Instagram Story Viewer
View Instagram Stories Anonymously
aliyarchives
alzy
📹it’s a production
editor | videographer | art director
MCR | NCL
From last year the launch of “My Lust Is My Religion” party. @florenceros.e
One of my favourite videos from last year.
Video for @benchoriginal hosted at @themanchestersocial 📹
•
Supporting @mustardtreemcr
#videography #editor #events #bench #mcrbased #manchestersocial #tatto #feature #search #chairty
This Thursday super proud and honoured to drop my debut album A World No More on fossilised orange wax made possible by @yukuwax and housed by @easternbloc_ 🏛️
We’ll be going knees up 9pm - 2am with my fav curation this year @gina__mcr @_mamba.exe_ @memegold @oriki.seun @unkuulteej @uchennaaaa @miguelcolell @frederic________ @_kusasa for a massive B2B madness 📀🔥
Only 13 Limited Edition 12” Vinyl remaining being sold on the night so come down earlyZzzz
Tickets via @resident_advisor (Link in Bio)
📍 5a Stevenson Square, Northern Quarter, M1 1DN
🎶 Pun Ya Head ft. @wostmusic
📹🎬 @aliyahasann
🎨 @samuel.tomsky
Artist: Aliya Hasan
Role: Videography / Photography
Title ‘Spy of the Nights’
Instagram: @aliyahasann | @aliyarchives
Equipment: VHS Sony Tape, Sony Digital Camcorder + Canon Film AE-1
Date: Sep 2024 - Dec 2025
“Being a fly on the wall, I quietly document moments as they unfold, candid and unfiltered. I’ve always been curious about the building blocks of scenes: clearing schedules, months of preparation, and production planning. When I first came to Manchester, The Warehouse Project felt like one of those moments magnified. It wasn’t just an event; it was a world. I observed how much intention and collaboration went into creating something that, on the surface, looks effortless. Using my perspective, I began capturing things in an unpolished way. I use my mum’s old VHS camcorder alongside my digital handheld one, both lo-fi, imperfect, and textured. I film to make it feel like you were there too, seeing it through my lens.
There’s something soft about lo-fi footage. It transcends you. It makes the present moment feel like it’s already a memory. And there’s nothing greater than reliving something while it’s still happening — feeling nostalgic for a moment that’s just passed. Back then, I was documenting from the outside, recording my friends in the raves and creating edits from them. By observing something that felt bigger than me, now, to have worked with some artists I give thanks to and the people behind the scenes that make WHP possible feels like a full-circle moment. Feeling the extended family feeling from being part of those shows. What once felt like a space I was stepping into now feels like a community I’m part of. My student self would be baffled if I told her!”
Soundtrack - 4am Kru + Sir Hiss - Earshots
Artist: Aliya Hasan
Role: Videography / Photography
Title ‘Spy of the Nights’
Instagram: @aliyahasann | @aliyarchives
Equipment: VHS Sony Tape, Sony Digital Camcorder + Canon Film AE-1
Date: Sep 2024 - Dec 2025
“Being a fly on the wall, I quietly document moments as they unfold, candid and unfiltered. I’ve always been curious about the building blocks of scenes: clearing schedules, months of preparation, and production planning. When I first came to Manchester, The Warehouse Project felt like one of those moments magnified. It wasn’t just an event; it was a world. I observed how much intention and collaboration went into creating something that, on the surface, looks effortless. Using my perspective, I began capturing things in an unpolished way. I use my mum’s old VHS camcorder alongside my digital handheld one, both lo-fi, imperfect, and textured. I film to make it feel like you were there too, seeing it through my lens.
There’s something soft about lo-fi footage. It transcends you. It makes the present moment feel like it’s already a memory. And there’s nothing greater than reliving something while it’s still happening — feeling nostalgic for a moment that’s just passed. Back then, I was documenting from the outside, recording my friends in the raves and creating edits from them. By observing something that felt bigger than me, now, to have worked with some artists I give thanks to and the people behind the scenes that make WHP possible feels like a full-circle moment. Feeling the extended family feeling from being part of those shows. What once felt like a space I was stepping into now feels like a community I’m part of. My student self would be baffled if I told her!”
Soundtrack - 4am Kru + Sir Hiss - Earshots
Artist: Aliya Hasan
Role: Videography / Photography
Title ‘Spy of the Nights’
Instagram: @aliyahasann | @aliyarchives
Equipment: VHS Sony Tape, Sony Digital Camcorder + Canon Film AE-1
Date: Sep 2024 - Dec 2025
“Being a fly on the wall, I quietly document moments as they unfold, candid and unfiltered. I’ve always been curious about the building blocks of scenes: clearing schedules, months of preparation, and production planning. When I first came to Manchester, The Warehouse Project felt like one of those moments magnified. It wasn’t just an event; it was a world. I observed how much intention and collaboration went into creating something that, on the surface, looks effortless. Using my perspective, I began capturing things in an unpolished way. I use my mum’s old VHS camcorder alongside my digital handheld one, both lo-fi, imperfect, and textured. I film to make it feel like you were there too, seeing it through my lens.
There’s something soft about lo-fi footage. It transcends you. It makes the present moment feel like it’s already a memory. And there’s nothing greater than reliving something while it’s still happening — feeling nostalgic for a moment that’s just passed. Back then, I was documenting from the outside, recording my friends in the raves and creating edits from them. By observing something that felt bigger than me, now, to have worked with some artists I give thanks to and the people behind the scenes that make WHP possible feels like a full-circle moment. Feeling the extended family feeling from being part of those shows. What once felt like a space I was stepping into now feels like a community I’m part of. My student self would be baffled if I told her!”
Soundtrack - 4am Kru + Sir Hiss - Earshots
Artist: Aliya Hasan
Role: Videography / Photography
Title ‘Spy of the Nights’
Instagram: @aliyahasann | @aliyarchives
Equipment: VHS Sony Tape, Sony Digital Camcorder + Canon Film AE-1
Date: Sep 2024 - Dec 2025
“Being a fly on the wall, I quietly document moments as they unfold, candid and unfiltered. I’ve always been curious about the building blocks of scenes: clearing schedules, months of preparation, and production planning. When I first came to Manchester, The Warehouse Project felt like one of those moments magnified. It wasn’t just an event; it was a world. I observed how much intention and collaboration went into creating something that, on the surface, looks effortless. Using my perspective, I began capturing things in an unpolished way. I use my mum’s old VHS camcorder alongside my digital handheld one, both lo-fi, imperfect, and textured. I film to make it feel like you were there too, seeing it through my lens.
There’s something soft about lo-fi footage. It transcends you. It makes the present moment feel like it’s already a memory. And there’s nothing greater than reliving something while it’s still happening — feeling nostalgic for a moment that’s just passed. Back then, I was documenting from the outside, recording my friends in the raves and creating edits from them. By observing something that felt bigger than me, now, to have worked with some artists I give thanks to and the people behind the scenes that make WHP possible feels like a full-circle moment. Feeling the extended family feeling from being part of those shows. What once felt like a space I was stepping into now feels like a community I’m part of. My student self would be baffled if I told her!”
Soundtrack - 4am Kru + Sir Hiss - Earshots
Artist: Aliya Hasan
Role: Videography / Photography
Title ‘Spy of the Nights’
Instagram: @aliyahasann | @aliyarchives
Equipment: VHS Sony Tape, Sony Digital Camcorder + Canon Film AE-1
Date: Sep 2024 - Dec 2025
“Being a fly on the wall, I quietly document moments as they unfold, candid and unfiltered. I’ve always been curious about the building blocks of scenes: clearing schedules, months of preparation, and production planning. When I first came to Manchester, The Warehouse Project felt like one of those moments magnified. It wasn’t just an event; it was a world. I observed how much intention and collaboration went into creating something that, on the surface, looks effortless. Using my perspective, I began capturing things in an unpolished way. I use my mum’s old VHS camcorder alongside my digital handheld one, both lo-fi, imperfect, and textured. I film to make it feel like you were there too, seeing it through my lens.
There’s something soft about lo-fi footage. It transcends you. It makes the present moment feel like it’s already a memory. And there’s nothing greater than reliving something while it’s still happening — feeling nostalgic for a moment that’s just passed. Back then, I was documenting from the outside, recording my friends in the raves and creating edits from them. By observing something that felt bigger than me, now, to have worked with some artists I give thanks to and the people behind the scenes that make WHP possible feels like a full-circle moment. Feeling the extended family feeling from being part of those shows. What once felt like a space I was stepping into now feels like a community I’m part of. My student self would be baffled if I told her!”
Soundtrack - 4am Kru + Sir Hiss - Earshots
Artist: Aliya Hasan
Role: Videography / Photography
Title ‘Spy of the Nights’
Instagram: @aliyahasann | @aliyarchives
Equipment: VHS Sony Tape, Sony Digital Camcorder + Canon Film AE-1
Date: Sep 2024 - Dec 2025
“Being a fly on the wall, I quietly document moments as they unfold, candid and unfiltered. I’ve always been curious about the building blocks of scenes: clearing schedules, months of preparation, and production planning. When I first came to Manchester, The Warehouse Project felt like one of those moments magnified. It wasn’t just an event; it was a world. I observed how much intention and collaboration went into creating something that, on the surface, looks effortless. Using my perspective, I began capturing things in an unpolished way. I use my mum’s old VHS camcorder alongside my digital handheld one, both lo-fi, imperfect, and textured. I film to make it feel like you were there too, seeing it through my lens.
There’s something soft about lo-fi footage. It transcends you. It makes the present moment feel like it’s already a memory. And there’s nothing greater than reliving something while it’s still happening — feeling nostalgic for a moment that’s just passed. Back then, I was documenting from the outside, recording my friends in the raves and creating edits from them. By observing something that felt bigger than me, now, to have worked with some artists I give thanks to and the people behind the scenes that make WHP possible feels like a full-circle moment. Feeling the extended family feeling from being part of those shows. What once felt like a space I was stepping into now feels like a community I’m part of. My student self would be baffled if I told her!”
Soundtrack - 4am Kru + Sir Hiss - Earshots
Artist: Aliya Hasan
Role: Videography / Photography
Title ‘Spy of the Nights’
Instagram: @aliyahasann | @aliyarchives
Equipment: VHS Sony Tape, Sony Digital Camcorder + Canon Film AE-1
Date: Sep 2024 - Dec 2025
“Being a fly on the wall, I quietly document moments as they unfold, candid and unfiltered. I’ve always been curious about the building blocks of scenes: clearing schedules, months of preparation, and production planning. When I first came to Manchester, The Warehouse Project felt like one of those moments magnified. It wasn’t just an event; it was a world. I observed how much intention and collaboration went into creating something that, on the surface, looks effortless. Using my perspective, I began capturing things in an unpolished way. I use my mum’s old VHS camcorder alongside my digital handheld one, both lo-fi, imperfect, and textured. I film to make it feel like you were there too, seeing it through my lens.
There’s something soft about lo-fi footage. It transcends you. It makes the present moment feel like it’s already a memory. And there’s nothing greater than reliving something while it’s still happening — feeling nostalgic for a moment that’s just passed. Back then, I was documenting from the outside, recording my friends in the raves and creating edits from them. By observing something that felt bigger than me, now, to have worked with some artists I give thanks to and the people behind the scenes that make WHP possible feels like a full-circle moment. Feeling the extended family feeling from being part of those shows. What once felt like a space I was stepping into now feels like a community I’m part of. My student self would be baffled if I told her!”
Soundtrack - 4am Kru + Sir Hiss - Earshots
Artist: Aliya Hasan
Role: Videography / Photography
Title ‘Spy of the Nights’
Instagram: @aliyahasann | @aliyarchives
Equipment: VHS Sony Tape, Sony Digital Camcorder + Canon Film AE-1
Date: Sep 2024 - Dec 2025
“Being a fly on the wall, I quietly document moments as they unfold, candid and unfiltered. I’ve always been curious about the building blocks of scenes: clearing schedules, months of preparation, and production planning. When I first came to Manchester, The Warehouse Project felt like one of those moments magnified. It wasn’t just an event; it was a world. I observed how much intention and collaboration went into creating something that, on the surface, looks effortless. Using my perspective, I began capturing things in an unpolished way. I use my mum’s old VHS camcorder alongside my digital handheld one, both lo-fi, imperfect, and textured. I film to make it feel like you were there too, seeing it through my lens.
There’s something soft about lo-fi footage. It transcends you. It makes the present moment feel like it’s already a memory. And there’s nothing greater than reliving something while it’s still happening — feeling nostalgic for a moment that’s just passed. Back then, I was documenting from the outside, recording my friends in the raves and creating edits from them. By observing something that felt bigger than me, now, to have worked with some artists I give thanks to and the people behind the scenes that make WHP possible feels like a full-circle moment. Feeling the extended family feeling from being part of those shows. What once felt like a space I was stepping into now feels like a community I’m part of. My student self would be baffled if I told her!”
Soundtrack - 4am Kru + Sir Hiss - Earshots
Artist: Aliya Hasan
Role: Videography / Photography
Title ‘Spy of the Nights’
Instagram: @aliyahasann | @aliyarchives
Equipment: VHS Sony Tape, Sony Digital Camcorder + Canon Film AE-1
Date: Sep 2024 - Dec 2025
“Being a fly on the wall, I quietly document moments as they unfold, candid and unfiltered. I’ve always been curious about the building blocks of scenes: clearing schedules, months of preparation, and production planning. When I first came to Manchester, The Warehouse Project felt like one of those moments magnified. It wasn’t just an event; it was a world. I observed how much intention and collaboration went into creating something that, on the surface, looks effortless. Using my perspective, I began capturing things in an unpolished way. I use my mum’s old VHS camcorder alongside my digital handheld one, both lo-fi, imperfect, and textured. I film to make it feel like you were there too, seeing it through my lens.
There’s something soft about lo-fi footage. It transcends you. It makes the present moment feel like it’s already a memory. And there’s nothing greater than reliving something while it’s still happening — feeling nostalgic for a moment that’s just passed. Back then, I was documenting from the outside, recording my friends in the raves and creating edits from them. By observing something that felt bigger than me, now, to have worked with some artists I give thanks to and the people behind the scenes that make WHP possible feels like a full-circle moment. Feeling the extended family feeling from being part of those shows. What once felt like a space I was stepping into now feels like a community I’m part of. My student self would be baffled if I told her!”
Soundtrack - 4am Kru + Sir Hiss - Earshots
Artist: Aliya Hasan
Role: Videography / Photography
Title ‘Spy of the Nights’
Instagram: @aliyahasann | @aliyarchives
Equipment: VHS Sony Tape, Sony Digital Camcorder + Canon Film AE-1
Date: Sep 2024 - Dec 2025
“Being a fly on the wall, I quietly document moments as they unfold, candid and unfiltered. I’ve always been curious about the building blocks of scenes: clearing schedules, months of preparation, and production planning. When I first came to Manchester, The Warehouse Project felt like one of those moments magnified. It wasn’t just an event; it was a world. I observed how much intention and collaboration went into creating something that, on the surface, looks effortless. Using my perspective, I began capturing things in an unpolished way. I use my mum’s old VHS camcorder alongside my digital handheld one, both lo-fi, imperfect, and textured. I film to make it feel like you were there too, seeing it through my lens.
There’s something soft about lo-fi footage. It transcends you. It makes the present moment feel like it’s already a memory. And there’s nothing greater than reliving something while it’s still happening — feeling nostalgic for a moment that’s just passed. Back then, I was documenting from the outside, recording my friends in the raves and creating edits from them. By observing something that felt bigger than me, now, to have worked with some artists I give thanks to and the people behind the scenes that make WHP possible feels like a full-circle moment. Feeling the extended family feeling from being part of those shows. What once felt like a space I was stepping into now feels like a community I’m part of. My student self would be baffled if I told her!”
Soundtrack - 4am Kru + Sir Hiss - Earshots
Artist: Aliya Hasan
Role: Videography / Photography
Title ‘Spy of the Nights’
Instagram: @aliyahasann | @aliyarchives
Equipment: VHS Sony Tape, Sony Digital Camcorder + Canon Film AE-1
Date: Sep 2024 - Dec 2025
“Being a fly on the wall, I quietly document moments as they unfold, candid and unfiltered. I’ve always been curious about the building blocks of scenes: clearing schedules, months of preparation, and production planning. When I first came to Manchester, The Warehouse Project felt like one of those moments magnified. It wasn’t just an event; it was a world. I observed how much intention and collaboration went into creating something that, on the surface, looks effortless. Using my perspective, I began capturing things in an unpolished way. I use my mum’s old VHS camcorder alongside my digital handheld one, both lo-fi, imperfect, and textured. I film to make it feel like you were there too, seeing it through my lens.
There’s something soft about lo-fi footage. It transcends you. It makes the present moment feel like it’s already a memory. And there’s nothing greater than reliving something while it’s still happening — feeling nostalgic for a moment that’s just passed. Back then, I was documenting from the outside, recording my friends in the raves and creating edits from them. By observing something that felt bigger than me, now, to have worked with some artists I give thanks to and the people behind the scenes that make WHP possible feels like a full-circle moment. Feeling the extended family feeling from being part of those shows. What once felt like a space I was stepping into now feels like a community I’m part of. My student self would be baffled if I told her!”
Soundtrack - 4am Kru + Sir Hiss - Earshots
My full @moboawards showcase performance is now available to watch back! I performed my songs ‘Tell Me’ (@vibbar) & ‘Bad News’ (@duncanboyce)
Head to @youtube to experience it 🤎🎤
🎥 @aliyarchives
Visual edit for @odyssyuk @laeeqaofficial
Track out now !
#videography #music #mcrbased #newmusic
A look back at CROP CHRISTMAS, as three floors of Stage & Radio were blessed with the sweet sounds of High Hoops, Nossa!, and -140. A full house, top to bottom, for our annual festive celebration. Next stop: NYE at The DBA….
-
cropradio.live // M1 2EQ
spy of the night.
NIA Archive show at @whp_mcr.
I spy
@girlsdontsync
@4amkrulondon
@hitandrunuk
@mcrchunky
spy of the night.
NIA Archive show at @whp_mcr.
I spy
@girlsdontsync
@4amkrulondon
@hitandrunuk
@mcrchunky
spy of the night.
NIA Archive show at @whp_mcr.
I spy
@girlsdontsync
@4amkrulondon
@hitandrunuk
@mcrchunky
spy of the night.
NIA Archive show at @whp_mcr.
I spy
@girlsdontsync
@4amkrulondon
@hitandrunuk
@mcrchunky
spy of the night.
NIA Archive show at @whp_mcr.
I spy
@girlsdontsync
@4amkrulondon
@hitandrunuk
@mcrchunky
spy of the night.
NIA Archive show at @whp_mcr.
I spy
@girlsdontsync
@4amkrulondon
@hitandrunuk
@mcrchunky
spy of the night.
NIA Archive show at @whp_mcr.
I spy
@girlsdontsync
@4amkrulondon
@hitandrunuk
@mcrchunky
spy of the night.
NIA Archive show at @whp_mcr.
I spy
@girlsdontsync
@4amkrulondon
@hitandrunuk
@mcrchunky
How our first party went! Massive love to everyone for their continuous support and to everyone who made this possible🖤
Video and stills by @aliyahasann incredible work once again!
It’s been amazing to collaborate on such big instillations and to work alongside the incredibly talented @lsg.justine who helped bring my vision to life.
Huge love to my good friends who curated the soundtrack for the night, safe to say you brought serious energy to the dance floor.
Hope you enjoyed it as much as we did! Until next time 🎣
Post card edits of a Halloween event at @derbybreweryarms
Hosted by @yung_will_young
•
#postcards #edits #eventsvideographer #videographer #editing #halloween #mcrbased
Post card edits of a Halloween event at @derbybreweryarms
Hosted by @yung_will_young
•
#postcards #edits #eventsvideographer #videographer #editing #halloween #mcrbased
Post card edits of a Halloween event at @derbybreweryarms
Hosted by @yung_will_young
•
#postcards #edits #eventsvideographer #videographer #editing #halloween #mcrbased
Post card edits of a Halloween event at @derbybreweryarms
Hosted by @yung_will_young
•
#postcards #edits #eventsvideographer #videographer #editing #halloween #mcrbased
Post card edits of a Halloween event at @derbybreweryarms
Hosted by @yung_will_young
•
#postcards #edits #eventsvideographer #videographer #editing #halloween #mcrbased
Post card edits of a Halloween event at @derbybreweryarms
Hosted by @yung_will_young
•
#postcards #edits #eventsvideographer #videographer #editing #halloween #mcrbased
View Instagram Stories in Secret
The Instagram Story Viewer is an easy tool that lets you secretly watch and save Instagram stories, videos, photos, or IGTV. With this service, you can download content and enjoy it offline whenever you like. If you find something interesting on Instagram that you’d like to check out later or want to view stories while staying anonymous, our Viewer is perfect for you. Anonstories offers an excellent solution for keeping your identity hidden. Instagram first launched the Stories feature in August 2023, which was quickly adopted by other platforms due to its engaging, time-sensitive format. Stories let users share quick updates, whether photos, videos, or selfies, enhanced with text, emojis, or filters, and are visible for only 24 hours. This limited time frame creates high engagement compared to regular posts. In today’s world, Stories are one of the most popular ways to connect and communicate on social media. However, when you view a Story, the creator can see your name in their viewer list, which may be a privacy concern. What if you wish to browse Stories without being noticed? Here’s where Anonstories becomes useful. It allows you to watch public Instagram content without revealing your identity. Simply enter the username of the profile you’re curious about, and the tool will display their latest Stories. Features of Anonstories Viewer: - Anonymous Browsing: Watch Stories without showing up on the viewer list. - No Account Needed: View public content without signing up for an Instagram account. - Content Download: Save any Stories content directly to your device for offline use. - View Highlights: Access Instagram Highlights, even beyond the 24-hour window. - Repost Monitoring: Track the reposts or engagement levels on Stories for personal profiles. Limitations: - This tool works only with public accounts; private accounts remain inaccessible. Benefits: - Privacy-Friendly: Watch any Instagram content without being noticed. - Simple and Easy: No app installation or registration required. - Exclusive Tools: Download and manage content in ways Instagram doesn’t offer.
Advantages of Anonstories
Explore IG Stories Privately
Keep track of Instagram updates discreetly while protecting your privacy and staying anonymous.
Private Instagram Viewer
View profiles and photos anonymously with ease using the Private Profile Viewer.
Story Viewer for Free
This free tool allows you to view Instagram Stories anonymously, ensuring your activity remains hidden from the story uploader.
Frequently asked questions
Anonymity
Anonstories lets users view Instagram stories without alerting the creator.
Device Compatibility
Works seamlessly on iOS, Android, Windows, macOS, and modern browsers like Chrome and Safari.
Safety and Privacy
Prioritizes secure, anonymous browsing without requiring login credentials.
No Registration
Users can view public stories by simply entering a username—no account needed.
Supported Formats
Downloads photos (JPEG) and videos (MP4) with ease.
Cost
The service is free to use.
Private Accounts
Content from private accounts can only be accessed by followers.
File Usage
Files are for personal or educational use only and must comply with copyright rules.
How It Works
Enter a public username to view or download stories. The service generates direct links for saving content locally.