema cameras and lenses, and even got to step into the rig for some Steadicam training!

The future of filmmaking is incredibly bright. ✨ Keep creating, SKSS!

It was incredibly inspiring to host the @southkamtitans Film Club at our Vancouver office for a special cinematography workshop! 🎬

These students traveled all the way to Vancouver to dive into the local film industry. We loved getting to show them the ropes with an intensive workshop covering the basics of filmmaking. The students got hands-on time building and operating premier cinema cameras and lenses, and even got to step into the rig for some Steadicam training!

The future of filmmaking is incredibly bright. ✨ Keep creating, SKSS!

It was incredibly inspiring to host the @southkamtitans Film Club at our Vancouver office for a special cinematography workshop! 🎬

These students traveled all the way to Vancouver to dive into the local film industry. We loved getting to show them the ropes with an intensive workshop covering the basics of filmmaking. The students got hands-on time building and operating premier cinema cameras and lenses, and even got to step into the rig for some Steadicam training!

The future of filmmaking is incredibly bright. ✨ Keep creating, SKSS!

It was incredibly inspiring to host the @southkamtitans Film Club at our Vancouver office for a special cinematography workshop! 🎬

These students traveled all the way to Vancouver to dive into the local film industry. We loved getting to show them the ropes with an intensive workshop covering the basics of filmmaking. The students got hands-on time building and operating premier cinema cameras and lenses, and even got to step into the rig for some Steadicam training!

The future of filmmaking is incredibly bright. ✨ Keep creating, SKSS!

prep day at @keslowcamera ♡

dp: @germano.assuncao
1st ac: @raquelwajner
2nd ac: @weinsteinjudy

alexa 35 xtreme x blackwing7’s

We had an amazing time this past weekend at the @jlfisher_inc Industry Mixer & BBQ! 🍔🎬

It is always so special getting to connect with this incredible community, talk gear, and catch up with old friends and new.

A huge thank you to everyone who stopped by the booth we shared with our friends at @old_fast_glass! Those who were able to make it out got hands-on time with a massive lineup of glass, spinning on and off the @sonycine VENICE 2 and @arri ALEXA 35 all day:

✨ @ancientoptics TAMASHII Primes
✨ @ancientoptics STATERA Anamorphic Primes
✨ @ancientoptics PETZVALUX Primes
✨ @old_fast_glass Long Shot

We also had a blast pairing up some of our large-format glass - the @ancientoptics SERIES 65s and our exclusive @the__asc Todd AO 65mm Primes - with the incredible ARRI ALEXA 65!

We can't wait for next year! To learn more about the entire Ancient Optics lineup, hit the link in our bio! 🔗

We had an amazing time this past weekend at the @jlfisher_inc Industry Mixer & BBQ! 🍔🎬

It is always so special getting to connect with this incredible community, talk gear, and catch up with old friends and new.

A huge thank you to everyone who stopped by the booth we shared with our friends at @old_fast_glass! Those who were able to make it out got hands-on time with a massive lineup of glass, spinning on and off the @sonycine VENICE 2 and @arri ALEXA 35 all day:

✨ @ancientoptics TAMASHII Primes
✨ @ancientoptics STATERA Anamorphic Primes
✨ @ancientoptics PETZVALUX Primes
✨ @old_fast_glass Long Shot

We also had a blast pairing up some of our large-format glass - the @ancientoptics SERIES 65s and our exclusive @the__asc Todd AO 65mm Primes - with the incredible ARRI ALEXA 65!

We can't wait for next year! To learn more about the entire Ancient Optics lineup, hit the link in our bio! 🔗

We had an amazing time this past weekend at the @jlfisher_inc Industry Mixer & BBQ! 🍔🎬

It is always so special getting to connect with this incredible community, talk gear, and catch up with old friends and new.

A huge thank you to everyone who stopped by the booth we shared with our friends at @old_fast_glass! Those who were able to make it out got hands-on time with a massive lineup of glass, spinning on and off the @sonycine VENICE 2 and @arri ALEXA 35 all day:

✨ @ancientoptics TAMASHII Primes
✨ @ancientoptics STATERA Anamorphic Primes
✨ @ancientoptics PETZVALUX Primes
✨ @old_fast_glass Long Shot

We also had a blast pairing up some of our large-format glass - the @ancientoptics SERIES 65s and our exclusive @the__asc Todd AO 65mm Primes - with the incredible ARRI ALEXA 65!

We can't wait for next year! To learn more about the entire Ancient Optics lineup, hit the link in our bio! 🔗

We had an amazing time this past weekend at the @jlfisher_inc Industry Mixer & BBQ! 🍔🎬

It is always so special getting to connect with this incredible community, talk gear, and catch up with old friends and new.

A huge thank you to everyone who stopped by the booth we shared with our friends at @old_fast_glass! Those who were able to make it out got hands-on time with a massive lineup of glass, spinning on and off the @sonycine VENICE 2 and @arri ALEXA 35 all day:

✨ @ancientoptics TAMASHII Primes
✨ @ancientoptics STATERA Anamorphic Primes
✨ @ancientoptics PETZVALUX Primes
✨ @old_fast_glass Long Shot

We also had a blast pairing up some of our large-format glass - the @ancientoptics SERIES 65s and our exclusive @the__asc Todd AO 65mm Primes - with the incredible ARRI ALEXA 65!

We can't wait for next year! To learn more about the entire Ancient Optics lineup, hit the link in our bio! 🔗

We had an amazing time this past weekend at the @jlfisher_inc Industry Mixer & BBQ! 🍔🎬

It is always so special getting to connect with this incredible community, talk gear, and catch up with old friends and new.

A huge thank you to everyone who stopped by the booth we shared with our friends at @old_fast_glass! Those who were able to make it out got hands-on time with a massive lineup of glass, spinning on and off the @sonycine VENICE 2 and @arri ALEXA 35 all day:

✨ @ancientoptics TAMASHII Primes
✨ @ancientoptics STATERA Anamorphic Primes
✨ @ancientoptics PETZVALUX Primes
✨ @old_fast_glass Long Shot

We also had a blast pairing up some of our large-format glass - the @ancientoptics SERIES 65s and our exclusive @the__asc Todd AO 65mm Primes - with the incredible ARRI ALEXA 65!

We can't wait for next year! To learn more about the entire Ancient Optics lineup, hit the link in our bio! 🔗

We had an amazing time this past weekend at the @jlfisher_inc Industry Mixer & BBQ! 🍔🎬

It is always so special getting to connect with this incredible community, talk gear, and catch up with old friends and new.

A huge thank you to everyone who stopped by the booth we shared with our friends at @old_fast_glass! Those who were able to make it out got hands-on time with a massive lineup of glass, spinning on and off the @sonycine VENICE 2 and @arri ALEXA 35 all day:

✨ @ancientoptics TAMASHII Primes
✨ @ancientoptics STATERA Anamorphic Primes
✨ @ancientoptics PETZVALUX Primes
✨ @old_fast_glass Long Shot

We also had a blast pairing up some of our large-format glass - the @ancientoptics SERIES 65s and our exclusive @the__asc Todd AO 65mm Primes - with the incredible ARRI ALEXA 65!

We can't wait for next year! To learn more about the entire Ancient Optics lineup, hit the link in our bio! 🔗

We had an amazing time this past weekend at the @jlfisher_inc Industry Mixer & BBQ! 🍔🎬

It is always so special getting to connect with this incredible community, talk gear, and catch up with old friends and new.

A huge thank you to everyone who stopped by the booth we shared with our friends at @old_fast_glass! Those who were able to make it out got hands-on time with a massive lineup of glass, spinning on and off the @sonycine VENICE 2 and @arri ALEXA 35 all day:

✨ @ancientoptics TAMASHII Primes
✨ @ancientoptics STATERA Anamorphic Primes
✨ @ancientoptics PETZVALUX Primes
✨ @old_fast_glass Long Shot

We also had a blast pairing up some of our large-format glass - the @ancientoptics SERIES 65s and our exclusive @the__asc Todd AO 65mm Primes - with the incredible ARRI ALEXA 65!

We can't wait for next year! To learn more about the entire Ancient Optics lineup, hit the link in our bio! 🔗

Stills from episode 905 “Dia De Los Muertos” Directed by my friend, the incredibly talented @keithtripler

Yes we terrorized DTLA with a gigantic pumpkin captained by @fxr_coffey

@911onabc @keslowcamera

A Op: @brice.reid.528
A 1st AC: @jrydings
B Op: @millerphilm
B 1st: @losdoerr
Gaffer: @daveghegan
Key Grip: @gripmonkeyal
Programmer: @deadmegapixel

Stills from episode 905 “Dia De Los Muertos” Directed by my friend, the incredibly talented @keithtripler

Yes we terrorized DTLA with a gigantic pumpkin captained by @fxr_coffey

@911onabc @keslowcamera

A Op: @brice.reid.528
A 1st AC: @jrydings
B Op: @millerphilm
B 1st: @losdoerr
Gaffer: @daveghegan
Key Grip: @gripmonkeyal
Programmer: @deadmegapixel

Stills from episode 905 “Dia De Los Muertos” Directed by my friend, the incredibly talented @keithtripler

Yes we terrorized DTLA with a gigantic pumpkin captained by @fxr_coffey

@911onabc @keslowcamera

A Op: @brice.reid.528
A 1st AC: @jrydings
B Op: @millerphilm
B 1st: @losdoerr
Gaffer: @daveghegan
Key Grip: @gripmonkeyal
Programmer: @deadmegapixel

Stills from episode 905 “Dia De Los Muertos” Directed by my friend, the incredibly talented @keithtripler

Yes we terrorized DTLA with a gigantic pumpkin captained by @fxr_coffey

@911onabc @keslowcamera

A Op: @brice.reid.528
A 1st AC: @jrydings
B Op: @millerphilm
B 1st: @losdoerr
Gaffer: @daveghegan
Key Grip: @gripmonkeyal
Programmer: @deadmegapixel

Stills from episode 905 “Dia De Los Muertos” Directed by my friend, the incredibly talented @keithtripler

Yes we terrorized DTLA with a gigantic pumpkin captained by @fxr_coffey

@911onabc @keslowcamera

A Op: @brice.reid.528
A 1st AC: @jrydings
B Op: @millerphilm
B 1st: @losdoerr
Gaffer: @daveghegan
Key Grip: @gripmonkeyal
Programmer: @deadmegapixel

Stills from episode 905 “Dia De Los Muertos” Directed by my friend, the incredibly talented @keithtripler

Yes we terrorized DTLA with a gigantic pumpkin captained by @fxr_coffey

@911onabc @keslowcamera

A Op: @brice.reid.528
A 1st AC: @jrydings
B Op: @millerphilm
B 1st: @losdoerr
Gaffer: @daveghegan
Key Grip: @gripmonkeyal
Programmer: @deadmegapixel

Dutton Ranch 2025. #duttonranch #cameracrew

Dutton Ranch 2025. #duttonranch #cameracrew

Grateful for this team and the work we do! Thank you @keslowcamera and @sunbeltrentals!

DOP: @emily.jzhang
Operator: @nicolas_twc
1st AC: @tiana_moretti
2nd AC: @thomas____more
Key Grip: @caleb_vanslingerland
Gaffer: @_rafaelzoto
Dolly Grip: @thenameistravis
Swing: @ryanmendoozaa
DMT: @abidabbas.k

Thank you @sandaminiii @alysonrichards411 @lee.marsh.all for all of us! Can’t wait to share this one.

🎥 From the 2025 #PierreAngenieuxTribute to one of the most anticipated biopics of the year, Dion Beebe ACS, ASC @ddbeebe continues his exploration of movement, light, music, and emotion with Michael.
🎞️ Directed by Antoine Fuqua and starring Jaafar Jackson, the film brings one of the world’s most iconic performers to the screen through a visual language shaped by performance, intimacy, and scale.
🔗 Link in bio to read more about Beebe’s work on Michael and the Angénieux lenses that joined his selection for the film.

#DionBeebe #MichaelMovie #cinematography

Keslow Camera is excited to exhibit at the J.L. Fisher Industry Mixer & BBQ!

Join us on Saturday, May 16th for a day celebrating the motion picture and television community. Come by our booth for a day of networking, inspiration, and collaboration with industry leaders, creators, and innovators.

Don't miss the day's special programming:

- "REFLECTIONS on Cinematography" [10:00A - 11:30A]
A discussion with Team Deakins, with a book signing to follow.

- J.L. Fisher Facility Tour [12:00P]
Conducted by Jim Fisher.

- ASC Panel Discussion [1:30P - 3:00P]

RSVP at the link in bio! Parking is limited, so ridesharing or carpooling is strongly encouraged. We recommend bringing sun protection to stay safe from the elements.

We look forward to seeing you there!

@jlfisher_inc
@old_fast_glass

#keslowcamera #jlfisher #cinematography #filmmaking #cameradepartment

“The Embrace” Canadian Blood Services
Director: @ballztopia
Production: @opcproduction
Producer: @kino_usvit
Executive Producer: @harlandweiss
Service Company: @filmgroup.tv
DoP: @davidfoulkes_
Production Designer: @jocarkner
Choreographer: @scruffyjester
1st AD: @nathan.valente
Casting Director US: @ryanlagod
Casting Director Canada: @jigsawcasting
Production Manager: @okun.powe
DIT: @kellyfennig
1st AC: @soupy74
Gaffer: @chrisrumak
Key Grip: @idryden
Wardrobe Stylist: Tanus Lewis
Hair & Makeup: @shanniereynolds
Editor: @instagrahamchisholm @nimiopere
Colour: @simone_grattarola_colour @timebasedarts
VFX: @untold_studios
Sound Design & Mix: @starecrazy
.
Mini LF & ASC Todd-AO @keslowcamera @the__asc
@artistry.agency

“The Embrace” Canadian Blood Services
Director: @ballztopia
Production: @opcproduction
Producer: @kino_usvit
Executive Producer: @harlandweiss
Service Company: @filmgroup.tv
DoP: @davidfoulkes_
Production Designer: @jocarkner
Choreographer: @scruffyjester
1st AD: @nathan.valente
Casting Director US: @ryanlagod
Casting Director Canada: @jigsawcasting
Production Manager: @okun.powe
DIT: @kellyfennig
1st AC: @soupy74
Gaffer: @chrisrumak
Key Grip: @idryden
Wardrobe Stylist: Tanus Lewis
Hair & Makeup: @shanniereynolds
Editor: @instagrahamchisholm @nimiopere
Colour: @simone_grattarola_colour @timebasedarts
VFX: @untold_studios
Sound Design & Mix: @starecrazy
.
Mini LF & ASC Todd-AO @keslowcamera @the__asc
@artistry.agency

“The Embrace” Canadian Blood Services
Director: @ballztopia
Production: @opcproduction
Producer: @kino_usvit
Executive Producer: @harlandweiss
Service Company: @filmgroup.tv
DoP: @davidfoulkes_
Production Designer: @jocarkner
Choreographer: @scruffyjester
1st AD: @nathan.valente
Casting Director US: @ryanlagod
Casting Director Canada: @jigsawcasting
Production Manager: @okun.powe
DIT: @kellyfennig
1st AC: @soupy74
Gaffer: @chrisrumak
Key Grip: @idryden
Wardrobe Stylist: Tanus Lewis
Hair & Makeup: @shanniereynolds
Editor: @instagrahamchisholm @nimiopere
Colour: @simone_grattarola_colour @timebasedarts
VFX: @untold_studios
Sound Design & Mix: @starecrazy
.
Mini LF & ASC Todd-AO @keslowcamera @the__asc
@artistry.agency

“The Embrace” Canadian Blood Services
Director: @ballztopia
Production: @opcproduction
Producer: @kino_usvit
Executive Producer: @harlandweiss
Service Company: @filmgroup.tv
DoP: @davidfoulkes_
Production Designer: @jocarkner
Choreographer: @scruffyjester
1st AD: @nathan.valente
Casting Director US: @ryanlagod
Casting Director Canada: @jigsawcasting
Production Manager: @okun.powe
DIT: @kellyfennig
1st AC: @soupy74
Gaffer: @chrisrumak
Key Grip: @idryden
Wardrobe Stylist: Tanus Lewis
Hair & Makeup: @shanniereynolds
Editor: @instagrahamchisholm @nimiopere
Colour: @simone_grattarola_colour @timebasedarts
VFX: @untold_studios
Sound Design & Mix: @starecrazy
.
Mini LF & ASC Todd-AO @keslowcamera @the__asc
@artistry.agency

“The Embrace” Canadian Blood Services
Director: @ballztopia
Production: @opcproduction
Producer: @kino_usvit
Executive Producer: @harlandweiss
Service Company: @filmgroup.tv
DoP: @davidfoulkes_
Production Designer: @jocarkner
Choreographer: @scruffyjester
1st AD: @nathan.valente
Casting Director US: @ryanlagod
Casting Director Canada: @jigsawcasting
Production Manager: @okun.powe
DIT: @kellyfennig
1st AC: @soupy74
Gaffer: @chrisrumak
Key Grip: @idryden
Wardrobe Stylist: Tanus Lewis
Hair & Makeup: @shanniereynolds
Editor: @instagrahamchisholm @nimiopere
Colour: @simone_grattarola_colour @timebasedarts
VFX: @untold_studios
Sound Design & Mix: @starecrazy
.
Mini LF & ASC Todd-AO @keslowcamera @the__asc
@artistry.agency

“The Embrace” Canadian Blood Services
Director: @ballztopia
Production: @opcproduction
Producer: @kino_usvit
Executive Producer: @harlandweiss
Service Company: @filmgroup.tv
DoP: @davidfoulkes_
Production Designer: @jocarkner
Choreographer: @scruffyjester
1st AD: @nathan.valente
Casting Director US: @ryanlagod
Casting Director Canada: @jigsawcasting
Production Manager: @okun.powe
DIT: @kellyfennig
1st AC: @soupy74
Gaffer: @chrisrumak
Key Grip: @idryden
Wardrobe Stylist: Tanus Lewis
Hair & Makeup: @shanniereynolds
Editor: @instagrahamchisholm @nimiopere
Colour: @simone_grattarola_colour @timebasedarts
VFX: @untold_studios
Sound Design & Mix: @starecrazy
.
Mini LF & ASC Todd-AO @keslowcamera @the__asc
@artistry.agency

“The Embrace” Canadian Blood Services
Director: @ballztopia
Production: @opcproduction
Producer: @kino_usvit
Executive Producer: @harlandweiss
Service Company: @filmgroup.tv
DoP: @davidfoulkes_
Production Designer: @jocarkner
Choreographer: @scruffyjester
1st AD: @nathan.valente
Casting Director US: @ryanlagod
Casting Director Canada: @jigsawcasting
Production Manager: @okun.powe
DIT: @kellyfennig
1st AC: @soupy74
Gaffer: @chrisrumak
Key Grip: @idryden
Wardrobe Stylist: Tanus Lewis
Hair & Makeup: @shanniereynolds
Editor: @instagrahamchisholm @nimiopere
Colour: @simone_grattarola_colour @timebasedarts
VFX: @untold_studios
Sound Design & Mix: @starecrazy
.
Mini LF & ASC Todd-AO @keslowcamera @the__asc
@artistry.agency

“The Embrace” Canadian Blood Services
Director: @ballztopia
Production: @opcproduction
Producer: @kino_usvit
Executive Producer: @harlandweiss
Service Company: @filmgroup.tv
DoP: @davidfoulkes_
Production Designer: @jocarkner
Choreographer: @scruffyjester
1st AD: @nathan.valente
Casting Director US: @ryanlagod
Casting Director Canada: @jigsawcasting
Production Manager: @okun.powe
DIT: @kellyfennig
1st AC: @soupy74
Gaffer: @chrisrumak
Key Grip: @idryden
Wardrobe Stylist: Tanus Lewis
Hair & Makeup: @shanniereynolds
Editor: @instagrahamchisholm @nimiopere
Colour: @simone_grattarola_colour @timebasedarts
VFX: @untold_studios
Sound Design & Mix: @starecrazy
.
Mini LF & ASC Todd-AO @keslowcamera @the__asc
@artistry.agency

“The Embrace” Canadian Blood Services
Director: @ballztopia
Production: @opcproduction
Producer: @kino_usvit
Executive Producer: @harlandweiss
Service Company: @filmgroup.tv
DoP: @davidfoulkes_
Production Designer: @jocarkner
Choreographer: @scruffyjester
1st AD: @nathan.valente
Casting Director US: @ryanlagod
Casting Director Canada: @jigsawcasting
Production Manager: @okun.powe
DIT: @kellyfennig
1st AC: @soupy74
Gaffer: @chrisrumak
Key Grip: @idryden
Wardrobe Stylist: Tanus Lewis
Hair & Makeup: @shanniereynolds
Editor: @instagrahamchisholm @nimiopere
Colour: @simone_grattarola_colour @timebasedarts
VFX: @untold_studios
Sound Design & Mix: @starecrazy
.
Mini LF & ASC Todd-AO @keslowcamera @the__asc
@artistry.agency

“The Embrace” Canadian Blood Services
Director: @ballztopia
Production: @opcproduction
Producer: @kino_usvit
Executive Producer: @harlandweiss
Service Company: @filmgroup.tv
DoP: @davidfoulkes_
Production Designer: @jocarkner
Choreographer: @scruffyjester
1st AD: @nathan.valente
Casting Director US: @ryanlagod
Casting Director Canada: @jigsawcasting
Production Manager: @okun.powe
DIT: @kellyfennig
1st AC: @soupy74
Gaffer: @chrisrumak
Key Grip: @idryden
Wardrobe Stylist: Tanus Lewis
Hair & Makeup: @shanniereynolds
Editor: @instagrahamchisholm @nimiopere
Colour: @simone_grattarola_colour @timebasedarts
VFX: @untold_studios
Sound Design & Mix: @starecrazy
.
Mini LF & ASC Todd-AO @keslowcamera @the__asc
@artistry.agency

“The Embrace” Canadian Blood Services
Director: @ballztopia
Production: @opcproduction
Producer: @kino_usvit
Executive Producer: @harlandweiss
Service Company: @filmgroup.tv
DoP: @davidfoulkes_
Production Designer: @jocarkner
Choreographer: @scruffyjester
1st AD: @nathan.valente
Casting Director US: @ryanlagod
Casting Director Canada: @jigsawcasting
Production Manager: @okun.powe
DIT: @kellyfennig
1st AC: @soupy74
Gaffer: @chrisrumak
Key Grip: @idryden
Wardrobe Stylist: Tanus Lewis
Hair & Makeup: @shanniereynolds
Editor: @instagrahamchisholm @nimiopere
Colour: @simone_grattarola_colour @timebasedarts
VFX: @untold_studios
Sound Design & Mix: @starecrazy
.
Mini LF & ASC Todd-AO @keslowcamera @the__asc
@artistry.agency

“The Embrace” Canadian Blood Services
Director: @ballztopia
Production: @opcproduction
Producer: @kino_usvit
Executive Producer: @harlandweiss
Service Company: @filmgroup.tv
DoP: @davidfoulkes_
Production Designer: @jocarkner
Choreographer: @scruffyjester
1st AD: @nathan.valente
Casting Director US: @ryanlagod
Casting Director Canada: @jigsawcasting
Production Manager: @okun.powe
DIT: @kellyfennig
1st AC: @soupy74
Gaffer: @chrisrumak
Key Grip: @idryden
Wardrobe Stylist: Tanus Lewis
Hair & Makeup: @shanniereynolds
Editor: @instagrahamchisholm @nimiopere
Colour: @simone_grattarola_colour @timebasedarts
VFX: @untold_studios
Sound Design & Mix: @starecrazy
.
Mini LF & ASC Todd-AO @keslowcamera @the__asc
@artistry.agency

“The Embrace” Canadian Blood Services
Director: @ballztopia
Production: @opcproduction
Producer: @kino_usvit
Executive Producer: @harlandweiss
Service Company: @filmgroup.tv
DoP: @davidfoulkes_
Production Designer: @jocarkner
Choreographer: @scruffyjester
1st AD: @nathan.valente
Casting Director US: @ryanlagod
Casting Director Canada: @jigsawcasting
Production Manager: @okun.powe
DIT: @kellyfennig
1st AC: @soupy74
Gaffer: @chrisrumak
Key Grip: @idryden
Wardrobe Stylist: Tanus Lewis
Hair & Makeup: @shanniereynolds
Editor: @instagrahamchisholm @nimiopere
Colour: @simone_grattarola_colour @timebasedarts
VFX: @untold_studios
Sound Design & Mix: @starecrazy
.
Mini LF & ASC Todd-AO @keslowcamera @the__asc
@artistry.agency

“The Embrace” Canadian Blood Services
Director: @ballztopia
Production: @opcproduction
Producer: @kino_usvit
Executive Producer: @harlandweiss
Service Company: @filmgroup.tv
DoP: @davidfoulkes_
Production Designer: @jocarkner
Choreographer: @scruffyjester
1st AD: @nathan.valente
Casting Director US: @ryanlagod
Casting Director Canada: @jigsawcasting
Production Manager: @okun.powe
DIT: @kellyfennig
1st AC: @soupy74
Gaffer: @chrisrumak
Key Grip: @idryden
Wardrobe Stylist: Tanus Lewis
Hair & Makeup: @shanniereynolds
Editor: @instagrahamchisholm @nimiopere
Colour: @simone_grattarola_colour @timebasedarts
VFX: @untold_studios
Sound Design & Mix: @starecrazy
.
Mini LF & ASC Todd-AO @keslowcamera @the__asc
@artistry.agency

“The Embrace” Canadian Blood Services
Director: @ballztopia
Production: @opcproduction
Producer: @kino_usvit
Executive Producer: @harlandweiss
Service Company: @filmgroup.tv
DoP: @davidfoulkes_
Production Designer: @jocarkner
Choreographer: @scruffyjester
1st AD: @nathan.valente
Casting Director US: @ryanlagod
Casting Director Canada: @jigsawcasting
Production Manager: @okun.powe
DIT: @kellyfennig
1st AC: @soupy74
Gaffer: @chrisrumak
Key Grip: @idryden
Wardrobe Stylist: Tanus Lewis
Hair & Makeup: @shanniereynolds
Editor: @instagrahamchisholm @nimiopere
Colour: @simone_grattarola_colour @timebasedarts
VFX: @untold_studios
Sound Design & Mix: @starecrazy
.
Mini LF & ASC Todd-AO @keslowcamera @the__asc
@artistry.agency

“The Embrace” Canadian Blood Services
Director: @ballztopia
Production: @opcproduction
Producer: @kino_usvit
Executive Producer: @harlandweiss
Service Company: @filmgroup.tv
DoP: @davidfoulkes_
Production Designer: @jocarkner
Choreographer: @scruffyjester
1st AD: @nathan.valente
Casting Director US: @ryanlagod
Casting Director Canada: @jigsawcasting
Production Manager: @okun.powe
DIT: @kellyfennig
1st AC: @soupy74
Gaffer: @chrisrumak
Key Grip: @idryden
Wardrobe Stylist: Tanus Lewis
Hair & Makeup: @shanniereynolds
Editor: @instagrahamchisholm @nimiopere
Colour: @simone_grattarola_colour @timebasedarts
VFX: @untold_studios
Sound Design & Mix: @starecrazy
.
Mini LF & ASC Todd-AO @keslowcamera @the__asc
@artistry.agency

“The Embrace” Canadian Blood Services
Director: @ballztopia
Production: @opcproduction
Producer: @kino_usvit
Executive Producer: @harlandweiss
Service Company: @filmgroup.tv
DoP: @davidfoulkes_
Production Designer: @jocarkner
Choreographer: @scruffyjester
1st AD: @nathan.valente
Casting Director US: @ryanlagod
Casting Director Canada: @jigsawcasting
Production Manager: @okun.powe
DIT: @kellyfennig
1st AC: @soupy74
Gaffer: @chrisrumak
Key Grip: @idryden
Wardrobe Stylist: Tanus Lewis
Hair & Makeup: @shanniereynolds
Editor: @instagrahamchisholm @nimiopere
Colour: @simone_grattarola_colour @timebasedarts
VFX: @untold_studios
Sound Design & Mix: @starecrazy
.
Mini LF & ASC Todd-AO @keslowcamera @the__asc
@artistry.agency

“The Embrace” Canadian Blood Services
Director: @ballztopia
Production: @opcproduction
Producer: @kino_usvit
Executive Producer: @harlandweiss
Service Company: @filmgroup.tv
DoP: @davidfoulkes_
Production Designer: @jocarkner
Choreographer: @scruffyjester
1st AD: @nathan.valente
Casting Director US: @ryanlagod
Casting Director Canada: @jigsawcasting
Production Manager: @okun.powe
DIT: @kellyfennig
1st AC: @soupy74
Gaffer: @chrisrumak
Key Grip: @idryden
Wardrobe Stylist: Tanus Lewis
Hair & Makeup: @shanniereynolds
Editor: @instagrahamchisholm @nimiopere
Colour: @simone_grattarola_colour @timebasedarts
VFX: @untold_studios
Sound Design & Mix: @starecrazy
.
Mini LF & ASC Todd-AO @keslowcamera @the__asc
@artistry.agency

“The Embrace” Canadian Blood Services
Director: @ballztopia
Production: @opcproduction
Producer: @kino_usvit
Executive Producer: @harlandweiss
Service Company: @filmgroup.tv
DoP: @davidfoulkes_
Production Designer: @jocarkner
Choreographer: @scruffyjester
1st AD: @nathan.valente
Casting Director US: @ryanlagod
Casting Director Canada: @jigsawcasting
Production Manager: @okun.powe
DIT: @kellyfennig
1st AC: @soupy74
Gaffer: @chrisrumak
Key Grip: @idryden
Wardrobe Stylist: Tanus Lewis
Hair & Makeup: @shanniereynolds
Editor: @instagrahamchisholm @nimiopere
Colour: @simone_grattarola_colour @timebasedarts
VFX: @untold_studios
Sound Design & Mix: @starecrazy
.
Mini LF & ASC Todd-AO @keslowcamera @the__asc
@artistry.agency

“The Embrace” Canadian Blood Services
Director: @ballztopia
Production: @opcproduction
Producer: @kino_usvit
Executive Producer: @harlandweiss
Service Company: @filmgroup.tv
DoP: @davidfoulkes_
Production Designer: @jocarkner
Choreographer: @scruffyjester
1st AD: @nathan.valente
Casting Director US: @ryanlagod
Casting Director Canada: @jigsawcasting
Production Manager: @okun.powe
DIT: @kellyfennig
1st AC: @soupy74
Gaffer: @chrisrumak
Key Grip: @idryden
Wardrobe Stylist: Tanus Lewis
Hair & Makeup: @shanniereynolds
Editor: @instagrahamchisholm @nimiopere
Colour: @simone_grattarola_colour @timebasedarts
VFX: @untold_studios
Sound Design & Mix: @starecrazy
.
Mini LF & ASC Todd-AO @keslowcamera @the__asc
@artistry.agency