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ivanmarching
Ivan March
words/curation @wakinglife.pt
politics @guerrillafoundation
radio @refugeworldwide
residencies @villa_mmm 🏳️🌈
Writing this involved more listening than it did reading, days on end were spent with artists that were countering injustice, oppression, prejudice, the greeds of Empire and the miseries of man. Music born of pain as much as of wonder, passion, LSD or hope, and it is comforting to recall such lineages, some giants of history, many forgotten by it entirely, all nevertheless feeling music as a blade that cuts deep.
This essay makes no claim to totality. The seismic musical map is necessarily incomplete, drawn in some broad, politically significant strokes. Countless titans remain unnamed, the dissident punk of Soviet bloc bands, the reinventions of Madonna, the shameless edges of Prince, ... To catalogue every insurrectionary chord would require an encyclopedia, not a musico-historical snapshot.
The purpose here is not archival exhaustiveness, but the articulation of an urgent thesis: that music’s history is a history of political force, and its future sites of gathering, from the squatted basement to the corporatized festival grounds, are where the battle for that force’s meaning is eternally waged.
What is on offer is not the definitive history, but a critical lens. The rest is just a song waiting to be sung.
🌀 full piece via link in bio and right here: wakinglife.pt/storytelling/sonic-insurrection-part-1
writing: @ivanmarching
editing: @sayfen895
watercolors: @mernywernz
Writing this involved more listening than it did reading, days on end were spent with artists that were countering injustice, oppression, prejudice, the greeds of Empire and the miseries of man. Music born of pain as much as of wonder, passion, LSD or hope, and it is comforting to recall such lineages, some giants of history, many forgotten by it entirely, all nevertheless feeling music as a blade that cuts deep.
This essay makes no claim to totality. The seismic musical map is necessarily incomplete, drawn in some broad, politically significant strokes. Countless titans remain unnamed, the dissident punk of Soviet bloc bands, the reinventions of Madonna, the shameless edges of Prince, ... To catalogue every insurrectionary chord would require an encyclopedia, not a musico-historical snapshot.
The purpose here is not archival exhaustiveness, but the articulation of an urgent thesis: that music’s history is a history of political force, and its future sites of gathering, from the squatted basement to the corporatized festival grounds, are where the battle for that force’s meaning is eternally waged.
What is on offer is not the definitive history, but a critical lens. The rest is just a song waiting to be sung.
🌀 full piece via link in bio and right here: wakinglife.pt/storytelling/sonic-insurrection-part-1
writing: @ivanmarching
editing: @sayfen895
watercolors: @mernywernz
Writing this involved more listening than it did reading, days on end were spent with artists that were countering injustice, oppression, prejudice, the greeds of Empire and the miseries of man. Music born of pain as much as of wonder, passion, LSD or hope, and it is comforting to recall such lineages, some giants of history, many forgotten by it entirely, all nevertheless feeling music as a blade that cuts deep.
This essay makes no claim to totality. The seismic musical map is necessarily incomplete, drawn in some broad, politically significant strokes. Countless titans remain unnamed, the dissident punk of Soviet bloc bands, the reinventions of Madonna, the shameless edges of Prince, ... To catalogue every insurrectionary chord would require an encyclopedia, not a musico-historical snapshot.
The purpose here is not archival exhaustiveness, but the articulation of an urgent thesis: that music’s history is a history of political force, and its future sites of gathering, from the squatted basement to the corporatized festival grounds, are where the battle for that force’s meaning is eternally waged.
What is on offer is not the definitive history, but a critical lens. The rest is just a song waiting to be sung.
🌀 full piece via link in bio and right here: wakinglife.pt/storytelling/sonic-insurrection-part-1
writing: @ivanmarching
editing: @sayfen895
watercolors: @mernywernz
Writing this involved more listening than it did reading, days on end were spent with artists that were countering injustice, oppression, prejudice, the greeds of Empire and the miseries of man. Music born of pain as much as of wonder, passion, LSD or hope, and it is comforting to recall such lineages, some giants of history, many forgotten by it entirely, all nevertheless feeling music as a blade that cuts deep.
This essay makes no claim to totality. The seismic musical map is necessarily incomplete, drawn in some broad, politically significant strokes. Countless titans remain unnamed, the dissident punk of Soviet bloc bands, the reinventions of Madonna, the shameless edges of Prince, ... To catalogue every insurrectionary chord would require an encyclopedia, not a musico-historical snapshot.
The purpose here is not archival exhaustiveness, but the articulation of an urgent thesis: that music’s history is a history of political force, and its future sites of gathering, from the squatted basement to the corporatized festival grounds, are where the battle for that force’s meaning is eternally waged.
What is on offer is not the definitive history, but a critical lens. The rest is just a song waiting to be sung.
🌀 full piece via link in bio and right here: wakinglife.pt/storytelling/sonic-insurrection-part-1
writing: @ivanmarching
editing: @sayfen895
watercolors: @mernywernz
Writing this involved more listening than it did reading, days on end were spent with artists that were countering injustice, oppression, prejudice, the greeds of Empire and the miseries of man. Music born of pain as much as of wonder, passion, LSD or hope, and it is comforting to recall such lineages, some giants of history, many forgotten by it entirely, all nevertheless feeling music as a blade that cuts deep.
This essay makes no claim to totality. The seismic musical map is necessarily incomplete, drawn in some broad, politically significant strokes. Countless titans remain unnamed, the dissident punk of Soviet bloc bands, the reinventions of Madonna, the shameless edges of Prince, ... To catalogue every insurrectionary chord would require an encyclopedia, not a musico-historical snapshot.
The purpose here is not archival exhaustiveness, but the articulation of an urgent thesis: that music’s history is a history of political force, and its future sites of gathering, from the squatted basement to the corporatized festival grounds, are where the battle for that force’s meaning is eternally waged.
What is on offer is not the definitive history, but a critical lens. The rest is just a song waiting to be sung.
🌀 full piece via link in bio and right here: wakinglife.pt/storytelling/sonic-insurrection-part-1
writing: @ivanmarching
editing: @sayfen895
watercolors: @mernywernz
Writing this involved more listening than it did reading, days on end were spent with artists that were countering injustice, oppression, prejudice, the greeds of Empire and the miseries of man. Music born of pain as much as of wonder, passion, LSD or hope, and it is comforting to recall such lineages, some giants of history, many forgotten by it entirely, all nevertheless feeling music as a blade that cuts deep.
This essay makes no claim to totality. The seismic musical map is necessarily incomplete, drawn in some broad, politically significant strokes. Countless titans remain unnamed, the dissident punk of Soviet bloc bands, the reinventions of Madonna, the shameless edges of Prince, ... To catalogue every insurrectionary chord would require an encyclopedia, not a musico-historical snapshot.
The purpose here is not archival exhaustiveness, but the articulation of an urgent thesis: that music’s history is a history of political force, and its future sites of gathering, from the squatted basement to the corporatized festival grounds, are where the battle for that force’s meaning is eternally waged.
What is on offer is not the definitive history, but a critical lens. The rest is just a song waiting to be sung.
🌀 full piece via link in bio and right here: wakinglife.pt/storytelling/sonic-insurrection-part-1
writing: @ivanmarching
editing: @sayfen895
watercolors: @mernywernz
Writing this involved more listening than it did reading, days on end were spent with artists that were countering injustice, oppression, prejudice, the greeds of Empire and the miseries of man. Music born of pain as much as of wonder, passion, LSD or hope, and it is comforting to recall such lineages, some giants of history, many forgotten by it entirely, all nevertheless feeling music as a blade that cuts deep.
This essay makes no claim to totality. The seismic musical map is necessarily incomplete, drawn in some broad, politically significant strokes. Countless titans remain unnamed, the dissident punk of Soviet bloc bands, the reinventions of Madonna, the shameless edges of Prince, ... To catalogue every insurrectionary chord would require an encyclopedia, not a musico-historical snapshot.
The purpose here is not archival exhaustiveness, but the articulation of an urgent thesis: that music’s history is a history of political force, and its future sites of gathering, from the squatted basement to the corporatized festival grounds, are where the battle for that force’s meaning is eternally waged.
What is on offer is not the definitive history, but a critical lens. The rest is just a song waiting to be sung.
🌀 full piece via link in bio and right here: wakinglife.pt/storytelling/sonic-insurrection-part-1
writing: @ivanmarching
editing: @sayfen895
watercolors: @mernywernz
Writing this involved more listening than it did reading, days on end were spent with artists that were countering injustice, oppression, prejudice, the greeds of Empire and the miseries of man. Music born of pain as much as of wonder, passion, LSD or hope, and it is comforting to recall such lineages, some giants of history, many forgotten by it entirely, all nevertheless feeling music as a blade that cuts deep.
This essay makes no claim to totality. The seismic musical map is necessarily incomplete, drawn in some broad, politically significant strokes. Countless titans remain unnamed, the dissident punk of Soviet bloc bands, the reinventions of Madonna, the shameless edges of Prince, ... To catalogue every insurrectionary chord would require an encyclopedia, not a musico-historical snapshot.
The purpose here is not archival exhaustiveness, but the articulation of an urgent thesis: that music’s history is a history of political force, and its future sites of gathering, from the squatted basement to the corporatized festival grounds, are where the battle for that force’s meaning is eternally waged.
What is on offer is not the definitive history, but a critical lens. The rest is just a song waiting to be sung.
🌀 full piece via link in bio and right here: wakinglife.pt/storytelling/sonic-insurrection-part-1
writing: @ivanmarching
editing: @sayfen895
watercolors: @mernywernz
Writing this involved more listening than it did reading, days on end were spent with artists that were countering injustice, oppression, prejudice, the greeds of Empire and the miseries of man. Music born of pain as much as of wonder, passion, LSD or hope, and it is comforting to recall such lineages, some giants of history, many forgotten by it entirely, all nevertheless feeling music as a blade that cuts deep.
This essay makes no claim to totality. The seismic musical map is necessarily incomplete, drawn in some broad, politically significant strokes. Countless titans remain unnamed, the dissident punk of Soviet bloc bands, the reinventions of Madonna, the shameless edges of Prince, ... To catalogue every insurrectionary chord would require an encyclopedia, not a musico-historical snapshot.
The purpose here is not archival exhaustiveness, but the articulation of an urgent thesis: that music’s history is a history of political force, and its future sites of gathering, from the squatted basement to the corporatized festival grounds, are where the battle for that force’s meaning is eternally waged.
What is on offer is not the definitive history, but a critical lens. The rest is just a song waiting to be sung.
🌀 full piece via link in bio and right here: wakinglife.pt/storytelling/sonic-insurrection-part-1
writing: @ivanmarching
editing: @sayfen895
watercolors: @mernywernz
Writing this involved more listening than it did reading, days on end were spent with artists that were countering injustice, oppression, prejudice, the greeds of Empire and the miseries of man. Music born of pain as much as of wonder, passion, LSD or hope, and it is comforting to recall such lineages, some giants of history, many forgotten by it entirely, all nevertheless feeling music as a blade that cuts deep.
This essay makes no claim to totality. The seismic musical map is necessarily incomplete, drawn in some broad, politically significant strokes. Countless titans remain unnamed, the dissident punk of Soviet bloc bands, the reinventions of Madonna, the shameless edges of Prince, ... To catalogue every insurrectionary chord would require an encyclopedia, not a musico-historical snapshot.
The purpose here is not archival exhaustiveness, but the articulation of an urgent thesis: that music’s history is a history of political force, and its future sites of gathering, from the squatted basement to the corporatized festival grounds, are where the battle for that force’s meaning is eternally waged.
What is on offer is not the definitive history, but a critical lens. The rest is just a song waiting to be sung.
🌀 full piece via link in bio and right here: wakinglife.pt/storytelling/sonic-insurrection-part-1
writing: @ivanmarching
editing: @sayfen895
watercolors: @mernywernz
Writing this involved more listening than it did reading, days on end were spent with artists that were countering injustice, oppression, prejudice, the greeds of Empire and the miseries of man. Music born of pain as much as of wonder, passion, LSD or hope, and it is comforting to recall such lineages, some giants of history, many forgotten by it entirely, all nevertheless feeling music as a blade that cuts deep.
This essay makes no claim to totality. The seismic musical map is necessarily incomplete, drawn in some broad, politically significant strokes. Countless titans remain unnamed, the dissident punk of Soviet bloc bands, the reinventions of Madonna, the shameless edges of Prince, ... To catalogue every insurrectionary chord would require an encyclopedia, not a musico-historical snapshot.
The purpose here is not archival exhaustiveness, but the articulation of an urgent thesis: that music’s history is a history of political force, and its future sites of gathering, from the squatted basement to the corporatized festival grounds, are where the battle for that force’s meaning is eternally waged.
What is on offer is not the definitive history, but a critical lens. The rest is just a song waiting to be sung.
🌀 full piece via link in bio and right here: wakinglife.pt/storytelling/sonic-insurrection-part-1
writing: @ivanmarching
editing: @sayfen895
watercolors: @mernywernz
Writing this involved more listening than it did reading, days on end were spent with artists that were countering injustice, oppression, prejudice, the greeds of Empire and the miseries of man. Music born of pain as much as of wonder, passion, LSD or hope, and it is comforting to recall such lineages, some giants of history, many forgotten by it entirely, all nevertheless feeling music as a blade that cuts deep.
This essay makes no claim to totality. The seismic musical map is necessarily incomplete, drawn in some broad, politically significant strokes. Countless titans remain unnamed, the dissident punk of Soviet bloc bands, the reinventions of Madonna, the shameless edges of Prince, ... To catalogue every insurrectionary chord would require an encyclopedia, not a musico-historical snapshot.
The purpose here is not archival exhaustiveness, but the articulation of an urgent thesis: that music’s history is a history of political force, and its future sites of gathering, from the squatted basement to the corporatized festival grounds, are where the battle for that force’s meaning is eternally waged.
What is on offer is not the definitive history, but a critical lens. The rest is just a song waiting to be sung.
🌀 full piece via link in bio and right here: wakinglife.pt/storytelling/sonic-insurrection-part-1
writing: @ivanmarching
editing: @sayfen895
watercolors: @mernywernz
Writing this involved more listening than it did reading, days on end were spent with artists that were countering injustice, oppression, prejudice, the greeds of Empire and the miseries of man. Music born of pain as much as of wonder, passion, LSD or hope, and it is comforting to recall such lineages, some giants of history, many forgotten by it entirely, all nevertheless feeling music as a blade that cuts deep.
This essay makes no claim to totality. The seismic musical map is necessarily incomplete, drawn in some broad, politically significant strokes. Countless titans remain unnamed, the dissident punk of Soviet bloc bands, the reinventions of Madonna, the shameless edges of Prince, ... To catalogue every insurrectionary chord would require an encyclopedia, not a musico-historical snapshot.
The purpose here is not archival exhaustiveness, but the articulation of an urgent thesis: that music’s history is a history of political force, and its future sites of gathering, from the squatted basement to the corporatized festival grounds, are where the battle for that force’s meaning is eternally waged.
What is on offer is not the definitive history, but a critical lens. The rest is just a song waiting to be sung.
🌀 full piece via link in bio and right here: wakinglife.pt/storytelling/sonic-insurrection-part-1
writing: @ivanmarching
editing: @sayfen895
watercolors: @mernywernz
Writing this involved more listening than it did reading, days on end were spent with artists that were countering injustice, oppression, prejudice, the greeds of Empire and the miseries of man. Music born of pain as much as of wonder, passion, LSD or hope, and it is comforting to recall such lineages, some giants of history, many forgotten by it entirely, all nevertheless feeling music as a blade that cuts deep.
This essay makes no claim to totality. The seismic musical map is necessarily incomplete, drawn in some broad, politically significant strokes. Countless titans remain unnamed, the dissident punk of Soviet bloc bands, the reinventions of Madonna, the shameless edges of Prince, ... To catalogue every insurrectionary chord would require an encyclopedia, not a musico-historical snapshot.
The purpose here is not archival exhaustiveness, but the articulation of an urgent thesis: that music’s history is a history of political force, and its future sites of gathering, from the squatted basement to the corporatized festival grounds, are where the battle for that force’s meaning is eternally waged.
What is on offer is not the definitive history, but a critical lens. The rest is just a song waiting to be sung.
🌀 full piece via link in bio and right here: wakinglife.pt/storytelling/sonic-insurrection-part-1
writing: @ivanmarching
editing: @sayfen895
watercolors: @mernywernz
Writing this involved more listening than it did reading, days on end were spent with artists that were countering injustice, oppression, prejudice, the greeds of Empire and the miseries of man. Music born of pain as much as of wonder, passion, LSD or hope, and it is comforting to recall such lineages, some giants of history, many forgotten by it entirely, all nevertheless feeling music as a blade that cuts deep.
This essay makes no claim to totality. The seismic musical map is necessarily incomplete, drawn in some broad, politically significant strokes. Countless titans remain unnamed, the dissident punk of Soviet bloc bands, the reinventions of Madonna, the shameless edges of Prince, ... To catalogue every insurrectionary chord would require an encyclopedia, not a musico-historical snapshot.
The purpose here is not archival exhaustiveness, but the articulation of an urgent thesis: that music’s history is a history of political force, and its future sites of gathering, from the squatted basement to the corporatized festival grounds, are where the battle for that force’s meaning is eternally waged.
What is on offer is not the definitive history, but a critical lens. The rest is just a song waiting to be sung.
🌀 full piece via link in bio and right here: wakinglife.pt/storytelling/sonic-insurrection-part-1
writing: @ivanmarching
editing: @sayfen895
watercolors: @mernywernz
Writing this involved more listening than it did reading, days on end were spent with artists that were countering injustice, oppression, prejudice, the greeds of Empire and the miseries of man. Music born of pain as much as of wonder, passion, LSD or hope, and it is comforting to recall such lineages, some giants of history, many forgotten by it entirely, all nevertheless feeling music as a blade that cuts deep.
This essay makes no claim to totality. The seismic musical map is necessarily incomplete, drawn in some broad, politically significant strokes. Countless titans remain unnamed, the dissident punk of Soviet bloc bands, the reinventions of Madonna, the shameless edges of Prince, ... To catalogue every insurrectionary chord would require an encyclopedia, not a musico-historical snapshot.
The purpose here is not archival exhaustiveness, but the articulation of an urgent thesis: that music’s history is a history of political force, and its future sites of gathering, from the squatted basement to the corporatized festival grounds, are where the battle for that force’s meaning is eternally waged.
What is on offer is not the definitive history, but a critical lens. The rest is just a song waiting to be sung.
🌀 full piece via link in bio and right here: wakinglife.pt/storytelling/sonic-insurrection-part-1
writing: @ivanmarching
editing: @sayfen895
watercolors: @mernywernz
Writing this involved more listening than it did reading, days on end were spent with artists that were countering injustice, oppression, prejudice, the greeds of Empire and the miseries of man. Music born of pain as much as of wonder, passion, LSD or hope, and it is comforting to recall such lineages, some giants of history, many forgotten by it entirely, all nevertheless feeling music as a blade that cuts deep.
This essay makes no claim to totality. The seismic musical map is necessarily incomplete, drawn in some broad, politically significant strokes. Countless titans remain unnamed, the dissident punk of Soviet bloc bands, the reinventions of Madonna, the shameless edges of Prince, ... To catalogue every insurrectionary chord would require an encyclopedia, not a musico-historical snapshot.
The purpose here is not archival exhaustiveness, but the articulation of an urgent thesis: that music’s history is a history of political force, and its future sites of gathering, from the squatted basement to the corporatized festival grounds, are where the battle for that force’s meaning is eternally waged.
What is on offer is not the definitive history, but a critical lens. The rest is just a song waiting to be sung.
🌀 full piece via link in bio and right here: wakinglife.pt/storytelling/sonic-insurrection-part-1
writing: @ivanmarching
editing: @sayfen895
watercolors: @mernywernz
Writing this involved more listening than it did reading, days on end were spent with artists that were countering injustice, oppression, prejudice, the greeds of Empire and the miseries of man. Music born of pain as much as of wonder, passion, LSD or hope, and it is comforting to recall such lineages, some giants of history, many forgotten by it entirely, all nevertheless feeling music as a blade that cuts deep.
This essay makes no claim to totality. The seismic musical map is necessarily incomplete, drawn in some broad, politically significant strokes. Countless titans remain unnamed, the dissident punk of Soviet bloc bands, the reinventions of Madonna, the shameless edges of Prince, ... To catalogue every insurrectionary chord would require an encyclopedia, not a musico-historical snapshot.
The purpose here is not archival exhaustiveness, but the articulation of an urgent thesis: that music’s history is a history of political force, and its future sites of gathering, from the squatted basement to the corporatized festival grounds, are where the battle for that force’s meaning is eternally waged.
What is on offer is not the definitive history, but a critical lens. The rest is just a song waiting to be sung.
🌀 full piece via link in bio and right here: wakinglife.pt/storytelling/sonic-insurrection-part-1
writing: @ivanmarching
editing: @sayfen895
watercolors: @mernywernz
Probs my favourite text, out of everything I wrote last year.
This essay has been in the making for a long while, stitched from many late night and early morning conravesations.
It is not a doctrine for festival puritanism or a manifesto for competitive karma-olympics.. The critique is born from love, from the visceral memory of a track, a beat and a groove that realigned your brain stem, of eye contact in a crowd that felt like a religious experience, of a dawn that broke in an indescribably and painfully beautiful way. It is a defence of the rebellious, the weird, the psychedelic, the exhausting rave timewarp.. those rare, deeply affecting moments where art and communion fuse into a reason for being.
These are not trivial pleasures; they are among the sweetest pursuits that give texture and meaning to a life. The argument is not in creating an unattainable golden standard, but instead for allegiance, to that sacred frequency against its corporate simulacrum.
We all participate in numerous industrial-complexes, and our lives are twisted in dark, delirious ways, so the story is far from simple. We navigate a world that contorts us with pressures we did not ask for and bends us into shapes we did not choose. This is an eruption of thought, that itself welcomes critique and dialogue, but simply refuses to submit to apathy or conformity. Curious to know what you think :)
Rêve on ;)
🌀 full piece via link in bio and right here: wakinglife.pt/storytelling/sonic-insurrection-part-2
writing: @ivanmarching
editing: @sayfen895
watercolors: @mernywernz
Probs my favourite text, out of everything I wrote last year.
This essay has been in the making for a long while, stitched from many late night and early morning conravesations.
It is not a doctrine for festival puritanism or a manifesto for competitive karma-olympics.. The critique is born from love, from the visceral memory of a track, a beat and a groove that realigned your brain stem, of eye contact in a crowd that felt like a religious experience, of a dawn that broke in an indescribably and painfully beautiful way. It is a defence of the rebellious, the weird, the psychedelic, the exhausting rave timewarp.. those rare, deeply affecting moments where art and communion fuse into a reason for being.
These are not trivial pleasures; they are among the sweetest pursuits that give texture and meaning to a life. The argument is not in creating an unattainable golden standard, but instead for allegiance, to that sacred frequency against its corporate simulacrum.
We all participate in numerous industrial-complexes, and our lives are twisted in dark, delirious ways, so the story is far from simple. We navigate a world that contorts us with pressures we did not ask for and bends us into shapes we did not choose. This is an eruption of thought, that itself welcomes critique and dialogue, but simply refuses to submit to apathy or conformity. Curious to know what you think :)
Rêve on ;)
🌀 full piece via link in bio and right here: wakinglife.pt/storytelling/sonic-insurrection-part-2
writing: @ivanmarching
editing: @sayfen895
watercolors: @mernywernz
Probs my favourite text, out of everything I wrote last year.
This essay has been in the making for a long while, stitched from many late night and early morning conravesations.
It is not a doctrine for festival puritanism or a manifesto for competitive karma-olympics.. The critique is born from love, from the visceral memory of a track, a beat and a groove that realigned your brain stem, of eye contact in a crowd that felt like a religious experience, of a dawn that broke in an indescribably and painfully beautiful way. It is a defence of the rebellious, the weird, the psychedelic, the exhausting rave timewarp.. those rare, deeply affecting moments where art and communion fuse into a reason for being.
These are not trivial pleasures; they are among the sweetest pursuits that give texture and meaning to a life. The argument is not in creating an unattainable golden standard, but instead for allegiance, to that sacred frequency against its corporate simulacrum.
We all participate in numerous industrial-complexes, and our lives are twisted in dark, delirious ways, so the story is far from simple. We navigate a world that contorts us with pressures we did not ask for and bends us into shapes we did not choose. This is an eruption of thought, that itself welcomes critique and dialogue, but simply refuses to submit to apathy or conformity. Curious to know what you think :)
Rêve on ;)
🌀 full piece via link in bio and right here: wakinglife.pt/storytelling/sonic-insurrection-part-2
writing: @ivanmarching
editing: @sayfen895
watercolors: @mernywernz
Probs my favourite text, out of everything I wrote last year.
This essay has been in the making for a long while, stitched from many late night and early morning conravesations.
It is not a doctrine for festival puritanism or a manifesto for competitive karma-olympics.. The critique is born from love, from the visceral memory of a track, a beat and a groove that realigned your brain stem, of eye contact in a crowd that felt like a religious experience, of a dawn that broke in an indescribably and painfully beautiful way. It is a defence of the rebellious, the weird, the psychedelic, the exhausting rave timewarp.. those rare, deeply affecting moments where art and communion fuse into a reason for being.
These are not trivial pleasures; they are among the sweetest pursuits that give texture and meaning to a life. The argument is not in creating an unattainable golden standard, but instead for allegiance, to that sacred frequency against its corporate simulacrum.
We all participate in numerous industrial-complexes, and our lives are twisted in dark, delirious ways, so the story is far from simple. We navigate a world that contorts us with pressures we did not ask for and bends us into shapes we did not choose. This is an eruption of thought, that itself welcomes critique and dialogue, but simply refuses to submit to apathy or conformity. Curious to know what you think :)
Rêve on ;)
🌀 full piece via link in bio and right here: wakinglife.pt/storytelling/sonic-insurrection-part-2
writing: @ivanmarching
editing: @sayfen895
watercolors: @mernywernz
Probs my favourite text, out of everything I wrote last year.
This essay has been in the making for a long while, stitched from many late night and early morning conravesations.
It is not a doctrine for festival puritanism or a manifesto for competitive karma-olympics.. The critique is born from love, from the visceral memory of a track, a beat and a groove that realigned your brain stem, of eye contact in a crowd that felt like a religious experience, of a dawn that broke in an indescribably and painfully beautiful way. It is a defence of the rebellious, the weird, the psychedelic, the exhausting rave timewarp.. those rare, deeply affecting moments where art and communion fuse into a reason for being.
These are not trivial pleasures; they are among the sweetest pursuits that give texture and meaning to a life. The argument is not in creating an unattainable golden standard, but instead for allegiance, to that sacred frequency against its corporate simulacrum.
We all participate in numerous industrial-complexes, and our lives are twisted in dark, delirious ways, so the story is far from simple. We navigate a world that contorts us with pressures we did not ask for and bends us into shapes we did not choose. This is an eruption of thought, that itself welcomes critique and dialogue, but simply refuses to submit to apathy or conformity. Curious to know what you think :)
Rêve on ;)
🌀 full piece via link in bio and right here: wakinglife.pt/storytelling/sonic-insurrection-part-2
writing: @ivanmarching
editing: @sayfen895
watercolors: @mernywernz
Probs my favourite text, out of everything I wrote last year.
This essay has been in the making for a long while, stitched from many late night and early morning conravesations.
It is not a doctrine for festival puritanism or a manifesto for competitive karma-olympics.. The critique is born from love, from the visceral memory of a track, a beat and a groove that realigned your brain stem, of eye contact in a crowd that felt like a religious experience, of a dawn that broke in an indescribably and painfully beautiful way. It is a defence of the rebellious, the weird, the psychedelic, the exhausting rave timewarp.. those rare, deeply affecting moments where art and communion fuse into a reason for being.
These are not trivial pleasures; they are among the sweetest pursuits that give texture and meaning to a life. The argument is not in creating an unattainable golden standard, but instead for allegiance, to that sacred frequency against its corporate simulacrum.
We all participate in numerous industrial-complexes, and our lives are twisted in dark, delirious ways, so the story is far from simple. We navigate a world that contorts us with pressures we did not ask for and bends us into shapes we did not choose. This is an eruption of thought, that itself welcomes critique and dialogue, but simply refuses to submit to apathy or conformity. Curious to know what you think :)
Rêve on ;)
🌀 full piece via link in bio and right here: wakinglife.pt/storytelling/sonic-insurrection-part-2
writing: @ivanmarching
editing: @sayfen895
watercolors: @mernywernz
Probs my favourite text, out of everything I wrote last year.
This essay has been in the making for a long while, stitched from many late night and early morning conravesations.
It is not a doctrine for festival puritanism or a manifesto for competitive karma-olympics.. The critique is born from love, from the visceral memory of a track, a beat and a groove that realigned your brain stem, of eye contact in a crowd that felt like a religious experience, of a dawn that broke in an indescribably and painfully beautiful way. It is a defence of the rebellious, the weird, the psychedelic, the exhausting rave timewarp.. those rare, deeply affecting moments where art and communion fuse into a reason for being.
These are not trivial pleasures; they are among the sweetest pursuits that give texture and meaning to a life. The argument is not in creating an unattainable golden standard, but instead for allegiance, to that sacred frequency against its corporate simulacrum.
We all participate in numerous industrial-complexes, and our lives are twisted in dark, delirious ways, so the story is far from simple. We navigate a world that contorts us with pressures we did not ask for and bends us into shapes we did not choose. This is an eruption of thought, that itself welcomes critique and dialogue, but simply refuses to submit to apathy or conformity. Curious to know what you think :)
Rêve on ;)
🌀 full piece via link in bio and right here: wakinglife.pt/storytelling/sonic-insurrection-part-2
writing: @ivanmarching
editing: @sayfen895
watercolors: @mernywernz
Probs my favourite text, out of everything I wrote last year.
This essay has been in the making for a long while, stitched from many late night and early morning conravesations.
It is not a doctrine for festival puritanism or a manifesto for competitive karma-olympics.. The critique is born from love, from the visceral memory of a track, a beat and a groove that realigned your brain stem, of eye contact in a crowd that felt like a religious experience, of a dawn that broke in an indescribably and painfully beautiful way. It is a defence of the rebellious, the weird, the psychedelic, the exhausting rave timewarp.. those rare, deeply affecting moments where art and communion fuse into a reason for being.
These are not trivial pleasures; they are among the sweetest pursuits that give texture and meaning to a life. The argument is not in creating an unattainable golden standard, but instead for allegiance, to that sacred frequency against its corporate simulacrum.
We all participate in numerous industrial-complexes, and our lives are twisted in dark, delirious ways, so the story is far from simple. We navigate a world that contorts us with pressures we did not ask for and bends us into shapes we did not choose. This is an eruption of thought, that itself welcomes critique and dialogue, but simply refuses to submit to apathy or conformity. Curious to know what you think :)
Rêve on ;)
🌀 full piece via link in bio and right here: wakinglife.pt/storytelling/sonic-insurrection-part-2
writing: @ivanmarching
editing: @sayfen895
watercolors: @mernywernz
Probs my favourite text, out of everything I wrote last year.
This essay has been in the making for a long while, stitched from many late night and early morning conravesations.
It is not a doctrine for festival puritanism or a manifesto for competitive karma-olympics.. The critique is born from love, from the visceral memory of a track, a beat and a groove that realigned your brain stem, of eye contact in a crowd that felt like a religious experience, of a dawn that broke in an indescribably and painfully beautiful way. It is a defence of the rebellious, the weird, the psychedelic, the exhausting rave timewarp.. those rare, deeply affecting moments where art and communion fuse into a reason for being.
These are not trivial pleasures; they are among the sweetest pursuits that give texture and meaning to a life. The argument is not in creating an unattainable golden standard, but instead for allegiance, to that sacred frequency against its corporate simulacrum.
We all participate in numerous industrial-complexes, and our lives are twisted in dark, delirious ways, so the story is far from simple. We navigate a world that contorts us with pressures we did not ask for and bends us into shapes we did not choose. This is an eruption of thought, that itself welcomes critique and dialogue, but simply refuses to submit to apathy or conformity. Curious to know what you think :)
Rêve on ;)
🌀 full piece via link in bio and right here: wakinglife.pt/storytelling/sonic-insurrection-part-2
writing: @ivanmarching
editing: @sayfen895
watercolors: @mernywernz
Probs my favourite text, out of everything I wrote last year.
This essay has been in the making for a long while, stitched from many late night and early morning conravesations.
It is not a doctrine for festival puritanism or a manifesto for competitive karma-olympics.. The critique is born from love, from the visceral memory of a track, a beat and a groove that realigned your brain stem, of eye contact in a crowd that felt like a religious experience, of a dawn that broke in an indescribably and painfully beautiful way. It is a defence of the rebellious, the weird, the psychedelic, the exhausting rave timewarp.. those rare, deeply affecting moments where art and communion fuse into a reason for being.
These are not trivial pleasures; they are among the sweetest pursuits that give texture and meaning to a life. The argument is not in creating an unattainable golden standard, but instead for allegiance, to that sacred frequency against its corporate simulacrum.
We all participate in numerous industrial-complexes, and our lives are twisted in dark, delirious ways, so the story is far from simple. We navigate a world that contorts us with pressures we did not ask for and bends us into shapes we did not choose. This is an eruption of thought, that itself welcomes critique and dialogue, but simply refuses to submit to apathy or conformity. Curious to know what you think :)
Rêve on ;)
🌀 full piece via link in bio and right here: wakinglife.pt/storytelling/sonic-insurrection-part-2
writing: @ivanmarching
editing: @sayfen895
watercolors: @mernywernz
Probs my favourite text, out of everything I wrote last year.
This essay has been in the making for a long while, stitched from many late night and early morning conravesations.
It is not a doctrine for festival puritanism or a manifesto for competitive karma-olympics.. The critique is born from love, from the visceral memory of a track, a beat and a groove that realigned your brain stem, of eye contact in a crowd that felt like a religious experience, of a dawn that broke in an indescribably and painfully beautiful way. It is a defence of the rebellious, the weird, the psychedelic, the exhausting rave timewarp.. those rare, deeply affecting moments where art and communion fuse into a reason for being.
These are not trivial pleasures; they are among the sweetest pursuits that give texture and meaning to a life. The argument is not in creating an unattainable golden standard, but instead for allegiance, to that sacred frequency against its corporate simulacrum.
We all participate in numerous industrial-complexes, and our lives are twisted in dark, delirious ways, so the story is far from simple. We navigate a world that contorts us with pressures we did not ask for and bends us into shapes we did not choose. This is an eruption of thought, that itself welcomes critique and dialogue, but simply refuses to submit to apathy or conformity. Curious to know what you think :)
Rêve on ;)
🌀 full piece via link in bio and right here: wakinglife.pt/storytelling/sonic-insurrection-part-2
writing: @ivanmarching
editing: @sayfen895
watercolors: @mernywernz
Probs my favourite text, out of everything I wrote last year.
This essay has been in the making for a long while, stitched from many late night and early morning conravesations.
It is not a doctrine for festival puritanism or a manifesto for competitive karma-olympics.. The critique is born from love, from the visceral memory of a track, a beat and a groove that realigned your brain stem, of eye contact in a crowd that felt like a religious experience, of a dawn that broke in an indescribably and painfully beautiful way. It is a defence of the rebellious, the weird, the psychedelic, the exhausting rave timewarp.. those rare, deeply affecting moments where art and communion fuse into a reason for being.
These are not trivial pleasures; they are among the sweetest pursuits that give texture and meaning to a life. The argument is not in creating an unattainable golden standard, but instead for allegiance, to that sacred frequency against its corporate simulacrum.
We all participate in numerous industrial-complexes, and our lives are twisted in dark, delirious ways, so the story is far from simple. We navigate a world that contorts us with pressures we did not ask for and bends us into shapes we did not choose. This is an eruption of thought, that itself welcomes critique and dialogue, but simply refuses to submit to apathy or conformity. Curious to know what you think :)
Rêve on ;)
🌀 full piece via link in bio and right here: wakinglife.pt/storytelling/sonic-insurrection-part-2
writing: @ivanmarching
editing: @sayfen895
watercolors: @mernywernz
Probs my favourite text, out of everything I wrote last year.
This essay has been in the making for a long while, stitched from many late night and early morning conravesations.
It is not a doctrine for festival puritanism or a manifesto for competitive karma-olympics.. The critique is born from love, from the visceral memory of a track, a beat and a groove that realigned your brain stem, of eye contact in a crowd that felt like a religious experience, of a dawn that broke in an indescribably and painfully beautiful way. It is a defence of the rebellious, the weird, the psychedelic, the exhausting rave timewarp.. those rare, deeply affecting moments where art and communion fuse into a reason for being.
These are not trivial pleasures; they are among the sweetest pursuits that give texture and meaning to a life. The argument is not in creating an unattainable golden standard, but instead for allegiance, to that sacred frequency against its corporate simulacrum.
We all participate in numerous industrial-complexes, and our lives are twisted in dark, delirious ways, so the story is far from simple. We navigate a world that contorts us with pressures we did not ask for and bends us into shapes we did not choose. This is an eruption of thought, that itself welcomes critique and dialogue, but simply refuses to submit to apathy or conformity. Curious to know what you think :)
Rêve on ;)
🌀 full piece via link in bio and right here: wakinglife.pt/storytelling/sonic-insurrection-part-2
writing: @ivanmarching
editing: @sayfen895
watercolors: @mernywernz
Probs my favourite text, out of everything I wrote last year.
This essay has been in the making for a long while, stitched from many late night and early morning conravesations.
It is not a doctrine for festival puritanism or a manifesto for competitive karma-olympics.. The critique is born from love, from the visceral memory of a track, a beat and a groove that realigned your brain stem, of eye contact in a crowd that felt like a religious experience, of a dawn that broke in an indescribably and painfully beautiful way. It is a defence of the rebellious, the weird, the psychedelic, the exhausting rave timewarp.. those rare, deeply affecting moments where art and communion fuse into a reason for being.
These are not trivial pleasures; they are among the sweetest pursuits that give texture and meaning to a life. The argument is not in creating an unattainable golden standard, but instead for allegiance, to that sacred frequency against its corporate simulacrum.
We all participate in numerous industrial-complexes, and our lives are twisted in dark, delirious ways, so the story is far from simple. We navigate a world that contorts us with pressures we did not ask for and bends us into shapes we did not choose. This is an eruption of thought, that itself welcomes critique and dialogue, but simply refuses to submit to apathy or conformity. Curious to know what you think :)
Rêve on ;)
🌀 full piece via link in bio and right here: wakinglife.pt/storytelling/sonic-insurrection-part-2
writing: @ivanmarching
editing: @sayfen895
watercolors: @mernywernz
Are you a wealth holder whose family wealth comes from Germany, Austria, or any other country shaped by the Nazi (NS) regime and its collaborators?
Do you know or suspect your family’s wealth is connected in some way to the NS regime and/or European colonialism?
Are you concerned about the rise of fascism, and want to take action to protect democracy?
Join our online workshop to explore how to research your family’s wealth and history — and why that work matters in fighting fascism today.
27 May 2026 · 7–9 pm CET
Online
By donation
Register at the link in our bio (bit.ly/4eCgknv)
Are you a wealth holder whose family wealth comes from Germany, Austria, or any other country shaped by the Nazi (NS) regime and its collaborators?
Do you know or suspect your family’s wealth is connected in some way to the NS regime and/or European colonialism?
Are you concerned about the rise of fascism, and want to take action to protect democracy?
Join our online workshop to explore how to research your family’s wealth and history — and why that work matters in fighting fascism today.
27 May 2026 · 7–9 pm CET
Online
By donation
Register at the link in our bio (bit.ly/4eCgknv)
Are you a wealth holder whose family wealth comes from Germany, Austria, or any other country shaped by the Nazi (NS) regime and its collaborators?
Do you know or suspect your family’s wealth is connected in some way to the NS regime and/or European colonialism?
Are you concerned about the rise of fascism, and want to take action to protect democracy?
Join our online workshop to explore how to research your family’s wealth and history — and why that work matters in fighting fascism today.
27 May 2026 · 7–9 pm CET
Online
By donation
Register at the link in our bio (bit.ly/4eCgknv)
Are you a wealth holder whose family wealth comes from Germany, Austria, or any other country shaped by the Nazi (NS) regime and its collaborators?
Do you know or suspect your family’s wealth is connected in some way to the NS regime and/or European colonialism?
Are you concerned about the rise of fascism, and want to take action to protect democracy?
Join our online workshop to explore how to research your family’s wealth and history — and why that work matters in fighting fascism today.
27 May 2026 · 7–9 pm CET
Online
By donation
Register at the link in our bio (bit.ly/4eCgknv)
Are you a wealth holder whose family wealth comes from Germany, Austria, or any other country shaped by the Nazi (NS) regime and its collaborators?
Do you know or suspect your family’s wealth is connected in some way to the NS regime and/or European colonialism?
Are you concerned about the rise of fascism, and want to take action to protect democracy?
Join our online workshop to explore how to research your family’s wealth and history — and why that work matters in fighting fascism today.
27 May 2026 · 7–9 pm CET
Online
By donation
Register at the link in our bio (bit.ly/4eCgknv)
Yes, I’m coming for all the pretentious award shows, the hollow galas, the bubblegum popularity contests because when the dust settles, history wont forget who paid for the party hos.
Yes, I’m coming for all the pretentious award shows, the hollow galas, the bubblegum popularity contests because when the dust settles, history wont forget who paid for the party hos.
Yes, I’m coming for all the pretentious award shows, the hollow galas, the bubblegum popularity contests because when the dust settles, history wont forget who paid for the party hos.
Yes, I’m coming for all the pretentious award shows, the hollow galas, the bubblegum popularity contests because when the dust settles, history wont forget who paid for the party hos.
Yes, I’m coming for all the pretentious award shows, the hollow galas, the bubblegum popularity contests because when the dust settles, history wont forget who paid for the party hos.
Yes, I’m coming for all the pretentious award shows, the hollow galas, the bubblegum popularity contests because when the dust settles, history wont forget who paid for the party hos.
Yes, I’m coming for all the pretentious award shows, the hollow galas, the bubblegum popularity contests because when the dust settles, history wont forget who paid for the party hos.
Yes, I’m coming for all the pretentious award shows, the hollow galas, the bubblegum popularity contests because when the dust settles, history wont forget who paid for the party hos.
Yes, I’m coming for all the pretentious award shows, the hollow galas, the bubblegum popularity contests because when the dust settles, history wont forget who paid for the party hos.
Yes, I’m coming for all the pretentious award shows, the hollow galas, the bubblegum popularity contests because when the dust settles, history wont forget who paid for the party hos.
Yes, I’m coming for all the pretentious award shows, the hollow galas, the bubblegum popularity contests because when the dust settles, history wont forget who paid for the party hos.
Yes, I’m coming for all the pretentious award shows, the hollow galas, the bubblegum popularity contests because when the dust settles, history wont forget who paid for the party hos.
Yes, I’m coming for all the pretentious award shows, the hollow galas, the bubblegum popularity contests because when the dust settles, history wont forget who paid for the party hos.
Yes, I’m coming for all the pretentious award shows, the hollow galas, the bubblegum popularity contests because when the dust settles, history wont forget who paid for the party hos.
Yes, I’m coming for all the pretentious award shows, the hollow galas, the bubblegum popularity contests because when the dust settles, history wont forget who paid for the party hos.
Yes, I’m coming for all the pretentious award shows, the hollow galas, the bubblegum popularity contests because when the dust settles, history wont forget who paid for the party hos.
Yes, I’m coming for all the pretentious award shows, the hollow galas, the bubblegum popularity contests because when the dust settles, history wont forget who paid for the party hos.
Everyone wants action. Just not theirs. Not now. Not for free.
Everyone points a finger, but somehow every finger is attached to a hand that’s already turning a page, scrolling past, or reaching for someone else’s wallet. Accountability is a fabulous idea.. for that other guy..
Everyone wants action. Just not theirs. Not now. Not for free.
Everyone points a finger, but somehow every finger is attached to a hand that’s already turning a page, scrolling past, or reaching for someone else’s wallet. Accountability is a fabulous idea.. for that other guy..
Everyone wants action. Just not theirs. Not now. Not for free.
Everyone points a finger, but somehow every finger is attached to a hand that’s already turning a page, scrolling past, or reaching for someone else’s wallet. Accountability is a fabulous idea.. for that other guy..
Everyone wants action. Just not theirs. Not now. Not for free.
Everyone points a finger, but somehow every finger is attached to a hand that’s already turning a page, scrolling past, or reaching for someone else’s wallet. Accountability is a fabulous idea.. for that other guy..
Everyone wants action. Just not theirs. Not now. Not for free.
Everyone points a finger, but somehow every finger is attached to a hand that’s already turning a page, scrolling past, or reaching for someone else’s wallet. Accountability is a fabulous idea.. for that other guy..
Everyone wants action. Just not theirs. Not now. Not for free.
Everyone points a finger, but somehow every finger is attached to a hand that’s already turning a page, scrolling past, or reaching for someone else’s wallet. Accountability is a fabulous idea.. for that other guy..
Everyone wants action. Just not theirs. Not now. Not for free.
Everyone points a finger, but somehow every finger is attached to a hand that’s already turning a page, scrolling past, or reaching for someone else’s wallet. Accountability is a fabulous idea.. for that other guy..
Everyone wants action. Just not theirs. Not now. Not for free.
Everyone points a finger, but somehow every finger is attached to a hand that’s already turning a page, scrolling past, or reaching for someone else’s wallet. Accountability is a fabulous idea.. for that other guy..
Everyone wants action. Just not theirs. Not now. Not for free.
Everyone points a finger, but somehow every finger is attached to a hand that’s already turning a page, scrolling past, or reaching for someone else’s wallet. Accountability is a fabulous idea.. for that other guy..
Chronically Online Anonymous support circle anyone?
Shall we make a telegram group 🫣
A tech-world figure who mistakes altitude for insight, performs space-age ambition as a distraction from earthly problems, and turns planetary escape fantasies into a spectacle that benefits no one but themselves.
Butt seriously, ass-tronauts abound, and they be giving small rocket energy.
*apologies to astronauts, you're badass :)
A tech-world figure who mistakes altitude for insight, performs space-age ambition as a distraction from earthly problems, and turns planetary escape fantasies into a spectacle that benefits no one but themselves.
Butt seriously, ass-tronauts abound, and they be giving small rocket energy.
*apologies to astronauts, you're badass :)
A tech-world figure who mistakes altitude for insight, performs space-age ambition as a distraction from earthly problems, and turns planetary escape fantasies into a spectacle that benefits no one but themselves.
Butt seriously, ass-tronauts abound, and they be giving small rocket energy.
*apologies to astronauts, you're badass :)
“Our financial lives are not driven by logic, but by the autonomic nervous system.”
Dive into our new substack piece on #MoneyTrauma & #WealthHoarding drawing inspiration from Miho Soon & Iris Brilliant, uncover the psychological underpinnings of the #BunkerClass fear-driven ‘money disorders’ and look towards collective & practiced healing through political solidarity. ✊
🔗 https://guerrillagrammar.substack.com/p/an-autopsy-of-money-trauma-and-wealth
Sharing is caring - so don’t hoard the content if you think it’s cool. Pass it on :)
“Our financial lives are not driven by logic, but by the autonomic nervous system.”
Dive into our new substack piece on #MoneyTrauma & #WealthHoarding drawing inspiration from Miho Soon & Iris Brilliant, uncover the psychological underpinnings of the #BunkerClass fear-driven ‘money disorders’ and look towards collective & practiced healing through political solidarity. ✊
🔗 https://guerrillagrammar.substack.com/p/an-autopsy-of-money-trauma-and-wealth
Sharing is caring - so don’t hoard the content if you think it’s cool. Pass it on :)
“Our financial lives are not driven by logic, but by the autonomic nervous system.”
Dive into our new substack piece on #MoneyTrauma & #WealthHoarding drawing inspiration from Miho Soon & Iris Brilliant, uncover the psychological underpinnings of the #BunkerClass fear-driven ‘money disorders’ and look towards collective & practiced healing through political solidarity. ✊
🔗 https://guerrillagrammar.substack.com/p/an-autopsy-of-money-trauma-and-wealth
Sharing is caring - so don’t hoard the content if you think it’s cool. Pass it on :)
“Our financial lives are not driven by logic, but by the autonomic nervous system.”
Dive into our new substack piece on #MoneyTrauma & #WealthHoarding drawing inspiration from Miho Soon & Iris Brilliant, uncover the psychological underpinnings of the #BunkerClass fear-driven ‘money disorders’ and look towards collective & practiced healing through political solidarity. ✊
🔗 https://guerrillagrammar.substack.com/p/an-autopsy-of-money-trauma-and-wealth
Sharing is caring - so don’t hoard the content if you think it’s cool. Pass it on :)
“Our financial lives are not driven by logic, but by the autonomic nervous system.”
Dive into our new substack piece on #MoneyTrauma & #WealthHoarding drawing inspiration from Miho Soon & Iris Brilliant, uncover the psychological underpinnings of the #BunkerClass fear-driven ‘money disorders’ and look towards collective & practiced healing through political solidarity. ✊
🔗 https://guerrillagrammar.substack.com/p/an-autopsy-of-money-trauma-and-wealth
Sharing is caring - so don’t hoard the content if you think it’s cool. Pass it on :)
“Our financial lives are not driven by logic, but by the autonomic nervous system.”
Dive into our new substack piece on #MoneyTrauma & #WealthHoarding drawing inspiration from Miho Soon & Iris Brilliant, uncover the psychological underpinnings of the #BunkerClass fear-driven ‘money disorders’ and look towards collective & practiced healing through political solidarity. ✊
🔗 https://guerrillagrammar.substack.com/p/an-autopsy-of-money-trauma-and-wealth
Sharing is caring - so don’t hoard the content if you think it’s cool. Pass it on :)
“Our financial lives are not driven by logic, but by the autonomic nervous system.”
Dive into our new substack piece on #MoneyTrauma & #WealthHoarding drawing inspiration from Miho Soon & Iris Brilliant, uncover the psychological underpinnings of the #BunkerClass fear-driven ‘money disorders’ and look towards collective & practiced healing through political solidarity. ✊
🔗 https://guerrillagrammar.substack.com/p/an-autopsy-of-money-trauma-and-wealth
Sharing is caring - so don’t hoard the content if you think it’s cool. Pass it on :)
“Our financial lives are not driven by logic, but by the autonomic nervous system.”
Dive into our new substack piece on #MoneyTrauma & #WealthHoarding drawing inspiration from Miho Soon & Iris Brilliant, uncover the psychological underpinnings of the #BunkerClass fear-driven ‘money disorders’ and look towards collective & practiced healing through political solidarity. ✊
🔗 https://guerrillagrammar.substack.com/p/an-autopsy-of-money-trauma-and-wealth
Sharing is caring - so don’t hoard the content if you think it’s cool. Pass it on :)
“Our financial lives are not driven by logic, but by the autonomic nervous system.”
Dive into our new substack piece on #MoneyTrauma & #WealthHoarding drawing inspiration from Miho Soon & Iris Brilliant, uncover the psychological underpinnings of the #BunkerClass fear-driven ‘money disorders’ and look towards collective & practiced healing through political solidarity. ✊
🔗 https://guerrillagrammar.substack.com/p/an-autopsy-of-money-trauma-and-wealth
Sharing is caring - so don’t hoard the content if you think it’s cool. Pass it on :)
“Our financial lives are not driven by logic, but by the autonomic nervous system.”
Dive into our new substack piece on #MoneyTrauma & #WealthHoarding drawing inspiration from Miho Soon & Iris Brilliant, uncover the psychological underpinnings of the #BunkerClass fear-driven ‘money disorders’ and look towards collective & practiced healing through political solidarity. ✊
🔗 https://guerrillagrammar.substack.com/p/an-autopsy-of-money-trauma-and-wealth
Sharing is caring - so don’t hoard the content if you think it’s cool. Pass it on :)
“Our financial lives are not driven by logic, but by the autonomic nervous system.”
Dive into our new substack piece on #MoneyTrauma & #WealthHoarding drawing inspiration from Miho Soon & Iris Brilliant, uncover the psychological underpinnings of the #BunkerClass fear-driven ‘money disorders’ and look towards collective & practiced healing through political solidarity. ✊
🔗 https://guerrillagrammar.substack.com/p/an-autopsy-of-money-trauma-and-wealth
Sharing is caring - so don’t hoard the content if you think it’s cool. Pass it on :)
“Our financial lives are not driven by logic, but by the autonomic nervous system.”
Dive into our new substack piece on #MoneyTrauma & #WealthHoarding drawing inspiration from Miho Soon & Iris Brilliant, uncover the psychological underpinnings of the #BunkerClass fear-driven ‘money disorders’ and look towards collective & practiced healing through political solidarity. ✊
🔗 https://guerrillagrammar.substack.com/p/an-autopsy-of-money-trauma-and-wealth
Sharing is caring - so don’t hoard the content if you think it’s cool. Pass it on :)
“Our financial lives are not driven by logic, but by the autonomic nervous system.”
Dive into our new substack piece on #MoneyTrauma & #WealthHoarding drawing inspiration from Miho Soon & Iris Brilliant, uncover the psychological underpinnings of the #BunkerClass fear-driven ‘money disorders’ and look towards collective & practiced healing through political solidarity. ✊
🔗 https://guerrillagrammar.substack.com/p/an-autopsy-of-money-trauma-and-wealth
Sharing is caring - so don’t hoard the content if you think it’s cool. Pass it on :)
but have you been? no..
then how can you critique it so?
as my giagia would say, the smell from afar is telling you everything you need to know about the kitchen.
✌️wouldn't go to The Met gala either ✌️
so let's focus on anale please. it is a more honest insertion, a deeper claim :) shut the hole. make them feel the blockage before they ever see the show.
*thanks for the cover graphic @giulioalvigini <3
but have you been? no..
then how can you critique it so?
as my giagia would say, the smell from afar is telling you everything you need to know about the kitchen.
✌️wouldn't go to The Met gala either ✌️
so let's focus on anale please. it is a more honest insertion, a deeper claim :) shut the hole. make them feel the blockage before they ever see the show.
*thanks for the cover graphic @giulioalvigini <3
but have you been? no..
then how can you critique it so?
as my giagia would say, the smell from afar is telling you everything you need to know about the kitchen.
✌️wouldn't go to The Met gala either ✌️
so let's focus on anale please. it is a more honest insertion, a deeper claim :) shut the hole. make them feel the blockage before they ever see the show.
*thanks for the cover graphic @giulioalvigini <3
but have you been? no..
then how can you critique it so?
as my giagia would say, the smell from afar is telling you everything you need to know about the kitchen.
✌️wouldn't go to The Met gala either ✌️
so let's focus on anale please. it is a more honest insertion, a deeper claim :) shut the hole. make them feel the blockage before they ever see the show.
*thanks for the cover graphic @giulioalvigini <3
but have you been? no..
then how can you critique it so?
as my giagia would say, the smell from afar is telling you everything you need to know about the kitchen.
✌️wouldn't go to The Met gala either ✌️
so let's focus on anale please. it is a more honest insertion, a deeper claim :) shut the hole. make them feel the blockage before they ever see the show.
*thanks for the cover graphic @giulioalvigini <3
but have you been? no..
then how can you critique it so?
as my giagia would say, the smell from afar is telling you everything you need to know about the kitchen.
✌️wouldn't go to The Met gala either ✌️
so let's focus on anale please. it is a more honest insertion, a deeper claim :) shut the hole. make them feel the blockage before they ever see the show.
*thanks for the cover graphic @giulioalvigini <3
but have you been? no..
then how can you critique it so?
as my giagia would say, the smell from afar is telling you everything you need to know about the kitchen.
✌️wouldn't go to The Met gala either ✌️
so let's focus on anale please. it is a more honest insertion, a deeper claim :) shut the hole. make them feel the blockage before they ever see the show.
*thanks for the cover graphic @giulioalvigini <3
but have you been? no..
then how can you critique it so?
as my giagia would say, the smell from afar is telling you everything you need to know about the kitchen.
✌️wouldn't go to The Met gala either ✌️
so let's focus on anale please. it is a more honest insertion, a deeper claim :) shut the hole. make them feel the blockage before they ever see the show.
*thanks for the cover graphic @giulioalvigini <3
but have you been? no..
then how can you critique it so?
as my giagia would say, the smell from afar is telling you everything you need to know about the kitchen.
✌️wouldn't go to The Met gala either ✌️
so let's focus on anale please. it is a more honest insertion, a deeper claim :) shut the hole. make them feel the blockage before they ever see the show.
*thanks for the cover graphic @giulioalvigini <3
The METamorphosis is Ugly
The gala-tocracy slithers,
all fangs and veneers,
they eat reputation
and shit auctioned tears.
Anna’s stone tablet
inscribes who’s “in fashion,”
while the world burns outside
with much less compassion.
You bought the whole staircase,
you bought the curator,
you bought the applause
from the paid adulator.
But here’s what you can’t buy,
you vein-popping clown:
a single good deed
that won’t crack when pressed down.
This blood-money carousel,
this cultural mugging,
this desperate, pathetic,
peacockian bugging..
the question it poses,
with each borrowed dress:
If I drape myself properly,
will you forget I oppress?
The answer is no.
The bubble have cracks.
The museum is not
your tax shelter, you hacks.
Art isn’t a bidet
to rinse off your sins.
Burn the red carpet.
Let something begin.
The METamorphosis is Ugly
The gala-tocracy slithers,
all fangs and veneers,
they eat reputation
and shit auctioned tears.
Anna’s stone tablet
inscribes who’s “in fashion,”
while the world burns outside
with much less compassion.
You bought the whole staircase,
you bought the curator,
you bought the applause
from the paid adulator.
But here’s what you can’t buy,
you vein-popping clown:
a single good deed
that won’t crack when pressed down.
This blood-money carousel,
this cultural mugging,
this desperate, pathetic,
peacockian bugging..
the question it poses,
with each borrowed dress:
If I drape myself properly,
will you forget I oppress?
The answer is no.
The bubble have cracks.
The museum is not
your tax shelter, you hacks.
Art isn’t a bidet
to rinse off your sins.
Burn the red carpet.
Let something begin.
The METamorphosis is Ugly
The gala-tocracy slithers,
all fangs and veneers,
they eat reputation
and shit auctioned tears.
Anna’s stone tablet
inscribes who’s “in fashion,”
while the world burns outside
with much less compassion.
You bought the whole staircase,
you bought the curator,
you bought the applause
from the paid adulator.
But here’s what you can’t buy,
you vein-popping clown:
a single good deed
that won’t crack when pressed down.
This blood-money carousel,
this cultural mugging,
this desperate, pathetic,
peacockian bugging..
the question it poses,
with each borrowed dress:
If I drape myself properly,
will you forget I oppress?
The answer is no.
The bubble have cracks.
The museum is not
your tax shelter, you hacks.
Art isn’t a bidet
to rinse off your sins.
Burn the red carpet.
Let something begin.
The METamorphosis is Ugly
The gala-tocracy slithers,
all fangs and veneers,
they eat reputation
and shit auctioned tears.
Anna’s stone tablet
inscribes who’s “in fashion,”
while the world burns outside
with much less compassion.
You bought the whole staircase,
you bought the curator,
you bought the applause
from the paid adulator.
But here’s what you can’t buy,
you vein-popping clown:
a single good deed
that won’t crack when pressed down.
This blood-money carousel,
this cultural mugging,
this desperate, pathetic,
peacockian bugging..
the question it poses,
with each borrowed dress:
If I drape myself properly,
will you forget I oppress?
The answer is no.
The bubble have cracks.
The museum is not
your tax shelter, you hacks.
Art isn’t a bidet
to rinse off your sins.
Burn the red carpet.
Let something begin.
The METamorphosis is Ugly
The gala-tocracy slithers,
all fangs and veneers,
they eat reputation
and shit auctioned tears.
Anna’s stone tablet
inscribes who’s “in fashion,”
while the world burns outside
with much less compassion.
You bought the whole staircase,
you bought the curator,
you bought the applause
from the paid adulator.
But here’s what you can’t buy,
you vein-popping clown:
a single good deed
that won’t crack when pressed down.
This blood-money carousel,
this cultural mugging,
this desperate, pathetic,
peacockian bugging..
the question it poses,
with each borrowed dress:
If I drape myself properly,
will you forget I oppress?
The answer is no.
The bubble have cracks.
The museum is not
your tax shelter, you hacks.
Art isn’t a bidet
to rinse off your sins.
Burn the red carpet.
Let something begin.
The METamorphosis is Ugly
The gala-tocracy slithers,
all fangs and veneers,
they eat reputation
and shit auctioned tears.
Anna’s stone tablet
inscribes who’s “in fashion,”
while the world burns outside
with much less compassion.
You bought the whole staircase,
you bought the curator,
you bought the applause
from the paid adulator.
But here’s what you can’t buy,
you vein-popping clown:
a single good deed
that won’t crack when pressed down.
This blood-money carousel,
this cultural mugging,
this desperate, pathetic,
peacockian bugging..
the question it poses,
with each borrowed dress:
If I drape myself properly,
will you forget I oppress?
The answer is no.
The bubble have cracks.
The museum is not
your tax shelter, you hacks.
Art isn’t a bidet
to rinse off your sins.
Burn the red carpet.
Let something begin.
The METamorphosis is Ugly
The gala-tocracy slithers,
all fangs and veneers,
they eat reputation
and shit auctioned tears.
Anna’s stone tablet
inscribes who’s “in fashion,”
while the world burns outside
with much less compassion.
You bought the whole staircase,
you bought the curator,
you bought the applause
from the paid adulator.
But here’s what you can’t buy,
you vein-popping clown:
a single good deed
that won’t crack when pressed down.
This blood-money carousel,
this cultural mugging,
this desperate, pathetic,
peacockian bugging..
the question it poses,
with each borrowed dress:
If I drape myself properly,
will you forget I oppress?
The answer is no.
The bubble have cracks.
The museum is not
your tax shelter, you hacks.
Art isn’t a bidet
to rinse off your sins.
Burn the red carpet.
Let something begin.
The METamorphosis is Ugly
The gala-tocracy slithers,
all fangs and veneers,
they eat reputation
and shit auctioned tears.
Anna’s stone tablet
inscribes who’s “in fashion,”
while the world burns outside
with much less compassion.
You bought the whole staircase,
you bought the curator,
you bought the applause
from the paid adulator.
But here’s what you can’t buy,
you vein-popping clown:
a single good deed
that won’t crack when pressed down.
This blood-money carousel,
this cultural mugging,
this desperate, pathetic,
peacockian bugging..
the question it poses,
with each borrowed dress:
If I drape myself properly,
will you forget I oppress?
The answer is no.
The bubble have cracks.
The museum is not
your tax shelter, you hacks.
Art isn’t a bidet
to rinse off your sins.
Burn the red carpet.
Let something begin.
The METamorphosis is Ugly
The gala-tocracy slithers,
all fangs and veneers,
they eat reputation
and shit auctioned tears.
Anna’s stone tablet
inscribes who’s “in fashion,”
while the world burns outside
with much less compassion.
You bought the whole staircase,
you bought the curator,
you bought the applause
from the paid adulator.
But here’s what you can’t buy,
you vein-popping clown:
a single good deed
that won’t crack when pressed down.
This blood-money carousel,
this cultural mugging,
this desperate, pathetic,
peacockian bugging..
the question it poses,
with each borrowed dress:
If I drape myself properly,
will you forget I oppress?
The answer is no.
The bubble have cracks.
The museum is not
your tax shelter, you hacks.
Art isn’t a bidet
to rinse off your sins.
Burn the red carpet.
Let something begin.
The METamorphosis is Ugly
The gala-tocracy slithers,
all fangs and veneers,
they eat reputation
and shit auctioned tears.
Anna’s stone tablet
inscribes who’s “in fashion,”
while the world burns outside
with much less compassion.
You bought the whole staircase,
you bought the curator,
you bought the applause
from the paid adulator.
But here’s what you can’t buy,
you vein-popping clown:
a single good deed
that won’t crack when pressed down.
This blood-money carousel,
this cultural mugging,
this desperate, pathetic,
peacockian bugging..
the question it poses,
with each borrowed dress:
If I drape myself properly,
will you forget I oppress?
The answer is no.
The bubble have cracks.
The museum is not
your tax shelter, you hacks.
Art isn’t a bidet
to rinse off your sins.
Burn the red carpet.
Let something begin.
The METamorphosis is Ugly
The gala-tocracy slithers,
all fangs and veneers,
they eat reputation
and shit auctioned tears.
Anna’s stone tablet
inscribes who’s “in fashion,”
while the world burns outside
with much less compassion.
You bought the whole staircase,
you bought the curator,
you bought the applause
from the paid adulator.
But here’s what you can’t buy,
you vein-popping clown:
a single good deed
that won’t crack when pressed down.
This blood-money carousel,
this cultural mugging,
this desperate, pathetic,
peacockian bugging..
the question it poses,
with each borrowed dress:
If I drape myself properly,
will you forget I oppress?
The answer is no.
The bubble have cracks.
The museum is not
your tax shelter, you hacks.
Art isn’t a bidet
to rinse off your sins.
Burn the red carpet.
Let something begin.
The METamorphosis is Ugly
The gala-tocracy slithers,
all fangs and veneers,
they eat reputation
and shit auctioned tears.
Anna’s stone tablet
inscribes who’s “in fashion,”
while the world burns outside
with much less compassion.
You bought the whole staircase,
you bought the curator,
you bought the applause
from the paid adulator.
But here’s what you can’t buy,
you vein-popping clown:
a single good deed
that won’t crack when pressed down.
This blood-money carousel,
this cultural mugging,
this desperate, pathetic,
peacockian bugging..
the question it poses,
with each borrowed dress:
If I drape myself properly,
will you forget I oppress?
The answer is no.
The bubble have cracks.
The museum is not
your tax shelter, you hacks.
Art isn’t a bidet
to rinse off your sins.
Burn the red carpet.
Let something begin.
The METamorphosis is Ugly
The gala-tocracy slithers,
all fangs and veneers,
they eat reputation
and shit auctioned tears.
Anna’s stone tablet
inscribes who’s “in fashion,”
while the world burns outside
with much less compassion.
You bought the whole staircase,
you bought the curator,
you bought the applause
from the paid adulator.
But here’s what you can’t buy,
you vein-popping clown:
a single good deed
that won’t crack when pressed down.
This blood-money carousel,
this cultural mugging,
this desperate, pathetic,
peacockian bugging..
the question it poses,
with each borrowed dress:
If I drape myself properly,
will you forget I oppress?
The answer is no.
The bubble have cracks.
The museum is not
your tax shelter, you hacks.
Art isn’t a bidet
to rinse off your sins.
Burn the red carpet.
Let something begin.
The METamorphosis is Ugly
The gala-tocracy slithers,
all fangs and veneers,
they eat reputation
and shit auctioned tears.
Anna’s stone tablet
inscribes who’s “in fashion,”
while the world burns outside
with much less compassion.
You bought the whole staircase,
you bought the curator,
you bought the applause
from the paid adulator.
But here’s what you can’t buy,
you vein-popping clown:
a single good deed
that won’t crack when pressed down.
This blood-money carousel,
this cultural mugging,
this desperate, pathetic,
peacockian bugging..
the question it poses,
with each borrowed dress:
If I drape myself properly,
will you forget I oppress?
The answer is no.
The bubble have cracks.
The museum is not
your tax shelter, you hacks.
Art isn’t a bidet
to rinse off your sins.
Burn the red carpet.
Let something begin.
The METamorphosis is Ugly
The gala-tocracy slithers,
all fangs and veneers,
they eat reputation
and shit auctioned tears.
Anna’s stone tablet
inscribes who’s “in fashion,”
while the world burns outside
with much less compassion.
You bought the whole staircase,
you bought the curator,
you bought the applause
from the paid adulator.
But here’s what you can’t buy,
you vein-popping clown:
a single good deed
that won’t crack when pressed down.
This blood-money carousel,
this cultural mugging,
this desperate, pathetic,
peacockian bugging..
the question it poses,
with each borrowed dress:
If I drape myself properly,
will you forget I oppress?
The answer is no.
The bubble have cracks.
The museum is not
your tax shelter, you hacks.
Art isn’t a bidet
to rinse off your sins.
Burn the red carpet.
Let something begin.
Money talks. The far right is shouting.
Meanwhile, 'progressives' are whispering, “can we circle back on this?”
Dive into our new substack piece which features some of our funder friends & allies (@weavingliberation, @mamacashfund, @dalanfund, safe passage fund, @blackfeministfund, @solidairenetwork @womendonors) as well as blueprints on how to organise wealth from the Block & Build frontlines of the US dystopia.
Promise that it's more uplifting than it seems..
And yes dear cynics, of course it is easy to call philanthropy a neoliberal karma-tumor, but puritanism may obfuscate actually radical, life-sustaining ways of moving money in the here and now.
#organisewealth #fundthefight
Money talks. The far right is shouting.
Meanwhile, 'progressives' are whispering, “can we circle back on this?”
Dive into our new substack piece which features some of our funder friends & allies (@weavingliberation, @mamacashfund, @dalanfund, safe passage fund, @blackfeministfund, @solidairenetwork @womendonors) as well as blueprints on how to organise wealth from the Block & Build frontlines of the US dystopia.
Promise that it's more uplifting than it seems..
And yes dear cynics, of course it is easy to call philanthropy a neoliberal karma-tumor, but puritanism may obfuscate actually radical, life-sustaining ways of moving money in the here and now.
#organisewealth #fundthefight
Money talks. The far right is shouting.
Meanwhile, 'progressives' are whispering, “can we circle back on this?”
Dive into our new substack piece which features some of our funder friends & allies (@weavingliberation, @mamacashfund, @dalanfund, safe passage fund, @blackfeministfund, @solidairenetwork @womendonors) as well as blueprints on how to organise wealth from the Block & Build frontlines of the US dystopia.
Promise that it's more uplifting than it seems..
And yes dear cynics, of course it is easy to call philanthropy a neoliberal karma-tumor, but puritanism may obfuscate actually radical, life-sustaining ways of moving money in the here and now.
#organisewealth #fundthefight
Money talks. The far right is shouting.
Meanwhile, 'progressives' are whispering, “can we circle back on this?”
Dive into our new substack piece which features some of our funder friends & allies (@weavingliberation, @mamacashfund, @dalanfund, safe passage fund, @blackfeministfund, @solidairenetwork @womendonors) as well as blueprints on how to organise wealth from the Block & Build frontlines of the US dystopia.
Promise that it's more uplifting than it seems..
And yes dear cynics, of course it is easy to call philanthropy a neoliberal karma-tumor, but puritanism may obfuscate actually radical, life-sustaining ways of moving money in the here and now.
#organisewealth #fundthefight
Money talks. The far right is shouting.
Meanwhile, 'progressives' are whispering, “can we circle back on this?”
Dive into our new substack piece which features some of our funder friends & allies (@weavingliberation, @mamacashfund, @dalanfund, safe passage fund, @blackfeministfund, @solidairenetwork @womendonors) as well as blueprints on how to organise wealth from the Block & Build frontlines of the US dystopia.
Promise that it's more uplifting than it seems..
And yes dear cynics, of course it is easy to call philanthropy a neoliberal karma-tumor, but puritanism may obfuscate actually radical, life-sustaining ways of moving money in the here and now.
#organisewealth #fundthefight
Money talks. The far right is shouting.
Meanwhile, 'progressives' are whispering, “can we circle back on this?”
Dive into our new substack piece which features some of our funder friends & allies (@weavingliberation, @mamacashfund, @dalanfund, safe passage fund, @blackfeministfund, @solidairenetwork @womendonors) as well as blueprints on how to organise wealth from the Block & Build frontlines of the US dystopia.
Promise that it's more uplifting than it seems..
And yes dear cynics, of course it is easy to call philanthropy a neoliberal karma-tumor, but puritanism may obfuscate actually radical, life-sustaining ways of moving money in the here and now.
#organisewealth #fundthefight
Money talks. The far right is shouting.
Meanwhile, 'progressives' are whispering, “can we circle back on this?”
Dive into our new substack piece which features some of our funder friends & allies (@weavingliberation, @mamacashfund, @dalanfund, safe passage fund, @blackfeministfund, @solidairenetwork @womendonors) as well as blueprints on how to organise wealth from the Block & Build frontlines of the US dystopia.
Promise that it's more uplifting than it seems..
And yes dear cynics, of course it is easy to call philanthropy a neoliberal karma-tumor, but puritanism may obfuscate actually radical, life-sustaining ways of moving money in the here and now.
#organisewealth #fundthefight
Money talks. The far right is shouting.
Meanwhile, 'progressives' are whispering, “can we circle back on this?”
Dive into our new substack piece which features some of our funder friends & allies (@weavingliberation, @mamacashfund, @dalanfund, safe passage fund, @blackfeministfund, @solidairenetwork @womendonors) as well as blueprints on how to organise wealth from the Block & Build frontlines of the US dystopia.
Promise that it's more uplifting than it seems..
And yes dear cynics, of course it is easy to call philanthropy a neoliberal karma-tumor, but puritanism may obfuscate actually radical, life-sustaining ways of moving money in the here and now.
#organisewealth #fundthefight
Money talks. The far right is shouting.
Meanwhile, 'progressives' are whispering, “can we circle back on this?”
Dive into our new substack piece which features some of our funder friends & allies (@weavingliberation, @mamacashfund, @dalanfund, safe passage fund, @blackfeministfund, @solidairenetwork @womendonors) as well as blueprints on how to organise wealth from the Block & Build frontlines of the US dystopia.
Promise that it's more uplifting than it seems..
And yes dear cynics, of course it is easy to call philanthropy a neoliberal karma-tumor, but puritanism may obfuscate actually radical, life-sustaining ways of moving money in the here and now.
#organisewealth #fundthefight
Money talks. The far right is shouting.
Meanwhile, 'progressives' are whispering, “can we circle back on this?”
Dive into our new substack piece which features some of our funder friends & allies (@weavingliberation, @mamacashfund, @dalanfund, safe passage fund, @blackfeministfund, @solidairenetwork @womendonors) as well as blueprints on how to organise wealth from the Block & Build frontlines of the US dystopia.
Promise that it's more uplifting than it seems..
And yes dear cynics, of course it is easy to call philanthropy a neoliberal karma-tumor, but puritanism may obfuscate actually radical, life-sustaining ways of moving money in the here and now.
#organisewealth #fundthefight
Instagramストーリーを秘密で見る
Instagramストーリービューアは、Instagramストーリー、動画、写真、またはIGTVを秘密に見たり保存したりできる簡単なツールです。このサービスを使用すると、コンテンツをダウンロードして、いつでもオフラインで楽しむことができます。Instagramで後でチェックしたいものを見つけた場合や、匿名でストーリーを見たい場合、このビューアは最適です。Anonstoriesは、あなたの身元を隠すための優れたソリューションを提供します。Instagramは2023年8月にストーリー機能を導入し、すぐに他のプラットフォームでも採用されました。このフォーマットは魅力的で、時間に敏感なため、ユーザーが写真、動画、または自撮りをテキスト、絵文字、またはフィルターで強化して、24時間限定で公開することができます。この限られた時間枠は、通常の投稿に比べて高いエンゲージメントを生み出します。今日の世界では、ストーリーはソーシャルメディアでつながり、コミュニケーションをとる最も人気のある方法の1つです。しかし、ストーリーを視聴すると、作成者は自分の名前を視聴者リストに見ることができ、プライバシーの懸念があります。もしストーリーを目立たずに閲覧したい場合、ここでAnonstoriesが役立ちます。これを使うことで、自分の身元を明かさずにInstagramのコンテンツを視聴できます。単に調べたいプロファイルのユーザー名を入力すると、その人の最新のストーリーが表示されます。Anonstoriesビューアの特徴：- 匿名閲覧：視聴リストに名前が表示されずにストーリーを視聴 - アカウント不要：Instagramのアカウントにサインインせずに公開コンテンツを視聴 - コンテンツダウンロード：ストーリーコンテンツを直接デバイスに保存してオフラインで使用 - ハイライト視聴：24時間を過ぎてもInstagramのハイライトにアクセス - リポストモニタリング：個人プロファイルのストーリーに対するリポストやエンゲージメントのレベルを追跡 制限事項：- このツールは公開アカウントでのみ動作し、非公開アカウントはアクセスできません。 利点：- プライバシー保護：Instagramのコンテンツを匿名で閲覧可能 - シンプルで簡単：アプリのインストールや登録は不要 - 独自のツール：Instagramが提供していない方法でコンテンツをダウンロードおよび管理可能
Anonstoriesの利点
IGストーリーをプライベートに探る
Instagramの更新をプライバシーを守りつつ、匿名で追跡できます。
プライベートInstagramビューア
プライベートプロファイルビューアを使用して、プロフィールと写真を簡単に匿名で閲覧できます。
無料のストーリービューア
この無料ツールでInstagramストーリーを匿名で閲覧でき、アクティビティがストーリーアップローダーに知られることはありません。
よくある質問
匿名性
Anonstoriesを使用すると、作成者に通知されることなくInstagramストーリーを閲覧できます。
デバイス互換性
iOS、Android、Windows、macOS、ChromeやSafariなどの最新のブラウザで問題なく動作します。
安全性とプライバシー
ログイン情報なしで、安全かつ匿名で閲覧できます。
登録不要
ユーザーは、ユーザー名を入力するだけで公開ストーリーを閲覧可能—アカウント登録は不要です。
対応フォーマット
写真（JPEG）と動画（MP4）を簡単にダウンロードできます。
料金
サービスは無料で利用できます。
非公開アカウント
非公開アカウントのコンテンツはフォロワーのみがアクセスできます。
ファイル使用
ファイルは個人または教育目的でのみ使用し、著作権法を遵守する必要があります。
動作方法
公開ユーザー名を入力して、ストーリーを閲覧またはダウンロードします。サービスはコンテンツをローカルに保存するための直接リンクを生成します。