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Mint’s Spring window display brings together works that blur the boundaries between function and sculpture.

@kimkim_ceramic’s Salty Fairy Danji draws on Korean traditions of protection and the folklore of fairy rings; @eleonorejoulin reimagines natural forms through sculptural ceramics, informed by art history and gastronomy; and @leoferreiromobiliaqueverve’s Care furniture translates the spirit of Brazilian jangada boats into sculptural pieces.

#SpringDisplay #WindowDisplay #ContemporaryDesign #CollectibleDesign
#LondonDesign

Mint’s Spring window display brings together works that blur the boundaries between function and sculpture.

@kimkim_ceramic’s Salty Fairy Danji draws on Korean traditions of protection and the folklore of fairy rings; @eleonorejoulin reimagines natural forms through sculptural ceramics, informed by art history and gastronomy; and @leoferreiromobiliaqueverve’s Care furniture translates the spirit of Brazilian jangada boats into sculptural pieces.

#SpringDisplay #WindowDisplay #ContemporaryDesign #CollectibleDesign
#LondonDesign

Mint’s Spring window display brings together works that blur the boundaries between function and sculpture.

@kimkim_ceramic’s Salty Fairy Danji draws on Korean traditions of protection and the folklore of fairy rings; @eleonorejoulin reimagines natural forms through sculptural ceramics, informed by art history and gastronomy; and @leoferreiromobiliaqueverve’s Care furniture translates the spirit of Brazilian jangada boats into sculptural pieces.

#SpringDisplay #WindowDisplay #ContemporaryDesign #CollectibleDesign
#LondonDesign

Mint’s Spring window display brings together works that blur the boundaries between function and sculpture.

@kimkim_ceramic’s Salty Fairy Danji draws on Korean traditions of protection and the folklore of fairy rings; @eleonorejoulin reimagines natural forms through sculptural ceramics, informed by art history and gastronomy; and @leoferreiromobiliaqueverve’s Care furniture translates the spirit of Brazilian jangada boats into sculptural pieces.

#SpringDisplay #WindowDisplay #ContemporaryDesign #CollectibleDesign
#LondonDesign

Mint’s Spring window display brings together works that blur the boundaries between function and sculpture.

@kimkim_ceramic’s Salty Fairy Danji draws on Korean traditions of protection and the folklore of fairy rings; @eleonorejoulin reimagines natural forms through sculptural ceramics, informed by art history and gastronomy; and @leoferreiromobiliaqueverve’s Care furniture translates the spirit of Brazilian jangada boats into sculptural pieces.

#SpringDisplay #WindowDisplay #ContemporaryDesign #CollectibleDesign
#LondonDesign

Mint’s Spring window display brings together works that blur the boundaries between function and sculpture.

@kimkim_ceramic’s Salty Fairy Danji draws on Korean traditions of protection and the folklore of fairy rings; @eleonorejoulin reimagines natural forms through sculptural ceramics, informed by art history and gastronomy; and @leoferreiromobiliaqueverve’s Care furniture translates the spirit of Brazilian jangada boats into sculptural pieces.

#SpringDisplay #WindowDisplay #ContemporaryDesign #CollectibleDesign
#LondonDesign

Mint’s Spring window display brings together works that blur the boundaries between function and sculpture.

@kimkim_ceramic’s Salty Fairy Danji draws on Korean traditions of protection and the folklore of fairy rings; @eleonorejoulin reimagines natural forms through sculptural ceramics, informed by art history and gastronomy; and @leoferreiromobiliaqueverve’s Care furniture translates the spirit of Brazilian jangada boats into sculptural pieces.

#SpringDisplay #WindowDisplay #ContemporaryDesign #CollectibleDesign
#LondonDesign

Mint’s Spring window display brings together works that blur the boundaries between function and sculpture.

@kimkim_ceramic’s Salty Fairy Danji draws on Korean traditions of protection and the folklore of fairy rings; @eleonorejoulin reimagines natural forms through sculptural ceramics, informed by art history and gastronomy; and @leoferreiromobiliaqueverve’s Care furniture translates the spirit of Brazilian jangada boats into sculptural pieces.

#SpringDisplay #WindowDisplay #ContemporaryDesign #CollectibleDesign
#LondonDesign

Mint’s Spring window display brings together works that blur the boundaries between function and sculpture.

@kimkim_ceramic’s Salty Fairy Danji draws on Korean traditions of protection and the folklore of fairy rings; @eleonorejoulin reimagines natural forms through sculptural ceramics, informed by art history and gastronomy; and @leoferreiromobiliaqueverve’s Care furniture translates the spirit of Brazilian jangada boats into sculptural pieces.

#SpringDisplay #WindowDisplay #ContemporaryDesign #CollectibleDesign
#LondonDesign

Mint’s Spring window display brings together works that blur the boundaries between function and sculpture.

@kimkim_ceramic’s Salty Fairy Danji draws on Korean traditions of protection and the folklore of fairy rings; @eleonorejoulin reimagines natural forms through sculptural ceramics, informed by art history and gastronomy; and @leoferreiromobiliaqueverve’s Care furniture translates the spirit of Brazilian jangada boats into sculptural pieces.

#SpringDisplay #WindowDisplay #ContemporaryDesign #CollectibleDesign
#LondonDesign

Mint’s Spring window display brings together works that blur the boundaries between function and sculpture.

@kimkim_ceramic’s Salty Fairy Danji draws on Korean traditions of protection and the folklore of fairy rings; @eleonorejoulin reimagines natural forms through sculptural ceramics, informed by art history and gastronomy; and @leoferreiromobiliaqueverve’s Care furniture translates the spirit of Brazilian jangada boats into sculptural pieces.

#SpringDisplay #WindowDisplay #ContemporaryDesign #CollectibleDesign
#LondonDesign

Carrara marble shines bright in this spring sunlight.

The Emersa console by @paoloulian for @bufalinimarmi turns what’s usually hidden into the main event, carved to reveal a honeycomb structure that feels impossibly light for solid stone. Centuries of craft meet a fresh way of thinking about form, where tradition and experimentation sit side by side.

On view as part of Break With Care, Mint’s early spring show.

📷 Images by @ingeeee

#CarraraMarble #ContemporaryDesign #CollectibleDesign #SculpturalFurniture #ItalianDesign

Carrara marble shines bright in this spring sunlight.

The Emersa console by @paoloulian for @bufalinimarmi turns what’s usually hidden into the main event, carved to reveal a honeycomb structure that feels impossibly light for solid stone. Centuries of craft meet a fresh way of thinking about form, where tradition and experimentation sit side by side.

On view as part of Break With Care, Mint’s early spring show.

📷 Images by @ingeeee

#CarraraMarble #ContemporaryDesign #CollectibleDesign #SculpturalFurniture #ItalianDesign

Carrara marble shines bright in this spring sunlight.

The Emersa console by @paoloulian for @bufalinimarmi turns what’s usually hidden into the main event, carved to reveal a honeycomb structure that feels impossibly light for solid stone. Centuries of craft meet a fresh way of thinking about form, where tradition and experimentation sit side by side.

On view as part of Break With Care, Mint’s early spring show.

📷 Images by @ingeeee

#CarraraMarble #ContemporaryDesign #CollectibleDesign #SculpturalFurniture #ItalianDesign

#MantaPiltiDrySandCredenza, American walnut and brass, 2023.

By #TanyaSinger and #TrentJansen.

Edition of 3, 2 remaining.

Available through @trentjansenstudio in Australia, @galleryallart in China, @_mintshop_ in the UK, @rossana_orlandi in Europe and @wexlergallery in the USA.

Manta Pilti (Dry Sand) has been designed to communicate the time critical catastrophic effects human induced climate change is inflicting on Country around Indulkana in remote South Australia.

For countless generations, Relational correlations between seasonal patterns of plants and animals have supported life in Indulkana, governing food collection, hunting, totemic relationships, and Law on Country. As the climate changes, these age-old relationships are thrown out of alignment.

Tanya’s references include the Parakeelya flower, a small purple bloom that once blanketed the Indulkana hills and is now seen far less frequently. This once plentiful bloom is now only found in hard-to-spot patches far from the road, because of the increased heat, reduced rainfall and dry, sandy soil caused by climate change.

This fading bloom and the dry sand in which it grows are emblematic of hotter, dryer Country and tangible examples of ecosystem degradation in this region. They form the conceptual focus for the collaboration. Tanya and Trent have used the motif of cracking sand and Tanya’s interpretation of her mother’s favourite flower to inform the design of a furniture collection that can communicate this complex and troubling narrative.

This project has was supported by
@ahec_anz, @creative.gov.au, @artssouthaus, @unswartanddesign, @marukuarts, @ngvmelbourne, @artbankau and @fremantleartscentre.

Maker - #ChrisNicholson

Photography - @fiona_susanto

#DesignAnthropology

#MantaPiltiDrySandCredenza, American walnut and brass, 2023.

By #TanyaSinger and #TrentJansen.

Edition of 3, 2 remaining.

Available through @trentjansenstudio in Australia, @galleryallart in China, @_mintshop_ in the UK, @rossana_orlandi in Europe and @wexlergallery in the USA.

Manta Pilti (Dry Sand) has been designed to communicate the time critical catastrophic effects human induced climate change is inflicting on Country around Indulkana in remote South Australia.

For countless generations, Relational correlations between seasonal patterns of plants and animals have supported life in Indulkana, governing food collection, hunting, totemic relationships, and Law on Country. As the climate changes, these age-old relationships are thrown out of alignment.

Tanya’s references include the Parakeelya flower, a small purple bloom that once blanketed the Indulkana hills and is now seen far less frequently. This once plentiful bloom is now only found in hard-to-spot patches far from the road, because of the increased heat, reduced rainfall and dry, sandy soil caused by climate change.

This fading bloom and the dry sand in which it grows are emblematic of hotter, dryer Country and tangible examples of ecosystem degradation in this region. They form the conceptual focus for the collaboration. Tanya and Trent have used the motif of cracking sand and Tanya’s interpretation of her mother’s favourite flower to inform the design of a furniture collection that can communicate this complex and troubling narrative.

This project has was supported by
@ahec_anz, @creative.gov.au, @artssouthaus, @unswartanddesign, @marukuarts, @ngvmelbourne, @artbankau and @fremantleartscentre.

Maker - #ChrisNicholson

Photography - @fiona_susanto

#DesignAnthropology

#MantaPiltiDrySandCredenza, American walnut and brass, 2023.

By #TanyaSinger and #TrentJansen.

Edition of 3, 2 remaining.

Available through @trentjansenstudio in Australia, @galleryallart in China, @_mintshop_ in the UK, @rossana_orlandi in Europe and @wexlergallery in the USA.

Manta Pilti (Dry Sand) has been designed to communicate the time critical catastrophic effects human induced climate change is inflicting on Country around Indulkana in remote South Australia.

For countless generations, Relational correlations between seasonal patterns of plants and animals have supported life in Indulkana, governing food collection, hunting, totemic relationships, and Law on Country. As the climate changes, these age-old relationships are thrown out of alignment.

Tanya’s references include the Parakeelya flower, a small purple bloom that once blanketed the Indulkana hills and is now seen far less frequently. This once plentiful bloom is now only found in hard-to-spot patches far from the road, because of the increased heat, reduced rainfall and dry, sandy soil caused by climate change.

This fading bloom and the dry sand in which it grows are emblematic of hotter, dryer Country and tangible examples of ecosystem degradation in this region. They form the conceptual focus for the collaboration. Tanya and Trent have used the motif of cracking sand and Tanya’s interpretation of her mother’s favourite flower to inform the design of a furniture collection that can communicate this complex and troubling narrative.

This project has was supported by
@ahec_anz, @creative.gov.au, @artssouthaus, @unswartanddesign, @marukuarts, @ngvmelbourne, @artbankau and @fremantleartscentre.

Maker - #ChrisNicholson

Photography - @fiona_susanto

#DesignAnthropology

#MantaPiltiDrySandCredenza, American walnut and brass, 2023.

By #TanyaSinger and #TrentJansen.

Edition of 3, 2 remaining.

Available through @trentjansenstudio in Australia, @galleryallart in China, @_mintshop_ in the UK, @rossana_orlandi in Europe and @wexlergallery in the USA.

Manta Pilti (Dry Sand) has been designed to communicate the time critical catastrophic effects human induced climate change is inflicting on Country around Indulkana in remote South Australia.

For countless generations, Relational correlations between seasonal patterns of plants and animals have supported life in Indulkana, governing food collection, hunting, totemic relationships, and Law on Country. As the climate changes, these age-old relationships are thrown out of alignment.

Tanya’s references include the Parakeelya flower, a small purple bloom that once blanketed the Indulkana hills and is now seen far less frequently. This once plentiful bloom is now only found in hard-to-spot patches far from the road, because of the increased heat, reduced rainfall and dry, sandy soil caused by climate change.

This fading bloom and the dry sand in which it grows are emblematic of hotter, dryer Country and tangible examples of ecosystem degradation in this region. They form the conceptual focus for the collaboration. Tanya and Trent have used the motif of cracking sand and Tanya’s interpretation of her mother’s favourite flower to inform the design of a furniture collection that can communicate this complex and troubling narrative.

This project has was supported by
@ahec_anz, @creative.gov.au, @artssouthaus, @unswartanddesign, @marukuarts, @ngvmelbourne, @artbankau and @fremantleartscentre.

Maker - #ChrisNicholson

Photography - @fiona_susanto

#DesignAnthropology

#MantaPiltiDrySandCredenza, American walnut and brass, 2023.

By #TanyaSinger and #TrentJansen.

Edition of 3, 2 remaining.

Available through @trentjansenstudio in Australia, @galleryallart in China, @_mintshop_ in the UK, @rossana_orlandi in Europe and @wexlergallery in the USA.

Manta Pilti (Dry Sand) has been designed to communicate the time critical catastrophic effects human induced climate change is inflicting on Country around Indulkana in remote South Australia.

For countless generations, Relational correlations between seasonal patterns of plants and animals have supported life in Indulkana, governing food collection, hunting, totemic relationships, and Law on Country. As the climate changes, these age-old relationships are thrown out of alignment.

Tanya’s references include the Parakeelya flower, a small purple bloom that once blanketed the Indulkana hills and is now seen far less frequently. This once plentiful bloom is now only found in hard-to-spot patches far from the road, because of the increased heat, reduced rainfall and dry, sandy soil caused by climate change.

This fading bloom and the dry sand in which it grows are emblematic of hotter, dryer Country and tangible examples of ecosystem degradation in this region. They form the conceptual focus for the collaboration. Tanya and Trent have used the motif of cracking sand and Tanya’s interpretation of her mother’s favourite flower to inform the design of a furniture collection that can communicate this complex and troubling narrative.

This project has was supported by
@ahec_anz, @creative.gov.au, @artssouthaus, @unswartanddesign, @marukuarts, @ngvmelbourne, @artbankau and @fremantleartscentre.

Maker - #ChrisNicholson

Photography - @fiona_susanto

#DesignAnthropology

Congratulation to @rick_tegelaar on his first solo show during the fuorisalone

#fuorisalone2026 #milandesignweek2026

Congratulation to @rick_tegelaar on his first solo show during the fuorisalone

#fuorisalone2026 #milandesignweek2026

Congratulation to @rick_tegelaar on his first solo show during the fuorisalone

#fuorisalone2026 #milandesignweek2026

Congratulation to @rick_tegelaar on his first solo show during the fuorisalone

#fuorisalone2026 #milandesignweek2026

Congratulation to @rick_tegelaar on his first solo show during the fuorisalone

#fuorisalone2026 #milandesignweek2026

Congratulation to @rick_tegelaar on his first solo show during the fuorisalone

#fuorisalone2026 #milandesignweek2026

Congratulation to @rick_tegelaar on his first solo show during the fuorisalone

#fuorisalone2026 #milandesignweek2026

Congratulation to @rick_tegelaar on his first solo show during the fuorisalone

#fuorisalone2026 #milandesignweek2026

CHOPSTICKS 箸, an initiative beautifully curated by Yoko Choy, that brings together 16 creative minds from China, Korea, Japan, Italy and Belgium, to reinterpret this iconic object rootly imbedded in East Asian culture.

#milandesigweek2026 #fuorisalone2026

CHOPSTICKS 箸, an initiative beautifully curated by Yoko Choy, that brings together 16 creative minds from China, Korea, Japan, Italy and Belgium, to reinterpret this iconic object rootly imbedded in East Asian culture.

#milandesigweek2026 #fuorisalone2026

CHOPSTICKS 箸, an initiative beautifully curated by Yoko Choy, that brings together 16 creative minds from China, Korea, Japan, Italy and Belgium, to reinterpret this iconic object rootly imbedded in East Asian culture.

#milandesigweek2026 #fuorisalone2026

CHOPSTICKS 箸, an initiative beautifully curated by Yoko Choy, that brings together 16 creative minds from China, Korea, Japan, Italy and Belgium, to reinterpret this iconic object rootly imbedded in East Asian culture.

#milandesigweek2026 #fuorisalone2026

CHOPSTICKS 箸, an initiative beautifully curated by Yoko Choy, that brings together 16 creative minds from China, Korea, Japan, Italy and Belgium, to reinterpret this iconic object rootly imbedded in East Asian culture.

#milandesigweek2026 #fuorisalone2026

CHOPSTICKS 箸, an initiative beautifully curated by Yoko Choy, that brings together 16 creative minds from China, Korea, Japan, Italy and Belgium, to reinterpret this iconic object rootly imbedded in East Asian culture.

#milandesigweek2026 #fuorisalone2026

CHOPSTICKS 箸, an initiative beautifully curated by Yoko Choy, that brings together 16 creative minds from China, Korea, Japan, Italy and Belgium, to reinterpret this iconic object rootly imbedded in East Asian culture.

#milandesigweek2026 #fuorisalone2026

CHOPSTICKS 箸, an initiative beautifully curated by Yoko Choy, that brings together 16 creative minds from China, Korea, Japan, Italy and Belgium, to reinterpret this iconic object rootly imbedded in East Asian culture.

#milandesigweek2026 #fuorisalone2026

CHOPSTICKS 箸, an initiative beautifully curated by Yoko Choy, that brings together 16 creative minds from China, Korea, Japan, Italy and Belgium, to reinterpret this iconic object rootly imbedded in East Asian culture.

#milandesigweek2026 #fuorisalone2026

CHOPSTICKS 箸, an initiative beautifully curated by Yoko Choy, that brings together 16 creative minds from China, Korea, Japan, Italy and Belgium, to reinterpret this iconic object rootly imbedded in East Asian culture.

#milandesigweek2026 #fuorisalone2026

Always a pleasure visiting @rossana_orlandiseeing friends and familiar faces

#milandesignweek2026 #rossanaorlandi

Always a pleasure visiting @rossana_orlandiseeing friends and familiar faces

#milandesignweek2026 #rossanaorlandi

Always a pleasure visiting @rossana_orlandiseeing friends and familiar faces

#milandesignweek2026 #rossanaorlandi

Always a pleasure visiting @rossana_orlandiseeing friends and familiar faces

#milandesignweek2026 #rossanaorlandi

Always a pleasure visiting @rossana_orlandiseeing friends and familiar faces

#milandesignweek2026 #rossanaorlandi

Always a pleasure visiting @rossana_orlandiseeing friends and familiar faces

#milandesignweek2026 #rossanaorlandi

Always a pleasure visiting @rossana_orlandiseeing friends and familiar faces

#milandesignweek2026 #rossanaorlandi

Always a pleasure visiting @rossana_orlandiseeing friends and familiar faces

#milandesignweek2026 #rossanaorlandi

Always a pleasure visiting @rossana_orlandiseeing friends and familiar faces

#milandesignweek2026 #rossanaorlandi

Always a pleasure visiting @rossana_orlandiseeing friends and familiar faces

#milandesignweek2026 #rossanaorlandi

Always a pleasure visiting @rossana_orlandiseeing friends and familiar faces

#milandesignweek2026 #rossanaorlandi

Always a pleasure visiting @rossana_orlandiseeing friends and familiar faces

#milandesignweek2026 #rossanaorlandi

Always a pleasure visiting @rossana_orlandiseeing friends and familiar faces

#milandesignweek2026 #rossanaorlandi

Always a pleasure visiting @rossana_orlandiseeing friends and familiar faces

#milandesignweek2026 #rossanaorlandi

Always a pleasure visiting @rossana_orlandiseeing friends and familiar faces

#milandesignweek2026 #rossanaorlandi

Always a pleasure visiting @rossana_orlandiseeing friends and familiar faces

#milandesignweek2026 #rossanaorlandi

Always a pleasure visiting @rossana_orlandiseeing friends and familiar faces

#milandesignweek2026 #rossanaorlandi

Always a pleasure visiting @rossana_orlandiseeing friends and familiar faces

#milandesignweek2026 #rossanaorlandi

Highlights from Alcova - Baggio Military Hospital -

@alcova.milano

#alcovamilano #milandesignweek2026

Highlights from Alcova - Baggio Military Hospital -

@alcova.milano

#alcovamilano #milandesignweek2026

Highlights from Alcova - Baggio Military Hospital -

@alcova.milano

#alcovamilano #milandesignweek2026

Highlights from Alcova - Baggio Military Hospital -

@alcova.milano

#alcovamilano #milandesignweek2026

Highlights from Alcova - Baggio Military Hospital -

@alcova.milano

#alcovamilano #milandesignweek2026

Highlights from Alcova - Baggio Military Hospital -

@alcova.milano

#alcovamilano #milandesignweek2026

Highlights from Alcova - Baggio Military Hospital -

@alcova.milano

#alcovamilano #milandesignweek2026

Highlights from Alcova - Baggio Military Hospital -

@alcova.milano

#alcovamilano #milandesignweek2026

Highlights from Alcova - Baggio Military Hospital -

@alcova.milano

#alcovamilano #milandesignweek2026

Highlights from Alcova - Baggio Military Hospital -

@alcova.milano

#alcovamilano #milandesignweek2026

Highlights from Alcova - Baggio Military Hospital -

@alcova.milano

#alcovamilano #milandesignweek2026

Highlights from Alcova - Baggio Military Hospital -

@alcova.milano

#alcovamilano #milandesignweek2026

Highlights from Alcova - Baggio Military Hospital -

@alcova.milano

#alcovamilano #milandesignweek2026

Highlights from Alcova - Baggio Military Hospital -

@alcova.milano

#alcovamilano #milandesignweek2026

Highlights from Alcova - Baggio Military Hospital -

@alcova.milano

#alcovamilano #milandesignweek2026

Highlights from Alcova - Baggio Military Hospital -

@alcova.milano

#alcovamilano #milandesignweek2026

Highlights from Alcova - Baggio Military Hospital -

@alcova.milano

#alcovamilano #milandesignweek2026

Highlights from Alcova - Baggio Military Hospital -

@alcova.milano

#alcovamilano #milandesignweek2026

Highlights from Alcova - Baggio Military Hospital -

@alcova.milano

#alcovamilano #milandesignweek2026

Re-veneer Cabinet by @studiojeroenwand

Jeroen Wand is a Dutch designer based in Eindhoven whose practice is rooted in experimentation. He challenges conventional ideas of beauty, using raw, unpolished methods that shape both form and function and reveal rather than hide the process of making.

‘Re-veneer Cabinet’ transforms discarded veneer into the structure of the piece itself. By reversing the logic of industrial laminating, the material becomes its own surface and core, forming bold layered compositions that celebrate imperfection and process.

#ContemporaryDesign #CollectibleDesign #FurnitureDesign #MaterialInnovation #DutchDesign

Re-veneer Cabinet by @studiojeroenwand

Jeroen Wand is a Dutch designer based in Eindhoven whose practice is rooted in experimentation. He challenges conventional ideas of beauty, using raw, unpolished methods that shape both form and function and reveal rather than hide the process of making.

‘Re-veneer Cabinet’ transforms discarded veneer into the structure of the piece itself. By reversing the logic of industrial laminating, the material becomes its own surface and core, forming bold layered compositions that celebrate imperfection and process.

#ContemporaryDesign #CollectibleDesign #FurnitureDesign #MaterialInnovation #DutchDesign

Re-veneer Cabinet by @studiojeroenwand

Jeroen Wand is a Dutch designer based in Eindhoven whose practice is rooted in experimentation. He challenges conventional ideas of beauty, using raw, unpolished methods that shape both form and function and reveal rather than hide the process of making.

‘Re-veneer Cabinet’ transforms discarded veneer into the structure of the piece itself. By reversing the logic of industrial laminating, the material becomes its own surface and core, forming bold layered compositions that celebrate imperfection and process.

#ContemporaryDesign #CollectibleDesign #FurnitureDesign #MaterialInnovation #DutchDesign

Re-veneer Cabinet by @studiojeroenwand

Jeroen Wand is a Dutch designer based in Eindhoven whose practice is rooted in experimentation. He challenges conventional ideas of beauty, using raw, unpolished methods that shape both form and function and reveal rather than hide the process of making.

‘Re-veneer Cabinet’ transforms discarded veneer into the structure of the piece itself. By reversing the logic of industrial laminating, the material becomes its own surface and core, forming bold layered compositions that celebrate imperfection and process.

#ContemporaryDesign #CollectibleDesign #FurnitureDesign #MaterialInnovation #DutchDesign

Re-veneer Cabinet by @studiojeroenwand

Jeroen Wand is a Dutch designer based in Eindhoven whose practice is rooted in experimentation. He challenges conventional ideas of beauty, using raw, unpolished methods that shape both form and function and reveal rather than hide the process of making.

‘Re-veneer Cabinet’ transforms discarded veneer into the structure of the piece itself. By reversing the logic of industrial laminating, the material becomes its own surface and core, forming bold layered compositions that celebrate imperfection and process.

#ContemporaryDesign #CollectibleDesign #FurnitureDesign #MaterialInnovation #DutchDesign

Re-veneer Cabinet by @studiojeroenwand

Jeroen Wand is a Dutch designer based in Eindhoven whose practice is rooted in experimentation. He challenges conventional ideas of beauty, using raw, unpolished methods that shape both form and function and reveal rather than hide the process of making.

‘Re-veneer Cabinet’ transforms discarded veneer into the structure of the piece itself. By reversing the logic of industrial laminating, the material becomes its own surface and core, forming bold layered compositions that celebrate imperfection and process.

#ContemporaryDesign #CollectibleDesign #FurnitureDesign #MaterialInnovation #DutchDesign

The Dialogue by @z.i.x.u.a.n.zhang

Zixuan Zhang is a CSM graduate and a material-led, multidisciplinary artist working across ceramics, glass, and 3D design.The Dialogue is a collection of ceramic and glass vessels inspired by Qing Dynasty forms. The series explores the relationship between ceramics and glass through 3D printing and mould blowing, creating layered textures that emphasise the interaction between traditional materials and contemporary techniques.

📷 slides 1-3 by @ingeeee
📷 slides 4-5 by @simon_bruntnell_photographer

#ContemporaryCraft #Ceramic #Glass #3Dprinting #collectibledesign

The Dialogue by @z.i.x.u.a.n.zhang

Zixuan Zhang is a CSM graduate and a material-led, multidisciplinary artist working across ceramics, glass, and 3D design.The Dialogue is a collection of ceramic and glass vessels inspired by Qing Dynasty forms. The series explores the relationship between ceramics and glass through 3D printing and mould blowing, creating layered textures that emphasise the interaction between traditional materials and contemporary techniques.

📷 slides 1-3 by @ingeeee
📷 slides 4-5 by @simon_bruntnell_photographer

#ContemporaryCraft #Ceramic #Glass #3Dprinting #collectibledesign

The Dialogue by @z.i.x.u.a.n.zhang

Zixuan Zhang is a CSM graduate and a material-led, multidisciplinary artist working across ceramics, glass, and 3D design.The Dialogue is a collection of ceramic and glass vessels inspired by Qing Dynasty forms. The series explores the relationship between ceramics and glass through 3D printing and mould blowing, creating layered textures that emphasise the interaction between traditional materials and contemporary techniques.

📷 slides 1-3 by @ingeeee
📷 slides 4-5 by @simon_bruntnell_photographer

#ContemporaryCraft #Ceramic #Glass #3Dprinting #collectibledesign

The Dialogue by @z.i.x.u.a.n.zhang

Zixuan Zhang is a CSM graduate and a material-led, multidisciplinary artist working across ceramics, glass, and 3D design.The Dialogue is a collection of ceramic and glass vessels inspired by Qing Dynasty forms. The series explores the relationship between ceramics and glass through 3D printing and mould blowing, creating layered textures that emphasise the interaction between traditional materials and contemporary techniques.

📷 slides 1-3 by @ingeeee
📷 slides 4-5 by @simon_bruntnell_photographer

#ContemporaryCraft #Ceramic #Glass #3Dprinting #collectibledesign

The Dialogue by @z.i.x.u.a.n.zhang

Zixuan Zhang is a CSM graduate and a material-led, multidisciplinary artist working across ceramics, glass, and 3D design.The Dialogue is a collection of ceramic and glass vessels inspired by Qing Dynasty forms. The series explores the relationship between ceramics and glass through 3D printing and mould blowing, creating layered textures that emphasise the interaction between traditional materials and contemporary techniques.

📷 slides 1-3 by @ingeeee
📷 slides 4-5 by @simon_bruntnell_photographer

#ContemporaryCraft #Ceramic #Glass #3Dprinting #collectibledesign

Ceramic Vessels by @eleonorejoulin

Blurring the line between sculpture and everyday object, Eléonore Joulin draws on art history, gastronomy and architecture to create playful, unexpected ceramic forms. From cabbage leaves to courgettes and asparagus, each piece reinterprets historic traditions through a contemporary lens.

Featured in Break with Care, her work gently questions the role of function and domesticity, transforming familiar forms into something quietly surreal.

📷 Images by @ingeeee

#BreakWithCare #EleonoreJoulin #ContemporaryCeramics #CollectibleDesign #Ceramic

Ceramic Vessels by @eleonorejoulin

Blurring the line between sculpture and everyday object, Eléonore Joulin draws on art history, gastronomy and architecture to create playful, unexpected ceramic forms. From cabbage leaves to courgettes and asparagus, each piece reinterprets historic traditions through a contemporary lens.

Featured in Break with Care, her work gently questions the role of function and domesticity, transforming familiar forms into something quietly surreal.

📷 Images by @ingeeee

#BreakWithCare #EleonoreJoulin #ContemporaryCeramics #CollectibleDesign #Ceramic

Ceramic Vessels by @eleonorejoulin

Blurring the line between sculpture and everyday object, Eléonore Joulin draws on art history, gastronomy and architecture to create playful, unexpected ceramic forms. From cabbage leaves to courgettes and asparagus, each piece reinterprets historic traditions through a contemporary lens.

Featured in Break with Care, her work gently questions the role of function and domesticity, transforming familiar forms into something quietly surreal.

📷 Images by @ingeeee

#BreakWithCare #EleonoreJoulin #ContemporaryCeramics #CollectibleDesign #Ceramic

Ceramic Vessels by @eleonorejoulin

Blurring the line between sculpture and everyday object, Eléonore Joulin draws on art history, gastronomy and architecture to create playful, unexpected ceramic forms. From cabbage leaves to courgettes and asparagus, each piece reinterprets historic traditions through a contemporary lens.

Featured in Break with Care, her work gently questions the role of function and domesticity, transforming familiar forms into something quietly surreal.

📷 Images by @ingeeee

#BreakWithCare #EleonoreJoulin #ContemporaryCeramics #CollectibleDesign #Ceramic

Ceramic Vessels by @eleonorejoulin

Blurring the line between sculpture and everyday object, Eléonore Joulin draws on art history, gastronomy and architecture to create playful, unexpected ceramic forms. From cabbage leaves to courgettes and asparagus, each piece reinterprets historic traditions through a contemporary lens.

Featured in Break with Care, her work gently questions the role of function and domesticity, transforming familiar forms into something quietly surreal.

📷 Images by @ingeeee

#BreakWithCare #EleonoreJoulin #ContemporaryCeramics #CollectibleDesign #Ceramic

Ceramic Vessels by @eleonorejoulin

Blurring the line between sculpture and everyday object, Eléonore Joulin draws on art history, gastronomy and architecture to create playful, unexpected ceramic forms. From cabbage leaves to courgettes and asparagus, each piece reinterprets historic traditions through a contemporary lens.

Featured in Break with Care, her work gently questions the role of function and domesticity, transforming familiar forms into something quietly surreal.

📷 Images by @ingeeee

#BreakWithCare #EleonoreJoulin #ContemporaryCeramics #CollectibleDesign #Ceramic

Nascer Do Sol cabinet by @andreazambelli_design

Crafted from reclaimed wood with stained glass inserts, this cabinet brings together traditional restoration techniques and a contemporary approach. Rooted in years of craftsmanship, it reflects a deep respect for material and history.

Featured in our early spring show, Break with Care, Nascer Do Sol speaks to transformation, where fragility and strength coexist and materials are given new life.

📷 Images by @ingeeee

#BreakWithCare #AndreaZambelli #CollectibleDesign #ContemporaryCraft #ContemporaryDesign

Nascer Do Sol cabinet by @andreazambelli_design

Crafted from reclaimed wood with stained glass inserts, this cabinet brings together traditional restoration techniques and a contemporary approach. Rooted in years of craftsmanship, it reflects a deep respect for material and history.

Featured in our early spring show, Break with Care, Nascer Do Sol speaks to transformation, where fragility and strength coexist and materials are given new life.

📷 Images by @ingeeee

#BreakWithCare #AndreaZambelli #CollectibleDesign #ContemporaryCraft #ContemporaryDesign

Nascer Do Sol cabinet by @andreazambelli_design

Crafted from reclaimed wood with stained glass inserts, this cabinet brings together traditional restoration techniques and a contemporary approach. Rooted in years of craftsmanship, it reflects a deep respect for material and history.

Featured in our early spring show, Break with Care, Nascer Do Sol speaks to transformation, where fragility and strength coexist and materials are given new life.

📷 Images by @ingeeee

#BreakWithCare #AndreaZambelli #CollectibleDesign #ContemporaryCraft #ContemporaryDesign

Nascer Do Sol cabinet by @andreazambelli_design

Crafted from reclaimed wood with stained glass inserts, this cabinet brings together traditional restoration techniques and a contemporary approach. Rooted in years of craftsmanship, it reflects a deep respect for material and history.

Featured in our early spring show, Break with Care, Nascer Do Sol speaks to transformation, where fragility and strength coexist and materials are given new life.

📷 Images by @ingeeee

#BreakWithCare #AndreaZambelli #CollectibleDesign #ContemporaryCraft #ContemporaryDesign

Nascer Do Sol cabinet by @andreazambelli_design

Crafted from reclaimed wood with stained glass inserts, this cabinet brings together traditional restoration techniques and a contemporary approach. Rooted in years of craftsmanship, it reflects a deep respect for material and history.

Featured in our early spring show, Break with Care, Nascer Do Sol speaks to transformation, where fragility and strength coexist and materials are given new life.

📷 Images by @ingeeee

#BreakWithCare #AndreaZambelli #CollectibleDesign #ContemporaryCraft #ContemporaryDesign

◾️#DesignBlokSelects: Currently on display at the London gallery @_mintshop_ is the exhibition Break with Care, where @hanavopravilova explores the tension between fragility and strength through transformed and reassembled materials. She presents glass objects from the PAP – Paper As Patterner collection, created using paper structures as single-use molds that leave delicate reliefs and imprints in the glass. Each piece thus becomes a unique record of both the process and a material that no longer exists, yet remains present.

Hana is a regular exhibitor at Designblok, and Lina Kanafani, the owner and curator of @_mintshop_ , frequently visits our festival to scout talent for her gallery. We are thrilled that Designblok serves as a platform that successfully introduces Czech design to the world.

“When we spoke a year ago, Hana emphasized that her main focus was on the process and exploring the material’s possibilities, and that she didn’t have a clear strategy for her post-graduation career. Back then, she talked about searching for a direction—but today, perhaps precisely because she gave herself that freedom, she has established herself as one of the fresh voices in contemporary collectible design,” adds Danica.
~
🇨🇿 V londýnské galerii @_mintshop_ je k vidění výstava Break with Care, na které @hanavopravilova zkoumá napětí mezi křehkostí a silou prostřednictvím transformovaných a znovu poskládaných materiálů. Představuje skleněné objekty z kolekce PAP – Paper As Patterner, při jejichž vzniku využívá papírové struktury jako jednorázové formy, jež ve skle zanechávají jemné reliéfy a otisky – každý kus tak vzniká jako neopakovatelný záznam procesu i materiálu, který už není a přitom stále je.

Hana patří mezi pravidelné vystavující na Designbloku a majitelka a kurátorka @_mintshop_ Lina Kanafani pravidelně navštěvuje náš festival, kde si vybírá talenty pro svou galerii. Jsme rádi, že je Designblok platformou, které se daří dostávat český design do světa.

🏳️ | Selected by @danicakovar.
📷 | Inge Clemente & @simonroubal

◾️#DesignBlokSelects: Currently on display at the London gallery @_mintshop_ is the exhibition Break with Care, where @hanavopravilova explores the tension between fragility and strength through transformed and reassembled materials. She presents glass objects from the PAP – Paper As Patterner collection, created using paper structures as single-use molds that leave delicate reliefs and imprints in the glass. Each piece thus becomes a unique record of both the process and a material that no longer exists, yet remains present.

Hana is a regular exhibitor at Designblok, and Lina Kanafani, the owner and curator of @_mintshop_ , frequently visits our festival to scout talent for her gallery. We are thrilled that Designblok serves as a platform that successfully introduces Czech design to the world.

“When we spoke a year ago, Hana emphasized that her main focus was on the process and exploring the material’s possibilities, and that she didn’t have a clear strategy for her post-graduation career. Back then, she talked about searching for a direction—but today, perhaps precisely because she gave herself that freedom, she has established herself as one of the fresh voices in contemporary collectible design,” adds Danica.
~
🇨🇿 V londýnské galerii @_mintshop_ je k vidění výstava Break with Care, na které @hanavopravilova zkoumá napětí mezi křehkostí a silou prostřednictvím transformovaných a znovu poskládaných materiálů. Představuje skleněné objekty z kolekce PAP – Paper As Patterner, při jejichž vzniku využívá papírové struktury jako jednorázové formy, jež ve skle zanechávají jemné reliéfy a otisky – každý kus tak vzniká jako neopakovatelný záznam procesu i materiálu, který už není a přitom stále je.

Hana patří mezi pravidelné vystavující na Designbloku a majitelka a kurátorka @_mintshop_ Lina Kanafani pravidelně navštěvuje náš festival, kde si vybírá talenty pro svou galerii. Jsme rádi, že je Designblok platformou, které se daří dostávat český design do světa.

🏳️ | Selected by @danicakovar.
📷 | Inge Clemente & @simonroubal

◾️#DesignBlokSelects: Currently on display at the London gallery @_mintshop_ is the exhibition Break with Care, where @hanavopravilova explores the tension between fragility and strength through transformed and reassembled materials. She presents glass objects from the PAP – Paper As Patterner collection, created using paper structures as single-use molds that leave delicate reliefs and imprints in the glass. Each piece thus becomes a unique record of both the process and a material that no longer exists, yet remains present.

Hana is a regular exhibitor at Designblok, and Lina Kanafani, the owner and curator of @_mintshop_ , frequently visits our festival to scout talent for her gallery. We are thrilled that Designblok serves as a platform that successfully introduces Czech design to the world.

“When we spoke a year ago, Hana emphasized that her main focus was on the process and exploring the material’s possibilities, and that she didn’t have a clear strategy for her post-graduation career. Back then, she talked about searching for a direction—but today, perhaps precisely because she gave herself that freedom, she has established herself as one of the fresh voices in contemporary collectible design,” adds Danica.
~
🇨🇿 V londýnské galerii @_mintshop_ je k vidění výstava Break with Care, na které @hanavopravilova zkoumá napětí mezi křehkostí a silou prostřednictvím transformovaných a znovu poskládaných materiálů. Představuje skleněné objekty z kolekce PAP – Paper As Patterner, při jejichž vzniku využívá papírové struktury jako jednorázové formy, jež ve skle zanechávají jemné reliéfy a otisky – každý kus tak vzniká jako neopakovatelný záznam procesu i materiálu, který už není a přitom stále je.

Hana patří mezi pravidelné vystavující na Designbloku a majitelka a kurátorka @_mintshop_ Lina Kanafani pravidelně navštěvuje náš festival, kde si vybírá talenty pro svou galerii. Jsme rádi, že je Designblok platformou, které se daří dostávat český design do světa.

🏳️ | Selected by @danicakovar.
📷 | Inge Clemente & @simonroubal

◾️#DesignBlokSelects: Currently on display at the London gallery @_mintshop_ is the exhibition Break with Care, where @hanavopravilova explores the tension between fragility and strength through transformed and reassembled materials. She presents glass objects from the PAP – Paper As Patterner collection, created using paper structures as single-use molds that leave delicate reliefs and imprints in the glass. Each piece thus becomes a unique record of both the process and a material that no longer exists, yet remains present.

Hana is a regular exhibitor at Designblok, and Lina Kanafani, the owner and curator of @_mintshop_ , frequently visits our festival to scout talent for her gallery. We are thrilled that Designblok serves as a platform that successfully introduces Czech design to the world.

“When we spoke a year ago, Hana emphasized that her main focus was on the process and exploring the material’s possibilities, and that she didn’t have a clear strategy for her post-graduation career. Back then, she talked about searching for a direction—but today, perhaps precisely because she gave herself that freedom, she has established herself as one of the fresh voices in contemporary collectible design,” adds Danica.
~
🇨🇿 V londýnské galerii @_mintshop_ je k vidění výstava Break with Care, na které @hanavopravilova zkoumá napětí mezi křehkostí a silou prostřednictvím transformovaných a znovu poskládaných materiálů. Představuje skleněné objekty z kolekce PAP – Paper As Patterner, při jejichž vzniku využívá papírové struktury jako jednorázové formy, jež ve skle zanechávají jemné reliéfy a otisky – každý kus tak vzniká jako neopakovatelný záznam procesu i materiálu, který už není a přitom stále je.

Hana patří mezi pravidelné vystavující na Designbloku a majitelka a kurátorka @_mintshop_ Lina Kanafani pravidelně navštěvuje náš festival, kde si vybírá talenty pro svou galerii. Jsme rádi, že je Designblok platformou, které se daří dostávat český design do světa.

🏳️ | Selected by @danicakovar.
📷 | Inge Clemente & @simonroubal

◾️#DesignBlokSelects: Currently on display at the London gallery @_mintshop_ is the exhibition Break with Care, where @hanavopravilova explores the tension between fragility and strength through transformed and reassembled materials. She presents glass objects from the PAP – Paper As Patterner collection, created using paper structures as single-use molds that leave delicate reliefs and imprints in the glass. Each piece thus becomes a unique record of both the process and a material that no longer exists, yet remains present.

Hana is a regular exhibitor at Designblok, and Lina Kanafani, the owner and curator of @_mintshop_ , frequently visits our festival to scout talent for her gallery. We are thrilled that Designblok serves as a platform that successfully introduces Czech design to the world.

“When we spoke a year ago, Hana emphasized that her main focus was on the process and exploring the material’s possibilities, and that she didn’t have a clear strategy for her post-graduation career. Back then, she talked about searching for a direction—but today, perhaps precisely because she gave herself that freedom, she has established herself as one of the fresh voices in contemporary collectible design,” adds Danica.
~
🇨🇿 V londýnské galerii @_mintshop_ je k vidění výstava Break with Care, na které @hanavopravilova zkoumá napětí mezi křehkostí a silou prostřednictvím transformovaných a znovu poskládaných materiálů. Představuje skleněné objekty z kolekce PAP – Paper As Patterner, při jejichž vzniku využívá papírové struktury jako jednorázové formy, jež ve skle zanechávají jemné reliéfy a otisky – každý kus tak vzniká jako neopakovatelný záznam procesu i materiálu, který už není a přitom stále je.

Hana patří mezi pravidelné vystavující na Designbloku a majitelka a kurátorka @_mintshop_ Lina Kanafani pravidelně navštěvuje náš festival, kde si vybírá talenty pro svou galerii. Jsme rádi, že je Designblok platformou, které se daří dostávat český design do světa.

🏳️ | Selected by @danicakovar.
📷 | Inge Clemente & @simonroubal