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Art Direction and Design for brended 001
So excited to finally share brended - a 600 pages photographic book for the one and only @brendahashtag 🖤
Handsewn Softcover with custom silkscreen printed handmade Slipcase.
Edition of 500
Thank you
@brendahashtag
@patriziabartolini
Art Direction and Design for brended 001
So excited to finally share brended - a 600 pages photographic book for the one and only @brendahashtag 🖤
Handsewn Softcover with custom silkscreen printed handmade Slipcase.
Edition of 500
Thank you
@brendahashtag
@patriziabartolini
Art Direction and Design for brended 001
So excited to finally share brended - a 600 pages photographic book for the one and only @brendahashtag 🖤
Handsewn Softcover with custom silkscreen printed handmade Slipcase.
Edition of 500
Thank you
@brendahashtag
@patriziabartolini
Art Direction and Design for brended 001
So excited to finally share brended - a 600 pages photographic book for the one and only @brendahashtag 🖤
Handsewn Softcover with custom silkscreen printed handmade Slipcase.
Edition of 500
Thank you
@brendahashtag
@patriziabartolini
Art Direction and Design for brended 001
So excited to finally share brended - a 600 pages photographic book for the one and only @brendahashtag 🖤
Handsewn Softcover with custom silkscreen printed handmade Slipcase.
Edition of 500
Thank you
@brendahashtag
@patriziabartolini
Art Direction and Design for brended 001
So excited to finally share brended - a 600 pages photographic book for the one and only @brendahashtag 🖤
Handsewn Softcover with custom silkscreen printed handmade Slipcase.
Edition of 500
Thank you
@brendahashtag
@patriziabartolini
Art Direction and Design for brended 001
So excited to finally share brended - a 600 pages photographic book for the one and only @brendahashtag 🖤
Handsewn Softcover with custom silkscreen printed handmade Slipcase.
Edition of 500
Thank you
@brendahashtag
@patriziabartolini
Art Direction and Design for brended 001
So excited to finally share brended - a 600 pages photographic book for the one and only @brendahashtag 🖤
Handsewn Softcover with custom silkscreen printed handmade Slipcase.
Edition of 500
Thank you
@brendahashtag
@patriziabartolini
Art Direction and Design for brended 001
So excited to finally share brended - a 600 pages photographic book for the one and only @brendahashtag 🖤
Handsewn Softcover with custom silkscreen printed handmade Slipcase.
Edition of 500
Thank you
@brendahashtag
@patriziabartolini
Art Direction and Design for brended 001
So excited to finally share brended - a 600 pages photographic book for the one and only @brendahashtag 🖤
Handsewn Softcover with custom silkscreen printed handmade Slipcase.
Edition of 500
Thank you
@brendahashtag
@patriziabartolini
Art Direction and Design for brended 001
So excited to finally share brended - a 600 pages photographic book for the one and only @brendahashtag 🖤
Handsewn Softcover with custom silkscreen printed handmade Slipcase.
Edition of 500
Thank you
@brendahashtag
@patriziabartolini
Art Direction and Design for brended 001
So excited to finally share brended - a 600 pages photographic book for the one and only @brendahashtag 🖤
Handsewn Softcover with custom silkscreen printed handmade Slipcase.
Edition of 500
Thank you
@brendahashtag
@patriziabartolini
Art Direction and Design for brended 001
So excited to finally share brended - a 600 pages photographic book for the one and only @brendahashtag 🖤
Handsewn Softcover with custom silkscreen printed handmade Slipcase.
Edition of 500
Thank you
@brendahashtag
@patriziabartolini
Art Direction and Design for brended 001
So excited to finally share brended - a 600 pages photographic book for the one and only @brendahashtag 🖤
Handsewn Softcover with custom silkscreen printed handmade Slipcase.
Edition of 500
Thank you
@brendahashtag
@patriziabartolini
Art Direction and Design for brended 001
So excited to finally share brended - a 600 pages photographic book for the one and only @brendahashtag 🖤
Handsewn Softcover with custom silkscreen printed handmade Slipcase.
Edition of 500
Thank you
@brendahashtag
@patriziabartolini
Art Direction and Design for brended 001
So excited to finally share brended - a 600 pages photographic book for the one and only @brendahashtag 🖤
Handsewn Softcover with custom silkscreen printed handmade Slipcase.
Edition of 500
Thank you
@brendahashtag
@patriziabartolini
Art Direction and Design for brended 001
So excited to finally share brended - a 600 pages photographic book for the one and only @brendahashtag 🖤
Handsewn Softcover with custom silkscreen printed handmade Slipcase.
Edition of 500
Thank you
@brendahashtag
@patriziabartolini
Art Direction and Design for brended 001
So excited to finally share brended - a 600 pages photographic book for the one and only @brendahashtag 🖤
Handsewn Softcover with custom silkscreen printed handmade Slipcase.
Edition of 500
Thank you
@brendahashtag
@patriziabartolini
Art Direction and Design for brended 001
So excited to finally share brended - a 600 pages photographic book for the one and only @brendahashtag 🖤
Handsewn Softcover with custom silkscreen printed handmade Slipcase.
Edition of 500
Thank you
@brendahashtag
@patriziabartolini
Art Direction and Design for brended 001
So excited to finally share brended - a 600 pages photographic book for the one and only @brendahashtag 🖤
Handsewn Softcover with custom silkscreen printed handmade Slipcase.
Edition of 500
Thank you
@brendahashtag
@patriziabartolini
A Magazine Curated By: 2000/2004–2025
25 years of creation of @amagazinecuratedby
It has been a deep honour to design this monumental issue, featuring all 32 curators to date.
The first A Magazine I designed, was A Magazine curated by Francesco Risso. I will never forget when @asliceofbambi, Ileana and @mavistaiano came to @mikemeire studio, with numerous large lived in leather bags, full of original artworks, paintings, photography, handwritten letters and more. What followed was 4 days and nights of crafting a magazine of 200 pages, entirely by hand. Painting, Writing, Cutting, Gluing, Scanning. It was my first encounter with this publication and made me wonder if it would always be like this. This intense, this personal. So immediate and physical, that it remained imprinted in my core ever since.
Since then came A Magazine Curated By @erdem.moralioglu , Chitose Abe of sacai , @doxpeter and @glennmartens - each issue as unique as its curator.
A Magazine is unlike any publication I’ve ever worked on. Starting with a blank canvas each time - No grid, no set typography, no predetermined paper - only the format and the A on the cover, as a constant. Designing this publication is an act of framing a deeply personal world of some of the most brilliant minds in fashion today. Demanding true dedication, sensibility and care.
I am forever grateful to the A Magazine Family, to @mikemeire for allowing me to step into this universe, for your guidance and experience. To @blakeabbie for your trust and support and @legjema @albertshyong @kerstinannaberger @____theis @christopher.troester for unforgettable memories, simultaneous laugther and despair and sleepless nights of creation🤍
I feel incredibly inspired by all the contributors I had the chance to meet throughout these years, curators, photographers, writers, artist and more. I am in awe of all former editors (@danthawley🤍) and art directors that have shaped and know what it means to make this magazine and feel blessed to be part of such an iconic legacy.
Forever A.
A Magazine Curated By: 2000/2004–2025
25 years of creation of @amagazinecuratedby
It has been a deep honour to design this monumental issue, featuring all 32 curators to date.
The first A Magazine I designed, was A Magazine curated by Francesco Risso. I will never forget when @asliceofbambi, Ileana and @mavistaiano came to @mikemeire studio, with numerous large lived in leather bags, full of original artworks, paintings, photography, handwritten letters and more. What followed was 4 days and nights of crafting a magazine of 200 pages, entirely by hand. Painting, Writing, Cutting, Gluing, Scanning. It was my first encounter with this publication and made me wonder if it would always be like this. This intense, this personal. So immediate and physical, that it remained imprinted in my core ever since.
Since then came A Magazine Curated By @erdem.moralioglu , Chitose Abe of sacai , @doxpeter and @glennmartens - each issue as unique as its curator.
A Magazine is unlike any publication I’ve ever worked on. Starting with a blank canvas each time - No grid, no set typography, no predetermined paper - only the format and the A on the cover, as a constant. Designing this publication is an act of framing a deeply personal world of some of the most brilliant minds in fashion today. Demanding true dedication, sensibility and care.
I am forever grateful to the A Magazine Family, to @mikemeire for allowing me to step into this universe, for your guidance and experience. To @blakeabbie for your trust and support and @legjema @albertshyong @kerstinannaberger @____theis @christopher.troester for unforgettable memories, simultaneous laugther and despair and sleepless nights of creation🤍
I feel incredibly inspired by all the contributors I had the chance to meet throughout these years, curators, photographers, writers, artist and more. I am in awe of all former editors (@danthawley🤍) and art directors that have shaped and know what it means to make this magazine and feel blessed to be part of such an iconic legacy.
Forever A.
A Magazine Curated By: 2000/2004–2025
25 years of creation of @amagazinecuratedby
It has been a deep honour to design this monumental issue, featuring all 32 curators to date.
The first A Magazine I designed, was A Magazine curated by Francesco Risso. I will never forget when @asliceofbambi, Ileana and @mavistaiano came to @mikemeire studio, with numerous large lived in leather bags, full of original artworks, paintings, photography, handwritten letters and more. What followed was 4 days and nights of crafting a magazine of 200 pages, entirely by hand. Painting, Writing, Cutting, Gluing, Scanning. It was my first encounter with this publication and made me wonder if it would always be like this. This intense, this personal. So immediate and physical, that it remained imprinted in my core ever since.
Since then came A Magazine Curated By @erdem.moralioglu , Chitose Abe of sacai , @doxpeter and @glennmartens - each issue as unique as its curator.
A Magazine is unlike any publication I’ve ever worked on. Starting with a blank canvas each time - No grid, no set typography, no predetermined paper - only the format and the A on the cover, as a constant. Designing this publication is an act of framing a deeply personal world of some of the most brilliant minds in fashion today. Demanding true dedication, sensibility and care.
I am forever grateful to the A Magazine Family, to @mikemeire for allowing me to step into this universe, for your guidance and experience. To @blakeabbie for your trust and support and @legjema @albertshyong @kerstinannaberger @____theis @christopher.troester for unforgettable memories, simultaneous laugther and despair and sleepless nights of creation🤍
I feel incredibly inspired by all the contributors I had the chance to meet throughout these years, curators, photographers, writers, artist and more. I am in awe of all former editors (@danthawley🤍) and art directors that have shaped and know what it means to make this magazine and feel blessed to be part of such an iconic legacy.
Forever A.
A Magazine Curated By: 2000/2004–2025
25 years of creation of @amagazinecuratedby
It has been a deep honour to design this monumental issue, featuring all 32 curators to date.
The first A Magazine I designed, was A Magazine curated by Francesco Risso. I will never forget when @asliceofbambi, Ileana and @mavistaiano came to @mikemeire studio, with numerous large lived in leather bags, full of original artworks, paintings, photography, handwritten letters and more. What followed was 4 days and nights of crafting a magazine of 200 pages, entirely by hand. Painting, Writing, Cutting, Gluing, Scanning. It was my first encounter with this publication and made me wonder if it would always be like this. This intense, this personal. So immediate and physical, that it remained imprinted in my core ever since.
Since then came A Magazine Curated By @erdem.moralioglu , Chitose Abe of sacai , @doxpeter and @glennmartens - each issue as unique as its curator.
A Magazine is unlike any publication I’ve ever worked on. Starting with a blank canvas each time - No grid, no set typography, no predetermined paper - only the format and the A on the cover, as a constant. Designing this publication is an act of framing a deeply personal world of some of the most brilliant minds in fashion today. Demanding true dedication, sensibility and care.
I am forever grateful to the A Magazine Family, to @mikemeire for allowing me to step into this universe, for your guidance and experience. To @blakeabbie for your trust and support and @legjema @albertshyong @kerstinannaberger @____theis @christopher.troester for unforgettable memories, simultaneous laugther and despair and sleepless nights of creation🤍
I feel incredibly inspired by all the contributors I had the chance to meet throughout these years, curators, photographers, writers, artist and more. I am in awe of all former editors (@danthawley🤍) and art directors that have shaped and know what it means to make this magazine and feel blessed to be part of such an iconic legacy.
Forever A.
A Magazine Curated By: 2000/2004–2025
25 years of creation of @amagazinecuratedby
It has been a deep honour to design this monumental issue, featuring all 32 curators to date.
The first A Magazine I designed, was A Magazine curated by Francesco Risso. I will never forget when @asliceofbambi, Ileana and @mavistaiano came to @mikemeire studio, with numerous large lived in leather bags, full of original artworks, paintings, photography, handwritten letters and more. What followed was 4 days and nights of crafting a magazine of 200 pages, entirely by hand. Painting, Writing, Cutting, Gluing, Scanning. It was my first encounter with this publication and made me wonder if it would always be like this. This intense, this personal. So immediate and physical, that it remained imprinted in my core ever since.
Since then came A Magazine Curated By @erdem.moralioglu , Chitose Abe of sacai , @doxpeter and @glennmartens - each issue as unique as its curator.
A Magazine is unlike any publication I’ve ever worked on. Starting with a blank canvas each time - No grid, no set typography, no predetermined paper - only the format and the A on the cover, as a constant. Designing this publication is an act of framing a deeply personal world of some of the most brilliant minds in fashion today. Demanding true dedication, sensibility and care.
I am forever grateful to the A Magazine Family, to @mikemeire for allowing me to step into this universe, for your guidance and experience. To @blakeabbie for your trust and support and @legjema @albertshyong @kerstinannaberger @____theis @christopher.troester for unforgettable memories, simultaneous laugther and despair and sleepless nights of creation🤍
I feel incredibly inspired by all the contributors I had the chance to meet throughout these years, curators, photographers, writers, artist and more. I am in awe of all former editors (@danthawley🤍) and art directors that have shaped and know what it means to make this magazine and feel blessed to be part of such an iconic legacy.
Forever A.
A Magazine Curated By: 2000/2004–2025
25 years of creation of @amagazinecuratedby
It has been a deep honour to design this monumental issue, featuring all 32 curators to date.
The first A Magazine I designed, was A Magazine curated by Francesco Risso. I will never forget when @asliceofbambi, Ileana and @mavistaiano came to @mikemeire studio, with numerous large lived in leather bags, full of original artworks, paintings, photography, handwritten letters and more. What followed was 4 days and nights of crafting a magazine of 200 pages, entirely by hand. Painting, Writing, Cutting, Gluing, Scanning. It was my first encounter with this publication and made me wonder if it would always be like this. This intense, this personal. So immediate and physical, that it remained imprinted in my core ever since.
Since then came A Magazine Curated By @erdem.moralioglu , Chitose Abe of sacai , @doxpeter and @glennmartens - each issue as unique as its curator.
A Magazine is unlike any publication I’ve ever worked on. Starting with a blank canvas each time - No grid, no set typography, no predetermined paper - only the format and the A on the cover, as a constant. Designing this publication is an act of framing a deeply personal world of some of the most brilliant minds in fashion today. Demanding true dedication, sensibility and care.
I am forever grateful to the A Magazine Family, to @mikemeire for allowing me to step into this universe, for your guidance and experience. To @blakeabbie for your trust and support and @legjema @albertshyong @kerstinannaberger @____theis @christopher.troester for unforgettable memories, simultaneous laugther and despair and sleepless nights of creation🤍
I feel incredibly inspired by all the contributors I had the chance to meet throughout these years, curators, photographers, writers, artist and more. I am in awe of all former editors (@danthawley🤍) and art directors that have shaped and know what it means to make this magazine and feel blessed to be part of such an iconic legacy.
Forever A.
A Magazine Curated By: 2000/2004–2025
25 years of creation of @amagazinecuratedby
It has been a deep honour to design this monumental issue, featuring all 32 curators to date.
The first A Magazine I designed, was A Magazine curated by Francesco Risso. I will never forget when @asliceofbambi, Ileana and @mavistaiano came to @mikemeire studio, with numerous large lived in leather bags, full of original artworks, paintings, photography, handwritten letters and more. What followed was 4 days and nights of crafting a magazine of 200 pages, entirely by hand. Painting, Writing, Cutting, Gluing, Scanning. It was my first encounter with this publication and made me wonder if it would always be like this. This intense, this personal. So immediate and physical, that it remained imprinted in my core ever since.
Since then came A Magazine Curated By @erdem.moralioglu , Chitose Abe of sacai , @doxpeter and @glennmartens - each issue as unique as its curator.
A Magazine is unlike any publication I’ve ever worked on. Starting with a blank canvas each time - No grid, no set typography, no predetermined paper - only the format and the A on the cover, as a constant. Designing this publication is an act of framing a deeply personal world of some of the most brilliant minds in fashion today. Demanding true dedication, sensibility and care.
I am forever grateful to the A Magazine Family, to @mikemeire for allowing me to step into this universe, for your guidance and experience. To @blakeabbie for your trust and support and @legjema @albertshyong @kerstinannaberger @____theis @christopher.troester for unforgettable memories, simultaneous laugther and despair and sleepless nights of creation🤍
I feel incredibly inspired by all the contributors I had the chance to meet throughout these years, curators, photographers, writers, artist and more. I am in awe of all former editors (@danthawley🤍) and art directors that have shaped and know what it means to make this magazine and feel blessed to be part of such an iconic legacy.
Forever A.
A Magazine Curated By: 2000/2004–2025
25 years of creation of @amagazinecuratedby
It has been a deep honour to design this monumental issue, featuring all 32 curators to date.
The first A Magazine I designed, was A Magazine curated by Francesco Risso. I will never forget when @asliceofbambi, Ileana and @mavistaiano came to @mikemeire studio, with numerous large lived in leather bags, full of original artworks, paintings, photography, handwritten letters and more. What followed was 4 days and nights of crafting a magazine of 200 pages, entirely by hand. Painting, Writing, Cutting, Gluing, Scanning. It was my first encounter with this publication and made me wonder if it would always be like this. This intense, this personal. So immediate and physical, that it remained imprinted in my core ever since.
Since then came A Magazine Curated By @erdem.moralioglu , Chitose Abe of sacai , @doxpeter and @glennmartens - each issue as unique as its curator.
A Magazine is unlike any publication I’ve ever worked on. Starting with a blank canvas each time - No grid, no set typography, no predetermined paper - only the format and the A on the cover, as a constant. Designing this publication is an act of framing a deeply personal world of some of the most brilliant minds in fashion today. Demanding true dedication, sensibility and care.
I am forever grateful to the A Magazine Family, to @mikemeire for allowing me to step into this universe, for your guidance and experience. To @blakeabbie for your trust and support and @legjema @albertshyong @kerstinannaberger @____theis @christopher.troester for unforgettable memories, simultaneous laugther and despair and sleepless nights of creation🤍
I feel incredibly inspired by all the contributors I had the chance to meet throughout these years, curators, photographers, writers, artist and more. I am in awe of all former editors (@danthawley🤍) and art directors that have shaped and know what it means to make this magazine and feel blessed to be part of such an iconic legacy.
Forever A.
A Magazine Curated By: 2000/2004–2025
25 years of creation of @amagazinecuratedby
It has been a deep honour to design this monumental issue, featuring all 32 curators to date.
The first A Magazine I designed, was A Magazine curated by Francesco Risso. I will never forget when @asliceofbambi, Ileana and @mavistaiano came to @mikemeire studio, with numerous large lived in leather bags, full of original artworks, paintings, photography, handwritten letters and more. What followed was 4 days and nights of crafting a magazine of 200 pages, entirely by hand. Painting, Writing, Cutting, Gluing, Scanning. It was my first encounter with this publication and made me wonder if it would always be like this. This intense, this personal. So immediate and physical, that it remained imprinted in my core ever since.
Since then came A Magazine Curated By @erdem.moralioglu , Chitose Abe of sacai , @doxpeter and @glennmartens - each issue as unique as its curator.
A Magazine is unlike any publication I’ve ever worked on. Starting with a blank canvas each time - No grid, no set typography, no predetermined paper - only the format and the A on the cover, as a constant. Designing this publication is an act of framing a deeply personal world of some of the most brilliant minds in fashion today. Demanding true dedication, sensibility and care.
I am forever grateful to the A Magazine Family, to @mikemeire for allowing me to step into this universe, for your guidance and experience. To @blakeabbie for your trust and support and @legjema @albertshyong @kerstinannaberger @____theis @christopher.troester for unforgettable memories, simultaneous laugther and despair and sleepless nights of creation🤍
I feel incredibly inspired by all the contributors I had the chance to meet throughout these years, curators, photographers, writers, artist and more. I am in awe of all former editors (@danthawley🤍) and art directors that have shaped and know what it means to make this magazine and feel blessed to be part of such an iconic legacy.
Forever A.
A Magazine Curated By: 2000/2004–2025
25 years of creation of @amagazinecuratedby
It has been a deep honour to design this monumental issue, featuring all 32 curators to date.
The first A Magazine I designed, was A Magazine curated by Francesco Risso. I will never forget when @asliceofbambi, Ileana and @mavistaiano came to @mikemeire studio, with numerous large lived in leather bags, full of original artworks, paintings, photography, handwritten letters and more. What followed was 4 days and nights of crafting a magazine of 200 pages, entirely by hand. Painting, Writing, Cutting, Gluing, Scanning. It was my first encounter with this publication and made me wonder if it would always be like this. This intense, this personal. So immediate and physical, that it remained imprinted in my core ever since.
Since then came A Magazine Curated By @erdem.moralioglu , Chitose Abe of sacai , @doxpeter and @glennmartens - each issue as unique as its curator.
A Magazine is unlike any publication I’ve ever worked on. Starting with a blank canvas each time - No grid, no set typography, no predetermined paper - only the format and the A on the cover, as a constant. Designing this publication is an act of framing a deeply personal world of some of the most brilliant minds in fashion today. Demanding true dedication, sensibility and care.
I am forever grateful to the A Magazine Family, to @mikemeire for allowing me to step into this universe, for your guidance and experience. To @blakeabbie for your trust and support and @legjema @albertshyong @kerstinannaberger @____theis @christopher.troester for unforgettable memories, simultaneous laugther and despair and sleepless nights of creation🤍
I feel incredibly inspired by all the contributors I had the chance to meet throughout these years, curators, photographers, writers, artist and more. I am in awe of all former editors (@danthawley🤍) and art directors that have shaped and know what it means to make this magazine and feel blessed to be part of such an iconic legacy.
Forever A.
A Magazine Curated By: 2000/2004–2025
25 years of creation of @amagazinecuratedby
It has been a deep honour to design this monumental issue, featuring all 32 curators to date.
The first A Magazine I designed, was A Magazine curated by Francesco Risso. I will never forget when @asliceofbambi, Ileana and @mavistaiano came to @mikemeire studio, with numerous large lived in leather bags, full of original artworks, paintings, photography, handwritten letters and more. What followed was 4 days and nights of crafting a magazine of 200 pages, entirely by hand. Painting, Writing, Cutting, Gluing, Scanning. It was my first encounter with this publication and made me wonder if it would always be like this. This intense, this personal. So immediate and physical, that it remained imprinted in my core ever since.
Since then came A Magazine Curated By @erdem.moralioglu , Chitose Abe of sacai , @doxpeter and @glennmartens - each issue as unique as its curator.
A Magazine is unlike any publication I’ve ever worked on. Starting with a blank canvas each time - No grid, no set typography, no predetermined paper - only the format and the A on the cover, as a constant. Designing this publication is an act of framing a deeply personal world of some of the most brilliant minds in fashion today. Demanding true dedication, sensibility and care.
I am forever grateful to the A Magazine Family, to @mikemeire for allowing me to step into this universe, for your guidance and experience. To @blakeabbie for your trust and support and @legjema @albertshyong @kerstinannaberger @____theis @christopher.troester for unforgettable memories, simultaneous laugther and despair and sleepless nights of creation🤍
I feel incredibly inspired by all the contributors I had the chance to meet throughout these years, curators, photographers, writers, artist and more. I am in awe of all former editors (@danthawley🤍) and art directors that have shaped and know what it means to make this magazine and feel blessed to be part of such an iconic legacy.
Forever A.
A Magazine Curated By: 2000/2004–2025
25 years of creation of @amagazinecuratedby
It has been a deep honour to design this monumental issue, featuring all 32 curators to date.
The first A Magazine I designed, was A Magazine curated by Francesco Risso. I will never forget when @asliceofbambi, Ileana and @mavistaiano came to @mikemeire studio, with numerous large lived in leather bags, full of original artworks, paintings, photography, handwritten letters and more. What followed was 4 days and nights of crafting a magazine of 200 pages, entirely by hand. Painting, Writing, Cutting, Gluing, Scanning. It was my first encounter with this publication and made me wonder if it would always be like this. This intense, this personal. So immediate and physical, that it remained imprinted in my core ever since.
Since then came A Magazine Curated By @erdem.moralioglu , Chitose Abe of sacai , @doxpeter and @glennmartens - each issue as unique as its curator.
A Magazine is unlike any publication I’ve ever worked on. Starting with a blank canvas each time - No grid, no set typography, no predetermined paper - only the format and the A on the cover, as a constant. Designing this publication is an act of framing a deeply personal world of some of the most brilliant minds in fashion today. Demanding true dedication, sensibility and care.
I am forever grateful to the A Magazine Family, to @mikemeire for allowing me to step into this universe, for your guidance and experience. To @blakeabbie for your trust and support and @legjema @albertshyong @kerstinannaberger @____theis @christopher.troester for unforgettable memories, simultaneous laugther and despair and sleepless nights of creation🤍
I feel incredibly inspired by all the contributors I had the chance to meet throughout these years, curators, photographers, writers, artist and more. I am in awe of all former editors (@danthawley🤍) and art directors that have shaped and know what it means to make this magazine and feel blessed to be part of such an iconic legacy.
Forever A.
A Magazine Curated By: 2000/2004–2025
25 years of creation of @amagazinecuratedby
It has been a deep honour to design this monumental issue, featuring all 32 curators to date.
The first A Magazine I designed, was A Magazine curated by Francesco Risso. I will never forget when @asliceofbambi, Ileana and @mavistaiano came to @mikemeire studio, with numerous large lived in leather bags, full of original artworks, paintings, photography, handwritten letters and more. What followed was 4 days and nights of crafting a magazine of 200 pages, entirely by hand. Painting, Writing, Cutting, Gluing, Scanning. It was my first encounter with this publication and made me wonder if it would always be like this. This intense, this personal. So immediate and physical, that it remained imprinted in my core ever since.
Since then came A Magazine Curated By @erdem.moralioglu , Chitose Abe of sacai , @doxpeter and @glennmartens - each issue as unique as its curator.
A Magazine is unlike any publication I’ve ever worked on. Starting with a blank canvas each time - No grid, no set typography, no predetermined paper - only the format and the A on the cover, as a constant. Designing this publication is an act of framing a deeply personal world of some of the most brilliant minds in fashion today. Demanding true dedication, sensibility and care.
I am forever grateful to the A Magazine Family, to @mikemeire for allowing me to step into this universe, for your guidance and experience. To @blakeabbie for your trust and support and @legjema @albertshyong @kerstinannaberger @____theis @christopher.troester for unforgettable memories, simultaneous laugther and despair and sleepless nights of creation🤍
I feel incredibly inspired by all the contributors I had the chance to meet throughout these years, curators, photographers, writers, artist and more. I am in awe of all former editors (@danthawley🤍) and art directors that have shaped and know what it means to make this magazine and feel blessed to be part of such an iconic legacy.
Forever A.
A Magazine Curated By: 2000/2004–2025
25 years of creation of @amagazinecuratedby
It has been a deep honour to design this monumental issue, featuring all 32 curators to date.
The first A Magazine I designed, was A Magazine curated by Francesco Risso. I will never forget when @asliceofbambi, Ileana and @mavistaiano came to @mikemeire studio, with numerous large lived in leather bags, full of original artworks, paintings, photography, handwritten letters and more. What followed was 4 days and nights of crafting a magazine of 200 pages, entirely by hand. Painting, Writing, Cutting, Gluing, Scanning. It was my first encounter with this publication and made me wonder if it would always be like this. This intense, this personal. So immediate and physical, that it remained imprinted in my core ever since.
Since then came A Magazine Curated By @erdem.moralioglu , Chitose Abe of sacai , @doxpeter and @glennmartens - each issue as unique as its curator.
A Magazine is unlike any publication I’ve ever worked on. Starting with a blank canvas each time - No grid, no set typography, no predetermined paper - only the format and the A on the cover, as a constant. Designing this publication is an act of framing a deeply personal world of some of the most brilliant minds in fashion today. Demanding true dedication, sensibility and care.
I am forever grateful to the A Magazine Family, to @mikemeire for allowing me to step into this universe, for your guidance and experience. To @blakeabbie for your trust and support and @legjema @albertshyong @kerstinannaberger @____theis @christopher.troester for unforgettable memories, simultaneous laugther and despair and sleepless nights of creation🤍
I feel incredibly inspired by all the contributors I had the chance to meet throughout these years, curators, photographers, writers, artist and more. I am in awe of all former editors (@danthawley🤍) and art directors that have shaped and know what it means to make this magazine and feel blessed to be part of such an iconic legacy.
Forever A.
A Magazine Curated By: 2000/2004–2025
25 years of creation of @amagazinecuratedby
It has been a deep honour to design this monumental issue, featuring all 32 curators to date.
The first A Magazine I designed, was A Magazine curated by Francesco Risso. I will never forget when @asliceofbambi, Ileana and @mavistaiano came to @mikemeire studio, with numerous large lived in leather bags, full of original artworks, paintings, photography, handwritten letters and more. What followed was 4 days and nights of crafting a magazine of 200 pages, entirely by hand. Painting, Writing, Cutting, Gluing, Scanning. It was my first encounter with this publication and made me wonder if it would always be like this. This intense, this personal. So immediate and physical, that it remained imprinted in my core ever since.
Since then came A Magazine Curated By @erdem.moralioglu , Chitose Abe of sacai , @doxpeter and @glennmartens - each issue as unique as its curator.
A Magazine is unlike any publication I’ve ever worked on. Starting with a blank canvas each time - No grid, no set typography, no predetermined paper - only the format and the A on the cover, as a constant. Designing this publication is an act of framing a deeply personal world of some of the most brilliant minds in fashion today. Demanding true dedication, sensibility and care.
I am forever grateful to the A Magazine Family, to @mikemeire for allowing me to step into this universe, for your guidance and experience. To @blakeabbie for your trust and support and @legjema @albertshyong @kerstinannaberger @____theis @christopher.troester for unforgettable memories, simultaneous laugther and despair and sleepless nights of creation🤍
I feel incredibly inspired by all the contributors I had the chance to meet throughout these years, curators, photographers, writers, artist and more. I am in awe of all former editors (@danthawley🤍) and art directors that have shaped and know what it means to make this magazine and feel blessed to be part of such an iconic legacy.
Forever A.
A Magazine Curated By: 2000/2004–2025
25 years of creation of @amagazinecuratedby
It has been a deep honour to design this monumental issue, featuring all 32 curators to date.
The first A Magazine I designed, was A Magazine curated by Francesco Risso. I will never forget when @asliceofbambi, Ileana and @mavistaiano came to @mikemeire studio, with numerous large lived in leather bags, full of original artworks, paintings, photography, handwritten letters and more. What followed was 4 days and nights of crafting a magazine of 200 pages, entirely by hand. Painting, Writing, Cutting, Gluing, Scanning. It was my first encounter with this publication and made me wonder if it would always be like this. This intense, this personal. So immediate and physical, that it remained imprinted in my core ever since.
Since then came A Magazine Curated By @erdem.moralioglu , Chitose Abe of sacai , @doxpeter and @glennmartens - each issue as unique as its curator.
A Magazine is unlike any publication I’ve ever worked on. Starting with a blank canvas each time - No grid, no set typography, no predetermined paper - only the format and the A on the cover, as a constant. Designing this publication is an act of framing a deeply personal world of some of the most brilliant minds in fashion today. Demanding true dedication, sensibility and care.
I am forever grateful to the A Magazine Family, to @mikemeire for allowing me to step into this universe, for your guidance and experience. To @blakeabbie for your trust and support and @legjema @albertshyong @kerstinannaberger @____theis @christopher.troester for unforgettable memories, simultaneous laugther and despair and sleepless nights of creation🤍
I feel incredibly inspired by all the contributors I had the chance to meet throughout these years, curators, photographers, writers, artist and more. I am in awe of all former editors (@danthawley🤍) and art directors that have shaped and know what it means to make this magazine and feel blessed to be part of such an iconic legacy.
Forever A.
A Magazine Curated By: 2000/2004–2025
25 years of creation of @amagazinecuratedby
It has been a deep honour to design this monumental issue, featuring all 32 curators to date.
The first A Magazine I designed, was A Magazine curated by Francesco Risso. I will never forget when @asliceofbambi, Ileana and @mavistaiano came to @mikemeire studio, with numerous large lived in leather bags, full of original artworks, paintings, photography, handwritten letters and more. What followed was 4 days and nights of crafting a magazine of 200 pages, entirely by hand. Painting, Writing, Cutting, Gluing, Scanning. It was my first encounter with this publication and made me wonder if it would always be like this. This intense, this personal. So immediate and physical, that it remained imprinted in my core ever since.
Since then came A Magazine Curated By @erdem.moralioglu , Chitose Abe of sacai , @doxpeter and @glennmartens - each issue as unique as its curator.
A Magazine is unlike any publication I’ve ever worked on. Starting with a blank canvas each time - No grid, no set typography, no predetermined paper - only the format and the A on the cover, as a constant. Designing this publication is an act of framing a deeply personal world of some of the most brilliant minds in fashion today. Demanding true dedication, sensibility and care.
I am forever grateful to the A Magazine Family, to @mikemeire for allowing me to step into this universe, for your guidance and experience. To @blakeabbie for your trust and support and @legjema @albertshyong @kerstinannaberger @____theis @christopher.troester for unforgettable memories, simultaneous laugther and despair and sleepless nights of creation🤍
I feel incredibly inspired by all the contributors I had the chance to meet throughout these years, curators, photographers, writers, artist and more. I am in awe of all former editors (@danthawley🤍) and art directors that have shaped and know what it means to make this magazine and feel blessed to be part of such an iconic legacy.
Forever A.
A Magazine Curated By: 2000/2004–2025
25 years of creation of @amagazinecuratedby
It has been a deep honour to design this monumental issue, featuring all 32 curators to date.
The first A Magazine I designed, was A Magazine curated by Francesco Risso. I will never forget when @asliceofbambi, Ileana and @mavistaiano came to @mikemeire studio, with numerous large lived in leather bags, full of original artworks, paintings, photography, handwritten letters and more. What followed was 4 days and nights of crafting a magazine of 200 pages, entirely by hand. Painting, Writing, Cutting, Gluing, Scanning. It was my first encounter with this publication and made me wonder if it would always be like this. This intense, this personal. So immediate and physical, that it remained imprinted in my core ever since.
Since then came A Magazine Curated By @erdem.moralioglu , Chitose Abe of sacai , @doxpeter and @glennmartens - each issue as unique as its curator.
A Magazine is unlike any publication I’ve ever worked on. Starting with a blank canvas each time - No grid, no set typography, no predetermined paper - only the format and the A on the cover, as a constant. Designing this publication is an act of framing a deeply personal world of some of the most brilliant minds in fashion today. Demanding true dedication, sensibility and care.
I am forever grateful to the A Magazine Family, to @mikemeire for allowing me to step into this universe, for your guidance and experience. To @blakeabbie for your trust and support and @legjema @albertshyong @kerstinannaberger @____theis @christopher.troester for unforgettable memories, simultaneous laugther and despair and sleepless nights of creation🤍
I feel incredibly inspired by all the contributors I had the chance to meet throughout these years, curators, photographers, writers, artist and more. I am in awe of all former editors (@danthawley🤍) and art directors that have shaped and know what it means to make this magazine and feel blessed to be part of such an iconic legacy.
Forever A.
A Magazine Curated By: 2000/2004–2025
25 years of creation of @amagazinecuratedby
It has been a deep honour to design this monumental issue, featuring all 32 curators to date.
The first A Magazine I designed, was A Magazine curated by Francesco Risso. I will never forget when @asliceofbambi, Ileana and @mavistaiano came to @mikemeire studio, with numerous large lived in leather bags, full of original artworks, paintings, photography, handwritten letters and more. What followed was 4 days and nights of crafting a magazine of 200 pages, entirely by hand. Painting, Writing, Cutting, Gluing, Scanning. It was my first encounter with this publication and made me wonder if it would always be like this. This intense, this personal. So immediate and physical, that it remained imprinted in my core ever since.
Since then came A Magazine Curated By @erdem.moralioglu , Chitose Abe of sacai , @doxpeter and @glennmartens - each issue as unique as its curator.
A Magazine is unlike any publication I’ve ever worked on. Starting with a blank canvas each time - No grid, no set typography, no predetermined paper - only the format and the A on the cover, as a constant. Designing this publication is an act of framing a deeply personal world of some of the most brilliant minds in fashion today. Demanding true dedication, sensibility and care.
I am forever grateful to the A Magazine Family, to @mikemeire for allowing me to step into this universe, for your guidance and experience. To @blakeabbie for your trust and support and @legjema @albertshyong @kerstinannaberger @____theis @christopher.troester for unforgettable memories, simultaneous laugther and despair and sleepless nights of creation🤍
I feel incredibly inspired by all the contributors I had the chance to meet throughout these years, curators, photographers, writers, artist and more. I am in awe of all former editors (@danthawley🤍) and art directors that have shaped and know what it means to make this magazine and feel blessed to be part of such an iconic legacy.
Forever A.
A Magazine Curated By: 2000/2004–2025
25 years of creation of @amagazinecuratedby
It has been a deep honour to design this monumental issue, featuring all 32 curators to date.
The first A Magazine I designed, was A Magazine curated by Francesco Risso. I will never forget when @asliceofbambi, Ileana and @mavistaiano came to @mikemeire studio, with numerous large lived in leather bags, full of original artworks, paintings, photography, handwritten letters and more. What followed was 4 days and nights of crafting a magazine of 200 pages, entirely by hand. Painting, Writing, Cutting, Gluing, Scanning. It was my first encounter with this publication and made me wonder if it would always be like this. This intense, this personal. So immediate and physical, that it remained imprinted in my core ever since.
Since then came A Magazine Curated By @erdem.moralioglu , Chitose Abe of sacai , @doxpeter and @glennmartens - each issue as unique as its curator.
A Magazine is unlike any publication I’ve ever worked on. Starting with a blank canvas each time - No grid, no set typography, no predetermined paper - only the format and the A on the cover, as a constant. Designing this publication is an act of framing a deeply personal world of some of the most brilliant minds in fashion today. Demanding true dedication, sensibility and care.
I am forever grateful to the A Magazine Family, to @mikemeire for allowing me to step into this universe, for your guidance and experience. To @blakeabbie for your trust and support and @legjema @albertshyong @kerstinannaberger @____theis @christopher.troester for unforgettable memories, simultaneous laugther and despair and sleepless nights of creation🤍
I feel incredibly inspired by all the contributors I had the chance to meet throughout these years, curators, photographers, writers, artist and more. I am in awe of all former editors (@danthawley🤍) and art directors that have shaped and know what it means to make this magazine and feel blessed to be part of such an iconic legacy.
Forever A.
Pleased to share fractions of the Editorial Research and Design Seminar I taught this academic year at the University of Arts Berlin, Visual Arts Department (Klasse Hickmann).
Extending Bodies is a visual anthology investigating the deep-rooted human desire to push the body beyond its limits and capabilities. Developed in collaboration with a cohort of 17 students, the publication serves as a repository of references spanning across various disciplines, including medicine, sports, fashion, politics, art, architecture, performance, spirituality, and afterlife.
Examining the methodology inherent in bodies of work such as Artur Jafa’s Apex Grid 2018, Comme des Garçons Ad Campaigns, Batia Suter’s Parallel Encyclopedia 2007, students explored how the de- and reconrextualization of found imagery can serve as a vehicle of communication within the medium of print.
Extending Bodies aims to provide alternative readings by rethinking the contemporary body through archival research and editorial composition.
Could not have asked for a better group of students 🤍
Ezra Alvarez @pueblo.blau
Elvis Vos @elvisvos
Konstantin Wagner @wagnerkonstantin
Subin Ahn @subinsoe
Sergey Kuchin @ssergeykuchinn
Artemisia Astolfi @artemisiasophia
Béla Machemer @bela____j
Eli Zaza Moysiopoulou @eli_zaza
Alexandra Trinkl @alexpa_x
Linus von Appen @linusva
Julius Friedrich Riek @julius.riek
Hannah Stöwe @hannah.stw
Yan Tashtoush @yassinyan
Qianxue Zhang @94schnee
Ileana Farabani @ileana.farabani
Polina Berleva @plnaber
Irmak Numanoglu @irmxk
I would like to express my gratitude for the invitation:
@udkberlin
@klassehickmann
Prof. Fons Hickmann @fons_hickmann_m23
Louise Borinski, Artistic Associate @louiseborinski
As well as:
Robert Radziejewski, Adjunct Lecturer
@robert.radziejewski
Printed by the best
@galleryprintberlin
Offset Printing
Bound with Metal Paper Fastener
200 Pages
Circle Volume White, 100% Recycling, 90 g/m
Cover: Rebecca Horn, Pencil Mask, 1972
Pleased to share fractions of the Editorial Research and Design Seminar I taught this academic year at the University of Arts Berlin, Visual Arts Department (Klasse Hickmann).
Extending Bodies is a visual anthology investigating the deep-rooted human desire to push the body beyond its limits and capabilities. Developed in collaboration with a cohort of 17 students, the publication serves as a repository of references spanning across various disciplines, including medicine, sports, fashion, politics, art, architecture, performance, spirituality, and afterlife.
Examining the methodology inherent in bodies of work such as Artur Jafa’s Apex Grid 2018, Comme des Garçons Ad Campaigns, Batia Suter’s Parallel Encyclopedia 2007, students explored how the de- and reconrextualization of found imagery can serve as a vehicle of communication within the medium of print.
Extending Bodies aims to provide alternative readings by rethinking the contemporary body through archival research and editorial composition.
Could not have asked for a better group of students 🤍
Ezra Alvarez @pueblo.blau
Elvis Vos @elvisvos
Konstantin Wagner @wagnerkonstantin
Subin Ahn @subinsoe
Sergey Kuchin @ssergeykuchinn
Artemisia Astolfi @artemisiasophia
Béla Machemer @bela____j
Eli Zaza Moysiopoulou @eli_zaza
Alexandra Trinkl @alexpa_x
Linus von Appen @linusva
Julius Friedrich Riek @julius.riek
Hannah Stöwe @hannah.stw
Yan Tashtoush @yassinyan
Qianxue Zhang @94schnee
Ileana Farabani @ileana.farabani
Polina Berleva @plnaber
Irmak Numanoglu @irmxk
I would like to express my gratitude for the invitation:
@udkberlin
@klassehickmann
Prof. Fons Hickmann @fons_hickmann_m23
Louise Borinski, Artistic Associate @louiseborinski
As well as:
Robert Radziejewski, Adjunct Lecturer
@robert.radziejewski
Printed by the best
@galleryprintberlin
Offset Printing
Bound with Metal Paper Fastener
200 Pages
Circle Volume White, 100% Recycling, 90 g/m
Cover: Rebecca Horn, Pencil Mask, 1972
Pleased to share fractions of the Editorial Research and Design Seminar I taught this academic year at the University of Arts Berlin, Visual Arts Department (Klasse Hickmann).
Extending Bodies is a visual anthology investigating the deep-rooted human desire to push the body beyond its limits and capabilities. Developed in collaboration with a cohort of 17 students, the publication serves as a repository of references spanning across various disciplines, including medicine, sports, fashion, politics, art, architecture, performance, spirituality, and afterlife.
Examining the methodology inherent in bodies of work such as Artur Jafa’s Apex Grid 2018, Comme des Garçons Ad Campaigns, Batia Suter’s Parallel Encyclopedia 2007, students explored how the de- and reconrextualization of found imagery can serve as a vehicle of communication within the medium of print.
Extending Bodies aims to provide alternative readings by rethinking the contemporary body through archival research and editorial composition.
Could not have asked for a better group of students 🤍
Ezra Alvarez @pueblo.blau
Elvis Vos @elvisvos
Konstantin Wagner @wagnerkonstantin
Subin Ahn @subinsoe
Sergey Kuchin @ssergeykuchinn
Artemisia Astolfi @artemisiasophia
Béla Machemer @bela____j
Eli Zaza Moysiopoulou @eli_zaza
Alexandra Trinkl @alexpa_x
Linus von Appen @linusva
Julius Friedrich Riek @julius.riek
Hannah Stöwe @hannah.stw
Yan Tashtoush @yassinyan
Qianxue Zhang @94schnee
Ileana Farabani @ileana.farabani
Polina Berleva @plnaber
Irmak Numanoglu @irmxk
I would like to express my gratitude for the invitation:
@udkberlin
@klassehickmann
Prof. Fons Hickmann @fons_hickmann_m23
Louise Borinski, Artistic Associate @louiseborinski
As well as:
Robert Radziejewski, Adjunct Lecturer
@robert.radziejewski
Printed by the best
@galleryprintberlin
Offset Printing
Bound with Metal Paper Fastener
200 Pages
Circle Volume White, 100% Recycling, 90 g/m
Cover: Rebecca Horn, Pencil Mask, 1972
Pleased to share fractions of the Editorial Research and Design Seminar I taught this academic year at the University of Arts Berlin, Visual Arts Department (Klasse Hickmann).
Extending Bodies is a visual anthology investigating the deep-rooted human desire to push the body beyond its limits and capabilities. Developed in collaboration with a cohort of 17 students, the publication serves as a repository of references spanning across various disciplines, including medicine, sports, fashion, politics, art, architecture, performance, spirituality, and afterlife.
Examining the methodology inherent in bodies of work such as Artur Jafa’s Apex Grid 2018, Comme des Garçons Ad Campaigns, Batia Suter’s Parallel Encyclopedia 2007, students explored how the de- and reconrextualization of found imagery can serve as a vehicle of communication within the medium of print.
Extending Bodies aims to provide alternative readings by rethinking the contemporary body through archival research and editorial composition.
Could not have asked for a better group of students 🤍
Ezra Alvarez @pueblo.blau
Elvis Vos @elvisvos
Konstantin Wagner @wagnerkonstantin
Subin Ahn @subinsoe
Sergey Kuchin @ssergeykuchinn
Artemisia Astolfi @artemisiasophia
Béla Machemer @bela____j
Eli Zaza Moysiopoulou @eli_zaza
Alexandra Trinkl @alexpa_x
Linus von Appen @linusva
Julius Friedrich Riek @julius.riek
Hannah Stöwe @hannah.stw
Yan Tashtoush @yassinyan
Qianxue Zhang @94schnee
Ileana Farabani @ileana.farabani
Polina Berleva @plnaber
Irmak Numanoglu @irmxk
I would like to express my gratitude for the invitation:
@udkberlin
@klassehickmann
Prof. Fons Hickmann @fons_hickmann_m23
Louise Borinski, Artistic Associate @louiseborinski
As well as:
Robert Radziejewski, Adjunct Lecturer
@robert.radziejewski
Printed by the best
@galleryprintberlin
Offset Printing
Bound with Metal Paper Fastener
200 Pages
Circle Volume White, 100% Recycling, 90 g/m
Cover: Rebecca Horn, Pencil Mask, 1972
Pleased to share fractions of the Editorial Research and Design Seminar I taught this academic year at the University of Arts Berlin, Visual Arts Department (Klasse Hickmann).
Extending Bodies is a visual anthology investigating the deep-rooted human desire to push the body beyond its limits and capabilities. Developed in collaboration with a cohort of 17 students, the publication serves as a repository of references spanning across various disciplines, including medicine, sports, fashion, politics, art, architecture, performance, spirituality, and afterlife.
Examining the methodology inherent in bodies of work such as Artur Jafa’s Apex Grid 2018, Comme des Garçons Ad Campaigns, Batia Suter’s Parallel Encyclopedia 2007, students explored how the de- and reconrextualization of found imagery can serve as a vehicle of communication within the medium of print.
Extending Bodies aims to provide alternative readings by rethinking the contemporary body through archival research and editorial composition.
Could not have asked for a better group of students 🤍
Ezra Alvarez @pueblo.blau
Elvis Vos @elvisvos
Konstantin Wagner @wagnerkonstantin
Subin Ahn @subinsoe
Sergey Kuchin @ssergeykuchinn
Artemisia Astolfi @artemisiasophia
Béla Machemer @bela____j
Eli Zaza Moysiopoulou @eli_zaza
Alexandra Trinkl @alexpa_x
Linus von Appen @linusva
Julius Friedrich Riek @julius.riek
Hannah Stöwe @hannah.stw
Yan Tashtoush @yassinyan
Qianxue Zhang @94schnee
Ileana Farabani @ileana.farabani
Polina Berleva @plnaber
Irmak Numanoglu @irmxk
I would like to express my gratitude for the invitation:
@udkberlin
@klassehickmann
Prof. Fons Hickmann @fons_hickmann_m23
Louise Borinski, Artistic Associate @louiseborinski
As well as:
Robert Radziejewski, Adjunct Lecturer
@robert.radziejewski
Printed by the best
@galleryprintberlin
Offset Printing
Bound with Metal Paper Fastener
200 Pages
Circle Volume White, 100% Recycling, 90 g/m
Cover: Rebecca Horn, Pencil Mask, 1972
Pleased to share fractions of the Editorial Research and Design Seminar I taught this academic year at the University of Arts Berlin, Visual Arts Department (Klasse Hickmann).
Extending Bodies is a visual anthology investigating the deep-rooted human desire to push the body beyond its limits and capabilities. Developed in collaboration with a cohort of 17 students, the publication serves as a repository of references spanning across various disciplines, including medicine, sports, fashion, politics, art, architecture, performance, spirituality, and afterlife.
Examining the methodology inherent in bodies of work such as Artur Jafa’s Apex Grid 2018, Comme des Garçons Ad Campaigns, Batia Suter’s Parallel Encyclopedia 2007, students explored how the de- and reconrextualization of found imagery can serve as a vehicle of communication within the medium of print.
Extending Bodies aims to provide alternative readings by rethinking the contemporary body through archival research and editorial composition.
Could not have asked for a better group of students 🤍
Ezra Alvarez @pueblo.blau
Elvis Vos @elvisvos
Konstantin Wagner @wagnerkonstantin
Subin Ahn @subinsoe
Sergey Kuchin @ssergeykuchinn
Artemisia Astolfi @artemisiasophia
Béla Machemer @bela____j
Eli Zaza Moysiopoulou @eli_zaza
Alexandra Trinkl @alexpa_x
Linus von Appen @linusva
Julius Friedrich Riek @julius.riek
Hannah Stöwe @hannah.stw
Yan Tashtoush @yassinyan
Qianxue Zhang @94schnee
Ileana Farabani @ileana.farabani
Polina Berleva @plnaber
Irmak Numanoglu @irmxk
I would like to express my gratitude for the invitation:
@udkberlin
@klassehickmann
Prof. Fons Hickmann @fons_hickmann_m23
Louise Borinski, Artistic Associate @louiseborinski
As well as:
Robert Radziejewski, Adjunct Lecturer
@robert.radziejewski
Printed by the best
@galleryprintberlin
Offset Printing
Bound with Metal Paper Fastener
200 Pages
Circle Volume White, 100% Recycling, 90 g/m
Cover: Rebecca Horn, Pencil Mask, 1972
Pleased to share fractions of the Editorial Research and Design Seminar I taught this academic year at the University of Arts Berlin, Visual Arts Department (Klasse Hickmann).
Extending Bodies is a visual anthology investigating the deep-rooted human desire to push the body beyond its limits and capabilities. Developed in collaboration with a cohort of 17 students, the publication serves as a repository of references spanning across various disciplines, including medicine, sports, fashion, politics, art, architecture, performance, spirituality, and afterlife.
Examining the methodology inherent in bodies of work such as Artur Jafa’s Apex Grid 2018, Comme des Garçons Ad Campaigns, Batia Suter’s Parallel Encyclopedia 2007, students explored how the de- and reconrextualization of found imagery can serve as a vehicle of communication within the medium of print.
Extending Bodies aims to provide alternative readings by rethinking the contemporary body through archival research and editorial composition.
Could not have asked for a better group of students 🤍
Ezra Alvarez @pueblo.blau
Elvis Vos @elvisvos
Konstantin Wagner @wagnerkonstantin
Subin Ahn @subinsoe
Sergey Kuchin @ssergeykuchinn
Artemisia Astolfi @artemisiasophia
Béla Machemer @bela____j
Eli Zaza Moysiopoulou @eli_zaza
Alexandra Trinkl @alexpa_x
Linus von Appen @linusva
Julius Friedrich Riek @julius.riek
Hannah Stöwe @hannah.stw
Yan Tashtoush @yassinyan
Qianxue Zhang @94schnee
Ileana Farabani @ileana.farabani
Polina Berleva @plnaber
Irmak Numanoglu @irmxk
I would like to express my gratitude for the invitation:
@udkberlin
@klassehickmann
Prof. Fons Hickmann @fons_hickmann_m23
Louise Borinski, Artistic Associate @louiseborinski
As well as:
Robert Radziejewski, Adjunct Lecturer
@robert.radziejewski
Printed by the best
@galleryprintberlin
Offset Printing
Bound with Metal Paper Fastener
200 Pages
Circle Volume White, 100% Recycling, 90 g/m
Cover: Rebecca Horn, Pencil Mask, 1972
Pleased to share fractions of the Editorial Research and Design Seminar I taught this academic year at the University of Arts Berlin, Visual Arts Department (Klasse Hickmann).
Extending Bodies is a visual anthology investigating the deep-rooted human desire to push the body beyond its limits and capabilities. Developed in collaboration with a cohort of 17 students, the publication serves as a repository of references spanning across various disciplines, including medicine, sports, fashion, politics, art, architecture, performance, spirituality, and afterlife.
Examining the methodology inherent in bodies of work such as Artur Jafa’s Apex Grid 2018, Comme des Garçons Ad Campaigns, Batia Suter’s Parallel Encyclopedia 2007, students explored how the de- and reconrextualization of found imagery can serve as a vehicle of communication within the medium of print.
Extending Bodies aims to provide alternative readings by rethinking the contemporary body through archival research and editorial composition.
Could not have asked for a better group of students 🤍
Ezra Alvarez @pueblo.blau
Elvis Vos @elvisvos
Konstantin Wagner @wagnerkonstantin
Subin Ahn @subinsoe
Sergey Kuchin @ssergeykuchinn
Artemisia Astolfi @artemisiasophia
Béla Machemer @bela____j
Eli Zaza Moysiopoulou @eli_zaza
Alexandra Trinkl @alexpa_x
Linus von Appen @linusva
Julius Friedrich Riek @julius.riek
Hannah Stöwe @hannah.stw
Yan Tashtoush @yassinyan
Qianxue Zhang @94schnee
Ileana Farabani @ileana.farabani
Polina Berleva @plnaber
Irmak Numanoglu @irmxk
I would like to express my gratitude for the invitation:
@udkberlin
@klassehickmann
Prof. Fons Hickmann @fons_hickmann_m23
Louise Borinski, Artistic Associate @louiseborinski
As well as:
Robert Radziejewski, Adjunct Lecturer
@robert.radziejewski
Printed by the best
@galleryprintberlin
Offset Printing
Bound with Metal Paper Fastener
200 Pages
Circle Volume White, 100% Recycling, 90 g/m
Cover: Rebecca Horn, Pencil Mask, 1972
Pleased to share fractions of the Editorial Research and Design Seminar I taught this academic year at the University of Arts Berlin, Visual Arts Department (Klasse Hickmann).
Extending Bodies is a visual anthology investigating the deep-rooted human desire to push the body beyond its limits and capabilities. Developed in collaboration with a cohort of 17 students, the publication serves as a repository of references spanning across various disciplines, including medicine, sports, fashion, politics, art, architecture, performance, spirituality, and afterlife.
Examining the methodology inherent in bodies of work such as Artur Jafa’s Apex Grid 2018, Comme des Garçons Ad Campaigns, Batia Suter’s Parallel Encyclopedia 2007, students explored how the de- and reconrextualization of found imagery can serve as a vehicle of communication within the medium of print.
Extending Bodies aims to provide alternative readings by rethinking the contemporary body through archival research and editorial composition.
Could not have asked for a better group of students 🤍
Ezra Alvarez @pueblo.blau
Elvis Vos @elvisvos
Konstantin Wagner @wagnerkonstantin
Subin Ahn @subinsoe
Sergey Kuchin @ssergeykuchinn
Artemisia Astolfi @artemisiasophia
Béla Machemer @bela____j
Eli Zaza Moysiopoulou @eli_zaza
Alexandra Trinkl @alexpa_x
Linus von Appen @linusva
Julius Friedrich Riek @julius.riek
Hannah Stöwe @hannah.stw
Yan Tashtoush @yassinyan
Qianxue Zhang @94schnee
Ileana Farabani @ileana.farabani
Polina Berleva @plnaber
Irmak Numanoglu @irmxk
I would like to express my gratitude for the invitation:
@udkberlin
@klassehickmann
Prof. Fons Hickmann @fons_hickmann_m23
Louise Borinski, Artistic Associate @louiseborinski
As well as:
Robert Radziejewski, Adjunct Lecturer
@robert.radziejewski
Printed by the best
@galleryprintberlin
Offset Printing
Bound with Metal Paper Fastener
200 Pages
Circle Volume White, 100% Recycling, 90 g/m
Cover: Rebecca Horn, Pencil Mask, 1972
Pleased to share fractions of the Editorial Research and Design Seminar I taught this academic year at the University of Arts Berlin, Visual Arts Department (Klasse Hickmann).
Extending Bodies is a visual anthology investigating the deep-rooted human desire to push the body beyond its limits and capabilities. Developed in collaboration with a cohort of 17 students, the publication serves as a repository of references spanning across various disciplines, including medicine, sports, fashion, politics, art, architecture, performance, spirituality, and afterlife.
Examining the methodology inherent in bodies of work such as Artur Jafa’s Apex Grid 2018, Comme des Garçons Ad Campaigns, Batia Suter’s Parallel Encyclopedia 2007, students explored how the de- and reconrextualization of found imagery can serve as a vehicle of communication within the medium of print.
Extending Bodies aims to provide alternative readings by rethinking the contemporary body through archival research and editorial composition.
Could not have asked for a better group of students 🤍
Ezra Alvarez @pueblo.blau
Elvis Vos @elvisvos
Konstantin Wagner @wagnerkonstantin
Subin Ahn @subinsoe
Sergey Kuchin @ssergeykuchinn
Artemisia Astolfi @artemisiasophia
Béla Machemer @bela____j
Eli Zaza Moysiopoulou @eli_zaza
Alexandra Trinkl @alexpa_x
Linus von Appen @linusva
Julius Friedrich Riek @julius.riek
Hannah Stöwe @hannah.stw
Yan Tashtoush @yassinyan
Qianxue Zhang @94schnee
Ileana Farabani @ileana.farabani
Polina Berleva @plnaber
Irmak Numanoglu @irmxk
I would like to express my gratitude for the invitation:
@udkberlin
@klassehickmann
Prof. Fons Hickmann @fons_hickmann_m23
Louise Borinski, Artistic Associate @louiseborinski
As well as:
Robert Radziejewski, Adjunct Lecturer
@robert.radziejewski
Printed by the best
@galleryprintberlin
Offset Printing
Bound with Metal Paper Fastener
200 Pages
Circle Volume White, 100% Recycling, 90 g/m
Cover: Rebecca Horn, Pencil Mask, 1972
Pleased to share fractions of the Editorial Research and Design Seminar I taught this academic year at the University of Arts Berlin, Visual Arts Department (Klasse Hickmann).
Extending Bodies is a visual anthology investigating the deep-rooted human desire to push the body beyond its limits and capabilities. Developed in collaboration with a cohort of 17 students, the publication serves as a repository of references spanning across various disciplines, including medicine, sports, fashion, politics, art, architecture, performance, spirituality, and afterlife.
Examining the methodology inherent in bodies of work such as Artur Jafa’s Apex Grid 2018, Comme des Garçons Ad Campaigns, Batia Suter’s Parallel Encyclopedia 2007, students explored how the de- and reconrextualization of found imagery can serve as a vehicle of communication within the medium of print.
Extending Bodies aims to provide alternative readings by rethinking the contemporary body through archival research and editorial composition.
Could not have asked for a better group of students 🤍
Ezra Alvarez @pueblo.blau
Elvis Vos @elvisvos
Konstantin Wagner @wagnerkonstantin
Subin Ahn @subinsoe
Sergey Kuchin @ssergeykuchinn
Artemisia Astolfi @artemisiasophia
Béla Machemer @bela____j
Eli Zaza Moysiopoulou @eli_zaza
Alexandra Trinkl @alexpa_x
Linus von Appen @linusva
Julius Friedrich Riek @julius.riek
Hannah Stöwe @hannah.stw
Yan Tashtoush @yassinyan
Qianxue Zhang @94schnee
Ileana Farabani @ileana.farabani
Polina Berleva @plnaber
Irmak Numanoglu @irmxk
I would like to express my gratitude for the invitation:
@udkberlin
@klassehickmann
Prof. Fons Hickmann @fons_hickmann_m23
Louise Borinski, Artistic Associate @louiseborinski
As well as:
Robert Radziejewski, Adjunct Lecturer
@robert.radziejewski
Printed by the best
@galleryprintberlin
Offset Printing
Bound with Metal Paper Fastener
200 Pages
Circle Volume White, 100% Recycling, 90 g/m
Cover: Rebecca Horn, Pencil Mask, 1972
Pleased to share fractions of the Editorial Research and Design Seminar I taught this academic year at the University of Arts Berlin, Visual Arts Department (Klasse Hickmann).
Extending Bodies is a visual anthology investigating the deep-rooted human desire to push the body beyond its limits and capabilities. Developed in collaboration with a cohort of 17 students, the publication serves as a repository of references spanning across various disciplines, including medicine, sports, fashion, politics, art, architecture, performance, spirituality, and afterlife.
Examining the methodology inherent in bodies of work such as Artur Jafa’s Apex Grid 2018, Comme des Garçons Ad Campaigns, Batia Suter’s Parallel Encyclopedia 2007, students explored how the de- and reconrextualization of found imagery can serve as a vehicle of communication within the medium of print.
Extending Bodies aims to provide alternative readings by rethinking the contemporary body through archival research and editorial composition.
Could not have asked for a better group of students 🤍
Ezra Alvarez @pueblo.blau
Elvis Vos @elvisvos
Konstantin Wagner @wagnerkonstantin
Subin Ahn @subinsoe
Sergey Kuchin @ssergeykuchinn
Artemisia Astolfi @artemisiasophia
Béla Machemer @bela____j
Eli Zaza Moysiopoulou @eli_zaza
Alexandra Trinkl @alexpa_x
Linus von Appen @linusva
Julius Friedrich Riek @julius.riek
Hannah Stöwe @hannah.stw
Yan Tashtoush @yassinyan
Qianxue Zhang @94schnee
Ileana Farabani @ileana.farabani
Polina Berleva @plnaber
Irmak Numanoglu @irmxk
I would like to express my gratitude for the invitation:
@udkberlin
@klassehickmann
Prof. Fons Hickmann @fons_hickmann_m23
Louise Borinski, Artistic Associate @louiseborinski
As well as:
Robert Radziejewski, Adjunct Lecturer
@robert.radziejewski
Printed by the best
@galleryprintberlin
Offset Printing
Bound with Metal Paper Fastener
200 Pages
Circle Volume White, 100% Recycling, 90 g/m
Cover: Rebecca Horn, Pencil Mask, 1972
Pleased to share fractions of the Editorial Research and Design Seminar I taught this academic year at the University of Arts Berlin, Visual Arts Department (Klasse Hickmann).
Extending Bodies is a visual anthology investigating the deep-rooted human desire to push the body beyond its limits and capabilities. Developed in collaboration with a cohort of 17 students, the publication serves as a repository of references spanning across various disciplines, including medicine, sports, fashion, politics, art, architecture, performance, spirituality, and afterlife.
Examining the methodology inherent in bodies of work such as Artur Jafa’s Apex Grid 2018, Comme des Garçons Ad Campaigns, Batia Suter’s Parallel Encyclopedia 2007, students explored how the de- and reconrextualization of found imagery can serve as a vehicle of communication within the medium of print.
Extending Bodies aims to provide alternative readings by rethinking the contemporary body through archival research and editorial composition.
Could not have asked for a better group of students 🤍
Ezra Alvarez @pueblo.blau
Elvis Vos @elvisvos
Konstantin Wagner @wagnerkonstantin
Subin Ahn @subinsoe
Sergey Kuchin @ssergeykuchinn
Artemisia Astolfi @artemisiasophia
Béla Machemer @bela____j
Eli Zaza Moysiopoulou @eli_zaza
Alexandra Trinkl @alexpa_x
Linus von Appen @linusva
Julius Friedrich Riek @julius.riek
Hannah Stöwe @hannah.stw
Yan Tashtoush @yassinyan
Qianxue Zhang @94schnee
Ileana Farabani @ileana.farabani
Polina Berleva @plnaber
Irmak Numanoglu @irmxk
I would like to express my gratitude for the invitation:
@udkberlin
@klassehickmann
Prof. Fons Hickmann @fons_hickmann_m23
Louise Borinski, Artistic Associate @louiseborinski
As well as:
Robert Radziejewski, Adjunct Lecturer
@robert.radziejewski
Printed by the best
@galleryprintberlin
Offset Printing
Bound with Metal Paper Fastener
200 Pages
Circle Volume White, 100% Recycling, 90 g/m
Cover: Rebecca Horn, Pencil Mask, 1972
Pleased to share fractions of the Editorial Research and Design Seminar I taught this academic year at the University of Arts Berlin, Visual Arts Department (Klasse Hickmann).
Extending Bodies is a visual anthology investigating the deep-rooted human desire to push the body beyond its limits and capabilities. Developed in collaboration with a cohort of 17 students, the publication serves as a repository of references spanning across various disciplines, including medicine, sports, fashion, politics, art, architecture, performance, spirituality, and afterlife.
Examining the methodology inherent in bodies of work such as Artur Jafa’s Apex Grid 2018, Comme des Garçons Ad Campaigns, Batia Suter’s Parallel Encyclopedia 2007, students explored how the de- and reconrextualization of found imagery can serve as a vehicle of communication within the medium of print.
Extending Bodies aims to provide alternative readings by rethinking the contemporary body through archival research and editorial composition.
Could not have asked for a better group of students 🤍
Ezra Alvarez @pueblo.blau
Elvis Vos @elvisvos
Konstantin Wagner @wagnerkonstantin
Subin Ahn @subinsoe
Sergey Kuchin @ssergeykuchinn
Artemisia Astolfi @artemisiasophia
Béla Machemer @bela____j
Eli Zaza Moysiopoulou @eli_zaza
Alexandra Trinkl @alexpa_x
Linus von Appen @linusva
Julius Friedrich Riek @julius.riek
Hannah Stöwe @hannah.stw
Yan Tashtoush @yassinyan
Qianxue Zhang @94schnee
Ileana Farabani @ileana.farabani
Polina Berleva @plnaber
Irmak Numanoglu @irmxk
I would like to express my gratitude for the invitation:
@udkberlin
@klassehickmann
Prof. Fons Hickmann @fons_hickmann_m23
Louise Borinski, Artistic Associate @louiseborinski
As well as:
Robert Radziejewski, Adjunct Lecturer
@robert.radziejewski
Printed by the best
@galleryprintberlin
Offset Printing
Bound with Metal Paper Fastener
200 Pages
Circle Volume White, 100% Recycling, 90 g/m
Cover: Rebecca Horn, Pencil Mask, 1972
Pleased to share fractions of the Editorial Research and Design Seminar I taught this academic year at the University of Arts Berlin, Visual Arts Department (Klasse Hickmann).
Extending Bodies is a visual anthology investigating the deep-rooted human desire to push the body beyond its limits and capabilities. Developed in collaboration with a cohort of 17 students, the publication serves as a repository of references spanning across various disciplines, including medicine, sports, fashion, politics, art, architecture, performance, spirituality, and afterlife.
Examining the methodology inherent in bodies of work such as Artur Jafa’s Apex Grid 2018, Comme des Garçons Ad Campaigns, Batia Suter’s Parallel Encyclopedia 2007, students explored how the de- and reconrextualization of found imagery can serve as a vehicle of communication within the medium of print.
Extending Bodies aims to provide alternative readings by rethinking the contemporary body through archival research and editorial composition.
Could not have asked for a better group of students 🤍
Ezra Alvarez @pueblo.blau
Elvis Vos @elvisvos
Konstantin Wagner @wagnerkonstantin
Subin Ahn @subinsoe
Sergey Kuchin @ssergeykuchinn
Artemisia Astolfi @artemisiasophia
Béla Machemer @bela____j
Eli Zaza Moysiopoulou @eli_zaza
Alexandra Trinkl @alexpa_x
Linus von Appen @linusva
Julius Friedrich Riek @julius.riek
Hannah Stöwe @hannah.stw
Yan Tashtoush @yassinyan
Qianxue Zhang @94schnee
Ileana Farabani @ileana.farabani
Polina Berleva @plnaber
Irmak Numanoglu @irmxk
I would like to express my gratitude for the invitation:
@udkberlin
@klassehickmann
Prof. Fons Hickmann @fons_hickmann_m23
Louise Borinski, Artistic Associate @louiseborinski
As well as:
Robert Radziejewski, Adjunct Lecturer
@robert.radziejewski
Printed by the best
@galleryprintberlin
Offset Printing
Bound with Metal Paper Fastener
200 Pages
Circle Volume White, 100% Recycling, 90 g/m
Cover: Rebecca Horn, Pencil Mask, 1972
Pleased to share fractions of the Editorial Research and Design Seminar I taught this academic year at the University of Arts Berlin, Visual Arts Department (Klasse Hickmann).
Extending Bodies is a visual anthology investigating the deep-rooted human desire to push the body beyond its limits and capabilities. Developed in collaboration with a cohort of 17 students, the publication serves as a repository of references spanning across various disciplines, including medicine, sports, fashion, politics, art, architecture, performance, spirituality, and afterlife.
Examining the methodology inherent in bodies of work such as Artur Jafa’s Apex Grid 2018, Comme des Garçons Ad Campaigns, Batia Suter’s Parallel Encyclopedia 2007, students explored how the de- and reconrextualization of found imagery can serve as a vehicle of communication within the medium of print.
Extending Bodies aims to provide alternative readings by rethinking the contemporary body through archival research and editorial composition.
Could not have asked for a better group of students 🤍
Ezra Alvarez @pueblo.blau
Elvis Vos @elvisvos
Konstantin Wagner @wagnerkonstantin
Subin Ahn @subinsoe
Sergey Kuchin @ssergeykuchinn
Artemisia Astolfi @artemisiasophia
Béla Machemer @bela____j
Eli Zaza Moysiopoulou @eli_zaza
Alexandra Trinkl @alexpa_x
Linus von Appen @linusva
Julius Friedrich Riek @julius.riek
Hannah Stöwe @hannah.stw
Yan Tashtoush @yassinyan
Qianxue Zhang @94schnee
Ileana Farabani @ileana.farabani
Polina Berleva @plnaber
Irmak Numanoglu @irmxk
I would like to express my gratitude for the invitation:
@udkberlin
@klassehickmann
Prof. Fons Hickmann @fons_hickmann_m23
Louise Borinski, Artistic Associate @louiseborinski
As well as:
Robert Radziejewski, Adjunct Lecturer
@robert.radziejewski
Printed by the best
@galleryprintberlin
Offset Printing
Bound with Metal Paper Fastener
200 Pages
Circle Volume White, 100% Recycling, 90 g/m
Cover: Rebecca Horn, Pencil Mask, 1972
Excited to finally share the newest issue and editorial design for @amagazinecuratedby by @glennmartens
@yproject_official @diesel
Cover by the best @ingegrognard @zhonglin_
Creative Director @glennmartens curates the 27th issue of @amagazinecuratedby centering a substantial portion of the issue around his native Belgium. @GlennMartens’ work is steeped in gothic imagery taken from the Flemish masters, often playing a central role in his issue, balancing the historical with the now.
With the best team @blakeabbie @albertshyong @emmahaik @mikemeire @kerstinannaberger
Excerpts of Martin Margiela's Chapter in @amagazinecuratedby 25th anniversary issue featuring all 32 curators to date
It has been an incredible honour and experience - if not a dream come true - to collaborate with one of the designers and artist, whose work has had a deep influence on me for as far as I can think.
Photography & Collages
Martin Margiela
President & Publisher @fatinelayt
Editor in Chief @blakeabbie
Managing Editor @legjema
Editor @albertshyong
Editorial Intern @____theis
Art Director @mikemeire
Graphic Design @_elsamueller @christopher.troester
Graphic Intern @saeeeeeeda
#amagazinecuratedby #editorialdesign #margiela #martinmargiela
Excerpts of Martin Margiela's Chapter in @amagazinecuratedby 25th anniversary issue featuring all 32 curators to date
It has been an incredible honour and experience - if not a dream come true - to collaborate with one of the designers and artist, whose work has had a deep influence on me for as far as I can think.
Photography & Collages
Martin Margiela
President & Publisher @fatinelayt
Editor in Chief @blakeabbie
Managing Editor @legjema
Editor @albertshyong
Editorial Intern @____theis
Art Director @mikemeire
Graphic Design @_elsamueller @christopher.troester
Graphic Intern @saeeeeeeda
#amagazinecuratedby #editorialdesign #margiela #martinmargiela
Excerpts of Martin Margiela's Chapter in @amagazinecuratedby 25th anniversary issue featuring all 32 curators to date
It has been an incredible honour and experience - if not a dream come true - to collaborate with one of the designers and artist, whose work has had a deep influence on me for as far as I can think.
Photography & Collages
Martin Margiela
President & Publisher @fatinelayt
Editor in Chief @blakeabbie
Managing Editor @legjema
Editor @albertshyong
Editorial Intern @____theis
Art Director @mikemeire
Graphic Design @_elsamueller @christopher.troester
Graphic Intern @saeeeeeeda
#amagazinecuratedby #editorialdesign #margiela #martinmargiela
Excerpts of Martin Margiela's Chapter in @amagazinecuratedby 25th anniversary issue featuring all 32 curators to date
It has been an incredible honour and experience - if not a dream come true - to collaborate with one of the designers and artist, whose work has had a deep influence on me for as far as I can think.
Photography & Collages
Martin Margiela
President & Publisher @fatinelayt
Editor in Chief @blakeabbie
Managing Editor @legjema
Editor @albertshyong
Editorial Intern @____theis
Art Director @mikemeire
Graphic Design @_elsamueller @christopher.troester
Graphic Intern @saeeeeeeda
#amagazinecuratedby #editorialdesign #margiela #martinmargiela
Excerpts of Martin Margiela's Chapter in @amagazinecuratedby 25th anniversary issue featuring all 32 curators to date
It has been an incredible honour and experience - if not a dream come true - to collaborate with one of the designers and artist, whose work has had a deep influence on me for as far as I can think.
Photography & Collages
Martin Margiela
President & Publisher @fatinelayt
Editor in Chief @blakeabbie
Managing Editor @legjema
Editor @albertshyong
Editorial Intern @____theis
Art Director @mikemeire
Graphic Design @_elsamueller @christopher.troester
Graphic Intern @saeeeeeeda
#amagazinecuratedby #editorialdesign #margiela #martinmargiela
Excerpts of Martin Margiela's Chapter in @amagazinecuratedby 25th anniversary issue featuring all 32 curators to date
It has been an incredible honour and experience - if not a dream come true - to collaborate with one of the designers and artist, whose work has had a deep influence on me for as far as I can think.
Photography & Collages
Martin Margiela
President & Publisher @fatinelayt
Editor in Chief @blakeabbie
Managing Editor @legjema
Editor @albertshyong
Editorial Intern @____theis
Art Director @mikemeire
Graphic Design @_elsamueller @christopher.troester
Graphic Intern @saeeeeeeda
#amagazinecuratedby #editorialdesign #margiela #martinmargiela
Excerpts of Martin Margiela's Chapter in @amagazinecuratedby 25th anniversary issue featuring all 32 curators to date
It has been an incredible honour and experience - if not a dream come true - to collaborate with one of the designers and artist, whose work has had a deep influence on me for as far as I can think.
Photography & Collages
Martin Margiela
President & Publisher @fatinelayt
Editor in Chief @blakeabbie
Managing Editor @legjema
Editor @albertshyong
Editorial Intern @____theis
Art Director @mikemeire
Graphic Design @_elsamueller @christopher.troester
Graphic Intern @saeeeeeeda
#amagazinecuratedby #editorialdesign #margiela #martinmargiela
Excerpts of Martin Margiela's Chapter in @amagazinecuratedby 25th anniversary issue featuring all 32 curators to date
It has been an incredible honour and experience - if not a dream come true - to collaborate with one of the designers and artist, whose work has had a deep influence on me for as far as I can think.
Photography & Collages
Martin Margiela
President & Publisher @fatinelayt
Editor in Chief @blakeabbie
Managing Editor @legjema
Editor @albertshyong
Editorial Intern @____theis
Art Director @mikemeire
Graphic Design @_elsamueller @christopher.troester
Graphic Intern @saeeeeeeda
#amagazinecuratedby #editorialdesign #margiela #martinmargiela
Happy to announce that I am joining the University of the Arts Berlin this semester, as an Adjunct Lecturer for Editorial Research and Design.
Extending Bodies investigates the inherent desire and fascination to push the body beyond limits and capabilities in art and (pop)culture. Together with a cohort of students we will develop a joint publication exploring artistic, aesthetic, performative, and radical ideas of the extended body. From Donna Haraway’s Cyborg Manifesto to Rei Kawakubo’s “Dress Meets Body, Body Meets Dress”, from contemporary discourses on self-design to Rebecca Horn’s Body Sculptures, Extending Bodies questions the boundaries of the contemporary body through visual, editorial explorations.
@klassehickmann @udkberlin
IMAGES
1. Renate Bertlmann, Messerschnullerhände, 1981
2. Rebecca Horn, Pencil Mask, 1972
3.Alexander McQueen, Bellmer Harness on Laura de Palma by Nick Knight, 1997
4. CDE World, 3D Printed try-in denture, 2018
5. Nella Vlachou, Human Blinkers, 2014
6. Robert Mapplethorpe, Joe, 1978
7. Franz Erhard Walther, Sehkanal, 1963
8. Comme des Garçons, Body Meets Dress, Dress Meets Body, RTW Spring 1997
9. Haus Rucker, Wegweiser, 1971
10. Jurgi Persoons & Ronald Stoops, 1999
11. Renate Bertlmann, Zärtlicher Tanz, 1976
Happy to announce that I am joining the University of the Arts Berlin this semester, as an Adjunct Lecturer for Editorial Research and Design.
Extending Bodies investigates the inherent desire and fascination to push the body beyond limits and capabilities in art and (pop)culture. Together with a cohort of students we will develop a joint publication exploring artistic, aesthetic, performative, and radical ideas of the extended body. From Donna Haraway’s Cyborg Manifesto to Rei Kawakubo’s “Dress Meets Body, Body Meets Dress”, from contemporary discourses on self-design to Rebecca Horn’s Body Sculptures, Extending Bodies questions the boundaries of the contemporary body through visual, editorial explorations.
@klassehickmann @udkberlin
IMAGES
1. Renate Bertlmann, Messerschnullerhände, 1981
2. Rebecca Horn, Pencil Mask, 1972
3.Alexander McQueen, Bellmer Harness on Laura de Palma by Nick Knight, 1997
4. CDE World, 3D Printed try-in denture, 2018
5. Nella Vlachou, Human Blinkers, 2014
6. Robert Mapplethorpe, Joe, 1978
7. Franz Erhard Walther, Sehkanal, 1963
8. Comme des Garçons, Body Meets Dress, Dress Meets Body, RTW Spring 1997
9. Haus Rucker, Wegweiser, 1971
10. Jurgi Persoons & Ronald Stoops, 1999
11. Renate Bertlmann, Zärtlicher Tanz, 1976
Happy to announce that I am joining the University of the Arts Berlin this semester, as an Adjunct Lecturer for Editorial Research and Design.
Extending Bodies investigates the inherent desire and fascination to push the body beyond limits and capabilities in art and (pop)culture. Together with a cohort of students we will develop a joint publication exploring artistic, aesthetic, performative, and radical ideas of the extended body. From Donna Haraway’s Cyborg Manifesto to Rei Kawakubo’s “Dress Meets Body, Body Meets Dress”, from contemporary discourses on self-design to Rebecca Horn’s Body Sculptures, Extending Bodies questions the boundaries of the contemporary body through visual, editorial explorations.
@klassehickmann @udkberlin
IMAGES
1. Renate Bertlmann, Messerschnullerhände, 1981
2. Rebecca Horn, Pencil Mask, 1972
3.Alexander McQueen, Bellmer Harness on Laura de Palma by Nick Knight, 1997
4. CDE World, 3D Printed try-in denture, 2018
5. Nella Vlachou, Human Blinkers, 2014
6. Robert Mapplethorpe, Joe, 1978
7. Franz Erhard Walther, Sehkanal, 1963
8. Comme des Garçons, Body Meets Dress, Dress Meets Body, RTW Spring 1997
9. Haus Rucker, Wegweiser, 1971
10. Jurgi Persoons & Ronald Stoops, 1999
11. Renate Bertlmann, Zärtlicher Tanz, 1976
Happy to announce that I am joining the University of the Arts Berlin this semester, as an Adjunct Lecturer for Editorial Research and Design.
Extending Bodies investigates the inherent desire and fascination to push the body beyond limits and capabilities in art and (pop)culture. Together with a cohort of students we will develop a joint publication exploring artistic, aesthetic, performative, and radical ideas of the extended body. From Donna Haraway’s Cyborg Manifesto to Rei Kawakubo’s “Dress Meets Body, Body Meets Dress”, from contemporary discourses on self-design to Rebecca Horn’s Body Sculptures, Extending Bodies questions the boundaries of the contemporary body through visual, editorial explorations.
@klassehickmann @udkberlin
IMAGES
1. Renate Bertlmann, Messerschnullerhände, 1981
2. Rebecca Horn, Pencil Mask, 1972
3.Alexander McQueen, Bellmer Harness on Laura de Palma by Nick Knight, 1997
4. CDE World, 3D Printed try-in denture, 2018
5. Nella Vlachou, Human Blinkers, 2014
6. Robert Mapplethorpe, Joe, 1978
7. Franz Erhard Walther, Sehkanal, 1963
8. Comme des Garçons, Body Meets Dress, Dress Meets Body, RTW Spring 1997
9. Haus Rucker, Wegweiser, 1971
10. Jurgi Persoons & Ronald Stoops, 1999
11. Renate Bertlmann, Zärtlicher Tanz, 1976
Happy to announce that I am joining the University of the Arts Berlin this semester, as an Adjunct Lecturer for Editorial Research and Design.
Extending Bodies investigates the inherent desire and fascination to push the body beyond limits and capabilities in art and (pop)culture. Together with a cohort of students we will develop a joint publication exploring artistic, aesthetic, performative, and radical ideas of the extended body. From Donna Haraway’s Cyborg Manifesto to Rei Kawakubo’s “Dress Meets Body, Body Meets Dress”, from contemporary discourses on self-design to Rebecca Horn’s Body Sculptures, Extending Bodies questions the boundaries of the contemporary body through visual, editorial explorations.
@klassehickmann @udkberlin
IMAGES
1. Renate Bertlmann, Messerschnullerhände, 1981
2. Rebecca Horn, Pencil Mask, 1972
3.Alexander McQueen, Bellmer Harness on Laura de Palma by Nick Knight, 1997
4. CDE World, 3D Printed try-in denture, 2018
5. Nella Vlachou, Human Blinkers, 2014
6. Robert Mapplethorpe, Joe, 1978
7. Franz Erhard Walther, Sehkanal, 1963
8. Comme des Garçons, Body Meets Dress, Dress Meets Body, RTW Spring 1997
9. Haus Rucker, Wegweiser, 1971
10. Jurgi Persoons & Ronald Stoops, 1999
11. Renate Bertlmann, Zärtlicher Tanz, 1976
Happy to announce that I am joining the University of the Arts Berlin this semester, as an Adjunct Lecturer for Editorial Research and Design.
Extending Bodies investigates the inherent desire and fascination to push the body beyond limits and capabilities in art and (pop)culture. Together with a cohort of students we will develop a joint publication exploring artistic, aesthetic, performative, and radical ideas of the extended body. From Donna Haraway’s Cyborg Manifesto to Rei Kawakubo’s “Dress Meets Body, Body Meets Dress”, from contemporary discourses on self-design to Rebecca Horn’s Body Sculptures, Extending Bodies questions the boundaries of the contemporary body through visual, editorial explorations.
@klassehickmann @udkberlin
IMAGES
1. Renate Bertlmann, Messerschnullerhände, 1981
2. Rebecca Horn, Pencil Mask, 1972
3.Alexander McQueen, Bellmer Harness on Laura de Palma by Nick Knight, 1997
4. CDE World, 3D Printed try-in denture, 2018
5. Nella Vlachou, Human Blinkers, 2014
6. Robert Mapplethorpe, Joe, 1978
7. Franz Erhard Walther, Sehkanal, 1963
8. Comme des Garçons, Body Meets Dress, Dress Meets Body, RTW Spring 1997
9. Haus Rucker, Wegweiser, 1971
10. Jurgi Persoons & Ronald Stoops, 1999
11. Renate Bertlmann, Zärtlicher Tanz, 1976
Happy to announce that I am joining the University of the Arts Berlin this semester, as an Adjunct Lecturer for Editorial Research and Design.
Extending Bodies investigates the inherent desire and fascination to push the body beyond limits and capabilities in art and (pop)culture. Together with a cohort of students we will develop a joint publication exploring artistic, aesthetic, performative, and radical ideas of the extended body. From Donna Haraway’s Cyborg Manifesto to Rei Kawakubo’s “Dress Meets Body, Body Meets Dress”, from contemporary discourses on self-design to Rebecca Horn’s Body Sculptures, Extending Bodies questions the boundaries of the contemporary body through visual, editorial explorations.
@klassehickmann @udkberlin
IMAGES
1. Renate Bertlmann, Messerschnullerhände, 1981
2. Rebecca Horn, Pencil Mask, 1972
3.Alexander McQueen, Bellmer Harness on Laura de Palma by Nick Knight, 1997
4. CDE World, 3D Printed try-in denture, 2018
5. Nella Vlachou, Human Blinkers, 2014
6. Robert Mapplethorpe, Joe, 1978
7. Franz Erhard Walther, Sehkanal, 1963
8. Comme des Garçons, Body Meets Dress, Dress Meets Body, RTW Spring 1997
9. Haus Rucker, Wegweiser, 1971
10. Jurgi Persoons & Ronald Stoops, 1999
11. Renate Bertlmann, Zärtlicher Tanz, 1976
Happy to announce that I am joining the University of the Arts Berlin this semester, as an Adjunct Lecturer for Editorial Research and Design.
Extending Bodies investigates the inherent desire and fascination to push the body beyond limits and capabilities in art and (pop)culture. Together with a cohort of students we will develop a joint publication exploring artistic, aesthetic, performative, and radical ideas of the extended body. From Donna Haraway’s Cyborg Manifesto to Rei Kawakubo’s “Dress Meets Body, Body Meets Dress”, from contemporary discourses on self-design to Rebecca Horn’s Body Sculptures, Extending Bodies questions the boundaries of the contemporary body through visual, editorial explorations.
@klassehickmann @udkberlin
IMAGES
1. Renate Bertlmann, Messerschnullerhände, 1981
2. Rebecca Horn, Pencil Mask, 1972
3.Alexander McQueen, Bellmer Harness on Laura de Palma by Nick Knight, 1997
4. CDE World, 3D Printed try-in denture, 2018
5. Nella Vlachou, Human Blinkers, 2014
6. Robert Mapplethorpe, Joe, 1978
7. Franz Erhard Walther, Sehkanal, 1963
8. Comme des Garçons, Body Meets Dress, Dress Meets Body, RTW Spring 1997
9. Haus Rucker, Wegweiser, 1971
10. Jurgi Persoons & Ronald Stoops, 1999
11. Renate Bertlmann, Zärtlicher Tanz, 1976
Happy to announce that I am joining the University of the Arts Berlin this semester, as an Adjunct Lecturer for Editorial Research and Design.
Extending Bodies investigates the inherent desire and fascination to push the body beyond limits and capabilities in art and (pop)culture. Together with a cohort of students we will develop a joint publication exploring artistic, aesthetic, performative, and radical ideas of the extended body. From Donna Haraway’s Cyborg Manifesto to Rei Kawakubo’s “Dress Meets Body, Body Meets Dress”, from contemporary discourses on self-design to Rebecca Horn’s Body Sculptures, Extending Bodies questions the boundaries of the contemporary body through visual, editorial explorations.
@klassehickmann @udkberlin
IMAGES
1. Renate Bertlmann, Messerschnullerhände, 1981
2. Rebecca Horn, Pencil Mask, 1972
3.Alexander McQueen, Bellmer Harness on Laura de Palma by Nick Knight, 1997
4. CDE World, 3D Printed try-in denture, 2018
5. Nella Vlachou, Human Blinkers, 2014
6. Robert Mapplethorpe, Joe, 1978
7. Franz Erhard Walther, Sehkanal, 1963
8. Comme des Garçons, Body Meets Dress, Dress Meets Body, RTW Spring 1997
9. Haus Rucker, Wegweiser, 1971
10. Jurgi Persoons & Ronald Stoops, 1999
11. Renate Bertlmann, Zärtlicher Tanz, 1976
Happy to announce that I am joining the University of the Arts Berlin this semester, as an Adjunct Lecturer for Editorial Research and Design.
Extending Bodies investigates the inherent desire and fascination to push the body beyond limits and capabilities in art and (pop)culture. Together with a cohort of students we will develop a joint publication exploring artistic, aesthetic, performative, and radical ideas of the extended body. From Donna Haraway’s Cyborg Manifesto to Rei Kawakubo’s “Dress Meets Body, Body Meets Dress”, from contemporary discourses on self-design to Rebecca Horn’s Body Sculptures, Extending Bodies questions the boundaries of the contemporary body through visual, editorial explorations.
@klassehickmann @udkberlin
IMAGES
1. Renate Bertlmann, Messerschnullerhände, 1981
2. Rebecca Horn, Pencil Mask, 1972
3.Alexander McQueen, Bellmer Harness on Laura de Palma by Nick Knight, 1997
4. CDE World, 3D Printed try-in denture, 2018
5. Nella Vlachou, Human Blinkers, 2014
6. Robert Mapplethorpe, Joe, 1978
7. Franz Erhard Walther, Sehkanal, 1963
8. Comme des Garçons, Body Meets Dress, Dress Meets Body, RTW Spring 1997
9. Haus Rucker, Wegweiser, 1971
10. Jurgi Persoons & Ronald Stoops, 1999
11. Renate Bertlmann, Zärtlicher Tanz, 1976
Happy to announce that I am joining the University of the Arts Berlin this semester, as an Adjunct Lecturer for Editorial Research and Design.
Extending Bodies investigates the inherent desire and fascination to push the body beyond limits and capabilities in art and (pop)culture. Together with a cohort of students we will develop a joint publication exploring artistic, aesthetic, performative, and radical ideas of the extended body. From Donna Haraway’s Cyborg Manifesto to Rei Kawakubo’s “Dress Meets Body, Body Meets Dress”, from contemporary discourses on self-design to Rebecca Horn’s Body Sculptures, Extending Bodies questions the boundaries of the contemporary body through visual, editorial explorations.
@klassehickmann @udkberlin
IMAGES
1. Renate Bertlmann, Messerschnullerhände, 1981
2. Rebecca Horn, Pencil Mask, 1972
3.Alexander McQueen, Bellmer Harness on Laura de Palma by Nick Knight, 1997
4. CDE World, 3D Printed try-in denture, 2018
5. Nella Vlachou, Human Blinkers, 2014
6. Robert Mapplethorpe, Joe, 1978
7. Franz Erhard Walther, Sehkanal, 1963
8. Comme des Garçons, Body Meets Dress, Dress Meets Body, RTW Spring 1997
9. Haus Rucker, Wegweiser, 1971
10. Jurgi Persoons & Ronald Stoops, 1999
11. Renate Bertlmann, Zärtlicher Tanz, 1976
Details of issue 26 of @amagazinecuratedby curated by @doxpeter
For chapter pages we used @fedrigoni.paper Sirio Black and printed images and text on it with a silver metallic pantone tone, such as this image from @mark_borthwick.
Last Image text excerpt from @ocean_vuong
Beautifully produced by @diekeureprinting
@amagazinecuratedby @doxpeter @the.peterdo @helmutlang @blakeabbie @albertshyong @emmahaik @mikemeire @kerstinannaberger @meireundmeire
Details of issue 26 of @amagazinecuratedby curated by @doxpeter
For chapter pages we used @fedrigoni.paper Sirio Black and printed images and text on it with a silver metallic pantone tone, such as this image from @mark_borthwick.
Last Image text excerpt from @ocean_vuong
Beautifully produced by @diekeureprinting
@amagazinecuratedby @doxpeter @the.peterdo @helmutlang @blakeabbie @albertshyong @emmahaik @mikemeire @kerstinannaberger @meireundmeire
Details of issue 26 of @amagazinecuratedby curated by @doxpeter
For chapter pages we used @fedrigoni.paper Sirio Black and printed images and text on it with a silver metallic pantone tone, such as this image from @mark_borthwick.
Last Image text excerpt from @ocean_vuong
Beautifully produced by @diekeureprinting
@amagazinecuratedby @doxpeter @the.peterdo @helmutlang @blakeabbie @albertshyong @emmahaik @mikemeire @kerstinannaberger @meireundmeire
Details of issue 26 of @amagazinecuratedby curated by @doxpeter
For chapter pages we used @fedrigoni.paper Sirio Black and printed images and text on it with a silver metallic pantone tone, such as this image from @mark_borthwick.
Last Image text excerpt from @ocean_vuong
Beautifully produced by @diekeureprinting
@amagazinecuratedby @doxpeter @the.peterdo @helmutlang @blakeabbie @albertshyong @emmahaik @mikemeire @kerstinannaberger @meireundmeire
Details of issue 26 of @amagazinecuratedby curated by @doxpeter
For chapter pages we used @fedrigoni.paper Sirio Black and printed images and text on it with a silver metallic pantone tone, such as this image from @mark_borthwick.
Last Image text excerpt from @ocean_vuong
Beautifully produced by @diekeureprinting
@amagazinecuratedby @doxpeter @the.peterdo @helmutlang @blakeabbie @albertshyong @emmahaik @mikemeire @kerstinannaberger @meireundmeire
The Blue Issue 💙
A Magazine Curated by Sacai, June 2023
Editorial Design for @amagazinecuratedby @sacaiofficial Chitose Abe @daisukeg
with @mikemeire @christopher.troester
@danthawley @blakeabbie @albertshyong @emmahaik
#amagazinecuratedby #sacai #editorialdesign #magazines
The Blue Issue 💙
A Magazine Curated by Sacai, June 2023
Editorial Design for @amagazinecuratedby @sacaiofficial Chitose Abe @daisukeg
with @mikemeire @christopher.troester
@danthawley @blakeabbie @albertshyong @emmahaik
#amagazinecuratedby #sacai #editorialdesign #magazines
The Blue Issue 💙
A Magazine Curated by Sacai, June 2023
Editorial Design for @amagazinecuratedby @sacaiofficial Chitose Abe @daisukeg
with @mikemeire @christopher.troester
@danthawley @blakeabbie @albertshyong @emmahaik
#amagazinecuratedby #sacai #editorialdesign #magazines
The Blue Issue 💙
A Magazine Curated by Sacai, June 2023
Editorial Design for @amagazinecuratedby @sacaiofficial Chitose Abe @daisukeg
with @mikemeire @christopher.troester
@danthawley @blakeabbie @albertshyong @emmahaik
#amagazinecuratedby #sacai #editorialdesign #magazines
The Blue Issue 💙
A Magazine Curated by Sacai, June 2023
Editorial Design for @amagazinecuratedby @sacaiofficial Chitose Abe @daisukeg
with @mikemeire @christopher.troester
@danthawley @blakeabbie @albertshyong @emmahaik
#amagazinecuratedby #sacai #editorialdesign #magazines
The Blue Issue 💙
A Magazine Curated by Sacai, June 2023
Editorial Design for @amagazinecuratedby @sacaiofficial Chitose Abe @daisukeg
with @mikemeire @christopher.troester
@danthawley @blakeabbie @albertshyong @emmahaik
#amagazinecuratedby #sacai #editorialdesign #magazines
The Blue Issue 💙
A Magazine Curated by Sacai, June 2023
Editorial Design for @amagazinecuratedby @sacaiofficial Chitose Abe @daisukeg
with @mikemeire @christopher.troester
@danthawley @blakeabbie @albertshyong @emmahaik
#amagazinecuratedby #sacai #editorialdesign #magazines
The Blue Issue 💙
A Magazine Curated by Sacai, June 2023
Editorial Design for @amagazinecuratedby @sacaiofficial Chitose Abe @daisukeg
with @mikemeire @christopher.troester
@danthawley @blakeabbie @albertshyong @emmahaik
#amagazinecuratedby #sacai #editorialdesign #magazines
The Blue Issue 💙
A Magazine Curated by Sacai, June 2023
Editorial Design for @amagazinecuratedby @sacaiofficial Chitose Abe @daisukeg
with @mikemeire @christopher.troester
@danthawley @blakeabbie @albertshyong @emmahaik
#amagazinecuratedby #sacai #editorialdesign #magazines
The Blue Issue 💙
A Magazine Curated by Sacai, June 2023
Editorial Design for @amagazinecuratedby @sacaiofficial Chitose Abe @daisukeg
with @mikemeire @christopher.troester
@danthawley @blakeabbie @albertshyong @emmahaik
#amagazinecuratedby #sacai #editorialdesign #magazines
some recent and older editorial details 🤍
#editorialdesign
#magazines
#graphicdesign
#artdirection
some recent and older editorial details 🤍
#editorialdesign
#magazines
#graphicdesign
#artdirection
some recent and older editorial details 🤍
#editorialdesign
#magazines
#graphicdesign
#artdirection
some recent and older editorial details 🤍
#editorialdesign
#magazines
#graphicdesign
#artdirection
some recent and older editorial details 🤍
#editorialdesign
#magazines
#graphicdesign
#artdirection
some recent and older editorial details 🤍
#editorialdesign
#magazines
#graphicdesign
#artdirection
I am so proud and happy to share the launch of A Magazine curated by @doxpeter It was an absolute pleasure and inspiration working with an incredible team.
@amagazinecuratedby @blakeabbie @albertshyong @emmahaik @mikemeire @doxpeter @the.peterdo @droogist
I am so proud and happy to share the launch of A Magazine curated by @doxpeter It was an absolute pleasure and inspiration working with an incredible team.
@amagazinecuratedby @blakeabbie @albertshyong @emmahaik @mikemeire @doxpeter @the.peterdo @droogist
I am so proud and happy to share the launch of A Magazine curated by @doxpeter It was an absolute pleasure and inspiration working with an incredible team.
@amagazinecuratedby @blakeabbie @albertshyong @emmahaik @mikemeire @doxpeter @the.peterdo @droogist
Thank you to the whole @amagazinecuratedby team and @erdemlondon for another very personal and distinctive issue, it is always really special to be part of these journeys🤍
Thank you to the whole @amagazinecuratedby team and @erdemlondon for another very personal and distinctive issue, it is always really special to be part of these journeys🤍
Thank you to the whole @amagazinecuratedby team and @erdemlondon for another very personal and distinctive issue, it is always really special to be part of these journeys🤍
Thank you to the whole @amagazinecuratedby team and @erdemlondon for another very personal and distinctive issue, it is always really special to be part of these journeys🤍
Thank you to the whole @amagazinecuratedby team and @erdemlondon for another very personal and distinctive issue, it is always really special to be part of these journeys🤍
View Instagram Stories in Secret
The Instagram Story Viewer is an easy tool that lets you secretly watch and save Instagram stories, videos, photos, or IGTV. With this service, you can download content and enjoy it offline whenever you like. If you find something interesting on Instagram that you’d like to check out later or want to view stories while staying anonymous, our Viewer is perfect for you. Anonstories offers an excellent solution for keeping your identity hidden. Instagram first launched the Stories feature in August 2023, which was quickly adopted by other platforms due to its engaging, time-sensitive format. Stories let users share quick updates, whether photos, videos, or selfies, enhanced with text, emojis, or filters, and are visible for only 24 hours. This limited time frame creates high engagement compared to regular posts. In today’s world, Stories are one of the most popular ways to connect and communicate on social media. However, when you view a Story, the creator can see your name in their viewer list, which may be a privacy concern. What if you wish to browse Stories without being noticed? Here’s where Anonstories becomes useful. It allows you to watch public Instagram content without revealing your identity. Simply enter the username of the profile you’re curious about, and the tool will display their latest Stories. Features of Anonstories Viewer: - Anonymous Browsing: Watch Stories without showing up on the viewer list. - No Account Needed: View public content without signing up for an Instagram account. - Content Download: Save any Stories content directly to your device for offline use. - View Highlights: Access Instagram Highlights, even beyond the 24-hour window. - Repost Monitoring: Track the reposts or engagement levels on Stories for personal profiles. Limitations: - This tool works only with public accounts; private accounts remain inaccessible. Benefits: - Privacy-Friendly: Watch any Instagram content without being noticed. - Simple and Easy: No app installation or registration required. - Exclusive Tools: Download and manage content in ways Instagram doesn’t offer.
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